1964-2009 sports stadium in Queens, New York, US
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Eric Hosmer and Buster discuss Hos returning to Kansas City to celebrate the 2015 World Series, what advice he'd give to Craig Breslow about tough conversations with players, Juan Soto's return to the Bronx and Ronald Acuña Jr. making amends. Then, Darryl Strawberry shares what his reception was like after returning to Shea Stadium as a Dodger. Next, David Schoenfield talks about the Yankees-Mets rivalry returning to 2000-levels of animosity, the Dodgers fixing their issues, and their musings as to why pitchers are getting injured at a higher rate in the modern game. Later, Sarah Langs shares her essay on Aaron Judge. CALL THE SHOW: 406-404-8460 EMAIL THE SHOW: BleacherTweets@gmail.com REACH OUT ON X: #BLEACHERTWEETS 5:07 Eric Hosmer 26:06 Darryl Strawberry 26:56 David Schoenfield 41:29 Sarah Langs 42:56 Bleacher Tweets Learn more about your ad choices. Visit podcastchoices.com/adchoices
Eric Hosmer and Buster discuss Hos returning to Kansas City to celebrate the 2015 World Series, what advice he'd give to Craig Breslow about tough conversations with players, Juan Soto's return to the Bronx and Ronald Acuña Jr. making amends. Then, Darryl Strawberry shares what his reception was like after returning to Shea Stadium as a Dodger. Next, David Schoenfield talks about the Yankees-Mets rivalry returning to 2000-levels of animosity, the Dodgers fixing their issues, and their musings as to why pitchers are getting injured at a higher rate in the modern game. Later, Sarah Langs shares her essay on Aaron Judge. CALL THE SHOW: 406-404-8460 EMAIL THE SHOW: BleacherTweets@gmail.com REACH OUT ON X: #BLEACHERTWEETS 5:07 Eric Hosmer 26:06 Darryl Strawberry 26:56 David Schoenfield 41:29 Sarah Langs 42:56 Bleacher Tweets Learn more about your ad choices. Visit podcastchoices.com/adchoices
James wraps up the show joined by Dan Falato, an award-winning executive producer, writer and performer. They talk about Dan's experience working with personalities like Artie Lange, Stephen A. Smith, and Cubs player Mark Grace as well as recounting crazy stories with Sen. Cory Booker, Shea Stadium and more. James also talks about a confrontation between Milwaukee Buck Giannis Antetokounmpo and Indianapolis Pacer Tyrese Haliburton's father after a playoff game. Learn more about your ad choices. Visit megaphone.fm/adchoices
On The Other Side of Midnight, Dominic Carter talks with callers about football coach Bill Belichick's young girlfriend and talks to callers about who the benefactor of the relationship is. Dominic talks about ridiculous backlash against Philadelphia Eagles running back Saquon Barkley for golfing with President Trump. James Flippin kicks off his segment talking about former NBA player Nate Robinson's successful kidney transplant. He later talks about the results of the Canadian federal election, being a DEI hire and more. James wraps up the show joined by Dan Falato, an award-winning executive producer, writer and performer. They talk about Dan's experience working with personalities like Artie Lange, Stephen A. Smith, and Cubs player Mark Grace as well as recounting crazy stories with Sen. Cory Booker, Shea Stadium and more. James wraps up the show joined by Dan Falato, an award-winning executive producer, writer and performer. They talk about Dan's experience working with personalities like Artie Lange, Stephen A. Smith, and Cubs player Mark Grace as well as recounting crazy stories with Sen. Cory Booker, Shea Stadium and more. James also talks about a confrontation between Milwaukee Buck Giannis Antetokounmpo and Indianapolis Pacer Tyrese Haliburton's father after a playoff game. Learn more about your ad choices. Visit megaphone.fm/adchoices
James Flippin is joined by Dan Falato, an award-winning executive producer, writer and performer. They talk about Dan's experience working with personalities like Artie Lange, Stephen A. Smith, and Cubs player Mark Grace as well as recounting crazy stories with Sen. Cory Booker, Shea Stadium and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Les classiques du jour : - Dido "Life For Rent" - Oasis "Supersonic" Les nouveautés du jour : - Cœur de Pirate "Cavale" - Kids Return "My Hero" Les sorties albums : - Bon Iver "Sable Fable" - Cassia "everyone, outside" - Storm Orchestra "Get Better" - Animal Triste "Jéricho" Le journal de la musique : - Bono au Festival de Cannes pour la première de son film "Bono : Stories of Surrender" - Depeche Mode prépare un long métrage sur leur influence mondiale - Tom Odell revient avec une tournée en toute intimité L'album de votre week-end : The Rolling Stones "Aftermath" Le live du jour : The Who "Who Are You" (Live at Shea Stadium, 1982) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
This week we take an introspective look at the fascinating History Of Baseball In Queens, New York. A story that begins in 1886, when Queens was the only municipalty in New York City that disregarded the Sunday Blue Laws, which prohibited commerce and personel ammusement on Sundays. The borough's landscape was dotted with three ballparks at this time, Ridgewood Parks One and Two in Woodhaven, and Dexter Park located in Jamaica, Queens, and because a blind eye was turned on the Sunday Blue Laws of New York City, Queens became the tourist destination spot on the day of the Sabbath, for the hard working blue-collar citizens of the city, as the Brooklyn baseball team, who would eventually become the Dodgers, begin scheduling Sunday games in the borough, Soon thereafter teams as far away as Jersey City begin scheduling home Sunday games there as well, when the Brooklyn ball team is out of town. 76 years later after the Dodgers and Giants flee the city for California, the expansion franchise team, New York Mets becomes the team most famously celebrated for calling Queens home, is born. This comes with two baseball stadiums in the team's history in Shea Stadium and Citi Field, and we will cover the construction and colorful histories of both cribs. #QueensNewYork #BrooklynGrays #SundayBlueLaws #GeorgeGrauer #GrauersRidgewoodPark #CharlieByrne #WilliamWallace #WallacesRidgewoodPark #JimKennedy #BrooklynGladiators #NatStrong #BillShea #GeorgeVMcLaughlin #WalterOMalley #WilliamShea #WillieStargell #JimBunning #JohannSantana #OJSimpson #BillBuckner #MikePiazza
This week we take an introspective look at the fascinating History Of Baseball In Queens, New York. A story that begins in 1886, when Queens was the only municipalty in New York City that disregarded the Sunday Blue Laws, which prohibited commerce and personel ammusement on Sundays. The borough's landscape was dotted with three ballparks at this time, Ridgewood Parks One and Two in Woodhaven, and Dexter Park located in Jamaica, Queens, and because a blind eye was turned on the Sunday Blue Laws of New York City, Queens became the tourist destination spot on the day of the Sabbath, for the hard working blue-collar citizens of the city, as the Brooklyn baseball team, who would eventually become the Dodgers, begin scheduling Sunday games in the borough, Soon thereafter teams as far away as Jersey City begin scheduling home Sunday games there as well, when the Brooklyn ball team is out of town. 76 years later after the Dodgers and Giants flee the city for California, the expansion franchise team, New York Mets becomes the team most famously celebrated for calling Queens home, is born. This comes with two baseball stadiums in the team's history in Shea Stadium and Citi Field, and we will cover the construction and colorful histories of both cribs. #QueensNewYork #BrooklynGrays #SundayBlueLaws #GeorgeGrauer #GrauersRidgewoodPark #CharlieByrne #WilliamWallace #WallacesRidgewoodPark #JimKennedy #BrooklynGladiators #NatStrong #BillShea #GeorgeVMcLaughlin #WalterOMalley #WilliamShea #WillieStargell #JimBunning #JohannSantana #OJSimpson #BillBuckner #MikePiazza
Before he became one of the most recognizable voices in sports media, Mike Greenberg was just a kid from New York with a dream. In this episode, Greeny takes us through his incredible career journey—from watching the Jets at Shea Stadium to covering the Michael Jordan in Chicago, launching the legendary Mike & Mike, and becoming one of the faces of ESPN as the host of Get Up, Sunday NFL Countdown, and more. (Seriously, when does he sleep!?)Greeny shares behind-the-scenes stories from his years in sports radio and television, gives us a peek into the family group chat, breaks down his beloved Jets, and reacts to his wife Stacy's skills as the paparazzi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Debbie Gendler is the author of a Beatles book called “I Saw Them Standing There”. Debbie was a Superfan who, at age 13, met Brian Epstein, their manager, met the Beatles, became the President of a Beatles Fan Club, received a ticket to see them play live for the first time in the U.S. on the Ed Sullivan Show, saw them perform at Shea Stadium, and was even asked to help promote the opening of “A Hard Day's Night”. She went on to have a career in broadcasting with CBS. She's a 4x Emmy nominated content creator and producer. She helped to launch HGTV and The National Geographic Channel.My featured song is my reimagined version of “I Wanna Be Your Man”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Debbie:www.debbiegendler.com__________________________ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Michele McCain's journey in the entertainment industry is nothing short of remarkable. As a global motivational storyteller, singer-songwriter, and actress, she has enchanted audiences worldwide since her debut at Shea Stadium with the legendary James Brown. With Broadway credits like Ain't Misbehavin' and collaborations with icons such as B.B. King and Celia Cruz, Michele's dedication and talent have established her as an inspiring figure for aspiring artists.Born and raised in Brooklyn, New York, Michele's love for performing led her to a successful Broadway career. After nearly 40 years abroad, particularly in beautiful Mallorca, Spain, she cherishes her journey from Brooklyn's energetic streets to Mediterranean tranquility. Through her travels across Europe, she often advises aspiring performers about the transformative power of adventure and exploration in discovering new opportunities.This week, you'll learn why Michele decided to immigrate to Spain from Brooklyn, New York, how Michele landed her first big time Broadway show, and her advice for dreamers to remember the sky has no limit.LEARN MORE:>> Connect with Michele on Instagram, Facebook, and YouTube (https://www.instagram.com/michelemccain),(https://www.facebook.com/michele.mccain.9), (https://www.youtube.com/@MicheleMcCain)>> Check out her website (https://www.michelemccain.net)> > Listen to Corey and Michele's song together, Werk (https://open.spotify.com/track/1VU4jHjuIdRunXAaqqTXRY?si=tU64S8JaTWySOCI90pz-4Q)NSLS MEMBERS ONLY:> > Listen to the bonus episode to learn about the best advice Michele's ever been given (http://members.nsls.org/audio/michele-mccain)Mentioned in this episode:Get 20% Off at the NSLS ShopUse code MONDAYS for 20% your entire purchase at shop.nsls.orgNSLS ShopNSLS members!
Did you know that Grand Funk Railroad sold out Shea Stadium faster than the Beatles themselves? In the latest Jagbags, we delve into the career and music of Grand Funk Railroad, providing you our favorite albums, first memories, 45-minute playlists, and other delights! Tune in for end of year JAMS!
It was a singular joy to close out the year in episode 85 with Tom Hunyady and Andy Nicholes of the 2Legs podcast as we discussed the McCartney '71 tapes, some real moments of what this work means to us when other things feel upside down, a State of the Blotto Union, The George RR Martins of New England, New Year's Blotto Resolutions (including Stamos), why mistakes happen on the list, the Blotto Mono Box Set, couples counseling for podcast hosts, the mandatory Thanksgiving/Last Waltz chat, the Backbeat soundtrack, the Beatles early bongo obsession, Shea Stadium notes, if McCartney actually drove a boat or started a campfire in his Anthology interviews, the first time Ringo hit a mystery word for us, the best day of McCartney in the studio, Andy Nicholes calling "Yesterday" the worst McCartney Beatles song ever, a lot of talk about our mutual friend Sam Whiles, and the McCarntey barn burner "I'm Down."The interstitial music you heard between our intro and the welcome of the 2Legs gents is an original Scotty C. composition entitled "Elbows." Once you listen too the episode, you will understand why this was a perfect place to point that out.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com). We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop! Grab some merch. You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuest: Tom and Andy from the 2Legs Pod (@2legspodcast)Executive Producer: Scotty C.Musical Supervisor: RB (@ryanobrooks)Associate Musical Supervision: Tim Clark (@nodisassemble)In-House Artist: Colin Driscoll (@theroyal.we)
In 1987, long before the Marvel Cinematic Universe was a glimmer in Stan Lee's eye, Marvel promised a different kind of blockbuster: Spider-Man and Mary Jane would get married. Not just in the comics — in front of 51,000 screaming fans at Shea Stadium. And those fans were not happy about it. * VERY SPECIAL CREDITSHosted by Dana Schwartz, Zaron Burnett, and Jason EnglishWritten by Jake RossenProduced by Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Baheed FrazierVoice Actors: Katie Mattie, Chris Childs, and Josh FisherOriginal Music by Elise McCoyResearch and Fact Checking by Jake Rossen and Austin ThompsonShow Logo by Lucy QuintanillaExecutive Producer is Jason English Thanks for listening! If you're enjoying Very Special Episodes, please leave us a rating and review on your favorite podcast platform. You can reach the show at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.
