Podcasts about media show

France's Prime Minister, François Bayrou, has called a parliamentary confidence vote after his proposals to abolish two public holidays triggered widespread opposition. The unrest has coincided with the emergence of a grassroots movement, ‘Bloquons Tout', which began on messaging apps and is now pushing its message through social media. BBC News Paris Correspondent Hugh Schofield assesses how French media outlets are reporting the crisis, while Paola Sedda, associate professor of Information and Communication Sciences at the University of Lille, examines the protesters' tactics and their uneasy relationship with journalists.American Vogue has appointed Chloe Malle as its new head of editorial content, with Anna Wintour remaining in a senior role at Condé Nast. Michael Grynbaum, media correspondent at The New York Times, explains what the change signals for the future of glossy magazines.And a new book revisits the career of George Ward Price, the Daily Mail correspondent who became known for his extraordinary access to Adolf Hitler in the 1930s. Historian Richard Evans, author of Interviewing Hitler, tells his story.Presenters: Katie Razzall and Ros Atkins Producer: Lisa Jenkinson Assistant Producer: Lucy Wai Production Coordinator: Rosie Strawbridge Technical Coordinator: Craig Johnson Sound: Mike Campbell

The Media Show with Katie Razzall and Ros Atkins: The Nottingham Post and BBC-funded Local Democracy Reporters have been banned from speaking to Reform UK councillors. The dispute centres on a story about local government reorganisation. Nottinghamshire Live Senior Editor Natalie Fahy joins us to explain what happened, and Kitty Donaldson, Chief Political Commentator at the i paper, explores Reform UK's broader media strategy. France is facing political upheaval as Prime Minister François Bayrou submits his government to a confidence vote. BBC Paris correspondent Hugh Schofield explains how Bayrou is using podcasts and YouTube to justify his unpopular budget cuts. Meanwhile, a new protest movement, Bloquons Touts (“Let's block everything”), is gaining traction via Telegram. Paola Sedda, associate professor of communications at the University of Lille, joins us to discuss how the movement is using media to mobilise support. Historian Richard Evans joins us live in the studio to discuss his new book on George Ward Price, the British journalist who interviewed Hitler in the run up to WWII. We explore the ethical compromises journalists make for access, and draw modern parallels with today's media landscape. And as Anna Wintour steps down, Vogue ushers in a new chapter with editor Chloe Malle. We look at what this means for the future of fashion journalism and the legacy Wintour leaves behind. Is this a generational shift or a strategic pivot? Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

A number of publications, including Wired and Business Insider, have withdrawn articles initially attributed to a freelance journalist named Margaux Blanchard. Press Gazette first reported the concerns after an editor flagged a suspicious pitch. The true identity of the writer and whether AI authored the pieces remain unclear. Jacob Furedi, editor of Dispatch, and Dr Glenda Cooper, Head of Journalism at City St George's, University of London, discuss.The new football season arrives alongside changes in coverage. Two YouTube channels - The Overlap and That's Football - have secured live UK rights to show some Bundesliga matches. Minal Modha, Head of Sport Media Rights at Ampere Analysis, explains the strategy. Graham Scott, columnist at Telegraph Sport, on pivoting to journalism from his previous role as a Premier League referee. Parenthood is the latest BBC wildlife series narrated by David Attenborough. It was filmed across 23 countries and six continents, following how animals raise their young. Jeff Wilson, series producer and director at Silverback Films, reveals how it was made.Presenter: Ros Atkins Producer: Lucy Wai Assistant producer: Martha Owen Production co-ordinator: Ruth Waites Sound: Holly Palmer Technical co-ordinator: James Cherry

Ukraine's president Volodymyr Zelensky visited Washington for talks with Donald Trump and other European leaders. The timing coincided with Anushka Asthana's first day as US editor for Channel 4 News, who describes her early impressions of covering the American political landscape. Meanwhile, independent Russian broadcaster TV Rain, operating in exile from Amsterdam, also reported intensively on the Washington meetings. Ekaterina Kotrikadze, news director and anchor, TV Rain, explains how the organisation continues to reach audiences under pressure of censorship and surveillance. The Edinburgh TV Festival has been taking place this week, and brings together industry voices to assess the future of television in the UK and beyond. Camilla Lewis, creative director, Curve Media, and Matt Belloni, co-founder, Puck, provide their perspectives on where money, audiences and creative opportunities are moving. Hedge fund Hunterbrook is experimenting with an unusual model for the news business: publishing investigative journalism while also using its findings to guide investment decisions. Sam Koppelman, co-founder, Hunterbrook, outlines how the company separates editorial and financial operations while aiming to sustain investigative reporting. Presenter: Ros Atkins Producer: Lisa Jenkinson Assistant Producers: Lucy Wai and Martha Owen

Four Al Jazeera journalists and two freelance journalists were killed in an Israeli airstrike in Gaza, prompting renewed scrutiny of press freedoms and the treatment of reporters in conflict zones. Israel claims one of the journalists, Anas al-Sharif, was affiliated with Hamas. Media rights groups have rejected the allegation, and questions remain about access restrictions and the role of freelancers. Jodie Ginsberg, CEO of the Committee to Protect Journalists, and Oren Persico, staff writer at Israeli outlet Seventh Eye discuss the risks and constraints facing journalists in Gaza and how the story is framed in Israeli media.An AI-generated avatar of Joaquin Oliver, a teenager killed in the 2018 Parkland school shooting, has been interviewed by the former CNN anchor Jim Acosta. The avatar was created by Joaquin's parents to raise awareness about gun violence. Manuel Oliver, co-founder of Change the Ref, and Claire Leibowicz, Head of the AI and Media Integrity Program at the Partnership on AI, explain how the avatar was made and the editorial implications of using avatars in journalism.The i Paper's housing correspondent Vicky Spratt broke the story that led to the resignation of a UK government minister – a story which came from her social media platform. She reflects on how digital platforms have changed the way journalists can source and share their work.Presenter: Katie Razzall and Ros Atkins Producer: Dan Hardoon Assistant Producer: Lucy Wai Production Coordinator: Ruth Waites Technical Coordinator: Mark Dickins Sound: Sarlota Hadroj Touzimska

