Podcasts about dodge college

In this Season Finale episode, Hilliard and guest co-host, comedy writer Myles Warden sat down for a super fun, 2-hour episode with CO-EXECUTIVE PRODUCER STACEY EVANS MORGAN!We talk about Stacey's amazing journey from assistant to co-ep, challenges as a writer, investing in yourself, opening doors for yourself, saying yes to opportunities, producing outside of scripted TV, speaking gigs, being the sexy writer in Hollywood, traditional staffing season, having an entrepreneurial spirit, working and developing series' with her brother showrunner Bentley Kyle Evans, the If Come Deal and how it works, the importance of emerging writers writing Spec Scripts and so much more!In case you don't know, entertainment industry veteran, Stacey Evans Morgan is a television writer and producer with credits on the Disney Channel/Disney Plus show “Saturdays” and she has also written and produced on scripted series such as, “The Parkers”, “Love That Girl”, “Family Time”, “In the Cut and Partners in Rhyme starring MC Lyte and written for shows “One on One”, “Jamie Foxx Show”, Tyler Perry's House of Payne and the DreamWorks Animation series “Madagascar: A Little Wild.” In addition to scripted series, Stacey has written for live television productions such as the NAACP Image awards and The Gracies.Stacey wrote and directed the short film “21 Days of April” and she is a published poet, essayist and author of her first novel which was adapted from an original screenplay already and later optioned for a film in 2023. A firm believer in “Paying it forward by giving back” Stacey has taught master classes in TV Writing at Delaware State University, Howard University and she has served as an Adjunct Lecturer at Chapman University's Dodge College of Film and Television as well as her own online workshop series. Stacey has an original TV project currently in development under an “If-Come” deal and continues to liveby her mantra: Write the Vision!This is a don't miss episode y'all!Subscribe, like, follow, share & 5-star review!EMAIL:ScreenwritersRantRoom@gmail.comWWW.SCREENWRITERSRANTROOM.COMFor information, Merch (T-SHIRTS/HOODIES), and all things Rant Room!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social media@Hilliardguess.bsky.socialIG: @ScreenwritersRantRoomGuests:@staceyevansmorgan@reallymightyWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠: Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!Our Motto: “Keep it GAME all day!"

"Find joy every day."   Episode summary | Susan Jin Davis and May Lee explore the themes of generosity, identity, and resilience shaped by their immigrant experiences. They discuss the challenges of growing up as children of immigrants, the impact of cultural concepts like Han, and the transformative power of loss. May shares her journey as a journalist of color, emphasizing the importance of diversity in media and the need for education to combat stereotypes. The discussion also highlights the significance of personal connections and the role of platforms like their podcast, 'Shoes Off Inside,' in fostering dialogue and understanding.   R.O.G. Takeaway Tips | Generosity is a core value that shapes our identities. The immigrant experience often involves significant sacrifice and resilience. Childhood challenges can lead to a complex understanding of identity. The concept of Han reflects deep-seated pain and resilience in Korean culture. Transforming pain into purpose can empower individuals to help others. Loss teaches us the importance of cherishing loved ones. Intergenerational trauma impacts our identities and experiences. Diversity in journalism is crucial for accurate representation. Education can fill gaps in understanding cultural histories. Creating platforms for dialogue fosters connection and understanding.   Chapters |  00:00 Introduction and Connection 02:50 The Immigrant Experience and Generosity 05:28 Childhood Challenges and Identity Struggles 11:44 The Impact of Racism and the Concept of Han 13:56 Transforming Pain into Purpose 16:34 The Loss of a Parent and Its Lessons 18:30 The Importance of Presence and Connection 19:43 Intergenerational Trauma and Cultural Identity 21:36 Navigating Journalism as a Woman of Color 24:23 Facing Otherism: A Personal Journey 28:13 The Importance of Allyship and Diversity Efforts 32:20 Creating Awareness: The Evolution of Asian Americans in Media 38:04 Shoes Off Inside: Cultural Practices and Podcasting 43:06 Using Platforms for Social Change 51:25 Curiosity and Purpose: Finding Fulfillment in Action   Guest Bio | May Lee is an award-winning broadcast journalist who has been both a US based, and international anchor, host, correspondent and producer having worked for a variety of media outlets including NHK, CNBC, Oxygen Media and CNN where she was appointed as the first Korean American anchor. May has broken down many other barriers throughout her career and continues to do so with her production company, Lotus Media House, which currently produces “Shoes Off Inside”, a vodcast (video-podcast) that explores the API experience and beyond with hosts May Lee as well as veteran actors Kelly Hu and Tamlyn Tomita. May's work in API activism and education was recognized by Forbes when she was named one of Forbes 50 over 50 women leading the way in impact in 2021. Along with her media projects and activism, May served as adjunct instructor at USC's Annenberg School of Communication and Journalism and Artistic Assistant Professor at Dodge College of Film and Media Arts at Chapman University. May's many other previous professional roles include LA-based correspondent and host for international network CGTN-America, talk show host for Oxygen Media founded by Oprah Winfrey, and lead anchor for CNBC in Singapore. May is a graduate of Mills College in Oakland, CA where she attained her BA in communications. She has authored two books, “May Lee, Live and in Person”, originally published by John Wiley, and “So You Want to be On-Air? A Guide to Anchoring, Hosting, Voiceovers and more”, published by Cognella, Inc., which was released in July of 2023. May is an active board member of East West Players, the longest running Asian American theatre in the U.S. as well as Miss Porter's School, a prestigious boarding school in Farmington, Connecticut that educates, inspires and empowers the young women to become the leaders of tomorrow.   Resources: IG @mayleeshow  and @shoesoffinsidemkt  YouTube https://www.youtube.com/@shoesoffinsidemkt LinkedIn https://www.linkedin.com/in/mayhlee/ Website  lotusmediahouse.com Podcast - Shoes Off Inside MKT Free N.D.I. Network Diversity Index  Free Generosity Quiz    Credits: May Lee, Host: Susan Jin Davis,  Bridge Between, Inc. Coming Next: Please join us next week, Episode 230, Special Guest, Nomi Bergman. 

Producer's Note: This conversation took place before TikTok resumed operations in the United States following President-Elect Trump's decision to delay the ban on the China-based social media app. It is a privilege to welcome entertainment journalist and pop culture commentator Brandon Lance Garnsey to The Jake's Take with Jacob Elyachar Podcast.   Brandon is a dynamic entertainment reporter covering celebrity breaking news, reality television, and pop music news for EntertainmentNow. He has covered celebrity news for TMZ Live as their entertainment contributor and has created a social media community where he reports the latest on pop culture. Brandon has a rich work history in the entertainment industry, including working in late-night television at The Late Late Show with James Corden and in digital media with some of your favorite content creators. Garnsey holds a bachelor's degree in journalism from Chapman University's film school, Dodge College of Film and Media Arts. There, he graduated Cum Laude in 2020. He hosted the Chapman News weekly entertainment news segment and served in several leadership roles within his gender-inclusive film-based professional fraternity Delta Kappa Alpha.  Recently, Brandon competed on Prime Video's talked about Reality TV series Beast Games. Mr. Beast (Jimmy Donaldson) and his team invited 1,000 people to compete for the $5 million grand prize.  Along the way, Mr. Beast and his team offer multiple temptations, such as $1 million to contestants to end their journey.    On this edition of The Jake's Take with Jacob Elyachar Podcast, Brandon Lance Garnsey discussed his Beast Games experience, working with Nick Uhas, TikTok's potential end in the US, and which reality TV show he wants to do next.A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 12 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. As we begin to wind down the season, we start today's episode with an intriguing interview featuring Montana Golin. Montana is the events producer at Dodge College of Film and Media Arts at Chapman University and she speaks with Iliana Nordenso about her career trajectory, starting with her education at Southern Methodist University in Texas. The pair examine the world of event management including Montana's various experiences as a general event planner with non-entertainment events such as weddings, corporate events, and ceremonies. They also discuss the path to her current position, and what the day-to-day looks like as an events producer. Montana elaborates on some of her accomplishments that she feels most proud of, and they conclude by revealing some interesting misconceptions about event planning and what Montana wishes aspiring event planners knew about events. Our second episode of the week delves into the world of Las Vegas, and what it is like to be the Public Relations Coordinator for one of the most world-renowned Casino/Resorts on the famous Vegas Strip. Sammy Baloch sits down with Chapman University Alumna, Haley Ben Moshe'22, to talk about her role in PR with MGM Resorts International. Moshe lays out what her journey has been since graduation, touching on the atmosphere and culture of work in the area of content creation / Influencing in Los Angeles, and how that experience guided her to make a move back to Nevada, where she has found a better fit with MGM. They talk about the details and responsibilities that she faces in the position, and what she finds to be her favorite parts of the job. Before signing off, Moshe reflects on what she has found to be the most rewarding aspects of her career journey thus far, and shares with Baloch some personal advice for current students or recent grads that are just starting their own journeys.

