Podcasts about grumio

Lucentio and Bianca hurry to meet the priest Biondello bribed to perform the marriage. Gremio greets Petruchio, Katherine, Grumio and the real Vincentio at Lucentio's house, where they are met by the Merchant, who insists that he's Lucentio's father. Vincentio challenges him and chaos ensues as Tranio tries desperately to keep up the ruse. The newlyweds finally arrive and seeing no way out, they confess their gambit and beg forgiveness from their fathers. Once all is sorted out, Katherine confronts her father and forces him to reckon with his poor treatment of her. Later, the three newlywed couples (Katherine and Petruchio, Lucentio and Bianca, and Hortension and “The Widow”) celebrate their unions. Bianca and Lucentio are already off to a rocky start as they squabble over how much she's allowed to eat. Hortensio realizes he may not live long as the widow's fourth husband. Only Petruchio and Katherine seem to be partners in marriage, and when put to the test, Katherine finds new words to describe the meaning of true love. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seeing he has no chance against Lucentio (AKA “Cambio”), Hortensio drops his “Licio” disguise and swears off women. Biondello, meanwhile, has found an old merchant who will pretend to be Lucentio's father, Vincenzio, so that Lucentio can marry Bianca without getting his real father's permission. Meanwhile, Katherine wakes in the comfort of Petruchio's home and is further smitten as he describes the goings-on at his farm. Later, Baptista gets all rights to Vinzentio's property from the man he thinks is Lucentio's father but is really the old and very agreeable merchant. Hortensio goes to Petrucio's house and is greeted by Grumio. As they rush to attend Bianca's hasty marriage they're interrupted by the arrival of an old gentleman who's lost his way trying to find his son. It doesn't take long for everyone to realize the gentleman is none other than Vincenzio, Lucentio's real father. Incensed to learn that his son is being married without his consent, he joins Petruchio, Katherine, Grumio and Hortensio on their way to the wedding. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Katherine reluctantly goes to church to be married, only to learn through an elaborate pantomime performed by Grumio and Biondello that Petruchio is running late. Finally, a drunk priest arrives with Petruchio, who is dressed as a gondolier. They make a mockery of the wedding but a humiliated Katherine is nonetheless sent off with her new husband by her clueless father, who reminisces fondly about young love. The newlyweds eventually arrive at Petruchio's frigid home in the pouring rain, where he tells her that he lives selflessly in poverty with seven penitents who share his bed and follow elaborate rituals before eating. Katherine nearly goes mad with hunger as Petruchio demands that they follow every step of the ritual before dining on the food delivered by the kitchen mistress, Dorcas. At last, Katherine realizes it's all a joke and she devours her food with joy and laughter. Once sated, she tells Petruchio she's going upstairs to get ready to lose her virginity to him, but Petruchio tells her he has no intention of making love to her until she is well rested and truly wants to be with him. It only makes Katherine more attracted to him, but Petruchio insists that she get a good night's sleep as he privately confesses to feeling the rekindling of his long dormant passion.  The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Petruchio tells Hortensio he's come to Padua to find a partner to give him renewed life after grieving the loss of his first wife. Hortensio tells him about Baptista's daughter, Katherine, but warns him that she's quite the shrew. Petruchio realizes he knows her father and is not put off. Hortensio agrees to provide an introduction if, in exchange, Petruchio presents him to Signior Baptista as a tutor for the object of his affection: Bianca. As they agree to the deal, Grumio announces the arrival of two other rivals vying for Bianca: Gremio and Lucentio, now disguised as Cambio. Hortensio introduces them to Petruchio and tells them of his intentions with Katherine, who once coupled will make Bianca available for marriage. Meanwhile, Katherine laments her isolation in her chamber at Baptista's house. She impulsively frees her sister's canaries from their cage to find the freedom she craves. When Bianca enters and sees what Katherine's done, the two fight savagely until Signor Baptista arrives to break it up. He sends Bianca away and scolds Katherine, lamenting his struggles as a single father until he hears the arrival of Gremio, Grumio, Tranio (as Lucentio), Lucentio (as Cambio), Hortensio (as Licio) and Petruchio. Petruchio tells Baptista of his lineage and his desire to woo Katherine. Baptista says she'll never agree but Petruchio persists, introducing Hortensio (as “Licio”), who he says will make inroads as her banjo tutor. The others go to great lengths to outdo each other as they compete for Bianca. Gremio presents a Latin tutor (Lucentio-as-Cambio) and Tranio-as-Lucentio claims to be the son of Vincentio, “the Tomato King”.  Baptista welcomes them all to his house and wishes them luck with his daughters. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mistress Slapbottom clears the pub of all its rowdy revelers, leaving her alone with a woman who laments being tasked with ghost writing a sexist play about the taming of a shrew. She begins a page one rewrite, making the female protagonist, Katherine, a woman who loves learning and cannot stand being cooped up by the men who try to control her. We meet Lucentio and Tranio, who are visiting Padua. Strolling through the university, Lucentio is immediately smitten by Katherine's sister, Bianca, an airhead who loves being in a man's world. He conspires with Tranio to disguise himself as a tutor in order to gain access to Bianca by way of instruction. Meanwhile, Petruchio arrives in town with his trusty servant, Grumio, to visit his friends. They are greeted by Petruchio's old pal, Hortensio. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Danny Dyer was discovered by a scout while at school in East London and landed his first acting role in Prime Suspect 3 in 1994. He gained a reputation for playing the tough guy and films like Human Traffic (1999) and The Football Factory (2004) put him on the road to stardom. Danny is most famous for his portrayal of Mick Carter in EastEnders from 2013 to 2022. Ryan Sampson was born in Rotherham and studied acting at Drama Centre London. He began his career on stage in various theatrical productions. His big break came in 2013, when he played Grumio in the historical sitcom Plebs on ITV2. Ryan also appeared in Brassic with  Michelle Keegan in 2019. Ryan wrote and stars in the new comedy series Mr Bigstuff with Danny Dyer. As a sign of what's to come, Danny and Ryan request a glass of something strong before they sit down at the Dish table. Nick obliges and pours some Edmundo Malbec, an Argentinian red, recommended by the experts at Waitrose. He then gets to work on their favourite cocktail, an old fashioned. Meanwhile, Angela is busy in the kitchen slow-roasting a shoulder of lamb with anchovies, oregano and garlic with roast potatoes.  Danny and Ryan are an unlikely pair but their chemistry is undeniable, making this Dish double-date unmissable. Our foursome talks vinaigrettes, pesto and couscous before tackling the important topic of modern masculinity, inspired by their new show, out now on Sky. Danny Dyer is well-known for his ‘colourful' language; please be aware that there is swearing throughout this week's episode. All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices

Next Chapter Podcasts presents the complete Play On Podcast series, THE TAMING OF THE SHREW, in its entirety. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS       as    KATHERINA     ALLEN GILMORE          as    PETRUCHIO     ANNIE ABRAMS            as    BIANCA                MIKE McSHANE           as    BAPTISTA TOM PATTERSON          as    LUCENTIO KYLE T. HESTER           as    TRANIO                DANNY SCHEIE            as    GREMIO and CURTIS J. PAUL BOEHMER        as    HORTENSIO and PEDANT       ROB NAGLE                 as    GRUMIO and VINCENTIO KASEY MAHAFFY            as    BIONDELLO and TAILOR TESSA AUBERJONOIS      as    WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Biondello tells Bianca and Lucentio that he's arranged for a priest to perform their marriage and sends them on their way as Gremio approaches. Petruchio, Kate and Vincentio arrive at Baptista's house and are greeted by the Pedant who (much to the real Vincentio's consternation) claims to be Lucentio's father. Biondello returns from the hasty marriage to find both the real and fake Vincentio with Baptista and is forced to pretend the Pedant is his master. As Vincentio berates Biondello for pretending not to know him, Tranio returns and tries to continue the ruse, claiming the Pedant is his father. Chaos ensues until Lucentio returns with Bianca. With no way out, Lucentio confesses all to his father. Vincentio, overjoyed to see his son alive, forgives him. Baptista accepts the marriage. Gremio accepts he's been beaten and joins the group for a free meal at Baptista's. Kate and Petruchio revel in their newfound love. After dinner, Petruchio challenges all the newly married men to see whose wife respects her husband the most. In the end, it's Kate who helps her husband win, ending the series with a speech about a woman's responsibility to her husband. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS       as    KATHERINA     ALLEN GILMORE          as    PETRUCHIO     ANNIE ABRAMS            as    BIANCA                MIKE McSHANE           as    BAPTISTA TOM PATTERSON          as    LUCENTIO KYLE T. HESTER           as    TRANIO                DANNY SCHEIE            as    GREMIO and CURTIS J. PAUL BOEHMER        as    HORTENSIO and PEDANT       ROB NAGLE                 as    GRUMIO and VINCENTIO KASEY MAHAFFY            as    BIONDELLO and TAILOR TESSA AUBERJONOIS      as    WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Grumio taunts Katherine (as instructed by his master) until Petruchio and Hortensio arrive for dinner. Petruchio rushes Kate through her meal before welcoming a tailor and haberdasher who have made exquisite clothing for Katherine. Petruchio rejects all their offerings over Katherine's objections, but she begins to catch on to his strategy, realizing that she must play along with everything Petruchio does and be “agreeable” in order to get what she wants. Meanwhile, Biondello has primed Baptista for a visit from Tranio (disguised as Lucentio) and the Pedant (disguised as Lucentio's father, Vincentio). Baptista welcomes them and seals the deal for Lucentio to marry his daughter. On the road back to Baptista's home, Kate and Petruchio keep up their game of opposites until they are met by an old man who is making his way to Padua. He introduces himself as Lucentio's father (the real Vincentio). Petruchio embraces him as family, telling him that his son has just married the sister of his wife. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS       as    KATHERINA     ALLEN GILMORE          as    PETRUCHIO     ANNIE ABRAMS            as    BIANCA                MIKE McSHANE           as    BAPTISTA TOM PATTERSON          as    LUCENTIO KYLE T. HESTER           as    TRANIO                DANNY SCHEIE            as    GREMIO and CURTIS J. PAUL BOEHMER        as    HORTENSIO and PEDANT       ROB NAGLE                 as    GRUMIO and VINCENTIO KASEY MAHAFFY            as    BIONDELLO and TAILOR TESSA AUBERJONOIS      as    WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Grumio reaches Petruchio's house ahead of the newlyweds and prepares the servants for their arrival. But nothing could brace them against Petruchio's abuse. He rejects the meals they've made and treats them so poorly that Kate implores him to be more patient. Petruchio insists they go straight to bed, where he lectures her on the virtues of abstinence. Meanwhile, as Tranio keeps up his Lucentio impersonation, Hortensio drops his “Litio '' persona and laments Bianca's affection for Cambio (the real Lucentio). Together, they renounce Bianca and Hortensio declares that he'll seek the affections of a wealthy widow. Free of Hortensio, Tranio celebrates with Bianca and Lucentio until Biondello arrives with the news that he's found a drunk Pedant who will be the perfect person to impersonate Luentio's father, Vincenzio. Tranio and Lucentio work up a plan to fool the Pedant into believing he's in danger in Padua because he's from Mantua but that he'll be safe if he pretends to be Lucentio's father. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS       as    KATHERINA     ALLEN GILMORE          as    PETRUCHIO     ANNIE ABRAMS            as    BIANCA                MIKE McSHANE           as    BAPTISTA TOM PATTERSON          as    LUCENTIO KYLE T. HESTER           as    TRANIO                DANNY SCHEIE            as    GREMIO and CURTIS J. PAUL BOEHMER        as    HORTENSIO and PEDANT       ROB NAGLE                 as    GRUMIO and VINCENTIO KASEY MAHAFFY            as    BIONDELLO and TAILOR TESSA AUBERJONOIS      as    WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The guests assemble for the wedding but the groom is nowhere to be found. Katherina frets with her father until Biondello arrives with word that Petruchio is on his way. The groom arrives, disheveled and drunk, on a shabby horse, with his servant by his side. As the wedding finally gets underway, Tranio tells Lucentio they have to find someone to play the part of his father (Vincentio) in order to convince Baptista that Lucentio is as rich as Tranio promised in Episode Three. Gremio emerges from the church and describes Petruchio's lewd behavior at the altar. Petruchio steps out with his bride and announces that they have to be on their way. Katherina pleads with her husband to stay for the celebration but Petruchio refuses. Incensed, she rails at him, at her father and at all the guests, to no avail. The crowd gets rowdy and clamors for the feast. Petruchio puts Kate on his horse and rides off. Tranio (disguised as Lucentio) steals a moment to woo Bianca and Baptista invites everyone to eat cake. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINA     ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA                MIKE McSHANE                       as        BAPTISTA TOM PATTERSON                    as        LUCENTIO KYLE T. HESTER                       as        TRANIO                DANNY SCHEIE                        as        GREMIO and CURTIS J. PAUL BOEHMER                 as        HORTENSIO and PEDANT       ROB NAGLE                                  as        GRUMIO and VINCENTIO KASEY MAHAFFY                        as        BIONDELLO and TAILOR TESSA AUBERJONOIS            as        WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember:  “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kate and Petruchio meet at last! The fireworks are lit and the couple goes head to head until Baptista arrives to check on their progress. Petruchio announces (over Kate's objections) that the two have agreed to marry that Sunday. Baptista celebrates the news and turns his attention to the marriage of his second daughter, Bianca. Gremio and Tranio (disguised as Lucentio) compete to prove who has the most to offer in the way of riches. Tranio outbids Gremio and Baptista promises him his youngest daughter provided Tranio can prove his father has the resources he claims. Once alone, Tranio conspires to find someone who can pretend to be Lucentio's wealthy father. Back in Baptista's house, the real Lucentio “tutors” Bianca in Latin and secretly reveals his true identity. Bianca is receptive to Lucentio's overtures but warns she needs to get to know him before she agrees to marry. Hortensio finishes tuning his lute and takes over from Lucentio to teach Bianca how to read music, whereupon he confesses his love to her. She is not nearly as receptive to this fop, who stews in anger and vows to defeat Lucentio. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINA     ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA                MIKE McSHANE                       as        BAPTISTA TOM PATTERSON                    as        LUCENTIO KYLE T. HESTER                       as        TRANIO                DANNY SCHEIE                        as        GREMIO and CURTIS J. PAUL BOEHMER                 as        HORTENSIO and PEDANT       ROB NAGLE                                  as        GRUMIO and VINCENTIO KASEY MAHAFFY                        as        BIONDELLO and TAILOR TESSA AUBERJONOIS            as        WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember:  “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A student (and eligible bachelor) named Lucentio arrives in Padua with his servant, Tranio, to study philosophy. As they take in the sights they come across the wealthy Baptista and his two daughters, Bianca and Katherina. Bianca is trailed by two suitors, Hortensio and Gremio, who are vying for her affection. Baptista tells them that neither of them will win Bianca's hand until he marries off his older daughter, Katherina. Meantime, Baptista will keep Bianca at home, seen only by the tutors who he employs to advance her education. Hortensio and Gremio scheme to find a husband for the contrary Katherina. Lucentio, smitten by the beautiful Bianca, hatches a plan with Tranio to gain access to Bianca's house by changing clothes with his servant and posing as a tutor while Tranio pretends to be Lucentio in order to build Lucentio's social profile and entertain his father's guests. When Lucentio's other servant, Biondello, arrives, Lucentio tells him that he and Tranio switched clothes because he killed a man and has to escape the city. He tasks Biondello with waiting on Tranio and instructs him to refer to Tranio as Lucentio. Elsewhere, the self-assured Petruchio, along with his servant, Grumio, arrives from Verona at his friend Hortensio's house. Hortensio greets him warmly and learns from Petruchio that he's come to Padua to find a wife from a wealthy family. Hortensio tells him about Baptista's daughter, Katherina, but warns him about her ferocious temper. Petruchio is intrigued and vows to make Katherina his wife. Hortensio offers to facilitate the introduction provided Petruchio helps him pass for a music teacher so he can get access to Bianca. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINA     ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA                MIKE McSHANE                       as        BAPTISTA TOM PATTERSON                    as        LUCENTIO KYLE T. HESTER                       as        TRANIO                DANNY SCHEIE                        as        GREMIO and CURTIS J. PAUL BOEHMER                 as        HORTENSIO and PEDANT       ROB NAGLE                                  as        GRUMIO and VINCENTIO KASEY MAHAFFY                        as        BIONDELLO and TAILOR TESSA AUBERJONOIS            as        WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember:  “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit megaphone.fm/adchoices

