Podcasts about mill valley

Jake's Take with Jacob Elyachar

Play Episode Listen Later Jan 3, 2025 26:14

In this episode of Backstage Bay Area, we're thrilled to feature Nyles Lannon, the visionary behind Nyte Skye, a band that blends atmospheric dream-pop with shimmering shoegaze textures. Formed during the pandemic, Nyte Skye is a family-driven project founded by Nyles and his son Skye. It showcases a beautiful collaboration of talent and creativity. Their debut album, Vanishing, is a 10-track exploration of intricate melodies that has captivated audiences since its release in 2023. We dive deep into Nyles' fascinating career, from his days in the shoegaze band Film School to his many projects, including Total Brightness and National Sweetheart. In this conversation, Nyles reflects on the joys and challenges of playing in a band with his son, the evolution of his relationship with music, and the ever-changing Bay Area music scene. Plus, we get a sneak peek at what's coming next for Nyte Skye, including their upcoming second album and live performances. Episode Highlights Forming Nyte Skye: How a pandemic project between father and son turned into a band with a signature sound. Balancing Family and Music: The joys and challenges of collaborating with a family member. Creative Evolution: Nyles discusses his shift from composing music for commercials to creating deeply personal projects. Film School's Influence: How his earlier work in Film School shaped his current sound. Upcoming Projects: An exclusive listen to the demo track “Shadow Priest” and details on Nyte Skye's next album, slated for release in 2025. Featured Songs “Dream State” – Nyte Skye (Vanishing, 2023) “No Other Ride” – Total Brightness “Shadow Priest” – Nyte Skye (demo from the upcoming album) Key Takeaways Nyte Skye's name is a creative blend of Nyles and Skye's names, reflecting their deep partnership. The pandemic offered them the time to craft a unique sound influenced by New Wave, shoegaze, and psychedelia. Nyles' career as a commercial composer complements his projects, bringing a unique perspective to his music. Show Info Date: Thursday, January 9, 2025 Venue: Sweetwater Music Hall, Mill Valley, California Doors Open: 7:00 PM Showtime: 8:00 PM Tickets: Sweetwater Music Hall Links and Resources Nyte Skye Official Website: nyte-skye.com Music on Spotify: Nyte Skye on Spotify Follow on Instagram: @nyte_skye_band Sweetwater Music Hall Tickets: sweetwatermusichall.org Social Media Hashtags #NyteSkye #BackstageBayArea #DreamPop #Shoegaze #BayAreaMusic #LiveMusic #FilmSchool Thank you for tuning in to Backstage Bay Area. Don't forget to check out Nyte Skye's music and follow their journey online. See you next time!

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Episode #336: Jack Hutson & Michael Pitt TALK ‘Day of the Fight'

Play Episode Listen Later Dec 16, 2024 13:56

It is a privilege to welcome Day of the Fight's Jack Huston and Michael Pitt to The Jake's Take with Jacob Elyachar Podcast. Set in Brooklyn in the 1980s, Day of the Fight follows a once-celebrated middleweight boxer, Mikey Flannigan, AKA “Irish” (Michael Pitt), as he embarks on a day-long redemptive journey as he prepares for his first match since serving time in prison. “Day of the Fight is an underdog story in its purest form,” said Jack Hutson, who wrote, co-produced, and directed the film. “This movie is about second chances, overcoming adversity against all odds, and above all, it's forgiveness.” The 108-minute film also stars Nicolette Robinson, John Magaro, Kat Elisabeth Williams, Steve Buscemi, Ron Perlman, and Joe Pesci. Josh Porter, Jai Stefan, Emma Tillinger Koskoff, and Colleen Camp joined Jack Hutson on the production team. In 2023, the movie was featured in various film festivals. It closed out the 2023 Austin Film Festival and was the opening night film for the 2023 International FilmFestival Mannheim-Heidelberg, Mill Valley, and Raindance Film Festivals. It was also an official selection for the 2023 Venice Film Festival. Jack Hutson also won two director awards for the 2023 Newport Beach and SCAD Savannah Film Festivals. On this episode of The Jake's Take with Jacob Elyachar Podcast, Jack Hutson and Michael Pitt discussed the Day of the Fight filming process. Jack explained why the film was shot in black and white, while Michael shared his perspective on sharing the screen with acting legends Steve Buscemi, Ron Perlman, and Joe Pesci. Day of the Fight can be found in New York City, Los Angeles, Chicago, Dallas, Boston, and San Francisco theatres.Let's connect on social media! Visit my channels on:A) Facebook: https://www.facebook.com/JacobElyachar/B) Instagram: https://www.instagram.com/jacobelyachar/C) Threads: https://www.threads.net/@jacobelyacharD) TikTok: https://www.tiktok.com/@therealjacobelyacE) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Free Creatures: Genre-Blending Beats and Holiday Cheer

Play Episode Listen Later Dec 10, 2024 30:01

In this episode of Backstage Bay Area, host Steven Roby chats with Emily Turner, bassist and vocalist of the genre-bending trio Free Creatures. Hailing from Southern Oregon, Free Creatures fuses alt-hip-hop, indie, psych-rock, and EDM to create what they call "the umami of music." Emily shares the band's journey from its unique beginnings on a farm during wildfire season to becoming a powerhouse trio with a sound that defies boundaries. From the upright bass to the MPC beats and left-handed guitar magic, this band is as eclectic as it is innovative. We also explore the stories behind fan-favorite tracks like “Inviting You In” and “Get It Done,” their upcoming vinyl release of While We Can, and their exciting plans for 2025, including live album recordings and new collaborations. Plus, get a sneak peek at what to expect at their December 12th show at the Sweetwater Music Hall in Mill Valley—a holiday dance party that promises shopping, secret guest musicians, and pure Free Creatures magic. Guest Information: Emily Turner Role: Upright Bassist and Vocalist for Free Creatures Website: www.freecreaturesmusic.com Facebook: Free Creatures Music Instagram: @free.creatures Call-To-Action: Don't miss Free Creatures at the Sweetwater Music Hall on December 12th! Doors open at 7:00 PM, and the show kicks off with Mill Valley's Maggie Trevers at 8:00 PM. Get your tickets now: Sweetwater Music Hall Tickets. Support the podcast by subscribing on YouTube and Apple Podcasts. Stay tuned for more artist interviews and behind-the-scenes music stories! Podcast Playlist: “Inviting You In” “Oregon Knights” “Get It Done” Essential Episode Takeaways: Free Creatures blends various genres to create a uniquely captivating sound. Their music often originates from deep collaboration, improvisation, and their connection to the Pacific Northwest's nature and culture. Upcoming plans include a new album recorded live and exciting collaborations with artists like Dirtwire and Kuf Knotz. Don't miss their special show at Sweetwater Music Hall, featuring local flair, holiday vibes, and exclusive vinyl releases. Suggested Hashtags: #FreeCreatures #BackstageBayArea #SweetwaterMusicHall #WhileWeCan #UmamiOfMusic #IndieMusic #LiveMusic #HolidayDanceParty

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Inside Spafford: Name Origins, Musical Journey, and Growing Legacy

Andy Frasco's World Saving Podcast

Play Episode Listen Later Dec 3, 2024 40:24

In this episode of 'Tales from the Green Room,' we welcome the band Spafford in the green room at Sweetwater Music Hall in Mill Valley, CA to discuss their origins, musical influences, and journey. The conversation covers the genesis of their unique band name, evolving from 'Officious Tortfeasor' to 'Spafford,' inspired by a close friend. Members, Brian Moss, Nick Tkachyk, Corey Schechtman, and Shon Gordon share personal anecdotes about their musical backgrounds, influences from legends like the Grateful Dead, and their approach to blending multiple genres seamlessly. They also delve into their experiences with sobriety on tour, maintaining family lives, and the significance of performing at iconic venues like Sweetwater. Additionally, the band reflects on their growth and success, largely credited to their dedicated fan community, the Spaffnerds, and serendipitous opportunities that propelled them into the national spotlight. All the while, hosts Dennis Strazulo and Tami Larson marvel at their first experience listening to the band and becoming instant fans!LinksSpafford Official Website Spafford - Mad World (Tears For Fears) | 1/14/24 | Pembroke, MA Sweetwater Music Hall

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RECRUITING ON FIRE: Florida Gators Flip 4-Star Top EDGE Jayden Woods from Penn State

Gators Breakdown

Play Episode Listen Later Nov 29, 2024 43:49

In this episode of Gators Breakdown, David Waters details the commitment of EDGE Jayden Woods. The four-star recruit from Shawnee, Kansas, who stands at 6-foot-3 and 240 pounds, flips from Penn State, where he had been committed since June. Woods ranks as the 130th overall player in the country and the 10th ranked EDGE on the 247 Sports Composite. The On3 Industry Rankings place him slightly higher at 116th overall and 14th edge player in the country. Florida plans to use him in the JACK linebacker position. Following his visit to Florida during the Ole Miss game last weekend, he committed a week later. His impressive offer list includes Michigan, Alabama, Oregon, LSU, Miami, Notre Dame, Tennessee, Stanford, Ole Miss, Texas A&M, Washington, Arkansas, and Mississippi State. This past season, Woods accumulated 90 total tackles in 11 games, including five tackles for loss. He also recorded five-and-a-half sacks, six QB hurries, one interception, and two forced fumbles. In 2023, as a junior, he tallied 71 tackles, 10 tackles for loss, 7 sacks, 2 forced fumbles, and 8 pass deflections. He helped Mill Valley finish 11-2 and secure their fifth consecutive Kansas 5A state title. In 2022, he contributed to Mill Valley's 12-1 record and Kansas 5A state championship with 51 tackles, 10.5 tackles for loss, 6 sacks, 3 forced fumbles, 2 fumble recoveries, and 12 QB hurries. This latest flip gives the Gators their 20th commit and elevates Florida to 15th in the 247 Sports Composite Rankings. The class now consists of one five-star, ten four-star, and nine three-star recruits. Woods ranks as the third-highest recruit in the class, behind only Vernell Brown III and Ben Hanks Jr. #FloridaGators #CollegeFootball #BillyNapier #GatorsBreakdown JOIN Gators Breakdown Plus: https://gatorsbreakdown.supportingcast.fm/ Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Get Gators Breakdown merch: https://gatorsbreakdownmerch.com Questions or comments? Send them to gatorsbreakdown@gmail.com You can be the difference! For the first time ever, YOU can directly impact the outcome on the field by joining Florida Victorious! Want to help the Gators win? Want a better game day experience? Just like when you pack The Swamp, your unwavering support through Florida Victorious empowers the Gators to be their best! Join today and be the difference in making the orange and blue victorious. Visit https://floridavictorious.com/join-now/ and SAVE 20% on your first month using promo code: GATORSBD Learn more about your ad choices. Visit megaphone.fm/adchoices