A new Taiwanese television series depicts a fictional Chinese military invasion. Zero Day Attack has prompted debate over censorship, political influence and media independence. Chris Buckley, China and Taiwan correspondent for the New York Times, outlines the production's background and the reaction it has provoked.A whistleblower leak of internal Tesla documents has led to renewed scrutiny of the electric carmaker's safety record and corporate culture. The files include thousands of alleged customer complaints and were used to inform a new book, The Tesla Files, by investigative journalist Sönke Iwersen. He describes the reporting process and the challenges of handling sensitive data.The UK government has held Downing Street's first official reception for content creators. TikTok creator Gabriel Nussbaum and Politics Home reporter Zoe Crowther discuss the event, how governments can engage influencers, and the broader implications for transparency and political journalism.Presenter: Katie Razzall Producer: Dan Hardoon Assistant Producer: Lucy Wai Production Coordinator: Ruth Waites Technical Coordinator: Samuel Iyiola Sound: Rohan Madison

A growing concern among digital commentators is whether artificial intelligence is irreversibly distorting the internet. Once a conspiracy, dead internet theory now reflects widespread anxiety about AI-generated content and its impact on online authenticity. AI-written articles, spam-like social posts and misinformation have contributed to fears that human-created content is being overwhelmed. Alex Hern, AI writer at The Economist, explains how user behaviour mimicking algorithms helped the idea take root, while Isis Blachez from NewsGuard outlines how Russian-linked sites are laundering propaganda to influence AI outputs. Mark Graham, Director of the Wayback Machine at the Internet Archive, describes how the organisation is adapting its efforts to preserve online content in a post-AI era. Christiane Amanpour, CNN's Chief International Anchor, reflects on changes to the news industry since she began reporting during the first Gulf War. From accusations of “fake news” by political leaders to the challenges of reporting on the Gaza conflict amid restrictions on access, she describes unprecedented pressures on international journalism. Amanpour also discusses her new foreign affairs podcast co-hosted with her ex-husband and former US diplomat James Rubin, The Ex Files. Presenter: Ros Atkins Producer: Lucy Wai Assistant Producer: Martha Owen

In Epping, just outside London, protests have taken place near a hotel housing asylum seekers. While mainstream news outlets reported the story, a video filmed by YouTuber Wesley Winter attracted hundreds of thousands of views online. His presence - and the reaction to other journalists on the ground - has reignited debate over who the public trusts to shape stories like these. Wesley Winter reflects on how he works and what drives his audience.Agence France-Presse says its journalists in Gaza are now facing starvation. The agency is working to evacuate remaining freelancers and their families as conditions continue to deteriorate. Phil Chetwynd, AFP's Global News Director, describes what his reporters are telling him from the ground - and what might be lost if they are forced to stop.In Rome, the Vatican is hosting a global gathering of Catholic influencers - from priests and nuns to lay creators with large digital followings. The Church's media strategy dates back a century, but the rise of online evangelisation presents new opportunities and risks. Dr Justin Tackett, a philosopher at North Carolina State University, and Mary-Aoife Ong, co-director of Carlo Acutis Youth Ireland, discuss.Presenters: Katie Razzall and Ros Atkins Producer: Lisa Jenkinson Assistant Producers: Martha Owen and Emily Channon Production Coordinator: Ruth Waites Technical Coordinator: Samuel Iyiola Sound: Robin Schroder

A legal order known as a superinjunction prevented UK media from reporting a government data breach that exposed nearly 19,000 Afghans who had applied to relocate after the Taliban takeover. Larisa Brown, Defence Editor at The Times, recounts the legal constraints she faced and the broader implications for press freedom. A new ITV format blends natural history with reality TV by placing celebrities in shark-infested waters. Shark! Celebrity Infested Waters was produced by Plimsoll Productions. Creative Director Andrea Jackson outlines the development process. This year's Tour de France marks the final edition available on free-to-air television in the UK before coverage moves behind a paywall. Rouleur journalist Rachel Jary reports from Toulouse on life inside the media zone, while Chris Boardman - Olympic gold medallist, commentator and now England's Active Travel Commissioner - reflects on how cycling is covered and the visibility challenges it faces.In regard to the story on the Tour de France we need to point out that the viewing figures quoted by Chris Boardman cannot be verified with TNT.Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant Producers: Martha Owen and Emily Channon

Oasis returned to the stage in Cardiff for the first time in over a decade, drawing both fan excitement and media access concerns. While audience members were able to livestream from inside the venue, accredited press photographers faced time-limited licensing agreements on how long their images could be used. Andy Moger from the News Media Coalition and Metro's Danni Scott discuss the band's approach. During President Macron's state visit to the UK, attention turned to the media's role in covering migrant crossings of the English Channel. A report by the BBC captured footage of French police deflating an inflatable boat on a beach in northern France. Reporter Andrew Harding gives the background to his story and Catherine Norris Trent from France 24 explains what coverage the issue gets in the French press. There is growing interest in how fact-checking is approached within the book publishing sector after claims about a best-selling book were made by The Observer newspaper last week. Heloise Wood of The Bookseller explains why in publishing, legal responsibility usually rests with the authors themselves. Presenters: Ros Atkins and Katie Razzall Producer: Lisa Jenkinson Assistant Producers: Lucy Wai and Martha Owen

Ahsan is joined by Howard in the first of a new series, looking at the media, their coverage, legacies, the CWC , classics from the archives and much more. *This is the first 15 minutes of the show. For the full episode, and all our other content on the 93:20 player, you can join below - for less than the price of a pint of beer each month.* ninetythreetwenty.com/9320-player/about-9320-player/ SIGN UP FOR OUR NEWSLETTER! A FREE WEEKLY UPDATE WITH NEW CONTENT GUARANTEED AND A WHOLE LOT MORE. CLICK THE LINK BELOW AND ENTER YOUR EMAIL IN THE BOX. ninetythreetwenty.com/the-9320-newsletter/ AND - THE NEWSLETTER BOOK WILL BE OUT IN A COUPLE OF WEEKS!