A student (and eligible bachelor) named Lucentio arrives in Padua with his servant, Tranio, to study philosophy. As they take in the sights they come across the wealthy Baptista and his two daughters, Bianca and Katherina. Bianca is trailed by two suitors, Hortensio and Gremio, who are vying for her affection. Baptista tells them that neither of them will win Bianca's hand until he marries off his older daughter, Katherina. Meantime, Baptista will keep Bianca at home, seen only by the tutors who he employs to advance her education. Hortensio and Gremio scheme to find a husband for the contrary Katherina. Lucentio, smitten by the beautiful Bianca, hatches a plan with Tranio to gain access to Bianca's house by changing clothes with his servant and posing as a tutor while Tranio pretends to be Lucentio in order to build Lucentio's social profile and entertain his father's guests. When Lucentio's other servant, Biondello, arrives, Lucentio tells him that he and Tranio switched clothes because he killed a man and has to escape the city. He tasks Biondello with waiting on Tranio and instructs him to refer to Tranio as Lucentio. Elsewhere, the self-assured Petruchio, along with his servant, Grumio, arrives from Verona at his friend Hortensio's house. Hortensio greets him warmly and learns from Petruchio that he's come to Padua to find a wife from a wealthy family. Hortensio tells him about Baptista's daughter, Katherina, but warns him about her ferocious temper. Petruchio is intrigued and vows to make Katherina his wife. Hortensio offers to facilitate the introduction provided Petruchio helps him pass for a music teacher so he can get access to Bianca. The PLAY ON PODCAST SERIES, “THE TAMING OF THE SHREW”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by ART MANKE. Radio play by AMY FREED and LEANNA KEYES.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINA     ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA                MIKE McSHANE                       as        BAPTISTA TOM PATTERSON                    as        LUCENTIO KYLE T. HESTER                       as        TRANIO                DANNY SCHEIE                        as        GREMIO and CURTIS J. PAUL BOEHMER                 as        HORTENSIO and PEDANT       ROB NAGLE                                  as        GRUMIO and VINCENTIO KASEY MAHAFFY                        as        BIONDELLO and TAILOR TESSA AUBERJONOIS            as        WIDOW and HABERDASHER   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “THE TAMING OF THE SHREW” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember:  “A woman may be made a fool if she has not the spirit to resist”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blessed with a natural talent for what was written by Shakespeare and Moliére, Brian Sheppard has built on that to be one of today's most sought actors for true crime and contemporary drama. His appearances on AMC's “The Walking Dead” and NBC's longest-running show “Law & Order: SVU” have presented him as vulnerable or villainous, and always complex. When he played James Dalman on “The Blacklist”, Brian added drug-addicted, disturbed, and edgy to his acting attributes. When Brian portrayed Gary Evans, a prolific serial killer, on ID Channel's “To Catch a Killer”, he portrayed a murderer who, like Charles Manson, Jim Jones, and Richard Ramirez, was likeable, charismatic, and deeply disturbed. Not comfortable playing only one persona, Brian wears with style and skill the hats of both comedians and romantics. He did this in the pilot for “Vetted” and the indy film “Beautiful Something”. In this movie, which played to sold out audiences in San Francisco, Chicago, L.A., Philadelphia, and Tampa, Brian played a poet who writes a life-changing piece of work after confronting his former lover. For it, Brian won Best Actor at the Chicago LGBT Film Fest, as well as the Best Actor Award at Mumbai LGBT Film Fest. Prior to these, he was celebrated in the Classical acting world. Brian cultivated his Shakespearean talents at Tennessee Shakespeare Co. (TSC). His roles there included Lavatch in All's Well That Ends Well, Berowne, Richard II, John Ford, Titus Lartius, Dromio of Syracuse, Don Jon in 400: The Shakespeare Feast. Early in his career, Brian's dramatic intensity and range brought him success as the title role in Hamlet, Grumio in The Taming of the Shrew (TSC), Dorante in The Liar (Centenary Stage Co.), Caliban in The Tempest (PTDT in New York), and Jason in Rabbit Hole (NIU). Brian earned his BA in Theatre at Butler University and an MFA in acting at Northern Illinois University (NIU), where he taught fight choreography and speech/dialect with professors. After attending Moscow Theatre School, he performed in master classes led by several master teachers, including Neil Freeman, Anne Bogart, and Kristen Linklater. In 2011, inspired by his love of the Bard, Brian co-founded Plimouth Players, an all-male Shakespeare company. As an avid fly fisherman for 25 years, Brian teaches fly tying and guides fly fishermen on rivers in New York. You can see his work on City Fly. Coming for Brian are more roles in sci-fi, true crime, and the independent film world. Follow him on Instagram to stay caught up.

