Podcasts about hg wells

The Time Machine, by H. G. Wells chapter 4, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY: The Time Traveller goes on to explain that the creatures around him spoke with a “sweet and liquid tongue.” They seemed to be free of fear, and he felt safe with them. He removes the control lever from the machine to stop anyone else from using the machine, and followed the creatures. The creatures have large eyes, curly hair, and thin red lips. When the Time traveller points to the sky, trying to explain where he came from, a little man made an explosion sound, thinking he came from the hailstorm. He wonders if the men are fools and is greatly disappointed. The little men begin to run around the Time Traveller and start throwing flowers at him.The creatures take the Time Traveller into one of their large buildings. It is covered in hieroglyphics. They give him a meal of strange fruit and he starts trying to learn some of their language. The little men laugh at the Time Traveller's attempts at speech, but they soon grew weary of teaching him. The men seem foolish and indolent. He notices, on a walk, that the creatures all live in buildings together, and makes note that there are no signs of gender or old people. He thinks that he has arrived in a communist paradise, and that these creatures are a result of a world without fear and hardship. He notes that the work of his time is with the goal of making life easier, and that the result of that is frailty. The hardship is what keeps man intelligent and strong. Without danger, he believes that there is no need for family, which results in this strange way of life. But, The Time Traveller notes, this theory was very wrong.SEO Stuff that I don't want to do lol...One of the most influential pieces of fiction of all time, The Time Machine by H. G. Wells, sees a Victorian scientist send himself forward to the year 802,701 AD. He is delighted to find that suffering has been replaces by beauty and happiness, and a "new man", the Eloi, has descended from man. Science Fiction book, Sci-fi, Classic Literature

durée : 00:28:49 - Le Feuilleton - Graham, qui ne se sent pas la fibre d'un révolutionnaire, voit s'éloigner Helen qui cherchait à le dessiller. Ostrog a désormais le champ libre pour manipuler le peuple à sa guise. Découvrant les joies de l'aviation, Graham prend alors conscience du rôle qu'il peut jouer dans la révolution en cours. - réalisation : Cédric Aussir

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why? To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary. Kristin Mahoney 's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain's nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. (RTB listeners don't need to hear about John or his Arendt obsession. Mentioned in the episode Theosophical Society in Chennai Annie Besant Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant. Eric Williams, British Historians and the West Indies on hte grid theorizations of race by folks like Acton C L R James Adorno's Minima Moralia provides Naser with an important reminder o the importance of “hating tradition properly.” H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust's Remembrance of Things Past and in Ford Madox Ford's The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel. The three discuss Foucault's notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of post colonialism that replaced it, Paul Saint Amour's chapter on Ford Madox Ford is in Tense Future. John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books. The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked Isaiah Berlin's celebrated essay of the same name. Pamela Fletcher the Victorian Painting of Modern Life Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why? To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary.   Kristin Mahoney's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain's nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. RTB listeners don't need to hear about John or his Arendt obsession.   Mentioned in the episode Theosophical Society in Chennai Annie Besant Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant.  Eric Williams, British Historians and the West Indies on grand theorizations of race by folks like Acton C L R James Adorno's Minima Moralia provides Nasser with an importantreminder of the importance of “hating tradition properly.” H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust's Remembrance of Things Past and in Ford Madox Ford's The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel.  The three discuss Foucault's notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of postcolonialism that replaced it,  Paul Saint Amour's chapter on Ford Madox Ford is in Tense Future. John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books. The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked  Isaiah Berlin's celebrated essay of the same name. Pamela Fletcher the Victorian Painting of Modern Life . Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why? To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary. Kristin Mahoney 's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain's nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. (RTB listeners don't need to hear about John or his Arendt obsession. Mentioned in the episode Theosophical Society in Chennai Annie Besant Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant. Eric Williams, British Historians and the West Indies on hte grid theorizations of race by folks like Acton C L R James Adorno's Minima Moralia provides Naser with an important reminder o the importance of “hating tradition properly.” H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust's Remembrance of Things Past and in Ford Madox Ford's The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel. The three discuss Foucault's notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of post colonialism that replaced it, Paul Saint Amour's chapter on Ford Madox Ford is in Tense Future. John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books. The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked Isaiah Berlin's celebrated essay of the same name. Pamela Fletcher the Victorian Painting of Modern Life Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

durée : 00:28:48 - Le Feuilleton - Ostrog, un ancien membre du Concile, tire avantage du soulèvement pour s'emparer du pouvoir. En démagogue habile, il se sert de Graham pour parvenir à ses fins. Mais Helen, la propre nièce d'Ostrog, veut empêcher son oncle de faire main basse sur la révolution. - réalisation : Cédric Aussir