Since graduating from the Dodge College of Film and Media Arts at Chapman University in 2013, Devon Brady has worked with and encountered multiple sides of the entertainment industry. He spent his first few years post-grad working in HR / Administration at Lionsgate Entertainment. Following that, he tried his hand at management, working as an Associate Talent Manager at Bx2 Entertainment, where he helped coordinate and pursue work for on-camera personalities, social media influencers, and burgeoning actors. He has spent the last 4 years within the realm of casting, where he aided in assembling actors for hit series on Disney Channel, Netflix, YouTube Premium and Nickelodeon, as well as independent features. In March 2022, he won his first Artios Award alongside Doro / Sherwood Casting for his work on "All That", and was most recently nominated in 2023 for the Nickelodeon series "Warped! ▬▬▬▬▬▬▬▬ DEVON BRADY ⌲ IMDb: https://www.imdb.com/name/nm4499601/ ⌲ IG: https://www.instagram.com/devonbrady.casting/ ⌲ Website: ⁠https://www.linkedin.com/in/devon-brady-b880b433/ ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #Casting #CastingDirector #CSA #Disney #Netflix #YouTubePremium #NIckelodeon #Chapman #ChapmanUniversity #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support

Today we've got the wonderful Collin Brazie on the program to talk about his work on the new film "Blackout" that just released in April. Collin is a Director of Photography (ICG – Local 600) who specializes in narrative, documentary and branded content. He received his MFA (Film Production—Cinematography) from the Dodge College of Film and Media Arts at Chapman University. He has lensed a wide variety of projects that have played film festivals all over the world, including Fantasia, Rotterdam, Sitges and Frameline. He shot the award-winning drama Retake and the upcoming Larry Fessenden directed horror film BLACKOUT. His other work includes Emmy-winning commercials and TV shows for the CW and Hulu, as well as a renovation show for Executive Producer Ashton Kutcher. His documentary and branded commercial work spans industries and locations, including numerous Fortune 500 companies across the country. Enjoy! Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.frameandrefpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for everything F&R You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Drew & Garden System have a chat with Dylan & Holly Crumpler about the portrayal of Dissociative Identity Disorder in Hollywood films. Dylan & Holly discuss the diagnostic journey, how the film Petals of a Rose came to be, their upcoming projects to help reduce stigma, and their hopes for the future.Holly and Dylan Crumpler are a mother-son team of passionate activists working to reduce the stigma associated with Dissociative Identity Disorder (DID). Given that DID has historically been depicted in an inaccurate, sensationalized, and violent way in film and television, Dylan created his senior thesis film, Petals of a Rose, at Chapman University to realistically depict a day in the life of a woman with DID. He co-wrote the screenplay with his mother, Holly, who was diagnosed with DID in 2018 at the age of 51.Holly is a retired Tax Partner at Deloitte, an international public accounting firm, where she worked for 25 years consulting with corporations regarding their global compensation and benefit programs. Dylan is an independent filmmaker and 2022 graduate of Chapman University's Dodge College of Film and Media Arts where he received a Bachelor of Fine Arts in Film Production with an emphasis in Directing and a Themed Inquiry in Leadership.Petals of a Rose has received international acclaim, with Dylan and Holly sharing the film at numerous mental health conferences and educational events. The film is being used by clinicians in training sessions, college courses, and therapeutic settings. The film's subtitles are available in twelve languages.Following is the link where you can watch the 15 minute film and learn more about its impact:  https://www.dylancrumpler.com/petals-of-a-rosePlease consider rating and reviewing Petals of a Rose on IMDb: https://www.imdb.com/title/tt19715926Dylan and Holly are now developing a documentary exploring the impact of misrepresentation of DID in film and television, and also a longer film/series expanding on the story of their short film's protagonist, Rose.Send us a Text Message.

         Terry Press recently joined Amblin Partners in the newly created role of President of Strategy and Communications. Terry oversees the execution of all elements of marketing, publicity, consumer products, and communication for the film and television divisions of Amblin Partners and Steven Spielberg, who said of Terry, “Since the earliest days of DreamWorks, Terry has been a vital part of our DNA, championing our films with her marketing expertise and passion for film. Her reputation in the industry for excellence is well known and we have a long-shared history of great experiences together.”           Terry also continues in her role as a consultant at Turner Classic Movies, where Steven Spielberg, Martin Scorsese and Paul Thomas Anderson advise the channel. Recent movies that Terry has worked on with Mr. Spielberg include: The Fabelmans, West Side Story, Lincoln, The Post, and Amblin/Universal's award-winning 1917.            Previously, Terry was President of CBS Films, where she oversaw the production, marketing, and distribution of such titles as: The Woman in Black, The Duff, Last Vegas, Hell or High Water, At Eternity's Gate, Salmon Fishing in the Yemen, the Coen Brothers' Inside Llewyn Davis, and Ron Howard's documentary, Pavarotti.            Prior to forming the branding, publicity, strategy, and media and digital positioning company, 7570, Inc., Terry served for ten years as the Head of Marketing for DreamWorks SKG where she oversaw the campaigns for all live-action and animated features, including Saving Private Ryan, American Beauty, Gladiator, A Beautiful Mind, and Shrek, which won the first Oscar for Best Animated Feature.            Terry began her career with a nine-year stint at the Walt Disney Company and Walt Disney Studios.For several years, she taught marketing at UCLA (which is her alma mater, and for the record, mine, too). Recently, alongside Scott Feinberg, Terry was a guest instructor at Chapman University, Dodge College.Terry also happens to be married to a favorite StoryBeat guest, the brilliant writer, and photographer, Andy Marx.

IntroWhat an inspiring conversation we had! Petals of a Rose is the most accurate, respectful portrayal of Dissociative Identity Disorder available today. Listen in to learn more about Holly and Dylan: why they created the film, their views & experiences with DID, and their current and future projects as well as how you can participate!More About Holly & DylanHolly and Dylan Crumpler are a mother-son team of passionate activists working to reduce the stigma associated with Dissociative Identity Disorder (DID). Given that DID has historically been depicted in an inaccurate, sensationalized, and violent way in film and television, Dylan created his senior thesis film, Petals of a Rose, at Chapman University to realistically depict a day in the life of a woman with DID. He co-wrote the screenplay with his mother, Holly, who was diagnosed with DID in 2018 at the age of 51.Holly is a retired Tax Partner at Deloitte, an international public accounting firm, where she worked for 25 years consulting with corporations regarding their global compensation and benefit programs. Dylan is an independent filmmaker and 2022 graduate of Chapman University's Dodge College of Film and Media Arts where he received a Bachelor of Fine Arts in Film Production with an emphasis in Directing and a Themed Inquiry in Leadership.Petals of a Rose has received international acclaim, with Dylan and Holly sharing the film at numerous mental health conferences and educational events. The film is being used by clinicians in training sessions, college courses, and therapeutic settings. The film's subtitles are available in twelve languages.Following is the link where you can watch the 15 minute film and learn more about its impact: Watch Petals of a Rose HerePlease consider rating and reviewing Petals of a Rose on IMDb: Rate & Review Petals of a Rose on IMDbDylan and Holly are now developing a documentary exploring the impact of misrepresentation of DID in film and television, and also a longer film/series expanding on the story of their short film's protagonist, Rose. Seeking to incorporate the voices and stories of those living with and treating dissociative conditions to be represented in their projects, they have put together a questionnaire to gather input and ideas. The questionnaire is applicable to people living with dissociative identities, their loved ones, and clinicians who treat them. If you're so inclined to share your feedback, following is the link to the questionnaire: LIVED EXPERIENCE QUESTIONNAIRETo stay up to date on Dylan and Holly's projects, please follow them on social media:Facebook:  https://www.facebook.com/PetalsofaRoseTheMovieInstagram:  https://www.instagram.com/petalsofarose_themovie/Links to Resources in the EpisodeApril 12, 2024 Event: Dissociative Identities: Co-creating the Landscape for Recovery with Trauma SurvivorsJade Miller's Letter TemplateA Couple of MultiplesBraving the Way PodcastAn Infinite Mind's Healing Together ConferenceHealing Selves Therapeutics Supporters GroupMultiplied By One This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit healingmyparts.substack.com

In this episode, Anastasia and Justin share their experiences as transfer students at Chapman University's Dodge College of Film and Media Arts. They discuss the challenges and opportunities that come with transitioning to a new environment and provide valuable insights for anyone considering transferring to a new school. Tune into our recap of Fall '23 semester! Created by Anastasia Kuplinova, Video and Podcast Editor,  and Justin Yoon, Podcast Editor

Born and raised in St. Louis, Missouri, Ashlei Foushée has emerged as a versatile force in the entertainment world, calling Los Angeles her artistic home. From a foundation in classical ballet, including professional performances with the Moscow Ballet Theatre, she discovered her passion for the arts early on. Committed to arts education, Ashlei contributed to the St. Louis International Film Festival and served as a counselor for Washington University's Diversity Arts Program, impacting the lives of underprivileged youth. Transitioning to Southern California, Ashlei earned her B.F.A. in Theatre Performance and a B.A. in Screenwriting from Chapman University's Dodge College of Film and Media Studies. Her academic journey, marked by Latin honors and recognition as an O.L. Halsell Scholar, included mentorship from Academy Award-winning producer Cathy Schulman. Post-graduation, Ashlei joined the nonprofit Kids In The Spotlight, contributing to film and arts education for foster children in Los Angeles. On the big screen, Ashlei's talent shines in award-winning films like Jinn (2018) and B*** Ass (2022), both celebrated at SXSW. In the television realm, she made her mark with recurring roles in HBO's Ballers (2019) and CBS's SWAT (2020). Expanding her portfolio, Ashlei takes center stage in the dark comedy A Little White Lie alongside Michael Shannon, Don Johnson, and Kate Hudson. Look out for her in the upcoming gritty drama On Fire, a project based on the true-life Paradise Fires, where she shares the screen with Peter Facinelli, Asher Angel, and Lance Henriksen. Ashlei Foushée's career epitomizes dedication to craft and a vibrant storytelling spirit across diverse mediums.