Laughter ensues when taming shrews! But what of the troublesome tropes Shakespeare mansplained? Alpha Petruchio is determined to keep his good lady wife Kate dicknotized and submissive. His servant Grumio, who moonlights as a sales rep for Fantasia Tickle Toys, cheers him on. Kate is a former ferocious shrew who caught feelings for Petruchio. She's very nearly tamed, well on her way to a new identity as a sweet and docile housewife. It's time to renounce shrewish ways—until O'Felia from the block seizes the moment. Who the hell wants to be tamed? What's up with this gaslighting? It's more than a disruption of the intestinal humors... Meet the Artists: https://deanproductionstheatre.com/best-beware-my-sting-episode/ --- Support this podcast: https://anchor.fm/dptc/support

Jenny Story was born in Yellowknife NWT however lived the majority of her years in Vernon, British Columbia however three years ago moved to Vancouver, BC to go to Vancouver Film School for Animation. Jenny has since graduated and is now a Professional 2D Classical Animator and a 3D Digital Character Animator. This is Jenny's first novel and she has done her own illustrations for the book. She is planning on a trilogy and has already started writing the second book. Jenny has been recently announced as Official Spokesperson for ANCA World of Autism Festival and she is also a nominee for the award for Literature Arts for ANCA because of her writing and her novel Dysnomia. amazon.com Written works: Dysnomia: Outcasts On a Distant Moon (2015) · Dysnomia: Home Lies in Your Heart (2021) Janet Walmsley was born in Brandon, Manitoba, Canada. She is the youngest of three girls. She did acting in Elementary and High School. Then went to College and University for Dental Assisting and Hygiene, which she did for 27 years in Manitoba, Germany, Yellowknife,NWT and Vernon, BC, Canada. Later in life at the age of 41, Janet got back into acting in the Theatre, where she did a number of roles and directed the play, "Graceland"! One memorable character for her, is the role of Grumio in Taming of the Shrew! She was noticed by a professional actor and told her to go get an Agent and get into film and TV, which she did!! Janet is also a Talent Scout for MVM Agency in Vancouver. She teaches acting with her class, Shifting Lanes through Actor Van Studios. She is also an acting coach and works with actors to get their ducks in a row for acting packages to present to Agents. Janet is also a best selling publisher of her book, The Autistic Author and Animator, which is a heart warming, inspiration, enlightening and engaging true story of her Daughter's journey with Autism!! SHOW LESS

This week, Goat & Eggy talk to Paviors newest first team centre, Cam Seaton.

CAST in order of appearance: Grayson Kirtland as Grumio, William Wilder as Curtis & Nicholas, Zoe Margolis as Nathaniel, Morgan Hollingsworth as Phillip & Peter, Nicholas Koy Santillo as Joseph and Katherine, Brittany Chandler as Petruchio. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Grayson Kirtland as Grumio, Nicholas Koy Santillo as Katherine, Brittany Chandler as Petruchio, Zoe Margolis as Hortensio, Morgan Hollingsworth as Haberdasher, Ali Tallman as Tailor. Facilitated, edited, and with music composed and performed by Ariana Karp.

We move on to part 1 of our discussion of Act IV of Taming of the Shrew! (This episode covers scenes 1 & 2.) Among many things we discussed Grumio's garbled thoughts, status relationships within Petruchio's household staff, servants noting behavioral changes, Kate beginning to prevent violence, Shakespeare implicating the entire audience, entitlement and teamwork, the ethical dilemma of Petruchio's behavior, Bianca and Kate both being referred to as headstrong haggards (or strong-willed birds of prey), and Tranio's constant status shifting.  Our Ensemble for this production includes: Brittany Chandler, Mairi Chanel, Caryl Farkas, Elizabeth Glass, Morgan Hollingsworth, Grayson Kirtland, Zoe Margolis, Nicholas Koy Santillo, Ali Tallman, Will Wilder facilitated and directed by Ariana Karp.

CAST in order of appearance: Caryl Farkas as Baptista, Nicholas Koy Santillo as Katherine, Elizabeth Glass as Tranio, Mairi Chanel as Biondello, Brittany Chandler as Petruchio, Ali Tallman as Lucentio, William Wilder as Gremio, Grayson Kirtland as Grumio, Morgan Hollingsworth as Bianca. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Brittany Chandler as Petruchio, Grayson Kirtland as Grumio, Zoe Margolis as Hortensio, William Wilder as Gremio, Ali Tallman as Lucentio, Elizabeth Glass as Tranio, Mairi Chanel as Biondello. Facilitated, edited, and with music composed and performed by Ariana Karp.

Story:For some, Christmas can bring up a lot of issues and when you add children to it, you might have to re-think the whole holiday.Writer: Faith de SavigneFaith de Savigne has worked as a theatre critic, arts writer, and columnist. As well as having poems and poetry reviews published in various literary journals, she has completed two Masters Degrees in English Literature (UNSW) and Creative Writing (UWS).Director: Bernadette ArmstrongBernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).CASTSue Gisser - as YvonneSue Gisser is trained at the Royal Academy of Dramatic Art in London, Steppenwolf West, the Groundlings, iOWest, Second City, Antaeus Academy, Theatricum Botanicum, and holds a BFA from Mason Gross School of the Arts at Rutgers. In her professional career, Sue is blessed to seldom work with a director, show, or theatre company only once. She's recurred on "Shameless," "Strangers with Candy," and "Solved;" did multiple spots in campaigns for 'Burlington Coat Factory,' 'Mercury Insurance,' and 'Cedar Fair;' completed 20 tours between the Shoestring Players, Open Window Entertainment, and the George Street Playhouse; her films include "The Activist" and "In the Air"- both by French Director Cyril Morin. This is her first podcast, and she's totally hooked. Playing Char has been an honor. Sue is grateful to Bernadette for opening up this new world to her, and for the opportunity to work on this beautiful play, with such strong, talented women! @suegisserWhitton Frank - as MarshaWhitton Frank is a voice, film, television, and theater actor living in Los Angeles. Recent work includes the award-winning horror short Seeing Green as well as immersive vo work in the VR world of The Under Presents and The Tempest and as Kate in season 1 of RomCom Pods. Her theater credits include Florence Boorman in Her Naked Skin/Greenwood Theater, Andrea in Cat’s Eye/Pleasance Theater, King Arthur and Mordred in Clarissant/Little Candle Productions, Grumio in Taming of the Shrew/The Porters of Hellsgate, and Flaming Girl in What the Moon Saw/Son of Semele Ensemble. She can also be seen as Jenna Laffy in season 3 of the TNT show Murder in the First. She is a popular audiobook narrator and can be found on Audible and other sites. And in her copious free time, she moonlights as a DJ and specializes in vintage jazz, blues, and soul.Brandon Lamberty - as RyanBrandon Lamberty has been acting for five years and also is a stand-up comic. You can see his work in comedic commercial spots all throughout the country. You can see him in the film "Chinese Speaking Vampires" which comes out this month! Lastly, "I, he, or whoever is narrating; I love animals, I rescue dogs and have a rescue pitbull named Annie." Sound Production: Recorded at ES Audio Services in Glendale, CA. Recorded and Mixed by Hall CantrellSound Editor: Hall CantrellSound Effects: Ryan MarshSupport the show (https://fundraising.fracturedatlas.org/open-doSupport the show (https://fundraising.fracturedatlas.org/open-door-playhouse)

ABOUTWhat does it mean to accept ourselves, and each other? Friends from the past reconnect in High School in this bittersweet Library conversation.WRITERRachael CarnesPlaywright Rachael Carnes received a 2020 Oregon Literary Fellowship and had more than 50 productions in 2019, across the U.S., U.K., Canada, the Middle East, and Asia. She’s recently developed work at the William Inge Theatre Festival, the Kennedy Center for the Performing Arts, the Midwestern Dramatists Center, the Mid-America Theater Conference, the American Association for Theatre in Higher Education Conference, the Sewanee Writers’ Conference, the Great Plains Theatre Conference, the Lighthouse Writers’ Conference, and the Samuel French Off-Off Broadway Festival. Rachael’s plays are seen in many literary journals. Rachael is the founder and editor of CodeRedPlaywrights, a consortium of writers across the country, responding to gun violence. She and her family live in Oregon. www.rachaelcarnes.comDIRECTORBernadette ArmstrongBernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated). Bernadette is the founder of Open-Door Playhouse. ACTORSFranco Machado as MikeFranco was born in Caracas, Venezuela, and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing. In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and a minor in Sociology from Chapman University’s Dodge College. Franco has had the opportunity to work with many well-known artists including Anthony Ramos, Leonardo DiCaprio, Francis F. Coppola, Rita Wilson, Jessy Terrero, Lil Peep, Lil Twist, and CD9. He’s directed two short films, Our Lives Matter (2017) and Be a Man (2017), and a music video for TAKARA. Whitton Frank as LaurelWhitton Frank is a voice, film, television, and theater actor living in Los Angeles. Recent work includes the award-winning horror short Seeing Green as well as immersive vo work in the VR world of The Under Presents and The Tempest and as Kate in season 1 of RomCom Pods. Her theater credits include Florence Boorman in Her Naked Skin/Greenwood Theater, Andrea in Cat’s Eye/Pleasance Theater, King Arthur and Mordred in Clarissant/Little Candle Productions, Grumio in Taming of the Shrew/The Porters of Hellsgate, and Flaming Girl in What the Moon Saw/Son of Semele Ensemble. She can also be seen as Jenna Laffy in season 3 of the TNT show Murder in the First. She is a popular audiobook narrator and can be found on Audible and other sites. And in her copious free time, she moonlights as a DJ and specializes in vintage jazz, blues, and soul.Support the show (https://fundraising.fracturedatlas.org/open-door-playhouse)

