Podcasts about The Groundlings

Country singer Deacon Claybourne is on the pod! "Nashville's" leading man, Charles Esten, joins Jenna and Kevin to talk about his time on the hit show, but his journey to get there could be its own TV series! From doing stand-up comedy, being the house manager at The Groundlings, to playing Buddy Holly in London and performing in front of royalty and U.S. Presidents! Plus, his funny audition story for "Nashville" and why it pays to be nice, his first unexpected encounter with Hayden Panettiere, performing at the Grand Ole Opry and The Bluebird Cafe as Deacon and then as himself, and his Guinness World Record! Strap on your boots and get ready for one heck of an adventure! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod & TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.

Cassandra Peterson (aka Elvira, Mistress of the Dark) joins Dan to pull back the coffin lid on her 45-year reign as the queen of Halloween. She shares how The Groundlings and a one-off local TV gig turned into her pop culture empire, why embracing her alter ego became her greatest business decision, and how she spends Halloween. Elvira also talks about her new cookbook Elvira's Cookbook from Hell (spoiler: it includes Cheese Whiz and crushed potato chips), her autumnal gin, and her friendship with Pee-wee Herman. From reframing Hollywood typecasting to becoming a brand that defines a holiday, Elvira proves that success sometimes means leaning all the way into what makes you different—even if it's spooky. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today worked for Club Med from 1991 to 1992, beginning her first season at Club Med Copper Mountain as both a Hostess and a stand-up comedian. Wait—what? Don't worry, we'll get into that! She's an award-winning advertising creative, a former stand-up comedian, and the author of five novels and counting. Her latest series just took gold in the Reader's Favorite book awards. Along the way, she even stepped into the ring with WBC female boxing champion Christy Martin, and lived to tell the tale. With her husband Blaine, she co-founded Slow Burn Marketing and Slow Burn Story lab, has sold multiple movie scripts, and co-hosted a podcast for couples in business. Beyond her Club Med adventures, we'll also dive into her latest book, V-Life. Please join me in welcoming the one and only, Honey Parker! In this episode, Honey takes us back to life before Club Med and shares how she landed her very first season at Copper Mountain. Honey opens up about her three seasons with Club Med, then dives into her fascinating journey after: from stand-up comedy and performing with the legendary Groundlings, to screenwriting, and her latest book, V-Life. And there's more, Honey will return for a second interview soon, where we'll explore the stories we didn't get to this time, including why she stepped into the ring with a Hall-of-Fame WBC boxing champion! Get ready for an inspiring, funny, and unforgettable conversation with Honey! **My First Season podcast has always been ad-free and free to listen to and is available to download on: Apple Podcasts, Google Podcasts, Samsung Podcasts, Podbean App, Podchaser, Spotify, Amazon Music/Audible, TuneIn + Alexa, iHeartRadio, PlayerFM, Pandora and Listen Notes. And if you like what you hear, please leave a review on Apple Podcasts.    Visit Honey's website for a complete collection of her books: HONEY PARKER BOOKS - Best-selling author Honey Parker writes fiction with humor and heart.      

It's cake knives out in RHOC: Tamra's floral party turns nuclear as Emily Simpson admits she doesn't trust Tamra, Heather Dubrow confronts Tamra in the kitchen, and Jen's “follow” ignites fresh drama (yes, there were printed screenshots). We also hit the Groundlings shade, Shannon Beador's “disheveled” bit, a wild tattoo-chair scare, and whether OC needs a pause before the 20th anniversary. Then Chef Stu and Gibson Johns dive into Taylor Swift – The Life of a Showgirl: expectations vs reality, “Actually Romantic,” “Open Light,” “Wood,” vault-track theories, and why the glossy Vegas visuals don't match the album's vibe. All that on Don't Let It Stew with Chef Stu & Gibson Johns. Chef Stu Social - send your questions for “Kitchen Quick Fix” Instagram: ►   / chefstuartokeeffe   Facebook: ►   / chefstuartokeeffe   Youtube: ►    / chefstuartokeeffe   TikTok: ► https://www.tiktok.com/@chefstuart?la... Chef Stu's Cookbooks & Seasoning: Quick Six Fix - ► https://amzn.to/49zVeB0 Cook It, Spill It, Throw It: The Not-So-Real Housewives Parody Cookbook - ► https://amzn.to/49A8UMi Chef Stu's Spice Blends - ► https://spicetribe.com/collections/ch... Chef Stu's Lovely Seasonings - ►https://chefstuart.com/collections/se... GEAR WE USE TO MAKE PODCASTS: https://amzn.to/4dg7uZF SOFTWARE WE USE TO MAKE PODCASTS: https://hurrdatmedia.com/our-gear/ A Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com. http://hurrdatmedia.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we sit down with Sheila Carrasco, who brings “Flower” to life on the hit CBS comedy Ghosts. After earning her BFA at NYU, she spent three years self-producing plays without an agent before pursuing an MFA at Harvard's American Repertory Theater, where she honed her comedic skills and character work. That path led her to the Groundlings' famed Sunday Company, where she found her voice and signed with CAA. Sheila shares the twists of her Ghosts audition including the COVID shutdown that nearly derailed it to the creative choices that shaped Flower. She also gives insights on ensemble improv and lessons learned from industry veterans, including her time as a stand-in on The Good Place. Her story is a testament to perseverance, finding your niche, and why it “takes 10 years to start working as an actor” and “20 years to build a career.” These are the unforgettable stories that landed Sheila Carrasco right here. Credits: Ghosts The Good Place Jane the Virgin American Housewife Life in Pieces The Odd Couple I Think You Should Leave with Tim Robinson #VanLife Guest Links: IMDB: Sheila Carrasco, Actress, Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition SLAYTEMBER: Starting September 18th MAGIC MIND: 60% off ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

We're looking back at Rob's conversation with SNL legend Laraine Newman! In this episode, Rob and SNL and Groundlings alum Laraine Newman discuss when you should say hello to your neighbor, how The Coneheads makeup can change you, and why it may be a good idea to copyright your character's voice! This episode originally aired in July 2021. Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show!

Send us a textRHOC-The HawkTua Heard ‘Round TemeculaRHOC S19 E10 – Whine or Champagne?Podcast SummaryThe episode kicks off with lighter moments—Shannon getting Botox, Jenn and Ryan washing the Cybertruck, and Heather unboxing packages—before the drama begins brewing.Tamra invites the ladies on a quick Temecula vineyard getaway, but Shannon hesitates, leaning on her therapist for advice about her rocky friendship with Tamra. Meanwhile, Heather records her podcast with guest Dylan Mulvaney, sharing heartfelt thoughts on parenting her diverse kids. Emily and Jenn bond while volunteering at an animal shelter, but Emily also opens up about the struggles of balancing Luke's needs with her other children's.Tension builds as Tamra's shady gift for Shannon (a book titled How Not to Be a Miserable Cow) has even Sophie calling her out for being petty. Gina warns Travis that she doesn't want Tamra stirring things up with Shannon, while Heather hosts Emily and Gretchen for a sleepover.The vineyard trip itself delivers classic Housewives chaos: Shannon overpacks (even pans and muffin tins), forgets her flipper tooth, and cooks breakfast. The ladies take sidecars to wine tasting where Shannon's snort makes it onto Tamra's glasses, and the infamous "HawkTua vs. swallower" debate makes Shannon squirm. Heather brags about her Groundlings classes, while Emily stirs tension by repeating Jenn's comments about Heather pacifying Tamra.Dinner brings the “fatty photo” drama back up, with Tamra admitting she was being shady. Jenn pushes back, but Tamra brushes it off with a half-hearted apology. Shannon explodes, calling Tamra a hypocrite and accusing her of never taking accountability. Tamra fires back, bringing up Shannon's drinking—prompting Gina to admit she is worried about her. The episode ends with Shannon breaking down, saying her life has been better without Tamra, but the unresolved tension looms heavy over the vineyard.Support the showhttps://www.wewinewhenever.com/

Julian Lowe never expected to be a pastor, which ironically freed him up to become one. He talks about what he learned at the Groundlings, in Music, and in ministry, sharing why he feels white men are afraid to preach the Bible, and how to speak the biblical truth to people who disagree with you.

