Podcasts about RTB

Return to Glory Podcast | LIVE | Episode 23 | This episode includes AI-generated content.

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Elisa Tamarkin, an English prof of high repute (Anglophilia and Apropos of Something: A History of Irrelevance and Relevance) at UC Berkeley, joins RTB to discuss Done in a Day: Telex from the Fall of Saigon. It is an extended reflection on the last day of the Vietnam War, set against the imminent disappearance of war coverage in the nation's city newspapers, and framed through her own stepfather's experience covering the war. Tamarkin anatomizes curious forms of self-delusion that flourished in the American Me generation and traces the subtle trajectory that stretching from the journalistic autonomy of the mid-century to the "embedded reporters" of the US war in Iraq to today's implacable governmental hostility to truthful reportage. Back in the 1960's Hannah Arendt and others warned that bubbles of non-information and delusive self-deceit got propagated within the corridors of power and out in the larger public realm. Now cloudy misinformation is the property of a near-ubiquitous social media realm whose corrosive effect (the power to unthink) is far less circumscribed. Mentioned Hannah Arendt, "Lying in Politics" (subject of an earlier RTB episode) and "Home To Roost". Frank Kermode Sense of an Ending (1967). The philosopher John Pollock published a book called Knowledge and Justification in 1975. Jamie Cohen-Cole The Open Mind Ernest Becker, The Denial of Death (1973). Ursula Le Guin The Lathe of Heaven 1971 (Elisa also mentions John's book on Le Guin). R. A. Lafferty, The Fall of Rome (1971). Thomas Harris, I'm OK, You're OK (1967). Recallable Books: Adam Phillips, On Giving Up. Graham Greene, The Quiet American (1955). Read the transcript of the episode here.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are storytellers. From childhood fairy tales to the most erudite and complex cosmological theories, we use good stories to communicate truth. What exactly then is the story of the cosmos? Is there one? And what can modern science tell us about this story? Good science communicators attempt to answer these questions, composing their explanations about the heavens into meaningful and compelling narratives. But is the modern story of the cosmos the true story of the cosmos? Most scientific theories about the universe take little or no account for God. The universe is only or "just" what it is made of, just what it does, nothing more. But we here at Good Heavens! believe there is a true and good story about the universe that includes where it came from, what it all means, and to whom it points. Jesus. As Colossians 1 proclaims, "For by Him all things were created, both in the heavens and on earth, visible and invisible, whether thrones or dominions or rulers or authorities—all things have been created through Him and for Him. He is before all things, and in Him all things hold together. He is also head of the body, the church; and He is the beginning, the firstborn from the dead, so that He Himself will come to have first place in everything. For it was the Father's good pleasure for all the fullness to dwell in Him, and through Him to reconcile all things to Himself, having made peace through the blood of His cross; through Him, I say, whether things on earth or things in heaven" (Colossians 1.17-20, NASB 1995). Astrophysicist Jeff Zweerink is a former senior research scholar at Reasons to Believe (RTB). He earned a BS in physics and a PhD in astrophysics from Iowa State University with a focus on gamma rays. He taught at and ran the planetarium at Loras College in Dubuque, Iowa, until postdoctoral research in gamma rays led him to the University of California, Riverside. Jeff spent years working on the STACEE and VERITAS gamma-ray telescopes and was involved in research projects such as the Solar Two project and the Whipple Collaboration. He continues to work as a project scientist at UCLA on GAPS, a balloon experiment seeking to detect dark matter. Zweerink is also a coauthor of more than 30 academic papers published in peer-reviewed journals such as Astrophysical Journal, Astroparticle Physics, and Astrobiology. While an undergrad at Iowa State University, he heard astrophysicist and RTB founder Hugh Ross speak on the constructive integration of science and the Christian faith. Ten years later, a professor encouraged Zweerink to enroll in RTB's volunteer apologists program. This involvement eventually led to a scholar position in 2005. Today, Zweerink writes and speaks on the compatibility of science and the Christian faith and on