In 1987, long before the Marvel Cinematic Universe was a glimmer in Stan Lee's eye, Marvel promised a different kind of blockbuster: Spider-Man and Mary Jane would get married. Not just in the comics — in front of 51,000 screaming fans at Shea Stadium. And those fans were not happy about it. * VERY SPECIAL CREDITSHosted by Dana Schwartz, Zaron Burnett, and Jason EnglishWritten by Jake RossenProduced by Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Baheed FrazierVoice Actors: Katie Mattie, Chris Childs, and Josh FisherOriginal Music by Elise McCoyResearch and Fact Checking by Jake Rossen and Austin ThompsonShow Logo by Lucy QuintanillaExecutive Producer is Jason English Thanks for listening! If you're enjoying Very Special Episodes, please leave us a rating and review on your favorite podcast platform. You can reach the show at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.
In 1987, long before the Marvel Cinematic Universe was a glimmer in Stan Lee's eye, Marvel promised a different kind of blockbuster: Spider-Man and Mary Jane would get married. Not just in the comics — in front of 51,000 screaming fans at Shea Stadium. And those fans were not happy about it. * VERY SPECIAL CREDITSHosted by Dana Schwartz, Zaron Burnett, and Jason EnglishWritten by Jake RossenProduced by Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Baheed FrazierVoice Actors: Katie Mattie, Chris Childs, and Josh FisherOriginal Music by Elise McCoyResearch and Fact Checking by Jake Rossen and Austin ThompsonShow Logo by Lucy QuintanillaExecutive Producer is Jason English Thanks for listening! If you're enjoying Very Special Episodes, please leave us a rating and review on your favorite podcast platform. You can reach the show at veryspecialepisodes@gmail.com. See omnystudio.com/listener for privacy information.
Had such a great 30 minute interview with Mark Farner last night! Mark was the songwriter, guitar player and singer of Grand Funk Railroad hailing from Flint Michigan! We talked about the sold out SHEA STADIUM show in 1971. The band sold 10 Million albums in 2 years in the early 70s and had 8 Top 40 hits including 2 #1s! Mark and I talked about the bands great legacy and of course his brand new album out NOW called "Closer To My Home"! Collaborations with my friends Mark Slaughter and Joshua Seth Eagan and also Jim Peterik of Survivor are on this album. Interview with be featured in Music Life Magazine www.musiclifemagazine.net, also parts of it airing in a couple weeks on #rockinrewind on Classic 1220 AM Radio and the Industry 45 Podcast Show- From The Drum Throne as well.Thanks as always to the amazing Jody Glisman Best out of LA 6
Things this week that sent the needle into the red included … … the last dance craze the whole world noticed. ... “Rock stars used to be anti-establishment. Now they ARE the establishment.” … artworks, flags, bespoke I-Ching Coins … would YOU pay £1,350 for a box set? … why Quincy Jones made records like a movie director. ... how Dylan's Biograph and Springsteen's live box started a gold rush. … “an unprecedented event in popular recording". … Hot Night, Starlight, Give Me Some Time, Lights Out and other working titles for Thriller. … “We're here to save the record business!” … the speed of the Beatles: two years between Ed Sullivan and Tomorrow Never Knows; two years from the Cavern to Shea Stadium. Plus birthday guest Phil Hopwood: moments in rock history you'd like to have witnessed to see what really happened.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Things this week that sent the needle into the red included … … the last dance craze the whole world noticed. ... “Rock stars used to be anti-establishment. Now they ARE the establishment.” … artworks, flags, bespoke I-Ching Coins … would YOU pay £1,350 for a box set? … why Quincy Jones made records like a movie director. ... how Dylan's Biograph and Springsteen's live box started a gold rush. … “an unprecedented event in popular recording". … Hot Night, Starlight, Give Me Some Time, Lights Out and other working titles for Thriller. … “We're here to save the record business!” … the speed of the Beatles: two years between Ed Sullivan and Tomorrow Never Knows; two years from the Cavern to Shea Stadium. Plus birthday guest Phil Hopwood: moments in rock history you'd like to have witnessed to see what really happened.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Things this week that sent the needle into the red included … … the last dance craze the whole world noticed. ... “Rock stars used to be anti-establishment. Now they ARE the establishment.” … artworks, flags, bespoke I-Ching Coins … would YOU pay £1,350 for a box set? … why Quincy Jones made records like a movie director. ... how Dylan's Biograph and Springsteen's live box started a gold rush. … “an unprecedented event in popular recording". … Hot Night, Starlight, Give Me Some Time, Lights Out and other working titles for Thriller. … “We're here to save the record business!” … the speed of the Beatles: two years between Ed Sullivan and Tomorrow Never Knows; two years from the Cavern to Shea Stadium. Plus birthday guest Phil Hopwood: moments in rock history you'd like to have witnessed to see what really happened.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Today's podcast guest (and his former band) had 10 Platinum Albums, 5 Top 10 songs, and 2 #1 Singles. In 1971 they sold out Shea Stadium in New York, even faster than the Beatles. He's still rocking and has a brand new album coming out TOMORROW. He's my friend, the one and only Mark Farner, and Mark is definitely Someone You Should Know.Tip Jar:Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to Mark's WebsiteClick here to check out the tour datesClick here to go to Mark's YouTube ChannelClick here to go to Mark's FacebookClick here to go to Mark's InstagramAll music used by permission from the artistSomeone You Should Know 2024 // CatGotYourTongueStudios 2024Send us a textHow to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.
The World Series-winning 1986 New York Mets were, in a word: assholes. But their fans loved them anyway. The Mets were brash, scandalous, addicted, violent, and when you got right down to it, a perfect reflection of their hometown of Queens, New York, and the perfect opposite of Manhattan and the hated New York Yankees who played there. The ‘86 Mets made headlines with their drug use, their on and off-field brawls, their nights in jail, their destruction, and, of course, their domination of the National League. They also made Mets fans and Queens residents focus on something other than the true crime case in the papers that summer, a case that threatened to sink Queens' reputation with a scandal involving corruption and the mysterious death of a beloved Queens politician outside Shea Stadium. To see the full list of contributors, see the show notes at www.disgracelandpod.com. This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. New York is certainly a great sports city, but what is the greatest sports city? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok Check out Kikoff: https://getkikoff.com/DISGRACELAND Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textChoosing godparents is a momentous decision filled with both responsibility and prayerful discernment. We'll explore this essential question with insights from Deacon Mike Hayes, Father Damian Ference, and Christy Cabaniss, who share their wisdom on selecting role models who will be more than just names on a certificate. From considering non-family mentors to honoring cultural traditions like the Hispanic practice of multiple godparents, we offer practical guidance and heartfelt reflections to help you make this choice with confidence and clarity. Plus, discover how these significant figures can continue to shape a child's life, possibly stepping into the role of confirmation sponsors as they grow.Reflecting on the legacy of Pope John Paul II on his feast day, we recount our personal experiences of his awe-inspiring visits to the United States. From the unforgettable masses at Yankee and Shea Stadium in New York to the echoes of his "do not be afraid" messages during World Youth Days, JPII's message continues to ignite faith and courage. Amidst these reflections, we share news about Deacon Mike's appointment as the Bishop's Delegate for Ecumenical and Interfaith Relationships and discuss exciting projects like the Catholic-Jewish Colloquium that are on the horizon.Church Search goes to New Hampshire where we share the story of a church who are praying for our country for 30 days before the election. Christy adds a bit about Pray More Novenas.Mike discusses the Hard 75 challenge.Mike's Hard 75 begins on November 4th:1. Up at 6:30AM each day for a morning walk.2. Morning and Evening Prayer each day.3. Scripture reading plus journaling each day.4. Core finisher exercise each day.5. One Inspirational Social media post each day. (It can be a picture, but I have to add a description about why it is inspiring.)6. Eat only food that I have prepared. (I can eat out, but not randomly. I have to plan to eat out ahead of time and have to pick something off a menu ahead of time that fits with my current diet plan).Readings this week are from the 30th Sunday in Ordinary Time, the story of Bartimaeus calls us to examine our own faith and vision. Join us for a compelling conversation that weaves together the threads of legacy, community, and spiritual growth.
Legendary career singer/songwriter Mark Farner of Mark Farner's American Band returns with “Closer To My Home” celebrating the 55th anniversary of the classic song “(I'm Your Captain) Closer To My Home” made famous by Grand Funk Railroad plus “Anymore”, “The Prisoner”, “Same Game”, “Façade”, the bonus track “Friends Forever” and more! Mark also gives us an update on the last release “From Chile with Love” where $3 for every DVD goes towards Veteran's Transitional Housing Services plus the stories behind the music and how GFR sold over 30M worldwide with 16 gold & platinum albums and selling out faster than the Beatles at Shea Stadium still a record to this day! Check out the amazing Mark Farner and his latest release coming Friday, Nov. 8th on many major platforms and www.markfarner.com ! #markfarner #markfarnersamericanband #GFR #grandfunkrailroad #closertomyhome #55thanniversary #imyourcaptain #anymore #theprisoner #samegame #facade #friendsforever #fromchilewithlove #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermarkfarner #themikewagnershowmarkfarner --- Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
Legendary career singer/songwriter Mark Farner of Mark Farner's American Band returns with “Closer To My Home” celebrating the 55th anniversary of the classic song “(I'm Your Captain) Closer To My Home” made famous by Grand Funk Railroad plus “Anymore”, “The Prisoner”, “Same Game”, “Façade”, the bonus track “Friends Forever” and more! Mark also gives us an update on the last release “From Chile with Love” where $3 for every DVD goes towards Veteran's Transitional Housing Services plus the stories behind the music and how GFR sold over 30M worldwide with 16 gold & platinum albums and selling out faster than the Beatles at Shea Stadium still a record to this day! Check out the amazing Mark Farner and his latest release coming Friday, Nov. 8th on many major platforms and www.markfarner.com ! #markfarner #markfarnersamericanband #GFR #grandfunkrailroad #closertomyhome #55thanniversary #imyourcaptain #anymore #theprisoner #samegame #facade #friendsforever #fromchilewithlove #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermarkfarner #themikewagnershowmarkfarner --- Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
Legendary career singer/songwriter Mark Farner of Mark Farner's American Band returns with “Closer To My Home” celebrating the 55th anniversary of the classic song “(I'm Your Captain) Closer To My Home” made famous by Grand Funk Railroad plus “Anymore”, “The Prisoner”, “Same Game”, “Façade”, the bonus track “Friends Forever” and more! Mark also gives us an update on the last release “From Chile with Love” where $3 for every DVD goes towards Veteran's Transitional Housing Services plus the stories behind the music and how GFR sold over 30M worldwide with 16 gold & platinum albums and selling out faster than the Beatles at Shea Stadium still a record to this day! Check out the amazing Mark Farner and his latest release coming Friday, Nov. 8th on many major platforms and www.markfarner.com ! #markfarner #markfarnersamericanband #GFR #grandfunkrailroad #closertomyhome #55thanniversary #imyourcaptain #anymore #theprisoner #samegame #facade #friendsforever #fromchilewithlove #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermarkfarner #themikewagnershowmarkfarner Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.