I am so excited to welcome actor and writer Mitch Silpa to The Jake's Take with Jacob Elyachar Podcast as part of our milestone 380th episode.   The Los Angeles native has a rich history in the entertainment industry. At 14, he won over $20,000 on a kids' week episode of Card Sharks, and later appeared on a College Week of Scrabble, Shop 'Til You Drop, and Hollywood Showdown. Mitch began his professional career as a member of the legendary improv and sketch comedy troupe the Groundlings.  He starred in various films such as The Master of Disguise, Along Came Polly, The Boss, The Happytime Murders, and Loners. But moviegoers remember him the best as the Flight Attendant in the 2011 classic comedy Bridesmaids. In 2002, he starred on NBC's The Rerun Show in various roles.Throughout his career, he guest-starred on 2 Broke Girls, Brothers & Sisters, Curb Your Enthusiasm, iCarly, Joey, Malcolm in the Middle, and the Will & Grace revival. He also had recurring roles on Gilmore Girls (Terrance), Desperate Housewives (Jerry), Grey's Anatomy (Tim Ruggles), Nobodies (Ethan), and All Rise (DDA Clayton Bennett).   On the 380th episode of The Jake's Take with Jacob Elyachar Podcast, Mitch Silpa spoke about the lessons that he learned from the sets of Desperate Housewives, Gilmore Girls, and Grey's Anatomy, along with his time working on Bridesmaids. He also spoke about his experience being a guest writer on Saturday Night Live and participating in podcasts such as The Neighborhood Listen and The Pack Podcast. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Will Forte talks about almost being a financial advisor, his checkered writing career, SNL MacGruber, Nebraska, The Groundlings, Last Man on Earth, having kids late, seeing shrinks, frats, & Val Kilmner being the weirdest roommate of all time.Bio: Will Forte is a comedian, actor, writer, and improviser best known for his work on Saturday Night Live and his starring role in The Last Man on Earth. Born in Alameda County, California, Forte studied History at UCLA before briefly working as a financial broker. He shifted to comedy in the late '90s, joining the Groundlings and writing for shows like The Jenny McCarthy Show and That '70s Show. His pilot about two clueless brothers led to The Brothers Solomon (2007), which he wrote and starred in. Forte joined Saturday Night Live in 2002, quickly earning a reputation for absurd and surreal comedy. He co-wrote and starred in the cult film MacGruber (2010) before leaving SNL to pursue broader roles. He appeared in comedies like 30 Rock, Tim and Eric's Billion Dollar Movie, and That's My Boy, while also branching into drama with Run and Jump and Alexander Payne's Nebraska (2013), earning critical praise. From 2015 to 2018, he created and starred in the acclaimed sitcom The Last Man on Earth. He later portrayed Douglas Kenney in A Futile and Stupid Gesture (2018) and appeared in hit films like Booksmart and Good Boys (2019). More recently, he has starred in Netflix's Bodkin, Four Seasons, and the upcoming Coyote vs. Acme.

On this episode of The Adam Carolla Show, actor and cultural icon Steve Guttenberg calls in! Adam kicks things off by asking Steve about his experience during the Palisades fires, and the two dive into the state's slow and confusing rebuilding efforts. Adam praises Guttenberg's classic film Diner, and they share stories about their early days breaking into the entertainment business. Steve recalls his time at The Groundlings, where he met the legendary Paul Reubens (Pee-Wee Herman), and they discuss the 40th anniversary of Police Academy. Adam asks Steve what kind of sandwiches his mom used to make for him growing up, then delivers Steve his earth-shattering sandwich rating.Later, Jason “Mayhem” Miller joins Adam for the news. First, they break down a bizarre story out of the Hollywood Hills where a suspected arsonist was caught in the act and stopped by fitness influencers on the Runyon Canyon hiking trail. Firefighters had to deploy both ground and aerial resources to contain the blaze, which had already spread to a quarter-acre. Then, they discuss a shocking double homicide in Encino involving longtime American Idol music supervisor Robin Kaye and her husband Thomas Deluca. Police responded to a welfare check and discovered both victims dead in their home, with signs pointing to a violent home invasion days earlier. A 22-year-old suspect has been arrested and is facing murder charges as the LAPD continues its investigation.Get it on.FOR MORE WITH STEVE GUTTENBERG:MOVIE: Kidnapped by a Killer: The Heather Robinson StoryINSTAGRAM: @steveguttenbergTWITTER: @steve_guttenberFOR MORE WITH JASON “MAYHEM” MILLER: INSTAGRAM & TWITTER: @mayhemmillerWEBSITE: www.mayhemnow.com Thank you for supporting our sponsors:BetOnlineHomes.comForThePeople.com/ADAMoreillyauto.com/ADAMSHOPIFY.COM/carollaPluto.tvLIVE SHOWS: July 17 - Plymouth, WIJuly 19 - Plymouth, WIJuly 20 - Milwaukee, WIAugust 6 - Reno, NVAugust 7 - Portland, ORSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gillian Bellinger is an SAG character actor. To watch her character bits, follow her on Instagram @gillianbellinger.She has played roles on Hulu's "How I Met Your Father", "Disney's "Just Roll with It" as well as being a principal in commercials for Harris Bank, Time Warner, NorthShore Healthcare, and Unitrin Auto Insurance. She's also rocked out a bunch of short films, industrials, and starred in Red Letter Media's Feeding Frenzy, a comedic horror flick. So if you're watching TV late at night and think, "Was that...?" Probably. Gillian studied improv in Chicago at The Second City, I.O. Theater, The Annoyance Theater, and The Groundlings. Gillian is very fancy and attended The London Academy of Theatre, The National Theater Institute, and Hamline University.She was an ensemble member on Second City House teams in LA and Chicago, ComedySportz Chicago and Minneapolis, the Del Tones at I.O. West, Laugh Out Loud Theater in Chicago, Westside Comedy Theater in Santa Monica, and Improv Acadia in Bar Harbor, Maine.She has taught improv & acting at The Second City Hollywood, Intentional Acting Studio, Improv Utopia, AMDA, and Westside Comedy Theater. She has been a guest teacher at Finest City Improv, All Out Comedy Theater, Alchemy Comedy Theater, Think Fast Theater, Asheville Improv Collective, and Curious Comedy Theater.She is now the Artistic Director of Misfit Improv in Asheville, NC. Hosted on Acast. See acast.com/privacy for more information.

Chris Cunningham, founding member of ClickUp, reveals the social media strategy that drives a staggering 150M monthly impressions. This is *the* exact strategy that's also attracted major clients like VaynerMedia (yes, GaryVee literally found them through social media).Grab your notes.

Welcome to Jake's Happy Nostalgia Show, the podcast where nostalgia comes alive!This week, it's another dive into the world of puppetry and show business with puppeteer and actor Brian Jones! For several years, Brian brought characters to life with The Muppets, contributing to projects like Muppets Most Wanted and the 2015 ABC Muppets series. On stage, he wowed audiences with Puppet Up!, and beyond the world of puppetry, he showcased his acting chops in popular shows like Community, Bones, Wilfred, NCIS, and as Chad in Disney XD's Gamer's Guide to Pretty Much Everything. Brian also honed his comedy and improv skills with Impro Theatre and The Groundlings. Join us as Brian reflects on his creative journey, the magic of performance, and what it takes to connect with audiences both behind the puppet and in front of the camera!Taping date: November 5, 2024Edited by: Drew Wellshttps://www.youtube.com/@drewsmediacorner399https://www.instagram.com/drews_media_1/Be sure to check out our website, where you can learn more about the podcast and find how to follow the Happy Nostalgia team!https://jakeshappynostalgiashow.weebly.com/Listen to our podcast on Spotify and other audio platforms!https://open.spotify.com/show/1PdrRWSmUdQ3m2NpNR9lSkhttps://linktr.ee/JakesHappyNostalgiaShow

I sit down with Cheri Oteri to discuss her start in comedy, getting cast on Saturday Night Live, hosting game nights, playing a match maker on “And Just Like That”, and much more.  Bert's new special “Lucky” is streaming now on Netflix! Leave us a voicemail at (818) 949-8536 --------------------------------------------------- Sponsors Shopify - Sign up for your $1 per month trial and start selling today at https://shopify.com/wife  BetterHelp - Our listeners get 10% off their first month at https://betterhelp.com/wife  --------------------------------------------------- Our Next book club will be “Midnight in the Garden of Good and Evil” by John Berendt https://amzn.to/4ijx9md https://bookshop.org/a/97615/9780679751526 --------------------------------------------------- LeeAnn Kreischer talks to friends about marriage, family, and being married to the life of the party, comedian Bert Kreischer! --------------------------------------------------- FOLLOW LEEANN: Facebook▶ https://www.facebook.com/wifeotp  Instagram▶ https://www.instagram.com/leeannkreischer  iTunes▶ podcasts.apple.com/us/podcast/wife-of-the-party/id1343348729  Official Website & MERCH▶ https://www.wifeotp.com Don't forget to subscribe, rate, and review the podcast! #wifeoftheparty #podcast #leeannkreischer #bertandleeann      Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin Sullivan has been performing stand-up ever since he roasted his teacher at Groundlings after doing a monologue and realized it was fun to be the one with the microphone. His recent astrology content on social media has really push his comedy forward. He's now selling out all over the country. Kev was nice enough to stop by the show and talk about his career up to this point! Doc and Kev talk about growing up, about Kev working with his grandma at Dunkin' Donuts, diving in college, modeling, striving to be a commercial actor, starting stand-up, sharing the stage with big names, astrology content and so much more! Meanwhile on the rest of the show, Mike and Doc are in the same room for the first time in a year and sense there is no audio engineer on this show, Mike's audio is a quite whisper....our bad. But make sure to listen! Introduction: 00:00:24 Birthday Suit: 18:18 Ripped from the Headlines: 22:06 Shoutouts: 30:01 Kevin Sullivan Interview: 35:21 Mike C Top 3: 1:37:03 Birthday Suit 2: 1:52:03 Birthday Suit 3: 1:55:11