This week we review - Plebs (Series 3 Episode 8)A thoroughly modern comedy in an ancient setting.Rome is traditionally imagined as the home of emperors and senators, generals and gladiators, a dignified theatre of pomp and ceremony. But what about the little guys, the wasters - new to the big city, stuck in office jobs, unable to get the girls?Plebs follows three desperate young men from the suburbs as they try to get laid, hold down jobs and climb the social ladder in the big city - a city that happens to be Ancient Rome.The show focuses on Marcus, his slave with an attitude problem, Grumio, and their flatmate: Stylax, and later Jason. There's also Marcus's ruthless boss, Flavia - an expert manipulator with a private life that's the stuff of legend. Unlikely to be immortalised in the annals or memorialised in a frieze, Marcus, Jason, Stylax and Grumio are essentially just a bunch of Plebs.And whether they're wearing togas, or skinny jeans, desperate young men in any period of history are essentially cut from the same cloth…Written by Sam Leifer and Tom Basden,Directed by Sam LeiferProduced by Teddy LeiferA Rise Films Production for ITV.Plebs is available here: http://tiny.cc/ph5khzThe Comedy Slab Podcast is available on Apple Podcasts, Spreaker, Stitcher, iHeart Radio, Spotify and Youtube.Subscribe for a new episode each Monday.Get in touch - we're @ComedySlab on Twitter and ComedySlab on Facebook.

Diane and Sean discuss Babes in Toyland from 1961. It's terrible, or is it good? Sean's world is shattered when it's learned that there is NO Back to the Beach 2 movie. Episode music is Victor Herbert's "Babes in Toyland Overture", and "Mother Goose Village and Lemonade", from the OST.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=FDAK8MLABD6SG&source=url)

This week’s guest is the massively talented Ryan Sampson. Ryan is Probably best known for his character Grumio in the award winning sitcom "Plebs." He's also appeared in numerous other things including his own sketch show, "Glitchy", "The Work Experience", "The Frankenstein Chronicles", "Up The Women" and many more. We talk about selling cars to Sean Bean, playing Dudley Moore and working with fake excrement. ••••• RYAN SAMPSON on TWITTER — twitter.com/MrRyanSampson ••••• RYAN SAMPSON on INSTAGRAM — instagram.com/mrryansampson ••••• MATT SKILLINGTON on TWITTER — twitter.com/mattskillington ••••• MATT SKILLINGTON on INSTAGRAM — instagram.com/mattskillz87 ••••• SELDOM DIFFER on TWITTER – twitter.com/SeldomDiffer ••••• SELDOM DIFFER INSTAGRAM – instagram.com/seldom_differ ••••• SELDOM DIFFER ONLINE — seldomdiffer.co.uk •••••••••• FOLLOW AND ENJOY!!!

In Shakespeare’s “The Taming of the Shrew,” the indelible Kate and Petruchio—a feisty, ferocious fiancé and her would-be “tamer”—together discover something truly amazing and surprising. They discover that even after 400 years, people will see a show about two people fighting with each other until they finally fall in love. Kate and Petruchio are amongst the most famous characters in western theatrical literature, and despite the datedness of the play, and the imbedded minefield of gender issues that are always part of the process of staging the show for modern audiences; people keep coming to see it. Why? Why not? The politics of love are not easy today, so why not look at a time when they were even more complex, and see if maybe we’ve learned anything. Besides, part of the pleasure of sitting down to a fresh production of such a well-known play is seeing if the cast, crew, and director will make it somehow seem new, or unpredictable, or surprising—or maybe fail miserably in the attempt. That’s always a possibility. I am happy to report that in Curtain Theatre’s rollicking outdoor production—free to the public and running weekends in the Old Mill Park in Mill Valley—the only real failure on display were those few unhappy audience members who failed to bring a sweater or coat, and were visibly shivering in the second act when the Mill Valley fog began rolling in. As for the production itself, it’s a blast. There are plenty of fresh ideas, uniformly strong performances, a boatload of clever theatrical flourishes, and a few moments of true genius. The fluid, fast-paced direction by Carl Jordan—here tackling Shakespeare for his first time—results in a buoyant, bouncy fluff-ball of a play, with a stunningly high laugh-to-minute ratio, and gallons of charm and visual razzle-dazzle The setting and basic attire of the production are fairly traditional, with a live band playing renaissance tunes before the show, but director Jordan lets us know early on that he will be taking a decidedly playful tone with the material, beginning with an original pop-rock-inspired tune that essentially stands as a prologue. In this production, people do tend to burst into song, tossing out snippets of popular rock songs, a few lovely originals by music director Don Clark, and one hilariously heartbreaking rendition of A Hundred Bottles of Beer on the Wall. Kate—a splendidly three-dimensional Melissa Claire—makes her initial appearance wielding a chainsaw, stalking across the stage while belting out the lyrics of George Thorogood’s Bad to the Bone. Petruchio—played by an excellent Alan Coyne—is not the brutish bully he is often depicted as, but a goofy sweetheart with a giddy knack for improvisational madness, and questionable taste in codpieces. The marvelous ensemble is too large to give proper credit to all, but notable standouts include a brilliant Heather Cherry as Petruchio’s frazzled servant Grumio, Tom Reilly as Kate’s gracefully befuddled father, Juliana Lustenader as Kate’s shallow-but-winsome sister, Steve Beecroft as the crafty servant Tranio, and an amiably silly Seth Dahlgren as Hortensio, a wildly persistent suitor to Bianca. And … did I mention the show is free? After 16 years, Curtain Theatre is still managing to exist solely on the donations audiences happily drop in the baskets at the end of the show. And trust me—this one is well worth paying to see. ‘Taming of the Shrew’ runs Saturdays, Sundays and Labor Day, through Sept. 13, at Old Mill Park Amphitheater in Mill Valley. All shows 2:00 p.m. Free. www.curtaintheatre.org