In this episode of VRP Rocks, Paul welcomes back legendary Grand Funk Railroad frontman Mark Farner for another incredible conversation. Mark shares the inspiration behind his first new album in almost 20 years, "Closer to My Home", and the fascinating story of re-recording his iconic hit "I'm Your Captain (Closer to Home)" in 432 Hz. Mark also reflects on his near-death experience, discusses his collaboration with Mark Slaughter, and gives his unfiltered thoughts on the Rock and Roll Hall of Fame and Grand Funk's controversial exclusion. Plus, could there be a Grand Funk Railroad reunion in the future? Mark was first featured on episode 85 of VRP Rocks (March 2023), where he told unforgettable stories about Jimi Hendrix, Led Zeppelin, selling out Shea Stadium faster than the Beatles, and much more. Be sure to check it out: Episode 85 Learn more about your ad choices. Visit megaphone.fm/adchoices
October 10, 2004 The Boston Globe reports growing concern for Curt Shillings ailing right ankle. With two days to go before game one of the American league Championship series against the Yankees in the Bronx, Schilling was downplaying the injury and all but guaranteed he would make every scheduled start the rest of the way. Concerns would grow more serious with each passing game leading up to the famous “Bloody Sock” of Game 6.October 10, 1956 - Pitcher Johnny Kucks sets down the Brooklyn Dodgers, 9 - 0, as the New York Yankees win the World Series in seven games. Yogi Berra hits a pair of two-run home runs and Bill Skowron hits a grand slam. It's the seventh and final time Brooklyn and the Yankees meet in the Series. In the future, it will take a jet, not a subway, to get these two teams together, as the Dodgers will move to Los Angeles in 1958.October 10, 1973 - Tom Seaver hurls the Mets into the World Series for the second time in four years with a 7 - 2 victory over Cincinnati in Game Five of the National League Championship Series. Tug McGraw would be brought in for relief and the two would combine for a 7 hit performance before a crowd of 50,323 at Shea Stadium.October 10, 1999 - The Boston Red Sox set an all-time postseason record by scoring 23 runs in defeating the Cleveland Indians, 23 - 7. The win ties their American League Division Series at two games apiece. Boston gets 24 hits in the contest, including five by Mike Stanley and four each by John Valentin and Jason Varitek. Valentin hits a pair of home runs with seven RBI, while Jose Offerman and Trot Nixon have two RBI each.
October 10, 2004 The Boston Globe reports growing concern for Curt Shillings ailing right ankle. With two days to go before game one of the American league Championship series against the Yankees in the Bronx, Schilling was downplaying the injury and all but guaranteed he would make every scheduled start the rest of the way. Concerns would grow more serious with each passing game leading up to the famous “Bloody Sock” of Game 6.October 10, 1956 - Pitcher Johnny Kucks sets down the Brooklyn Dodgers, 9 - 0, as the New York Yankees win the World Series in seven games. Yogi Berra hits a pair of two-run home runs and Bill Skowron hits a grand slam. It's the seventh and final time Brooklyn and the Yankees meet in the Series. In the future, it will take a jet, not a subway, to get these two teams together, as the Dodgers will move to Los Angeles in 1958.October 10, 1973 - Tom Seaver hurls the Mets into the World Series for the second time in four years with a 7 - 2 victory over Cincinnati in Game Five of the National League Championship Series. Tug McGraw would be brought in for relief and the two would combine for a 7 hit performance before a crowd of 50,323 at Shea Stadium.October 10, 1999 - The Boston Red Sox set an all-time postseason record by scoring 23 runs in defeating the Cleveland Indians, 23 - 7. The win ties their American League Division Series at two games apiece. Boston gets 24 hits in the contest, including five by Mike Stanley and four each by John Valentin and Jason Varitek. Valentin hits a pair of home runs with seven RBI, while Jose Offerman and Trot Nixon have two RBI each.
Barstool's 'Frank the Tank' joins the guys on Diggin' Deep!Frank takes us back to his baseball roots, growing up in a family full of Yankee fans but falling in love with the Mets and Doc Gooden. In his days before Barstool, Frank worked as a court clerk until one Mets Opening Day an NJ Transit debacle lead to an infamous rant that peaked the interest of Dave Portnoy. Frank explains how his viral rant that aired on the news led to his first opportunity to work at Barstool Sports. From there, he never looked back. Through the pain that Hoz brought Frank in the 2015 World Series until now, Frank has been a Mets die hard through and through. He takes us back to his best and worst memories as a fan, and the differences between Shea Stadium and Citi Field. Frank also reveals how long it takes him to get over a Mets loss, and what he deems are the unwritten rules of heckling players. Frank has had a budding career at Barstool since the day of his NJ transit rant, making a name for himself through appearances on different shows and the recent success of his own show "Frank Walks."-----------------GuestFrank 'The Tank' Fleming / @njtank1975HostsEric Hosmer / @hosmer305Peter Moylan / @petermoylanJustin Su'a / @justinsuaInteract with the Diggin' Deep Crew on:Instagram / Facebook / Twitter / TikTok Advertising & Partnership inquiries: diggindeep@moonballmedia.coma MoonBall Media Podcast
September 21, 1958 At Fenway Park, the Red Sox complete a three-game sweep of the Senators, all by 2 - 0 shutouts.. Today's win, however, is marred when Ted Williams, after striking out looking with two aboard to end the third inning, flings his bat aside in a fit of anger. Unfortunately,the intended flip along the ground sails into the stands and striking, of all people, Boston GM Joe Cronin's 69-year-old housekeeper, Gladys Heffernan, in the head. "I didn't mean to throw the bat that way," explains the distraught Williams. "I started to flip it along the ground but the sticky stuff on my hands stuck to it and it left my hands on the fly instead. I was sick." Thankfully Heffernan was not badly hurt.September 21, 2001 A crowd of 41,235 at Shea Stadium witness the return of baseball to New York City for the first time since the terrorist attacks of September 11. Uplifting ceremonies before and during the game, which include singers Diana Ross, Marc Anthony and Liza Minnelli as well as bagpipers, pay tribute to victims of the tragedy.September 21, 1934 - The Dean Brothers shut out the Dodgers. After Dizzy Dean gives up just 3 hits in a 13 - 0 victory, allowing no hits until the 8th, Paul Dean wins a no hitter 3 - 0. Diz says: "If'n Paul had told me he was gonna pitch a no-hitter, I'd of throwed one, too."September 21, 1970 The A's Vida Blue no-hits the Twins 6 - 0, becoming the youngest pitcher to perform the feat since Paul Dean, 36 years ago to the day. An Oakland crowd of only 4,284 watches Blue's 2nd ML start.September 21, 1981 - Steve Carlton fans 12 Expos in 10 innings to break Bob Gibson's National League strikeout record. Carlton now has 3,128 K's, but the Phillies lose to the Expos 1 - 0 in 17 innings.September 21, 1987 - With two stolen bases against the Cubs, Darryl Strawberry joins teammate Howard Johnson as a member of the 30/30 club. It is the first time in major league history players on the same team have hit 30 homers and have stolen 30 bases in the same year
September 18, 1975 - The New York Mets defeat the Chicago Cubs, 7 - 5 at Shea Stadium. Rusty Staub becomes the first Mets' player to reach 100 RBIs in a season with a 2-run homer in the fifth. Dave Kingman sets a team record with his 35th home run of the season to win it in the ninth inning. Kingman would also hit his 35th homer of the year on this date in 1976 when he was named to the National League All Star Team for the first time.September 18, 1962 At LA, the Aaron brothers lead the Braves to a 10 - 5 pounding of the Dodgers, and cutting the Dodger lead over the idle Giants to 3 1/2 games. Hank Aaron hits his 40th homer and Tommie Aaron accounts for three RBIs with three hits.September 18, 1986 - For the second time in his career, Reggie Jackson belts three homersin a game, scoring four times with seven RBIs against Kansas City. At the age of 40 years four months, Reggie joins Stan Musial and Babe Ruth as the only player over 40 to accomplish the feat.September 18, 1996 Roger Clemens fans 20 Detroit Tigers without walking a single batter, tying his record for most strikeouts in a 9-inning game. The Rocket holds the Tigers to four hits en route to a 4 - 0 shutout.
September 17, 1968 Detroit clinches the American League pennant with a 2 - 1 win over the Yankees. Detroit is ahead 1 - 0 when Red Sox owner Tom Yawkey phones Tiger general manager Jim Campbell with the news that the Sox have beaten the Orioles, clinching the pennant for the Tigers. Campbell keeps the score off the radio and the scoreboard, fearing the news will send fans rampaging onto the field.Don Wert singles home the winner in the 9th and the fans tear down the left field screen as Campbell suspected.September 17, 1912 - Casey Stengel of the Dodgers makes an impressive major league debut against the Pirates. The likable Brooklyn outfielder from Kansas City collects four hits, drives in two runs and swipes a pair of stolen bases in the 7 - 3 win.September 17, 1979 - The Royals' George Brett collects his 20th triple of the season in a 16 - 4 romp over the Angels. Brett becomes the 6th player ever and the first since Willie Mays in 1927, to collect 20 doubles, 20 triples and 20 home runs in the same season. He will finish with totals of 42, 20 and 23.September 17, 1985 Dwight Gooden strikes out 16 batters for the second straight start to tie the major-league record of 32 strikeouts in consecutive games, but balks home the winning run in the 8th inning of a 2 - 1 loss to the Phillies. It is Gooden's 5th straight outing with 10 or more strikeouts.September 17, 1986 - The Mets clinch the National League East title with a 4 - 2 win over the Cubs at Shea Stadium as Dwight Gooden tosses a 6-hitter. The Mets will win 108 games this season, most in the National League since the 1975 Reds.