BOSSes Anne Ganguzza and Jennifer Sims, a voice actor, coach, and self-proclaimed "100% certified smarty pants," connect to explore the intricate layers of the voiceover industry. Listen in as we unpack Jennifer's unique journey, shaped by diverse experiences in acting, producing, and voiceover, offering a candid look into the crucial insights needed to navigate challenges and build a truly thriving business in today's landscape. Listeners will discover the essential role of professionalism and adaptability in connecting with clients, gain understanding of the industry's evolving demands, and appreciate the power of a well-rounded skill set.    00:01 - Anne (Host) Hey, guys, it's Anne from VO BOSS here. 00:04 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO BOSS VIP membership, now with even more benefits. 00:10 - Anne (Host) So, not only do you get access to exclusive workshops and industry insights, but with our VIP Plus Tech tier, you'll enjoy specialized tech support from none other than George himself. 00:21 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best: voice acting. It's tech support tailored for voiceover professionals like you. 00:32 - Anne (Host) Join us, guys, at VO BOSS and let's make your voiceover career soar. Visit voboss.com/vip-membership to sign up today. 00:45 - Speaker 3 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO BOSS. Now let's welcome your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. 01:04 - Anne (Host) I'm your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I have the pleasure and honor of being with a very special guest, Jennifer Sims. Jennifer, yay! Hi, hi. 01:17 For those bosses who do not know Jennifer, she is a voice actor coach and 100% certified smarty pants. I'm so jealous, so jealous of that branding. She's known for her authentic, conversational, confident, and playful delivery and has a unique perspective from both sides of the glass, and works for clients such as Hyundai, Wells Fargo, CVS, Vons—the list goes on and on and on. She honed her quirky sense of humor studying comedy and improv, which is always so important, I think, for us as voice actors, at the Upright Citizens Brigade and The Groundlings, and that helped her to land on-camera commercials for Uber, Snapchat, and WebMD. She began her acting career out of high school and basically was on her own for a short period of time in LA as a very young girl, which is great, and also as a producer, has had the pleasure of collaborating on hundreds of radio, television, and promo spots and has worked with some amazing talent along the way. And what haven't you done, Jennifer Sims? 02:18 - Jennifer (Host) I'm telling you, so much, so much. Thank you, Anne. That was lovely. Not as much as I'd like, and hopefully more. Yeah, thank you. It's great to be here. Thanks for having me. 02:28 - Anne (Host) Yeah, absolutely. Well, I met you—well, I met you not like physically, but I met you through our VIP room and I was so, so impressed with your background and your wisdom and everything. So I wanted to make sure that I had an opportunity to have you on the show and so our bosses could also get to know you. So let's talk a little bit about your varied career, because I think it's super important in terms of why you're so successful now and how you started off with acting and then as a producer. Talk about that for a little bit and tell us how it's helped you become successful in your voiceover career. 03:06 - Jennifer (Host) Yeah, that's been very, like, it informs most of my career, certainly in the beginning, because when I decided to leave my director of broadcast job, I was working for an ad agency here in Los Angeles as the director of broadcast and I was bringing in a lot of voice actors for promo and commercials, etc. You know how it is when you see somebody and you're like, "Boo, why do they get to do it? I want to do it too!" But as I started my career, realizing that we're a part of the process, voice actors are part of a process, particularly in commercial, since that was my area, and when I was bringing in voice actors to record them, it comes very late in the process. Recording the voice actor for a commercial is one of the last things we do as a process in creating a commercial. 03:52 So, knowing that we're just—not just, I shouldn't say this, but we're part of a collaborative team, we're now brought into the team. We're problem solvers, we're creatives, along with the creative director, copywriter, and understanding why the copy is the way it is. I know a lot of us will—problem solvers, we're creatives, along with the creative director, copywriter, and understanding why the copy is the way it is. I know a lot of us will go, "Oh, this copy is terrible. It's poorly written," and, like, you don't know where that copy has gone. 04:12 - Anne (Host) Isn't that the truth? I love that you just opened up with that perspective because, honestly, like the nuggets of wisdom that people get out of listening—you brought them right at the front when people get for listening to a podcast or being educated. I love the fact that we are part of a process and you brought that to our attention because I think a lot of times we're in our bubble in our studios here and we forget that it's not just all about our voice, but it's part of a process and there's reasons for so many things. Right? There's reasons, and you're so absolutely right. 04:46 How many times have you gotten a piece of copy and I've heard my students, "Oh my God, this copy sucks!" Or I've read on some forum where people are like, "Oh my God, the copy sucks," and "Why does the copy suck?" But I think it's important to know that, yeah, we are part of a collaborative process and it doesn't begin and end with us, and that's an important part to understand so that we know where we fit in. And the more that I think we can predict how we can fit in best to complete the process, I think will really help us as actors. 05:13 - Jennifer (Host) Yeah, exactly, really well said and so true. It's like, how do we fit into this process? Because we do, and even now, as an actor working on my, I will sort of forget that there's a lot going on and that when I get copy and I'm like, "Oh, well, I don't know how many R&D, research and development meetings they had on this copy. I don't know what focus groups might have said about this copy." Like, big companies spend a lot of time and money making sure that their copy is delivering a message that they want, money making sure that their copy is delivering a message that they want, and a lot of things. On the ad agency side, we're looking at things—that copy, and I'm like, "Well, legal says we can't say that." 05:51 Right, or legal says we have to say this. So, you know, when we're sort of like, "Boo, the copy couldn't be you," it's like, "Well, you don't know why." Yeah, it may be a legal thing. 06:06 - Anne (Host) It may be a client directive, it may be, who knows. I always try to remember that because, like somebody, somewhere was paid money to write this copy, and they know that product, or there's an intent with that product, or there's an intent with that copy that we are not necessarily aware of, nor do they tell us, but it's something that I think that we, as actors, we need to create that story, even if they're not telling us what it is. We need to create that story so that we can connect as much as possible to that copy and fit into like what they hear in their head. Right? We need to fit that spec there. 06:34 - Jennifer (Host) Exactly, and I think it also goes to the idea of given a level playing field of extremely talented actors. Most often, I only needed one person to do the job to solve the problem of whatever problem we were trying to solve creatively. And so I think it's easy to start to feel like, "Oh, I got rejected. I don't book this kind of work." It's like, given a level playing field, just assume that somebody got selected. But it—a level playing field, just assume that somebody got selected, but it doesn't mean that everyone else was rejected. Honestly, as I was listening to actors, I'm like, I wouldn't get in all my auditions for, say, a television commercial voiceover, and I would maybe listen to 50, a hundred, and then call it down to present to my boss, my creative director and client, maybe 10. And any one of those people could have booked it. Somebody got selected, that's all. 07:27 - Anne (Host) It's just a matter of selection, and the thing of it is is that you're at the beginning of that process, listening to all of those auditions. You would narrow it down to a particular amount of people, but then, ultimately, the decision is not necessarily yours. So I think, voice actors, we forget that, that it can go to your boss and your boss is not. Maybe a casting director doesn't have an ear for it, or just this is what he had—he or she had in mind. And so the pick from then. I don't think it's always necessarily based on your acting skills. It's just like a feeling, maybe, that they have. "Oh, yeah, this sounds right." 08:02 - Jennifer (Host) Yeah, it's very subjective. Yeah, it's very subjective. 08:05 - Anne (Host) And I think we forget that. 08:07 - Jennifer (Host) Yeah, and I know that, being that it's so subjective, if you sound just not quite what they want. I had a creative director. I was presenting talent. This woman was extremely talented. I was advocating for her. He's like, "Eh, she sounds a lot like..." I forget if it was his cousin or his ex-wife or somebody. He's like, "And I don't like that person." So she just reminded him vocally of somebody in his world that he's like, "Don't like." She was very good, like perfect for the role, and, subjectively, my creative director was like, "Nope, reminds me of someone, and I don't like that person. Bye." And I'm like, "All right. Well, that's how that's going to go." Or we get replaced. I was the voice of a promo for a really, really long time. It was a great recurring gig and somebody new came in at the top. The client switched positions, new client, and they're like, "No, I want to pick the voiceover," and so, like, I was out. They felt like that was the prior stamp. 09:06 And now they wanted to stamp it with their own. 09:09 - Anne (Host) That's such a good point because a lot of times, like companies change directors, companies change in departments, and a lot of times you may be the indirect result of that or not like being let go because of things like that that you have absolutely no control over. And so that is also a big part of the process in our heads as actors. We need to remember that on any given day, that it's not always—I think that if you can come into your audition with the skills that you need—the actor skills. Everybody says, "What's trending? What's trending these days? What's the sound these days?" And I'm like, "I think just be an actor, have good acting skills." 09:48 Maybe have good acting skills, because I feel like if you have good acting skills and the person, like say you, right, that is at the initial level of listening to all of the auditions, right, you're going to be able to hear that from the get-go, from the first few words. You're going to hear, "Okay, here's an actor. Now, what I like about this actor is that I can work with this actor." So maybe they didn't give the precise read that you were looking for at the time, but you know that they're an actor and that they'll be able to be directed. Exactly. And I think that's so important—best that you can come in with in your audition, to be armed with your acting skills, to showcase those acting skills, because all the other stuff we just have no control over. 10:25 - Jennifer (Host) Exactly. Control what you can. You know, getting auditions in a timely—Anne, naming them properly, file naming. I always talk about like naming those. 10:34 - Anne (Host) Like, why is that so difficult? I don't know. I come from a technology background. It always amazes me how many times people like don't understand how to name files when here's the convention and yet somehow. Right, just copy and paste it and then write your name. 10:50 - Jennifer (Host) I don't know why, but I don't think actors realize that if they mislabel a file, it's going in the trash. That'll piss off somebody. 10:57 - Anne (Host) I mean, like me, especially somebody that I'm handling a lot of files, right, and especially like if I have control over it, like you're not hired, and if you're going to argue with me about the name of that file, or if I gave you a confusing—no. I mean, sorry, just follow the following instructions. 11:12 - Jennifer (Host) But yeah, I think that actors may not realize that if you are missing those little details, like not following the spec, or because you're just like running and gunning and just like, "I'm in a hurry, I'll just read the copy," or not connecting to the copy, or mislabeling the file, it's like that's going to get you booted out of the mix because there's just not enough time and people don't understand. "Oh, so I put my name before the client's name." It's like if you're in casting or you're producing, you're not just casting one thing. So if you put your name first before the client's name, I don't know what to do with this file. Or usually it goes into a database and so the database is just going to go, "I don't know what to do with this. Garbage." I think people just realizing like why it's so important could be helpful. So people just slow down a little bit and go, "Oh, what's the file convention?" That's it. That's my TED Talk on file name. 12:03 - Anne (Host) There you go. I like that. Well, I'm right there with you on the file—I'm on the file name, I know, because you're dealing with hundreds of files, I know, right? I mean. So I touched upon this a little bit in your bio, which I think is so interesting, is that you studied comedy. Talk to us. And improv, of course, everybody always says, "Yes, improv, improv," yes, and improv, of course, is so important. But I also think comedy, too, is important, because this is just my outside looking in perspective, right? When we're listening, right, we need to command the attention of the audience. Right? Whether we're voicing a commercial or a corporate narration or whatever it is, we need to engage the attention of the listener and that is important. And I feel like comedy is absolutely one of those techniques that can be used to get people's attention and keep it, and I think it's important that if you have comedy in your script, that you can find it and you can execute it. So talk to us a little bit about that and the importance of comedy and improv. 12:58 - Jennifer (Host) Definitely. Have you been seeing a lot of scripts or a lot of castings where it's like we want people with comedy and improv, even though they may not ask you to necessarily be super hilarious or improv, they're listening for a nuance? A nuance, exactly. Comedy is like very subtle, I think, in voiceover, because when I was producing on the agency side back in the day, comedy in commercials was a lot more prevalent. We had double copy. We very rarely have two characters talking anymore, so it was a little more like in your face kind of comedy. 