Podcasts about Sessa

Plenária comentada: 247ª Sessão Ordinária de Julgamento do CADEFique por dentro dos principais temas debatidos no episódio de Plenárias Comentadas, sobre a 247ª Sessão Ordinária de Julgamento do Tribunal do Conselho Administrativo de Defesa Econômica - CADE, realizada em 14 de maio de 2025. O podcast do IBRAC - Instituto Brasileiro de Estudos de Concorrência, Consumo e Comércio Internacional contou com o comentarista convidado Guilherme Ribas, Diretor Vice-Presidente do IBRAC e Sócio na TozziniFreire Advogados, além da participação de Flávia Chiquito, Diretora de Relações Institucionais do IBRAC, e Alessandro Giacaglia, Coordenador das Plenárias Comentadas do IBRACCAST

Ouça essa mensagem e deixe Deus ministrar ao seu coração!

Ouça essa mensagem e deixe Deus ministrar ao seu coração!

A cura di Monica Paes - Playlist: Sigla: Av. Brasil (M. Lima/Antonio Cicero), Marina Lima, Todas, 1985 1. Pára (Marcelo Frota/WADO) · MOMO. feat. Jessica Lauren, Gira, 2024 2. Moraes é frevo, Spok Frevo Orquestra, Ninho de vespa, 2014 3. Praga (Erasmo Carlos/Tim Bernardes), live acoustic session, video online, 2025 4. Bem feito (Adriana Calcanhotto), Mãeana, Mãeana, 2025 5. Digo ou não digo (Escandurras Escandurras/Diego Barão/Lucas Medeiros)/Insensatez (Jobim/De Moraes), Mãeana canta JG, 2025 6. Falta (Joaquim/Léo Gomes/Martin Buckup/Rodrigo Negrão/Thiago Rocha), Joaquim feat. Rubel, Varanda dos palpites, 2025 7. Fogueira (Angela RoRo), Joaquim, Varanda dos palpites, 2025 8. Voyage, anaiis feat. Sessa, anaiis & Grupo Cosmo, 2024 9. Magnata, BaianaSystem, Buguinha Dub, O mundo dá voltas, 2025 10. O teu chamego (Beto Correa, Lucio Curvello, Pagom), Mart'nália feat. Martinho da Vila, Pagode da Mart'nália, 2024 11. Fonte abandonada (Guinga/Paulo César Pinheiro), Pancho Ragonese, Mosaico, 2025 12. Tudo pra ela, S-tone Inc & Toco, In the sand/Tudo pra ela, 2025

The Cory Cast: Diversifying Your Income Streams with Real Estate Mogul Alec Sessa!Are you looking to build wealth and create multiple streams of income? Then you won't want to miss this week's episode of The Cory Cast! Host Cory sits down with the incredibly dynamic Alec Sessa, a licensed NYS real estate agent and Florida real estate agent who is making waves in the property market.Alec isn't just selling homes; he's building an empire! We dive deep into his journey of investing in real estate, from acquiring his first rental property to managing a portfolio of several units. He shares invaluable insights on finding profitable investment properties, navigating the real estate market in both New York State and Florida, and the strategies he uses to maximize his returns.But Alec's entrepreneurial spirit doesn't stop there! He also runs a successful vending machine business, showcasing the power of diversifying your income beyond traditional employment. We explore how he manages these seemingly different ventures and the key principles that drive his success in both real estate investing and the vending machine industry.Alec's Instagram: @AlecSessa------Find this episode on YouTube by searching for "Cory Cast"-----Don't forget to follow, rate, and subscribe!----Instagram: @Frothy_Lawson | Twitter: @FrothyLawson---Thank you to this episode's sponsors:Thur13en

A cura di Monica Paes - Playlist: Sigla: Av. Brasil (M. Lima/Antonio Cicero), Marina Lima, Todas, 1985 Sottosigla: E' preciso dar um jeito, meu amigo (Roberto e Erasmo Carlos), Erasmo Carlos, Carlos, Erasmo, 1971 poi 1. Modinha para Gabriela (Dorival Caymmi), Gal Costa, Trilha Sonora da novela Gabriela, 1975 2. Coração ateu (Sueli Costa), Maria Bethania, Trilha Sonora da novela Gabriela, 1975 3. Vira-lata Caramelo (Barro/Guilherme Assis/Juliano Holanda), Barro feat. Chico César, Língua, 2024 4. E' Proibido Cochilar (Cecéu e Antonio Barros), Cabruera, Proibido Cochilar, 2005 5. Oia eu aqui de novo (Antonio Barros), Geraldo Azevedo, Arraiá de Geraldo Azevedo ao vivo, 2020 6. Superhomem (A canção – Gilberto Gil), Caetano Veloso & Gilberto Gil, Two friends, a century of music - Live, 2016 7. Toda cor (anaiis, Luedji Luna), anaiis & Grupo Cosmo feat. Luedji Luna, EP Toda Cor, 2024 8. Você é a música (Sergio Victor Sayeg), Sessa, Estrela acesa, 2022 9. Pele da esfera (Sergio Victor Sayeg), Sessa, Estrela acesa, 2022 10. Um lugar legal, Hyldon & Adrian Younge, JID023, 2025 11. Na rua, na chuva, na fazenda, Hyldon, Na rua, na chuva, na fazenda, 1975 12. Azul royal (João Donato/Mauricio Pereira), Joyce Moreno e Wanda Sá, Elas cantam Donato, 2025 13. Dinamismo, Thiago Amud, Enseada Perdida, 2025

Fique por dentro dos principais temas debatidos no episódio de Plenárias Comentadas, sobre a 244ª Sessão Ordinária de Julgamento do Tribunal do Conselho Administrativo de Defesa Econômica - CADE, realizada em 19 de março de 2025. Esta foi a terceira sessão de julgamento do ano de 2025. O podcast do IBRAC - Instituto Brasileiro de Estudos de Concorrência, Consumo e Comércio Internacional contou com o comentarista convidado Gilvandro Vasconcelos Coelho de Araújo, sócio de Carneiro Advogados, além da participação de Flávia Chiquito, Diretora de Relações Institucionais do IBRAC, e Alessandro Giacaglia, Coordenador das Plenárias Comentadas do IBRACCAST.

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/8120GIOVANNI DI DIO, COLUI CHE RIVOLUZIONO' L'ASSISTENZA AI MALATI di Antonio Tarallo Un folle della carità. Un amore, il suo, riflesso del grande Amore di Dio per l'umanità. Una mano aiuta un'altra mano, un cuore soffre per un altro cuore sofferente: è questa la sintesi estrema della biografia di san Giovanni di Dio, del quale oggi ricorre la memoria liturgica. La sua figura affascinerà persino Lope de Vega, il famoso drammaturgo spagnolo che scriverà un'opera in versi su di lui. Ma la follia di cui stiamo parlando denota caratteri, in senso buono, rivoluzionari. Qual è stata la "rivoluzione", la novità che san Giovanni di Dio ha portato nel mondo?Fondatore dell'Ordine ospedaliero che reca il suo nome, detto anche dei Fatebenefratelli, il santo spagnolo di origini portoghesi ci ha lasciato un nuovo modello di attenzione al malato e al bisognoso. Un modello nel quale ogni uomo è accolto e assistito con amore. Un termine, soprattutto, ha fatto la differenza rispetto ad altri sistemi di accoglienza - contemporanei a san Giovanni di Dio - degli ammalati: "totalità", matrice e motore di radicali novità nel sistema assistenziale dell'epoca.L'assistenza pastorale e sanitaria, per lui, partiva da Cristo, unica origine di salute e salvezza. E l'accompagnamento spirituale degli ammalati e dei bisognosi, dei loro familiari e dei collaboratori, era parte integrante della sua missione ospedaliera. Francisco de Castro, suo primo biografo, scrive che san Giovanni di Dio «si occupava tutto il giorno in diverse opere di carità, e la sera, quando tornava a casa, per quanto stanco fosse, non si ritirava mai senza aver prima visitato tutti gli infermi, uno per uno, e chiesto loro com'era andata la giornata, come stavano e di che cosa avevano bisogno, e con parole molto amorevoli li confortava spiritualmente e corporalmente». Duplice impegno, duplice visione: spiritualmente e corporalmente. Queste due parole dicono tutto della sua visione di assistenza medica.GUARDARE A OGNI SINGOLA PERSONAIn san Giovanni di Dio, "ospitalità" non voleva dire solamente accogliere gli ammalati, ma era guardare a ogni singola persona, con il proprio bisogno: un "sistema sanitario" (così lo definiremmo oggi) attento all'individualità del singolo. Lo stile che aveva san Giovanni di Dio nella gestione delle sue opere è possibile trovarlo descritto in tante testimonianze. Come ad esempio questa: «Comprò letti ed accolse i poveri e mise infermieri che potessero accudirli e un cappellano che li confessava e amministrava i sacramenti». I confratelli che lo aiutavano nell'opera assistenziale «curavano e davano loro tutto il necessario, come medici, medicinali e tutto il necessario» (in José Sánchez Martínez O.H., Kénôsis-diakonía en el itinerario espiritual de San Juan de Dios, Fundación Juan Ciudad, Madrid, 1995).Uomo soprattutto del fare, Giovanni non ci ha lasciato molti scritti se non una raccolta di sei lettere indirizzate a Luigi Battista, al nobile Gutierre Lasso e alla Duchessa di Sessa. Il santo era loro direttore spirituale. Tra confidenze personali e insegnamenti evangelici, in queste pagine dallo stile semplice e diretto, troviamo la sua visione di assistenza ai malati, moderna e pragmatica, senza mai però trascurare l'aspetto spirituale che per lui ricopriva il primo posto. Colpisce l'incipit, uguale per tutte le lettere: «Nel nome di nostro Signore Gesù Cristo e di nostra Signora la Vergine Maria sempre intatta; Dio prima di tutto e sopra tutte le cose del mondo». Dio, prima di tutto, e la Sua Santa Madre, la Vergine Maria: per il santo, tutto deve iniziare da questo pensiero.Altro punto in comune delle lettere, il poco tempo che san Giovanni di Dio può riservare alla scrittura di queste, perché totalmente assorbito nelle opere di carità: «Scrivo questa lettera in fretta per spedirla subito, e ho tanta premura che quasi non ho tempo di raccomandare la cosa a Dio; ed è necessario raccomandarla molto a nostro Signore Gesù Cristo e con più tempo di quanto io ne abbia». In una lettera indirizzata a Gutierre Lasso ci lascia una fotografia della sua prima casa d'accoglienza a Granada: «Essendo questa una casa per tutti, vi si ricevono indistintamente persone affette da ogni malattia e gente d'ogni tipo, sicché vi sono degli storpi, dei monchi, dei lebbrosi, dei muti, dei matti, dei paralitici, dei tignosi e altri molto vecchi e molti bambini; senza poi contare molti altri pellegrini e viandanti che vengono qui e ai quali si danno il fuoco, l'acqua, il sale e i recipienti per cucinare il cibo da mangiare. Per tutto questo non vi è rendita alcuna, ma Gesù Cristo provvede a tutto».FATEBENEFRATELLIStrumenti di questa Provvidenza furono molte volte proprio Lasso e la Duchessa di Sessa: il santo sa bene che per portare avanti l'opera di assistenza agli ammalati e ai bisognosi vi sono delle necessità materiali. In una lettera alla Duchessa di Sessa, ad esempio, troviamo scritto: «Gesù Cristo vi ricompensi in cielo dell'elemosina e della santa carità che sempre mi avete elargita». E ancora: «L'anello (scrive riguardo ad un anello donato dalla duchessa, ndr) è stato utilizzato così bene che, col denaro ricavato, ho vestito due poveri piagati e ho comprato anche una coperta».Tutto questo lavoro per il Signore e per i bisognosi non è andato sepolto con la morte del santo spagnolo († 8 marzo 1550), che tra l'altro non lasciò nessuna Regola scritta all'Ordine ospedaliero. Ma l'organizzazione era già chiara. Ne sono testimonianza queste righe del suo primo biografo, il già citato Francisco de Castro: «In questa casa di Granata ordinariamente vi sono da diciotto a venti fratelli. Alcuni di essi lavorano nelle infermerie assistendo i poveri, altri nei vari uffici della casa. Altri, invece, vanno a chiedere elemosina per la città, ripartita in parrocchie, chiedendo ciascuno nella propria. Altri vanno fuori per le campagne e i paesi a chiedere grano, orzo, formaggio, olio, uva passa, e le altre cose necessarie alla vita».Si presenta, dunque, nuovamente agli occhi di noi contemporanei un fatto preciso: l'eredità della moderna concezione ospedaliera di san Giovanni di Dio è nell'aver formato, con il suo esempio, i suoi confratelli. Un'eredità che ancora oggi perdura grazie alla presenza dei religiosi dell'Ordine e a quella degli operatori sanitari appartenenti alle strutture ospedaliere dei Fatebenefratelli che, con amore e dedizione, prestano la loro opera nel mondo.Nota di BastaBugie: Ermes Dovico nell'articolo seguente dal titolo "La carità di san Giovanni di Dio verso le prostitute" ricorda che l'8 marzo è la festa del fondatore dei Fatebenefratelli. Oltre a prendersi cura di poveri e malati, liberò molte prostitute dagli sfruttatori, puntando al loro recupero integrale e quindi alla loro salvezza eterna.Ecco l'articolo completo pubblicato su La Nuova Bussola Quotidiana l' 8 marzo 2025:Il fondatore dei Fatebenefratelli, san Giovanni di Dio (1495 - 8 marzo 1550), è conosciuto soprattutto come patrono dei malati, degli ospedali e degli infermieri. Patronati evidentemente di estrema importanza, che condivide con un altro grande santo: l'italiano Camillo de Lellis (25 maggio 1550 - 14 luglio 1614), fondatore dei Ministri degli Infermi (comunemente detti Camilliani), nato appena due mesi e mezzo dopo la morte di Giovanni, come in una singolare e provvidenziale "successione" nella Chiesa universale.Non si dirà mai abbastanza della carità che san Giovanni di Dio (come anche san Camillo) esercitò verso i malati: non solo la Chiesa ma il mondo intero ha bisogno che si diffonda la conoscenza del suo esempio, tanto più in un'epoca come la nostra in cui si sta propagando una mentalità utilitaristica che dimentica che il malato è una persona umana, unione di corpo e anima. Da trattare e amare come faceva il nostro santo: come se avesse davanti Gesù in persona.Ma qui vogliamo soffermarci su un altro aspetto importante, eppure poco conosciuto, della vita di san Giovanni di Dio: la sua carità verso le prostitute. Molte furono coloro che il santo strappò dalle mani del demonio, conducendole a quelle del Signore. Basti leggere quanto riferisce il suo primo biografo, Francisco de Castro, sacerdote e rettore dell'Ospedale di Granada, che scrisse la vita del santo a una trentina d'anni dalla sua morte.Per amore di Gesù e della Passione che ha sofferto per noi, Giovanni - a un certo punto del suo apostolato a Granada - prese l'abitudine di andare, ogni venerdì, nei postriboli della città, con il fine di aiutare qualche prostituta a salvarsi l'anima. Abitualmente, appena entrato nel bordello, si rivolgeva alla donna che gli sembrava più lontana da Dio e le chiedeva solo di ascoltarlo, promettendole che le avrebbe dato anche più degli altri clienti. Quindi, riferisce il Castro, «la faceva sedere ed egli si inginocchiava per terra dinanzi a un piccolo crocifisso che portava con sé a tale scopo; ed ivi cominciava ad accusarsi dei propri peccati e, piangendo amaramente, ne chiedeva perdono a nostro Signore, con tanto affetto, che anche in essa suscitava contrizione e dolore delle sue colpe. E così, con questo accorgimento, attirava la sua attenzione ad ascoltarlo e cominciava a narrare la passione di nostro Signore Gesù Cristo, con tanta devozione, che la commuoveva fino a farle versare lacrime».