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why? To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary. Kristin Mahoney 's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain's nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. (RTB listeners don't need to hear about John or his Arendt obsession. Mentioned in the episode Theosophical Society in Chennai Annie Besant Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant. Eric Williams, British Historians and the West Indies on hte grid theorizations of race by folks like Acton C L R James Adorno's Minima Moralia provides Naser with an important reminder o the importance of “hating tradition properly.” H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust's Remembrance of Things Past and in Ford Madox Ford's The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel. The three discuss Foucault's notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of post colonialism that replaced it, Paul Saint Amour's chapter on Ford Madox Ford is in Tense Future. John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books. The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked Isaiah Berlin's celebrated essay of the same name. Pamela Fletcher the Victorian Painting of Modern Life Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:28:47 - Le Feuilleton - Emprisonné par le Concile qui se sent menacé par son réveil, Graham parvient à s'échapper et à rejoindre la foule. Réuni dans une arène, le peuple célèbre Graham comme le leader de la révolution. En coulisses, pourtant, un certain Ostrog tire les ficelles. - réalisation : Cédric Aussir

durée : 00:28:48 - Le Feuilleton - Pour le peuple opprimé par le Concile, le réveil de Graham, surnommé le Dormeur, est synonyme d'espoir. Helen Walton, une jeune rebelle qui veillait sur le Dormeur, cherche à sensibiliser Graham à son nouveau rôle : celui de messie de la révolution. - réalisation : Cédric Aussir

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

Let's continue our relaxing journey through history with the twin empires of Rome and China, social structures in ancient Rome, and the evolution of religions in the wake of conquest. Wells weaves a wonderful tale for your tired mind. Help us stay ad-free and 100% listener supported! Patreon: https://www.patreon.com/boringbookspod Buy Me a Coffee: https://www.buymeacoffee.com/d5kcMsW   Read “A Short History of the World” at Project Gutenberg: https://www.gutenberg.org/ebooks/35461 Music: "Boring Books for Bedtime,” by Lee Rosevere, licensed under CC BY, https://leerosevere.bandcamp.com   If you'd like to suggest a copyright-free reading for soft-spoken relaxation to help you overcome insomnia, anxiety and other sleep issues, connect on our website, http://www.boringbookspod.com.

durée : 00:28:48 - Le Feuilleton - À la fin du dix-neuvième siècle, Graham, âgé d'une trentaine d'années, tombe dans une profonde léthargie. Lorsqu'il se réveille à Londres en 2100, il apprend qu'il a dormi deux siècles. Ses gardiens s'adressent à lui comme à un monarque, tandis qu'au dehors gronde la révolution.

In H.G. Wells's "The Red Room," a young man, confident in his rationality, seeks to debunk the supernatural in a reputedly haunted chamber. He is certain that his experience will be defined by logic and reason. But the air within the castle walls is heavy with unspoken dread, and as the candles dwindle, something shifts. Is it the room itself, or something within him, that begins to unravel? "The Red Room" was first published in The Idler magazine in March of 1896. H.G. Wells (1866-1946), a visionary of science fiction and social commentary, explored the depths of human experience with unparalleled skill. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:28:48 - Le Feuilleton - À la fin du dix-neuvième siècle, Graham, âgé d'une trentaine d'années, tombe dans une profonde léthargie. Lorsqu'il se réveille à Londres en 2100, il apprend qu'il a dormi deux siècles. Ses gardiens s'adressent à lui comme à un monarque, tandis qu'au dehors gronde la révolution.

durée : 00:28:48 - Le Feuilleton - Pour le peuple opprimé par le Concile, le réveil de Graham, surnommé le Dormeur, est synonyme d'espoir. Helen Walton, une jeune rebelle qui veillait sur le Dormeur, cherche à sensibiliser Graham à son nouveau rôle : celui de messie de la révolution.