evidence for intentional design from multiverse theory and exoplanets, as well as artificial intelligence (AI). His speaking engagements take him to universities, conferences, churches, high schools, youth groups, and other venues around the world. His books include Is There Life Out There?, Who's Afraid of the Multiverse?, Escaping the Beginning?, and Building Bridges (coauthor). He has also made many media appearances on television, radio, and in print. Zweerink and his wife, Lisa, live in Southern California and have five children. Image credit (Crab Nebula): Hubble Space Telescope, NASA, Goddard. Two-part episode with cosmologist Dr. Luke Barnes on C.S. Lewis' science fiction. Part One Part Two Watchman Fellowship Resources on the Question of Aliens, UFOs, and UAPs: Free Four-Page Profile Articles UFOs and UAPs Raelians Heaven's Gate Disclosure Day The Urantia Book Podcast Episodes on UFOs, Aliens, and Extraterrestrials Aliens, Evolution, and Intelligent Design What is the Message of Spielberg's Disclosure Day? UFOS and Aliens Ufologist Gary Bates Part One Ufologist Gary Bates Part Two Ancient Aliens? No. Daniel's interview with Sasha Sagan, the daughter of the late planetary astronomer Carl Sagan Additional Resources FREE: We are also offering a subscription to our 4-page bimonthly Profiles here: www.watchman.org/Free PROFILE NOTEBOOK: Order the complete collection of Watchman Fellowship Profiles (around 700 pages -- from Astrology to Zen Buddhism) in either printed or PDF formats here: www.watchman.org/Notebook SUPPORT: Help us create more content like this. Make a tax-deductible donation here: www.watchman.org/Give Good Heavens! is a ministry of Watchman Fellowship For more information, visit www.watchman.org © 2026 Watchman Fellowship, Inc.   Podbean enables our podcast to be on Apple Podcasts and other major podcast platforms.  To support Good Heavens! on Podbean as a patron, you can use the Podbean app, or go to https://patron.podbean.com/goodheavens.  This goes to Wayne Spencer. If you would like to give to the ministry of Watchman Fellowship or to Daniel Ray, you can donate at https://www.watchman.org/daniel. Donations to Watchman are tax deductible.

Jonathan Moffie, Head of Agentic Product at Magnite, explains how buyer and seller agents are already launching real advertising campaigns. He joins Joe Zappa and Eric Franchi to discuss agentic direct IOs, the future of RTB, human-guided optimization, and why ad tech companies need to move at startup speed.

After a great human-wrought tragedy, how are victims and their kin made right? What does it mean to take revenge, to exact vengeance, to seek redress, to go vigilante in seeking justice? What counts as the proper or sufficient retaliation or retribution--and what can or should be left to the impartial third-person mechanisms of a justice system? To ask about those troubling topics from a new angle, Brandeis University's Laura Jockusch (author, previously, of Collect and Record and Jewish Honor Courts) has written about Jewish revenge on genocide perpetrators in her searching, and shocking Jewish Revenge and the Holocaust. Drawing on her great erudition and painstaking archival research, she explores how views changed during and after the war--and in following decades when justice and vengeance came to seem potentially compatible, especially if revenge could be rendered an aesthetic or imaginative phenomenon. Mentioned in the episode Quentin Tarantino's Inglourious Basterds Seekers for vengeance and also justice: Eli Wiesel and Simon Wiesenthal The killing of Ernst Vom Rath (pretext for the Night of Broken Glass) Aeschylus, The Oresteia (5th century B.C.) Hannah Arendt, Eichmann in Jerusalem (1963, no episode of RTB would be complete without it...) Bruce Robbins, Atrocity: A Literary History Howard Zinn, A People's History of the United States (1980) Tony Judt Postwar (2005) Recallable Books: Zalman Gradovsky, The Last Consolation Vanished Jean Amery, At the Mind's Limit: Contemplations by a Survivor on Auschwitz and Its Realities Filip Müller Eyewitness Auschwitz: Three Years in the Gas Chambers Kleist, Michael Kohlhass (1810) Read a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After a great human-wrought tragedy, how are victims and their kin made right? What does it mean to take revenge, to exact vengeance, to seek redress, to go vigilante in seeking justice? What counts as the proper or sufficient retaliation or retribution--and what can or should be left to the impartial third-person mechanisms of a justice system? To ask about those troubling topics from a new angle, Brandeis University's Laura Jockusch (author, previously, of Collect