Episode 256 features former MLB player, Butch Huskey and Rib Cook Off Association originators, Dirk Mullins and Jody Harris. Plus we pay tribute to the late Ed Kranepool and discuss Pig Island NYC 2024. Butch Huskey is a former professional baseball player who played in the Major Leagues primarily as an outfielder in 1993 and from 1995 to 2000. Butch played for the New York Mets, Seattle Mariners, Boston Red Sox, Minnesota Twins, and the Colorado Rockies. Butch was the last New York Met to wear #42 which was retired by all of Major League Baseball to honor Jackie Robinson on April 15, 1997. The ceremony occurred that day at Shea Stadium in a game between the Mets and the Los Angeles Dodgers. Huskey is an avid fan of barbecue and we discuss his baseball career and his love of barbecue. Dirk Mullins and Jody Harris are the husband and wife team originators of the Rib Cook Off Association. The creative duo have more than 10 years in competitive barbecue. The Rib Cook Off Association; only one year in is already experiencing rapid growth with many competitions throughout the United States as well as expanding even further with the beginning of competitions in Europe. Per the association's website, "At the Rib Cook Off Association, our mission is to work hand in hand with promoters to organize events that not only elevate the sport of BBQ ribs but also create a vibrant and welcoming atmosphere for the communities hosting these exciting gatherings. We believe in the power of bringing people together through the shared love of good food and friendly competition." Go to https://www.ribcookoffassociation.com/ for more information. We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. We recommend you go to Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves, Cutting Edge Firewood High Quality Kiln Dried Firewood - Cutting Edge Firewood in Atlanta for high quality firewood and cooking wood, Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/ We truly appreciate our listeners and hope that all of you are staying safe. If you would like to contact the show, we would love to hear from you. Call the show: (516) 855-8214 Email: baseballandbbq@gmail.com Twitter: @baseballandbbq Instagram: baseballandbarbecue YouTube: baseball and bbq Website: https//baseballandbbq.weebly.com Facebook: baseball and bbq
Originally aired August 2024. Michael Salfino (The Athletic, Topps) and host Thomas Emerick take the 7 train to Shea Stadium as Bill Walsh's upstart Niners bring an early form of the West Coast offense to New York City. Steve DeBerg is starting at quarterback, but his voice amplifier is malfunctioning and Joe Montana will have to step in a bit. Visiting a young Jets team expected to make some noise in the early '80s, are the Niners ready for their close-up? This is Remember That Game, the podcast about sporting events that take you on a journey and chart the path of the zeitgeist. I'm your host Thomas Emerick, enjoy the show. Follow Remember That Game for the full archive: Apple Spotify YouTube "Remember That Game" in search wherever you get your podcasts More from Michael Salfino: Author archive (The Athletic) Scott Fish Bowl draft review (The Athletic) The Breakfast Table Fantasy Podcast (Patreon) More from the 1980 Week 3 game between the San Francisco 49ers and New York Jets Box score: San Francisco 49ers 37, New York Jets 27 (Pro Football Reference) Charle Young, Freddie Solomon, Bruce Harper, Paul Darby, and Derrick Gaffney hit paydirt Full game (YouTube) Joe Montana hits Dwight Clark in the end zone for the first time, while safety Dwight Hicks forces Richard Todd to settle for shorter completions to back Clark Gaines as the two set NFL single-game completion and reception records Game Highlights (YouTube) Bill Walsh's West Coast Offense makes it look easy as Niners backs Earl Cooper and Paul Hofer gallup around the infield dirt at Shea in September HOST RotoViz contributor Thomas Emerick (@ThomasEmerick) Guest The Athletic fantasy football writer Michael Salfino (@MichaelSalfino) SPONSORS BetterHelp - This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ROTOVIZ and get on your way to being your best self. Underdog Fantasy – Get a 100% deposit match on your first deposit up to $100 when you sign up at Underdogfantasy.com using this link or the promo code ROTOVIZ. Listeners of RotoViz Radio can save 10% on a one-year RotoViz subscription by visiting RotoViz.com/podcast or by using the promotional code "rvradio2024" at the time of purchase. Gametime - Download the Gametime app, create an account, and use code ROTOVIZ for $20 off your first purchase. SHOW NOTES RotoViz Radio provides the power for Remember That Game: Subscribe to the RotoViz Radio on YouTube Direct message: @ThomasEmerick Email: emericktc@gmail.com Follow: Apple and Spotify Subscribe: Remember That Game on YouTube Learn more about your ad choices. Visit podcastchoices.com/adchoices
Frank starts the show like he always does on Fridays: With Ask Frank Anything. Frank talks with Elliott Gordon, an entrepreneur, former aide to Mayor Giuliani, a producer and talent agent. They discuss the Catskills, the anniversary of the Beatles at Shea Stadium and reminisce about celebrities from Jackie Mason to Ronald Reagan. Frank starts the third hour with denunciations for the week. He moves on to talk with Ralph Nader, a veteran consumer advocate, best-selling author and a three-time independent candidate for President. His newest book is Let's Start the Revolution: Tools for Displacing the Corporate State and Building a Country that Works for the People. They discuss issues in Boeing, Israel, third parties and more. Frank wraps up the show talking about charges coming to medical providers who supplied actor Matthew Perry with ketamine which lead to his death. He is also joined by Lizzie Rattoballi for News You Can Use. Learn more about your ad choices. Visit megaphone.fm/adchoices
Frank talks with Elliott Gordon, an entrepreneur, former aide to Mayor Giuliani, a producer and talent agent. They discuss the Catskills, the anniversary of the Beatles at Shea Stadium and reminisce about celebrities from Jackie Mason to Ronald Reagan. Learn more about your ad choices. Visit megaphone.fm/adchoices
When Sting, Stewart Copeland and Andy Summers formed the Police, none of them could have predicted the phenomenon that they would become. In Episode Two, we follow the band from the start of that journey to their world-dominating peak. In 5 years, they'll go from grubby bars to the home of arena rock - Shea Stadium. Along the way, they'll produce some of the defining hits of a generation. But as Sting asserts himself as a songwriter, tensions brew… and something has to give. Featuring rare BBC archive, expert interviews and iconic tunes, this is your window into the blend of genius and hard work that propelled Sting and the Police to the top of the charts around the globe. A Cup and Nuzzle Production. Written and produced by Joe Foley.
This Week In Wrestling History hosted by Don Tony aired back in 2018-2019 and spanned two seasons. These retro episodes return remastered and are filled with hundreds of hours of original wrestling clips & stories. Enjoy this deep dive into pro wrestling's awesome history. SYNOPSIS: Episode 32 (8/5 – 8/11)RUNNING TIME: 3 Hours 21 Minutes Hulk Hogan makes his pro wrestling debut. Looking back at WWF 'Showdown At Shea' event in Queens NY at Shea Stadium (1980). Junkyard Dog makes his WWF in ring debut. Audio: Highlights of Ric Flair def Dusty Rhodes to win NWA World Heavyweight Championship (1986). Audio: Post match Promos from Tully Blanchard, Ric Flair, and Dusty Rhodes (1986). Iron Sheik wrestles last match for WWF (until Gimmick Battle Royal). Owen Hart makes his WWF debut, and Curt Hennig returns to WWF after 5 year absence. Looking back at AWA final TV taping and the awful $1 Million Team Challenge Series (1990). Audio: The Black Scorpion (who sounds an awful lot like The Shockmaster) makes his WCW (promo) debut and calls out Sting (1990). Brilliant idea: Sumo Hall sells pillows to all fans attending 1991 G1 Climax. Can you guess what happens next? Audio: Razor Ramon makes his WWF in ring debut (1992). Audio: Macho Man immediately calls out Razor Ramon following his WWF debut (1992). Masahiro Chono def Rick Rude to win the vacant NWA World Heavyweight Title. Johnny Hot Body becomes the first ever ECW TV Champion. Audio: Ricky Steamboat vs Lord Steven Regal WCW No DQ match ends in a DQ (1993). Looking back at AAA Night Of Champions event (1994). Looking back at WCW Hog/Road Wild PPV (1996, 1997, 1998) Audio: Ravishing Rick Rude returns to WWF as HBK's 'Insurance Policy' (1997). Audio: Rocky Maivia joins The Nation Of Domination (1997). Looking back at ECW Born To Be Wired event (1997). Audio: Joey Styles comments on Sabu vs Terry Funk Born To Be Wired. Dutch Mantel def Jerry Lawler to become the last ever USWA Unified Heavyweight Champion. Audio: Entertaining WCW Monday Nitro main event: Kevin Nash, Sid Vicious, and Rick Steiner vs Sting, Goldberg, and Hulk Hogan (1999). Arguably, the loudest Hogan chants from WCW fans ever. Audio: Monday Night Jericho! Chris Jericho makes his WWF debut and immediately confronts The Rock (1999). Audio: Kane tells the fans to Suck It! (1999). Last Smackdown episode featuring The Ovaltron set before WWF debuts the 'Fist'. Audio: Ron 'The Truth' Killings def Ken Shamrock to become the first (and only) NWA Black Heavyweight Champion (2002). Audio: Brock Lesnar vs Hulk Hogan (2002). Looking back at WWF Global Warning event (2002). WWE releases Sable (2nd time). James Gibson def CM Punk, Samoa Joe, and Christopher Daniels to win ROH World Championship. Miss Monday Nitro sentenced for having sexual relations with a 14-year-old student. Bryan Danielson def Nigel McGuinness to win and unify the ROH World and Pure Championships. Looking back at TNA Hard/Hardcore Justice PPV (2007, 2008, 2011, 2012) Pacman Jones makes his TNA debut, and Test wrestles his one and only match in TNA. Looking back at TNA Whole F'N Show event (2010). Audio: Tommy Dreamer's passionate speech from TNA Impact leading into the HardCORE Justice PPV (2010). Kahoneys! Looking back at TNA HardCORE Justice PPV (2010). WWE signs Seth Rollins Looking back at Juggalo Championship Wrestling's Legends And Icons iPPV event (2011). WWE releases the G.O.A.T Abraham Washington, Alberto Del Rio, Joey Styles and Ryback. Looking back at Ring Of Honor Boiling Point event (2012). Looking back at AAA TripleMania XXIII event (2015). WWE renames the 'Submission Sorority' to the much more creative 'PCB'. Billy Corgan replaces Dixie Carter as President of TNA Wrestling. And so much more! 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Michael Salfino (The Athletic, Topps) and host Thomas Emerick take the 7 train to Shea Stadium as Bill Walsh's upstart Niners bring an early form of the West Coast offense to New York City. Steve DeBerg is starting at quarterback, but his voice amplifier is malfunctioning and Joe Montana will have to step in a bit. Visiting a young Jets team expected to make some noise in the early '80s, are the Niners ready for their close-up? This is Remember That Game, the podcast about sporting events that take you on a journey and chart the path of the zeitgeist. I'm your host Thomas Emerick, enjoy the show. Follow Remember That Game for the full archive: Apple Spotify YouTube "Remember That Game" in search wherever you get your podcasts More from Michael Salfino: Author archive (The Athletic) Scott Fish Bowl draft review (The Athletic) The Breakfast Table Fantasy Podcast (Patreon) More from the 1980 Week 3 game between the San Francisco 49ers and New York Jets Box score: San Francisco 49ers 37, New York Jets 27 (Pro Football Reference) Charle Young, Freddie Solomon, Bruce Harper, Paul Darby, and Derrick Gaffney hit paydirt Full game (YouTube) Joe Montana hits Dwight Clark in the end zone for the first time, while safety Dwight Hicks forces Richard Todd to settle for shorter completions to back Clark Gaines as the two set NFL single-game completion and reception records Game Highlights (YouTube) Bill Walsh's West Coast Offense makes it look easy as Niners backs Earl Cooper and Paul Hofer gallup around the infield dirt at Shea in September HOST RotoViz contributor Thomas Emerick (@ThomasEmerick) Guest The Athletic fantasy football writer Michael Salfino (@MichaelSalfino) SPONSORS BetterHelp - This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ROTOVIZ and get on your way to being your best self. Underdog Fantasy – Get a 100% deposit match on your first deposit up to $100 when you sign up at Underdogfantasy.com using this link or the promo code ROTOVIZ. Listeners of RotoViz Radio can save 10% on a one-year RotoViz subscription by visiting RotoViz.com/podcast or by using the promotional code "rvradio2024" at the time of purchase. Gametime - Download the Gametime app, create an account, and use code ROTOVIZ for $20 off your first purchase. SHOW NOTES RotoViz Radio provides the power for Remember That Game: Subscribe to the RotoViz Radio on YouTube Direct message: @ThomasEmerick Email: emericktc@gmail.com Follow: Apple and Spotify Subscribe: Remember That Game on YouTube Learn more about your ad choices. Visit podcastchoices.com/adchoices
Michael Salfino (The Athletic, Topps) and host Thomas Emerick take the 7 train to Shea Stadium as Bill Walsh's upstart Niners bring an early form of the West Coast offense to New York City. Steve DeBerg is starting at quarterback, but his voice amplifier is malfunctioning and Joe Montana will have to step in a bit. Visiting a young Jets team expected to make some noise in the early '80s, are the Niners ready for their close-up? This is Remember That Game, the podcast about sporting events that take you on a journey and chart the path of the zeitgeist. I'm your host Thomas Emerick, enjoy the show. Follow Remember That Game for the full archive: Apple Spotify YouTube "Remember That Game" in search wherever you get your podcasts More from Michael Salfino: Author archive (The Athletic) Scott Fish Bowl draft review (The Athletic) The Breakfast Table Fantasy Podcast (Patreon) More from the 1980 Week 3 game between the San Francisco 49ers and New York Jets Box score: San Francisco 49ers 37, New York Jets 27 (Pro Football Reference) Charle Young, Freddie Solomon, Bruce Harper, Paul Darby, and Derrick Gaffney hit paydirt Full game (YouTube) Joe Montana hits Dwight Clark in the end zone for the first time, while safety Dwight Hicks forces Richard Todd to settle for shorter completions to back Clark Gaines as the two set NFL single-game completion and reception records Game Highlights (YouTube) Bill Walsh's West Coast Offense makes it look easy as Niners backs Earl Cooper and Paul Hofer gallup around the infield dirt at Shea in September HOST RotoViz contributor Thomas Emerick (@ThomasEmerick) Guest The Athletic fantasy football writer Michael Salfino (@MichaelSalfino) SPONSORS BetterHelp - This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ROTOVIZ and get on your way to being your best self. Underdog Fantasy – Get a 100% deposit match on your first deposit up to $100 when you sign up at Underdogfantasy.com using this link or the promo code ROTOVIZ. Listeners of RotoViz Radio can save 10% on a one-year RotoViz subscription by visiting RotoViz.com/podcast or by using the promotional code "rvradio2024" at the time of purchase. Gametime - Download the Gametime app, create an account, and use code ROTOVIZ for $20 off your first purchase. SHOW NOTES RotoViz Radio provides the power for Remember That Game: Subscribe to the RotoViz Radio on YouTube Direct message: @ThomasEmerick Email: emericktc@gmail.com Follow: Apple and Spotify Subscribe: Remember That Game on YouTube Learn more about your ad choices. Visit podcastchoices.com/adchoices
The guys both have a lot to say about the Indiana Jones franchise, Justin visits a farm that makes him feel better about eating dairy and he recounts another chapter of the woodchuck versus garden saga. Then we read a letter from a fan who works for Trader Joe's, and they give us some insight into why their cashiers always seems to ask somewhat personal questions while you're checking out. Finally, Mateo writes in asking if we're watching The Bachelorette these days (yes, of course we are), and his WYR ponders whether the guys would rather have seen The Beatles at Shea Stadium or as part of a TV audience…before ending with a classic Peter out.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode of the Sporkful, a former Shea Stadium food vendor tells Dan about the worst gig in the ballpark. Plus a North Carolina peanut man tells us how they get the salt inside the shell, and Mike Pesca from The Gist tells us how much free advertising Cracker Jack got from being included in "Take Me Out To The Ball Game".This episode originally aired on July 29, 2018, and was produced by Dan Pashman, Anne Saini, and Kristen Meinzer. The Sporkful team now includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, Jared O'Connell, and Ella Barnes. Publishing by Shantel Holder and transcription by Emily Nguyen.Every other Friday, we reach into our deep freezer and reheat an episode to serve up to you. We're calling these our Reheats. If you have a show you want reheated, send us an email or voice memo at hello@sporkful.com, and include your name, your location, which episode, and why.Transcript available at www.sporkful.com.