durée : 00:28:47 - Le Feuilleton - Emprisonné par le Concile qui se sent menacé par son réveil, Graham parvient à s'échapper et à rejoindre la foule. Réuni dans une arène, le peuple célèbre Graham comme le leader de la révolution. En coulisses, pourtant, un certain Ostrog tire les ficelles.

durée : 00:28:49 - Le Feuilleton - Graham, qui ne se sent pas la fibre d'un révolutionnaire, voit s'éloigner Helen qui cherchait à le dessiller. Ostrog a désormais le champ libre pour manipuler le peuple à sa guise. Découvrant les joies de l'aviation, Graham prend alors conscience du rôle qu'il peut jouer dans la révolution en cours.

durée : 00:28:48 - Le Feuilleton - Ostrog, un ancien membre du Concile, tire avantage du soulèvement pour s'emparer du pouvoir. En démagogue habile, il se sert de Graham pour parvenir à ses fins. Mais Helen, la propre nièce d'Ostrog, veut empêcher son oncle de faire main basse sur la révolution.

The Time Machine, by H. G. Wells chapter 3, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY: The Time Traveller climbs onto his machine and pushes the “forward” lever a little. He felt a lurch and dizzy sensation and pulled the lever back to its original spot… 5 hours had passed. He then decided to push the lever all the way forward and proceeded to watch the sun and moon revolve around him. The lab soon disappeared, and he sees the sky and hazy buildings pass in front of his eyes. He is very excited, but soon starts to wonder what will happen when he stops the machine – what if there is a solid object where he is currently positioned. He grows afraid and pulls the lever back and is then flung forward through the air with the machine. The Time Traveller finds himself in the middle of a hailstorm. When it passes, he sees a giant statue of a white “sphinx” on a bronze pedestal. He starts to become fear for what has happened to mankind. He notices large buildings around him, and as he turns towards the Time Machine, he sees some strange figures standing in rich robes watching him. One of them approaches him and the time traveller remarks that he is very frail and small, but beautiful.SEO Stuff that I don't want to do lol...One of the most influential pieces of fiction of all time, The Time Machine by H. G. Wells, sees a Victorian scientist send himself forward to the year 802,701 AD. He is delighted to find that suffering has been replaces by beauty and happiness, and a "new man", the Eloi, has descended from man.

Eric & Serling get back to the angry animals and back to the magical year of 1977.  Giant ants converge on some terrible people.  You won't know who to root for.   "Gimme some sugar, baby!"Send us a text

durée : 00:28:59 - Le Feuilleton - Après la mort de Moreau, tué par le puma échappé du laboratoire, Prendick et Montgomery se retrouvent aux prises avec les créatures de l'île. Elles ne sont pas les seules à régresser : Montgomery, qui a perdu son maître en la personne de Moreau, devient de plus en plus encombrant pour Prendick.

durée : 00:28:32 - Le Feuilleton - Les tentatives de Moreau pour façonner des êtres rationnels à partir de bêtes sauvages ont échoué. Cédant à leurs instincts, ses créatures régressent vers la bestialité. Apprenant que l'une d'elles s'est acharnée sur un lapin, Moreau décide de faire un exemple.

durée : 00:28:54 - Le Feuilleton - Horrifié par ce qu'il a vu dans le laboratoire de Moreau, Prendick se réfugie dans la jungle. Il y rencontre un Homme-Singe qui le mène aux huttes, où vivent les créatures façonnées par Moreau. Elles exhortent Prendick à réciter avec elles une litanie de lois.

durée : 00:28:42 - Le Feuilleton - Avec son adjoint Montgomery, le docteur Moreau, adepte de la vivisection, se livre à de cruelles expériences sur un puma. Les hurlements du fauve poussent Prendick à s'éloigner vers la jungle. Là, il tombe nez à nez avec des créatures mi-animales mi-humaines.

Continuing our MAD SCIENTISTS triple feature, we're jumping ship to a private island to meet the mad Dr. Moreau and his chosen family of genetically-engineered Beast People in John Frankenheimer's (and partially Richard Stanley's) THE ISLAND OF DR. MOREAU, starring David Thewlis, Marlon Brando, Val Kilmer, Fairuza Balk, Temuera Morrison, Daniel Rigney, Nelson de la Rosa, Mark Dacascos, and Ron Perlman. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

durée : 00:28:54 - Le Feuilleton - Edward Prendick réchappe de peu à un naufrage dans le Pacifique. Le navire qui le recueille transporte une étrange cargaison de bêtes sauvages. Sur l'île sans nom où on le débarque, Prendick devient l'hôte involontaire d'un certain Moreau.