and Record and Jewish Honor Courts) has written about Jewish revenge on genocide perpetrators in her searching, and shocking Jewish Revenge and the Holocaust. Drawing on her great erudition and painstaking archival research, she explores how views changed during and after the war--and in following decades when justice and vengeance came to seem potentially compatible, especially if revenge could be rendered an aesthetic or imaginative phenomenon. Mentioned in the episode Quentin Tarantino's Inglourious Basterds Seekers for vengeance and also justice: Eli Wiesel and Simon Wiesenthal The killing of Ernst Vom Rath (pretext for the Night of Broken Glass) Aeschylus, The Oresteia (5th century B.C.) Hannah Arendt, Eichmann in Jerusalem (1963, no episode of RTB would be complete without it...) Bruce Robbins, Atrocity: A Literary History Howard Zinn, A People's History of the United States (1980) Tony Judt Postwar (2005) Recallable Books: Zalman Gradovsky, The Last Consolation Vanished Jean Amery, At the Mind's Limit: Contemplations by a Survivor on Auschwitz and Its Realities Filip Müller Eyewitness Auschwitz: Three Years in the Gas Chambers Kleist, Michael Kohlhass (1810) Read a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a great human-wrought tragedy, how are victims and their kin made right? What does it mean to take revenge, to exact vengeance, to seek redress, to go vigilante in seeking justice? What counts as the proper or sufficient retaliation or retribution--and what can or should be left to the impartial third-person mechanisms of a justice system? To ask about those troubling topics from a new angle, Brandeis University's Laura Jockusch (author, previously, of Collect and Record and Jewish Honor Courts) has written about Jewish revenge on genocide perpetrators in her searching, and shocking Jewish Revenge and the Holocaust. Drawing on her great erudition and painstaking archival research, she explores how views changed during and after the war--and in following decades when justice and vengeance came to seem potentially compatible, especially if revenge could be rendered an aesthetic or imaginative phenomenon. Mentioned in the episode Quentin Tarantino's Inglourious Basterds Seekers for vengeance and also justice: Eli Wiesel and Simon Wiesenthal The killing of Ernst Vom Rath (pretext for the Night of Broken Glass) Aeschylus, The Oresteia (5th century B.C.) Hannah Arendt, Eichmann in Jerusalem (1963, no episode of RTB would be complete without it...) Bruce Robbins, Atrocity: A Literary History Howard Zinn, A People's History of the United States (1980) Tony Judt Postwar (2005) Recallable Books: Zalman Gradovsky, The Last Consolation Vanished Jean Amery, At the Mind's Limit: Contemplations by a Survivor on Auschwitz and Its Realities Filip Müller Eyewitness Auschwitz: Three Years in the Gas Chambers Kleist, Michael Kohlhass (1810) Read a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

After a great human-wrought tragedy, how are victims and their kin made right? What does it mean to take revenge, to exact vengeance, to seek redress, to go vigilante in seeking justice? What counts as the proper or sufficient retaliation or retribution--and what can or should be left to the impartial third-person mechanisms of a justice system? To ask about those troubling topics from a new angle, Brandeis University's Laura Jockusch (author, previously, of Collect and Record and Jewish Honor Courts) has written about Jewish revenge on genocide perpetrators in her searching, and shocking Jewish Revenge and the Holocaust. Drawing on her great erudition and painstaking archival research, she explores how views changed during and after the war--and in following decades when justice and vengeance came to seem potentially compatible, especially if revenge could be rendered an aesthetic or imaginative phenomenon. Mentioned in the episode Quentin Tarantino's Inglourious Basterds Seekers for vengeance and also justice: Eli Wiesel and Simon Wiesenthal The killing of Ernst Vom Rath (pretext for the Night of Broken Glass) Aeschylus, The Oresteia (5th century B.C.) Hannah Arendt, Eichmann in Jerusalem (1963, no episode of RTB would be complete without it...) Bruce Robbins, Atrocity: A Literary History Howard Zinn, A People's History of the United States (1980) Tony Judt Postwar (2005) Recallable Books: Zalman Gradovsky, The Last Consolation Vanished Jean Amery, At the Mind's Limit: Contemplations by a Survivor on Auschwitz and Its Realities Filip Müller Eyewitness Auschwitz: Three Years in the Gas Chambers Kleist, Michael Kohlhass (1810) Read a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Program Note: Daniel misspoke about the Tycho and Kepler supernovae. They were not the last to be seen in the universe but the last two supernovae to be seen in the Milky Way galaxy.   