Fique por dentro dos principais temas debatidos no episódio de Plenárias Comentadas, sobre a 243ª Sessão Ordinária de Julgamento do Tribunal do Conselho Administrativo de Defesa Econômica - CADE, realizada em 26 de fevereiro de 2025. O podcast do IBRAC - Instituto Brasileiro de Estudos de Concorrência, Consumo e Comércio Internacional contou com os comentaristas convidados Ana Paula Paschoalini, Conselheira do IBRAC e Sócia de Stocche Forbes Advogados e Luiz Eduardo Jahic, Coordenador do IBRAC Jr. e Associado de TozziniFreire Advogados, além da participação de Alessandro Giacaglia, Coordenador das Plenárias Comentadas do IBRACCAST

Fique por dentro dos principais temas debatidos no primeiro episódio de Plenárias Comentadas de 2025, sobre a 242ª Sessão Ordinária de Julgamento do Tribunal do @Conselho Administrativo de Defesa Econômica - CADE, realizada em 12 de fevereiro de 2025. O podcast do @IBRAC - Instituto Brasileiro de Estudos de Concorrência, Consumo e Comércio Internacional contou com o comentarista convidado @RicardoBotelho, Diretor de Concorrência do IBRAC e Sócio de Marchini Botelho Caselta Della Valle Advogados, além da participação de @Flávia Chiquito, Diretora de Relações Institucionais do IBRAC, e @Alessandro Giacaglia, Coordenador das Plenárias Comentadas do IBRACCAST.

Ferns aren't quite as showy as flowering plants, but they are beautiful and their biology is fascinating, according to my guest this week, evolutionary biologist Dr. Emily Sessa of the New York Botanical Garden. She is here to teach us all about ferns, from their history to their unique properties. Podcast Links for Show notes Download my free eBook 5 Steps to Your Best Garden Ever - the 5 most important steps anyone can do to have a thriving garden or landscape. It's what I still do today, without exception to get incredible results, even in the most challenging conditions. Subscribe to the joegardener® email list to receive weekly updates about new podcast episodes, seasonal gardening tips, and online gardening course announcements. Check out The joegardener® Online Gardening Academy for our growing library of organic gardening courses. Follow joegardener® on Instagram, Facebook, Pinterest, and Twitter, and subscribe to The joegardenerTV YouTube channel.

Welcome to "Some Dare Call It Conspiracy," where we delve into the fascinating world of conspiracy theories and disinformation. In this episode, we're joined by the insightful Maria Giovanna Sessa, Research Manager at EU DisinfoLab. Maria shares her expertise on the annual EU DisinfoLab conference and the groundbreaking exposure of the Doppelganger disinformation campaign. We also explore the complex realm of identity-based disinformation and its far-reaching impacts. Additionally, Maria discusses her intriguing investigation into a "Nigerian Prince" style scam that lured victims into joining the Illuminati via Telegram, revealing an unexpected twist when her findings inadvertently encouraged more people to apply. Maria's exceptional communication skills make her an invaluable guest, offering a compelling look into the intricate landscape of disinformation. - For more information on the exceptional work carried out by the team, please visit www.Disinfo.EUIf you appreciate our work, please consider supporting the podcast by joining us on Patreon! www.patreon.com/somedarecallitconspiracy Become a supporter of this podcast: https://www.spreaker.com/podcast/some-dare-call-it-conspiracy--5932731/support.

"Vento a Favor (Instrumental)" by Sessa from Koln Sessions; The single "It's Almost Like You're Here" by Yndling; "Spiral Staircase (AFX Remix)" by Aphex Twin and Luke Vibert from Music from the Merch Desk; "Hi Chaos" by Mogwai from The Bad Fire; The Enkaz single by Kit Sebastian; "I Stand Amazed" by Jill Frazer from Earthly Pleasures "2x12" by Tegu with Wave Temples from Owl Island; "Giddy Up" by Ginger Root from SHINBANGUMI; "Lover's Spit Plays in the Background (M Sage remix)" by Claire Rousay from Sentiment Remix; "Iceland" by Dreamend from May You Die Well; "Bolger" by Arve Henriksen and Kjetil Husebo from Jordsvingninger; "The Opinion of the Lamb, Pt. 1" by Smote from A Grand Stream

Invités de la semaine : Jean Morino, Jean-Raphaël Sessa et Stephane Resche

Kevin Sessa erlebte mit zwei Verletzungen ein durchwachsenes erstes halbes Jahr mit Hertha BSC. Freut sich über ihn als Gast: der Podcast.

"Future Thoughts Ft. Spaceface" by Brothers Griin from Joy City; "Docudrama" by Nyx Nott from Themes From; "DISinformation Desk" by The Black Dog from Music for Real Airports; "The Yips" by James Ellis Ford from The Hum. Courtesy of Warp; The single "Vento a Favor" by Sessa. Courtesy of Mexican Summer; "Cascade" by Niecy Blues from Exit Simulation. Courtesy of Kranky; "Sacred and Profane" by Moundabout from An Cnoc Mor. Courtesy of Rocket Recordings; "Reel Life (Evolution 2)" by Cinematic Orchestra from Man with a Movie Camera. Courtesy of Ninja Tune; "Theme from a Personal Prison" by Emil Amos from Zone Black. Courtesy of Drag City; "Delivery" by Black Duck from the self titled album. Courtesy of Thrill Jockey; "Visiting" by Craig Leon from Anthology of Interplanetary Folk Music Vol. 1. Courtesy of RVNG Intl; "Sunset Theater" by Golden Hallway Music from Rules and Chance Vol 3. Courtesy of Not Not Fun; The Actress remix of Carmen Villain from Smalltown Supersound Remix Anthology Vol. 1-4 2002-2022.

Holiday visits with friends around town brought Sam Sessa to Amicci's in Little Italy to tell Nestor everything he ever wanted to know about public radio life at WTMD, WYPR and the massive summer magic created by their incredibly successful First Thursday summer nights of music at the Canton Waterfront Park. The post Sam Sessa tells Nestor about the public radio life at WTMD and First Thursday summer magic in Canton first appeared on Baltimore Positive WNST.

Agora você também pode ouvir na íntegra os áudios das nossas transmissões ao vivo na sua plataforma de áudio favorita! Café com Sexologia, domingos, ao vivo, às 20h30 pela Rádio Vibe Mundial 95,7 FM e no instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/cafecomsexologia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visite o Instituto Paulista de Sexualidade - InPaSex ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠inpasex.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Entre em contato e mande sua dúvida: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠oswrod@uol.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ WhatsApp: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+55 11 98718-4240⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Siga Oswaldo Rodrigues nas redes sociais: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/oswaldo.rodrigues.jr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/oswrod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/cafecomsexologia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/oswrod⁠

Send us a textJoin us as we explore the compelling journey of Jon Sessa, the visionary founder of Warrior Golf Academy, whose transformative experiences from military service to civilian life have shaped a sanctuary for veterans through the healing power of golf. Jon shares his personal battles with PTSD and the daunting challenges he faced during his transition, painting a vivid picture of how golf provided him solace and community. This episode unravels how Warrior Golf Academy is not just about swinging clubs but about building a supportive network where veterans find peace and camaraderie.We also shine a light on inspiring tales from the world of adaptive golf, featuring veterans who have embraced the sport as a lifeline. Discover the heartening story of a military veteran who, after relocating to Costa Rica and then settling in South Florida, found purpose in helping other veterans through golf. We discuss the partnerships and hurdles encountered while establishing the academy, highlighting the significance of asking for help. From a neuro-challenged young golfer to an 80-year-old Vietnam veteran, these stories illustrate the profound impact of accessibility and inclusion in sports, proving that determination and spirit know no bounds.Finally, we delve into the power of storytelling in fostering connections and community. Learn about the plans to launch a Facebook group for golf enthusiasts and the therapeutic blog series "Mojo Stories," which offers a unique perspective through the eyes of a service animal. Reflect on the success of a recent veteran storytelling event and the transformative effect that sharing narratives can have on building a sense of belonging. This episode celebrates golf's potential to unite individuals, inspire through stories, and cultivate a resilient community.