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

The Time Machine, by H. G. Wells chapter 2, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY: The following week, the Narrator returns to the Time Traveller's home for dinner. The guests include a couple of guests form the previous week, and some new men. They have been told to start dinner without their host. When the host eventually arrives, he is incredibly dusty and dishevelled. He drinks some champagne, and then goes to wash himself, insisting that no one asks him any questions until he is ready. The Narrator suggests that the man has been time traveling, and the other guests make some jests and sarcastic remarks in reply. When the time Traveller returns, he asks the men to follow him into the lounge where he starts to tell his story… SEO Stuff that I don't want to do lol...One of the most influential pieces of fiction of all time, The Time Machine by H. G. Wells, sees a Victorian scientist send himself forward to the year 802,701 AD. He is delighted to find that suffering has been replaces by beauty and happiness, and a "new man", the Eloi, has descended from man.

durée : 00:28:47 - Le Feuilleton - Deux mois après sa confrontation avec l'Homme invisible, qu'il a dénoncé à la police, Pariente se rend chez une psychiatre. Hanté par ce qu'il a vécu, il raconte la traque de l'Homme invisible et ne cache pas son propre attrait pour les sortilèges de l'invisibilité.

durée : 00:28:47 - Le Feuilleton - Blessé par balle, l'Homme invisible s'est introduit chez Pariente, un ancien condisciple de la faculté de médecine. Devant Pariente qui n'en croit pas ses yeux, il raconte sa découverte du procédé qui l'a rendu invisible, et les déboires liés à son nouvel état.

This week, Frizz and Bob continue the tale of Jeff Wayne's ultimate passion project, his musical version of The War of the Worlds. Frizz poured Talisker Single Malt Scotch and Bob pours Green River Bourbon while we talk about modern tours, Liam Neeson and his very special set of skills,  computer-generated whackiness, and finally get into the marvelous tracks themselves. We'll open the cylinder of music theory and orchestration and learn just how brilliant the writing on this record truly is.

durée : 00:28:47 - Le Feuilleton - Chassé du village où il s'est réfugié, l'Homme invisible rencontre un vagabond nommé Oleg. Il lui propose d'être son homme à tout faire. Oleg est chargé de récupérer les habits et les carnets de laboratoire de l'Homme invisible, mais aussi de le seconder dans ses forfaits.

Technology worship takes a turn when the dynamo demands a sacrifice. H.G. Wells, today on The Classic Tales Podcast.   Welcome to this VINTAGE episode of The Classic Tales Podcast. Thank you for listening.   The audiobook library card is moving forward nicely, and if you'd like to see, you can go to audiobooklibrarycard.com. It will be an all-you-can-hear, streamable plan for The Classic Tales. In just a few weeks, there will be a subscription that will give you on demand access to the entire Classic Tales Audiobooks library. The library contains dozens of novel length titles that have never been on the podcast.   Furthermore, folks with businesses, libraries, students, what have you, will be able to pay for a crazy low monthly subscription, and give complete access to all their people. This will be a great all-inclusive solution to your audiobook needs.   So, keep your ears peeled for new developments, and I'll keep you up to date. For those who already support us at the $10/month rate or more, your subscription will be automatically upgraded to the Audiobook Library Card. Good things are coming!     And now, The Lord of the Dynamos, by H.G. Wells   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:    

durée : 00:28:47 - Le Feuilleton - Le jour de la fête du village, un cambriolage a lieu et tous les soupçons se dirigent vers l'étranger. Une foule en colère se rend à son hôtel pour le lyncher. Contraint de fuir, l'homme révèle son invisibilité aux villageois apeurés.

durée : 00:28:47 - Le Feuilleton - Un matin d'hiver, dans un village de province, une hôtelière voit débarquer un étrange personnage. Il porte des gants, des lunettes teintées, et sa tête est recouverte de bandages. L'homme se présente comme un chercheur et se fait livrer du matériel de laboratoire.

durée : 00:28:47 - Le Feuilleton - Deux mois après sa confrontation avec l'Homme invisible, qu'il a dénoncé à la police, Pariente se rend chez une psychiatre. Hanté par ce qu'il a vécu, il raconte la traque de l'Homme invisible et ne cache pas son propre attrait pour les sortilèges de l'invisibilité.