The BBC's decision not to broadcast a Gaza war documentary, later picked up by Channel 4, has prompted scrutiny over its editorial standards. The film, made by Basement Films, features testimony from medical staff in Gaza. Former Channel 4 executive Dorothy Byrne critiques the BBC's stance. A live-streamed Glastonbury performance by punk band Bob Vylan included chants that Keir Starmer called "appalling hate speech", leading to a BBC apology for not halting the stream sooner. Chris Banatvala, a former Ofcom head of standards, raises questions about the effectiveness of the BBC's editorial oversight in live broadcasting situations. The complexity of reporting on the Israel-Gaza conflict while managing personal identity is addressed by BBC journalist Tim Franks. Reflecting on his experience as a Jewish former Middle East correspondent, Franks considers public assumptions about bias and the pressure on journalists to separate identity from reporting. He also discusses themes from his new book, The Lines We Draw. Formula 1 celebrates 75 years, but footage from its first three decades remains largely unseen. Broadcaster Steve Rider is spearheading efforts to recover and digitise this early archive, while journalist Rebecca Clancy reports on the sport's global strategy and expanding social media presence. Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant producer: Emily Channon

Iranian authorities are accused of targeting journalists at BBC Persian by intimidating their family members in Iran. Correspondent Behrang Tajdin outlines the psychological toll, allegations of harassment and surveillance in London, and the broader campaign affecting relatives of BBC staff, which the National Union of Journalists has called “proxy punishment.” Hong Kong's diminishing press freedom is starkly represented by the case of Jimmy Lai, the founder of Apple Daily. The pro-democracy paper was shut down after raids and arrests under a national security law. Sebastien Lai describes his father's continued solitary confinement and the implications for the rule of law in Hong Kong. Netflix, known for revolutionising streaming, has announced a surprising shift: live TV channels in France via a partnership with TF1. Minal Modha, from Ampere Analysis, explains why France's strong preference for linear TV and local content prompted the move. Gossip website Tattle Life has lost a major libel case brought by a Northern Irish couple. The site's anonymous founder, Sebastian Bond, has been unmasked. Persephone Bridgman Baker, partner at Carter-Ruck, discusses how the case brings attention to how anonymous online commentary can cross into harassment. Presenter: Katie Razzall Producer: Lisa Jenkinson Assistant producers: Lucy Wai and Emily Channon

Coverage of the Israel-Iran conflict has been shaped by restricted access and challenges for international journalists. With few media outlets able to base reporters inside Iran, coverage often relies on external analysis, satellite imagery, and information that is difficult to independently verify. Shashank Joshi, Defence Editor at The Economist, and Shayna Oppenheimer, Journalist at BBC Monitoring, discuss. Netflix's new documentary “Grenfell: Uncovered” marks the eighth anniversary of the Grenfell Tower fire by highlighting corporate and regulatory failings that contributed to the tragedy. Director Olaide Sadiq explains how the team built trust with interviewees and brought to light evidence not widely known. Reddit celebrates its 20th anniversary as one of the internet's largest community-led platforms. Laura Nestler, Reddit's Global Head of Community, explains their approach to moderation and addresses concerns about AI's growing role on the platform.Presenters: Ros Atkins and Katie Razzall Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

The advertising industry is facing dramatic change, after Meta announced new AI tools that will let anyone make ads. Sir Martin Sorrell, Executive Chairman of S4 Capital, and Alex Dalman, Co-chair of the Advertising Association's AI Taskforce, discuss whether the industry faces an existential threat. Dan Snow is the TV historian turned media mogul, whose network History Hit celebrates its 10th anniversary this month. With a streaming service, a YouTube channel, and popular podcast, Dan reflects on how he built it and why he thinks today is boom time for history content. Following budget cuts by the Trump administration to the US Agency for Global Media, services provided by Radio Free Asia and other outlets broadcasting to countries with restricted media access have been scaled back. The Washington Post has now reported that China's state radio has moved to fill the void by launching new services and jamming frequencies previously used by Radio Free Asia. Michael Bristow, Asia-Pacific Editor at the BBC World Service, assesses the implications. Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

NPR, one of America's most prominent public broadcasters, is facing potential funding cuts following moves by President Trump. The administration alleges a lack of impartiality, prompting legal action by NPR to defend its editorial independence and mission. Katherine Maher, CEO of NPR, outlines the organisation's stance and shares her plan for survival. The Hajj in Mecca has become a huge media event but reporting from it poses significant logistical and editorial challenges. With two million pilgrims and thousands of journalists attending, media access requires strict accreditation from the Saudi authorities. Shehab Khan, Political Correspondent for ITV News, shares his experience. Apple's long-standing manufacturing presence in China has helped it achieve unmatched production scale. However, this dependence may now leave the company vulnerable amid shifting US trade policy. Patrick McGee, Financial Times reporter, discusses his new book Apple in China. Presenter: Ros Atkins Producer: Lisa Jenkinson Assistant producer: Lucy Wai