EP 297: Mark Wystrach (Midland)

Play Episode Listen Later Nov 26, 2024 56:18

Take heed! Friend to all and perspicacious sage of the jam band scene, Vince Herman advises: NEVER on a Sunday. Andy and Chad Cocuzza (of Spoonfed Tribe) talk about their friendship honeymoon whilst vacationing in Italy. Did Andy achieve the respite they so desperately needed? Did him and the honeymoon boys find love? And what of that one girl, known only as TROUBLE from a few years back... But then, on the Interview Hour, we got guitarist/songwriter and sometimes actor Mark Wystrach, of one of the biggest and baddest bands to come out of Texas: Midland! Mark calls from a beautiful Bay Area redwood sabbatical in Mill Valley while he gets his head together. Andy and Nick learn what it takes to be a MAN. Inquire within for lessons on masculinity... We're psyched to partner up with our buddies at Volume.com! Check out their roster of upcoming live events and on-demand shows to enrich that sweet life of yours. Call, leave a message, and tell us if you think one can get addicted to mushrooms: (720) 996-2403 Check out our new album!, L'Optimist on all platforms Follow us on Instagram @worldsavingpodcast For more information on Andy Frasco, the band and/or the blog, go to: AndyFrasco.com Produced by Andy Frasco, Joe Angelhow, & Chris Lorentz Audio mix by Chris Lorentz Featuring: Mara Davis

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ST Aquinas Coach Randy Dreiling 2024 Playoffs Mill Valley Preview

saints playoffs aquinas mill valley coach randy

Play Episode Listen Later Nov 15, 2024 5:13

The Saints coach previews his team's game with Mill Valley

Winterland Arena, 51 years ago, second set highlights: Mississippi Half-Step and Beyond

Deadhead Cannabis Show

Play Episode Listen Later Nov 13, 2024 94:11

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day A very famous show from a very famous year. Many feel 1973 was the peak of the band's post psychedelic era. Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run. In 2008 the Dead released the box set: “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973. This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band). The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band. They were on fire for these three days. A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness. It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.” INTRO: Promised Land (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind) Track #1 0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995. Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out. I especially love Keith's piano which is featured prominently in this clip. Played: 430 timesFirst: May 28, 1971 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 1: To Lay Me Down (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee Track #6 2:21 – 4:20 David Dodd: “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to. Jerry's voice is still so young and strong. And the group singing works really well. Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played: 64 timesFirst: July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS: Music Intro: Brain Damage Pink Floyd Pink Floyd - Brain Damage (2023 Remaster) 0:00 – 1:47 "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4] The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts. The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.” Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival. More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3. Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride. The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green). “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA. SHOW No. 2: Weather Report Suite Prelude (out of China >Rider/Me & My Uncle/Loose Lucy Track #14 3:10 – end INTO Weather Report Suite Part I (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break - 16 songs Track #15 0:00 – 1:03 David Dodd: This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played: 46 timesFirst: September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast: October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3: Mississippi Half Step Uptown Toodeloo (Second Set Opener/into Big River/Dark Star) Track #17 3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special. Great story. Great lyrics: “what's the point of calling shots, this cue ain't straight in line. Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert. ½ Step>Franklin's were especially fun as a one two show opener punch. Played: 236 timesFirst: July 16, 1972 at Dillon Stadium, Hartford, CT, USALast: July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS: INTRO MUSIC: Willin' Little Feat Little Feat - Willin' sung by Lowell George Live 1977. HQ Video. 0:10 – 1:32 1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists. George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem. And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1. Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2. Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3. Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4. Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract: Dulce Limon – hyrbrid sativa dominant Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4: Dark Star (Mind Left Body Jam) Track #18 34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then. The truly improvisational side of the Dead and their live performances. Played: 9 timesFirst: October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast: March 24, 1990 at Knickerbocker Arena, Albany, NY, USA INTO Eyes of the World (into China Doll/Sugar Mag as second set closer) Track #19 0:00 – 2:25 David Dodd: “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song. The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise. A perfect jam tune. Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses. First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros. We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention. I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes. Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes. Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set. Any '73 Eyes will leave you in awe and this one is one of the best. Played: 382 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO OUTRO: And We Bid You Goodnight (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!! Track #25 :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard. Great reaction from the Deadheads. Kind of a chills down your spine thing. I was with One armed Lary and Alex, both had been with us at Deer Creek right before. Lary stayed for all three nights but Alex had to take off after the first show. Great times. Played: 69 timesFirst: January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast: September 26, 1991 at Boston Garden, Boston, MA, USA Thank you for listening. Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

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Yellowwood Junction: From 90s Beginnings to Modern-Day Resonance

Play Episode Listen Later Nov 9, 2024 31:51

In today's episode, we're thrilled to welcome Brian Watch-horst, guitarist and vocalist for Yellowwood Junction. Formed in San Francisco in 1993, this six-piece band has captivated audiences with their sophisticated adult alternative rock sound, blending Steely Dan's complexity with singer-songwriter melodies. Yellowwood Junction built its reputation by touring extensively across the Western U.S., earning acclaim as one of the Bay Area's most promising unsigned bands in the mid-1990s and sharing stages with acts like Train. Coming up in today's conversation, we'll explore the band's unique musical evolution, the stories behind their fan-favorite tracks like “Fade to Blue” and “After Today,” and what fans can expect at their upcoming show at Sweetwater Music Hall in Mill Valley. Key Takeaways: Learn how Yellowwood Junction's unique sound evolved and gained a following across the Western U.S. Hear about the band's early days in the 1990s Bay Area music scene. Discover the inspiration behind some of their most popular songs. Get excited for the upcoming live performance and what surprises are in store. Sound Bites: “We wanted to create a sound that was complex but accessible, somewhere between Steely Dan and the storytelling of singer-songwriters.” “Sharing a stage with Train in the '90s was electric—it felt like a sign we were doing something right.” “Fans coming to Sweetwater can expect a mix of our classics and some surprises we've been working on.” Links: Yellowwood Junction Website Follow Yellowwood Junction on Instagram Like Yellowwood Junction on Facebook Tickets for Sweetwater Music Hall Performance Relevant Hashtags: #BackstageSonoma #YellowwoodJunction #LiveMusic #BayAreaBands #SweetwaterMusicHall #AlternativeRock #IndieMusic #MusicInterviews #BayAreaMusicScene Tune in to experience the compelling stories behind the music and get a sneak peek of what's next for this timeless Bay Area band!

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Spring Hill Coach Jason Feeback 2024 Playoffs Mill Valley Preview

coach playoffs denver broncos spring hill mill valley feeback

Play Episode Listen Later Nov 8, 2024 6:24

The Broncos coach previews his team's game with Mill Valley

Bearly Dead at Sweetwater Music Hall

Play Episode Listen Later Nov 7, 2024 48:45 Transcription Available

In this episode of 'Tales From the Green Room,' the hosts welcome guest co-host Paul McCaffrey ("Paulie Mac") - formerly of the 'Murph & Mac' morning sports radio show on KNBR - for an engaging and wide-ranging conversation with members of Boston-based band, Bearly Dead, Nick Swift, Michael "Butzy" Butler, and founder Tyler Brooks. Recorded backstage at the iconic Sweetwater Music Hall in Mill Valley, the discussion traverses topics from the evolution of their musical journey, the influence of the Grateful Dead, and their unique approach to setlists and performance. The episode also touches on Boston sports, the local music scene, and the camaraderie within the Grateful Dead tribute band community. Butler's reflection on the band's musical journey, touring, and relationship with its fans is met with a surprise voice from the past from their greatest influencer, adding an interesting dynamic to the discussion!Linkshttps://www.bearlydeadmusic.com/Bearly Dead - CorrinaMarch 23, 1975 Grateful Dead Performance and Jerry Garcia Interview - The Deadpod

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From Screenwriting to Soulful Ballads: A Conversation with Joshua Radin

Play Episode Listen Later Nov 5, 2024 21:56

Episode Overview: Join host Steven Roby on this special episode of Backstage Sonoma as he sits down with renowned acoustic folk artist Joshua Radin, whose journey from screenwriter to celebrated singer-songwriter is as heartfelt as his music. With over a billion streams and hits like “I'd Rather Be With You,” Joshua opens up about his early days, serendipitous breaks, and upcoming independent double LP, One Day Home. Discover the stories behind his new tracks, reflections on touring with Ron Pope, and the cherished atmosphere of venues like the Sweetwater Music Hall in Mill Valley. Key Takeaways: Joshua Radin's unconventional path from art teacher and screenwriter to singer-songwriter. His major break came with the song "Winter" featured on Scrubs. Insights into his creative process, including the inspiration behind the double LP format of One Day Home. Radin's reflections on the importance of physical media and his favorite aspects of touring. Featured Music: “I'd Rather Be With You” – Joshua Radin's breakout single. “I Believe I'm Falling” – An evocative new track inspired by love and personal musings. “Let Me Be Right” – A song born from Radin's experiences with past relationships. Sound Bites: “I was floored…an audience had come to me organically for the first time, and I thought, maybe I should give this a shot.” – Joshua on his first big break. “I've never actually said this about any of my albums, but this is the most ‘me' I've ever been.” – Joshua discussing One Day Home. “It's just two guys with a lot of feelings.” – Radin on touring with Ron Pope. Upcoming Live Show: Catch Joshua Radin live with Ron Pope at the Sweetwater Music Hall in Mill Valley on Tuesday, November 12th. Doors open at 7 PM, and showtime is at 8 PM. Get tickets here. Connect with Joshua Radin: Official Website Venue Info: Sweetwater Music Hall Hashtags: #BackstageSonoma #JoshuaRadin #SweetwaterMusicHall #IndieFolk #OneDayHome #RonPope #MusicInterviews #LiveMusic Credits: Hosted by Steven RobyGuest: Joshua RadinProduction: Backstage Sonoma Podcast TeamListen and subscribe to the show on YouTube, Spotify, and Apple podcasts!