In Part 2 of Season 11, Episode 58, I'm thrilled to introduce two first-time guests who bring unique perspectives and expertise to the show. First, I'm joined by Mike Malizia, a Golf Magazine Top 100 Instructor based at The Club at Admiral's Cove in Jupiter, Florida. Known for being a haven for sports enthusiasts, Admiral's Cove is an incredible facility—possibly one of the finest I've ever seen online. Mike talks about what makes the club so special and we dive into his expertise as an instructor. He shares invaluable tips on hitting straighter shots, squaring the clubface at the moment of impact, and eliminating those frustrating chunks and thin shots with our wedges. Later in the show, I chat with Jonathan Sessa, an Army Veteran and Founder of the Warrior Golf Academy. Jonathan's Academy is doing amazing work helping Veterans—especially those wounded in service—rediscover or learn the game of golf. Beyond that, the Academy offers a Caddie training program to help Vets find employment in golf and teaches them how to restore clubs, further enhancing their skill set. Tune in for expert instruction, inspiring stories, and a celebration of the impact golf can have on lives.

We recently implemented a "push-dose" norepinephrine protocol at MCHD and have already learned some valuable lessons. Join us for some vasopressor pharmacology and protocol review, accompanied by some of our new teaching points that have arisen following the protocol's release into the wild. REFERENCES: 1. Berkenbush, M., Singh, L., Sessa, K., & Saadi, R. (2024). Scoping Review: Is Push-Dose Norepinephrine a Better Choice? The western journal of emergency medicine, 25(5), 708–714. 2. Permpikul, C., Tongyoo, S., Viarasilpa, T., Trainarongsakul, T., Chakorn, T., & Udompanturak, S. (2019). Early Use of Norepinephrine in Septic Shock Resuscitation (CENSER). A Randomized Trial. American journal of respiratory and critical care medicine, 199(9), 1097–1105.

Episode 38 of Campfire Songs with Dan Penn & Spooner Oldham, Molecular Steve, Bilders, Hidden Cameras, Sessa, Sadler Vaden, Beth Orton, and Zenxith.

"Ordinary Man" by Lilacs and Champagne from Fantasy World; "Retreat Beats" by Bitokagaku from Unknown Me; "Crystal Hummingbird" by Elkhorn from The Red Valley; "Also the Gorilla" by Osees from SORCS; "Lingua Geral" by Sessa from Grandeza; The "Garmonbozia" single by Flying Lotus; "Flame of Perfect Form" by Tashi Wada from What is not Strange; "Realistic (I'm Still Waiting" by Belong from Realistic IX; "Final Fight" by DJ Muggs and Dean Hurley from the soundtrack to Divinity; "I Don't Have Missions" by Chris Corsano from The Key (Became the Important Thing and Then Just Faded Away); "When the Labour Is for Love" by Olivier Cong from Tropical Church; "Overflow" by Yoshinori Hayashi from Ambivalence.

Listen as Pastor Phil Sessa of Soulfishing Ministries as he dismantles relativism and shows you how you can as well. This was Round 1 of the Contending Against Idols Conference. The transcript emphasizes the importance of contending for the Christian faith in a world of fake news and relativism. It stresses the need for Christians to defend their beliefs with gentleness and respect, using the Bible as the ultimate standard of truth. The speaker highlights the flaws of relativism and challenges Christians to effectively communicate their beliefs and lead others to trust in Christ for salvation. Tactics for engaging in conversations with those who hold unbiblical worldviews are discussed, focusing on exposing inconsistencies, presenting biblical foundations, and sharing the truth of the gospel. The ultimate goal is to vindicate the Christian way of life and guide individuals towards truth through respectful dialogue and reliance on God. Contending for Truth: Defending the Christian Faith in a Relativistic Society 00:21 Discussing Rise of Fake News 01:32 Debating Legal System and Truth 02:34 Faith Contention Strategies Introduced 04:02 Explaining Biblical Worldview Importance 05:44 Scriptures as Life's Map 07:09 Comparing Biblical and Worldly Solutions 08:34 Nature of Christian Contention 10:21 Grace in Sharing Doctrines 12:22 Discussing PhDs and Absolute Truth 15:30 Exploring Relativism and Truth 20:27 Debating Judging and Absolute Truth 25:30 Contradictions in Tolerance and Relativism #ChristianApologetics#BiblicalWorldview #RelativismDebunked#ContendingForTheFaith#ChristianDefense#TruthOverRelativism#ScriptureAsAuthority#ChristianCreeds#ChristianConfessions#ChristianCatechisms www.ReformedRookie.com Podcast: https://anchor.fm/reformedrookie Facebook: https://www.facebook.com/TheReformedRookie Twitter: https://twitter.com/NYapologist Semper Reformanda!

Listen as Pastor Phil Sessa of Soulfishing Ministries as he dismantles relativism and shows you how you can as well. This was Round 1 of the Contending Against Idols Conference. The transcript emphasizes the importance of contending for the Christian faith in a world of fake news and relativism. It stresses the need for Christians to defend their beliefs with gentleness and respect, using the Bible as the ultimate standard of truth. The speaker highlights the flaws of relativism and challenges Christians to effectively communicate their beliefs and lead others to trust in Christ for salvation. Tactics for engaging in conversations with those who hold unbiblical worldviews are discussed, focusing on exposing inconsistencies, presenting biblical foundations, and sharing the truth of the gospel. The ultimate goal is to vindicate the Christian way of life and guide individuals towards truth through respectful dialogue and reliance on God. Contending for Truth: Defending the Christian Faith in a Relativistic Society 00:21 Discussing Rise of Fake News 01:32 Debating Legal System and Truth 02:34 Faith Contention Strategies Introduced 04:02 Explaining Biblical Worldview Importance 05:44 Scriptures as Life's Map 07:09 Comparing Biblical and Worldly Solutions 08:34 Nature of Christian Contention 10:21 Grace in Sharing Doctrines 12:22 Discussing PhDs and Absolute Truth 15:30 Exploring Relativism and Truth 20:27 Debating Judging and Absolute Truth 25:30 Contradictions in Tolerance and Relativism #ChristianApologetics#BiblicalWorldview #RelativismDebunked#ContendingForTheFaith#ChristianDefense#TruthOverRelativism#ScriptureAsAuthority#ChristianCreeds#ChristianConfessions#ChristianCatechisms www.ReformedRookie.com Podcast: https://anchor.fm/reformedrookie Facebook: https://www.facebook.com/TheReformedRookie Twitter: https://twitter.com/NYapologist Semper Reformanda!

(00:00:50) Die Jazz-Pianistin Irène Schweizer hat den Free Jazz in Europa mitbegründet. Nun ist sie im Alter von 83 Jahren verstorben. (00:05:48) Sommerserie Landpartie: Im Tessin schliefen bis in die 1950er Jahre viele Menschen noch auf Heusäcken. In diese Welt taucht man ein im Piccolo Museo in Sessa.  (00:10:49) J.D. Vance - vom Tellerwäscher zum US-Vizepräsidenten? Milo Rau schaut noch einmal auf den Beststeller «Hillibilli-Elegy» des republikanischen Politikers. Rau brachte das Buch vor sieben Jahren in den SRF-Literaturclub. (00:15:33) Kultur am Bettrand: Auf Initiative der Berner Musikerin Shirley Grimes besuchen Kulturschaffende Menschen, die sonst nicht in den Genuss von Live-Kultur kommen. (00:20:05) Eine Woche Frieden: Ukrainische Kinder und Jugendliche verlassen das Kriegsgebiet und machen Ferien im deutschen Bistum Magdeburg.

Ashley Sessa is a member of the US Olympic field hockey team that will be competing later this month at the Paris Summer Olympic Games. She is a graduate of Episcopal Academy in Newtown Square and won a national championship as a freshman at the University of North Carolina. She will be transferring to Northwestern in the fall. In Episode #221 of "1-on-1 with Matt Leon," Matt catches up with Sessa during a break from her training for the Olympic Games in North Carolina. They discuss what it has been like getting ready for Paris, talk about how she was introduced to field hockey and what she is expecting at the games and much more. “1-on-1 with Matt Leon” is a KYW Newsradio original podcast. You can follow the show on X @1on1pod and you can follow Matt @Mattleon1060.

It is said that a 5/1 Human Design Profile like Katie and a 6/2 Profile like Jill can change the world together! There is something magically that happens after 50, tune in to hear OWL about it!  Connect with Jill directly on WhatsApp at +1605-671-9342 or hello@consmaniacollective.com

Especial Casamento as Cegas. Instagram: @souamandasouzaa @eubiancasessa

Jill Sessa is the Creator of Magic at Con Smania Costa Rica. A passion for supporting heart-centered entrepreneurs, you will often hear her say to “focus on your genius, let others focus on theirs” as a way for people to recognize how they can release control and work at the INNERsection of what lights them up and what they excel at. Retreats are her own place of deep contentment. After many years of working with plant and being allies, Jill is most fascinated with the science of neuroplasticity and the spiritual expansiveness of journeying, breath, and meditation that can allow us to move through our own and generational trauma. A long time Pilates and fitness instructor turned business strategist, Jill's background and blend of logic and loving awareness have led to this moment and this place in extraordinary ways. After 10 years as a nomad launched by Hurricane Sandy on her 40th birthday, traversing the US and abroad by Vespa and sidecar motorcycle, van and overland vehicles, kayak and packraft, she unexpectedly went from living out of backpacks to caring for 14 bedrooms and having an actual closet of her own in 2022. Devoted carer to older rescue dogs, she is presently owned by Logan, Henry, and Jeremy and the beautiful spirit dogs who comfort retreat attendees. Her passion for plants as medicine is demonstrated in the highly regarded food program at Con Smania CR. Come experience it for yourself at a transformational retreat week in Costa Rica. Connect with Jill directly on WhatsApp at +1605-671-9342 or hello@consmaniacollective.com

Es wird nicht langweilig bei Hertha BSC. Trotz Sommerpause liefert Hertha News. Christian Fiél als neuer Chefcoach wird immer konkreter, Sessa ist verpflichtet, Bobic gewinnt vor Gericht, Ausverkauf bei 777, Hertha Frauen, Testspiele, Lizenz, 1. Pokalrunde, Suat Serdarpuh! Wir wünschen euch ganz viel Spaß mit der neuen Folge! Bitte abonniert uns auf allen Kanälen und gebt überall eine Bewertung ab, wo ihr es noch nicht getan habt. Das Beste für uns ist aber immer die persönliche Weiterempfehlung. Danke! Stimmungsbarometer: https://stimmung.herthabase.de/ Plan D: Drogensucht: Zwei neue Leben | ZEIT ONLINE www.tierschutz-berlin.de https://www.kicker.de/die-sommer-neuzugaenge-der-zweitligisten-im-ueberblick-953724/artikel https://youtu.be/-ruT3K9DiZs?si=dvrXJXBBr732s_Rt https://youtu.be/zpjnEiowy6Q?si=O6V-zQK_lDDt60rF HIER FINDEST DU ALLE WICHTIGEN HERTHA BASE LINKS: https://linktr.ee/herthabase Produktion & Schnitt: Lukas Kloss Video & Schnitt: Marco M. ...Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.Gern unterstützen wir dich bei deiner Podcast-Produktion.