In the second part of our transfer podcast, Anastasia Kuplinova, Video and Podcast Editor, and Justin Yoon, Podcast Editor, welcome Caroline Chang, a transfer student from NYU Tisch who joined Chapman University's renowned Dodge College of Film and Media Arts.  Caroline shares her experience of transferring to a new school and how she found her footing in a new academic environment. We focus on the transfer process into Dodge College and how it differs from other programs at Chapman University. Caroline also talks about her favorite aspects of the film school and offers advice to students who are considering transferring into Dodge College. Tune in to this episode to learn more about the transfer process and the unique opportunities available at Chapman Dodge. Created by Anastasia Kuplinova, Video and Podcast Editor, and Justin Yoon, Podcast Editor

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For students looking to transfer into Chapman University, especially for those who are transferring as international students, it can be hard to know what you should do when applying. Video and Podcast Editor Anastasia Kuplinova, along with Podcast Editor Justin Yoon, discuss their experiences transferring to Chapman as international students, along with some tips they have for interested individuals, in this video podcast. The second and final part will focus on helping students looking to transfer into the Dodge College of Media and Arts. Created by Anastasia Kuplinova, Video and Podcast Editor, and Justin Yoon, Podcast Editor

The ladies of "Shoes Off Inside" took an unintentional break for part of the summer, but that's not a bad thing, especially for Kelly Hu, who traversed Europe, then felt the "burn" and mud at "Burning Man". Meanwhile, Tamlyn was busy attending and emceeing various events elevating the API and Japanese American communities. And May was gearing up for her new position as full-time professor at Chapman University's Dodge College of Film and Media Arts. The thing about taking a break is that SO MUCH HAPPENS during that time! So, there was A LOT to catch up on including the continuing Hollywood strike and the Maui Fires. But this episode also celebrates the boldness and courage of one API female entrepreneur, Janel Luu, Founder and CEO of Le Mieux. "Shoes Off Inside" LOVES spotlighting Asian women who don't let traditional stereotypes get in the way of going what we want the way we want to! Janel is living proof of that. And we should note, Le Mieux stepped up to the the FIRST official sponsor of this show on faith and belief in the concept alone. The sisterhood is strong! Please subscribe to this show and rate and review us!Thank you to our sponsor Le Mieux. For more info go to www.lemieuxskincare.com

Editor - Daysha Broadway, ACE I WANNA DANCE WITH SOMEBODY editor Daysha Broadway, ACE returns to The Rough Cut podcast with both an Emmy® in hand for her work on HBO'S A BLACK LADY SKETCH SHOW and her first feature film as an editor.  A Los Angeles native, Daysha began her career with a Master's Degree in Film Editing from Dodge College of Film and Media Arts at Chapman University.  Prior to her feature editing debut, Daysha had spent most of her career editing documentary, scripted, and unscripted television.  In addition to A BLACK LADY SKETCH SHOW, her TV credits include numerous shows such as INSECURE, 9-1-1, TWENTIES and BOOMERANG. Daysha has also contributed her talents to documentaries such as LIGHT GIRLS and SURVIVING R. KELLY; the latter of which earned her a Peabody award. Directed by Kasi Lemmons (EVE'S BAYOU, HARRIET) from a screenplay by Anthony McCarten (BOHEMIAN RHAPSODY), WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY is based on the life and career of American pop singer and actress Whitney Houston. Discovered by record executive Clive Davis, Whitney rose from obscurity to international fame in the 1980s to become one of the greatest singers of her generation.  The film stars Naomi Ackie, Stanley Tucci, Ashton Sanders, Tamara Tunie, Nafessa Williams, and Clarke Peters. Editing WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY In our discussion with editor Daysha Broadway, ACE we talk about: Making someone's favorite movie Driving a narrative through pop hits The intricacies of intercutting Bringing "The Voice" back to life with an Oscar®-winning sound team Daysha's New Year's resolution The Credits Visit Extreme Music for all your production audio needs See the latest with Avid Media Composer Hear Daysha and her Emmy®-winning co-editors discuss cutting A BLACK LADY SKECTH SHOW Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A sweeping and heartbreaking Hollywood biography about the passionate, turbulent marriage of Laurence Olivier and Vivien Leigh. In 1934, a friend brought fledgling actress Vivien Leigh to see Theatre Royal, where she would first lay eyes on Laurence Olivier in his brilliant performance as Anthony Cavendish. That night, she confided to a friend, he was the man she was going to marry. There was just one problem: She was already married—and so was he. Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century (Grand Central, 2022) is the biography of a marriage, a love affair that still captivates millions, even decades after both actors' deaths. Vivien and Larry were two of the first truly global celebrities - their fame fueled by the explosive growth of tabloids and television, which helped and hurt them in equal measure. They seemed to have it all, and yet, in their own minds, they were doomed, blighted by her long-undiagnosed mental illness, which transformed their relationship from the stuff of dreams into a living nightmare. Through new research, including exclusive access to previously unpublished correspondence and interviews with their friends and family, author Stephen Galloway takes listeners on a bewitching journey. He brilliantly studies their tempestuous liaison, one that took place against the backdrop of two world wars, the Golden Age of Hollywood, and the upheavals of the 1960s –as they struggled with love, loss, and the ultimate agony of their parting. Stephen Galloway is the dean of Chapman University's Dodge College of Film and Media Arts. Prior to joining in 2020, he was for many years the executive editor of the Hollywood Reporter. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Stephen Galloway is an Emmy Award-winning journalist, producer, and dean of Chapman University's Dodge College of Film and Media Arts. He spent nearly three decades in writing, editing, producing, and leadership roles at The Hollywood Reporter, where he also created and produced the television series “The Hollywood Masters.”  Today, at Chapman, he sees a dedicated and talented group of students entering a business that bears little resemblance to the one he's worked in, but a group that he thinks will redefine movies as we know them.

Go behind the scenes of film and television production as Phil Cooke interviews Korey Pollard, a first assistant director and producer in Hollywood. Explore the filmmaking process and the role of film crew members including 1st AD, 2ndAD, line producer, UPM, 2nd unit director and more. Plus, gain wisdom on being a Christian in Hollywood as Korey shares his experience in the industry as a believer.   Please Like, Favorite and Share this video!   Get my new book: “Ideas on a Deadline: How to Be Creative When the Clock is Ticking” Order today and get BONUS resource materials to instantly elevate your creativity. https://www.philcooke.com/ideasonadeadline/   #Audiobook available now! Available on Audible here: https://adbl.co/3QoD7DE   Subscribe to My YouTube Channel and Get More Great Advice https://www.youtube.com/c/philcookeofficial?sub_confirmation=1 New episodes each week. Subscribe and hit the Notification bell to be notified when they go live.   Prefer audio? Listen to my Podcast here: https://apple.co/2XbMgDL   *Helping leaders navigate their calling and career in today's distracted media-driven culture* Do you have a message or story the world needs to hear? As a Hollywood producer and media consultant, I offer advice for leaders and creatives each week on creative leadership, digital media, branding and marketing strategies, film and TV production – and the faith to take you from where you are to where you want to be in your career.   Follow me: Twitter https://twitter.com/philcooke Facebook https://www.facebook.com/philcookepage/ Instagram https://www.instagram.com/philcooke/ Podcast https://itunes.apple.com/us/podcast/philcookes-podcast/id1439369056  Find out about Cooke Media Group here: https://www.cookemediagroup.com   Other Great Resources: Sign up for my blog and get immediate access to a free download that will inspire your creative leadership at https://www.philcooke.com   Read Phil's blog: “You're A Church Media Pro Who Really Wants a Movie Career: Here's What You Need to Know” https://www.imdb.com/name/nm0689484/?ref_=nmmi_mi_nm    *More About this Episode* Filmmaking Behind the Scenes: Interview with Hollywood Producer and 1st AD Korey Pollard Korey Pollard got his start in the entertainment industry in 1980 as a twelve-year-old an extra in Robert Towne's Personal Best shot in Eugene, Oregon. From that time, he's explored many positions in film and television production over the next three decades. He is a member of the Director's Guild of America and currently makes his living as a first assistant director. Korey's television credits include Chicago Fire, Seal Team, Jack Ryan Series, Rizzoli & Isles, Monk, Deadwood, House, Grey's Anatomy, and CSI. His film credits include Once Upon a Time in Mexico, Spy Kids 2, And Starring Pancho Villa As Himself, among others. He co-produced an independent adaptation of Robert Whitlow's novel, The List and is currently producing his second feature film What Remains with Sharpened Iron Studios. Pollard is passionate about workforce education, economic development surrounding film production and mentoring. He is an adjunct instructor at the College of Entertainment and the Arts at Lipscomb University, Nashville, and has been a guest lecturer at multiple universities, including Branford College-Yale, New Haven; Azusa Pacific University, Azusa, Dodge College of Film and Media Arts-Chapman University; Vanguard University, Biola University, Los Angeles Film Studies Center (LAFSC) and more. He is on the Advisory board of Hollywood Connect, Los Angeles, and the Board of Directors of The Greenhouse, Hollywood. Korey lives in Sherman Oaks with his wife in an empty nest. He spends his spare time volunteering with and mentoring film students. Find Korey Pollard on IMDb here: https://www.imdb.com/name/nm0689484/?ref_=nmmi_mi_nm

Lights, camera, action! Let's chat about Dodge College of Film and Media Arts. We were lucky enough to meet with Dean Stephen Galloway and alum, Caroline, to showcase everything that makes Dodge so special. Produced by Daniel Mejia.