Joe Kahn, Executive Editor of the New York Times, outlines how the newsroom prioritises stories, handles editorial pressure, and navigates the challenges posed by political figures like Donald Trump. Also on the show, Simon Reeve, BBC travel presenter, and Alfie Watts, a digital travel content creator, reflect on the changing landscape of travel media. Reeve shares the motivations behind his new BBC series on Scandinavia and how he integrates current affairs into travel storytelling. Presenter: Katie Razzall Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

Matthew Bannister onHannah Deacon who ran a successful campaign to allow her son – and many others – to be treated with cannabis after he was diagnosed with a rare form of epilepsy. Andrew Norfolk, the journalist who exposed the Rotherham grooming gang scandal.Dame June Clark, the President of the Royal College of Nursing who argued for more education to increase the skills of the nursing profession.Martin Graham the businessman who built his own opera house in the Cotswolds so he could stage Wagner's Ring Cycle. Producer: Ed PrendevilleArchive used: No More Nightingale, BBC, 1991; One O'Clock News, BBC, 03/04/1989; Open Country, BBC Radio 4, 27/06/2019; The Longborough Ring 2024: Wagner – Der Ring des Nibelungen, Longborough Festival Opera, Music Director Anthony Negus, Director Amy Lane; Today, BBC Radio 4, 2013; Utopia: In Search of the Dream, BBC Four, 05/05/2020; Sportsday, BBC News 24, 15/09/2016; BBC Breakfast, BBC, 19/02/2018; This Morning: Should Medical Cannabis Be More Accessible, ITV, Uploaded to YouTube, 29/10/2018; Morning Live, BBC, 07/11/2022; The Today Programme, BBC Radio 4, 19/06/2018; ITV News, ITV, 19/06/2018; Wogan, BBC, 19/01/1990; Raising a Glass to Cheers, BBC Radio 4, 26/07/2012; Cheers, TV Programme, Produced by Charles/Burrows/Charles Productions; Groomed for Sex, BBC Three, 06/12/2011; The Media Show, BBC Radio 4, 27/08/2014; Frontlines of Journalism, BBC Radio 4, 04/07/2023; Symphony No. 39 in E-flat major, KV 543: Adagio. Allegro, Performed by Bruno Walter, BBC Symphony Orchestra, Composed by Wolfgang Amadeus Mozart; Siegfried, Act II Scene 3: Willkommen, Siegfried, Performed by Manfred Jung, Heinz Zednik, Bayreuther Festspielorchester, Conductor Pierre Boulez, Composed by Richard Wagner; Le nozze di Figaro, K.492, Act 3: Ricevete, o padroncina, Performed by Radio-Symphonie-Orchester Berlin, RIAS Kammerchor, Conductor Ferenc Fricsay, Composed by Wolfgang Amadeus Mozart; Das Rheingold, Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund, Performed by Norma Sharp, Ilse Gramatzki, Marga Schiml, Hermann Becht, Bayreuther Festspielorchester, Conductor Pierre Boulez, Composed by Richard Wagner

Gary Lineker, a former England football captain and longtime presenter of the BBC's football highlights programme Match of the Day, has left the corporation after sharing a controversial post on social media. His exit followed years of internal debate over his political commentary online and the BBC's impartiality rules. Steve Ryder, former BBC sports presenter, reflects on Lineker's elevated status within the BBC and why many saw his departure as long overdue. Rosamund Urwin, Media Editor at The Sunday Times, and football writer Henry Winter reflect on events and the evolving expectations of presenters in the social media era. Family courts in England and Wales have historically operated in secrecy, with strict limits on what journalists can report. BBC reporter Sanchia Berg describes her investigation into the case of a newborn baby found abandoned in a London park. Her courtroom reporting eventually revealed that the baby had two siblings also abandoned in previous incidents. Presenters: Katie Razzall and Ros Atkins Producers: Lisa Jenkinson and Lucy Wai Assistant producer: Emily Channon

Tensions between India and Pakistan have reignited an information war, not just on social media but also in mainstream outlets. Shayan Sardarizadeh from BBC Verify explains how false reports of military actions, such as attacks on Karachi or high-level casualties, have circulated with little evidence. An Australian court case involving Erin Patterson, accused of murdering three relatives and attempting to murder a fourth with a poisonous lunch, has drawn intense media attention. Nino Bucci from Guardian Australia describes the challenges of reporting responsibly as global audiences fuel interest in the story. Weather forecasts are changing in format and medium. Max Velocity, a US-based YouTube meteorologist with over a million subscribers, and ITV's Laura Tobin discuss their approach and the role of personality in engaging audiences. Presenter: Katie Razzall and Ros Atkins Assistant producer: Lucy Wai Producer: Lisa Jenkinson

Tina Brown, a former editor of Vanity Fair and The New Yorker, has joined Substack, a self-publishing platform for independent writers. Speaking in the week of the Truth Tellers summit, which she founded in memory of her husband Sir Harold Evans, she highlights concerns about press freedom, particularly in the face of legal and financial pressure from media owners. Chris Best, co-founder of Substack, outlines the platform's business model, which he says offers creators editorial freedom, prestige, and financial incentives. Also on the show, BBC Central Europe Correspondent Nick Thorpe reports on allegations made to the European Commission by two Hungarian media outlets. They accuse the Hungarian government of unfairly directing over €1 billion in state advertising to media sympathetic to the ruling party. Presenters: Katie Razzall and Ros Atkins Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