Mike Ritz is a Pirates fan living in New York City. Though he was born and raised on Long Island, he became a fan of the Pirates thanks to seeing Roberto Clemente play in a game at Shea Stadium back when Mike was a kid. We chat about how a marketing job once forced him to visit each ballpark several times over, what the adult softball scene is like in New York City, and which baseball adventure Mike is looking forward to next. We also hear some funs stories about Willie Mays, Carl Yastrimeyski, Steve Lyons, and Mike's own father.Find Baseball Bucket List Online:Twitter: @BaseballBucketFacebook: @BaseballBucketListInstagram: @Baseball.Bucket.ListWebsite: baseballbucketlist.comThis podcast is part of the Curved Brim Media Network:Twitter: @CurvedBrimWebsite: curvedbrimmedia.com------Learn more about JapanBall's tour offerings at japanball.com
SERIES 2 EPISODE 200: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: With the news that tomorrow night, debate moderators Danna Bash and Jake Tapper will NOT fact-check Trump in real time, CNN has abrogated yet another journalistic imperative at yet another Trump event offering him yet another step towards imposing a dictatorship on this nation. Oh, ok, says CNN: on the 2020 election, yeah, they'll push back. But otherwise?The moderators “are not participants in the debate. They are facilitators,” said a CNN spokesman. CNN's woeful political director David Chalian – largely responsible for the Trump Town Hall debacle last year – told the New York Times that a live debate “is not the ideal arena for live fact-checking”even as that spokesperson who refused to give their NAME to Axios said that there WOULD be SOME fact-checking of major falsehoods and smaller details on secondary CNN platforms. So they're going to do it, they're just not going to do it where it matters or when it matters. Just to further confess that the decision to NOT fact check Trump's firehose of lies as he makes them, WHERE he makes them, is another principle thrown away to make sure Trump shows up or doesn't batter the network, or both, that SAME spokesman said that Trump's lies about 2020 are “inaccuracies.” WHAT SHOULD BIDEN DO? When Trump says something crazy – about sharks OR the economy OR anything in between – START by saying “Donald Trump is insane. And he's wrong. Here's why.” This is especially true if Trump tries the “are you better off now than you were four years ago?” Emphasize Trump's criminal culpability about Covid. The million dead. The bleach. The putting light in your body. The economic collapse. The fact that in February Trump knew it was airborne and lied to the public for months as Americans died. Say it, Mr. President, say it bluntly: Trump killed a million Americans. There are American millions HE killed for whom there is no question – they ain't better off now than they were four years ago. AND bluntly say that he killed the economy. That the inflation we are finally stopping now is TRUMP Inflation. It's TRUMP COVID inflation. That the president with the worst job records since Herbert Hoover was Trump. That violent crime exploded under Trump. That there were two kinds of criminals under Trump: muggers and murderers on the street… and ex-presidents who tried to overthrow the government. And the most important truth to hit him with – the most important truth to dispel what Brian Beutler dubbed “Trump-Stalgia and Trump-Nesia” – the most important truth to enrage Trump – is the truth that he lost. That he lost the election. That he's a loser. And that instead of taking it like a man, he had other people try to overthrow the government, he didn't even have the guts to go to the Capitol during the coup. B-Block (21:30) THE WORST PERSONS IN THE WORLD: Troy Nehls has been wearing a combat medal he never deserved. The military took it back. He says it's the establishment trying to punish him. Vivek Ramaswamy praises the Julian Assange deal, rips the Julian Assange deal, blames Biden, even though he was indicted by Trump. And Missouri's Attorney General sues New York State to somehow impact Trump's 34 Felony Convictions here and says there would be no way some rogue D.A. would have taken Abe Lincoln off the campaign trail in South Carolina in 1860 for being anti-slavery when, of course, Abe Lincoln was taken off the BALLOT in South Carolina in 1860 for being anti-slavery. C-Block (33:44) THINGS I PROMISED NOT TO TELL: I did an interview about my doctor and friend Renée Richards over the weekend so it's time to tell how I met her - and more importantly why - when she treated me after I slammed my head on the front of the 7 Train at Shea Stadium in New York in 1980.See omnystudio.com/listener for privacy information.
My Dad My Dying Sun: A True Story of Love and Legends by David Sahadi, Lou Sahadi https://amzn.to/3xkKubA Lou Sahadi was born into a life of adversity, but he overcame it. For nearly three decades, Lou was a successful magazine publisher and also authored thirty-one acclaimed sports books, many of which became best sellers. From the 60s through the 90s he was the most prolific sports author of his time. Lou loved sports. Lou also absolutely adored his son. David Sahadi landed his first job at NBC Sports when he was just twenty-three. His love and passion for the sports industry combined with Lou's connections opened doors. With his guidance, David became an Emmy-Award winning television producer and director. He has been honored to receive 27 PROMAX Gold Medallion Awards. And though many believe the son became more famous than his father, there was never an ounce of envy. Lou was simply so proud and in awe of the son he loved and guided. At eight, David met Cassius Clay at the Fountainbleu Hotel. Lou was interviewing him. As David boarded a plane the following day, there he was. With immediate recognition, Clay vaulted him up onto his lap, telling the flight attendant, “He's sitting with me.” At thirteen, Lou ushered his scrawny kid David into the locker room at Shea Stadium. The New Orleans St. beat the Jets. Payton and Eli Manning's dad Archie who was the NFL's best quarterback at the time. Archie at over 220 lbs handed David his sweaty t-shirt from the game. It must have weighed ten lbs. David would wear that over-sized shirt for ten years. When Lou was sixty-eight, the tables turned. David was working for the WWE and Lou showed up at one of his son's shoots in South Beach. Lou met The Rock. The connection was instantaneous. David made Lou an extra in the commercial, with his new found friend, The Rock. Adversity found Lou on August 30th, 2020, after suffering a horrific fall. Cracking his skull and causing severe brain trauma, with the doctors saying he had only an 8 percent chance of survival. Miraculously, through boundless love and Lou's unrelenting determination to stay alive for his five children, Lou made a full recovery. Lou lived another two-and-a-half years before succumbing. David knew that Lou hung on because of his five children. David was with him that day. David kissed Lou's lifeless forehead after his last breath was released into the ethers, torrents of tears rolling down his swollen cheeks, and said, “I love you so much Poppa. And don't worry about your children. They are my children now, and I will take care of them.” This book is Lou's story. David's story. The emotional story of Love, Connection and the Blessed lives they lived together in the shadows of Legends.
Meet Eleni KelakosEleni Kelakos, The Speaker Whisperer® , is a presence and presentation expert, and the President of the Eleni Group, established in 2003. She uses performance techniques learned over twenty years as a professional actress and award-winning, nationally touring, singer/songwriter to help speakers and business leaders across the globe present with more authenticity, confidence and impact.When she's not coaching individuals or facilitating trainings at companies like General Motors, Allstate, Little Caesar's Pizza, and Kubota Tractors, Eleni practices what she preaches, firing up hearts and minds with her signature keynote presentations at conferences nationwide.A double major in Theatre and Semiotics from Brown University, Eleni is a past president of the National Speakers Association of Michigan. She's sung the national anthem at Shea Stadium for three (winning!) Mets games, and has produced four acclaimed CDs of her original songs. Eleni is the author of two books, “Touch the Sky: Find Your Voice, Speak Your Truth, Make Your Mark” (which was a gold medal winner of the 2014 Global e-Book Awards) and her “Claim the Stage! A Woman's Guide to Speaking Up, Standing Out, and Taking Leadership” was a 2021 #1 Amazon Bestseller. She lives happily with her husband, and two constantly shedding cats, in Ann Arbor, Michigan.Highlights00:00 Welcome to the Social Capital Podcast01:21 Introducing Today's Guest: Eleni Kelakos02:09 Marketing Tools and Strategies for Success04:59 The Power of Networking and Building Relationships11:47 Personal and Professional Growth Advice13:44 The Journey of a Podcast Host17:30 Final Words of Wisdom and How to ConnectConnect with Eleni!LinkedInThe Eleni GroupTwitter/XGo to www.theelenigroup.com and sign up on the home page for a free e-book “5 Ways to Minimize Stage Fright, Amp Up Your Presence and Wow Any Audience.”
C&R jump into a controversial story about a man not waiting for his wife to get Starbucks at an airport & left on the plane without her! The guys point the blame at her for getting coffee during boarding time & Rich has a similar Mets story. Covino also shares a funny story that ties in. The calls roll in & they get WILD. Plus, A-Rod delivers his All-Time Dream Team of guys he played with, or against!See omnystudio.com/listener for privacy information.