SUCCUBUS was the winner of BEST PERFORMANCES at the June 2022 HORROR Underground Film Festival. https://www.instagram.com/succubus_short/ Once again, Lauren is dragged on a night out with her drunken roommate. Tensions rise as the two realize they share an interest in the mystery man at the bar. Jealousy sparks a sharp twist, sending Lauren into a dark void of insecurities, traumas, and a looming sense of anxiety as she tries to survive the night. Director Biography - Taylor Weiss Taylor Weiss is a 21-year-old filmmaker based in Southern California. Born and raised on the Upper West Side of Manhattan, Taylor is a senior at Chapman University's Dodge College of Film and Media Arts. After producing several Independent student films throughout college, she made her directorial debut, an experimental short titled “Succubus”. Taylor is currently developing her thesis film “Splinter” set to film in February 2023. As a filmmaker, her main goal is focused on gaining more experience as a Director. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Author and educator, Stephen Galloway, joined Chapman University in 2020 as the Twyla Reed Martin Dean of Film and Media Arts at Dodge College.  He's best known for his role as executive editor and producer at The Hollywood Reporter, where he served for almost 30 years. Stephen created and produced series such as “The Hollywood Masters“ and “Close Up with The Hollywood Reporter.” Over the past decade, Stephen has worked to bring in and support diversity in the entertainment industry. Through a partnership between The Hollywood Reporter and Big Brothers-Big Sisters of Greater Los Angeles, he created the award-winning Women in Entertainment Mentorship Program, pairing high school juniors from South Central L.A. with top-level women in film and TV. More than 250 teenagers from disadvantaged backgrounds have participated and gone on to college.Stephen spearheaded The Hollywood Reporter's new Empowerment in Entertainment event. Oprah Winfrey and Stephen joined forces to launch` a leadership program for young men and women of color called the Young Executives Fellowship.  As an author, in 2017, Stephen published the book Leading Lady: Sherry Lansing and the Making of a Hollywood Groundbreaker. In March of 2022, he published to wide critical acclaim Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century.  I've read Truly, Madly and can highly recommend it to you as a beautifully written, in-depth story of one of the most passionate, intense, and difficult show business relationships ever.

 Scott Arundale (producer of LUCKY BASTARD and AN AMBUSH OF GHOSTS) shows us around the new Dodge College facilities before speaking to a class of eager young film student producers, and subsequently crushes their dreams. Credits Include... Rambo III starring Sylvester Stallone Young Sherlock Holmes starring Sophie Ward Lucky Bastard starring Patrick Tatten and Lorin Doctor The Gold Cup starring Wood Harris and Mark Boone Junior Follow Us on Social Media! Greater & Grander on YouTube - https://www.youtube.com/c/GreaterGrander  Greater & Grander on Facebook - https://www.facebook.com/GreaterGrander Greater & Grander on Twitter - https://twitter.com/GreaterGrander  Greater & Grander on Patreon - https://www.patreon.com/GreaterGrander    Register and Get a Free List of Special Info on Jobs in Hollywood - http://greaterandgrander.com/special-job-openings-giveaways  

Every Friday at 12 p.m., viewers can tune in to watch the only live broadcast news program Orange County has to offer: Chapman News. As part of Dodge College's broadcast journalism program, Chapman News is an entirely student-run production broadcasting from a fully outfitted studio. Podcast Editor Abby Little talks with Chapman News executive producers Payton Bell, Adrienne Mitchel, Kinsley Rolph, and Emma Sexton to discuss their first semester running the show and their future career goals. Created by ABBY LITTLE, Podcast Editor Chapman News Instagram & Twitter: @chapmannews

 Scott Arundale (producer of LUCKY BASTARD and AN AMBUSH OF GHOSTS) shows us around the new Dodge College facilities before speaking to a class of eager young film student producers, and subsequently crushes their dreams.  Credits Include... Rambo III starring Sylvester Stallone Young Sherlock Holmes starring Sophie Ward Lucky Bastard starring Patrick Tatten and Lorin Doctor The Gold Cup starring Wood Harris and Mark Boone Junior  Follow Us on Social Media! Greater & Grander on YouTube - https://www.youtube.com/c/GreaterGrander  Greater & Grander on Facebook - https://www.facebook.com/GreaterGrander Greater & Grander on Twitter - https://twitter.com/GreaterGrander  Greater & Grander on Patreon - https://www.patreon.com/GreaterGrander    Register and Get a Free List of Special Info on Jobs in Hollywood - http://greaterandgrander.com/special-job-openings-giveaways  

Getting Out of the Way with Matthew Arkin Today we welcome Broadway, film and TV actor Matthew Arkin.  Matthew is also an author, acting teacher, writing coach, and co-host of the podcast The Arkin Brothers Talk about Movies. Recently, he has added booze entrepreneur to the many hats he wears, and we'll hear about that today as well! Our conversation includes:- Matthew's background and his new project, the grain-based spirit business, Batch 22 - A story about walking out on stage and doing absolutely nothing - The lesson and gift of his story:  not controlling the experience - The only way to make it happen is to stay out of the way and let it happen - Matthew's book The Country of the Blind, and a script about...lava babies!-  Learn about his booze entrepreneurship, Batch 22 and creativity with cocktails - The Batch 22 Road Trip:  16 cities in two weeks = a lot of craft cocktail drinking- Connect with Matthew at the links below Guest Bio: Matthew Arkin is an actor, author, and educator. Among his extensive television credits are Get Shorty, Hawaii Five-0, Bull, Criminal Minds, NCIS, Aquarius, and Law and Order. Film credits include indies Margot at the Wedding, Second Best, Raising Flagg, The Curse, and Bittersweet Place, as well as Death to Smoochy, Liar, Liar, North, and An Unmarried Woman. His Broadway credits include Neil Simon's The Sunshine Boys, with Jack Klugman and Tony Randall, Mr. Simon's Laughter on the 23rd Floor, and Manhattan Theater Club's Losing Louie. Other New York credits include originating the role of Gabe in Donald Margulies' Pulitzer Prize-winning Dinner with Friends (Drama Desk nomination), Moonlight and Magnolias at MTC, Rounding Third and War in Paramus. Among his regional theater credits are The Sisters Rosenswieg, The Siegel, All the Way, The Whale, The Prince of Atlantis, and Our Mother's Brief Affair, all at South Coast Rep, Surf Report at La Jolla Playhouse, and The Scene at Hartford Stage Company. He teaches acting in Los Angeles, and is Director of the Acting Intensive Program at South Coast Repertory and an adjunct professor at Dodge College of Film and Media Arts at Chapman University. He is also the author of the suspense novel In the Country of the Blind.Matthew's website: https://www.matthewarkin.com/Matthew Arkin Studio: http://matthewarkinstudio.com/Drink Batch 22:  DrinkBatch22.comThe Arkin Brothers Talk about Movies Podcast: https://apple.co/3wluNw2Sign up for Matthew's newsletterConnect with Story and HorseFacebook: @storyandhorseInstagram: @storyandhorse

Welcome to episode 166 of the creative writer’s toolbelt podcast. My guest for this episode is the actor and writer and Lutheran Susan Isaacs. Susan has worked in TV, and got a Masters degree in screen writing. She moved to New York, and worked in comedy there before moving back to California to be close to her mother, who had dementia. She turned some of the most difficult times of her life into a one-woman stage show and that led to a publishing deal. She is now Professor of Screenwriting at Dodge College of Film and Media Arts. In our conversation we talk about the fact that successful stories need a compelling character, who is relatable but also wounded, and who has a desire or goal. We discuss how story structure goes back to Aristotle, and has been worked out by great storytellers have worked with and worked out this structure since then, from Shakespeare to Tolkien, from St Augustine to Margaret Mitchell. We discuss the fact that great stories have an internal and an external journey for the main characters and how this works within the three-act structure, and how stories live in specificity. We talk about how script writing is the same as the novel but also different in terms of structure, we discuss active verbs, and reflect on how our stories are never going to be as horrible, or wonderful, as we think they are. I learnt a lot from my conversation with Susan, I hope you find it an enjoyable and informative listen.