durée : 00:28:47 - Le Feuilleton - Un matin d'hiver, dans un village de province, une hôtelière voit débarquer un étrange personnage. Il porte des gants, des lunettes teintées, et sa tête est recouverte de bandages. L'homme se présente comme un chercheur et se fait livrer du matériel de laboratoire.

durée : 00:28:47 - Le Feuilleton - Le jour de la fête du village, un cambriolage a lieu et tous les soupçons se dirigent vers l'étranger. Une foule en colère se rend à son hôtel pour le lyncher. Contraint de fuir, l'homme révèle son invisibilité aux villageois apeurés.

durée : 00:28:47 - Le Feuilleton - Blessé par balle, l'Homme invisible s'est introduit chez Pariente, un ancien condisciple de la faculté de médecine. Devant Pariente qui n'en croit pas ses yeux, il raconte sa découverte du procédé qui l'a rendu invisible, et les déboires liés à son nouvel état.

durée : 00:28:47 - Le Feuilleton - Chassé du village où il s'est réfugié, l'Homme invisible rencontre un vagabond nommé Oleg. Il lui propose d'être son homme à tout faire. Oleg est chargé de récupérer les habits et les carnets de laboratoire de l'Homme invisible, mais aussi de le seconder dans ses forfaits.

A man collapses in a laboratory and wakes to find his vision hijacked — now seeing, in real time, a distant island he's never visited, with no way to control what his eyes reveal.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: A.I. voices are NEVER used in the podcast.,.. EVER! This true crime and paranormal podcast is narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: It's #ThrillerThursday, and this time I'm bringing you a short story from H.G. Wells about what we would probably consider today, “remote viewing” – but in a more permanent and unintentional manner. It's a story he wrote back in 1895 entitled, ”The Remarkable Case of Davidson's Eyes”.=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: March 28, 2024EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/DavidsonsEyes

The Time Machine, by H. G. Wells chapter 1, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY: The Time Traveler is in his home, speaking to a group of men, including the Narrator. He is giving a lecture on the fourth dimension. He tells them that a cube does not only exist in space, but also in time. He goes on further to claim that a man should not just be able to move about in space, the 3 other dimensions, but also in time. He notes that we are nonetheless moving forwards along the time dimension, so why not backwards. He produces a small version of a "Time Machine" and lays it on the table. He explains that one lever will send it forward, and the other backward in time. He asks one of the other guests to push the lever, and after doing so, the machine disappears, blowing out a candle with it. The guests ask why they cannot see it if it is moving into the future, and the Time Traveler explains that it is moving too quickly to be seen. The guests are blown away, and the Time Traveler takes them to his laboratory where they find a even bigger, machine. SEO Stuff that I don't want to do lol...One of the most influential pieces of fiction of all time, The Time Machine by H. G. Wells, sees a Victorian scientist send himself forward to the year 802,701 AD. He is delighted to find that suffering has been replaces by beauty and happiness, and a "new man", the Eloi, has descended from man. Science Fiction book, Sci-fi, Classic Literature

(To be read in a dramatic voice) No one would have believed... ... that a tale so vast- of death, alien destruction, heat rays, Phil Lynott, and the Moody Blues- could be told through orchestral prog rock, synths, and frying pans. Yet today, Frizz and Bob pop open Quest's End Paladin Whiskey & Ardbeg Uigedal Scotch to bring you PART ONE of Jeff Wayne's Musical Version of The War of the Worlds- a British sci-fi marvel that, for decades, has been misunderstood and mostly unseen by the American eye. In this first chapter, we set the stage: The backstory. The architects of the sound. The players of this curious sonic war. The chances of you missing this are a million to one, they said. Yet, here you are. Next week... the invasion begins.

A successful politician recounts how thoughout his life he has been haunted by the memory of a chance childhood encounter with another world, accessed through a mysterious and elusive green door.Mr Spike's Bedtime Stories theme and incidental music composed by Graham Walmsley.Graham is the creator of role playing games including 'Cthulhu Dark' and 'Cosmic Dark' and you can find him on Substack at https://grahamwalmsley.substack.com/ and Twitter @grahamwalmsleyIf you are enjoying these tales, why not leave a review on your listening platform of choice.