13:33 Yeah, back and forth kind of. Yeah, back and forth, you could riff off the other person. Now we're pretty much just doing one person voiceover, so that comedy has to be layered in, but never steal from the actual hero—our product or our client. And I think a lot of times when we're newer as voice actors, we're going for the "yucks" like, and it's like, "No, that's going to get you also noticed for all the wrong reasons." So I think I agree with you entirely. It's got to be layered, it's got to be nuanced, and you have to be able to find it. Sometimes people when I'm coaching, they miss the joke. I'm like, "Do you see that there's like a little pithy wit here?" 14:10 - Anne (Host) They're like, "No." I'm like, "Great." Or a play on words. And here's the thing too, you know, in writing scripts for demos and for my students, comedy is tough to execute in a certain time, like comedy is tough, especially if you're doing comedy writing in a demo. It's very tough to execute without sounding like a one-liner dad joke, right? Yeah, oh gosh, so true. And especially if you need to execute that time and just in a 30-second, 15-second commercial, to execute comedy and a sale at the same time is tough. 14:38 It's tough to do, it's really tough and so it does become very nuanced, right? And corporate, like when you get into like something longer, like corporate narration, you're not going to necessarily find too much humor, unless the brand itself doesn't mind making fun of itself, right? There's not many corporate—not many companies, I know, that make fun of themselves unless they have quirky products, right? If that's our corporate culture, great, but a lot of corporate is like, "No, very straightforward." 15:02 But they might have a nuance, right, and so I love the fact that, yes, if they're looking for that nuance and that is something that is it's maybe a nuance, right, and so I love the fact that, yes, if they're looking for that nuance and that is something that is it's maybe a note, it's a wink, it's a point of view that I think if you can execute and it only needs to happen like a little instant, then that to me, I can hear it right away and people can hear it right away. 15:23 They might not put their finger on it and say, "Oh, that was funny, like ha ha, knee slapping funny," yeah, but the execution of it is really it's key, and I think that comedy and improv is wonderful for people to have as a background in their acting skills. Yeah, I agree, comedy's tough. Did you perform like stand-up comedy? 15:42 - Jennifer (Host) No, I actually took a couple. I'm like, "No, I'm a smart-ass," but that was tough. So I took—a friend of mine was teaching. She is a comic and she taught classes and I did two of her classes, and after the first class, she's like, "Okay, and you know, as you know, we're going to an open mic," and it was torture. It was brutal. Just a bar room full of people going, "Make me laugh," and I'm like, "This is hard." 16:11 - Anne (Host) Yeah, I can't imagine. I have a friend who did stand-up in Burbank. Right? Everybody's at Flappers. Everybody's at Flappers and, "Come see my show at Flappers," and if you want to feel challenged, I mean stand-up at a mic in front of an audience. That's like, "All right." 16:26 - Jennifer (Host) Yeah, like just staring at you and you're sitting with the mic going. 16:29 - Anne (Host) Make me laugh. But there's where I think, like the thinking fast on your feet is going to help you, and I think it's going to help you no matter what. I mean those of us who aren't necessarily doing comedy like stand-up comedy, but here we are in our booths and we're doing auditions, right? I think, if you have the time to evaluate and analyze your script and find the humor—I mean we have the luxury of some time of finding that humor and being able to execute upon that. I think if you can do that, if it's there in the copy, that's what you try to put up front and showcase. 17:02 - Jennifer (Host) I always say I'm going to zag. If everyone else is going to zig, I'm at least going to zag appropriately, because they also don't want to be the actors like. "Well, I remember her for the reason that she went off the rails." It has to make sense. 17:15 - Anne (Host) It has to make sense for the copy, right? And so I feel like that improv also, when I ask my students to create the scene, right? Be actors for a corporate narration that might be talking about investments or something that might sound dry. What is that story? Who are you talking to? Why does it matter? 17:31 You've got to be able to have that quick, like, let me create the scene and let me respond to it, right, and that just helps to enhance your script analysis, the speed at which you do that, and also if you're being asked live, like, "Give me an AB of that," or an "ABC of that." 17:45 - Jennifer (Host) Yeah, how are we going to do that if you haven't created exactly scenario? I always think about how, in scene work and acting, we think about the moment before. Yes, and it's always because you'll hear actors, or I've heard this in auditions lots, where I'm listening to an audition, particularly when I was producing, it's like, "I don't even know why." I hear them saying the script. Why are they saying those words? Why are you even talking? It feels like you just sort of like dropped in cold and started talking, but I don't know why. Yeah, and I always can hear an actor who's a little bit more connected to the copy. Yeah, absolutely, and that's because they created some reason for talking in the first place. 18:21 - Anne (Host) Yeah, they created a reason to say those first words. There's got to be a response or a reaction. I say that even for corporate copy, definitely. 18:29 - Jennifer (Host) Even for e-learning. 18:30 - Anne (Host) You know what I mean. Like you've got a student that just asked you a question and so otherwise, it sounds like to me, I'm always telling my students, it sounds like once upon a time I started a monologue. 18:39 - Speaker 2 (Announcement) Yeah. 18:40 - Anne (Host) And it just became like, "Oh, I picked this thought out of the air and I just started saying it." 18:44 - Jennifer (Host) And there's no reason for it, and so it's weird how we can hear that, isn't that weird? It's like the microphone, sort of like picking up your thoughts, sort of like the camera records thought. That's why you've got to have something going on behind your eyes. 18:55 - Anne (Host) I think it's like you can hear somebody reading, right, because there's a certain melody and—and I know there's got to be scientific evidence, right? There's a melody that we have when we read words and I know it very well because I'm always telling people to stop reading. Start talking. 19:08 - Jennifer (Host) Stop reading. You sound like you're reading. 19:11 - Anne (Host) And so there's a melody to just reading the words, and it seems to start at the same pitch, like, "Hi, I'm Anne, I started here once upon a time." I've heard casting talk about this. 19:21 - Jennifer (Host) Voice casting agents will talk about this all the time. It's like, again, given a level playing field, the first people we're going to boot out of the running are people who sound like they're reading as opposed to talking, and it's a challenging skill set because we are literally reading scripts, but we're interpreting written speech into spoken speech, and it's a skill set. So it takes time. And I was thinking about how, whenever I'm auditioning for something, I think, well, I'd love to book it, of course, but I always think I'm not auditioning for this one, I'm auditioning for the next one, because, let's say, you know, I don't get selected for this one. I want you to remember me for the next one. So, something I do in this audition, I want to spark a little like, "Well, let's keep her in mind for something else down the road," because that's all I can control, absolutely, absolutely. 20:13 - Anne (Host) Speaking of auditioning and being an active voice actor and a woman of a certain age, and I say that, you look amazing. 20:19 - Jennifer (Host) Well, thank you, but let's face it. We've been in the business for a while, not a teenager. 20:25 - Anne (Host) Yeah, I cannot sound millennial, no matter what. 20:27 - Speaker 2 (Announcement) I do, even though I have a younger sounding voice. 20:29 - Anne (Host) No, it's mostly in the attitude. But let's talk a little bit about having been in the community and been in the industry for a while. What's it like these days being a little bit older in this industry? How are you finding work? Is it plentiful? Are you finding? 20:42 - Jennifer (Host) Yeah, I mean it's plentiful, but I still think that in general we're youth-oriented. 20:49 So if you're over a certain age, 40 or beyond. Oh, let's face it, I haven't seen 40 in a minute. Yeah, me either. And look at us, we're thriving. There we go. The voiceover industry is definitely very inclusive. It's getting more diverse all the time. Like when I was producing commercials, you most definitely had to sound a certain way, be of a certain demographic, and now we're hearing all sorts of wonderful, diverse voices. I still think there's room for us to include more voices that are definitely over 40. I'm still hearing people on the air where I'm like, "You don't sound old enough to tell me about retirement or having a baby." 21:27 - Anne (Host) You sound like a kid. I always try to tell people I start with the product, because I feel like companies are going to promote their products to the demographic they can sell to. 21:38 So it starts there, right? So what sort of a product would you sell to a demographic of females over 40 or females over 50? And I feel like that's where it starts. I feel like the younger sounding. I think it's because the company is trying to expand their demographic to make more sales. I think that's where it starts anyways, because I'm always saying, "Well, the trend right now is a little bit towards more millennial, and that's just the way it is." But I feel like there are certain products that a millennial does not sound realistic. 22:04 - Jennifer (Host) Talking about like Depends, right, or retirement or certain financial instruments or mortgages or things where it's like wouldn't you have to be a little older to be getting? An elder millennial, at least to talk about that. 22:17 - Anne (Host) Go you elder millennials. It's hard to believe. I know that in automotive that was a big thing because with Uber and bosses out there, if you study like it's not hard to study, like demographics and marketing, right? I mean during the pandemic nobody was buying cars and younger people were not buying cars because they were really reliant on Uber and Lyft and the rideshare stuff. 22:38 And so car companies started really marketing hard towards younger people and that changes who they hire right to do their voiceovers, and so I think it's something, bosses, that you need to really like spend a few minutes every day studying the market that you want to sell into. Really, it's not hard, it's Google. 22:57 - Jennifer (Host) Yeah, it's iSpot, Google. And. 23:00 - Anne (Host) Google says that honestly, like you can just type in, like, you know, demographic, automotive demographics or, you know, trends, it's easy to find that out and that can help inform you educationally what you might be auditioning for, how you would respond to an audition, right? What is the company? 23:18 - Jennifer (Host) Who are they targeting their sales to, or who you're, if you're doing direct marketing, which I think every voice actor should be doing, if you're directly marketing yourself to a client. It's like, do you vibe with that client? Are you appropriate for that client? So that's basically how I'm represented. I have talent agents across the country and it's very clear to me that my reps are very good about knowing what my wheelhouse is. So I do get a lot of healthcare, insurance, tech, things like that—healthcare, insurance, tech, things like that, because that's who I vocally appeal to. 23:53 It makes sense, and women have an enormous buying power because we make most of the household buying decisions in most households, and so, even though I still think the guys are doing about 60% of the commercial voiceover work, we're at 40%, so we're catching up, but I think companies are starting to realize that women's voices are appropriate for their products and they want to market to us. So I think we're doing better all the time. So, yeah, there's a lot of content out there. 24:22 - Anne (Host) So I would say that, with all our wisdom, with all your wisdom—with our collective wisdom, with all our—no, with your wisdom. What would be your best tip for people that are just starting out today? Because the industry has evolved over the years and it has definitely changed. So today, if somebody's interested in pursuing voice acting, what do you say to? 24:41 - Jennifer (Host) Them? Brand spanking new, I'd say, and I know people are like, "But you all are coaches, so of course you're going to say this," but I would say this even if I didn't coach it: it is a skill set. And so I think you've got to start with good training, and I tell my students this all the time: Get involved in the voiceover community, get your squad together, get an accountability group, a voiceover workout group. You and I were just at the Nava Gala. Is it Gala or Gala? 25:07 - Anne (Host) Gala. 25:09 - Jennifer (Host) I think Gala. 25:09 - Anne (Host) Gala sounds more elegant. 25:11 - Jennifer (Host) Nava Gala. 25:12 - Anne (Host) We're the Nava Gala. 25:13 - Jennifer (Host) And it's just, it's a constant reminder that when we're so isolated and working on our own, if we don't have community around us, this job is hard. It is. I love the voiceover community so much, and so we have a community around us. We're learning things, we're sharing things, and so I always suggest to people, they're like, "Oh, I don't know what to do. How do I help myself in this career?" I'm like, "Well, get good training and get involved in the community so that you're constantly learning from your peers." Or at least, because we're working by ourselves, it can feel a little lonely and isolating. 25:47 - Anne (Host) Get some VO pals and get lifted up and listen to podcasts like the VO Boss podcast. 25:52 - Jennifer (Host) Yes, please. Listen to VO Boss, listen to VO Boss, guys. I've been doing this for eight years now. 25:59 - Anne (Host) Oh my gosh, it seems so forever. Eight years, amazing, every week. 26:03 - Jennifer (Host) I love it. Oh, my goodness. 26:04 - Anne (Host) Wow. 26:16 - Jennifer (Host) So if bosses want to find out more about you, where can they find out more about you? 26:18 - Anne (Host) I'm a busy kitty on the Instagram at Sims, my website, Sims. I'm busy there too, so, yeah, awesome, come see me. Well, Jennifer, it has been so much fun. I think we could probably talk for another hour or hours. 26:27 - Jennifer (Host) It would be a delight, but I know you're booked and busy, so we'll get on to other things. 26:31 - Anne (Host) But I thank you so much for spending your morning with me and bosses, make sure you look up Jen. Can I call you Jen? Jen? 26:40 - Jennifer (Host) Yeah, go by Jen. Look up Jen. I want to say Jennifer. Jen. 26:42 - Anne (Host) Check out Jen's website and check her out on her socials. Jen, check out Jen's website and check her out on her socials. Yes, please, bosses. 26:49 - Jennifer (Host) Yes, absolutely. 26:56 - Anne (Host) Thanks again, I'm going to give a great big shout out to our sponsor, IPDTL. You too can connect and network like bosses. Find out more at IPDTL.com. You guys have an amazing week and we will see you next week. Bye, bosses, you're the best. 27:06 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at voboss.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.