Piers Morgan explains why he has stepped away from traditional television to focus exclusively on YouTube. He outlines the commercial and editorial logic behind the move and his plans to expand the Uncensored brand across digital platforms, including Substack. A UK Supreme Court ruling on the legal definition of a woman has prompted a wider examination of how British media report on gender identity. Rosamund Urwin, Media Editor at The Sunday Times, Jane Fae, Chair of Trans Media Watch, Hannah Barnes, Author and Journalist at The New Statesman, and Dominic Casciani, Home and Legal Correspondent for BBC News consider the implications of legal and ethical guidance for newsrooms. Presenters: Ros Atkins and Katie Razzall Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

The death of Pope Francis has drawn intense global media coverage as journalists gather in Rome. Tom Kington, Italy Correspondent for The Times, describes press access within the Vatican and reflects on the Pope's evolving relationship with journalists. The Pentagon continues its hunt for officials behind recent high-profile leaks involving sensitive military plans. David Smith, Washington DC Bureau Chief at The Guardian, joins former special adviser Peter Cardwell and journalist Isabel Oakeshott to outline the role of leaks in US and UK political journalism. The Genius Game is a South Korean reality show format launching in the UK this month. TV executive Tamara Gilder explains the strategic and psychological gameplay behind the format and its appeal in a global market for “gamified content”. Presenters: Ros Atkins and Katie Razzall Producer: Lisa Jenkinson Assistant producer: Lucy Wai .

A critical moment emerged in northern England as the UK government intervened to prevent the closure of a major steelworks, one of the last of its kind in the country. The intervention followed the discovery that blast furnaces were on the brink of shutdown due to the site's Chinese owners halting essential raw material orders. Ed Conway, Economics Editor at Sky News, and Jo Makel, Senior Reporter for BBC regional television, explain their approach to reporting the story. Also on the show, how a call by tech leaders to abolish intellectual property laws has reignited debate over copyright in the digital age. Dr Hayleigh Bosher, a legal expert from Brunel University London, outlines the implications of such proposals. And Saturday Night Live, the iconic American comedy sketch show known for launching global stars and sharp political satire, is being adapted for the UK. Journalist Caroline Frost and comedian Tamar Broadbent discuss whether the format will be a success. Presenter: Katie Razzall Producer: Lisa Jenkinson Assistant Producer: Lucy Wai

Donald Trump's announcement of new tariffs has disrupted global markets and challenged journalists tasked with explaining complex financial implications. Dharshini David, Deputy Economics Editor at BBC News, outlines how media coverage has responded to the fast-moving story, including social media misinformation and the difficulties of making the topic accessible to the public. Max Goldbart, International TV Co-Editor at Deadline, assesses what tariffs could mean for the media industry itself. The Indian Premier League has become one of the world's most commercially successful sporting competitions. Tim Wigmore, Deputy Cricket Correspondent at The Telegraph, explains how the IPL's format, celebrity involvement, and Indian economic growth helped transform it into a media powerhouse. Tymal Mills, England T20 international and BBC commentator, provides a player's view of the competition. Jensen Huang, founder of Nvidia, has overseen the company's transformation into a leader in AI chip development. A new biography by Stephen Witt discusses Huang's background, the company's pivot to artificial intelligence, and its rise in value to over $2 trillion. Presenter: Katie Razzall Producer: Lisa Jenkinson Assistant producer: Lucy Wai

A Netflix drama about a boy accused of murder has sparked global attention over the content consumed by teenage boys online. Claire Holubowskyj of Enders Analysis highlights how boys spend significant time on platforms like YouTube and Reddit, often absorbing longer-form, algorithm-driven videos. Dr Marcus Gilroy-Ware of SOAS and Oli Dugmore, Editor at Joe, delve into the online presence of Andrew Tate and similar figures. Also on the show, Nintendo has announced the Switch 2 console, a successor to its popular gaming system. Keza MacDonald, Video Games Editor at The Guardian, gives her analysis. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

A new lawsuit has intensified scrutiny over whether artificial intelligence models are being trained using pirated books. Authors and publishers are reacting to claims that Meta used books from Library Genesis, a well-known piracy site, without permission. Alex Reisner, Data Journalist at The Atlantic, built a tool enabling authors to check if their books were included in the dataset. Rosie Wilby, comedian and author, found her work listed and raised concerns over consent and fair compensation. Catriona MacLeod Stevenson, General Counsel and Deputy CEO at the Publishers Association, outlines the legal response and calls for greater transparency in AI training practices. Journalists in Turkey have been detained following widespread protests triggered by the arrest of a political opponent of President Erdoğan. Selin Girit, Correspondent at the BBC World Service, explains the environment facing journalists, including government control of around 90% of the media and previous intimidation of foreign reporters. Attention has turned to the use of encrypted messaging app Signal after a surprising error saw Atlantic editor Jeffrey Goldberg added to a White House group chat about planned US strikes in Yemen. James Ball, Political Editor of The New European, explains the implications of the leak, the rise of Signal among journalists, and the motivations of its founder, Moxie Marlinspike. Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant Producers: Flora McWilliam and Elena Angelides

Documentary maker Dan Reed returns with Leaving Neverland 2: Surviving Michael Jackson, following Wade Robson and James Safechuck as they continue their legal fight against Jackson's estate. Reed discusses how he got the film over the line and the ongoing backlash from Jackson's supporters. Also on the show, the Trump administration has cut funding to US state-backed broadcasters, affecting Voice of America, Radio Free Europe, and Radio Free Asia. Bay Fang, President of Radio Free Asia, responds to the impact of these cuts, while Jennifer Grygiel, Associate Professor at Syracuse University, examines the broader implications for press freedom.Presenters: Ros Atkins and Katie Razzall Producer: Simon Richardson Assistant producer: Lucy Wai

Sarah Wynn-Williams describes her seven years at Facebook as a “front-row seat” to one of the most powerful and influential companies in the world. She traveled on private jets and met with heads of state in her role as Director of Global Public Policy until 2017. But now in her new memoir, Careless People, she makes a series of allegations about the behaviour of the company at the time. Meta denies wrongdoing. Presenter: Katie Razzall Producer for BBC Audio: Simon Richardson Producer for BBC News: Roxanne Panthaki