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Mother Hips' Journey: Past, Present, and "California Current"

Play Episode Listen Later Nov 1, 2024 33:23 Transcription Available

Mother Hips' Journey: Past, Present, and California CurrentJoin Greg Loiacono and Tim Bluhm of The Mother Hips in the latest episode of 'Tales from the Green Room' as they discuss their journey, starting from the early days in Marin County to the release of their latest album, California Current. Recorded at The Junction in Mill Valley, CA, this episode covers the band's deep connection with their fan base, the evolution of their music, and the intricate process behind recording their 18th album. Discover how Mother Hips has managed to stay relevant and creatively vibrant for over three decades, with personal anecdotes and behind-the-scenes stories about their music, recording sessions, and touring life. Don't miss the heartfelt insights and the joy of making music that keeps them going strong!LinksThe Mother Hips Web PageCalifornia Current by The Mother HipsTransit Wind by The Mother Hips

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Warren Farrell - Soul-Mate Wisdom

10 Lessons Learned

Play Episode Listen Later Oct 29, 2024 43:25

About Warren Farrell PHD Warren Farrell, PhD, has coached couples and psychologists in couples' communication for the past 30 years. His Role Mate to Soul Mate book emanates from his popular course of the same title. Dr. Farrell has been chosen by the Financial Times of London as one of the world's top 100 thought leaders. His books are published in 19 languages, and include The New York Times bestseller Why Men Are the Way They Are, international bestseller The Myth of Male Power, and 2018's The Boy Crisis.. Dr. Farrell has been interviewed repeatedly by Oprah, Barbara Walters, Tucker Carlson and Jordan Peterson, and also by Peter Jennings, Katie Couric, and Charlie Rose. He has frequently written for and been featured in The New York Times and publications worldwide. Warren has two daughters and lives with his wife in Mill Valley, California, and virtually at warrenfarrell.com. Episode Notes 08:51 Soulmate Wisdom 1: The secret to feeling loved is to feel understood. 14:18 Soulmate Wisdom 2: Our choice of partner is the most important statement about our choice of values. 18:09 Soulmate Wisdom 3: Every virtue taken to its extreme becomes a vice. 22:48 Soulmate Wisdom 4: Criticism looks different to the criticizer and the criticized 25:28 Soulmate Wisdom 5: Anger is Vulnerability's Mask. 30:10 Soulmate Wisdom 6: Falling in love is biologically natural and sustaining love is biologically unnatural 31:15 Soulmate Wisdom 7: The path to relationship wealth is appreciating your partner as if you're panning for gold 33:29 Soulmate Wisdom 8: The more you love your partner, the more vulnerable you feel. 35:28 Soulmate Wisdom 9: When either of us wins, both of us lose. 36:24 Soulmate Wisdom 10: Never say what you don't want, ask for what you do 38:55 Soulmate Wisdom 11. When criticism appears, wisdom disappears

Mill Valley Coach Joel Applebee Week 8 2024 Olathe East Preview

coach east jaguars applebees mill valley olathe

Play Episode Listen Later Oct 25, 2024 6:44

The Jaguars coach previews his team's game with Olathe East

Season Five: Jason Sims, managing partner of the new Corner Bar in Mill Valley

Barfly Podcast

Play Episode Listen Later Oct 15, 2024 16:19

Send us a textWe welcome back to the program well-traveled Marin mixologist Jason Sims, who is not only Bungalow 44's longtime managing partner, but now also the managing partner of the newly opened Corner Bar in Mill Valley

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APEX Express – 10.10.24 – Return