ACT III.SCENE II. Padua. Before BAPTISTA'S houseEnter BAPTISTA, GREMIO, TRANIO as LUCENTIO, KATHERINA, BIANCA,LUCENTIO as CAMBIO, and ATTENDANTS BAPTISTA. [To TRANIO] Signior Lucentio, this is the 'pointed day That Katherine and Petruchio should be married, And yet we hear not of our son-in-law. What will be said? What mockery will it be To want the bridegroom when the priest attends To speak the ceremonial rites of marriage! What says Lucentio to this shame of ours? KATHERINA. No shame but mine; I must, forsooth, be forc'd To give my hand, oppos'd against my heart, Unto a mad-brain rudesby, full of spleen, Who woo'd in haste and means to wed at leisure. I told you, I, he was a frantic fool, Hiding his bitter jests in blunt behaviour; And, to be noted for a merry man, He'll woo a thousand, 'point the day of marriage, Make friends invited, and proclaim the banns; Yet never means to wed where he hath woo'd. Now must the world point at poor Katherine, And say 'Lo, there is mad Petruchio's wife, If it would please him come and marry her!' TRANIO. Patience, good Katherine, and Baptista too. Upon my life, Petruchio means but well, Whatever fortune stays him from his word. Though he be blunt, I know him passing wise; Though he be merry, yet withal he's honest. KATHERINA. Would Katherine had never seen him though! Exit, weeping, followed by BIANCA and others BAPTISTA. Go, girl, I cannot blame thee now to weep, For such an injury would vex a very saint; Much more a shrew of thy impatient humour.Enter BIONDELLO Master, master! News, and such old news as you never heard of! BAPTISTA. Is it new and old too? How may that be? BIONDELLO. Why, is it not news to hear of Petruchio's coming? BAPTISTA. Is he come? BIONDELLO. Why, no, sir. BAPTISTA. What then? BIONDELLO. He is coming. BAPTISTA. When will he be here? BIONDELLO. When he stands where I am and sees you there. TRANIO. But, say, what to thine old news? BIONDELLO. Why, Petruchio is coming- in a new hat and an old jerkin; a pair of old breeches thrice turn'd; a pair of boots that have been candle-cases, one buckled, another lac'd; an old rusty sword ta'en out of the town armoury, with a broken hilt, and chapeless; with two broken points; his horse hipp'd, with an old motley saddle and stirrups of no kindred; besides, possess'd with the glanders and like to mose in the chine, troubled with the lampass, infected with the fashions, full of windgalls, sped with spavins, rayed with the yellows, past cure of the fives, stark spoil'd with the staggers, begnawn with the bots, sway'd in the back and shoulder-shotten, near-legg'd before, and with a half-cheek'd bit, and a head-stall of sheep's leather which, being restrained to keep him from stumbling, hath been often burst, and now repaired with knots; one girth six times piec'd, and a woman's crupper of velure, which hath two letters for her name fairly set down in studs, and here and there piec'd with pack-thread. BAPTISTA. Who comes with him? BIONDELLO. O, sir, his lackey, for all the world caparison'd like the horse- with a linen stock on one leg and a kersey boot-hose on the other, gart'red with a red and blue list; an old hat, and the humour of forty fancies prick'd in't for a feather; a monster, a very monster in apparel, and not like a Christian footboy or a gentleman's lackey. TRANIO. 'Tis some odd humour pricks him to this fashion; Yet oftentimes lie goes but mean-apparell'd. BAPTISTA. I am glad he's come, howsoe'er he comes. BIONDELLO. Why, sir, he comes not. BAPTISTA. Didst thou not say he comes? BIONDELLO. Who? that Petruchio came? BAPTISTA. Ay, that Petruchio came. BIONDELLO. No, sir; I say his horse comes with him on his back. BAPTISTA. Why, that's all one. BIONDELLO. Nay, by Saint Jamy, I hold you a penny, A horse and a man Is more than one, And yet not many.Enter PETRUCHIO and GRUMIO PETRUCHIO. Come, where be these gallants? Who's at home? BAPTISTA. You are welcome, sir. PETRUCHIO. And yet I come not well. BAPTISTA. And yet you halt not. TRANIO. Not so well apparell'd As I wish you were. PETRUCHIO. Were it better, I should rush in thus. But where is Kate? Where is my lovely bride? How does my father? Gentles, methinks you frown; And wherefore gaze this goodly company As if they saw some wondrous monument, Some comet or unusual prodigy? BAPTISTA. Why, sir, you know this is your wedding-day. First were we sad, fearing you would not come; Now sadder, that you come so unprovided. Fie, doff this habit, shame to your estate, An eye-sore to our solemn festival! TRANIO. And tell us what occasion of import Hath all so long detain'd you from your wife, And sent you hither so unlike yourself? PETRUCHIO. Tedious it were to tell, and harsh to hear; Sufficeth I am come to keep my word, Though in some part enforced to digress, Which at more leisure I will so excuse As you shall well be satisfied withal. But where is Kate? I stay too long from her; The morning wears, 'tis time we were at church. TRANIO. See not your bride in these unreverent robes; Go to my chamber, put on clothes of mine. PETRUCHIO. Not I, believe me; thus I'll visit her. BAPTISTA. But thus, I trust, you will not marry her. PETRUCHIO. Good sooth, even thus; therefore ha' done with words; To me she's married, not unto my clothes. Could I repair what she will wear in me As I can change these poor accoutrements, 'Twere well for Kate and better for myself. But what a fool am I to chat with you, When I should bid good-morrow to my bride And seal the title with a lovely kiss! Exeunt PETRUCHIO and GRUMIO TRANIO. He hath some meaning in his mad attire.

GRUMIO. Will he woo her? Ay, or I'll hang her. PETRUCHIO. Why came I hither but to that intent? Think you a little din can daunt mine ears? Have I not in my time heard lions roar? Have I not heard the sea, puff'd up with winds, Rage like an angry boar chafed with sweat? Have I not heard great ordnance in the field, And heaven's artillery thunder in the skies? Have I not in a pitched battle heard Loud 'larums, neighing steeds, and trumpets' clang? And do you tell me of a woman's tongue, That gives not half so great a blow to hear As will a chestnut in a fariner's fire? Tush! tush! fear boys with bugs. GRUMIO. For he fears none. GREMIO. Hortensio, hark: This gentleman is happily arriv'd, My mind presumes, for his own good and ours. HORTENSIO. I promis'd we would be contributors And bear his charge of wooing, whatsoe'er. GREMIO. And so we will- provided that he win her. GRUMIO. I would I were as sure of a good dinner.Enter TRANIO, bravely apparelled as LUCENTIO, and BIONDELLO TRANIO. Gentlemen, God save you! If I may be bold, Tell me, I beseech you, which is the readiest way To the house of Signior Baptista Minola? BIONDELLO. He that has the two fair daughters; is't he you mean? TRANIO. Even he, Biondello. GREMIO. Hark you, sir, you mean not her to- TRANIO. Perhaps him and her, sir; what have you to do? PETRUCHIO. Not her that chides, sir, at any hand, I pray. TRANIO. I love no chiders, sir. Biondello, let's away. LUCENTIO. [Aside] Well begun, Tranio. HORTENSIO. Sir, a word ere you go. Are you a suitor to the maid you talk of, yea or no? TRANIO. And if I be, sir, is it any offence? GREMIO. No; if without more words you will get you hence. TRANIO. Why, sir, I pray, are not the streets as free For me as for you? GREMIO. But so is not she. TRANIO. For what reason, I beseech you? GREMIO. For this reason, if you'll know, That she's the choice love of Signior Gremio. HORTENSIO. That she's the chosen of Signior Hortensio. TRANIO. Softly, my masters! If you be gentlemen, Do me this right- hear me with patience. Baptista is a noble gentleman, To whom my father is not all unknown, And, were his daughter fairer than she is, She may more suitors have, and me for one. Fair Leda's daughter had a thousand wooers; Then well one more may fair Bianca have; And so she shall: Lucentio shall make one, Though Paris came in hope to speed alone. GREMIO. What, this gentleman will out-talk us all! LUCENTIO. Sir, give him head; I know he'll prove a jade. PETRUCHIO. Hortensio, to what end are all these words? HORTENSIO. Sir, let me be so bold as ask you, Did you yet ever see Baptista's daughter? TRANIO. No, sir, but hear I do that he hath two: The one as famous for a scolding tongue As is the other for beauteous modesty. PETRUCHIO. Sir, sir, the first's for me; let her go by. GREMIO. Yea, leave that labour to great Hercules, And let it be more than Alcides' twelve. PETRUCHIO. Sir, understand you this of me, in sooth: The youngest daughter, whom you hearken for, Her father keeps from all access of suitors, And will not promise her to any man Until the elder sister first be wed. The younger then is free, and not before. TRANIO. If it be so, sir, that you are the man Must stead us all, and me amongst the rest; And if you break the ice, and do this feat, Achieve the elder, set the younger free For our access- whose hap shall be to have her Will not so graceless be to be ingrate. HORTENSIO. Sir, you say well, and well you do conceive; And since you do profess to be a suitor, You must, as we do, gratify this gentleman, To whom we all rest generally beholding. TRANIO. Sir, I shall not be slack; in sign whereof, Please ye we may contrive this afternoon, And quaff carouses to our mistress' health; And do as adversaries do in law- Strive mightily, but eat and drink as friends. GRUMIO, BIONDELLO. O excellent motion! Fellows, let's be gone. HORTENSIO. The motion's good indeed, and be it so. Petruchio, I shall be your ben venuto. Exeunt