Jeff Bezos' growing influence on the Washington Post has reached a turning point, with changes to its opinion section prompting resignations from senior figures. Cameron Barr, a former managing editor, explains his decision to leave, expressing concerns about the paper's independence. Max Tani, media editor at Semafor, offers insight into how editorial and opinion functions differ between US and UK media. Greg Williams, deputy global editorial director at WIRED, examines Bezos' wider significance. Also in the programme, what is it like to win an Oscar? Director Molly O'Brien, whose documentary The Only Girl in the Orchestra won Best Documentary Short, shares her experiences of Hollywood's biggest night. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

Mehdi Hasan's career has taken him from the UK to becoming a high-profile journalist in the US. In this extended conversation, he discusses social media's impact on journalism, his approach to interviewing, and why he decided to launch his own subscription platform. Presenter: Ros Atkins Producer: Simon Richardson

The future for Ukraine is fought not just on the battlefield but in the media. Governments carefully craft messages to influence global opinion, and media access is a crucial tool in shaping narratives. Former Nato spokesperson Oana Lungescu and The Times defence editor Larisa Brown, explore how Ukraine, Russia, and Western nations use diplomatic messaging to project power and control perceptions. David Remnick, editor of The New Yorker, reflects on the magazine's 100-year legacy. From long-form, investigative pieces to cultural criticism, The New Yorker has defined literary journalism. Remnick shares insights on the magazine's fact-checking process, its role in shaping public discourse, and why deeply reported journalism remains crucial in the digital age. Presenter: Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

Elon Musk's presence at a White House press conference surprised journalists when President Trump gave him the stage to address questions about his growing governmental influence. Jeff Mason, White House correspondent for Reuters, who asked Musk about claims of a “hostile takeover” of government, describes the experience. The Trump administration has announced significant cuts to the United States Agency for International Development (USAID), which provides funding to independent media organisations worldwide. Max Tani, reporter for Semafor, explains how this decision affects news outlets, particularly those operating in countries where press freedom is under threat. BBC Media Action, the BBC's international charity, has been affected by the cuts, with USAID previously providing millions in funding. Its CEO, Simon Bishop, clarifies the organisation's role and responds to Elon Musk's claim that USAID funds the BBC directly. The attention economy is reshaping the way people engage with media and technology. Chris Hayes, host of MSNBC's All In, draws comparisons between Big Tech's monetisation of attention and the Industrial Revolution's transformation of labour. He discusses the social and political consequences of mass digital engagement and offers insight into potential regulatory solutions. Presenter: Katie Razzall Producer: Simon Richardson Assistant producer: Lucy Wai

Bill Gates sits down with presenter Katie Razzall in Seattle to discuss technology's impact, from social media to AI, as he reflects on themes from his new autobiography. He shares his thoughts on misinformation, regulation, and his most recent meeting with Donald Trump. Also, how can news outlets engage Gen Z? New research shows young consumers trust social media posts and influencers as much as traditional journalism. Alex Mahon, CEO of Channel 4, David Rhodes of Sky News, and Geordie Greig of The Independent discuss the challenge. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

Chinese technology is making headlines with the rise of DeepSeek, an AI chatbot that has surged to the top of US app downloads. Its development cost is reportedly lower than Western alternatives, and its open-source nature raises both innovation and security concerns. Shirin Ghaffary, AI reporter at Bloomberg, Ciaran Martin, former Head of Cybersecurity at GCHQ, and Kathrin Hille, FT Greater China correspondent, discuss the impact. The Excel World Championships bring spreadsheets into the realm of competitive gaming. Hosted in Las Vegas, the event sees contestants solving complex data challenges in front of a live audience. Robert McMillan, reporter at The Wall Street Journal, describes the atmosphere of the event and assesses whether Excel really has evolved from office tool to esport. Presenters: Ros Atkins and Katie Razzall Producer: Simon Richardson Assistant producer: Lucy Wai

Prince Harry has settled his legal battle against Murdoch's News Group Newspapers, securing a formal apology and substantial damages. Joshua Rozenberg, legal affairs commentator and journalist, explains the allegations, which included claims that private investigators used illegal methods to obtain information. Chris Huhne, former cabinet minister, reflects on his own experience. The future of TikTok in the US faces uncertainty following remarks by President Trump, who proposed a potential deal involving US entities. Jake Kanter, Investigations Editor at Deadline, assesses the political dynamics behind this issue. Media ethics are under scrutiny after the release of Israeli hostages by Hamas. Freelance journalist Noga Tarnopolsky critiques both the orchestration of the event by Hamas and how the Israeli government reported it and used footage of the hostages reuniting with their families. Presenter: Katie Razzall Producer: Simon Richardson Assistant producer: Lucy Wai

The devastation caused by the wildfires in Los Angeles has been profound, with homes and communities left in ruins. Jonathan Hunt, Fox News correspondent, and Emma Vardy of BBC News recount their experience of reporting from the Pacific Palisades. Allison Agsten, director of the Annenberg Centre for Climate Journalism and Communication, shares her concern that media coverage has often overlooked the role of climate change in exacerbating these events. Caroline Frost, columnist for the Radio Times, reflects on the prominence of celebrity involvement in coverage of the disaster. Artificial intelligence has been used to recreate Sir Michael Parkinson's voice for a podcast series that explores the boundaries of technology and human storytelling. Benjamin Field, producer of Virtually Parkinson, describes how the system was trained on more than 100 hours of archival material to recreate the legendary broadcaster. Presenter: Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