KPFA - APEX Express

Play Episode Listen Later Oct 10, 2024 59:58

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Return is the theme for APEX Express as Host Miko Lee talks with artists from APAture, Kearny Street Workshops annual celebration of emerging artists from the Bay Area. Miko also speaks with exiled Hong Kong activist Nathan Law about the new documentary film “Who's Afraid of Nathan Law.” Special Thanks to Jose Ng for insight into the Hong Kong movement for democracy. For more information about the subjects in tonight's show: APAture, KSW – October 13 to November 9th venues throughout the Bay Area Jalena Keane-Lee and her film: Standing Above the Clouds playing October 12 Mill Valley Film Festival October 22 Roxie Cinema – APAture Ian Santillano playing October 13, DNA Lounge – APAture Kim Requesto performing November 3, Joe Goode Anex – APAture Who's Afraid of Nathan Law playing on POV Return Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: [00:00:38] Welcome to Apex Express. I'm your host Miko Lee and tonight our subject is return, which is the theme of the 25th annual APAture Kearny Street Workshop Annual Festival. It's running October 13th through November 9th, and there's going to be six showcases in venues across San Francisco. We're going to put a link in our show notes at kpfa.com backslash program apex. We're going to hear from three of the featured artists; filmmaker, Jalena Keane-Lee, dancer, Kim Requesto, and musician, Ian Santillano. Then we speak with someone who cannot return to his Homeland, exiled Hong Kong activist, Nathan Law. First off, we're going to check in with my usual co-host as PowerLeeGirls and my always daughter, filmmaker Jalena Keane-Lee. Good evening and welcome to Apex Express. Tonight On Apex Express, we're talking with my daughter, Jalena Keane-Lee, and usual co host, but tonight we're going to be talking with Jalena as a filmmaker. Welcome, Jalena, to Apex Express as a guest. Jalena Keane-Lee: [00:01:48] Thank you so much for having me. Miko Lee: [00:01:50] And I would like to talk with you about APAture, Kearny Street Workshop's annual festival. This year, you're one of several artists that are getting a showcase. The theme for this year is around Return. Can you tell us what return means to you and what you will be presenting at APAture? Jalena Keane-Lee: [00:02:11] Yes, so the theme for Kearny Street Workshop's APAture festival this year is Return and I am the featured artist for the film showcase, which is such an honor and I'm really excited about that. And I've screened previous work there in the past—short films, but it was really yeah, such an honor and privilege to be asked to be the featured artist this year. And I'll be playing my first feature documentary, which is called Standing Above the Clouds. And it follows native Hawai'ian mother-daughter activists that are standing to protect their sacred mountain called Mauna Kea from the building of a massive 30 meter telescope. And the film chronicles intergenerational healing and how to build and sustain a movement. And so I hope people come to see it and it will also be playing with a series of short films from other Asian American and Pacific Islander filmmakers. And the film showcase is October 22nd at 6 PM at the Roxy Theater in the Mission. To me, the theme of return, it's, it reminds me a lot of, I think last year's theme too, which I think was homecoming. And just thinking about, you know, returning to yourself, returning to your ancestors, returning to your sacred land. Standing Above the Clouds is all about the movement to protect Mauna Kea, which is one of the most sacred places in all of Oceania. And the highest peak in the world from the seafloor. And the summit of the mountain stands at 14,000 feet and it's also tied to Native Hawai'ian genealogy and seen as the ancestor of the people. And so the film is really all about that place that you want to return to, that place that represents, you know, home and spirituality and is an anchor and a training ground and a teacher and a leader and so many other things that, you know, our sacred places are and that they teach us. And really about, you know, protecting that space and making sure that that's a place that future generations will be able to return to. And also reflecting and processing all the ways and all the times that you have returned there and what that has taught you and brought into your life. Miko Lee: [00:04:26] So this festival runs for multiple weeks. It actually is at the Roxy and at DNA Lounge and at the Joe Goode Annex and at Arc Gallery and Studios. We're also in the show featuring Kim Requesto, who is one of the performing artists that's featured, and then music by, the musical guest, which is Ian Santillano. And Jalena, tell me about, are you getting a chance to communicate with all the other artists and to be able to work with the other artists that are part of this festival? Jalena Keane-Lee: [00:04:58] It's the 25th year of the APAture Festival and there's a lot of really cool events for artists. I know they had a kind of orientation event and they had headshot opportunity to like get your headshot taken there. I unfortunately was out of town, so I was not able to make it and have that opportunity to mix and mingle with the other artists. But I'm excited to go to some of the events, as they happen. And there's a bunch of different showcases for, like, each different discipline. Mine is film, and then there's visual arts, music, performing arts, I believe. Miko Lee: [00:05:33] Were you at Kearny Street Workshop last year as well? You were part of APAture last year as well. Jalena Keane-Lee: [00:05:38] Yes, I was. Miko Lee: [00:05:40] How many years have you participated? Jalena Keane-Lee: [00:05:43] I think I've participated three years, but yeah, as I said before, this is my first time being a featured artist, so that's very special. And I know it's the 25th year of the APAture Arts Showcase, and that it's the oldest running Asian American arts showcase in the US. Miko Lee: [00:06:03] And if folks aren't able to make this amazing APAture event, where else can they see your film Standing Above the Clouds? Jalena Keane-Lee: [00:06:10] My film will also be available through the Mill Valley Film Festival on October 12th, and it's going to play at the San Rafael Film Center at 3pm on the 12th, and then I'll also be leading a workshop on October 19th. It's a teen documentary filmmaking and activism workshop, which should be really fun. And that's with SF Film, and we'll be at their location, Filmhouse, on, yeah, October 19th. And we should be having more screenings coming up, so if you're interested in, you know, following along with the film, you can find us at Standing Above the Clouds on Instagram and Facebook, and standingabovetheclouds.com. And we'll post our screenings and different opportunities. You can also request a screening for your organization or group or school. And we'll be implementing our screening tour and impact plans in the next few years as well. And you can follow me at Jalena.KL on Instagram and other platforms as well and I post about it too. And you can also follow at Protect Mauna Kea, if you want to keep up to date with the movement to protect Mauna Kea. And there is a petition, a change.org petition to sign to push for the stopping of the telescope, which is currently still trying to be built, even though there has been over a decade of indigenous resistance and resistance that we see as successful because they have been able to stall the telescope up until this point. But yes, there's a change.org petition that you can sign that is @protectmaunakea and also @standingabovetheclouds in both of their linkinbios. Miko Lee: [00:07:46] Thank you. And we'll put links to all of those in the show notes for Apex Express. So I know that you've been touring with the film to different cities and indeed different countries. And I'm wondering if you have felt a different reception based on the places you've been to from Toronto to Seattle to Los Angeles. What has been, what has stood out to you as you've toured this film to different locations? Jalena Keane-Lee: [00:08:06] Yeah, it's been such a blessing to be able to bring the film across the world. And I think we're really excited to we're bringing the film home to Hawai'i with the Hawai'i International Film Festival, and then also home to the Bay Area with APAture and Mill Valley. So it's really nice to have this, you know, homecoming and return, so to speak, to the places where, you know, the film is from. And touring it around, I think it's been really beautiful just seeing all the like resonance and the connections across other lines of difference with different activists, different local activists, whether it is in Toronto, or Rio de Janeiro, Brazil, or Seattle, And one thing that has been a really beautiful reflection from audiences is that the film is a representation of hope and that, you know, it's a realistic portrait of organizing and movement building, which certainly is not, you know, always glamorous or easy, but one that shows the beauty of the struggle and the beauty of being in community and pushing towards something and how being in movement spaces, you know, can shape and heal and revive different parts of who you are. Miko Lee: [00:09:16] Can you talk a little bit about what healing means to you in relationship with social justice work? Jalena Keane-Lee: [00:09:22] Standing Above the Clouds, it is about, you know, healing. And Havane, who's one of the main protagonists of the film, she has a really great line in the film, that is we don't just have to heal from this work, we heal through it too. And I think that speaks a lot to what it means to heal in movement spaces and part of the intergenerational healing that we show in the film is, you know, our, our parents generation, and this kind of older generation of women who really paved the way, and who didn't have the opportunity to really take breaks or care for themselves and their own bodies, oftentimes, and there just wasn't really any other option or it wasn't really a choice. And in the film we can see passing down to the next generation and wanting people to be able to have the opportunity to care for themselves and to, you know, have boundaries around their time and their energy and show up in these spaces when they feel completely ready and that being something that the kind of mother generation wants to pass down to the younger generation and also something that the younger generation is able to point out. In the older generation and see for themselves and I think that really plays into movement sustainability and healing is such an important part of creating movements that can be sustainable and that won't just burn people out and then kind of, you know, fizzle and fall away. So making sure that we have the space to heal and in all the different ways, like through tears, through laughter, through joy. I think is such an important part and also letting movements and work for social justice heal us and have, you know, a positive impact on us and teach us about ourselves. Miko Lee: [00:11:19] Thank you for sharing that. I just finished reading the amazing Healing Justice Lineages book by Erica Woodard and Cara Page, and you and I just went to see Cara's exhibit about the impact of the medical industrial complex. And one of the things both Cara and Erica talk about in the book is ancestral technologies and the impact that ancestral technologies can have on healing us and the next generation. And I resonated with that so much being the mother age obviously of you, but also of the women in Standing Above the Clouds. And I'm wondering if you have thoughts on ancestral technologies that you grew up with, or that you felt like you learned from being involved with this filmmaking process for so long. Jalena Keane-Lee: [00:12:08] That's a really, ooh that's such an interesting point. I think in the film, the ancestral technology that comes to mind immediately is oli or chanting, and that is like, you know, an ancient Hawai'ian way of recording knowledge and passing down information and also praying. And, in the film, it's talked about in a few different places, how that is an ancient technology and how we only know the things that we know today, because someone passed it down orally as an oli or as a chant. And a really, a really beautiful thing about the process of making the film was being able to, to witness that and also to learn oli myself, and also to learn that Havane and Auntie Pua, who are two of the main protagonists in the film, they both write a lot of oli too. So it's an ancestral technology that's still very much alive and breathing in the present day. And I think that's so beautiful and that yeah, I hope with, you know, all of our different ancestral technologies that we access and learn about at different times that we also can see them as things that are like ever changing and kept current in the present. Miko Lee: [00:13:29] And what would you like people to walk away with after seeing Standing Above the Clouds? Jalena Keane-Lee: [00:13:34] I want people to walk away feeling and believing that collective liberation is possible. And that the worlds that we want to create that are centered on care, that don't discriminate based on, you know, any lines of difference, are possible. And it's our responsibility to enact those worlds and protect the things that are sacred to us and important to us. And I want people to walk away thinking about, you know, their own mom and thinking about the importance of sisterhood and community. And I want people to walk away wanting to call their best friend or their mom or reconnect with someone and talk about how it made them feel and what they want to do and what they want to stand for in their own communities. Yeah, I also want people to walk away, you know, fired up about protecting Mauna Kea and other sacred places and signing the petition to stop the 30 meter telescope, which we'll link in the show notes. Miko Lee: [00:14:44] Thank you so much for joining us. Next up, listen to APAture feature musician, Ian Santillano. Ian is a Filipino American singer songwriter multi-instrumentalist and producer from Hayward, California. So check out his song, “End of the Earf.” MUSIC That was APAture featured musician Ian Santillano with “End of the Earf.” Now let's check in with dancer Kim Requesto. Kim, welcome to Apex Express. Kim Requesto: [00:18:12] Hi Miko, thank you so much for having me. Miko Lee: [00:18:20] I'm starting first with my question I love asking all people: Kim, tell me about who are your people and what legacy do you carry with you? Kim Requesto: [00:18:26] I was born in the Philippines and I immigrated to the US when I was three years old, but my entire life has been in the Bay Area. A lot of it has been informed by my family and what we've brought over from the Philippines, and that is a lot of dance and specifically Philippine folk dance, because both of my parents were actually dancers. I continue to share Philippine folkloric dance. And I've gotten deeper into that practice by doing research with different indigenous communities in the Philippines. My legacy, I feel, has expanded beyond just the stories of my family and the stories that I come from, but also, the dances and music and culture of the different indigenous communities that I've created connections and relationships with in the Philippines. And then of course, how I've been able to share that with the community here in the Bay Area, and also in the diaspora. Miko Lee: [00:19:32] Thank you. Kim, you're a multidisciplinary artist. I know you do dance and photography and music and sharing this cultural traditions. Can you tell us a little bit about what you'll be sharing during APAture? Kim Requesto: [00:19:45] Yes, of course. So what I hope to share during APAture is more of my performance work. Showcasing movement that I've learned while doing research in the Philippines and honing in on Philippine dance and the various traditional dance styles from the different communities in the Philippines. But also, a lot of my work is also involving my experience as someone who's grown up in the Bay area. The work that I'm presenting is really around my experience as a Filipinx American and sharing that through movement that is not just traditional, not necessarily contemporary, but a mixture and a fusion of both. I also do hope to share specifically traditional movement, just because to honor the people I've worked with in the Philippines they requested, you know, before people see this fusion part, it's important that they know what the traditional part looks like as well. I'm really excited to share dance and also some music and I'm part of the Performing Diaspora residency at CounterPulse so I'll be previewing a small work in progress that'll be showcased in December. But I'm really looking forward to just sharing movement with others, and also sharing the stage with the other artists who's part of the festival. Miko Lee: [00:21:09] I love that. I used to study traditional Japanese noh and kyogen, and I remember one of the things that the elders used to talk about is you're not allowed to derivate from the form until you have the traditional forms down absolutely and understand what they are in your bones. And I feel like that's what your elders are saying, too. Showcase the traditional work so that the fusion work makes sense to other folks. Kim Requesto: [00:21:34] Mhmm. And it's also, I think, just to honor the cultures back in the Philippines, just to honor them as well. Because within, in my work, I do feel that it's important that there's a way for me to also uplift what they've taught me and then not just like what I've been doing. [Laughs] So yeah, I guess similar to, to what your elders said too, or I guess in this sense, both of our elders. Miko Lee: [00:22:02] Yeah, I'm wondering how this fits with the theme of APAture this year, which is Return. Kearny Street Workshop says, from the Palestinian right to return, the call for the indigenous land back movement, the various migrant histories and struggles for justice in our Pacific Islander and Asian communities, and the returns we face in our personal lives. So what does return mean to you? And how is this going to showcase in the work that you're presenting? Kim Requesto: [00:22:28] For myself, returning means finding our truth. At least to me in this present day and age [laughs] of my life, it's really finding that truth or finding our truth and being able to also share and connect with others. The theme of returning also is being able to connect and understand, not just the histories that we've experienced, but also the histories that our bodies have experienced. I guess the way we'll be seeing it in what I'm going to be sharing with everyone is really looking through the lens of movement and how I fuse my experiences as someone who is Filipino, but also who is positioned here in the Bay Area. And being able to also find my truth in that movement, because even though a lot of the movement I'll be showcasing is from the southern part of the Philippines, I'm sharing it here in the Bay Area. And also to fuse it with my experience as someone who has grown up in San Francisco. There's a different positionalities in that. My movement is also different. I think in that idea of fusion and in the idea of also learning traditional movement, but also understanding my positionality and my body and my identity and fusing that together. It's the idea of finding, going back to finding my truth and you know, for me, it's like finding that in movement. Miko Lee: [00:24:01] Thank you so much. My last question is, what are you reading, watching, or listening to? Is there something that is sparking your imagination right now? Kim Requesto: [00:24:11] What I'm listening to, it's a lot of like melodic, soft, instrumental music. I'm back at a period of wanting to listen to jazz or to even like classical music. And it's just been helping me breathe and I think breathing, being able to find rest, being able to find like calm. Especially since I think for my personal life, I'm getting busy. Being able to rest gives me a lot of like opportunity to be creative after I've rested. So yeah. I think listening to music that makes me happy