For those who haven't heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on "With a Little Help From My Friends" by Joe Cocker. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud at this time as there are too many Byrds songs in the first chunk, but I will try to put together a multi-part Mixcloud when all the episodes for this song are up. My main source for the Byrds is Timeless Flight Revisited by Johnny Rogan, I also used Chris Hillman's autobiography, the 331/3 books on The Notorious Byrd Brothers and The Gilded Palace of Sin, I used Barney Hoskyns' Hotel California and John Einarson's Desperadoes as general background on Californian country-rock, Calling Me Hone, Gram Parsons and the Roots of Country Rock by Bob Kealing for information on Parsons, and Requiem For The Timeless Vol 2 by Johnny Rogan for information about the post-Byrds careers of many members. Information on Gary Usher comes from The California Sound by Stephen McParland. And this three-CD set is a reasonable way of getting most of the Byrds' important recordings. The International Submarine Band's only album can be bought from Bandcamp. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before we begin, a brief warning – this episode contains brief mentions of suicide, alcoholism, abortion, and heroin addiction, and a brief excerpt of chanting of a Nazi slogan. If you find those subjects upsetting, you may want to read the transcript rather than listen. As we heard in the last part, in October 1967 Roger McGuinn and Chris Hillman fired David Crosby from the Byrds. It was only many years later, in a conversation with the group's ex-manager Jim Dickson, that Crosby realised that they didn't actually have a legal right to fire him -- the Byrds had no partnership agreement, and according to Dickson given that the original group had been Crosby, McGuinn, and Gene Clark, it would have been possible for Crosby and McGuinn to fire Hillman, but not for McGuinn and Hillman to fire Crosby. But Crosby was unaware of this at the time, and accepted a pay-off, with which he bought a boat and sailed to Florida, where saw a Canadian singer-songwriter performing live: [Excerpt: Joni Mitchell, "Both Sides Now (live Ann Arbor, MI, 27/10/67)"] We'll find out what happened when David Crosby brought Joni Mitchell back to California in a future story... With Crosby gone, the group had a major problem. They were known for two things -- their jangly twelve-string guitar and their soaring harmonies. They still had the twelve-string, even in their new slimmed-down trio format, but they only had two of their four vocalists -- and while McGuinn had sung lead on most of their hits, the sound of the Byrds' harmony had been defined by Crosby on the high harmonies and Gene Clark's baritone. There was an obvious solution available, of course, and they took it. Gene Clark had quit the Byrds in large part because of his conflicts with David Crosby, and had remained friendly with the others. Clark's solo album had featured Chris Hillman and Michael Clarke, and had been produced by Gary Usher who was now producing the Byrds' records, and it had been a flop and he was at a loose end. After recording the Gene Clark with the Gosdin Brothers album, Clark had started work with Curt Boettcher, a singer-songwriter-producer who had produced hits for Tommy Roe and the Association, and who was currently working with Gary Usher. Boettcher produced two tracks for Clark, but they went unreleased: [Excerpt: Gene Clark, "Only Colombe"] That had been intended as the start of sessions for an album, but Clark had been dropped by Columbia rather than getting to record a second album. He had put together a touring band with guitarist Clarence White, bass player John York, and session drummer "Fast" Eddie Hoh, but hadn't played many gigs, and while he'd been demoing songs for a possible second solo album he didn't have a record deal to use them on. Chisa Records, a label co-owned by Larry Spector, Peter Fonda, and Hugh Masekela, had put out some promo copies of one track, "Yesterday, Am I Right", but hadn't released it properly: [Excerpt: Gene Clark, "Yesterday, Am I Right"] Clark, like the Byrds, had left Dickson and Tickner's management organisation and signed with Larry Spector, and Spector was wanting to make the most of his artists -- and things were very different for the Byrds now. Clark had had three main problems with being in the Byrds -- ego clashes with David Crosby, the stresses of being a pop star with a screaming teenage fanbase, and his fear of flying. Clark had really wanted to have the same kind of role in the Byrds that Brian Wilson had with the Beach Boys -- appear on the records, write songs, do TV appearances, maybe play local club gigs, but not go on tour playing to screaming fans. But now David Crosby was out of the group and there were no screaming fans any more -- the Byrds weren't having the kind of pop hits they'd had a few years earlier and were now playing to the hippie audience. Clark promised that with everything else being different, he could cope with the idea of flying -- if necessary he'd just take tranquilisers or get so drunk he passed out. So Gene Clark rejoined the Byrds. According to some sources he sang on their next single, "Goin' Back," though I don't hear his voice in the mix: [Excerpt: The Byrds, "Goin' Back"] According to McGuinn, Clark was also an uncredited co-writer on one song on the album they were recording, "Get to You". But before sessions had gone very far, the group went on tour. They appeared on the Smothers Brothers TV show, miming their new single and "Mr. Spaceman", and Clark seemed in good spirits, but on the tour of the Midwest that followed, according to their road manager of the time, Clark was terrified, singing flat and playing badly, and his guitar and vocal mic were left out of the mix. And then it came time to get on a plane, and Clark's old fears came back, and he refused to fly from Minneapolis to New York with the rest of the group, instead getting a train back to LA. And that was the end of Clark's second stint in the Byrds. For the moment, the Byrds decided they were going to continue as a trio on stage and a duo in the studio -- though Michael Clarke did make an occasional return to the sessions as they progressed. But of course, McGuinn and Hillman couldn't record an album entirely by themselves. They did have several tracks in a semi-completed state still featuring Crosby, but they needed people to fill his vocal and instrumental roles on the remaining tracks. For the vocals, Usher brought in his friend and collaborator Curt Boettcher, with whom he was also working at the time in a band called Sagittarius: [Excerpt: Sagittarius, "Another Time"] Boettcher was a skilled harmony vocalist -- according to Usher, he was one of the few vocal arrangers that Brian Wilson looked up to, and Jerry Yester had said of the Modern Folk Quartet that “the only vocals that competed with us back then was Curt Boettcher's group” -- and he was more than capable of filling Crosby's vocal gap, but there was never any real camaraderie between him and the Byrds. He particularly disliked McGuinn, who he said "was just such a poker face. He never let you know where you stood. There was never any lightness," and he said of the sessions as a whole "I was really thrilled to be working with The Byrds, and, at the same time, I was glad when it was all over. There was just no fun, and they were such weird guys to work with. They really freaked me out!" Someone else who Usher brought in, who seems to have made a better impression, was Red Rhodes: [Excerpt: Red Rhodes, "Red's Ride"] Rhodes was a pedal steel player, and one of the few people to make a career on the instrument outside pure country music, which is the genre with which the instrument is usually identified. Rhodes was a country player, but he was the country pedal steel player of choice for musicians from the pop and folk-rock worlds. He worked with Usher and Boettcher on albums by Sagittarius and the Millennium, and played on records by Cass Elliot, Carole King, the Beach Boys, and the Carpenters, among many others -- though he would be best known for his longstanding association with Michael Nesmith of the Monkees, playing on most of Nesmith's recordings from 1968 through 1992. Someone else who was associated with the Monkees was Moog player Paul Beaver, who we talked about in the episode on "Hey Jude", and who had recently played on the Monkees' Pisces, Aquarius, Capricorn & Jones, Ltd album: [Excerpt: The Monkees, "Star Collector"] And the fourth person brought in to help the group out was someone who was already familiar to them. Clarence White was, like Red Rhodes, from the country world -- he'd started out in a bluegrass group called the Kentucky Colonels: [Excerpt: The Kentucky Colonels, "Clinch Mountain Backstep"] But White had gone electric and formed one of the first country-rock bands, a group named Nashville West, as well as becoming a popular session player. He had already played on a couple of tracks on Younger Than Yesterday, as well as playing with Hillman and Michael Clarke on Gene Clark's album with the Gosdin Brothers and being part of Clark's touring band with John York and "Fast" Eddie Hoh. The album that the group put together with these session players was a triumph of sequencing and production. Usher had recently been keen on the idea of crossfading tracks into each other, as the Beatles had on Sgt Pepper, and had done the same on the two Chad and Jeremy albums he produced. By clever crossfading and mixing, Usher managed to create something that had the feel of being a continuous piece, despite being the product of several very different creative minds, with Usher's pop sensibility and arrangement ideas being the glue that held everything together. McGuinn was interested in sonic experimentation. He, more than any of the others, seems to have been the one who was most pushing for them to use the Moog, and he continued his interest in science fiction, with a song, "Space Odyssey", inspired by the Arthur C. Clarke short story "The Sentinel", which was also the inspiration for the then-forthcoming film 2001: A Space Odyssey: [Excerpt: The Byrds, "Space Odyssey"] Then there was Chris Hillman, who was coming up with country material like "Old John Robertson": [Excerpt: The Byrds, "Old John Robertson"] And finally there was David Crosby. Even though he'd been fired from the group, both McGuinn and Hillman didn't see any problem with using the songs he had already contributed. Three of the album's eleven songs are compositions that are primarily by Crosby, though they're all co-credited to either Hillman or both Hillman and McGuinn. Two of those songs are largely unchanged from Crosby's original vision, just finished off by the rest of the group after his departure, but one song is rather different: [Excerpt: The Byrds, "Draft Morning"] "Draft Morning" was a song that was important to Crosby, and was about his -- and the group's -- feelings about the draft and the ongoing Vietnam War. It was a song that had meant a lot to him, and he'd been part of the recording for the backing track. But when it came to doing the final vocals, McGuinn and Hillman had a problem -- they couldn't remember all the words to the song, and obviously there was no way they were going to get Crosby to give them the original lyrics. So they rewrote it, coming up with new lyrics where they couldn't remember the originals: [Excerpt: The Byrds, "Draft Morning"] But there was one other contribution to the track that was very distinctively the work of Usher. Gary Usher had a predilection at this point for putting musique concrete sections in otherwise straightforward pop songs. He'd done it with "Fakin' It" by Simon and Garfunkel, on which he did uncredited production work, and did it so often that it became something of a signature of records on Columbia in 1967 and 68, even being copied by his friend Jim Guercio on "Susan" by the Buckinghams. Usher had done this, in particular, on the first two singles by Sagittarius, his project with Curt Boettcher. In particular, the second Sagittarius single, "Hotel Indiscreet", had had a very jarring section (and a warning here, this contains some brief chanting of a Nazi slogan): [Excerpt: Sagittarius, "Hotel Indiscreet"] That was the work of a comedy group that Usher had discovered and signed to Columbia. The Firesign Theatre were so named because, like Usher, they were all interested in astrology, and they were all "fire signs". Usher was working on their first album, Waiting For The Electrician or Someone Like Him, at the same time as he was working on the Byrds album: [Excerpt: The Firesign Theatre, "W.C. Fields Forever"] And he decided to bring in the Firesigns to contribute to "Draft Morning": [Excerpt: The Byrds, "Draft Morning"] Crosby was, understandably, apoplectic when he heard the released version of "Draft Morning". As far as Hillman and McGuinn were concerned, it was always a Byrds song, and just because Crosby had left the band didn't mean they couldn't use material he'd written for the Byrds. Crosby took a different view, saying later "It was one of the sleaziest things they ever did. I had an entire song finished. They just casually rewrote it and decided to take half the credit. How's that? Without even asking me. I had a finished song, entirely mine. I left. They did the song anyway. They rewrote it and put it in their names. And mine was better. They just took it because they didn't have enough songs." What didn't help was that the publicity around the album, titled The Notorious Byrd Brothers minimised Crosby's contributions. Crosby is on five of the eleven tracks -- as he said later, "I'm all over that album, they just didn't give me credit. I played, I sang, I wrote, I even played bass on one track, and they tried to make out that I wasn't even on it, that they could be that good without me." But the album, like earlier Byrds albums, didn't have credits saying who played what, and the cover only featured McGuinn, Hillman, and Michael Clarke in the photo -- along with a horse, which Crosby took as another insult, as representing him. Though as McGuinn said, "If we had intended to do that, we would have turned the horse around". Even though Michael Clarke was featured on the cover, and even owned the horse that took Crosby's place, by the time the album came out he too had been fired. Unlike Crosby, he went quietly and didn't even ask for any money. According to McGuinn, he was increasingly uninterested in being in the band -- suffering from depression, and missing the teenage girls who had been the group's fans a year or two earlier. He gladly stopped being a Byrd, and went off to work in a hotel instead. In his place came Hillman's cousin, Kevin Kelley, fresh out of a band called the Rising Sons: [Excerpt: The Rising Sons, "Take a Giant Step"] We've mentioned the Rising Sons briefly in some previous episodes, but they were one of the earliest LA folk-rock bands, and had been tipped to go on to greater things -- and indeed, many of them did, though not as part of the Rising Sons. Jesse Lee Kincaid, the least well-known of the band, only went on to release a couple of singles and never had much success, but his songs were picked up by other acts -- his "Baby You Come Rollin' 'Cross My Mind" was a minor hit for the Peppermint Trolley Company: [Excerpt: The Peppermint Trolley Company, "Baby You Come Rollin' 'Cross My Mind"] And Harry Nilsson recorded Kincaid's "She Sang Hymns Out of Tune": [Excerpt: Harry Nilsson, "She Sang Hymns Out of Tune"] But Kincaid was the least successful of the band members, and most of the other members are going to come up in future episodes of the podcast -- bass player Gary Marker played for a while with Captain Beefheart and the Magic Band, lead singer Taj Mahal is one of the most respected blues singers of the last sixty years, original drummer Ed Cassidy went on to form the progressive rock band Spirit, and lead guitarist Ry Cooder went on to become one of the most important guitarists in rock music. Kelley had been the last to join the Rising Sons, replacing Cassidy but he was in the band by the time they released their one single, a version of Rev. Gary Davis' "Candy Man" produced by Terry Melcher, with Kincaid on lead vocals: [Excerpt: The Rising Sons, "Candy Man"] That hadn't been a success, and the group's attempt at a follow-up, the Goffin and King song "Take a Giant Step", which we heard earlier, was blocked from release by Columbia as being too druggy -- though there were no complaints when the Monkees released their version as the B-side to "Last Train to Clarksville". The Rising Sons, despite being hugely popular as a live act, fell apart without ever releasing a second single. According to Marker, Mahal realised that he would be better off as a solo artist, but also Columbia didn't know how to market a white group with a Black lead vocalist (leading to Kincaid singing lead on their one released single, and producer Terry Melcher trying to get Mahal to sing more like a white singer on "Take a Giant Step"), and some in the band thought that Terry Melcher was deliberately trying to sink their career because they refused to sign to his publishing company. After the band split up, Marker and Kelley had formed a band called Fusion, which Byrds biographer Johnny Rogan describes as being a jazz-fusion band, presumably because of their name. Listening to the one album the group recorded, it is in fact more blues-rock, very like the music Marker made with the Rising Sons and Captain Beefheart. But Kelley's not on that album, because before it was recorded he was approached by his cousin Chris Hillman and asked to join the Byrds. At the time, Fusion were doing so badly that Kelley had to work a day job in a clothes shop, so he was eager to join a band with a string of hits who were just about to conclude a lucrative renegotiation of their record contract -- a renegotiation which may have played a part in McGuinn and Hillman firing Crosby and Clarke, as they were now the only members on the new contracts. The choice of Kelley made a lot of sense. He was mostly just chosen because he was someone they knew and they needed a drummer in a hurry -- they needed someone new to promote The Notorious Byrd Brothers and didn't have time to go through a laborious process of audtioning, and so just choosing Hillman's cousin made sense, but Kelley also had a very strong, high voice, and so he could fill in the harmony parts that Crosby had sung, stopping the new power-trio version of the band from being *too* thin-sounding in comparison to the five-man band they'd been not that much earlier. The Notorious Byrd Brothers was not a commercial success -- it didn't even make the top forty in the US, though it did in the UK -- to the presumed chagrin of Columbia, who'd just paid a substantial amount of money for this band who were getting less successful by the day. But it was, though, a gigantic critical success, and is generally regarded as the group's creative pinnacle. Robert Christgau, for example, talked about how LA rather than San Francisco was where the truly interesting music was coming from, and gave guarded praise to Captain Beefheart, Van Dyke Parks, and the Fifth Dimension (the vocal group, not the Byrds album) but talked about three albums as being truly great -- the Beach Boys' Wild Honey, Love's Forever Changes, and The Notorious Byrd Brothers. (He also, incidentally, talked about how the two songs that Crosby's new discovery Joni Mitchell had contributed to a Judy Collins album were much better than most folk music, and how he could hardly wait for her first album to come out). And that, more or less, was the critical consensus about The Notorious Byrd Brothers -- that it was, in Christgau's words "simply the best album the Byrds have ever recorded" and that "Gone are the weak--usually folky--tracks that have always flawed their work." McGuinn, though, thought that the album wasn't yet what he wanted. He had become particularly excited by the potentials of the Moog synthesiser -- an instrument that Gary Usher also loved -- during the recording of the album, and had spent a lot of time experimenting with it, coming up with tracks like the then-unreleased "Moog Raga": [Excerpt: The Byrds, "Moog Raga"] And McGuinn had a concept for the next Byrds album -- a concept he was very excited about. It was going to be nothing less than a grand sweeping history of American popular music. It was going to be a double album -- the new contract said that they should deliver two albums a year to Columbia, so a double album made sense -- and it would start with Appalachian folk music, go through country, jazz, and R&B, through the folk-rock music the Byrds had previously been known for, and into Moog experimentation. But to do this, the Byrds needed a keyboard player. Not only would a keyboard player help them fill out their thin onstage sound, if they got a jazz keyboardist, then they could cover the jazz material in McGuinn's concept album idea as well. So they went out and looked for a jazz piano player, and happily Larry Spector was managing one. Or at least, Larry Spector was managing someone who *said* he was a jazz pianist. But Gram Parsons said he was a lot of things... [Excerpt: Gram Parsons, "Brass Buttons (1965 version)"] Gram Parsons was someone who had come from a background of unimaginable privilege. His maternal grandfather was the owner of a Florida citrus fruit and real-estate empire so big that his mansion was right in the centre of what was then Florida's biggest theme park -- built on land he owned. As a teenager, Parsons had had a whole wing of his parents' house to himself, and had had servants to look after his every need, and as an adult he had a trust fund that paid him a hundred thousand dollars a year -- which in 1968 dollars would be equivalent to a little under nine hundred thousand in today's money. Two events in his childhood had profoundly shaped the life of young Gram. The first was in February 1956, when he went to see a new singer who he'd heard on the radio, and who according to the local newspaper had just recorded a new song called "Heartburn Motel". Parsons had tried to persuade his friends that this new singer was about to become a big star -- one of his friends had said "I'll wait til he becomes famous!" As it turned out, the day Parsons and the couple of friends he did manage to persuade to go with him saw Elvis Presley was also the day that "Heartbreak Hotel" entered the Billboard charts at number sixty-eight. But even at this point, Elvis was an obvious star and the headliner of the show. Young Gram was enthralled -- but in retrospect he was more impressed by the other acts he saw on the bill. That was an all-star line-up of country musicians, including Mother Maybelle and the Carter Sisters, and especially the Louvin Brothers, arguably the greatest country music vocal duo of all time: [Excerpt: The Louvin Brothers, "The Christian Life"] Young Gram remained mostly a fan of rockabilly music rather than country, and would remain so for another decade or so, but a seed had been planted. The other event, much more tragic, was the death of his father. Both Parsons' parents were functioning alcoholics, and both by all accounts were unfaithful to each other, and their marriage was starting to break down. Gram's father was also, by many accounts, dealing with what we would now call post-traumatic stress disorder from his time serving in the second world war. On December the twenty-third 1958, Gram's father died of a self-inflicted gunshot wound. Everyone involved seems sure it was suicide, but it was officially recorded as natural causes because of the family's wealth and prominence in the local community. Gram's Christmas present from his parents that year was a reel-to-reel tape recorder, and according to some stories I've read his father had left a last message on a tape in the recorder, but by the time the authorities got to hear it, it had been erased apart from the phrase "I love you, Gram." After that Gram's mother's drinking got even worse, but in most ways his life still seemed charmed, and the descriptions of him as a teenager are about what you'd expect from someone who was troubled, with a predisposition to addiction, but who was also unbelievably wealthy, good-looking, charming, and talented. And the talent was definitely there. One thing everyone is agreed on is that from a very young age Gram Parsons took his music seriously and was determined to make a career as a musician. Keith Richards later said of him "Of the musicians I know personally (although Otis Redding, who I didn't know, fits this too), the two who had an attitude towards music that was the same as mine were Gram Parsons and John Lennon. And that was: whatever bag the business wants to put you in is immaterial; that's just a selling point, a tool that makes it easier. You're going to get chowed into this pocket or that pocket because it makes it easier for them to make charts up and figure out who's selling. But Gram and John were really pure musicians. All they liked was music, and then they got thrown into the game." That's not the impression many other people have of Parsons, who is almost uniformly described as an incessant self-promoter, and who from his teens onwards would regularly plant fake stories about himself in the local press, usually some variant of him having been signed to RCA records. Most people seem to think that image was more important to him than anything. In his teens, he started playing in a series of garage bands around Florida and Georgia, the two states in which he was brought up. One of his early bands was largely created by poaching the rhythm section who were then playing with Kent Lavoie, who later became famous as Lobo and had hits like "Me and You and a Dog Named Boo". Lavoie apparently held a grudge -- decades later he would still say that Parsons couldn't sing or play or write. Another musician on the scene with whom Parsons associated was Bobby Braddock, who would later go on to co-write songs like "D-I-V-O-R-C-E" for Tammy Wynette, and the song "He Stopped Loving Her Today", often considered the greatest country song ever written, for George Jones: [Excerpt: George Jones, "He Stopped Loving Her Today"] Jones would soon become one of Parsons' musical idols, but at this time he was still more interested in being Elvis or Little Richard. We're lucky enough to have a 1962 live recording of one of his garage bands, the Legends -- the band that featured the bass player and drummer he'd poached from Lobo. They made an appearance on a local TV show and a friend with a tape recorder recorded it off the TV and decades later posted it online. Of the four songs in that performance, two are R&B covers -- Little Richard's "Rip It Up" and Ray Charles' "What'd I Say?", and a third is the old Western Swing classic "Guitar Boogie Shuffle". But the interesting thing about the version of "Rip it Up" is that it's sung in an Everly Brothers style harmony, and the fourth song is a recording of the Everlys' "Let It Be Me". The Everlys were, of course, hugely influenced by the Louvin Brothers, who had so impressed young Gram six years earlier, and in this performance you can hear for the first time the hints of the style that Parsons would make his own a few years later: [Excerpt: Gram Parsons and the Legends, "Let it Be Me"] Incidentally, the other guitarist in the Legends, Jim Stafford, also went on to a successful musical career, having a top five hit in the seventies with "Spiders & Snakes": [Excerpt: Jim Stafford, "Spiders & Snakes"] Soon after that TV performance though, like many musicians of his generation, Parsons decided to give up on rock and roll, and instead to join a folk group. The group he joined, The Shilos, were a trio who were particularly influenced by the Journeymen, John Phillips' folk group before he formed the Mamas and the Papas, which we talked about in the episode on "San Francisco". At various times the group expanded with the addition of some female singers, trying to capture something of the sound of the New Chrisy Minstrels. In 1964, with the band members still in school, the Shilos decided to make a trip to Greenwich Village and see if they could make the big time as folk-music stars. They met up with John Phillips, and Parsons stayed with John and Michelle Phillips in their home in New York -- this was around the time the two of them were writing "California Dreamin'". Phillips got the Shilos an audition with Albert Grossman, who seemed eager to sign them until he realised they were still schoolchildren just on a break. The group were, though, impressive enough that he was interested, and we have some recordings of them from a year later which show that they were surprisingly good for a bunch of teenagers: [Excerpt: The Shilos, "The Bells of Rhymney"] Other than Phillips, the other major connection that Parsons made in New York was the folk singer Fred Neil, who we've talked about occasionally before. Neil was one of the great songwriters of the Greenwich Village scene, and many of his songs became successful for others -- his "Dolphins" was recorded by Tim Buckley, most famously his "Everybody's Talkin'" was a hit for Harry Nilsson, and he wrote "Another Side of This Life" which became something of a standard -- it was recorded by the Animals and the Lovin' Spoonful, and Jefferson Airplane, as well as recording the song, included it in their regular setlists, including at Monterey: [Excerpt: Jefferson Airplane, "The Other Side of This Life (live at Monterey)"] According to at least one biographer, though, Neil had