This Sunday evening on "Sunday Night Playhouse", Vintage Classic Radio brings you a rare sci-fi double bill from the archives of the Canadian Broadcasting Corporation. Our first feature is a haunting adaptation from CBC Sunday Theatre in Calgary, H.G. Wells' story, "The Crystal Egg", originally aired on March 26. 1972. Long before he unleashed the Martian apocalypse in "The War of the Worlds", Wells hinted at interplanetary observation with his eerie tale of a London curiosity shop owner who stumbles upon a mysterious crystal orb -- one that reveals visions of life on Mars. As the elderly shopkeeper becomes obsessed with the glimpses he sees, the story draws us into questions of surveillance, alien life, and the limitations of human understanding. This compelling dramatization stars Henry Comer, was adapted by Leslie McFarlane, and brought to life under the direction of Fred Diehl.Next, we journey deeper into the cosmos with an atmospheric production from "The Mystery Theatre", one of CBC's most ambitious dramatic efforts, featuring weekly thrillers from across Canada. In this 1968 adaptation of Arthur C. Clarke's gripping short story "Breaking Strain", two astronauts aboard a space freighter bound for Venus face the ultimate moral dilemma when a catastrophic systems failure reveals there's only enough oxygen for one man to survive. What begins as a cool-headed conversation between professionals devolves into a chilling study of human instinct, fear and the ethical boundaries of survival. Crafted with the CBC's signature dramatic flair, the production underscores Clarke's mastery of psychological tension and philosophical depth in the face of technological isolation. Join us for this thought-provoking exploration of early science fiction storytelling from two literary giants, tonight on Vintage Classic Radio.

En "La Estrella" un misterioso cuerpo celeste aparece en el cielo, creciendo en brillo y tamaño, mientras la humanidad observa con asombro y temor. A través de la mirada de científicos, ciudadanos y observadores lejanos, Wells nos presenta una narrativa que explora la fragilidad de nuestra existencia frente a las fuerzas cósmicas. - Narración: Olga Paraíso, del podcast "Historias para ser leídas" - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor

En "La Estrella" un misterioso cuerpo celeste aparece en el cielo, creciendo en brillo y tamaño, mientras la humanidad observa con asombro y temor. A través de la mirada de científicos, ciudadanos y observadores lejanos, Wells nos presenta una narrativa que explora la fragilidad de nuestra existencia frente a las fuerzas cósmicas. - Narración: Olga Paraíso, del podcast "Historias para ser leídas" - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

We learn: I've fixed my own knees This story was dumb I didn't fart once this episode Go on, read it for yourself: https://bookshop.org/p/books/scientific-and-horrific-stories-h-g-wells/18338137?ean=9781513201290&next=t Listen anywhere: nuzzlehouse.com Your bedtime story read aloud for grown ups. Support Nuzzle House by contributing to their tip jar: https://tips.pinecast.com/jar/nuzzle-house Send us your feedback online: https://pinecast.com/feedback/nuzzle-house/a7a37f94-eb8b-493b-8cb0-6769fa75b889

Hoy nos sumergimos en uno de los pilares de la ciencia ficción: La máquina del tiempo, de H.G. Wells. Publicada por primera vez en 1895, esta obra visionaria no solo nos presenta el concepto del viaje temporal, sino que también nos invita a reflexionar sobre el futuro de la humanidad, la evolución social y el destino de nuestra especie. Prepárate para acompañar al enigmático Viajero a través del Tiempo en una aventura más allá de los límites del presente. Apaga tus ojos y encieden tu imaginación, porque... ¡Comenzamos! - Narración: Juan Carlos Albarracín - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia - Portada: Canva, con licencia Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Korku biz insanlığın hayatta kalmasını sağlayan en kritik duygulardan birisi. Belki de türümüzün devamlılığını buna borçluyuz. Fakat korku, yanımızdaki insanlardan bize de sirayet edebilen bir şey. Daha da kötüsü bu duygunun bulaşıcı özelliği, toplumu kontrol edebilmek için bir araca da dönüşebiliyor. Fakat bir panzehrimiz de var, cesaret. 111 Hz'in bu bölümünde insan davranışları üzerine düşünüyoruz. Korku ve cesaretin bulaşıcı etkilerine ve bunların nasıl yayıldığına odaklanıyoruz.Sunan: Barış ÖzcanHazırlayan: Özgür YılgürSes Tasarım ve Kurgu: Metin BozkurtYapımcı: Podbee MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.