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.  Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades. Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University's Dodge College of Film and Media Arts. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Editors - Daysha Broadway, Stephanie Filo, Jessica Hernández ACE A Black Lady Sketch Show is an American television sketch comedy show created by Robin Thede for HBO. The show consists of comedic sketches performed by a main cast of Black women comedians. The first season premiered with six episodes on August 2, 2019 and received a 2020 TCA Award for Outstanding Achievement in Sketch/Variety Shows. Though the second season was delayed due to the COVID-19 pandemic, it premiered April 23, 2021 and won three Black Reel Awards and is currently nominated for four Primetime Emmy® awards; including an Outstanding Picture Editing for Variety Programming nomination for Daysha, Stephanie and Jessica.  They went on to win that Emmy! DAYSHA BROADWAY Los Angeles native Daysha Broadway began her career with a Master's Degree in Film Editing from Dodge College of Film and Media Arts at Chapman University.  Since graduation she has spent the past ten years editing documentary, scripted, and unscripted television.  In addition to A Black Lady Sketch Show, her credits include numerous television shows such as Insecure, 9-1-1, Twenties and Boomerang. Daysha has also contributed her talents to documentary features such as Light Girls and Surviving R. Kelly, the latter of which earned her a Peabody award. STEPHANIE FILO Stephanie Filo is an award-winning editor and activist with over a decade of experience editing and producing both scripted and unscripted content.  Aside from editing film and tv, Stephanie spends much of her spare time producing and editing social action campaigns and documentaries.  Her work on the news documentary series Mental State earned her an Emmy® nomination for the episode Aging Out about youth aging out of the American foster care system. She also earned an Emmy® win for her editing on the Mental State episode Separated which covered ICE deportations, making herself and Nzinga Blake the first Sierra Leonean women to ever win an Emmy® award. JESSICA HERNÁNDEZ ACE Jessica Hernández is a first generation Cuban-American filmmaker whose work ranges from scripted television to documentaries and features.  Her films include Bomb It (Tribeca 2007), The Garden (Oscar nom 2008), Karma Calling (Best Feature New Jersey Film Fest 2009), Bhutto (Competition Sundance 2010, Emmy nom, Peabody 2011), Treatment (Tribeca 2011), The Punk Singer (SXSW 2013), and The Boy Band Con (SXSW 2019).  In addition to A Black Lady Sketch Show, her 2021 scripted television projects include Adam McKay's Untitled LAKERS series and Ava DuVernay's COLIN In B&W. Editing A Black Lady Sketch Show In our discussion with the A Black Lady Sketch Show editing team of Daysha Broadway, Stephanie Filo and Jessica Hernández ACE, we talk about: The role of the Supervising Editor Being the new editor on the team The VFX aspect of making "five minute" comedies Editing tools you can't live without Honing your editing chops in unscripted tv The Credits Visit ExtremeMusic for all your production audio needs Check out the free trial of Media Composer | Ultimate Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Join Scott and Mark with their guest, Rachel Redleaf, as they talk about auditioning for screen acting gigs in-person and online. Rachel is an actor, a coach, and a singer best known for her roles as Mama Cass in Quentin Tarantino's Once Upon A Time In Hollywood and Beth Chapin in Atypical. Soon, she will also appear as young Alma Fillcot in the second season of Paramount's Why Women Kill, definitely a show to die for. But today, Rachel will be sharing her story, from discovering her passion for acting growing up to landing several roles on film and TV since then. Auditions Amid the Pandemic When asked about the audition process, Rachel touched on how auditioning for screen acting gigs changed since COVID began. Usually, she would go to an audition in person but only had one chance to get it right. And if she doesn't hear back from the casting director in three days, it often means she didn't get the part, which is incredibly disheartening when someone's just a novice. But now, auditions are done either via Zoom calls or pre-recorded submissions called ‘self-tapes.' As much of a hassle as it may seem, Rachel still appreciates the freedom of creativity self-tapes provide. After all, with video submissions, you can do as many takes as you want and still take time to choose which one to send in. Then again, what Rachel loves about self-tapes is that it gives her a chance to truly get in character, whether through their clothing or even props available at home. And if you are looking to get into screen acting as well, listen to today's episode of Amigospc, where Rachel Redleaf gives some advice on how to audition at the comfort of your own home. Acting Is Not All Glitz and Glamour Once you make it into the entertainment industry, most people believe it's all fame and fortune from there. Even the hosts thought the same when they asked Rachel what her life was like after appearing as Beth Chapin in Atypical. But to their surprise, Rachel's experience working for Netflix while going to college was not all glitz and glamour. At first, she too believed that her life would be better after appearing in her first screen acting gig. That, once everyone saw the show, she would make more friends. Then again, being in acting school often meant your schoolmates were also competition. After all, the acting industry is no stranger to jealousy. Hence, Rachel's life in college got all the more difficult. At Chapman University, she often got bullied for her success, often told that she only got lucky or never deserved it. But despite the animosity, Rachel kept going, landing more roles during and after college. Not only that, she now advocates against bullying, serving at Kid in the Corner as a board member. In the end, her perseverance is what brought her the fame and fortune she always deserved. About Rachel Redleaf: Rachel Redleaf grew up in Scottsdale, Arizona. Here, she discovered her passion for acting and singing at Scottsdale Desert Stages and Greasepaint Theaters, starting at age 4. Since then, show choir has been her happy place, especially in her time at Horizon Highschool. Meanwhile, in 2019, Rachel earned a BFA in Screen Acting from Dodge College of Film and Media Arts at Chapman University. She is also an anti-bullying activist and serves on the board of Kid in the Corner. Outline of the Episode: [01:43] Rachel's progression of her career, from show choir to screen acting [04:14] The struggle of keeping up with different passwords for socials [05:31] Her thoughts on her character Beth Chapin on the Netflix show Atypical [08:04] How Atypical was the first screen acting gig she ever booked [10:41] What it was like auditioning for screen acting gigs amid the pandemic [14:28] Rachel's advice on landing a role when auditioning via a self-taped submission [16:26] Her experience working for Netflix while still in college [18:03] What prompted Rachel to pursue acting as a career [23:00] Actors she often hung out with and how it changed due to COVID [27:58] How Rachel got into her role as young Alma Fillcot in Why Women Kill [34:12] What it was like working with Quentin Tarantino and high-profile actors [37:55] Her experience going to premieres for TV shows and movies she is in [40:55] What to look out for in Season Four of Atypical, according to Rachel [42:13] Rachel Redleaf on whether Australia or any place she travels to is not “real.” [46:28] Why she thinks the acting warm-ups they learned in college are weird [50:00] A piece of information that Rachel has learned that she feels should be illegal Catch Rachel Redleaf! Website: https://www.rachelredleaf.com/ Instagram: https://www.instagram.com/rachelredleaf/ IMDb: https://www.imdb.com/name/nm6637304/ TikTok: https://www.tiktok.com/@rachelredleaf Connect with AmigosPC! Website:https://www.amigospc.net Facebook:https://www.facebook.com/TwoandahalfAmigos Instagram:https://www.instagram.com/amigospc Twitter:https://twitter.com/AmigosPCCheck out Offical AmigosPC Merch at: https://teespring.com/stores/amigospc Listen to the AmigosPC podcast on the following platforms: https://podcasts.apple.com/us/podcast/the-3-amigos… https://www.spreaker.com/show/the-two-and-a-half-a… https://www.iheart.com/podcast/256-two-and-a-half-…

Join Scott and Mark with their guest, Rachel Redleaf, as they talk about auditioning for screen acting gigs in-person and online. Rachel is an actor, a coach, and a singer best known for her roles as Mama Cass in Quentin Tarantino's Once Upon A Time In Hollywood and Beth Chapin in Atypical. Soon, she will also appear as young Alma Fillcot in the second season of Paramount's Why Women Kill, definitely a show to die for. But today, Rachel will be sharing her story, from discovering her passion for acting growing up to landing several roles on film and TV since then. Auditions Amid the Pandemic When asked about the audition process, Rachel touched on how auditioning for screen acting gigs changed since COVID began. Usually, she would go to an audition in person but only had one chance to get it right. And if she doesn't hear back from the casting director in three days, it often means she didn't get the part, which is incredibly disheartening when someone's just a novice. But now, auditions are done either via Zoom calls or pre-recorded submissions called ‘self-tapes.' As much of a hassle as it may seem, Rachel still appreciates the freedom of creativity self-tapes provide. After all, with video submissions, you can do as many takes as you want and still take time to choose which one to send in. Then again, what Rachel loves about self-tapes is that it gives her a chance to truly get in character, whether through their clothing or even props available at home. And if you are looking to get into screen acting as well, listen to today's episode of Amigospc, where Rachel Redleaf gives some advice on how to audition at the comfort of your own home. Acting Is Not All Glitz and Glamour Once you make it into the entertainment industry, most people believe it's all fame and fortune from there. Even the hosts thought the same when they asked Rachel what her life was like after appearing as Beth Chapin in Atypical. But to their surprise, Rachel's experience working for Netflix while going to college was not all glitz and glamour. At first, she too believed that her life would be better after appearing in her first screen acting gig. That, once everyone saw the show, she would make more friends. Then again, being in acting school often meant your schoolmates were also competition. After all, the acting industry is no stranger to jealousy. Hence, Rachel's life in college got all the more difficult. At Chapman University, she often got bullied for her success, often told that she only got lucky or never deserved it. But despite the animosity, Rachel kept going, landing more roles during and after college. Not only that, she now advocates against bullying, serving at Kid in the Corner as a board member. In the end, her perseverance is what brought her the fame and fortune she always deserved. About Rachel Redleaf: Rachel Redleaf grew up in Scottsdale, Arizona. Here, she discovered her passion for acting and singing at Scottsdale Desert Stages and Greasepaint Theaters, starting at age 4. Since then, show choir has been her happy place, especially in her time at Horizon Highschool. Meanwhile, in 2019, Rachel earned a BFA in Screen Acting from Dodge College of Film and Media Arts at Chapman University. She is also an anti-bullying activist and serves on the board of Kid in the Corner. Outline of the Episode: [01:43] Rachel's progression of her career, from show choir to screen acting [04:14] The struggle of keeping up with different passwords for socials [05:31] Her thoughts on her character Beth Chapin on the Netflix show Atypical [08:04] How Atypical was the first screen acting gig she ever booked [10:41] What it was like auditioning for screen acting gigs amid the pandemic [14:28] Rachel's advice on landing a role when auditioning via a self-taped submission [16:26] Her experience working for Netflix while Join Scott and Mark with their guest, Rachel Redleaf, as they talk about auditioning for screen acting gigs in-person and online. Rachel is an actor, a coach, and a singer best known for her roles as Mama Cass in Quentin Tarantino's Once Upon A Time In Hollywood and Beth Chapin in Atypical. Soon, she will also appear as young Alma Fillcot in the second season of Paramount's Why Women Kill, definitely a show to die for. But today, Rachel will be sharing her story, from discovering her passion for acting growing up to landing several roles on film and TV since then. Auditions Amid the Pandemic When asked about the audition process, Rachel touched on how auditioning for screen acting gigs changed since COVID began. Usually, she would go to an audition in person but only had one chance to get it right. And if she doesn't hear back from the casting director in three days, it often means she didn't get the part, which is incredibly disheartening when someone's just a novice. But now, auditions are done either via Zoom calls or pre-recorded submissions called ‘self-tapes.' As much of a hassle as it may seem, Rachel still appreciates the freedom of creativity self-tapes provide. After all, with video submissions, you can do as many takes as you want and still take time to choose which one to send in. Then again, what Rachel loves about self-tapes is that it gives her a chance to truly get in character, whether through their clothing or even props available at home. And if you are looking to get into screen acting as well, listen to today's episode of Amigospc, where Rachel Redleaf gives some advice on how to audition at the comfort of your own home. Acting Is Not All Glitz and Glamour Once you make it into the entertainment industry, most people believe it's all fame and fortune from there. Even the hosts thought the same when they asked Rachel what her life was like after appearing as Beth Chapin in Atypical. But to their surprise, Rachel's experience working for Netflix while going to college was not all glitz and glamour. At first, she too believed that her life would be better after appearing in her first screen acting gig. That, once everyone saw the show, she would make more friends. Then again, being in acting school often meant your schoolmates were also competition. After all, the acting industry is no stranger to jealousy. Hence, Rachel's life in college got all the more difficult. At Chapman University, she often got bullied for her success, often told that she only got lucky or never deserved it. But despite the animosity, Rachel kept going, landing more roles during and after college. Not only that, she now advocates against bullying, serving at Kid in the Corner as a board member. In the end, her perseverance is what brought her the fame and fortune she always deserved. About Rachel Redleaf: Rachel Redleaf grew up in Scottsdale, Arizona. Here, she discovered her passion for acting and singing at Scottsdale Desert Stages and Greasepaint Theaters, starting at age 4. Since then, show choir has been her happy place, especially in her time at Horizon Highschool. Meanwhile, in 2019, Rachel earned a BFA in Screen Acting from Dodge College of Film and Media Arts at Chapman University. She is also an anti-bullying activist and serves on the board of Kid in the Corner. Outline of the Episode: [01:43] Rachel's progression of her career, from show choir to screen acting [04:14] The struggle of keeping up with different passwords for socials [05:31] Her thoughts on her character Beth Chapin on the Netflix show Atypical [08:04] How Atypical was the first screen acting gig she ever booked [10:41] What it was like auditioning for screen acting gigs amid the pandemic [14:28] Rachel's advice on landing a role when auditioning via a self-taped submission [16:26] Her experience working for Netflix while