Justinereneefla instagram Spilled paint. WATCH SERIES HERE Inclinenation Instagram BioJustine Renee is an actor and improviser driven by a deep passion for storytelling and creativeexpression. A graduate of Suffolk University with a degree in Theatre, she has performed in numerous stage productions, including Crimes of the Heart and Hair.Her training includes Improv Performance and Stand-Up at Sak Comedy Lab, as well as improv studies at The Groundlings in Los Angeles. She is also a cast member of the MallRatz Improv Troupe. Justine's on-screen career continues to grow, with recent credits including Spilled Paint (now streaming on Tubi) and a Lifetime movie set to premiere in late 2025. She is a proud recipient of a Golden Telly Award for Social Change, honoring her work in the arts and beyond.An advocate for embracing authentic creative voices, Justine believes that the power of art lies in ourability to connect with our true selves and express that uniqueness in everything we do.BioThe “extraordinarily mundane” Jamie B. Cline (as no one calls him) likes to liven up life through art, so he decided to get an MFA from USC for (performing) and then stick around Los Angeles because why not. Portraying the role of Patrick Walsh has been an amazing journey amongst some amazingly talented creative artists and hopefully this is just the beginning of everyone's journey with Spilled Paint. Other recent credits include performing in an online short play by Douglas Stark with Playzoomers, as the Jackalope in Easter Bloody Easter, and as Charles Goodnight in the documentary short Freedom on the Range.  Whether he's acting, writing, improvising, doing creature work or stunts, Jamie holds to the belief that art should be an experiential journey for everyone and the best part of the collaboration is sharing it with an audience.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Legendary comedian Steve Bleustein joined me and discussed his autobiography Memoir of a Nobody; watching Howdy Doody & Peter Pan; going to Emerson College w/ Henry Winkler; Dave Madden & Albert Hammond taking him to try out stand up at the Comedy Store; Sammy Shore saying he has the sound; his work at The Groundlings with Tracy & Laraine Newman and Jack Soo; Tom Dreeson; being on The Merv Griffin Show with Laraine and getting ribbed about a nose job; Liz Torres; Brady Bunch Variety Hour; working with Rip Taylor and Ronnie Graham; writing for Loman & Barkley; a bit making a stick a star; Fred & Mary Willard and their holiday parties; being the last surviving member of the Ace Trucking Company; Fred hating elevators; Cracking Up; meeting Farrah Fawcett; Florence Henderson; Comedy Central ruins comedy boom; how to become a proficient comedian; comics get on TV too early; new comics are too filthy; he likes John Mulaney & Wanda Sykes; working on A Year at the Top with Mickey Rooney & Gabe Dell; Gabe can't remember lines; The Rabbit Test; opening in Vegas; doing a pilot with Tina Turner; Gabe Kaplan presents him as a new comic to watch; the Playboy Pajama Party nightmare; having dogs; becoming famous for Make Me Laugh; Gallagher; Bob Saget; Norm Crosby's Comedy Shop