HORTENSIO. Her father is Baptista Minola, An affable and courteous gentleman; Her name is Katherina Minola, Renown'd in Padua for her scolding tongue. PETRUCHIO. I know her father, though I know not her; And he knew my deceased father well. I will not sleep, Hortensio, till I see her; And therefore let me be thus bold with you To give you over at this first encounter, Unless you will accompany me thither. GRUMIO. I pray you, sir, let him go while the humour lasts. O' my word, and she knew him as well as I do, she would think scolding would do little good upon him. She may perhaps call him half a score knaves or so. Why, that's nothing; and he begin once, he'll rail in his rope-tricks. I'll tell you what, sir: an she stand him but a little, he will throw a figure in her face, and so disfigure her with it that she shall have no more eyes to see withal than a cat. You know him not, sir. HORTENSIO. Tarry, Petruchio, I must go with thee, For in Baptista's keep my treasure is. He hath the jewel of my life in hold, His youngest daughter, beautiful Bianca; And her withholds from me, and other more, Suitors to her and rivals in my love; Supposing it a thing impossible- For those defects I have before rehears'd- That ever Katherina will be woo'd. Therefore this order hath Baptista ta'en, That none shall have access unto Bianca Till Katherine the curst have got a husband. GRUMIO. Katherine the curst! A title for a maid of all titles the worst. HORTENSIO. Now shall my friend Petruchio do me grace, And offer me disguis'd in sober robes To old Baptista as a schoolmaster Well seen in music, to instruct Bianca; That so I may by this device at least Have leave and leisure to make love to her, And unsuspected court her by herself.Enter GREMIO with LUCENTIO disguised as CAMBIO GRUMIO. Here's no knavery! See, to beguile the old folks, how the young folks lay their heads together! Master, master, look about you. Who goes there, ha? HORTENSIO. Peace, Grumio! It is the rival of my love. Petruchio, stand by awhile. GRUMIO. A proper stripling, and an amorous! [They stand aside] GREMIO. O, very well; I have perus'd the note. Hark you, sir; I'll have them very fairly bound- All books of love, see that at any hand; And see you read no other lectures to her. You understand me- over and beside Signior Baptista's liberality, I'll mend it with a largess. Take your paper too, And let me have them very well perfum'd; For she is sweeter than perfume itself To whom they go to. What will you read to her? LUCENTIO. Whate'er I read to her, I'll plead for you As for my patron, stand you so assur'd, As firmly as yourself were still in place; Yea, and perhaps with more successful words Than you, unless you were a scholar, sir. GREMIO. O this learning, what a thing it is! GRUMIO. O this woodcock, what an ass it is! PETRUCHIO. Peace, sirrah! HORTENSIO. Grumio, mum! [Coming forward] God save you, Signior Gremio! GREMIO. And you are well met, Signior Hortensio. Trow you whither I am going? To Baptista Minola. I promis'd to enquire carefully About a schoolmaster for the fair Bianca; And by good fortune I have lighted well On this young man; for learning and behaviour Fit for her turn, well read in poetry And other books- good ones, I warrant ye. HORTENSIO. 'Tis well; and I have met a gentleman Hath promis'd me to help me to another, A fine musician to instruct our mistress; So shall I no whit be behind in duty To fair Bianca, so beloved of me. GREMIO. Beloved of me- and that my deeds shall prove. GRUMIO. And that his bags shall prove. HORTENSIO. Gremio, 'tis now no time to vent our love. Listen to me, and if you speak me fair I'll tell you news indifferent good for either. Here is a gentleman whom by chance I met, Upon agreement from us to his liking, Will undertake to woo curst Katherine; Yea, and to marry her, if her dowry please. GREMIO. So said, so done, is well. Hortensio, have you told him all her faults? PETRUCHIO. I know she is an irksome brawling scold; If that be all, masters, I hear no harm. GREMIO. No, say'st me so, friend? What countryman? PETRUCHIO. Born in Verona, old Antonio's son. My father dead, my fortune lives for me; And I do hope good days and long to see. GREMIO. O Sir, such a life with such a wife were strange! But if you have a stomach, to't a God's name; You shall have me assisting you in all. But will you woo this wild-cat? PETRUCHIO. Will I live? GRUMIO. Will he woo her? Ay, or I'll hang her.