Welcome to The Academic Life. You are smart and capable, but you aren't an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we'd bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you'll hear about: the paid and unpaid workload required of adjuncts, Dawn's personal pandemic perspective as she had to suddenly pivot from teaching on campus to teaching online, the effect of the pivot on her students, and her love of film studies and why she's hopeful for the future. Our guest is: Dawn Fratini, who has nearly twenty years adjunct teaching experience at the community college and college level. She is currently an adjunct professor at Chapman University's Dodge College of Film and Media Arts where she teaches courses in Film History, Animation History, the Walt Disney Company, the Horror Genre and more. She hold an MFA in Screenwriting and is a PhD candidate at UCLA's School of Film, Television and Digital Media. She researches technical labor in Hollywood and is currently completing her PhD dissertation, The Genies in the System: The Motion Picture Research Council, 1947-1960. Our host is: Dr. Christina Gessler, a historian of women, gender, and sexuality. Christina and Dawn are members of the Friday Morning Molas, a writing group founded during the pandemic. Christina is the co-creator the Academic Life channel for NBN with Dr. Dana Malone, a channel they started during the pandemic. Listeners to this episode might be interested in: Academy of Motion Picture Arts and Sciences, Margaret Herrick Library, Digital Collections. UCLA Oral History Digital Collection. Media History Digital Archive. The Internet Archive. Aca-Media podcast of the Society of Cinema and Media Studies, which looks at a variety of issues in the field, including teaching during the pandemic. Teaching Media, which hosts an online journal on media pedagogy, and also serves as open source for sharing teaching ideas and resources. SCMS Precarious Labor Organization. "The Precarious Labor Organization provides community and advocacy for the Society's members who are in positions without job security or a clear route to promotion and advancement."  SCMS. "The Society for Cinema and Media Studies is the leading scholarly organization in the United States dedicated to promoting a broad understanding of film, television, and related media through research and teaching grounded in the contemporary humanities tradition.”  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: the paid and unpaid workload required of adjuncts, Dawn’s personal pandemic perspective as she had to suddenly pivot from teaching on campus to teaching online, the effect of the pivot on her students, and her love of film studies and why she’s hopeful for the future. Our guest is: Dawn Fratini, who has nearly twenty years adjunct teaching experience at the community college and college level. She is currently an adjunct professor at Chapman University’s Dodge College of Film and Media Arts where she teaches courses in Film History, Animation History, the Walt Disney Company, the Horror Genre and more. She hold an MFA in Screenwriting and is a PhD candidate at UCLA’s School of Film, Television and Digital Media. She researches technical labor in Hollywood and is currently completing her PhD dissertation, The Genies in the System: The Motion Picture Research Council, 1947-1960. Our host is: Dr. Christina Gessler, a historian of women, gender, and sexuality. Christina and Dawn are members of the Friday Morning Molas, a writing group founded during the pandemic. Christina is the co-creator the Academic Life channel for NBN with Dr. Dana Malone, a channel they started during the pandemic. Listeners to this episode might be interested in: Academy of Motion Picture Arts and Sciences, Margaret Herrick Library, Digital Collections. UCLA Oral History Digital Collection. Media History Digital Archive. The Internet Archive. Aca-Media podcast of the Society of Cinema and Media Studies, which looks at a variety of issues in the field, including teaching during the pandemic. Teaching Media, which hosts an online journal on media pedagogy, and also serves as open source for sharing teaching ideas and resources. SCMS Precarious Labor Organization. "The Precarious Labor Organization provides community and advocacy for the Society’s members who are in positions without job security or a clear route to promotion and advancement."  SCMS. "The Society for Cinema and Media Studies is the leading scholarly organization in the United States dedicated to promoting a broad understanding of film, television, and related media through research and teaching grounded in the contemporary humanities tradition.”  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: the paid and unpaid workload required of adjuncts, Dawn’s personal pandemic perspective as she had to suddenly pivot from teaching on campus to teaching online, the effect of the pivot on her students, and her love of film studies and why she’s hopeful for the future. Our guest is: Dawn Fratini, who has nearly twenty years adjunct teaching experience at the community college and college level. She is currently an adjunct professor at Chapman University’s Dodge College of Film and Media Arts where she teaches courses in Film History, Animation History, the Walt Disney Company, the Horror Genre and more. She hold an MFA in Screenwriting and is a PhD candidate at UCLA’s School of Film, Television and Digital Media. She researches technical labor in Hollywood and is currently completing her PhD dissertation, The Genies in the System: The Motion Picture Research Council, 1947-1960. Our host is: Dr. Christina Gessler, a historian of women, gender, and sexuality. Christina and Dawn are members of the Friday Morning Molas, a writing group founded during the pandemic. Christina is the co-creator the Academic Life channel for NBN with Dr. Dana Malone, a channel they started during the pandemic. Listeners to this episode might be interested in: Academy of Motion Picture Arts and Sciences, Margaret Herrick Library, Digital Collections. UCLA Oral History Digital Collection. Media History Digital Archive. The Internet Archive. Aca-Media podcast of the Society of Cinema and Media Studies, which looks at a variety of issues in the field, including teaching during the pandemic. Teaching Media, which hosts an online journal on media pedagogy, and also serves as open source for sharing teaching ideas and resources. SCMS Precarious Labor Organization. "The Precarious Labor Organization provides community and advocacy for the Society’s members who are in positions without job security or a clear route to promotion and advancement."  SCMS. "The Society for Cinema and Media Studies is the leading scholarly organization in the United States dedicated to promoting a broad understanding of film, television, and related media through research and teaching grounded in the contemporary humanities tradition.”  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Senior Chris Li discusses his thoughts about the Dodge College of Film and Media Arts resuming student productions, projects he's been able to work on and what his plans are after graduation.