We get deep into the Pee Wee documentary and tell stories of what we heard about Paul's Groundlings days. Plus many other crazy tales are told!

With Ben Rogers out on vacation, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina take the mic and dive into everything from magician movies to the legacy of Pee-wee Herman. Krystina kicks things off with a surprising revelation: she finally watched The Prestige—and it blew her mind. That sparks a hilarious back-and-forth about The Illusionist, why 2006 was the year of dueling magic movies, and how her magician-loving boyfriend roped her into a Memorial Day movie marathon.But the real magic comes when Skin passionately breaks down the new HBO documentary Pee-wee Herman as Himself. What starts as a nostalgic trip turns into a heartfelt exploration of Paul Reubens' life, his creative genius, and the surprising influence Pee-wee had on SpongeBob SquarePants. From his early days in The Groundlings with Phil Hartman to the character that thankfully didn't age well (a lounge-singing Native American), the doc reveals a side of Pee-wee most never knew.

In this episode, Marisa interviews writer, comedian, and screen and voice actor, Ryan McCabe. Ryan's commitment to character and comedy was established at a young age when he called himself The Riddler after watching Jim Carrey in Batman Forever. Now in LA, Ryan works in the dubbing industry and trains with The Groundlings, performing improv and stand-up comedy. He has also written seven poetry books and is currently producing a new comic called Henry Fowl in Black Sheep. Full of laughs and experience, Ryan creates work that is authentic to him, reminding artists to enjoy the creative process and to not be afraid to fail.Follow Ryan @hurricabePurchase his poetry books at Sabor y Cultural in LA or on Amazon

"Send in the FemBOTS!" Mindy Sterling is a Emmy-nominated comedic and character actress with a vast career in television and film spanning four decades. One of her most beloved roles is that of Frau Farbissina, the hilariously loud sidekick to Dr. Evil, in the Austin Powers franchise. She has also known for roles in iCarly, The Legend of Korra, How the Grinch Stole Christmas, and The Goldbergs, just to name a few. Chris and Taylor talk with Mindy about her improv beginnings in The Groundlings, her character process, some of her most famous roles, and the joys of motherhood. IG: @mindysterFollow us on:Instagram: https://www.instagram.com/thepotential_podcast/X: https://x.com/thepotentialpodTikTok: https://www.tiktok.com/@thepotentialpodcastSupport us on Patreon:patreon.com/thepotentialpodcastThanks to our sponsors: AURA and Let's Get CheckedAURA - Get a 14-day free trial of Aura for individuals, couples and or their family by going to aura.com/potential Let's Get Checked - Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25

Actor, writer, comedian, and filmmaker Jillian Bell (Workaholics, Saturday Night Live, 22 Jump Street) joins Andy Richter to discuss her feature directorial debut, “Summer of 69,” starring Chloe Fineman, her experience with The Groundlings, working with her sister, and much more.In Southern California? Come see the Andy Richter Call-In Show live for free at SiriusXM Studios in Hollywood. Visit http://siriusxm.com/andyrichterla for your chance at free tickets.Do you want to talk to Andy live on SiriusXM's Conan O'Brien Radio? Tell us your favorite dinner party story - leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen to "The Andy Richter Call-In Show" every Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel.

“Leave it in the room.”   As the family rascal, Kimberly Condict always stood out from her siblings with boundless energy. With a University of Oklahoma degree in hand, she leaped around theatrical communities in Denver and Dallas - before finally landing in Los Angeles. Her artistic roots began to grow over the next fifteen years as she found community in The Groundlings, dove into writing, and began booking numerous television roles. Oh, and she spots Jeff Goldblum at her local gym from time to time!   SHOUTOUTS & PROMOTIONS Help donate what you can to the victims of the L.A. Fires.

Adam and Jason “Mayhem” Miller open up the show with Adam recounting a Real ID Fiasco at a Florida airport, Variety's strange way of phrasing the headlines concerning Robert DeNiro's daughter coming out as Trans and local news in Santa Monica talking about WAYMO back up beepers.Ben Gleib then comes on the show to talk about his upcoming GLEIB OFF THE TOP! Live Zoom Comedy Show, Vaping and fat kids, Rupert Holmes vs. Jimmy Buffett, Mike August not booking Ben Gleib and sneezing violently, Adam's journey at the Groundlings, shitty improv partners and a possible moratorium on new comedians. Adam and Jason then talk about today's top news stories including Mayor Eric Adams spending 1.6 million on panic buttons to curb crimes, Jussie Smollett, and defunding of PBS and NPR. Get it on. FOR MORE WITH BEN GLEIB: WEBSITE: https://www.bengleib.com/TWITTER: @BenGleibINSTAGRAM: @bengleibFOR MORE WITH JASON “MAYHEM” MILLER:INSTAGRAM: @mayhemmillerTWITTER: @mayhemmillerThank you for supporting our sponsors:AuraFrames.com - Promo Code CAROLLABetOnlineCalderaLab.com/ADAMhttps://hometitlelock.com/adamcarollahttps://OmahaSteaks.comPluto.TvSIMPLISAFE.COM/ADAM-Go to https://hometitlelock.com/adamcarolla and use promo code ADAM to get a FREE title history report so you can find out if you're already a victim AND 14 days of protection for FREE! And make sure to check out the Million Dollar TripleLock protection details when you get there! Exclusions apply. For details visit https://hometitlelock.com/warranty-Link in Description & Pinned Comment: Go to https://OmahaSteaks.com and order the Built for the Grill Pack with 16 FREE smash burgers. Minimum purchasemay apply. See site for details. A big thanks to our advertiser, Omaha Steaks!LIVE SHOWS: May 24 - Bellflower, CAMay 30 - Tacoma, WA (2 shows)May 31 - Tacoma, WA (2 shows)June 1 - Spokane, WA (2 shows)June 13 - Salt Lake City, UT (2 shows)June 14 - Salt Lake City, UT (2 shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dylan and Connor are joined by Ana Gasteyer (Once Upon a Mattress, “Saturday Night Live”). The Queen is coming. Actually, the Queen has ARRIVED. The twins are absolutely gagged to be joined by icon, legend, mother Ana Gasteyer. Fresh off of singing into a bullhorn in Times Square (IYKYK), Ana dives right into discussing the hot-off-the-presses cast album for Once Upon a Mattress, how it felt returning to Broadway with such a beloved show and cast, and what it was like playing alongside Michael Urie. Listen as she spills on her 6 seasons on “Saturday Night Live,” including the recent SNL50 celebration. Ana speaks on when she realized she was ready to leave SNL, followed by becoming one of the very first women to play Elphaba in the original company of Wicked in Chicago. Ana speaks about her Quaker upbringing leading to a life of performing, whether it be with The Groundlings, on television, or even the Broadway stage. She shares tidbits about working with Rachel Dratch, Kate Reinders, and appearing on early demos of Hairspray. We gush over the new film Sinners, Floyd Collins and its extraordinary cast, and happily celebrate Drag: The Musical's award nominations. We only love Ana more after some DRAMA!Follow Ana on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

This episode's guest is actor, writer, voiceover artist, and unapologetic improv nerd, Roxana Ortega.Roxana is one of those rare artists whose vulnerability, honesty, and humor hit you all at once – and leave a lasting impression. If her voice sounds familiar, it might be because she's voiced everything from the passionate Frida Casagrande on The Casagrandes to characters in Call of Duty, Final Fantasy, and Monsters at Work. She's narrated Pulitzer Prize-winning novels, voiced countless animated characters, and is a master of voice matching (yes, she's dubbed for Penelope Cruz and Salma Hayek).In our conversation, Roxana takes us through the unexpected path that led her to acting – from growing up in an academic household where creativity wasn't considered a “real” career, to having a life-changing epiphany while teaching English in Spain. We talk about the internal battle between playing it safe and going after what you truly want—and what it really means to decide to be an artist.We go deep into the power of improv as both a performance tool and a life philosophy, how failure can be a gift, and why community-building and representation matter now more than ever. Roxana shares how she uses her voice – literally and figuratively – to make space for underrepresented stories, and how she's continued to evolve as a writer, performer, and director.Whether you're someone who thrives on stage or someone working up the courage to take the leap, Roxana's journey will remind you that embracing risk, staying curious, and being fiercely yourself is always worth it.Episode Chapters 00:00 – Welcome + Introduction02:00 – Names, Language, and Laughter04:00 – Academic Roots & Artistic Restlessness07:55 – The Epiphany in Spain13:49 – “I Decided to Be an Actor”16:00 – Improv, Joy, and Redefining Failure21:45 – Performing, Directing, and Creating Her Own Work32:00 – Representation, Identity, and Making Space40:00 – The Tapestry of Humanity49:30 – Amazing Race Nerd Out50:50 – Blissful Spinster & Making Art on Your Own Terms54:35 – Final Words of Wisdom55:14 – What's Next for Roxana58:00 – Wrap-Up & Thank YouRoxana's Bio:Roxana Ortega is an American actor, writer, and voiceover artist who is known for voicing the ever-emotional Frida Casagrande on Nickelodeon's Emmy award-winning and Imagen award-winning cartoon The Casagrandes, a spinoff of the acclaimed series The Loud House.On-camera, she recently starred opposite Danny Trejo, Reno Wilson, and a cast of legends including Garrett Morris, Barry Bostwick, and James Hong in the Universal feature Grand-Daddy Day Care. Other film credits include The Flight Before Christmas opposite Mayim Bialik, Miss Congeniality 2 opposite Sandra Bullock, and Larry Crowne opposite Tom Hanks. Her TV guest-star credits include New Girl, Shonda Rhimes' For The People, The League, Rules of Engagement, NCIS, and the Peabody award-winning satire American Vandal.Behind the mic, she has voiced countless characters in TV, films, trailers, commercials, and some of the biggest video game franchises around, including Call of Duty: Modern Warfare, Final Fantasy, Halo, and Ghost Recon: Wildlands. A two-time AudioFile Earphones Award winner, she has narrated the Pulitzer Prize-winning novel A Visit from the Goon Squad, the National Book Award finalist Sabrina & Corina, and the New York Times's non-fiction best seller Random Family to name just a few. In addition, her mimicking skills have led her to voice-match the likes of Penelope Cruz, Salma Hayek, and Jennifer Tilly.Born in Los Angeles and raised in Fullerton, CA, Roxana is of mixed Peruvian and Mexican descent. She graduated from U.C. Berkeley Phi Beta Kappa with a degree in Interdisciplinary Studies, then spent a year teaching English in Madrid, Spain. It was there, while she was elaborately acting out English vocabulary to her students, that she realized she wanted to pursue a career in acting. She returned to the Bay Area and immersed herself in theatre and improvisation, then made her way to Los Angeles where she continued her improv and acting training and began writing and performing sketch comedy.Roxana is an alumna of the CBS Diversity Sketch Comedy Showcase, Upright Citizen's Brigade, and the Groundlings Sunday Company. She has written and produced her own shorts and performed storytelling all over Los Angeles, including at The Moth GrandSLAM.She is also the creator and co-host of the live storytelling show Minority Retorts, which spotlights stories from the under-represented, and The Risking Space, a podcast about art and risk. Connect with Roxana on: InstagramLearn more about Latina's Act Up on: InstagramCheck out The Groundlings on: Instagram Links & LoveIf your ears like what they're snacking on, follow, rate, and drop a review—it helps others find the show too.Want to support the show or get access to extra content—like behind-the-scenes journals, guest deep dives, and updates on getting Alone Girl made? Check out my Substack: The Blissful Spinster. Just $5/month supports this DIY labor of love and gets you a peek behind the scenes (when I find the time to write, lol). Find me and the pod on Instagram, Pinterest, and at blissfulspinster.com—where you can also find some pretty cool merch, if you're into that sort of thing. Thanks for being on this journey with me—and until next time, go find your happy.