has been really great for me finding calmness and happiness. If I had to name an artist, it would be Olivia Dean grooves. Yes. Miko Lee: [00:25:01] Thank you. Is there anything else you'd like to add? Kim Requesto: [00:25:04] I'm just really looking forward to APAture this year and seeing everything from all the different artists and disciplines. I think having a space in APAture with Kearny Street Workshop and just being able to continue to share art with, like, the community. The greater Bay Area community is such a privilege because it really does feel like a place where people can connect with other artists and also audience members, and I'm just really thankful to APAture and to KSW and also just thank you, Miko, for talking with me. Miko Lee: [00:25:37] Thanks so much. I look forward to seeing your work at APAture this year. Thanks, Kim. Kim Requesto: [00:25:42] Thanks, Miko. Miko Lee: [00:25:43] You're listening to apex express on 94.1, KPFA Berkeley, 89.3, KPF B in Berkeley, 88.1 KFCF in Fresno and online@kpfa.org. Once again, we hear from APAture featured musician Ian Ian Santillano with “Movin' Nowhere.” MUSIC That was APAture featured musician Ian Santillano with “Movin' Nowhere.” Finally tonight, I speak with the person who is unable to return to his Homeland, Hong Kong activist, Nathan Law. And I also speak with filmmaker Joe Piscatella. Nathan Law was one of the student leaders during the 79 day Umbrella Movement in 2014. He is also the founder and former chair of Demosisto a new political party derived from the 2014 protests. And now he is an exile in London. I speak with both Nathan Law and documentary filmmaker, Joe Piscatella. Today we're speaking about the documentary film Who's Afraid of Nathan Law, and I'm so thrilled that we have with us both the filmmaker and Nathan Law himself. So Nathan, I want to start with you. First off, this is a question I ask many guests. Can you please tell me who are your people and what legacy do you carry with you? Nathan Law: [00:31:26] Yeah, thank you so much for the invitation, Miko. This movie is about the struggle of Hong Kong's democratic movement. As we all know, there's been decades of the Hong Kong democratic movement, in which we fight for the right to elect our leaders and universal suffrage. And this is deeply embedded into our culture because we often see Hong Kong as somewhere the East meets the West. The East is of course, the Chinese heritage, our culture, our languages. But, the Western part is that there's a big part of it that's about freedom, liberty, and the democratic way of life. So, the fight for democracy in Hong Kong has been deeply ingrained in our culture and becomes essential part of who we are. So this movie is about my story, but it's also a reflection of the way of life of Hong Kong people and what are the struggles and difficulties that they've been through and how the city of Hong Kong is being demolished by the authoritarian regime, Chinese Communist Party. Miko Lee: [00:32:29] Nathan thanks so much. I love that you gave a little blip about what the film is about, which is powerful. I was lucky to have a chance to be able to see it, but Nathan, I'm wondering about you personally, who are your people and for you, what do you carry? Like, what's your earliest memory of social justice? Nathan Law: [00:32:47] For me, I grew up in Hong Kong, but I was born in mainland China. So I moved to Hong Kong when I was six. I lived in the most blue collar neighborhood. I lived in public housing. My father was a construction worker and my mother was a cleaner. So when I grew up, I was not taught about social justice or democracy. My parents had the mentality that I call refugee mentality, which they only want their kids to get into a good school and get a good job and don't rock the boat. So I've not been encouraged to do anything that I'm currently doing. But, in my high school, I had a political enlightenment moment, which inspired me to get into the arena of activism in college. So when I was in high school, I learned about Liu Xiaobo the Chinese human rights activist who got the Nobel Peace Prize in 2010, and the stories of Tiananmen Massacre, which was a tragedy in 1989 when there were so many workers and students, they fought for China's democracy, and then they were brutally massacred, and there were hundreds to thousands of people died because of the crackdown. So all these moments make me feel like, as a college student and as a half intellectual, I had responsibility to engage in social affairs and be involved in social activism. So that was the start of my story and the people, my people, certainly people of Hong Kong and those people who have the pursuit of freedom and democracy. Miko Lee: [00:34:33] Thanks, Nathan. And filmmaker Joe Piscatella, can you tell us how you got the first inspiration to create this documentary around the Umbrella Movement and around Nathan? Joe Piscatella: [00:34:44] Sure. So, in 2017 my team and I made a film prior to this called Joshua: Teenager vs. Superpower and that film documents the rise of Joshua Wong in the national education movement and then through the Umbrella movement and that film won Sundance in 2017 and is still currently on Netflix. And when we were looking to do our next film we realized one, the story of Hong Kong was, was continuing. There was more story to tell as the 2019 anti extradition protests were happening, and we wanted to be able to tell that story until the next chapter. And we also were so impressed. When we were making the Joshua Wong film, we were so impressed with Nathan. We were moved by his story, we were moved by his passion, we were all inspired by what he was doing. And we realized, hey, Nathan has a phenomenal story to tell in his own right. Let's tell the story of Hong Kong through the lens of Nathan Law. Miko Lee: [00:35:48] Thank you. And Nathan, what was the decision making factor that you decided to go along with being part of this documentary film? Nathan Law: [00:35:58] First of all, Joe and I and the other film crew, we had a connection when the Joshua Wong documentary, uh, was being produced. So I had already had the opportunity to work with them. I think, for the team, they're not only just producing, like, a documentary, But they genuinely do care about human rights and the story of Hong Kong and the struggles. So I think that gave a huge confidence to me and my fellow Hong Kong activists that they're definitely going to tell a story that make more people to understand what we are struggling and the fight for democracy. So I think this is a great collaboration and I think this documentary encapsulates past 10 years of my life and pretty much, the struggles to democracy and I think that that has a lot of reflection on it, but also like a lot of Hong Kong people would echo what was being covered in the documentary, because my life is pretty much also the lives of many other Hong Kong people being through all these big times, democratic struggles and ending up needing to leave their hometown and to resettle in somewhere else. Miko Lee: [00:37:14] Thank you. It's really enlightening, especially for someone like me who is fifth generation Chinese American, does not speak Chinese, and it's very hard to actually get any kind of, you know, quote unquote, accurate information about what's happening in Hong Kong and the activist movement. How would you suggest people get accurate news of what's happening in Hong Kong? Nathan Law: [00:37:37] For now, it's extremely difficult because the press freedom in Hong Kong is being squashed. There have been a multiple actions taken by the government that they disbanded, the most free and crowd sourced and critical news outlets to the Chinese regime. And for now, most of the media in Hong Kong have to follow the orders of the government and only express certain point of view that do not upset Beijing. So we don't have much room, but still we have some very small independent media that they can still operate with a very limited resources, for example, Hong Kong Free Press. This is one channel that we can get more impartial news. But at the end of the day, there has been a vacuum of independent journalism, and that is in, like, intentionally made by the government because the government doesn't want information to be circulated. They want to control the narratives and the information that people know. And by controlling it, they can effectively push forward the propaganda. So that is a predicament of Hong Kong people. And we do want more genuine independent journalism, but the reality of Hong Kong doesn't allow. Miko Lee: [00:39:04] And Joe, how is this film being released in Asia? What's the reception to this film in Asia? Joe Piscatella: [00:39:12] The film has not been released yet in Asia. it is about to, it actually premieres tonight, on PBS, on, POV on PBS, and then it'll stream at pbs.org/POV for the foreseeable future. So I have not gotten what the reaction is yet in Asia to this film. Miko Lee: [00:39:33] Okay, we'll have to wait and see. It is exciting that people can have easy access to be able to see the film on public broadcasting, at least in the United States, and we'll wait and see what happens in Asia. Nathan, you are now, with Political Asylum living in London, and I'm wondering how you practice activism there in Hong Kong when you are living in London. Nathan Law: [00:39:56] When the political crackdown in Hong Kong took place. The activism in the diaspora community becomes much more important because we can say something that you cannot say in Hong Kong and we can raise awareness by interacting with foreign government officials and international NGOs. If you do it in Hong Kong under the restriction of the national security law now, by meeting, for example, a congressman in the US, you can easily be incarcerated and be sentenced to years of imprisonment in Hong Kong. That is how strict the political sentiment there. And also if you speak about critical things towards the government or express supportive statement to the 2019, protest, you will also be targeted, sentenced, and maybe ended up in months or years in the prison. So we've had all these court cases where people only do peaceful advocacy work without inciting violence or committing violence, but they are being thrown to jail because of speech. And it's common to have speech crime in Hong Kong. So the diaspora community shoulders certain responsibility to speak out all those demands and, and the push for Hong Kong and China's democracy. So for me, in London, there's been a growing population of Hong Kong people because of the fact that people voted with their feet, there has been a exodus of Hong Kong people for now that's already been more than 200,000 of them that have come to the UK because of the worsening liberty situation in Hong Kong. And with that many amounts of people we have a lot of community and cultural events. One of the biggest goal is to preserve the story and the history and the identity of Hong Kong people, which is being erased in Hong Kong actively by the government. Miko Lee: [00:42:02] And what's going on with the Umbrella Movement now? Like I said, it's very hard for us outside of your film to get information about what is happening right now. Can you give us an update? Nathan Law: [00:42:14] Yeah, the Umbrella Movement was the occupation movement 10 years ago in pursuit for democracy. It's been 10 years, but I think its legacy is still impacting Hong Kong. It's the very first civil disobedience movement in a massive scale in Hong Kong. There were hundreds of thousands of Hong Kong people camping in the BCS runway in order to fight for a free and democratic society. Fast forward five years ago, there was a big, anti extradition law protest in Hong Kong in 2019 to 2020. It was the latest big uprising of Hong Kong people where you encounter much more ferocious and militant protests. And of course, it triggered a series of response from the government, which includes the implementation of the national security law, which in effect curtailed the city's freedom and civil society. So, it's been 10 years. We had more optimistic outlook of Hong Kong 10 years ago. But for now, the situation in Hong Kong is really bad, as I mentioned. Speech crime is in place, civil liberties and individual freedoms are being heavily restricted, civil society is disbanded. Some of the interviewees in the documentary, including my dearest friend, Joshua Wong, and Gwyneth Ho, they are now being in jail for more than three and a half years just because of joining a primary election, which is the thing that all democratic countries do, but in Hong Kong, it becomes a crime. And they are expecting to be sentenced, at the end of this year, to up to five to ten years of imprisonment just because they do, they do the exact same thing that other politicians in democratic countries do. So this is a really sad reality that we've put up so much effort, so much sacrifices to the democratic movement, but for now, as the Chinese regime is just so powerful. So it's difficult for us to get some progress in our democracy. Miko Lee: [00:44:32] Is there anything that folks over here that believe and want to support the movement? Is there anything that we can do to help support the folks that are incarcerated or support the movement? Nathan Law: [00:44:44] First of all, attention and support is really important. So by spreading words of the theme or the current situation of Hong Kong, it helps a lot. And of course we need more representative in the hill to push over Hong Kong agenda and there are a few bills about advancing Hong Kong's advocacy in the hill that's being discussed. Those are the things that we can write to our representative and ask them for support. But at the end of the day, it's also that the struggle of Hong Kong is a puzzle, a piece of puzzle in a broad picture of the struggles against authoritarianism and autocracy. We've been through a decade or two of democratic decline around the world and Hong Kong was part of it. So one thing to raise awareness of the issue of Hong Kong is also to protect your democracy. We are in an election year and you should do your homework, be educated, and be decided to come out to vote. This is an act of safeguarding our democracy. Miko Lee: [00:45:52] And from your perspective as a Hong Kong person who's now living in London, do you have thoughts on the upcoming American presidential campaign? Nathan Law: [00:46:03] Well, of course, this is a particularly important, election as the world has been, in like a chaotic situation as we've seen the warfare in Ukraine, in Gaza, and also all the political crackdowns in Hong Kong and around China, and also the threat to Taiwan. So for me, as a person who dedicated myself into the fight for human rights and democracy, definitely, I do hope that people can, American people can elect someone who upholds the values that we share and is very determined to, to support Taiwan and the struggle of Hong Kong. So that would be my parameter when it comes to the US election, but at the end of the day, I'm not a US citizen, so I don't really have a stake in this. campaign. But, yeah, I think we we need a leader that that can lead the free world and to do good things Miko Lee: [00:47:06] And Nathan I know as an activist as a leader, you've gotten a lot of attention. And I know that there have been personal attacks against you for both yourself and people that are close to you, including your family members. How do you persevere through that? Nathan Law: [00:47:26] It's difficult to cope with the harms that that's exerted, not only to you, but to your family, because they actually have nothing to do with everything I do. This collective punishment is evil, and it's intentionally used to hurt you. So it's difficult to persevere and navigate myself in these attacks, including personal attacks and also collective punishment to my family and my former colleagues. So, yeah, I think for me, it takes a lot of time to digest and to find a way to balance it. And it's not easy. One thing that I think is great to be portrayed in the film is that for us, we are activists, we are leaders, but we're not, we're not invincible. We're not without any pains and struggles. So as an activist, I think most of my time is actually being used to cope with anxiety, cope with fear, and how I can maintain as mentally healthy as possible in these political storms. Miko Lee: [00:49:04] And how do you do that? Nathan Law: [00:49:05] It's not easy, yeah. Miko Lee: [00:49:06] How do you do that, Nathan? How do you cope with the anxiety and the fear? What's do you have a process that helps you? Nathan Law: [00:49:16] I think first of all, you have to recognize that is it's normal to have these emotions. This these are definitely emotions that disturb your lives, your work, but they're normal because you are situated in an extraordinary situation and people from all corners, they want a piece of you or they want to attack you to achieve their purpose. And I think as long as you recognize it, as you, as, as long as you know that you are suffering from it, first of all, having a support group is really important for those people who understand who you are and who support you unconditionally, and also seeking professional help, no matter if it's a therapist or a psychiatrist, those who can listen to you and, and just try out. I don't think there is a one set of measures that fit for all, and that there is such a rich combination of how you can deal with anxiety and pressure. But I think the very first thing is you, you have to recognize that it's normal to have these emotion. You need to seek help and you need to try them out. Otherwise, it's difficult for the others to help you, and those who love you would also be hurt, seeing you suffering from all these negative emotions. Miko Lee: [00:50:47] Thank you for sharing. My last question for you, Nathan, is what was it like the first time you saw the finished documentary, seeing yourself up there on the big screen? What did that feel like for you? Nathan Law: [00:50:58] It feels extremely weird. I still cannot get around the idea that, yeah, there's a big screen and there's my face and there's my voice. Even though I've been doing all these interviews and, and like video-taking for the past decades, it is still difficult to kind of get used to it. But also I'm, I'm glad that Joe and the team have produced a wonderful documentary. That's been a really good reception and people are understand more about Hong Kong through the lens of my story, and I'm grateful for that. So, yeah, as long as I can introduce that film to the others, go to Q&A and chat about it, I would love to do it, and I'm really proud of the result. Miko Lee: [00:51:52] Thank you so much. And Joe, for you as the filmmaker, what is it that you want people to understand about this film? Joe Piscatella: [00:52:01] What I want the audiences to take away is that, yes, this is the story of Hong Kong. Yes, this is the story of Nathan Law and other activists fighting for Hong Kong. But in so many ways, this is also a story for the rest of the world. Right now, we are at a point where, you know, democracy is in peril in many parts of the world. And what I want audiences to take away from this film is, if you don't participate in your democracy, if you do not do what you can to fight for and safeguard your freedoms. They can disappear very, very quickly. Miko Lee: [00:52:37] Thank you very much, filmmaker Joe Piscatella and Nathan Law for talking with me about the new documentary film, Who's Afraid of Nathan Law?, which people can catch on POV PBS. We are so happy to see the film, to see that it's out there. I look forward to hearing more about the world's response to this powerful work. Thank you so much. Nathan Law: [00:53:03] Yeah, thank you, Miko. Joe Piscatella: [00:53:05] Thank you. Ayame Keane-Lee: [00:53:07] Let's listen to one more song from APAture's 2024 featured musician Ian Santillano. This is “Overthinkings.” MUSIC You just listen to Ian Santillano and Āish's “Overthinkings.” You can check out Ian on Sunday, October 13th at the DNA Lounge for the APAture Music Showcase. Miko Lee: [00:56:53] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night. The post APEX Express – 10.10.24 – Return appeared first on KPFA.