Story:Bart, who is seventy, and Tyler, who is twenty-eight, happen to be on the same elevator when it becomes stuck between floors.Bart is concerned that his daughters will think he has gotten lost again and might send him to a retirement community. Tyler does not seem too concerned about anything. In the few minutes, they share in the elevator the two find a unique friendship that crosses age barriers.Writer: Lawson CaldwellLawson’s work has been produced in Germany as well as the United States. A graduate of the University of North Carolina, Lawson holds a Masters Degree in Theatre and Speech from the University of South Carolina. His play, Waltzing, One, Two, Three, was a Heideman Award Nominee (Actors Theatre of Louisville) and was produced at the Out Works Festival (Louisiana State University), the Gary Garrison Playwriting Festival (Beaumont, TX), Notes from the Underground Festival (NYC) and, most recently, by The New American Theatre Company (Los Angeles). The play was also selected for a reading by Village Playwrights as part of New York City’s Pride Tribute. Lawson is also the author of a popular children's book, "Colors Belong to Everyone."Director: Gary LambGary B. Lamb has appeared as an actor in more than 50 plays and musicals as well as on TV and film. He recently completed a National Tour of EVITA as Juan Peron and the title role in MACBETH for Shakespeare @ The Castle in Ohio. He can be heard on the recently released podcast DREAMLAND as Bruce. Gary has been a stage actor/director/producer for most of his life. Repair at www.GBLambMusic.com. CASTFranco Machado Franco was born in Caracas, Venezuela, and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing. In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and a minor in Sociology from Chapman University’s Dodge College. Franco has had the opportunity to work with many well-known artists including Anthony Ramos, Leonardo DiCaprio, Francis F. Coppola, Rita Wilson, Jessy Terrero, Lil Peep, Lil Twist, and CD9. He’s directed two short films, Our Lives Matter (2017) and Be a Man (2017), and a music video for TAKARA. Noelle Evangelista- as FrancineDaamen Krall Daamen has worked as a professional actor/voice-over artist in films and television for the past 38 years. Some of the recent film credits include THE POST, CARS III, AMERICAN PASTORAL, UNBROKEN 2, and, for television, SLEEPY HOLLOW and MADMEN. One of his favorite projects was starring in the title role of the award-winning remake of THE CABINET OF DOCTOR CALIGARI. He also produced the award-winning short film HIDE. Under the banner of MIDNIGHT SCREAM PRODUCTIONS with partner Robert Shelby, he is currently in post-production for the web series THE LISTENER. Daamen is also the host and sometimes cast member of the return of radio’s theatre of thrills, SUSPENSE, which is ha gained fans around the world and was nominated twice for a Peabody Award.Sound Production: Recorded at ES Audio Services in Glendale, CA. Recorded and Mixed by Hall CantrellSound Editor: Hall CantrellSound Effects: Ryan MarshSupport the show (https://fundraising.fracturedatlas.org/open-door-playhouse)

ABOUTWhat does it mean to accept ourselves, and each other? Friends from the past reconnect in High School in this bittersweet Library conversation.WRITERRachael CarnesPlaywright Rachael Carnes received a 2020 Oregon Literary Fellowship and had more than 50 productions in 2019, across the U.S., U.K., Canada, the Middle East, and Asia. She’s recently developed work at the William Inge Theatre Festival, the Kennedy Center for the Performing Arts, the Midwestern Dramatists Center, the Mid-America Theater Conference, the American Association for Theatre in Higher Education Conference, the Sewanee Writers’ Conference, the Great Plains Theatre Conference, the Lighthouse Writers’ Conference, and the Samuel French Off-Off Broadway Festival. Rachael’s plays are seen in many literary journals. Rachael is the founder and editor of CodeRedPlaywrights, a consortium of writers across the country, responding to gun violence. She and her family live in Oregon. www.rachaelcarnes.comDIRECTORBernadette ArmstrongBernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated). Bernadette is the founder of Open-Door Playhouse. ACTORSFranco Machado as MikeFranco was born in Caracas, Venezuela, and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing. In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and a minor in Sociology from Chapman University’s Dodge College. Franco has had the opportunity to work with many well-known artists including Anthony Ramos, Leonardo DiCaprio, Francis F. Coppola, Rita Wilson, Jessy Terrero, Lil Peep, Lil Twist, and CD9. He’s directed two short films, Our Lives Matter (2017) and Be a Man (2017), and a music video for TAKARA. Whitton Frank as LaurelWhitton Frank is a voice, film, television, and theater actor living in Los Angeles. Recent work includes the award-winning horror short Seeing Green as well as immersive vo work in the VR world of The Under Presents and The Tempest and as Kate in season 1 of RomCom Pods. Her theater credits include Florence Boorman in Her Naked Skin/Greenwood Theater, Andrea in Cat’s Eye/Pleasance Theater, King Arthur and Mordred in Clarissant/Little Candle Productions, Grumio in Taming of the Shrew/The Porters of Hellsgate, and Flaming Girl in What the Moon Saw/Son of Semele Ensemble. She can also be seen as Jenna Laffy in season 3 of the TNT show Murder in the First. She is a popular audiobook narrator and can be found on Audible and other sites. And in her copious free time, she moonlights as a DJ and specializes in vintage jazz, blues, and soul.Support the show (https://fundraising.fracturedatlas.org/open-door-playhouse)

ABOUTIt’s only an item of clothing…but when Robert seems fascinated by it, storm clouds loom between him and his partner, Greg.DIRECTORBernadette Armstrong moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).WRITERRosemary FrisinoToohey It was in 1998 that Rosemary completed her first full-length play, Gladys in Wonderland. She has written a number of comedies, many of which are one-act works. Included in these are plays featuring lobsters, cockroaches, fruit, and socks. Rosemary has also written a musical play, Judy And The General. She is also a member of the Screen Actors Guild and has worked in film and on TV, her projects include appearances on Home, Rocket Science, Rocky Balboa, The Wire, Veep, and House Of Cards among many others.ACTORSBrandon Lamberty has been acting for five years and also is a stand-up comic. You can see his work in comedic commercial spots all throughout the country. You can see him in the film "Chinese Speaking Vampires" which comes out this month! Franco Machado was born in Caracas, Venezuela and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing. In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and minor in Sociology from Chapman University’s Dodge College. Franco has had the opportunity to work with many well-known artists including Anthony Ramos, Leonardo DiCaprio, Francis F. Coppola, Rita Wilson, Jessy Terrero, Lil Peep, Lil Twist, and CD9. He’s directed two short films, Our Lives Matter (2017) and Be a Man (2017), and a music video for TAKARA.Sound Production!Mercury Sound Studios Recorded and Mixed by Paul Ratajczak and Hall CantrellSound Effects: Ryan Marsh Sound Editor: Hall CantrellMusic: Audio JungleSupport the show (https://fundraising.fracturedatlas.org/open-door-playhouse)

http://tvotshow.com - TVOT/ITVT is pleased to present another episode of “Televisionation,” our new video/audio podcast exploring the advanced/interactive-TV industry in the Coronavirus/Covid-19 Era. This episode is a little different from our usual interview format: it showcases an inspiring and heartwarming project from the Advanced Web Video Production class taught (remotely, of course) by Professor Frank Chindamo of Chapman University’s famous Dodge College of Film and Media Arts. Amidst all the dire news flooding our Twitter feeds and news shows, Professor Chindamo is tasking his students with producing TikTok videos that focus on a recent good news story. The creative videos the students have come up with can be viewed on a dedicated TikTok channel, “ForYouFromUs”: https://www.tiktok.com/@foryoufromus. This is a short video featuring a few highlights of the final presentations. Be sure to catch a short cameo of YouTube star, David Dobrick! (Note: If you would like to share your thoughts on how the Coronavirus/Covid-19 crisis will change the TV and advertising industries, and tell us what your company—or you yourself—are doing to prepare for this new reality, please contact us at tracyswedlow@gmail.com(link sends e-mail).)Subscribe to Televisionation: http://itvt.com/subscribe

Frank Chindamo founded and runs Fun Little Movies, one of the world's top producers of comedic “Advertainment” videos for the web and TV. Fun Little Movies (FLM) has won over 30 awards for its work and has been lauded on the front pages of Forbes Magazine, the LA Times, and in the Wall St. Journal, NY Times, CNN, USA Today, etc. Frank created the courses and is an Adjunct Professor of web video production and monetization classes at USC, UCLA, Chapman U. and Emerson College. His students have included Primetime Emmy Winner Bernie Su, billion-hitter Freddie Wong, and 5SecondFilms. In 2016 Frank was voted the Adjunct Professor of the Year at Chapman University’s Dodge College out of 120 other professors. He co-wrote the books YouTube Success in 5 Steps and Internet Stardom and serves on the Board of Directors of the International Academy of Web Television. Virtual Film School You're living your dream. Don't miss it. If you’re enjoying this podcast, please rate and subscribe on your podcast player of choice. And if you’re really digging it, you can help me out with some of the expense by hitting the Donate button on my website.

The Total Tutor Neil Haley will interview Dean of Dodge College of Fine Arts at Chapman University, Bob Bassett.  

There are times in life when one realizes that they have come full circle from whence they started. A child who grew up with a father in film production, Sorrel purposefully chose a path that would lead her away from that industry.  However, the stops of life and career she made along the way, including working for the Olympic committee, and in events and outreach for our very own Dodge College of Film here at Chapman University, informed and empowered her journey back to the film industry. Hosts Taryn Stoop and Shannon Halverson-Gorajia meet up with this Chapman Alum to discuss the life long relationship she has had to the film industry, and what the British Film Commission has to offer this upwardly mobile young woman.

Welcome back to the Business of Film podcast, episode #82. Bob Bassett is the Dean of Dodge College of Fine Arts at Chapman University. The Hollywood Reporter ranked Chapman’s film program #6 in the country. Lots of great stuff here. Connect with us on INSTAGRAM or any other social @Crafttruck The post BoF #82 – Bob Bassett, Dean of Dodge College of Film and Media Arts appeared first on Craft Truck.