There's a stunning transformation that happens to Edi Patterson when she puts on the aggressively curly haired wig for her character on ‘The Righteous Gemstones.' “Something different happens to the makeup of my atoms, once I get Judy's hair on,” Patterson says in this week's episode. “Because I do really feel like she's a living person who's inside of me, and I just get to unleash her and turn it up.” Without the wig, the Groundlings alum is nearly unrecognizable—and her real-life persona is far less unhinged than the sex-crazed evangelical Christian she plays on ‘The Righteous Gemstones,' which just began its fourth and final season on HBO. Patterson, who also writes for ‘Righteous Gemstones,' discusses keeping the season premiere's massive cameo a secret, her alternative casting idea for that episode, getting “weird” with guest star Megan Mullally later in the season, and how Judy and her on-screen siblings—series creator Danny McBride and Adam Devine—have evolved over time. She also looks back on her very brief experience as a writer on ‘Saturday Night Live,' the shocking line she ad-libbed during her original audition with McBride for their previous show ‘Vice Principals,' and what it's really like to improvise opposite Larry David on ‘Curb Your Enthusiasm.' Follow Edi Patterson on Instagram @edipattersonhiFollow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Improv is not just for actors! Find out how improvisation skills can elevate your ability to land on your feet in any situation as Phil Cooke https://philcooke.com interviews Kelsey Cooke and Chris Guerra of thisishardtoread Productions and Oddity Improv. Together, they break down the values of improv classes for spontaneity, team collaboration, self-confidence, speaking skllls and for boosting creativity in any environment.  Join Chris and Kelsey as they share how improv can change the way you communicate, build teams, and approach creative challenges. 

In this episode of Ojai Talk of the Town, actor Michaela Watkins joins us to talk about her latest film, Suze, a Canadian indie gem screening at the Ojai Playhouse on March 9. She'll be on hand for a post-film discussion, but first, we dig into the heart of the movie, the revival of the "New Sincerity Movement," and why audiences are craving stories about broken people finding connection.Michaela also reflects on her incredible career including a stint of Saturday Night Live, the LA-based Groundlings, working with the husband-wife duo Dane Clark and Linsey Stewart behind Suze to her collaborations with the late, great Lynn Shelton and acclaimed director Nicole Holofcener (You Hurt My Feelings). We swap stories about mutual Ojai friends, share what this town means to us, and much more.Note: We did not talk about the Ventura River estuary, proposed NFL rule changes or the ill-fated El Dorado expedition of 1559 led by "Wrath of God" Aguirre.Tune in for a conversation that's as heartfelt, funny, and sharp as Michaela herself.

Jess is joined by SATURDAY NIGHT LIVE character queen CHERI OTERI! Cheri recounts being discovered at The Groundlings alongside Lisa Kudrow, Kathy Griffin and fellow SNL hopefuls Will Ferrell, Chris Kattan and Jennifer Coolidge. Topics: origins of her Barbara Walters impression, the cutthroat pressure between cast & writers for airtime, Jim Carrey's iconic episode and working w/ Betty White (Hot in Cleveland) & Larry David (Curb Your Enthusiasm).  IG: @jessxnyc Watch this interview on YouTube

Meet Heidi Gardner, a comedian and actress best known for her work on Saturday Night Live. After 9 years working at a hair salon in LA, Heidi decided to pursue comedy and worked her way up through the Groundlings. She joined the cast of SNL in 2017 and has brought us many, many laughs since then. I had an amazing time chatting with her and I hope you enJOY!See omnystudio.com/listener for privacy information.

GGACP joins "Saturday Night Live"s 50th anniversary celebration with this ENCORE of a 2021 interview with comedian, Emmy-nominated writer, "Amazing Colossal Podcast" fan and original "SNL" cast member Laraine Newman. In this episode, Laraine talks about descending from Jewish cowboys, co-founding The Groundlings, auditioning for Bob Hope (and Robert De Niro) and penning her engrossing memoir, “May You Live in Interesting Times.” Also, Don Ameche mounts a comeback, Chevy Chase tells the “Aristocrats” joke, Laraine crushes on Illya Kuryakin and Walter Matthau turns down the Julia Child sketch. PLUS: Autumn Fizz! “American Hot Wax”! Buck Henry gets kinky! “That's Not Funny, That's Sick!” And Laraine recalls working with Bob & Ray, Dudley Moore and Rodney Dangerfield! Learn more about your ad choices. Visit megaphone.fm/adchoices

Wherein Danny and Darren dive deeper into Beth's relationship with Richard, which includes a shocking revelation that Danny's dad had been operating dating profiles on his sons' behalf. Additionally, Sandy discusses her dating life beyond Richard, and Darren checks in with Danny about his anger. For tickets to Danny's improv show at the Groundlings, head to www.groundlings.com/shows/theunderstudies. And if you would like to support this podcast, please consider becoming a patron at www.patreon.com/HowToDestroyEverything. Listen to HTDE on Apple, Spotify or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Screenwriter and actor Jim Rash and I talk about what makes him an empathetic and responsive friend, growing up in Charlotte, NC, being adopted, the Groundlings, winning an Oscar, Allison Janney, his dream of being on Friends coming true, Community, turning off your cell phone, directing his new movie,  playing Snoopy, and singing and dancing in the kitchen to feel good. Bio:  JIM RASH is best known for playing “Dean Pelton” on NBC's Community. Most recently, he starred opposite Scarlett Johansson and Channing Tatum in Fly Me To The Moon. He won an Academy Award for Best Adapted Screenplay for The Descendants alongside Nat Faxon & Alexander Payne. Rash and Faxon also co-wrote and co-directed The Way, Way Back. Rash recently finished post-production on Miss You, Love You, an independent movie that he wrote and will mark his solo directing debut. It stars Allison Janney and Andrew Rannells. Rash hopes to take it to film festivals next year.

Wherein Danny and Darren bring the podcast full circle by exploring the moment that started it all from a different persepective: Danny's wife. As she illuminates her side of the disaster that led to the termination of Danny's relationship with his dad, our intrepid hosts then speak to the other wife, that of Danny's brother. How does a narcissist affect his kids when they grow up, get married, and have families of their own? What better way is there to find out than by talking to the wives. Listen to HTDE on Apple, Spotify or wherever you get your podcasts. For tickets to Danny's improv show at the Groundlings, head to www.groundlings.com/shows/theunderstudies. If you would like to support this podcast, please consider becoming a patron at: www.patreon.com/HowToDestroyEverything. Learn more about your ad choices. Visit megaphone.fm/adchoices

Annie and Mindy talk about what it takes to have a deep and lasting friendship. They discuss what brought them together, how they are alike and how they are not. They also talk about a divorce workbook, pets, kids, the trauma of ex-husbands, the difference between growing up in Detroit vs Miami, having parents who asked you to perform and parents who didn't, asking your teacher to “hang out”, Groundlings, tums, having no emergency contact, boundaries, and how Jim Rash is the center of the universe.  Bios:  Annie Sertich wanted to be a lawyer - instead ended up playing one opposite Denzel Washington. She wanted to be in the Super Bowl -instead she has sold tires, accepted M&M's, and recently appeared as Tina, the Geico caveman's wife during the commercial breaks. She is an actor, writer, and alumni of the famed Groundings Theatre where she also performs a one woman show called ‘How To Not Kill Yourself for 30 days…and the next 330.'  You'll hear her voice on various animated shows and see her on shows such as: “Grey's Anatomy/Station 19,” “Superstore,” “Silicon Valley,” “Curb Your Enthusiasm,” Roar,” to name a few. Mindy Sterling is a 2017 two time Emmy Nominee for Best Actress in Short Form Comedy or Drama for her work on Con Man and Secs and Execs. She is probably best known for her character portrayal of Frau Farbissina, Dr. Evil's German henchwoman and lover in all three Austin Powers Films. Other films are The Grinch Who Stole Christmas and Drop Dead Gorgeous. She currently recurs as Linda Schwartz on The Goldbergs and has guest starred on Grace and Frankie, A Series of Unfortunate Events, Legit, iCarly. Her voice over career consists of Legend of Korra, The Great North , American Dad, Family Guy, Loud House, Scooby Doo, Chowder to name a few. She is an alumni of The Groundlings and occasionally still directs and performs there.