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Lawrence Free State Coach Kevin Stewart Week 3 2024 Mill Valley Preview

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Play Episode Listen Later Sep 20, 2024 4:57

The Firebirds coach previews his team's game with Mill Valley

Mill Valley Coach Joel Applebee Week 3 2024 LS North Preview

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Play Episode Listen Later Sep 13, 2024 6:56

The Jaguars coach previews his team's game with the Broncos

LS North Coach Jason Rogers Week 3 2024 Mill Valley Preview

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Play Episode Listen Later Sep 13, 2024 5:13

The Broncos coach previews his team's game with Mill Valley

Kansas Commit Juju Marks Talks KU + Kansas High School Football is Back | Verbal Commitment 9/10

Ain't No Seats

Play Episode Listen Later Sep 10, 2024 45:48

Kevin Flaherty and Ryan Wallace break down some of the top prospects they watched as Kansas high school football kicked off with Olathe South and Mill Valley. The guys break down who shined, plus got a chance to speak with Penn State commit Jayden Woods and Kansas commit Juju Marks. — The best Kansas City sports coverage in one place. Download our app now! Apple: https://apps.apple.com/us/app/kcsn/id6443568374 Google Play: https://play.google.com/store/apps/details?id=com.kcsn&hl=en — Use the codes below to get 15% off your first order at homefieldapparel.com! K-State : 3MAW24 Kansas: PayHeed24 Missouri: Mizzou24 — Subscribe to the KCSN Daily substack for film reviews, exclusive podcasts, KC Draft guide, discounts and access, giveaways, merch drops and more at https://kcsn.substack.com/subscribe Click the link below to fill out a survey for your chance to win $500! https://docs.google.com/forms/d/e/1FAIpQLSeVQQStXoIEtvXFELcaTpim9Xl9_w2TrPMlh535c27g3yveRg/viewform FOLLOW US ON: Facebook - https://www.facebook.com/KCSportsNetwork Instagram - https://www.instagram.com/kcsports.network/ Twitter - https://twitter.com/KCSportsNetwork Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Kansas High School Football Starts with a BANG! | Verbal Commitment 9/10

KCSN: K-State Athletics

Play Episode Listen Later Sep 10, 2024 45:48

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Mill Valley Music Festival - Meet the Headliners: Margo Price, Anders Beck (Greensky Bluegrass) and Eric Johnson (Fruit Bats)

Play Episode Listen Later Sep 3, 2024 62:28

Listen in as Tales From The Green Room corrals three star power artists from the 2024 Mill Valley Music Festival! Margo Price joins the green room conversation after her festival performance and moments before her late night exclusive show at Sweetwater Music Hall later that evening - musing on demystifying psilocybin, her journey to “California Sober” status, touring with her husband of 20-years, and her penchant for speaking out on important issues. Dobbrow guitar-player-extraordinaire, Anders Beck of Greensky Bluegrass, follows with what turns out to be a “cosmic” discussion with host Dennis Strazulo about Anders' all-time favorite Grateful Dead show which coincidentally was Dennis' first, then reflecting on the thrill of playing with his heroes and sharing some memorable stories experienced along the way. Eric Johnson of Fruit Bats closes out chatting about his Marin County music connection, the resurgence of his band, their expanding audience, and the inspiration behind his music.CreditsCalifornia Sober (feat. Willie Nelson)Performed by Billy Strings, Willie NelsonWritten by Aaron Allen, Jon Weisberger, William ApostolMargo Price - Hurtin' (On The Bottle) [Official Video]Performed by Margo PriceWritten by Jeremy Price, Margo PriceOfficialTMR YouTube ChannelYouTube LinkFranklin's Tower (Live from Lindley Meadows, Golden Gate Park, San Francisco 9/28/75)Performed by The Grateful DeadWritten by Bill Kreutzmann, Jerry Garcia, Robert HunterGrateful Dead YouTube ChannelYouTube LinkGreensky Bluegrass - "Deal" - 08/01/24Performed by Greensky BluegrassWritten by Jerry Garcia, Robert HunterGreensky Bluegrass - YouTube ChannelYouTube LinkFruit Bats - See The World by LightPerformed by Fruit BatsWritten by Eric D. JohnsonProduced by Eric D. Johnson, Jeremy HarrisProvided to YouTube by Merge Media LtdYouTube LinkLinkshttps://www.margoprice.net/https://jeremyivey.net/https://www.amazon.com/Maybe-Well-Make-Memoir-American/dp/1477323503https://greenskybluegrass.com/https://archive.org/details/gd1975-09-28.aud.gofob.86250.flac16https://www.fruitbatsmusic.com/https://www.panoramic-house.com/Creators & Guests Tami Larson - Host Dennis Strazulo - Host

From Idol to Indie: Kris Allen Talks Creative Journey and the Making of His New Album, ‘Pole Vaulter'

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Play Episode Listen Later Aug 29, 2024 27:05

Kris Allen, the humble singer-songwriter from Arkansas, skyrocketed to fame after winning the eighth season of American Idol in 2009. Since then, he has crafted a career defined by authenticity, musical exploration, and personal growth. Now, with a new album, Pole Vaulter, on the horizon and a show at Mill Valley's Sweetwater Music Hall just around the corner, Kris sat down with Backstage Sonoma's Steve Roby to discuss his journey, influences, and the creative process behind his latest project. Discovering His Sound: A Melting Pot of Influences Kris Allen's musical influences are as diverse as they are deep-rooted. “My parents were listening to a lot of The Eagles and Journey records,” Kris reminisces. “And then also nineties country was a deal... My first show was Reba McEntire, and my dad was obsessed with Garth Brooks.” Growing up in a household that cherished various genres meant that Kris had a broad musical palette from an early age. As he ventured into his musical discoveries, Kris found himself drawn to the grooves of R&B and the power of early hip-hop. “When I first started finding my own music, it was artists like Michael Jackson, or Boyz II Men, that sort of thing,” he shares. This eclectic mix of influences—from country and classic rock to R&B and even early hip-hop—has been a defining factor in the evolution of Kris's sound. Read more: https://www.backstagesonoma.com/

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Thriving In Your Business | Ep. #139 Ft. Rand Selig