Ahead of President Trump's return to The White House, Meta is replacing its US fact-checking program with a new “user-driven” approach called Community Notes. Angie Drobnic Holan, Director of the International Fact-Checking Network, explains the implications of this decision and whether decentralising moderation can effectively address misinformation. Piers Morgan, broadcaster and former host at Rupert Murdoch's News UK, has announced his decision to leave and focus on his YouTube channel. Julia Angwin, investigative journalist and fellow at Harvard Kennedy School, explains how this reflects the broader rise of independent content creators. Joey Contino, TikTok news influencer, shares how he has built a loyal following through accessible and direct reporting. Alessandra Galloni, Editor-in-Chief of Reuters, considers how traditional media organisations can adapt to these trends. Grand Theft Auto 6 is shaping up to be a landmark release in gaming history. With its first female protagonist, advanced AI, and immersive gameplay mechanics, the game is expected to push boundaries in both technology and storytelling. Vic Hood, freelance gaming journalist, examines the franchise's enduring appeal and how this instalment could set new benchmarks in the gaming industry. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

We explore the key media trends shaping 2025. From the rise of AI in journalism to how social platforms are transforming news, challenges in media funding and the future of regulation. With insights from Madhumita Murgia of the Financial Times, Charlotte Tobitt from Press Gazette and Rebecca Jennings from Vox. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson

A New Years Day programme where we look forward and back. The Media Show teams up with Radio 4's crisis communications podcast, When it Hits the Fan, to discuss what the big stories of the year tell us about how journalists and PR professionals interact. It's a year since the hugely influential ITV drama Mr Bates vs The Post Office brought the plight of hundreds of sub-postmasters and mistresses wrongly accused of fraud into our living rooms. We hear how those affected have approached their relationship with the media since then. Plus we assemble a panel of media experts to get their predictions of major trends we'll see in 2025.Guests: David Yelland and Simon Lewis, presenters, When it Hits the Fan; Rebekah Foot, Chair, Lost Chances; Madhumita Murgia, AI Editor, FT; Charlotte Tobitt, UK Editor, Press Gazette; Rebecca Jennings, Senior correspondent, Vox Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson

Advertising executive Sir John Hegarty has created campaigns for some of the world's most famous brands including Levi's, Lynx, and Audi. He was a founding partner of Saatchi and Saatchi before co-founding his own firm, Bartle Bogle Hegarty, in 1982. But he believes that advertising today has lost sight of creativity, in its relentless focus on data and targeted advertising. He joins Ros Atkins to discuss his career, his theory of creativity, and the future of his industry. Presenter: Ros Atkins Producer: Dan Hardoon

A report by CNN from inside a Syrian prison has become a flashpoint for media scrutiny after the featured prisoner, initially presented as a victim, was identified as a former member of Assad's Air Force Intelligence Directorate. David Folkenflik, Media Correspondent for NPR, examines the ethical dilemmas and journalistic standards in such high-stakes reporting. ABC News reached a $15m settlement with Donald Trump over a defamation claim stemming from false statements made by one of its star presenters. Katie Fallow, Deputy Litigation Director at the Knight First Amendment Institute, explores the legal complexities of defamation cases involving public figures and the implications for media accountability in a polarised landscape. The Map Men, winners of TikTok's UK and Ireland video of the year, have turned their passion for maps into viral success. Jay Foreman, one half of the duo, discusses their creative process, the balance between humour and education in their work, and how their unique take on cartography resonates with audiences across platforms. Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant Producer: Martha Owen A report by CNN from inside a Syrian prison has become a flashpoint for media scrutiny after the featured prisoner, initially presented as a victim, was identified as a former member of Assad's Air Force Intelligence Directorate. David Folkenflik, Media Correspondent for NPR, examines the ethical dilemmas and journalistic standards in such high-stakes reporting. ABC News reached a $15m settlement with Donald Trump over a defamation claim stemming from false statements made by one of its star presenters. Katie Fallow, Deputy Litigation Director at the Knight First Amendment Institute, explores the legal complexities of defamation cases involving public figures and the implications for media accountability in a polarised landscape. The Map Men, winners of TikTok's UK and Ireland video of the year, have turned their passion for maps into viral success. Jay Foreman, one half of the duo, discusses their creative process, the balance between humour and education in their work, and how their unique take on cartography resonates with audiences across platforms. Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant Producer: Martha Owen

After Bashar al-Assad's regime collapsed, Syrian media enters a new chapter. Kholoud Helmi, co-founder of the independent paper Enab Baladi, reflects on her publication's journey from clandestine reporting during Assad's era to hopes for unfiltered journalism in today's Syria. Sednaya prison, long shrouded in secrecy, has become a focal point for journalists and families of the missing. Freelance journalist Edmund Bower, reporting for The Times, recounts his access to the site. The murder of United Healthcare CEO Brian Thompson, has sparked polarising reactions online, including the celebration by some of his alleged killer Luigi Mangione. Mia Sato from The Verge discusses the public's focus on systemic healthcare failings, while influencer Michael McWhorter notes a striking lack of online detective interest in the case. Ben Strick, director of investigations at the Centre for Information Resilience, shares the principles of open-source investigations in an advent calendar he has created to highlight his work. He explains how tools like reverse image searches and flight trackers have aided investigative journalism, offering examples from global conflicts to everyday reporting. Presenters: Ros Atkins and Katie Razzall Producer: Simon Richardson Assistant producer: Lucy Wai