Es wird nicht langweilig bei Hertha BSC. Trotz Sommerpause liefert Hertha News. Christian Fiél als neuer Chefcoach wird immer konkreter, Sessa ist verpflichtet, Bobic gewinnt vor Gericht, Ausverkauf bei 777, Hertha Frauen, Testspiele, Lizenz, 1. Pokalrunde, Suat Serdar…puh! Wir wünschen euch ganz viel Spaß mit der neuen Folge! Bitte abonniert uns auf allen Kanälen und gebt überall eine Bewertung ab, wo ihr es noch nicht getan habt. Das Beste für uns ist aber immer die persönliche Weiterempfehlung. Danke! Stimmungsbarometer: https://stimmung.herthabase.de/ Plan D: Drogensucht: Zwei neue Leben | ZEIT ONLINE www.tierschutz-berlin.de https://www.kicker.de/die-sommer-neuzugaenge-der-zweitligisten-im-ueberblick-953724/artikel https://youtu.be/-ruT3K9DiZs?si=dvrXJXBBr732s_Rt https://youtu.be/zpjnEiowy6Q?si=O6V-zQK_lDDt60rF HIER FINDEST DU ALLE WICHTIGEN HERTHA BASE LINKS: https://linktr.ee/herthabase Produktion & Schnitt: Lukas Kloss Video & Schnitt: Marco M. Lude Grafik: Tamina Ade

Domani al via il Salone nauticoAl via domani il Salone Nautico a Venezia. La quinta edizione, nel segno della sostenibilità e dell'innovazione, si inaugura il 29 maggio e dura fino al 2 giugno ancora una volta nello storico Arsenale, cuore della marineria della Serenissima. È organizzato da Vela spa per conto del Comune di Venezia e grazie alla collaborazione della Marina Militare Italiana. Radio 24 è presente all'interno della Torre di Porta Nuova all'Arsenale. Sono attesi 270 espositori (50 in più rispetto all'anno scorso) che porteranno oltre 300 imbarcazioni, dislocate in un bacino acqueo di 50.000 mq (per una lunghezza complessiva di circa 2,8 chilometri) per oltre 1.100 metri lineari di pontili. I nazionali sono 216 (80% del totale) e tra questi i principali player italiani nonché oltre 50 cantieri ed espositori veneziani, tra i quali numerose eccellenze dell artigianato cantieristico tradizionale della laguna di Venezia. Gli espositori internazionali sono invece 54 (20% del totale), principalmente provenienti da Regno Unito, Croazia, Slovenia, Polonia, Spagna, Francia, Germania, Austria, Svezia, Danimarca, Finlandia. Tra i principali espositori: Ferretti Group, Azimut Benetti, Sanlorenzo, Solaris Yachts, Rizzardi, Pardo, Sessa, Tornado, Absolute, FIM e Wider. FerrettiGroup propone a marchio Custom Line la nuova Navetta 38, che sarà anche l ammiraglia tra le barche a motore, oltre a Infinito 90 che propone un nuovo modo di vivere la barca. Sanlorenzo mette in mostra BlueGame e SD 96 sotto l installazione artistica di Lorenzo Quinn in un bacino che diventa luogo esclusivo. Trenta nuovi cantieri e 15 première mondiali: con questi numeri il Salone Nautico Venezia si conferma una delle realtà espositive più importanti, unico per il suo sguardo rivolto al mercato dell est europeo di cui è ormai riferimento stabile. E Venezia, con questa manifestazione, riafferma il suo ruolo di capitale mondiale della sostenibilità nell anno in cui cadono i 700 anni dalla morte di Marco Polo, che ha per primo esplorato il mercato orientale compiendo una parte del suo viaggio anche via mare. Approfondiamo il tema con Alberto Galassi, amministratore delegato Ferretti group, Massimo Perotti, amministratore delegato Sanlorenzo. E con il Sindaco di Venezia Luigi Brugnaro.Pnrr e spending nei ComuniCome accade ormai inevitabilmente quando un tema corre al centro del dibattito politico, la battaglia delle parole tende a oscurare le questioni di merito. Questa dinamica, intensificata dalla vigilia elettorale, ha investito in pieno la spending review di Comuni, Città e Province, misurata anche in proporzione alle risorse del Pnrr, come anticipato sul Sole 24 Ore di sabato scorso. Nel tentativo di spegnere il fuoco ieri è intervenuto il vicepremier Matteo Salvini: «Si troverà una soluzione - ha detto il ministro delle Infrastrutture -, non ci saranno tagli». Ipotesi ambiziosa, quella prospettata dal leader della Lega per evitare un altro cortocircuito sulla corsa verso le urne dopo redditometro, Superbonus e Sugar Tax, perché questa spending è prevista dalla manovra, attuata dalla bozza di Dm scritta al Mef guidato dal numero due del Carroccio Giancarlo Giorgetti. Pur non avendo partecipato alla fase di costruzione del meccanismo congegnato al Mef, è diversa la linea seguita dal ministro per il Pnrr Raffaele Fitto che respinge la «polemica surreale» su «presunti tagli alla spesa sociale a partire dagli investimenti» che invece sarebbero «esclusi dalla norma». Ma più che alle obiezioni dei Comuni il titolare del Pnrr ha scelto, fin dalla sua partecipazione domenica al Festival dell Economia di Trento, di ribattere all opposizione, partita all attacco nel fine settimana con la segretaria del Pd Elly Schlein che ha accusato la premier Meloni di essere «la regina dell austerità». Il quadro è complesso. Ma, come sempre, i numeri possono aiutare a fare chiarezza; non prima di aver dato un occhiata alle regole reali in discussione. La spending 2024-28. Tutto nasce dalla bozza di decreto attuativo preparata dal ministero dell'Economia per distribuire fra gli enti i tagli di spesa decisi dall ultima legge di bilancio dopo sette anni di tregua per i bilanci locali. Il conto, che vale quest anno 200 milioni per i Comuni e 50 per Province e Città ma cumula 1,25 miliardi (un miliardo per i Comuni) da qui al 2028, insomma non è nuovo; ed era già stato in autunno al centro di uno scontro con i sindaci che aveva portato ad alleggerire un po le cifre iniziali grazie al recupero, in più anni, di una quota di Covid rimasta inutilizzata dalle amministrazioni locali. Il legame con il Pnrr La novità che ha infiammato la scena è il collegamento fra i tagli e il Pnrr. Sul punto la norma, scritta al comma 533 della legge di bilancio per quest anno(legge 213 del 2023), chiede di distribuire i tagli «in proporzione agli impegni di spesa corrente» indicati nei bilanci di ogni ente, ma «tenuto conto delle risorse del Pnrr» assegnate a ciascuna amministrazione alla fine dello scorso anno. Quel «tenuto conto» si è tradotto nella bozza di decreto in una divisione a metà dei tagli: il 50% distribuito seguendo la spesa, l altro 50% in proporzione ai fondi Pnrr. Le uscite relative a «diritti sociali, politiche sociali e famiglia», è sempre il comma 533 a precisarlo, sono escluse dalla base di calcolo che guida la distribuzione del primo 50% della spending, ma non dai tagli. Ne parliamo con Gianni Trovati, del Sole 24 Ore.Approvato il Decreto Salva CasaIl decreto Salva Casa è stato approvato venerdì e che consentirà di regolarizzare diversi elementi interni ed esterni degli immobili, ma peseranno le norme regionali e comunali. Finestre, balconi, nicchie, verande, soppalchi. E anche porte, pareti o, addirittura, intere stanze. Tutti elementi sanabili, a determinate condizioni. Che va sottolineato da subito non sarà sempre facile ottenere. Il provvedimento funzionerà per livelli di difformità crescenti e metterà a disposizione strumenti pensati per regolarizzare varie tipologie di lavori. La prima norma da considerare è quella sulle tolleranze costruttive, che agisce per gli interventi effettuati entro il 24 maggio e tollera alcune divergenze (per una percentuale fino al 5%) tra quello che è presente negli immobili e quanto dichiarato in Comune. Grazie a questo meccanismo alcuni elementi saranno automaticamente considerati regolari, come una stanza o un balcone leggermente più grande. Oggi intanto Salvini è tornato sul tema: "Appena" il decreto Salva casa "uscirà in Gazzetta Ufficiale, spero a ore, lavoreremo subito come gruppo Lega agli emendamenti perché ci sono alcuni interventi che io ho già pronti, che i parlamentari hanno già pronti: penso all'altezza dei soffitti, penso alla riduzione della superficie minima per l'abitabilità, l'abitabilità, penso alla norma salva Milano". Approfondiamo il tema con Giuseppe Latour, Il Sole 24 Ore.

Understanding who we are, what our strengths and weaknesses are, how we communicate, but then also all of the above about the people we are working with can help diffuse a lot of tension or unnecessary conflict when you're working on a pastoral staff, a lead team, or even in your marriage. In this episode we welcome guest Vanessa McGee of McGee, Inc to educate us about the value of knowing yourself well, and then being able to identify and appreciate differences in others. You'll love Vanessa's sense of humor, her willingness to shoot straight, and perhaps identify with her own experience of being married to her total opposite!--------------------------------------------------------------------------------Vanessa McGee has a passion to inspire and encourage others to discover and value the way that they have been uniquely formed and fashioned by God. Having worked with churches, non-profits and businesses for over 25 years, she understands the blessings and unique challenges that each of these types of environments bring. She has a diversified background, having worked in the areas of lay counseling, individual coaching, conference speaking and teaching within the local church. Vanessa has a distinctive style of speaking, utilizing humor and real life experience. This combination is sure to leave you laughing and entertained, but most importantly, challenged to go and live out God's purpose for your life and celebrate who you were created you to be! Vanessa has been married to her husband Robby for 38 years, and is known as Sessa to her three amazing grandkids. She was born and raised in Texas, and currently resides in Frisco, Texas where she can almost always be found with a book in one hand and a cup of coffee in the other!--------------------------------------------------------------------------Connect with today's featured guest, Vanessa McGee:Facebook: Vanessa McNeel McGeeInstagram: @vanmcgeeWebsite: www.mcgeeinc.comFeatured:                                                                                      Share Sanctuary!InstagramFacebookSanctuary SiteLearn about Let's Retreat.Many thanks to our host, Bridgette Tomlin, and engineer Justin Lynn of Justin Lynn Music. Learn how you can capitalize on all Justin can do for your small business, church, or ministry by clicking here!