Get Over Yourself

Play Episode Listen Later Aug 16, 2024 23:11

Today's episode of the Get Over Yourself Podcast features guest, Rand Selig. Rand Selig, an accomplished entrepreneur, coach, scoutmaster, board member, and roll-up-your-sleeves conservationist, shares his extensive expertise in his book Thriving! How to Create a Healthier, Happier, and More Prosperous Life. With an MBA from Stanford and undergraduate degrees in mathematics and psychology, he excels at managing complex projects globally. He is relentlessly positive and believes he can design his own life and others can, too. Based in Mill Valley, California, he enjoys life's adventures with his wife of 42 years. Want to learn more from Rand? Click here - www.randselig.com Want to hear more content from Brandon? Check it out here - https://linktr.ee/getoveryourself_podcast

Charles Mingus: "Mingus Dynasty"

CiTR -- The Jazz Show

Play Episode Listen Later Aug 6, 2024 212:23

Tonight's Jazz Feature is one of Charles Mingus' masterpieces that was recorded , as were many other iconic Jazz recordings in 1959. It is overlooked sometimes as it was Mingus' second album from that year. He really scored with "Mingus Ah Um" his first for Columbia. Not only did it lift Mingus from the "underground" category but got massive critical acclaim and was Mingus' best selling record. His second, tonight's Jazz Feature was called "Mingus Dynasty" and Mingus was able to augment his regular working band with added musicians to expand the ensembles and enable him to explore more complex writing as well. His working group included Richard Williams on trumpet, Jimmy Knepper on trombone, John Handy on alto saxophone, Booker Ervin on tenor saxophone, Roland Hanna on piano and of course, Dannie Richmond on drums and Mingus on bass. Added on many of the selections in non-soloing roles are Benny Golson on tenor saxophone, Jerome Richardson on baritone saxophone and flute, Teddy Charles on vibes and even two cellos on a couple of selections. This album ranks among Mingus' best and the tunes vary from some Ellington tributes in two tunes to Mingus' original creations ranging from the gospel flavored "Slop" to the formal masterwork "Far Wells, Mill Valley". "Mingus Dynasty" will challenge and inspire you...guaranteed!

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Junior Brown on his new album and career highlights

Play Episode Listen Later Aug 3, 2024 20:15

This interview on Backstage Sonoma features host Steve Roby in conversation with renowned Country guitarist and singer Junior Brown. The discussion highlights Brown's illustrious career, marked by the release of 12 studio albums and multiple hits on the Billboard Country Singles Charts. It begins with an overview of Brown's musical journey, including influences from television and radio icons of the 50s and 60s, such as Ernest Tubb, and shows like "Hullabaloo" and "Shindig." Brown delves into the creation of his iconic instrument, the Git Steel double-neck guitar, explaining its practical utility in allowing him to switch between electric and steel guitar seamlessly during performances. The talk transitions into Brown's songwriting process, where he emphasizes the importance of titles and hooks in crafting his lyrics, typically before melodies. “When I'm asked about songwriting, a title will practically write the song if it's a good title, and every line of the song must support it. And if it doesn't, then you're getting away from it. You're drifting.” Host Roby draws attention to Brown's famous live rendition of "Highway Patrol," a song by Red Simpson. This performance showcases Brown's ability to personalize and revitalize classic tunes. Memorable performances, such as playing with rock and roll legend Bo Diddley, are recounted enthusiastically, underscoring significant milestones in Brown's career. The interview also touches on collaborative experiences with country music legends like Ray Price, George Jones, and Hank Thompson, hinting at these encounters' profound impact on Brown. Looking ahead, Brown shares his vision for an innovative album blending surf music with his trademark "twangy" sound, inspired by a painting he created called "Git Steel Surfer." The interview wraps up with mutual appreciation and well-wishes for Brown's future endeavors. Overall, the interview is a compelling blend of nostalgia, technical insights, and forward-looking creativity, offering fans a deeper appreciation of Junior Brown's multifaceted artistry. Junior Brown's California tour will make three stops in the North Bay, starting August 14 at Sweetwater Music Hall in Mill Valley. On Friday, August 16, he plays at the Uptown Theatre in Napa and the Raven Theatre in Healdsburg for a show on Saturday, August 17. Ticket info here.

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Briscoe on their debut album, ‘West Of It All'

Play Episode Listen Later Jul 30, 2024 20:03

In this engaging interview with Backstage Sonoma host Steve Roby, Truett Heintzelman and Philip Lupton of the Austin-based folk-rock duo Briscoe discuss their musical journey and debut album, "West of It All." Written in the Lone Star State and recorded in North Carolina, “West of It All” charts its own musical geography. Its production is by Grammy nominee Brad Cook. The duo shares how they met at a summer camp in Texas, how they are inspired by classic folk and rock music and their unique songwriting process. They provide insights into some of their tracks, including "Coyote," "Sparrows," and "The Well," revealing the stories and inspirations behind them. The conversation also touches on their musical influences, first records, and what fans can expect from their August 18 Mill Valley show at the Sweetwater Music Hall. The interview closes with a fun lightning round of questions, giving fans a deeper look into their personal music tastes and routines.

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Tracorum on their upcoming album, ‘Thin Wire'

Play Episode Listen Later Jul 29, 2024 25:02

In this interview on KOWS-FM's Backstage Sonoma program, host Steve Roby converses with Fletcher Nielsen, the band leader and songwriter of the eclectic musical group Tracorum. The discussion opens with an introduction to Tracorum's unique blend of genres, including southern rock, soul, honky tonk, roots Americana, and more, emphasizing their rhythmic diversity. Nielsen shares the band's origins and his musical influences, rooted in a rich tapestry of sounds from the West Coast of Florida. Nielsen elaborates on the band's evolving lineup, currently featuring members on drums, fiddle, guitar, and bass, with Nielsen handling piano, guitar, harmonica, and vocals. He describes the band's mission to take audiences on a transformative journey during live performances, aiming for a profoundly connective and uplifting experience. The interview discusses Tricorum's upcoming fourth studio album, "Thin Wire," which explores reggae and Latin influences. Nielsen details the album's creative direction and expected release timeframe. The conversation also touches on the meaning behind the album's title and the thematic elements within its tracks. Listeners are given the backstory of one of the band's tracks, "The Lesson," and an insight into Nielsen's connection to New Orleans through the song "Back to New Orleans." The band's name origin, drawn from a magic spell concept, aligns with their mission to infuse spirit into their music. Nielsen shares upcoming performance details, including a notable show at the Sweetwater Music Hall in Mill Valley on August 15, and provides information on where fans can find Tricorum's music and stay updated on their schedule. The interview concludes with Nielsen expressing anticipation for the August performance and a final thanks to Steve Roby for the engaging conversation.

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#256: Caitlin Cook - Do what scares you

Funny In Failure

Play Episode Listen Later Jul 29, 2024 87:52

Caitlin Cook wears many hats, she is a comedian, singer-songwriter, artist, writer, director, producer and designer. She began writing songs at age four, she's not your conventional stand-up, Caitlin combines witty one-liners and scintillating storytelling with hilariously irreverent musical comedy and projected visuals. She has taken the stage all across the US, Canada, Europe, and Oceania at top-tier venues (like the Meltdown in Los Angeles, Union Hall in Brooklyn, and the Bill Murray in London), comedy clubs (like Comedy on State in Madison, the Comedy MIX in Vancouver, and Dead Crow Comedy in Wilmington), festivals (like the New York Comedy Festival, Skankfest, and High Mud), theatres (like Theatre 99 in Charleston, the Bug Theatre in Denver, and the Throckmorton in Mill Valley), dimly lit bar basements, strangers' living rooms, and even a houseboat once. She has two other successful musical comedy albums: Zinger-Songwriter, which she recorded at 12 different venues while on tour across the US and UK, and Betty Pitch, which she recorded after writing 250 songs a day during the pandemic. A fierce champion of mixed media and genre-bending works of art, Caitlin has carved out a space for herself smack-dab in the centre of the Venn diagram between comedy, music, and theatre. She has a number of shows out now called The Writing on the Stall and it sounds brilliant! Links below. Caitlin Cook became obsessed with bathroom graffiti a decade ago while she was studying art history (of course) and getting frustrated at the pretentious exclusivity of the art world. Fascinated by this perspective, Caitlin set about creating her own art from the bon mots, wise cracks, witticisms, bizarre ponderings, and silly doodles that make up bathroom stalls across the world. This led to the creation of The Writing on the Stall, which sold out its 2023 Off-Broadway debut and was a New York Times Critic's Pick; the accompanying studio album has over 25M+ streams. We chat about leaving ones comfort zone, doing what scares you mentality, stage fright, sound healing, songwriting, not fitting in the ‘traditional comedy box', her brand new shows in Edinburgh, graffiti and unique take on musical comedy plus plenty more! Check Caitlin out on: Instagram: https://www.instagram.com/thecaitlincook/?hl=en Tickets to shows: https://www.thecaitlincook.com/the-writing-on-the-stall Website: https://www.thecaitlincook.com/ Youtube: https://www.youtube.com/channel/UCUkWwnJMi6DNF8FPGdxvhTA TikTok: https://www.tiktok.com/@thecaitlincook

Eddie 9V on his latest single and upcoming album

Standup Comedy "Your Host and MC"

Play Episode Listen Later Jul 24, 2024 18:26

In this interview on Backstage Sonoma, host Steve Roby chats with the Atlanta-born blues guitarist Eddie 9V. At just 26, Eddie has already achieved significant acclaim, including a #1 Billboard Blues album with Capricorn. Eddie shares insights about his musical journey, which began at 15, and his roots in classic blues and soul. He discusses his influences, including Freddie King, Mike Bloomfield, and Sean Costello. As the conversation progresses, Eddie talks about his band's dynamics and upcoming performances, including a highly anticipated show at Mill Valley's Sweetwater Music Hall. He also gives listeners a glimpse into his creative process, explaining the inspiration behind songs like "Chamber of Reflections" and "Saratoga." With a sense of humor, he recounts past tour mishaps and expresses excitement about retrieving some equipment left in Santa Rosa. The interview ends with Eddie promoting his new album and promising an electrifying live performance. He also gives a shout-out to Katie Skeen, who will be opening for his band at the Sweetwater Music Hall and encourages listeners to check out her music. The engaging dialogue between Steve Roby and Eddie 9V provides a fascinating look at the life and career of a rising blues star. Get tickets for Eddie 9v's August 13 Sweetwater Music Hall show here.