In the second episode of the Dodge Cast, we take a look at how a screenplay is crafted and what makes a good script. Thanks to James Dutcher and Barry Blaustein for their insight in this episode. Visit When The Page Was Black at http://whenthepagewasblank.com/ For more information on Dodge College, visit our website at www.chapman.edu/dodge To listen to more Dodge Cast episodes, visit us at www.chapman.edu/dodgecast

Today we're launching The Old Hollywood Times official podcast with an episode dedicated to the career and death of Carole Lombard. In this episode, host Wesley Emblidge talks with Dr. Emily Carman, professor of film studies at Chapman University's Dodge College, whose book “Independent Stardom: Freelance Women in the Hollywood Studio System” looks partly at Lombard's career, and how she worked as a freelance agent rather than with one studio. We discuss this, along with one of our favorite Lombard films, “My Man Godfrey”, in the episode. 00:00:00 - Introduction 00:02:50 - Discussing Lombard's Career 00:30:45 - Discussing “My Man Godfrey” For other podcasts and more: http://www.oldhollywoodtimes.com Buy Independent Stardom: Freelance Women in the Hollywood Studio System here: http://amzn.to/2iwTyRS

Tony Spiridakis Episode 22 Welcome back to Nothing Shines Like Dirt Empowering Actors to Create episode 22. Elise and Lesley sit down with writer/director/producer Tony Spiridakis. A seaside conversation about knowing film history, finding the story no matter your title and all the writing advice. Ever... Tony Spiridakis graduated from Albany University and immediately began teaching English at his old high school in Queens. At night, he pursued acting. He joined Circle in the Square’s Professional Workshop, which led to roles at the Williamstown Theater Festival, then his acceptance to the prestigious Yale School of Drama. From Yale, he was cast in the television series, BAY CITY BLUES, created by legendary producer Stephen Bochco, alongside Sharon Stone. Acting took him to Europe, where he starred in HAREM with Omar Sharif, THE AMERICAN WAY with Dennis Hopper, DEATHWISH III with Charles Bronson, and in director Stanley Kubrick’s FULL METAL JACKET. Mr. Kubrick inspired him to try his hand at writing. In his first screenplay, QUEENS LOGIC, Tony co-starred with Kevin Bacon, John Malkovich, Joe Mantegna and Jamie Lee Curtis. Suddenly, he was writing scripts for powerhouse producers Scott Rudin, Laura Ziskin, John Davis and Harvey Weinstein. Known for creating great roles for actors, he wrote for Academy Award winners Dustin Hoffman, Diane Keaton and Richard Dreyfuss, as well as Eddie Murphy, Chazz Palminteri and Giancarlo Giannini. He co-wrote the romantic comedy IF LUCY FELL, with Ben Stiller and Sarah Jessica Parker. His first film as writer-director, THE LAST WORD, starred Academy Award winner Timothy Hutton. He directed the indie-winning film NOISE, with Giancarlo Esposito (“Breaking Bad”); TINSELTOWN, with Ron Perlman and Emmy winner Joe Pantoliano; BEYOND THE ASHES, with Tony Goldwyn and Janeane Garofalo; his documentary, DRIVING TO GROUND ZERO, captured a road trip from Los Angeles to lower Manhattan during the terrifying week of 9-11. In television, he co-created the series THE HEIGHTS with Eric Roth, Academy Award for “Forrest Gump” and Aaron Spelling, which ran on FOX network. The Heights earned a gold record and a number one single on Billboard, “How Do You Talk To An Angel.” He had the honor of writing with FBI Agent Joe Pistone, the real-life “Donnie Brasco”, for the CBS series, FALCONE. On stage, his plays were produced at the Mark Taper Forum, the Odyssey and Open Fist theaters in Los Angeles. He also produced and acted in Academy and Tony Award winner Doug Wright’s first play, CALLBACKS, with his dear friend, three-time Emmy winner Michael E. Knight. Tony attributes his accomplishments to the quality of teachers, and friends: Uta Hagen, Nikos Psacharopoulos, Geraldine Page, Michael Kahn, Larry Moss and the incomparable Bob Krakower. He’s been a screenwriting mentor at the Hamptons Film Festival, taught film production at Chapman University’s Dodge College of Film, and co-founded the Manhattan Film Institute, a boutique conservatory, alongside his life partner Lisa Gillooly. Currently, he is writing a new series, OLIVER’S ARMY, for TNT network, and a screenplay, INAPPROPRIATE BEHAVIOR, under option to Weintraub Films. Tony is the proud father of two – Nikos and Dimitri – and with Lisa and her four – Richard, Lauren, Lianne and Elizabeth – they divide their time between Orient, New York and Sherman Oaks, California. Facebook: @ManhattanFilmInstitute Tony Spiridakis Instagram: mfifilm

In the inaugural episode of the Dodge Cast, we look at the world of virtual reality, and what some of our current students and alumni are achieving with it. Visit Well Told Entertainment online at welltold.io For more information on Dodge College, visit our website at www.chapman.edu/dodge To listen to more Dodge Cast episodes, visit us at www.chapman.edu/dodgecast  

Timothy Wheeler is a Los Angeles based director, producer, and EMMY-nominated cinematographer. Timothy’s directorial feature documentary debut The Other Shore: The Diana Nyad Story had its world premiere at SXSW 2013, international premiere at Hot Docs, and was subsequently featured on Ellen, Oprah’s Super Soul Sunday, Good Morning America, and in The New Yorker. The Other Shore has been airing on heavy rotation for almost two years on SHOWTIME.Timothy received a primetime EMMY nomination for Outstanding Cinematography for his work on the Discovery series Whale Wars. Other credits include programming for PBS, AL Jazeera, The New York Times, and VICE. Wheeler’s visual artistry and storytelling career was first inspired by his contribution to various human rights organizations and nonprofits, including Human Rights Watch. Timothy is also an adjunct professor at Chapman University’s Dodge College of Film, has a Master’s in Journalism from UC Berkeley, and has enjoyed travel and work in 60+ countries.Wheeler's latest feature documentary, POACHED, is a wildlife and nature story that delves into the psychology of the human obsession that threaten to destroy it. It premiered as SXSW 2015 and went on to win the International Wildlife Film Festival and is a nominee for the Jackson Hole Wildlife Film Festival. The film will release theatrically in the United States through the Ignite Channel on September 18, 2015 in Los Angeles before expanding to other cities.

David May has had a passion for storytelling since he was a child.  In 2005 he graduated from Chapman University's “Dodge College of Film and Media Arts” with a BFA in Film and Television (emphasis writing and directing) and a minor in Communications.  In 2010 he graduated with a MA in Film Theory. David's student films screened in approximately 100 film festivals on the national and international scale including the Karlov Vary film festival in 2007, and the Cannes film market in 2005.  His student films won various awards including “best of fest” at numerous festivals including "Best Super Short" at Shriekfest 2006. In 2007, David appeared on the FOX Reality television show “On the Lot” which was produced by Steven Spielberg and Mark Burnett.  The show received 12,000 applicants and david placed 12th in the competition. Today, David is working on creating an online community of filmmakers called ‘the Rejects.'  He's also working on a web-based series, and is focused on writing treatments and feature-length films.  David also serves as Chapman University's Director of Web and Interactive Marketing, and owns a video production and internet marketing company with his wife. http://www.imdb.com/name/nm1791846/                http://pogonacreative.com/examples/     video bio:   https://youtu.be/A-K4Hrvty14

“James Wedmore is a video marketing rockstar, superstar, guru, expert extraordinaire, YouTube genius.” That’s my homespun bio for the creator of Video Traffic Academy and a bevy of other products online. Wedmore’s official bio comes across as a bit more humble, but it shores up my claims. A graduate of one of the best film schools anywhere — Chapman University’s Dodge College of Film and Media Arts … Launch Your First Internet Product Using Video – James Wedmore Read More » The post Launch Your First Internet Product Using Video – James Wedmore appeared first on On Track Tips - Get on Track, Stay on Track | one expert at a time.

  Gil Bettman got a BA from Harvard, an MFA from UCLA and broke in as director of hour-long episodic, action-oriented TV in the early 80s’. He directed multiple episodes of Knight Rider,The Fall Guy and BJ and the Bear, as well as a Twilight Zone and numerous second units. He then transitioned to rock videos and directed some of the most popular videos of the mid-80’s, among them, “I Can’t Drive 55” for Sammy Hagar and “Stay the Night” for Chicago. The success of his rock videos got him his first feature film directing assignment – Crystal Heart (1985) starring Lee Curreri and Tawny Kitaen. Crystal Heart was widely distributed and hugely successful in Spanish-speaking markets as Corazon de Cristal. This was promptly followed by a second feature assignment, Never Too Young to Die (1987), starring Gene Simmons, John Stamos and Vanity. NTYTD has since developed a sizable cult following, mostly on the strength of Simmon’s brilliantly wacky performance as the hermaphrodite villain, Velvet Von Ragnar. In 1997, Bettman directed Night Vision, a low budget action film for Fred “The Hammer” Williamson. Since then, he has directed two feature documentaries for Sammy Hagar, The Long Road to Cabo (2003) and Go There Once, Be There Twice (2010).   In 1995, Gil was hired by Dean Bob Bassett as a full time professor to teach directing and screenwriting in the film department at Chapman University. Since then, he has helped his visionary dean build the little-known film department into one the preeminent filmschools in the world – The Dodge College of Film and Media Arts.   In 2003, Gil wrote down all the hard-earned, invaluable lessons he learned breaking into the industry as a television, rock video, and feature film director, and published his first LA Times best-seller, First Time Director.