Wherein Danny and Darren interview Stephen Kearin, a mentor to Danny over the last several decades (and Danny's self-described "Irish Rabbi"). Stephen shares his own incredible family story and the boys try to glean some lessons that Danny can apply to his own relationship with Richard.  For tickets to Danny's improv show at the Groundlings on Thursday, March 6th at 10 PM, head here: https://groundlings.com/shows/theunderstudies HTDE Live Show: https://www.stl-style.com/event-details/how-to-destroy-a-live-show-q-a Listen to HTDE on Apple, Spotify, or wherever you get your podcasts, and please remember to subscribe, rate, and review!  If you would like to support this podcast, please consider becoming a patron at www.patreon.com/HowToDestroyEverything Learn more about your ad choices. Visit megaphone.fm/adchoices

Mel Stephens! Writer! Director! Comedian! More! FROM HER WEBSITE: Melissa Stephens (@melmstephens on social media) is a comedian, writer, and director from the Peach State, and has dual citizenship in the UK. Melissa wrote on staff of Brett Goldstein & William Bridges' AMC anthology series SOULMATES, now streaming on Amazon Prime (Mel wrote ep 5). She is currently developing a dark comedy series with AMC Studios and UK based Two Brothers Productions, as well as penning a pilot for eOne and Mark Gordon based on her one-hour comedy special “Homebrew.” She is a founding member of IAMA Theatre Company, has been a member of Groundlings' Sunday Company, and regularly performs stand-up around Los Angeles. Her directorial debut, PEEN, was a Vimeo Staff Pick, and the short series she wrote and directed, FINDING THE ASSHOLE, was chosen to show at Slamdance and is currently in development on multiple TV and Film projects.  We had a great chat! You can have a great listen! And this is only the first HALF of our chat! For the second half, you can subscribe via Apple Podcasts or just click on over here to Patreon!

Original cast member of "Saturday Night Live" and founding member of the Groundlings, Laraine Newman, joins Andy Richter to discuss the 50th anniversary of "SNL," her love for voice acting, the origins of the legendary Groundlings comedy theater, her daughter Hannah Einbinder's journey to "Hacks," and much more. The Andy Richter Call-In Show is back from holiday break this week! Leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen and call in to the "The Andy Richter Call-In Show" live this Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel. 

In this classic Industry Standard interview, and final episode of 2024, Barry sits down with legendary radio personality, comedian, and podcasting trailblazer Adam Carolla. Adam opens up about his remarkable journey, starting with his humble beginnings as a carpenter by day while honing his comedy chops at The Groundlings by night. He shares how unconventional gigs—like teaching comedy-infused traffic school—shaped his early career. Adam reflects on pivotal moments, and the perseverance that ultimately landed him his first big break at Los Angeles radio station KROQ, training Jimmy Kimmel for a comedic boxing match, a move that led to him creating his breakout character, Mr. Birchum for The Kevin and Bean Show, and then to becoming co-host of Loveline with Dr. Drew. Tune in for an engaging conversation filled with grit, humor, and inspiring insights on how Adam transformed unique opportunities into a thriving entertainment empire. You won't want to miss this hilarious and motivating story! #AdamCarolla #AdamCarollaShow #Podcasting #RadioHost www.blueprint-for-success.com Are you a comedian, actor, writer, director, producer, manager, host, podcaster or agent? Would you like personalized help to reach all of your goals in the entertainment business? Click the link to learn more & join our FREE industry networking group full of decades of experience! --- Support this podcast: https://podcasters.spotify.com/pod/show/industry-standard-w-barry-katz/support

Lisa Kudrow (No Good Deed, Friends, The Comeback) is an award-winning actor and producer. Lisa joins the Armchair Expert to discuss her background as a pre-med biology student at Vassar, not being a people pleaser in the Groundlings, and how Jon Lovitz became her bridge to comedy. Lisa and Dax talk about why Conan O'Brien is the best person to bring to a dinner party, listening to the internal voice that told her to be an actress, and how pan au chocolate and a walk in the sun can be a cure for rejection. Lisa explains how home is the people you're with, the fallacy of the healing power of fame, and why she'll never be tired of talking about Friends.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Chris Parnell has a voice made of liquid gold and comedy timing you can set your watch to... which has earned him legendary status at two comedy institutions - The Groundlings and 'Saturday Night Live' - both celebrating their 50th anniversary this year. Known as "The Iceman" during his eight seasons on SNL (because he never broke character, not even during the classic Christopher Walken “More Cowbell” sketch), Chris reminisces about his comedy career with Dan-- the amazing early Groundlings moments, the wild world of SNL afterparties, working with fellow greats Will Ferrell, Tim Meadows, and he reveals a few regrets from his time on comedy's biggest stage. Chris also opens up to Dan about how his religious upbringing shaped him, his family legacy of speaking in front of a microphone, and the weight of wrestling for years with the idea of contacting his biological parents for the first time. SNL's three-hour live 50th anniversary primetime special airs Sunday, February 16th, on NBC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Parnell has a voice made of liquid gold and comedy timing you can set your watch to... which has earned him legendary status at two comedy institutions - The Groundlings and 'Saturday Night Live' - both celebrating their 50th anniversary this year. Known as "The Iceman" during his eight seasons on SNL (because he never broke character, not even during the classic Christopher Walken “More Cowbell” sketch), Chris reminisces about his comedy career with Dan-- the amazing early Groundlings moments, the wild world of SNL afterparties, working with fellow greats Will Ferrell, Tim Meadows, and he reveals a few regrets from his time on comedy's biggest stage. Chris also opens up to Dan about how his religious upbringing shaped him, his family legacy of speaking in front of a microphone, and the weight of wrestling for years with the idea of contacting his biological parents for the first time. SNL's three-hour live 50th anniversary primetime special airs Sunday, February 16th, on NBC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, comedian Erica Rhodes continues with the guys sharing how she splits her time between comedy & acting, they figure out who are the gatekeepers of entertainment, and Adam shares his walk down memory lane with Susan Olsen & the Groundlings. Plus, a couple of stories on a travel guru's root rooter, and are we facing the extinction of the male species? Leave us a voicemail: SpeakPipe.com/AdamandDrDrew OR Click the microphone at top of the homepage, AdamandDrDrew.com

Bridesmaids, Groundlings, and the Five-Timers Club with Melissa McCarthy and Ben Falcone. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sam Tripoli returns to the show and they open by talking about the sad news of Adam's father passing away, his father's interests (or lack thereof), what parts of Adam came from his dad, his parents “greatest hits”, and how Adam wants to be remembered when his time comes. Next, Adam introduces his idea of the “Replay Gimp” and Mayhem Miller reads the news including stories about Gisele Bundchen announcing she's pregnant, Jeff Bezos defending Washington Post's decision to stop presidential endorsements, and Carlos Mencia mooning a rude couple at a stand-up show. Then, Susan Olsen, who played Cindy on The Brady Bunch, joins the show to talk about what it's like being a part of a cultural phenomenon, when she found out that Robert Reed was gay, and why Eve Plumb was “the bitterest Brady.” For more with Sam Tripoli: ● NEW SPECIAL: Why is Everybody Gettin Quiet? - available on his website ● INSTAGRAM: @samtripoli ● TWITTER/X: @samtripoli ● WEBSITE: samtripoli.com For more with Susan Olsen: ● PODCAST: The Crusher Podcast ● INSTAGRAM: @thesusanolsen ● TWITTER/X: @RealSusanOlsen Thank you for supporting our sponsors: ● http://SimpliSafe.com/Adam ● https://Bioptimizers.com/adam and use promo code Adam ● http://Sendthevote.org/Adam or text ADAM to 33022 ● http://OReillyAuto.com/Adam

Kate met Laraine Newman, one of her childhood heroes, at a Kathy Griffin salon lunch. Laraine is an American actress, comedian, and writer. She was part of the original cast of NBC's sketch comedy series Saturday Night Live from its inception in 1975, and a founding member The Groundlings, an improvisational and sketch comedy troupe and school based in Los Angeles, California. They discuss Laraine's career and inspiration. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon.com: www.amazon.com/shop/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's all a combination of old and new for Kaitlin Olson. She's just finishing up shooting the first season of her ABC detective series High Potential and is now about to begin shooting the seventeenth season of It's Always Sunny in Philadelphia. Kaitlin and Marc talk about the show that changed her life, not only because of the steady work it provided but because it's also where she started a family. They also talk about her teenage head injury, the Pacific Northwest, therapy, the Groundlings, and her recurring role on Hacks. Hosted on Acast. See acast.com/privacy for more information.