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Season Five: Jonas Alt, Bar Manager of the legendary Sweetwater nightclub

Barfly Podcast

Play Episode Listen Later Jul 23, 2024 19:41

For our first live music venue guest, we welcome Jonas Alt the Bar Manager of the legendary Sweetwater Nightclub in Mill Valley

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"Live at the Throckmorton" w/ Bruner, Steele, Larry "Bubbles Brown" & Chicago Steve Barkley Show #213

Play Episode Listen Later Jul 14, 2024 55:56

Fun and unique show this week as I was an invited Guest to the Throckmorton Theater in Mill Valley to watch a show, and hang with comics Steve Bruner, Johnny Steele, Mike Meehan, Larry "Bubbles" Brown, and Chicago Steve Barkley. So fun to listen to the live show and have some backstage/greenroom conversations...all here for you to share in as well. Archive Interviews with these entertainers:Steve Bruner: https://www.buzzsprout.com/838567/episodes/4409225Johnny Steele: https://www.buzzsprout.com/838567/episodes/10313553Larry "Bubbles" Brown: https://www.buzzsprout.com/838567/episodes/3786371Support the Show.Standup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!For short-form standup comedy sets, listen to: "Comedy Appeteasers" , available on all platforms.New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

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A Conversation with Claudia Marseille, Abstract Artist & Author!

The Listening Brain

Play Episode Listen Later Jul 13, 2024 43:43

At age four, I was diagnosed with a severe hearing loss. With determination and the help of powerful hearing aids, I learned to hear, speak and lipread with ten years of speech therapy and lipreading training. I was mainstreamed in public schools in Berkeley, CA. After earning master's degrees in archaeology and in public policy, and finally an MFA, I developed a career in photography and painting, a profession compatible with a hearing loss. I ran a fine art portrait photography studio for fifteen years before becoming a full-time abstract painter. My paintings are represented by the Seager Gray gallery in Mill Valley, CA. and can be seen on my website: www.claudiamarseille.com Recently I received the Gold Medal for Best First Book in Non-Fiction from the prestigious Independent Publisher Book Awards (IPPY's as they are known), a starred review with the Library Journal, and a 5 star rating with Readers' Favorite. You can find out more about my memoir and where to purchase at my author website: www.claudiamarseilleauthor.com. I played classical piano much of my life; in my free time I love to read, watch movies, travel, spend time with friends, and attend concerts and art exhibits. I live with my husband in Oakland and we have one daughter. ________________________ You can listen to this episode wherever you stream podcasts and at www.3cdigitalmedianetwork.com/the-listening-brain-podcast If you would like to be a guest on the podcast, please contact todd@3cdigitalmedianetwork.com.

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582. THE NEED FOR TESTING SITES IN CALIFORNIA

Tests and the Rest: College Admissions Industry Podcast

Play Episode Listen Later Jul 9, 2024 25:32

California is the most populous American state with a veritable cornucopia of exceptional and reasonably well-funded high schools. Why, then, do Californian teens need to travel hundreds–and sometimes thousands–of miles to sit for the SAT or ACT? Amy and Mike invited student Sebastian Gillmore and educator David Blobaum to discuss the need for testing sites in California. What are five things you will learn in this episode? What is the problem with SAT & ACT testing locations in California? Why are testing locations so scarce? Why is access to testing so critically important for students? What has been done so far to address this problem? What else can and should be done to expand testing access in California? MEET OUR GUEST David Blobaum is the director of outreach for the National Test Prep Association, which works to support the appropriate use of testing in admissions. He is a co-founder of Summit Prep, which opened its doors in 2013 to help empower students through education to succeed in life. Sebastian Gillmore is a rising Senior at Tamalpais High School in Mill Valley, California just North of San Francisco. He's a hardworking student with a passion for mathematics, and he's on a mission to make college entrance exams, like the SAT and ACT, more accessible for California high school students. He recently authored an Op-Ed in the LA Times titled, “I live in Northern California. Why do I have to travel hundreds of miles to take the SAT?” David first appeared on the podcast in episode 79 to discuss Why The SAT And ACT Are Awesome and in episode 421 for a Sponsor Spotlight. David can be reached at www.summitprep.com. LINKS I live in Northern California. Why do I have to travel hundreds of miles to take the SAT? It Shouldn't Be This Hard to Take the SAT and ACT https://testaccess.org/ RELATED EPISODES TESTING POLICIES AND EDUCATIONAL EQUITY REVISITED WHY UC WAS WRONG TO STOP USING THE SAT WHO LOSES WHEN WE ABOLISH ENTRANCE EXAMS? ABOUT THIS PODCAST Tests and the Rest is THE college admissions industry podcast. Explore all of our episodes on the show page. ABOUT YOUR HOSTS Mike Bergin is the president of Chariot Learning and founder of TestBright. Amy Seeley is the president of Seeley Test Pros. If you're interested in working with Mike and/or Amy for test preparation, training, or consulting, feel free to get in touch through our contact page.

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Chef Tyler Florence (with San Francisco Magazine)

Beyond The Fog Radio

Play Episode Listen Later Jul 3, 2024 47:53

For over two decades, Chef Tyler Florence has shared his unique culinary vision around the globe. He's trained with top chefs in NYC, hosted popular shows on the Food Network, owned multiple restaurants, received multiple Michelin Stars, and published 17 cookbooks, including his newest publication, American Grill.Florence's influence extended to the Bay Area in 2008 with his Mill Valley kitchen retail store, The Tyler Florence Shop. In 2009, he opened his first signature restaurant, The Empire Plush Room, at the new Hotel Vertigo in SF. One year later, Florence opened Wayfare Tavern in San Francisco's Financial District and the historic El Paseo in Mill Valley. Florence also owns SF's Michelin Star restaurant, Miller & Lux.Chef Tyler Florence is a force of nature. He creates delicious meals and strives to do right by others, driven by a generous heart. Despite his tenure as a Food Network Star and his success in elevating American cuisine, Florence's true purpose is to bring people together to enjoy, laugh, and celebrate. His natural generosity of spirit made this interview one of our favorites to date.Meet Chef Tyler Florence!

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Season Five: Scott Beattie, cocktail pioneer and bar consultant at Watershed

Barfly Podcast

Play Episode Listen Later Jun 24, 2024 27:19

We welcome Scott Beattie, the author of 2008's “Artisanal Cocktails: Drinks Inspired by the Seasons from the Bar at Cyrus” and is the man behind the bar programs at Barndiva, Goose and Gander, Spoonbar, Meadowood, and Hog Island in San Francisco, and now Watershed in Mill Valley.

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A Conversation with Penny Lane, Author of Redeemed, A Memoir of a Stolen Childhood

Becoming Your Best Version

Play Episode Listen Later Jun 21, 2024 29:37

Penny Lane is a writer, wife and mother with an insatiable passion for life and books. Her latest book is Redeemed, A Memoir of a Stolen Childhood, a rise-from-the-ashes hero's story of overcoming abuse, trauma, and unbearable odds, of being waylaid by both family and religion's promise of love, and harnessing the resilience to find the way home. Redeemed offers a rare window into Eastern European immigrant culture and reads like a page-turning thriller. Especially relevant today, a time when marginalized people are increasingly finding a voice, this memoir will serve as an inspiration to women everywhere, encouraging them to overcome their obstacles and go after their dreams. As Penny says, "Someone once said: 'An easy life is hardly worth writing about.' So true. I am not who you see. You may see a confident, exuberant woman, but underneath that tenacity, energy, and ambition is a young girl trying to make good as we say in New York. I am not what you see. Although all my friends are all smart, accomplished, and successful like me, I feel the impostor in the group. Although I have come so far...I always fear failing more than I enjoy my successes. Although I love life, in many ways I am still that girl but also so much more. I have become a wife, a mother, a professional, a student, a traveler, a volunteer, a congregant, a friend. I was halfway through my life before I dared talking about my family secrets. I learned that many people shared similar lives. Hearing those stories helped me feel less strange, less 'other,' more 'normal' as if that were remotely possible. They helped me heal. I wrote the memoir of my escape, empowerment and triumph in hope that I might help others heal. If I can repair the world or provide an ounce of solace to someone else, then my experiences will have been worthwhile. I hope I can do that for you." Kirkus Reviews calls her book, "Articulate, emotional prose brings readers into the author's struggle to reclaim her inner strength and begin a new life (“I felt a power…a strength in my physical being. My soul shifted. I would never stand down to him, or anyone, ever again”).” Penny describes in this episode how she grew up in fear and thereafter lived a life based in fear until she got help. She found a new way of living by obtaining therapy and feeling validated by others, including by those she met via Al Anon, where she was surrounded by other survivors. She earned her college degree in her 30s and refused to allow the painful life she lived in her childhood hold her back anymore. Originally from Jackson Heights, Queens, New York, where she felt like a "closet Jew," since the religion spoke to her even as a child, Penny converted to Judaism in 2016 and found a spiritual home. She loves being outdoors-cycling, hiking, traveling, and connecting to and inspiring people. She has a BS in business and management from the University of Phoenix and an MA in industrial/organizational psychology from Golden Gate University. In her spare time, she helps underserved youth learn to read, apply to college, and find jobs once they graduate, and in food pantries and other non-profits near her home in Mill Valley, California. Find out more about her work and follow her: https://www.pennylanewriter.com/ Facebook: https://www.facebook.com/Pennylanewriter Instagram: https://www.instagram.com/pennylane_writer/ TikTok: https://www.tiktok.com/@writerpennylane --- Support this podcast: https://podcasters.spotify.com/pod/show/maria-leonard-olsen/support

BPS 371: Selling Scary Stories To Tell in the Dark with Cody Meirick

Bulletproof Screenplay® Podcast

Play Episode Listen Later Jun 13, 2024 47:24

Today on the show we have filmmaker Cody Meirick. Cody is the director of the documentary Scary Stories, based on the wildly popular book series Scary Stories To Tell in the Dark. We discuss how he leveraged an underserved niche audience, how he piggy-backed off the major studio release of the narrative version and how he was able to get access to the key players in this niche.This past summer Academy Award®-winner Guillermo del Toro and acclaimed director André Øvredal created the hit movie based on the iconic book series.It's 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities in the small town of Mill Valley where for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah's terrifying home.Enjoy my “scary” conversation with Cody Meirick.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

america change selling dark academy awards toro scary stories tell in the dark bellows mill valley cody meirick

Behind the Scenes with Jackie Greene: Music, Family, and Secret Tales