Dr. Ben Sessa, a renowned psychiatrist and leading researcher in the field of psychedelics, discusses the therapeutic potential of substances like MDMA, psilocybin, and LSD in treating mental health disorders. He shares his journey in psychedelic research and highlights the history of psychedelics, from their ancient use to the recent psychedelic renaissance.Dr. Sessa emphasizes the need for regulation and ethical considerations in the use of psychedelics, while also addressing the cultural shift and growing acceptance of these substances. He explains the mechanisms of action and commonalities among different psychedelics, and discusses the exciting developments and future possibilities in psychedelic research. In this conversation, Dr. Ben Sessa discusses the challenges of delivering psychedelic therapy and the need for a new approach to mental healthcare. He emphasizes the importance of demonstrating the economic benefits of psychedelics and calls for government support in making these changes.Dr. Sessa also explores the potential for collaborations with the military, particularly in the treatment of PTSD. He highlights the unique position of the United States in terms of healthcare and discusses the international focus on PTSD related to child abuse. The conversation concludes with Dr. Sessa sharing advice for young people interested in the field and expressing his inspiration from his patients' experiences.Chapters00:00 - Introduction to Dr. Ben Sessa and the Field of Psychedelic Assisted Therapy03:04 - Dr. Ben Sessa's Journey in Psychedelic Research08:13 - The History of Psychedelics13:06 - The Psychedelic Renaissance and Cultural Shift19:42 - The Therapeutic Potential of Psychedelics25:24 - Ethical Considerations in Psychedelic Therapy31:22 - Mechanisms of Action and Commonalities Among Psychedelics43:47 - Long-Term Effects and Ethical Considerations48:56 - Exciting Developments in Psychedelic Research50:41 - The Challenge of Delivering Psychedelic Therapy52:00 - Collaborations with the Military54:00 - The Need for Cultural Change and Political Support55:00 - Final Thoughts and Future OpportunitiesResources:Dr. Ben Sessa on LinkedInDr. Ben Sessa's web siteConsultancy Agency for Psychedelic ServicesCybin Reports Positive Topline Data from Phase 2 Study of CYB003 in Major Depressive Disorder with 79% of Patients in Remission after Two 12mg DosesHow To Change Your Mind (Netflix)MAPS PBC Announces Submission of New Drug Application to the FDA for MDMA-Assisted Therapy for PTSDFDA approves new nasal spray medication for treatment-resistant depression; available only at a certified doctor's office or clinic

December 2023 marked 82 years since Japan's attack on Pearl Harbor, which spurred American entry into the Second World War. The events of that day are quickly fading from our collective memory. Today, there are just 25 survivors of Pearl Harbor, the youngest of whom is a 99-year-old. Fewer than 2 per cent of Americans have any personal recollection of the events of that day. In this new episode, Jackson and Alex discuss how the attack on Pearl Harbor shaped a generation – colloquially referred to as ‘the Greatest Generation' – and how this pivotal event shaped their worldview. Notably, this generation responded to the threat of National Socialism and fascism to fight to preserve democracy. As we are losing those who remember the attack on Pearl Harbor, how will the events of that day continue to shape America in the future? What lessons can be drawn from Pearl Harbor as we face increasing threats to our democracy today? To read Alex's post head to: pearl-harbor-and-the-fight-for-freedom-the-loss-of-a-generationTo interact with Alex head to: His LinkedIn: alexsessa If you want to get in touch with History with Jackson email: jackson@historywithjackson.co.ukTo support History with Jackson to carry on creating content subscribe to History with Jackson+ on Apple Podcasts or become a supporter on Buy Me A Coffee: https://bmc.link/HistorywJacksonTo catch up on everything to do with History with Jackson head to www.HistorywithJackson.co.ukFollow us on Facebook at @HistorywithJacksonFollow us on Instagram at @HistorywithJacksonFollow us on X/Twitter at @HistorywJacksonFollow us on TikTok at @HistorywithJackson Hosted on Acast. See acast.com/privacy for more information.

"The Holdovers" had its world premiere at the 2023 Telluride Film Festival, where it received universal acclaim, with many claiming it to be Alexander Payne's best film since "Sideways." The film reunites him with that 2004 film's star Paul Giamatti in a role that has earned him Critics Choice and Golden Globe nominations for Best Actor, while his co-star Da'Vine Joy Randolph has received the same nominations with both winning prizes from the National Board Of Review. The film also introduces the world to Dominic Sessa in his first film role, for which he's won a few breakout prizes this awards season and is nominated for an Independent Spirit Award for Best Breakthrough Performance. Giamatti and the film's editor, Kevin Tent, were kind enough to spend time talking with me while Joy Randolph and Sessa spoke with Daniel Howat. Please be sure to listen to the interviews below and check out the film, which is now streaming on Peacock and is up for your consideration in all eligible categories at the 96th Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, Best Supporting Actor, Best Original Screenplay, and Best Film Editing. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

"Future Thoughts Ft. Spaceface" by Brothers Griin from Joy City; "Docudrama" by Nyx Nott from Themes From; "DISinformation Desk" by The Black Dog from Music for Real Airports; "The Yips" by James Ellis Ford from The Hum. Courtesy of Warp; The single "Vento a Favor" by Sessa. Courtesy of Mexican Summer; "Cascade" by Niecy Blues from Exit Simulation. Courtesy of Kranky; "Sacred and Profane" by Moundabout from An Cnoc Mor. Courtesy of Rocket Recordings; "Reel Life (Evolution 2)" by Cinematic Orchestra from Man with a Movie Camera. Courtesy of Ninja Tune; "Theme from a Personal Prison" by Emil Amos from Zone Black. Courtesy of Drag City; "Delivery" by Black Duck from the self titled album. Courtesy of Thrill Jockey; "Visiting" by Craig Leon from Anthology of Interplanetary Folk Music Vol. 1. Courtesy of RVNG Intl; "Sunset Theater" by Golden Hallway Music from Rules and Chance Vol 3. Courtesy of Not Not Fun; The Actress remix of Carmen Villain from Smalltown Supersound Remix Anthology Vol. 1-4 2002-2022.

Director: Alexander Payne Writers: David Hemingson Starring: Paul Giamatti, Dominic Sessa, Da'Vine Joy Randolph Runtime:  2 Hour 13 Minutes Synopsis:  Paul Giamatti stars in Alexander Payne's latest about the bond that forms between a strict professor and a belligerent student he's stuck supervising over the winter holiday at an elite boarding school. Barton men don't lie. This is just one of the many rules Professor Hunham (Paul Giamatti) takes much too seriously as he hands out poor grades at an elite boarding school in 1971. As he dismisses the politics that come along with educating the children of people in high places, he's punished by the headmaster who gives him a most undesirable assignment for the winter break: to stay at the school and supervise the students who are unable to go home. Hunham resolves to have the students suffer with him, forcing them to start studying next semester's curriculum ahead of time. Among them, 15-year-old Angus (Dominic Sessa), bright but belligerent, makes a ruckus. Teacher and student become foes, antagonizing one another and tiring themselves out, as Mary (Da'Vine Joy Randolph), the school cafeteria manager, observes from the sidelines, herself alone after recently losing her son in the Vietnam War. As the petulant pair succumb to the depressing truth that they've got little else but each other this holiday season, Professor Hunham starts to soften up and they begin to see themselves in one another. Giamatti gives a career-high performance as the risible teacher who delights in doling out punishment, while newcomer Sessa makes an immediate name for himself, revealing layers of complexity to his character's rebellious nature. With The Holdovers, director Alexander Payne (Downsizing, TIFF '17) makes a delicate point about how a first impression never tells the whole truth and shows that the pains and tragedies that feel specific to us actually make us a lot more alike than unalike. The Holdovers is one of those fun, throwback films that manages to remind us of one of those Christmas films from the 80's (set in the 70's) but still has more modern sensibilities. On the surface, it would look like your typical "Teacher stuck with a rebellious teenage and they bond and learn more about each other as their misadventures go on" but there's a lot more to The Holdovers. This is really a film about the masks people wear to prevent people from getting too close. The way that people sometimes retreat into their own heads in order to not confront those things that really trouble and scare them. The three main actors/actresses of The Holdovers also form a really great ensemble that plays extremely well off of each other. This is an example of the classic "Don't judge a book by its cover". None of the characters behave how you would think after first meeting them and that also adds to how enjoyable this film is. Paul Giamatti continues to show how he is such a versatile actor who can take on any challenge presented to him. Initially he comes off as just your stereotypical hardass of a teacher that believes in following the rules over everything but as the film goes on you start seeing there's much more to who he is and why he is the way he is. Dominic Sessa plays the spoiled, asshole kid to perfection but also the audience realizes fairly quickly there's a lot more to what is behind his behavior. It's not revealed until much later in the film and when it does, it's absolutely heartbreaking. The true glue that brings this film together is Da'Vine Joy Randolph. Lesser films would have made Mary's character an afterthought and not given her a solid arc. Instead, The Holdovers recognizes her importance to bridging the gap between Hunham and Agnus but also allows her to go on her own journey with grief and loss.  The Holdovers is an enjoyable surprise that will definitely hit the right emotional buttons for the holidays. Listen as Kriss and the crew talk about The Holdovers.

Director: Alexander Payne Writers: David Hemingson Starring: Paul Giamatti, Dominic Sessa, Da'Vine Joy Randolph Runtime:  2 Hour 13 Minutes Synopsis:  Paul Giamatti stars in Alexander Payne's latest about the bond that forms between a strict professor and a belligerent student he's stuck supervising over the winter holiday at an elite boarding school. Barton men don't lie. This is just one of the many rules Professor Hunham (Paul Giamatti) takes much too seriously as he hands out poor grades at an elite boarding school in 1971. As he dismisses the politics that come along with educating the children of people in high places, he's punished by the headmaster who gives him a most undesirable assignment for the winter break: to stay at the school and supervise the students who are unable to go home. Hunham resolves to have the students suffer with him, forcing them to start studying next semester's curriculum ahead of time. Among them, 15-year-old Angus (Dominic Sessa), bright but belligerent, makes a ruckus. Teacher and student become foes, antagonizing one another and tiring themselves out, as Mary (Da'Vine Joy Randolph), the school cafeteria manager, observes from the sidelines, herself alone after recently losing her son in the Vietnam War. As the petulant pair succumb to the depressing truth that they've got little else but each other this holiday season, Professor Hunham starts to soften up and they begin to see themselves in one another. Giamatti gives a career-high performance as the risible teacher who delights in doling out punishment, while newcomer Sessa makes an immediate name for himself, revealing layers of complexity to his character's rebellious nature. With The Holdovers, director Alexander Payne (Downsizing, TIFF '17) makes a delicate point about how a first impression never tells the whole truth and shows that the pains and tragedies that feel specific to us actually make us a lot more alike than unalike. The Holdovers is one of those fun, throwback films that manages to remind us of one of those Christmas films from the 80's (set in the 70's) but still has more modern sensibilities. On the surface, it would look like your typical "Teacher stuck with a rebellious teenage and they bond and learn more about each other as their misadventures go on" but there's a lot more to The Holdovers. This is really a film about the masks people wear to prevent people from getting too close. The way that people sometimes retreat into their own heads in order to not confront those things that really trouble and scare them. The three main actors/actresses of The Holdovers also form a really great ensemble that plays extremely well off of each other. This is an example of the classic "Don't judge a book by its cover". None of the characters behave how you would think after first meeting them and that also adds to how enjoyable this film is. Paul Giamatti continues to show how he is such a versatile actor who can take on any challenge presented to him. Initially he comes off as just your stereotypical hardass of a teacher that believes in following the rules over everything but as the film goes on you start seeing there's much more to who he is and why he is the way he is. Dominic Sessa plays the spoiled, asshole kid to perfection but also the audience realizes fairly quickly there's a lot more to what is behind his behavior. It's not revealed until much later in the film and when it does, it's absolutely heartbreaking. The true glue that brings this film together is Da'Vine Joy Randolph. Lesser films would have made Mary's character an afterthought and not given her a solid arc. Instead, The Holdovers recognizes her importance to bridging the gap between Hunham and Agnus but also allows her to go on her own journey with grief and loss.  The Holdovers is an enjoyable surprise that will definitely hit the right emotional buttons for the holidays. Listen as Kriss and the crew talk about The Holdovers.