another, more pernicious, influence on Parsons -- he may well have been the one who introduced Parsons to heroin, though several of Parsons' friends from the time said he wasn't yet using hard drugs. By spring 1965, Parsons was starting to rethink his commitment to folk music, particularly after "Mr. Tambourine Man" became a hit. He talked with the other members about their need to embrace the changes in music that Dylan and the Byrds were bringing about, but at the same time he was still interested enough in acoustic music that when he was given the job of arranging the music for his high school graduation, the group he booked were the Dillards. That graduation day was another day that would change Parsons' life -- as it was the day his mother died, of alcohol-induced liver failure. Parsons was meant to go on to Harvard, but first he went back to Greenwich Village for the summer, where he hung out with Fred Neil and Dave Van Ronk (and started using heroin regularly). He went to see the Beatles at Shea Stadium, and he was neighbours with Stephen Stills and Richie Furay -- the three of them talked about forming a band together before Stills moved West. And on a brief trip back home to Florida between Greenwich Village and Harvard, Parsons spoke with his old friend Jim Stafford, who made a suggestion to him -- instead of trying to do folk music, which was clearly falling out of fashion, why not try to do *country* music but with long hair like the Beatles? He could be a country Beatle. It would be an interesting gimmick. Parsons was only at Harvard for one semester before flunking out, but it was there that he was fully reintroduced to country music, and in particular to three artists who would influence him more than any others. He'd already been vaguely aware of Buck Owens, whose "Act Naturally" had recently been covered by the Beatles: [Excerpt: Buck Owens, "Act Naturally"] But it was at Harvard that he gained a deeper appreciation of Owens. Owens was the biggest star of what had become known as the Bakersfield Sound, a style of country music that emphasised a stripped-down electric band lineup with Telecaster guitars, a heavy drumbeat, and a clean sound. It came from the same honky-tonk and Western Swing roots as the rockabilly music that Parsons had grown up on, and it appealed to him instinctively. In particular, Parsons was fascinated by the fact that Owens' latest album had a cover version of a Drifters song on it -- and then he got even more interested when Ray Charles put out his third album of country songs and included a version of Owens' "Together Again": [Excerpt: Ray Charles, "Together Again"] This suggested to Parsons that country music and the R&B he'd been playing previously might not quite be so far apart as he'd thought. At Harvard, Parsons was also introduced to the work of another Bakersfield musician, who like Owens was produced by Ken Nelson, who also produced the Louvin Brothers' records, and who we heard about in previous episodes as he produced Gene Vincent and Wanda Jackson. Merle Haggard had only had one big hit at the time, "(My Friends Are Gonna Be) Strangers": [Excerpt: Merle Haggard, "(My Friends are Gonna Be) Strangers"] But he was about to start a huge run of country hits that would see every single he released for the next twelve years make the country top ten, most of them making number one. Haggard would be one of the biggest stars in country music, but he was also to be arguably the country musician with the biggest influence on rock music since Johnny Cash, and his songs would soon start to be covered by everyone from the Grateful Dead to the Everly Brothers to the Beach Boys. And the third artist that Parsons was introduced to was someone who, in most popular narratives of country music, is set up in opposition to Haggard and Owens, because they were representatives of the Bakersfield Sound while he was the epitome of the Nashville Sound to which the Bakersfield Sound is placed in opposition, George Jones. But of course anyone with ears will notice huge similarities in the vocal styles of Jones, Haggard, and Owens: [Excerpt: George Jones, "The Race is On"] Owens, Haggard, and Jones are all somewhat outside the scope of this series, but are seriously important musicians in country music. I would urge anyone who's interested in them to check out Tyler Mahan Coe's podcast Cocaine and Rhinestones, season one of which has episodes on Haggard and Owens, as well as on the Louvin Brothers who I also mentioned earlier, and season two of which is entirely devoted to Jones. When he dropped out of Harvard after one semester, Parsons was still mostly under the thrall of the Greenwich Village folkies -- there's a recording of him made over Christmas 1965 that includes his version of "Another Side of This Life": [Excerpt: Gram Parsons, "Another Side of This Life"] But he was encouraged to go further in the country direction by John Nuese (and I hope that's the correct pronunciation – I haven't been able to find any recordings mentioning his name), who had introduced him to this music and who also played guitar. Parsons, Neuse, bass player Ian Dunlop and drummer Mickey Gauvin formed a band that was originally called Gram Parsons and the Like. They soon changed their name though, inspired by an Our Gang short in which the gang became a band: [Excerpt: Our Gang, "Mike Fright"] Shortening the name slightly, they became the International Submarine Band. Parsons rented them a house in New York, and they got a contract with Goldstar Records, and released a couple of singles. The first of them, "The Russians are Coming, The Russians are Coming" was a cover of the theme to a comedy film that came out around that time, and is not especially interesting: [Excerpt: The International Submarine Band, "The Russians are Coming, The Russians are Coming"] The second single is more interesting. "Sum Up Broke" is a song by Parsons and Neuse, and shows a lot of influence from the Byrds: [Excerpt: The international Submarine Band, "Sum Up Broke"] While in New York with the International Submarine Band, Parsons made another friend in the music business. Barry Tashian was the lead singer of a band called the Remains, who had put out a couple of singles: [Excerpt: The Remains, "Why Do I Cry?"] The Remains are now best known for having been on the bill on the Beatles' last ever tour, including playing as support on their last ever show at Candlestick Park, but they split up before their first album came out. After spending most of 1966 in New York, Parsons decided that he needed to move the International Submarine Band out to LA. There were two reasons for this. The first was his friend Brandon DeWilde, an actor who had been a child star in the fifties -- it's him at the end of Shane -- who was thinking of pursuing a musical career. DeWilde was still making TV appearances, but he was also a singer -- John Nuese said that DeWilde sang harmony with Parsons better than anyone except Emmylou Harris -- and he had recorded some demos with the International Submarine Band backing him, like this version of Buck Owens' "Together Again": [Excerpt: Brandon DeWilde, "Together Again"] DeWilde had told Parsons he could get the group some work in films. DeWilde made good on that promise to an extent -- he got the group a cameo in The Trip, a film we've talked about in several other episodes, which was being directed by Roger Corman, the director who worked a lot with David Crosby's father, and was coming out from American International Pictures, the company that put out the beach party films -- but while the group were filmed performing one of their own songs, in the final film their music was overdubbed by the Electric Flag. The Trip starred Peter Fonda, another member of the circle of people around David Crosby, and another son of privilege, who at this point was better known for being Henry Fonda's son than for his own film appearances. Like DeWilde, Fonda wanted to become a pop star, and he had been impressed by Parsons, and asked if he could record Parsons' song "November Nights". Parsons agreed, and the result was released on Chisa Records, the label we talked about earlier that had put out promos of Gene Clark, in a performance produced by Hugh Masekela: [Excerpt: Peter Fonda, "November Nights"] The other reason the group moved West though was that Parsons had fallen in love with David Crosby's girlfriend, Nancy Ross, who soon became pregnant with his daughter -- much to Parsons' disappointment, she refused to have an abortion. Parsons bought the International Submarine Band a house in LA to rehearse in, and moved in separately with Nancy. The group started playing all the hottest clubs around LA, supporting bands like Love and the Peanut Butter Conspiracy, but they weren't sounding great, partly because Parsons was more interested in hanging round with celebrities than rehearsing -- the rest of the band had to work for a living, and so took their live performances more seriously than he did, while he was spending time catching up with his old folk friends like John Phillips and Fred Neil, as well as getting deeper into drugs and, like seemingly every musician in 1967, Scientology, though he only dabbled in the latter. The group were also, though, starting to split along musical lines. Dunlop and Gauvin wanted to play R&B and garage rock, while Parsons and Nuese wanted to play country music. And there was a third issue -- which record label should they go with? There were two labels interested in them, neither of them particularly appealing. The offer that Dunlop in particular wanted to go with was from, of all people, Jay Ward Records: [Excerpt: A Salute to Moosylvania] Jay Ward was the producer and writer of Rocky & Bullwinkle, Peabody & Sherman, Dudley Do-Right and other cartoons, and had set up a record company, which as far as I've been able to tell had only released one record, and that five years earlier (we just heard a snippet of it). But in the mid-sixties several cartoon companies were getting into the record business -- we'll hear more about that when we get to song 186 -- and Ward's company apparently wanted to sign the International Submarine Band, and were basically offering to throw money at them. Parsons, on the other hand, wanted to go with Lee Hazlewood International. This was a new label set up by someone we've only talked about in passing, but who was very influential on the LA music scene, Lee Hazlewood. Hazlewood had got his start producing country hits like Sanford Clark's "The Fool": [Excerpt: Sanford Clark, "The Fool"] He'd then moved on to collaborating with Lester Sill, producing a series of hits for Duane Eddy, whose unique guitar sound Hazlewood helped come up with: [Excerpt: Duane Eddy, "Rebel Rouser"] After splitting off from Sill, who had gone off to work with Phil Spector, who had been learning some production techniques from Hazlewood, Hazlewood had gone to work for Reprise records, where he had a career in a rather odd niche, producing hit records for the children of Rat Pack stars. He'd produced Dino, Desi, and Billy, who consisted of future Beach Boys sideman Billy Hinsche plus Desi Arnaz Jr and Dean Martin Jr: [Excerpt: Dino, Desi, and Billy, "I'm a Fool"] He'd also produced Dean Martin's daughter Deana: [Excerpt: Deana Martin, "Baby I See You"] and rather more successfully he'd written and produced a series of hits for Nancy Sinatra, starting with "These Boots are Made for Walkin'": [Excerpt: Nancy Sinatra, "These Boots are Made for Walkin'"] Hazlewood had also moved into singing himself. He'd released a few tracks on his own, but his career as a performer hadn't really kicked into gear until he'd started writing duets for Nancy Sinatra. She apparently fell in love with his demos and insisted on having him sing them with her in the studio, and so the two made a series of collaborations like the magnificently bizarre "Some Velvet Morning": [Excerpt: Lee Hazlewood and Nancy Sinatra, "Some Velvet Morning"] Hazlewood is now considered something of a cult artist, thanks largely to a string of magnificent orchestral country-pop solo albums he recorded, but at this point he was one of the hottest people in the music industry. He wasn't offering to produce the International Submarine Band himself -- that was going to be his partner, Suzi Jane Hokom -- but Parsons thought it was better to sign for less money to a label that was run by someone with a decade-long string of massive hit records than for more money to a label that had put out one record about a cartoon moose. So the group split up. Dunlop and Gauvin went off to form another band, with Barry Tashian -- and legend has it that one of the first times Gram Parsons visited the Byrds in the studio, he mentioned the name of that band, The Flying Burrito Brothers, and that was the inspiration for the Byrds titling their album The Notorious Byrd Brothers. Parsons and Nuese, on the other hand, formed a new lineup of The International Submarine Band, with bass player Chris Ethridge, drummer John Corneal, who Parsons had first played with in The Legends, and guitarist Bob Buchanan, a former member of the New Christy Minstrels who Parsons had been performing with as a duo after they'd met through Fred Neil. The International Submarine Band recorded an album, Safe At Home, which is now often called the first country-rock album -- though as we've said so often, there's no first anything. That album was a mixture of cover versions of songs by people like Johnny Cash and Merle Haggard: [Excerpt: The International Submarine Band, "I Must Be Somebody Else You've Known"] And Parsons originals, like "Do You Know How It Feels To Be Lonesome?", which he cowrote with Barry Goldberg of the Electric Flag: [Excerpt: The International Submarine Band, "Do You Know How It Feels To Be Lonesome?"] But the recording didn't go smoothly. In particular, Corneal realised he'd been hoodwinked. Parsons had told him, when persuading him to move West, that he'd be able to sing on the record and that some of his songs would be used. But while the record was credited to The International Submarine Band, everyone involved agrees that it was actually a Gram Parsons solo album by any other name -- he was in charge, he wouldn't let other members' songs on the record, and he didn't let Corneal sing as he'd promised. And then, before the album could be released, he was off. The Byrds wanted a jazz keyboard player, and Parsons could fake being one long enough to get the gig. The Byrds had got rid of one rich kid with a giant ego who wanted to take control of everything and thought his undeniable talent excused his attempts at dominating the group, and replaced him with another one -- who also happened to be signed to another record label. We'll see how well that worked out for them in two weeks' time.
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