ACT I. SCENE II. Padua. Before HORTENSIO'S houseEnter PETRUCHIO and his man GRUMIOPETRUCHIO. Verona, for a while I take my leave,To see my friends in Padua; but of allMy best beloved and approved friend,Hortensio; and I trow this is his house.Here, sirrah Grumio, knock, I say.GRUMIO. Knock, sir! Whom should I knock?Is there any man has rebus'd your worship?PETRUCHIO. Villain, I say, knock me here soundly.GRUMIO. Knock you here, sir? Why, sir, what am I, sir, that Ishould knock you here, sir?PETRUCHIO. Villain, I say, knock me at this gate,And rap me well, or I'll knock your knave's pate.GRUMIO. My master is grown quarrelsome. I should knock you first,And then I know after who comes by the worst.PETRUCHIO. Will it not be?Faith, sirrah, an you'll not knock I'll ring it;I'll try how you can sol-fa, and sing it.[He wrings him by the ears]GRUMIO. Help, masters, help! My master is mad.PETRUCHIO. Now knock when I bid you, sirrah villain!Enter HORTENSIOHORTENSIO. How now! what's the matter? My old friend Grumio and mygood friend Petruchio! How do you all at Verona?PETRUCHIO. Signior Hortensio, come you to part the fray?'Con tutto il cuore ben trovato' may I say.HORTENSIO. Alla nostra casa ben venuto,Molto honorato signor mio Petruchio.Rise, Grumio, rise; we will compound this quarrel.GRUMIO. Nay, 'tis no matter, sir, what he 'leges in Latin. If thisbe not a lawful cause for me to leave his service- look you, sir:he bid me knock him and rap him soundly, sir. Well, was it fitfor a servant to use his master so; being, perhaps, for aught Isee, two and thirty, a pip out?Whom would to God I had well knock'd at first,Then had not Grumio come by the worst.PETRUCHIO. A senseless villain! Good Hortensio,I bade the rascal knock upon your gate,And could not get him for my heart to do it.GRUMIO. Knock at the gate? O heavens! Spake you not these wordsplain: 'Sirrah knock me here, rap me here, knock me well, andknock me soundly'? And come you now with 'knocking at the gate'?PETRUCHIO. Sirrah, be gone, or talk not, I advise you.HORTENSIO. Petruchio, patience; I am Grumio's pledge;Why, this's a heavy chance 'twixt him and you,Your ancient, trusty, pleasant servant Grumio.And tell me now, sweet friend, what happy galeBlows you to Padua here from old Verona?PETRUCHIO. Such wind as scatters young men through the worldTo seek their fortunes farther than at home,Where small experience grows. But in a few,Signior Hortensio, thus it stands with me:Antonio, my father, is deceas'd,And I have thrust myself into this maze,Haply to wive and thrive as best I may;Crowns in my purse I have, and goods at home,And so am come abroad to see the world.HORTENSIO. Petruchio, shall I then come roundly to theeAnd wish thee to a shrewd ill-favour'd wife?Thou'dst thank me but a little for my counsel,And yet I'll promise thee she shall be rich,And very rich; but th'art too much my friend,And I'll not wish thee to her.PETRUCHIO. Signior Hortensio, 'twixt such friends as weFew words suffice; and therefore, if thou knowOne rich enough to be Petruchio's wife,As wealth is burden of my wooing dance,Be she as foul as was Florentius' love,As old as Sibyl, and as curst and shrewdAs Socrates' Xanthippe or a worse-She moves me not, or not removes, at least,Affection's edge in me, were she as roughAs are the swelling Adriatic seas.I come to wive it wealthily in Padua;If wealthily, then happily in Padua.GRUMIO. Nay, look you, sir, he tells you flatly what his mind is.Why, give him gold enough and marry him to a puppet or anaglet-baby, or an old trot with ne'er a tooth in her head, thoughshe has as many diseases as two and fifty horses. Why, nothingcomes amiss, so money comes withal.HORTENSIO. Petruchio, since we are stepp'd thus far in,I will continue that I broach'd in jest.I can, Petruchio, help thee to a wifeWith wealth enough, and young and beauteous;Brought up as best becomes a gentlewoman;Her only fault, and that is faults enough,Is- that she is intolerable curst,And shrewd and froward so beyond all measureThat, were my state far worser than it is,I would not wed her for a mine of gold.PETRUCHIO. Hortensio, peace! thou know'st not gold's effect.Tell me her father's name, and 'tis enough;For I will board her though she chide as loudAs thunder when the clouds in autumn crack.HORTENSIO. Her father is Baptista Minola,An affable and courteous gentleman;Her name is Katherina Minola,Renown'd in Padua for her scolding tongue.

THE TAMING OF THE SHREWby William Shakespeare1594Dramatis PersonaePersons in the InductionA LORDCHRISTOPHER SLY, a tinkerHOSTESSPAGEPLAYERSHUNTSMENSERVANTSBAPTISTA MINOLA, a gentleman of PaduaVINCENTIO, a Merchant of PisaLUCENTIO, son to Vincentio, in love with BiancaPETRUCHIO, a gentleman of Verona, a suitor to KatherinaSuitors to BiancaGREMIOHORTENSIOServants to LucentioTRANIOBIONDELLOServants to PetruchioGRUMIOCURTISA PEDANTDaughters to BaptistaKATHERINA, the shrewBIANCAA WIDOWTailor, Haberdasher, and Servants attending on Baptista andPetruchioSCENE: Padua, and PETRUCHIO'S house in the countrySC_1INDUCTION. SCENE I.Before an alehouse on a heathEnter HOSTESS and SLYSLY. I'll pheeze you, in faith.HOSTESS. A pair of stocks, you rogue!SLY. Y'are a baggage; the Slys are no rogues. Look in thechronicles: we came in with Richard Conqueror. Therefore,paucaspallabris; let the world slide. Sessa!HOSTESS. You will not pay for the glasses you have burst?SLY. No, not a denier. Go by, Saint Jeronimy, go to thy coldbedand warm thee.HOSTESS. I know my remedy; I must go fetch the third-borough.ExitSLY. Third, or fourth, or fifth borough, I'll answer him bylaw.I'll not budge an inch, boy; let him come, and kindly.[Falls asleep]Wind horns. Enter a LORD from bunting, with his trainLORD. Huntsman, I charge thee, tender well my hounds;Brach Merriman, the poor cur, is emboss'd;And couple Clowder with the deep-mouth'd brach.Saw'st thou not, boy, how Silver made it goodAt the hedge corner, in the coldest fault?I would not lose the dog for twenty pound.FIRST HUNTSMAN. Why, Belman is as good as he, my lord;He cried upon it at the merest loss,And twice to-day pick'd out the dullest scent;Trust me, I take him for the better dog.LORD. Thou art a fool; if Echo were as fleet,I would esteem him worth a dozen such.But sup them well, and look unto them all;To-morrow I intend to hunt again.FIRST HUNTSMAN. I will, my lord.LORD. What's here? One dead, or drunk?See, doth he breathe?SECOND HUNTSMAN. He breathes, my lord. Were he not warm'd withale,This were a bed but cold to sleep so soundly.LORD. O monstrous beast, how like a swine he lies!Grim death, how foul and loathsome is thine image!Sirs, I will practise on this drunken man.What think you, if he were convey'd to bed,Wrapp'd in sweet clothes, rings put upon his fingers,A most delicious banquet by his bed,And brave attendants near him when he wakes,Would not the beggar then forget himself?FIRST HUNTSMAN. Believe me, lord, I think he cannot choose.SECOND HUNTSMAN. It would seem strange unto him when he wak'd.LORD. Even as a flatt'ring dream or worthless fancy.Then take him up, and manage well the jest:Carry him gently to my fairest chamber,And hang it round with all my wanton pictures;Balm his foul head in warm distilled waters,And burn sweet wood to make the lodging sweet;Procure me music ready when he wakes,To make a dulcet and a heavenly sound;And if he chance to speak, be ready straight,And with a low submissive reverenceSay 'What is it your honour will command?'Let one attend him with a silver basinFull of rose-water and bestrew'd with flowers;Another bear the ewer, the third a diaper,And say 'Will't please your lordship cool your hands?'Some one be ready with a costly suit,And ask him what apparel he will wear;Another tell him of his hounds and horse,And that his lady mourns at his disease;Persuade him that he hath been lunatic,And, when he says he is, say that he dreams,For he is nothing but a mighty lord.This do, and do it kindly, gentle sirs;It will be pastime passing excellent,If it be husbanded with modesty.FIRST HUNTSMAN. My lord, I warrant you we will play our partAs he shall think by our true diligenceHe is no less than what we say he is.LORD. Take him up gently, and to bed with him;And each one to his office when he wakes.[SLY is carried out. A trumpet sounds]Sirrah, go see what trumpet 'tis that sounds-Exit SERVANTBelike some noble gentleman that means,Travelling some journey, to repose him here.

This week's podcast profiles Stephen Ouimette, who is currently appearing as Grumio in The Taming of the Shrew at Chicago Shakespeare Theatre. He talks with Anne Nicholson Weber about his wide-ranging career acting for theatre and television, voicing animated films and directing for the stage.