Este día tenemos una invitada extra especial, una de mis mejores amigas Ale Sessa!Me sentí llamada a traerla al podcast y me siento tan agradecida que ella haya querido estar aquí y compartirnos partes tan personales de su historia. Veras la personalidad tan autentica de Ale reflejarse y podrás entrar a su mundo adonde nos cuenta de su perdida mas grande y como encontró nueva luz cuando todo parecía no tener salida. Conecta con Ale:Instagram: @alessa.sv Conecta conmigo:  Instagram: @adella.spiritual    TikTok: @adella.spiritual    Email: hello@adellaspiritualcoach.com

With the holidays rapidly approaching, films related to Thanksgiving and Christmas can an offer a touch of nostalgia while telling an emotional story. Think "Planes, Trains and Automobiles" and "A Christmas Story." This year, directory Alexander Payne ("Election," "Sideways," "Nebraska") brings us "The Holdovers" starring Paul Giamatti as teacher Paul Hunham, Dominic Sessa as student Angus Tully and Da'Vine Joy Randolph as school cook Mary Lamb. The story centers on students that can't go home for Christmas break and a teacher that is forced to chaperone the group. Co-host Bruce Miller gives his thoughts on the film, and we have interview clips with Payne, Randolph, Sessa, writer/producer David Hemingson and producer Mark Johnson. Miller also shares his thoughts on the Netflix film "Nyad," starring Annette Bening as endurance swimmer Diana Nyad and Jodie Foster as her coach, Bonnie Stoll. It tells the story of Nyad's swim through shark-infested waters between Havana, Cuba and Key West, Florida. The film is directed by Elizabeth Chai Vasarhelyi and Jimmy Chin. The pair co-directed the Oscar-winning documentary "Free Solo." Where to watch and more coverage "The Holdovers" in theaters Nov. 10 "Nyad" on Netflix Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Holiday Films for Families Streamed and Screamed podcast about movies and TV from Lee Enterprises Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce Miller: I'm a holdover. Terry Lipshetz: You're a holdover. You've been here forever. You are a holdover. Bruce Miller: I am. I remember when Alexander Payne wasn't making movies. How's that for a connection? But, yeah, we are getting into Thanksgiving season. So this means that you're going to get films that maybe the whole family would go to. Because, come on, what else is there to do over Thanksgiving holiday? Eat and go to the movies, right? Terry Lipshetz: Yeah. Bruce Miller: And so you're going to start seeing some of those ones that are a little more like Planes, Trains and Automobiles. Back in the day, that was a big kind of holiday. Let's go see it because it's entertaining, and that's what we'll be getting now. I think you'll be seeing some of those before the Christmas rush and then the Oscar run, so look for the fun ones. And one that I really loved was the Holdovers. That's the newest Alexander Payne film. It's set in 1970, and it's set at a private boys' school in the East Coast. And, apparently all kids didn't go home. Some had a reason. Their parents were off on a ski trip and they didn't want to take the kid home or they didn't have the ability to get them home or whatever. And so those kids were called the Holdovers. They stayed at school, and then as a result, they had to put up with whoever they threw in their face. There was usually a teacher who got punished to be with those kids because who wants to be at home during the holidays? Nobody. Terry Lipshetz: Nobody. Bruce Miller: So, the one who gets stuck, even though he did it the year before, is played by Paul Giamatti, and he plays an ancient history teacher that nobody likes. They just hate him. He gives them all F's. He thinks that they're lazy and they don't really live up to their expectations. And this is 1970. Remind you. And so the Kids that are left back think, oh, God, this is going to be just terrible. And he plans classes for them, exercise, situations for them. And then they have all the bad food that's left over, and the cook is there, and she is going to keep him occupied over the holidays when he isn't. So it's like the worst situation you could think of. And then a group of them gets the opportunity to go on a ski trip. Except one student, he's stuck at the school with the bad teacher and the cook. And so the three of them have what they call their holiday experience. Terry Lipshetz: Sounds almost like my college. I went to a smaller private university in New Jersey. so you couldn't stay over during the winter break. They closed the dorms. They basically kick you out unless you were basically stuck there because you were, let's say, a foreign exchange. Bruce Miller: Foreign students. Terry Lipshetz: Yeah, that was it. That was it. They were the holdovers, and they got to stay in the dorms through the holidays. But that was it. Bruce Miller: I never was a holdover. God, it was, like, icy as hell. And I would still force somebody to come and pick me up because I thought, the last thing I want to do is be stuck here. So I was good. I got out. But I can imagine it would be dreadful because you see this? And this was during my time. It's set during the. That's about my period. And you go, oh, my God. They have captured so many things that are so specific. They have a pinball machine. And, the young man who is stuck back wants to play the pinball machine. Now, what they did was they put their order, their dime, whatever it cost, on the top of the pinball machine. And then that meant they were next. And the kid gets in a big fight with this guy who says, no, you're not next. My friend is next. And you think, oh, that is. I remember that. Who would have thought that that would be a part of it? But they've done a great job of capturing all those little things, even down to the clothes. And Alexander Payne said that when he was casting, he was particularly looking for young actors who had the right haircuts because he didn't want them to look like they were contemporary. They needed those 70s haircuts. And they do have those 70s haircuts. Terry Lipshetz: Kind of the moppy. Bruce Miller: Yeah, it's not quite mullet yet, because that wasn't in style. Terry Lipshetz: That's more 80s. Bruce Miller: Yeah. This was just kind of a head of hair that's post-Vietnam, where you just wanted to grow your hair out in those days. Can I tell you? I had hair that was down to the back of my shoulders. I had long, long hair because I didn't want to cut it. And my dad would always make a huge stink about that hair. He says, when are you going to cut this hair? And so I pull my hair back and hide it in the collar of my shirt. And every night at dinner, he would pull the hair out and say, you got to cut this. That kind of sentiment. That hair was a big issue for people back in those days. Terry Lipshetz: It was, yeah. I've seen photos of my parents back in the. It was an interesting time with hairstyles. Now, in 1970, that would have made me, let's see, about negative five years old. So I wasn't present at that time. Bruce Miller: You were not breaking any of those rules? Terry Lipshetz: No, I was not. Bruce Miller: But I was edging into the college years. It was a different world, a much different world. And you notice that, too, how social media and the Internet and all that has changed so much here. The kids have to look things up. And do they want to look things up? No, they do not. I think that the attitudes are still the same. You still press up against authority. But it's fascinating to see how the friendships develop. And I don't know that I would ever have been friends with a teacher of mine, but when you're forced to do it, you become a little closer. Adversity breeds friendship. Maybe that's the moral of the story. Yeah. Terry Lipshetz: and it's diverse, too. You've got different people of different eras. Bruce Miller: Da'Vine Joy Randolph, she plays the head cook at the thing. And her son, you find out early on, her son went to school there. She agreed to be the cook at the school so that her son would be able to get a good education, which is what she was hoping for. And when the movie begins, you learn very quickly that her son has died. And so she's dealing with grief over the holidays. The young man is upset because his parents aren't taking him home. And the teacher is, not liked, as they openly. Nobody likes you, so why should we? So they all have a reason to fight for something. Terry Lipshetz: But ultimately, the odd couple comes together. I can only presume. Bruce Miller: I enjoyed it so much. It has been kind of testing the market throughout. Okay. And so it has had pre screenings or previews or whatever before it actually opens this week. So you can see the audience. It kind of had a little taste of what it was all about, how they react. And I think the reaction is good. It's heartfelt. And it reminded me a lot of Green book. Terry Lipshetz: Okay. Bruce Miller: Where kind of unlikely people are thrust together and how they build a friendship out of that. You remember that with, the driver and the musician. And the musician couldn't go in certain restaurants. He wasn't allowed in certain hotels. So there was definitely a different time. And you see that same reflection here in the holdovers. Terry Lipshetz: Interesting. So you mentioned at the top of this podcast, planes, trains, and automobiles, which is to me, one of my favorite movies of all time. And we did a whole episode on John Hughes movies to begin with quite a ways back. But that one in particular is one that it's almost like a tradition in the family. Got to throw planes, trains, and automobiles on. And it's in some ways because there's not a whole lot of Thanksgiving specific movies tend to get Christmas movies, not necessarily Thanksgiving, but it was that kind of story where Steve Martin's character, John Candy's character, are two very different people, but they're put in a very strange circumstance together, and they kind of come together. It almost feels like this movie takes some of that as well. Bruce Miller: Very much so. The other thing that's interesting is that those were people who wanted to get home, right. And here's ones who can't. There isn't a home, so they have to create a home, and they bring a tree, they do presents. It's very, touching how they kind of make a family, even though there isn't a family. All three of the actors are potential Oscar nominees. That's why. Terry Lipshetz: Wow. Do you see this becoming like a traditional holiday classic? The one that we pop on Christmas. Bruce Miller: Story, playing Dominic Sessa, who plays, the young man, has never acted in films before. Terry Lipshetz: Right. Bruce Miller: Found him at a school, and we're looking for somebody who kind of fit. Again, the hair was a big thing fit the identity that they were looking for. And they were blown away by how good he was at kind of capturing that attitude that's kind of there. And, you see it. He is easily the glue that holds this together and a really good young actor. I think someday we'll look back and we'll say that was his first film and look at how good he was. Terry Lipshetz: This film is directed by Alexander Payne, and he's, of course, known for doing a lot of kind of quirky movies like Nebraska. Bruce Miller: Yeah. Do you remember? Election was kind of the one that put him on the map, with Reese Witherspoon as that kind of dreadful girl who wanted to be student body know. She was determined. And the advisor to the student council, played by Matthew Roderick, did not want her to win and did whatever he could to try and derail her campaign by putting another student in her way. Chris Klein played that role. He shot it all in Omaha, which is where he's from. And it was very similar to this, where he went looking for real people to play these parts and look what happened to their careers. Reese Witherspoon, she won an Oscar. And Chris Klein had a long career. Look at American Pie. I mean, he has some pretty good credits behind. She wasn't necessarily, but the other ones that fill in the film. And if you go back and look at election, you'll see actor, young actors in that that have had lots of work. Terry Lipshetz: Right. Bruce Miller: It was supposed to be a two hander between Reese Witherspoon and, Matthew Broderick. And some of those other ones are making a real big splash in that first film. So I wouldn't doubt that we'll see the same thing happen with this one. Terry Lipshetz: Yeah. And even like a movie like Sideways, there's another one where. And he did it with Paul Giamatti, and that was Paul Giamatti. He's done so many movies and he's always so good in what he does, but it almost took until sideways to really get him out there. Bruce Miller: He was a great character actor who had bit parts or small parts in films and then suddenly blew up. And he was in John Adams and he was in, sideways. And. Yeah, now he's kind of your go to. If you want one of those kind of erudite people that are in your film, we'll call Paul. Terry Lipshetz: I know you weren't able to get any interviews with this film, but through the magic of you and the promotion, I happen to have know just out of the box right here. So we're going to go now to, Alexander Payne, the director of the film. Alexander Payne: Christmas break is upon us. And every year there's a number of boys with nowhere to know. The kids from foreign countries and the ones with divorced parents and stuff like that. And this year there's a boy, he's a junior and kind, of a troublemaker, kind of troubled. Damaged and troubled, but a smart kid underneath. And, his mother calls him last minute to say she's widowed, has been widowed. She has just remarried and they want to use this Christmas vacation as their honeymoon. You understand, don't you, darling? Stanley's been working so hard. The teacher selected this year to stay behind with the boys is a very disliked, curmudgeonly, ancient history teacher, Paul Giamatti. Through a kind of Deus ex machina, script, device, all the other boys find somewhere else to go at some point. And it's down to just this teacher played by Paul Giamatti and this boy and the head cook at the school. She's a single mom, and her, son attended this very same school on a charity scholarship. But did not have the wherewithal to go to college and has just been killed in Vietnam. So this movie is about the adventures of these three kind of shipwrecked people during a very snowy two weeks in Massachusetts in 1970. I've been an admirer of school, movies, loneliness of the long distance Runner and if and Peter Weir's movie. And I had seen a companion of those films, a somewhat underknown French film by a great director, but, from 1935 or 36 called Merloose by Marcel Panol. And it had that same basic premise. I saw that ten or twelve years ago and it never left me. I thought, you know, that's a pretty good premise for a film. But I personally didn't have the wherewithal to actually, I didn't have the life experience of a private school and so forth. I'm from Omaha. Nor did I have really the discipline to go research it. But a pilot came my way, set in a prep school, and it was a very fine pilot. And I called up the writer and said, thank you for sending me this wonderful script. I don't want to read it. Would you consider taking on an idea of mine? And so it was David Hemingson. That's how David Hemingson, the fine screenwriter, came into my life. So, typically I've written my own scripts and certainly I was involved in rewriting this one and conceiving it. But David Hemingson really, did an outstanding job writing it. That's what attracted me to it. It sounds hyperbolic and I'm sure it is, but I just think Paul Giamatti is the greatest actor. There's nothing he can't do. From the moment I first met him when he auditioned for sideways for me going on 20 years ago, I thought, this guy can make even bad dialogue work and he can, no matter what the dialogue. I had him in Omaha, for a public interview, and I said, you know, Paul Giamani, you can really make bad dialogue work. I'll bet you could even read the phone book. Like they say, read the phone book and make it compelling. And he laughed. And I leaned over and I pulled out the Omaha phone book and I handed it to him. I said, would you please just open up to a page? He started reading it and brought the house down. That's why I like Paul Giamatti. And he's just a lovely guy, brilliant guy, most well-read human I know and, a delight to work with. Terry Lipshetz: Up next, let's hear from Da'Vine Joy Randolph about her role. In this film. Da'Vine Joy Randolph: It's wonderful working with Paul Giamatti. He has such character as a human being, but also with what he brings to the table. And, he's so great because, know, when you work with actors, those who you really revere, for being so talented, can be very serious sometimes and stuffy. And, what is so amazing, and I think speaks even more to his talent is that he's able to snap in and out of the character. It's very seamless. But I love right before they say action, I'll peek a look, and you'll see him just, like, morph and fall into place into his character. Dominic is quite special, for having never done it before. I would say what's more impressive, even outside of his talent, which is quite natural and just very present, and non-stereotypical, I don't know if I could have done it to play this hurt, damaged teenager. Right. And it not just be this one dimensional screaming kid every 5 seconds. He's really found, the nuances, to all of it. But I would say what I'm the most impressed with is the human being that he is. He's so kind and gentle and, very intelligent. And there's an old soul about him where it feels as if he's been here before. You can tell there's a real desire to learn this industry and how things work, and he's very quick. I remember in the very beginning when we were just doing table reads, and we still had at least two, if not three weeks before filming, he was already off book. I was not off book, so I was very impressed. We're just seeing two, three individuals, which I wonder, if they weren't, under these circumstances, if they would have had the opportunity to really get to know one another and to be an unpredicted vessel of support for one another. And I think what's beautiful about that is, in this movie, in a way, it transcends ageism, racism, genDer, and that these three individuals, due to the loss and pain that they have, it's like sometimes when you've hit rock bottom, you're open to anything