Reddit bills itself as the “home to endless conversation and authentic human connection”, and it is now one of the fastest growing social networks in the world. For the first time in its 20 years history, it has turned a profit. Journalist James Ball discusses its financial milestones, while Robert H. Peck, associate professor at the University of Iowa, explains its moderation approach and the challenges of maintaining community standards on a rapidly growing platform. Syrian rebel group Hayat Tahrir al-Sham has launched a major offensive supported by a sophisticated media campaign. Dr Charlie Winter, associate fellow, International Centre for Counter-Terrorism, examines the use of digital content such as videos, meme, and music, alongside comparisons to other militant groups and counter-efforts by Assad's regime. Anna Wintour is the legendary editor in chief of Vogue magazine. To coincide with the opening of an immersive exhibition in London entitled Vogue: Inventing the Runway, she granted the BBC a rare interview. Katie Razzall reflects on the experience of sitting down with the journalist who famously provided the inspiration for The Devil Wears Prada. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

Mishal Husain, one of the most recognisable voices on the BBC, is leaving after 26 years to join Bloomberg. Known for presenting Today and high-profile TV bulletins, her departure marks a turning point for the BBC, which is navigating budget cuts and shifting priorities. Alex Farber, media correspondent for The Times, explores the story. The longstanding feud between rappers Drake and Kendrick Lamar has entered the courtroom. Drake alleges that Universal Music manipulated streaming platforms to inflate Kendrick's diss track Not Like Us – allegations the record label denies. Mark Savage, music correspondent for BBC News, explains the legal filing and what it reveals about the industry. Christmas advertising has become a hallmark of British culture. Franki Goodwin, Chief Creativity Officer at Saatchi & Saatchi, and Maisie McCabe, UK editor of Campaign, discuss the creative and economic strategies behind festive ads. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant Producer: Lucy Wai

Friday's Netflix boxing match between Jake Paul and Mike Tyson was more than a fight; it was a media moment. Evan Shapiro, media commentator, sees it as evidence of influencer dominance over traditional media. Oliver Brown, Chief Sports Writer of The Daily Telegraph, discusses whether such events mark a shift from genuine sport to spectacle. Crosswords and puzzles are becoming an integral part of newspaper business strategies. Zoe Bell, Executive Producer of Games at The New York Times, explains how games like Wordle and Spelling Bee are driving engagement and subscriptions. Crossword setter John Halpern shares his journey into the world of puzzles and the creative process behind setting crosswords for major newspapers. Bluesky, a social media platform created by Jack Dorsey, is gaining traction as an alternative to Elon Musk's X. With a significant increase in users, Bluesky is being seen as a platform that offers a different experience from traditional social media. Katie Martin from the Financial Times discusses the platform's growth and its potential impact on the media landscape. Presenters: Katie Razzall and Ros Atkins Producer: Simon Richardson Assistant producer: Lucy Wai

The US Election has brought about significant challenges for the mainstream media. Edward Luce of the Financial Times, Megan McArdle of The Washington Post, and Katie Drummond of WIRED discuss the diversification of media sources and the struggle for relevance among traditional news organizations. Taskmaster has become a standout success in the world of TV comedy. Alex Horne, the creator and co-host of the UK edition, provides insights into the show's enduring popularity and its international adaptations. Presenters: Ros Atkins and Katie Razzall Producer: Simon Richardson Assistant Producer: Lucy Wai

Much of the traditional media were blindsided by Trump's election victory. To discuss why, Katie is joined by James Harding, Founder, Tortoise Media, Claire Atkinson, The Media Mix newsletter, and Max Tani, Media Editor, Semafor.Also on the show, a new investigation into the finances of the British Royal family. Alistair Jackson, Investigations Editor, Channel 4, Jennie Bond, former BBC Royal Correspondent and Kinsey Schofield, Host, To Di for Daily ask whether the Royals get an easy ride from the journalists tasked with scrutinising them. Presenter: Katie Razzall Producer: Simon Richardson Assistant Producer: Lucy Wai

This week, The Media Show broadcasts from Washington DC, and asks what the election tells us about the media's role in modern America. The Washington Post finds itself at the heart of a debate on media impartiality after a reported loss of thousands of subscribers following its decision not to endorse a candidate. NPR's media correspondent, David Folkenflik, joins us to unpack the unfolding crisis. With tech billionaires wielding significant influence, this election has seen figures like Elon Musk openly backing Donald Trump. Critics argue that big tech's sway over public discourse has become too potent. Jennifer Huddleston, a senior fellow in technology policy at the Cato Institute, and Marietje Schaake, a former MEP now with Stanford's Cyber Policy Center, debate the issues. For over 170 years, the Associated Press has been at the forefront of election coverage, calling winners across the nation. Anna Johnson, AP's Washington bureau chief, explains how it does what might be "the single largest act of journalism in the world". Also on the show, Lauren Egan, White House reporter for Politico, talks Ros through her job and what access she gets to the President. And David A Kaplan, former Newsweek legal affairs expert, reflects on the 2000 election—a time when the relationship between the media, the candidates and the public looked very different.Presented by: Ros Atkins Produced by: Simon Richardson Assistant Producer: Lucy Wai Sound: Ben Martin

Ros Atkins is in Washington DC and asks what what the upcoming election tells us about the role the media plays in modern America.The Washington Post finds itself at the heart of a debate on media impartiality after a reported loss of thousands of subscribers following its decision not to endorse a candidate. NPR's media correspondent, David Folkenflik, joins us to unpack the unfolding crisis. With tech billionaires wielding significant influence, this election has seen figures like Elon Musk openly backing Donald Trump. Critics argue that big tech's sway over public discourse has become too potent. Jennifer Huddleston, a senior fellow in technology policy at the Cato Institute, and Marietje Schaake, a former MEP now with Stanford's Cyber Policy Center, debate the issues. And for over 170 years, the Associated Press has been at the forefront of election coverage, calling winners across the nation. Anna Johnson, AP's Washington bureau chief, explains how it does what might be "the single largest act of journalism in the world". Presenter:: Ros Atkins