to seek relief wherever you can. Terry Lipshetz: We also have another star from the film, Dominic Cessa, talking about what turned into his first major film appearance. Dominic Sessa: I went in for my first audition, and, I was pretty relaxed because I wasn't expecting much out of it. And they called me back later that day, and I did some more reading. And, eventually Alexander came to my school to come meet me and audition, with him. And yeah, for the next two months it was a lot of just touch, and go email, Zoom calls and all that stuff. And by the time I had my last audition, I didn't know it was my last audition. I thought it was going to know do that two weeks later for the next one. But we sat there and it was me, Paul and Alexander on a Zoom call. And we just read the whole script through. And Paul would read the parts, know, in a scene where I was in, but he wasn't in. I would read parts for him in other scenes and by the end I got the role that day. So, yeah, it was really surreal and exciting and didn't really know what to think or what to expect. But, it was nice. The biggest challenge for me, working on a film for the first time would be, the turnaround on notes, personally, because I've done a lot of live theater before. It's all I've done before is the shows at my school. And we have after school, like two, three hour rehearsals. And you receive your notes at the end and you have your journal and you can go back to your room and internalize them and think about them for the next rehearsal or the show or whatever's coming. But in this, it's really a matter of coming in, knowing your lines and not really knowing. Maybe having an idea of how the scene may pan out, but not having the clarity that you might have in a theater setting. So, yeah, I mean, that was the hard, that's the hardest part for me, really doing this the first time doing something, receiving a note and then okay, rolling, go. So, yeah, for me, but I think I've adjusted pretty well to it. And obviously I have a lot of people around me who have been helping me prepare for that sort of thing. Being in a film with Alexander and working on one of his movies, it's incredible working with him personally. Having, the director who's sitting right there at the camera and sitting right next to you and comes up to you after every take and is in your ear. You can feel his presence and it's comforting in that sense. But I think. I don't know, outside of that, he just attracts a lot of professionalism to his movies and his work. I think, just him being a part of it. Everyone around him, sort of is extra professional and is extra hard at work and is really on top of it and more so excited about working on it because of the type of person he is. My character, Angus Tully, say, definitely very damaged kid. He's been through a lot. Yeah. Being at a boarding school, I can understand, how heartbreaking that would be to be ready for break and then have your own parents tell you that you can't come home for Christmas. I feel like, for him, he's got a lot of these, things in the past that have happened to him and, these experiences, obviously, with his father and his mother and his mother's boyfriend. And it's not explicitly said what goes on. But you can sort of understand that there's a broken family dynamic there that's going on behind the scenes for him. And yeah, I think that really comes out with his character and his daringness to say some of the things he says and to pull off some of the things he tries to pull off. But at the same time charming and innocent. And it's one of those people you love to hate because you love them. Terry Lipshetz: Up next, we have writer producer David Hemingson. David Hemingson: Alexander read a pilot that I wrote about four years ago that, was set in a prep school in 1980. And he kind of called me up out of the blue and having read it and was like, I love this pilot. And I was like, incredibly flattered because he's like a personal hero of mine, he's a brilliant director. So I was like, blown away. And then he said, but I don't really do TV. But I have this feature I want to do that's set in that world in 1970. I said, okay, sure. And I said, what is he? Well, basically I really want to do this sort of optically challenged, kind of odiferous professor, that gets stuck, at a prep school, over Christmas break, 1970 to 71, with a group of students, one of whom has sort of been stranded by his family, most definitely. And this relationship kind of evolves over the course of the movie. And so that was sort of. The genesis of the whole thing. He's a brilliant, brilliant director. And I kind of feel like I went to film school on Alexander's back in that he would make these references. He'd, want something kind of tonally or visually or he'd kind of want a narrative moment that as opposed to try to unpack it verbally, he'd just be like, John Garfield. All right, Michael Curtis pointed overturn 1950, midpoint. Forward click. Like what? Hello? And I'd have to figure out, oh, okay. He wants sort of tonally, this kind of thing. He wants to be able to, evoke certain moods, and I think for him, it's got to be the organic evolution of the characters over the course of the narrative. And so I think the reason he doesn't get specific in terms of distinct turns he wants is because he wants me to find it and then for him to reflect upon it, I mean, that's been our working relationship, and I hope to God it continues for many, many decades to come, because I would kill to work with him again. I think he's a brilliant guy. We're so blessed. I mean, Alexander can cast. I mean, he topped the bottom. The actors in this show are amazing. I love my holders. I love all those kids. Those kids are all amazing, and funny and genuine and real. I think reality is sort of one of the hallmarks of an. You know, it just feels real, and it's heightened. And he takes you on a journey, and there's a fun narrative. I mean, you have a good time. And I think that's one of his imperatives. Like, he wants people to be entertained, but he wants people to be entertained by the human comedy, by the reality of it, by the landscape of people's souls. Like, he wants you to take that journey. And that's kind of what we do. In this movie, I think. Terry Lipshetz: And now let's hear from producer Mark Johnson. Mark Johnson: I think it was very much a story about family. It's a very clever script. It's deceptive. It's deceptive. And then it's about much more than you would think at first. And it's also extremely funny. And for me, as a, time Alexander Payne Fan, I think it is arguably his most emotional movie to take what he does with his characters, sort of, the uniqueness of his characters and to put them in this situation, it was an undeniable script. Paul Giamatti is one of those wonderful actors, is really a chameleon. And he can play any number of people. So we've seen him a bunch of movies and television shows, but I don't know that I've ever seen Paul Giamatti play, the same character twice. And so he is somebody who can both put you off and yet bring you in at the same time. Dominic Cessa, who plays Angus. This is his first movie. He had been a drama student or in school, in boy school, but, didn't have an agent, didn't have a manager. We had this wonderful casting director, Susan Shopmaker, who decided to go out and find a discovery. And one of the smart places she went was the private boys school's drama department and say, all right, who do you have? Who do you offer up? And that's how Dominic came in. He didn't come in through any orthodox means. It was really from out of nowhere. And I don't know what the number is. She probably saw 600, 700 boys for this part. And Dominic, early on, we said, well, wait a minute. This is somebody to pay attention to. And Alexander put him through the paces. He had him, sort of try out and test a number of times. And finally he tested with Paul, Giamatti. And I think Alexander, Paul, all the rest of us said, no, this is the guy. I think Dominic's a good choice to play this part because he has no tricks. He's a very honest actor. He's playing it as honestly as he can. And consequently, he's completely believable. I never, in looking at the finished film and quite frankly, in all the dailies, I don't see any false moments. I don't see him at some point pretending to be something. He always seems to be that divine. Mark Johnson: Joy Randolph is an actress who's been around for a while. That makes it sound like she's been doing it for years. She's just somebody who is doing features and television right now at, quite a clip. And the interesting thing is she normally plays a comedic character. And not that she's very funny in the holdovers, but I wouldn't describe her character as Mary, lamb, as somebody who's comedic. She actually has quite a, quite amount of sorrow in her. And, is a mother who's gone through a real tragedy. We knew she had the acting chops not just because she'd gone to the Yale School of drama. But as soon as we tested her, it was clear that she knew how to play this character. And, it was great to watch her because as an actress, she discovered who Mary Lamb was. She started at one place and built the character. And you could see her do it. And she ended up with an accent that was quite original to divine, but also quite true to where her character came from. Terry Lipshetz: All right, Bruce. So we had an. Bruce Miller: You know, I got a chance to talk to Alexander Payne and David Hemingson and also some of the, behind the scenes people about this. It's based sort of, on the writer's life, sort of. It was not written by Alexander Payne, just directed by him. And he kind of understood the sensibility of this, but there is a tie. And if you look at this on a shelf, there is a statue that was also in sideways. And so it's one of those little spoiler things. If you look, it's on a shelf in, I believe it's Paul Giamatti's office. And you'll also remember that it was in sideways if you look very carefully. They had one hell of a time trying to find enough blazers that were from the 70s for all the boys in the film. Terry Lipshetz: Double knit only goes so far. Bruce Miller: A big challenge. Yeah, they have a big challenge. And so they look the right way. Yeah. So for them, a lot of them have worked with Alexander Payne for a number of films, and they kind of know his shorthand and what he's looking for, so they can anticipate what a potential problem might be or what might be looming. Wow. Terry Lipshetz: Good stuff. So, yeah, I'm looking forward to this. It wasn't really on my radar until I saw it was probably during the summer. One of the movies I saw at least had a trailer to it. It looked pretty interesting, but I wasn't sure. Is this going to be good? Isn't it? But now that you're singing its praises. Bruce Miller: Watch the ads for it, because the ads are done in 70s style. Terry Lipshetz: Okay. Bruce Miller: See them? It's like, is this an old film that they're just throwing up whenever you see those on TCM? Oh, look at the trailers they used to do for these things. Well, they want it to look like that so it looks like the 70s. So you get that whole vibey feeling. And there's one shot in the film that reminds me. Exactly. Of the graduate. Exactly. And you'll see that shorthand that he uses, and you'll think, yes, I get what you're. Gail. I see it. I understand what's happening here. There's another one I'd like to talk about is called Nyad. Okay. And this is going to be one of those ones that you'll hear the names bandied about for acting prizes. Annette Benning plays Diana Nyad. If you remember her, she was a long distance swimmer who wanted to swim from Cuba to Florida. And, everybody said, oh, you're crazy. You can't do it. You're in your 60s. You're not going to be able to do this. And she was determined that she needed to make her mark, so she got a crew together and tried it and failed. And she tried it again and failed. And she tried it again and failed. And you think after this many times, give up. It's not going to happen. But you see in the film, which will be on Netflix, the kind of drive and fortitude she had and determination, and a lot of that is fueled by her best friend, who serves as kind of the coach, so that she's in the boat while Diana is swimming by the side of the boat, and she's, like, feeding her, giving her any kind of, if she gets sick, if she needs medicine, hydrating her, and then when she starts to kind of wane, she's giving her those pep talks. And, Jodie Foster plays that role, and Jodie is. Where has she been all these years? It's like, let's get back to work. I want to give her that kind of a pep talk because she steals the film right out from underneath. Annette Benning. Fascinating, fascinating partnership. And the film was directed by the people behind Free Solo, if you remember free solo. it was about the mountain climber. Terry Lipshetz: Right. Bruce Miller: Won the Oscar for Best documentary. Yeah. Now, they're trying, the same kind of feel, but with a fictional film or dramatization. Yeah. With actors. And they do take, risks, and they also do take some liberties, with the reality of the Diana Nyad story, but they still are able to capture those beats that you're looking for. It's kind of fascinating to see how they can make swimming really interesting, because when you're just watching somebody swim laps near the side of a boat, are you interested? Do you care? You got to give it to Ned Benning for just being able to do the swimming that you need to do to pretend like you're falling. Diana, Nyad, is not a person that you could hug. I really do not think she's embraceable, even though she has that drive that you see in a lot of athletes. But, boy, Annette Benning captures that aspect really well. You think, why would I work with you? I don't want to do anything with you if you're going to be this kind of obnoxious and mean and kind of self-centered. Terry Lipshetz: Sure. Bruce Miller: And yet it works. And at the end of the film, they do show you actual footage, of her. And, man, she captures her. She's right there. Terry Lipshetz: Now, was this film mostly in the water, then? Bruce Miller: If there's a lot in the water, could it be in a pool? It could have been in a pool, because a lot of the scenes take place at night, and you realize that they had to worry about sharks because she did not want to be in a shark cage. She didn't feel that was bare. But there was a red light that apparently sharks know this for the future, if you need this. Terry Lipshetz: Okay. Bruce Miller: Sharks do not come near red light. They somehow see that as a warning to them. And so this red light kind of helped guide her along where they were going, but it also kept the, sharks away. Terry Lipshetz: Yeah. The most knowledge I have about avoiding sharks comes from the 1960s, Adam west classic Batman, the movie Shark, where he used Bad shark repellent. Bruce Miller: And Jaws. Terry Lipshetz: Yes. Bruce Miller: Jaws taught us so much about sharks. Were you really scared of sharks before Jaws? No, it was just another fish in the ocean. But now they can get a sharknado going like nobody's business. Right? Dominic Sessa: Yeah. Terry Lipshetz: Now, how does this film stack up to a film like Free Solo, which is a documentary? Because I always find it fascinating when you get, like, you take Peter Jackson, for instance, who's known for Lord of the Rings and all these big epics, and then he goes and directs a documentary about the Beatles. Bruce Miller: The thing that was so surprising about free solo was the cinematography. They were up on the mountains with him and the idea that they were able to get some of that stuff. Well, I got to rethink this. If I can't do it with the telephoto lens, I don't think I'm going up there. But I think that was what was so remarkable. Yes. his story, Alex Honnold, I think it is, his story is remarkable, but also remarkable is the idea that people would follow him, shoot his trek, and not get, you know, anytime. Terry Lipshetz: I see those mountain movies like that, whether it's mountain climbing or scaling Everest or going deep into the wilderness, I'm thinking to myself, you know, what if I'm the director of this film, my first hire is a really good second unit director. And you're going to go take care of these? I'm going to just handle. Bruce Miller: Yeah, I'll do from the ground. Terry Lipshetz: We'll be. Bruce Miller: Yeah, I think they do a great job of kind of making you feel that claustrophobia in the water. But because they're not dealing with huge visuals like they were before, that becomes, a different challenge. But you feel like you're in the water with her. So I guess that's the goal. But I don't know, do they want to do this? Is this the goal? Or maybe it was just one of those athlete films that they hadn't tried, and so that was the challenge for them. Terry Lipshetz: Well, it sounds good. It sounds like an interesting one. I'm not sure. I'm going to race out to the theaters to see it. But at the very least, it might be one where as soon as it hits streaming on. Yeah, yeah, absolutely. Anything else of note coming up is, Bruce Miller: Can I tell you what I'm going to tease? What? Maybe we'll talk about next week. Terry Lipshetz: Okay. Bruce Miller: And that's Fargo. Terry Lipshetz: Oh, yes. Bruce Miller: Fargo is coming. And Fargo, we are not holding off with anything, but I'm going to talk to people that you wouldn't necessarily talk to again. We're doing this because we don't have the access to the actors because of the actor strike, which, knock on wood, should be ending soon, we hope. Terry Lipshetz: Please. Bruce Miller: But I'm hoping to talk to the special effects and makeup people and also the costume people and how they are able to pull off, because this has a lot of those special effects that you're going to go, wow, I can't believe it. And it's very home alone, taken to extremes and scary. Okay, so that's next week. Fargo. Alexander Payne: Fargo. Terry Lipshetz: I can't wait. There's the two shows that I've been waiting for the most recently, Fargo. And then also true Detective, which is. Coming back soon on. Bruce Miller: Well, we'll be there, hopefully, and we'll get to talk to real people. Terry Lipshetz: Hopefully. That's all we can hope for. All right, Bruce, thanks again for another great episode. And we will be back again next week. Bruce Miller: Be a holdover next week.See omnystudio.com/listener for privacy information.

You may have seen her on the hit online show Guardians of the Night, or watched her popular training videos online, but trainer Alex Sessa, also runs Peach on a Leash, a highly successful dog training business in Atlanta and the surrounding area. In this episode Alex and Victoria recount what it was like filming and working with police dogs for Guardians of the Night, and explore what it takes to build a successful dog training business. A powerful advocate for positive training methods, Alex discusses how real world positive training for companion and working dogs supports a healthy emotional life. 

Daniel Santiago & Pedro Martins ('Curupira modernista'), Ivan Lins ('Renata Maria', 'The heart speaks' -con Dianne Reeves-, 'Rio' -con Jane Monheit-, 'Não ha porque'), Diego Figueiredo ('Malandrinho', 'Regards from Bahia', 'Mar aberto'), Sessa ('Canção de cura', 'Música', Helena') y Clélya Abraham ('The river'). Escuchar audio

El guitarrista Diego Figueiredo ('Malandrinho', 'Regards from Bahia', 'Por las calles de Nueva York'), la cantante Ligia Franca ('Diz que fui por aí', 'Lindeza', 'Kalú'), el grupo de voces a capella Banda de Boca ('Abrindo a porta', 'O curupira', 'The northern sea'), el cantante y compositor Sessa ('Gostar do mundo', 'Canção de cura', 'Sereia sentimental'', 'Ponta de faca', 'Helena') y la pianista Bianca Gismonti ('Ventos do sul'). Escuchar audio

In this episode of The Observatory, Dr Ben Sessa joins the show to talk about healing with psychedelics. Dr Sessa is a trained MDMA, Ketamine, and Psilocybin Psychotherapist, Medical Cannabis Prescriber, and published author. He formerly served as the Co-Founder and Head of Psychedelic Medicine at AWAKN Life Science Inc. Hear about the research into psychedelics, how psychedelics affect the brain, bridging the gap between science and the ethereal, psychedelic music and art, the importance of non-drug sessions, the intelligence of the medicine, creating a sense of safety around psychedelics, and Dr Sessa's contribution to this space. Timestamps[01:25] A bit about Dr Sessa.[04:54] Getting into psychedelics. [08:12] The science of psychedelics. [10:08] Reframing the stress and anxiety experience.[14:34] Bridging the science-ethereal gap.[16:36] Accelerated healing. [17:49] Psychedelics and terminal illnesses. [19:23] Psychedelics and music.[22:13] Frequency and vibration. [24:58] Pre- and post-work.[27:00] Should clinicians have experience with psychedelics? [32:33] Dr Sessa's pivotal moments.[35:27] The intelligence of the medicine. [41:13] Creating security. [44:25] Cannabis research. [50:37] Dr Sessa's work in Australia. [52:15] Dr Sessa's words of wisdom. Notable quotes:“Once those narratives are formed in early childhood, they tend to stick.” - Dr Sessa [13:44]“He who dies before he dies, does not die when he dies.” - Buddha [18:46]“Music is enhanced by psychedelics, and psychedelics are enhanced by music.” - Dr Sessa [21:10]“It's never just taking the drug.” - Dr Sessa [25:19]“Our brains are constantly dynamic, and changing, and in flux.” - Dr Sessa [41:00]“All drugs have a benefit and a place.” - Dr Sessa [45:13]Relevant Links: Website: www.drsessa.com. Subscribe to the podcast: Apple Podcasts.

Brazilian singer/songwriter Sessa (born Sergio Sayeg in Sao Paolo) is heir to the great tradition of MPB – Brazilian popular music, in the vein of Gilberto Gil or Caetano Veloso. But he favors a stripped down approach that reflects his own love of the German minimalist group Cluster, and his lyrics – often about love, heartbreak, and the power of music – echo themes in Leonard Cohen's songs and Sun Ra's cosmic jazz. He plays songs from his latest, Estrela Acesa, or “Burning Star” at the 2023 New York Guitar Festival in the Greene Space.  Set list: Grandeza, Ponto de Faca, Pele de Estera, Sereia Sentimental, Flor do Real Watch "Grandeza":  Watch "Ponto de Faca": Watch "Pele de Estera": Watch "Sereia Sentimental": Watch "Flor do Real":

Sessa - "Vento a Favor" a 2023 single on Mexican Summer São Paulo-based musician Sessa returns with his first new single since last year's enchanting LP Estrela Acesa. The track is co-produced by Brazilian artist Biel Basile and American musician Mikey Coltun, who also plays bass in Mdou Moctar.  "'Vento a Favor' started as a track meant to be on Estrela Acesa," he tells Stereogum. "It was recorded, mixed, and mastered in the same sessions as the whole LP but somewhere along the way, when putting the pieces together, I started to feel that its energy was different from the story I was trying to tell with the record. The track was a bit too sure of its force and movement forward, outwards, while Estrela Acesa's gesture was something more of an inward look, a whisper to the soul. But you know, nothing wrong with that, breathing goes both in and out." Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Season 20 Episode 2 Apologizing - Celler Dwellers Or Else - Marina Allen Superreality - Marina Allen If You Love Her - Tokyo Tea Room Feel Your Heart - Tokyo Tea Room Poor Devil - Fruit Junior Saddle Up -Fruit Junior The Promise (feat. Jelani Aryeh) - Samia As You Are - Samia Edge of the Edge - Panda Bear & Sonic Boom Everything's Been Leading To This - Panda Bear & Sonic Boom Sleeper Agent - Smaller Hearts Vento a Favor - Sessa This episode features a clip from the new podcast The Urbanist Agenda from Jason of the great Not Just Bikes. His co-host for the inaugural episode was Adam Something who shows off his pitch-perfect Slavoj Žižek impression as they talk about living in human-friendly cities.