A great deal of time, effort, and tax dollars have been spent to explore the heavens. But even after all the expenditures, secular astronomy and cosmology are still unable to say what it all means. Some have suggested the universe doesn't mean anything, that it just is. Others say we can make up our own meaning. But we here at Good Heavens! believe the universe exists for one main purpose, to declare the glory and the righteousness of God, to display His handiwork and remind us of His many invisible attributes (Psalm 19; 50.6; Romans 1.18ff; Colossians 1.16ff). Here on this episode we sit down with Christian and astrophysicist Dr. Jeff Zweerink and get his thoughts about how he sees the universe pointing him to the glory of God. Astrophysicist Jeff Zweerink is a former senior research scholar at Reasons to Believe (RTB). He earned a BS in physics and a PhD in astrophysics from Iowa State University with a focus on gamma rays. He taught at and ran the planetarium at Loras College in Dubuque, Iowa, until postdoctoral research in gamma rays led him to the University of California, Riverside. Jeff spent years working on the STACEE and VERITAS gamma-ray telescopes and was involved in research projects such as the Solar Two project and the Whipple Collaboration. He continues to work as a project scientist at UCLA on GAPS, a balloon experiment seeking to detect dark matter. Zweerink is also a coauthor of more than 30 academic papers published in peer-reviewed journals such as Astrophysical Journal, Astroparticle Physics, and Astrobiology. While an undergrad at Iowa State University, he heard astrophysicist and RTB founder Hugh Ross speak on the constructive integration of science and the Christian faith. Ten years later, a professor encouraged Zweerink to enroll in RTB's volunteer apologists program. This involvement eventually led to a scholar position in 2005. Today, Zweerink writes and speaks on the compatibility of science and the Christian faith and on evidence for intentional design from multiverse theory and exoplanets, as well as artificial intelligence (AI). His speaking engagements take him to universities, conferences, churches, high schools, youth groups, and other venues around the world. His books include Is There Life Out There?, Who's Afraid of the Multiverse?, Escaping the Beginning?, and Building Bridges (coauthor). He has also made many media appearances on television, radio, and in print. Zweerink and his wife, Lisa, live in Southern California and have five children. Image credit (Helix Nebula): NASA/JPL-Caltech, Spitzer Space Telescope. Two-part episode with cosmologist Dr. Luke Barnes on C.S. Lewis' science fiction. Part 1:  https://www.podomatic.com/podcasts/jwalker55293/episodes/2026-06-28T22_00_00-07_00 Part 2: https://www.podomatic.com/podcasts/jwalker55293/episodes/2026-07-05T22_00_00-07_00 Watchman Fellowship Resources on the Question of Aliens, UFOs, and UAPs: Free Four-Page Profile Articles UFOs and UAPs Raelians Heaven's Gate Disclosure Day The Urantia Book Podcast Episodes on UFOs, Aliens, and Extraterrestrials Aliens, Evolution, and Intelligent Design What is the Message of Spielberg's Disclosure Day? UFOS and Aliens Ufologist Gary Bates Part One Ufologist Gary Bates Part Two Ancient Aliens? No. Daniel's interview with Sasha Sagan, the daughter of the late planetary astronomer Carl Sagan Additional Resources FREE: We are also offering a subscription to our 4-page bimonthly Profiles here: www.watchman.org/Free PROFILE NOTEBOOK: Order the complete collection of Watchman Fellowship Profiles (around 700 pages -- from Astrology to Zen Buddhism) in either printed or PDF formats here: www.watchman.org/Notebook SUPPORT: Help us create more content like this. Make a tax-deductible donation here: www.watchman.org/Give Good Heavens! is a ministry of Watchman Fellowship For more information, visit www.watchman.org © 2026 Watchman Fellowship, Inc. Podbean enables our podcast to be on Apple Podcasts and other major podcast platforms.  To support Good Heavens! on Podbean as a patron, you can use the Podbean app, or go to https://patron.podbean.com/goodheavens.  This goes to Wayne Spencer. If you would like to give to the ministry of Watchman Fellowship or to Daniel Ray, you can donate at https://www.watchman.org/daniel. Donations to Watchman are tax deductible.

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In the spirit of Hannah Arendt's natality principle (that new things are always and should always be being born, each one unique and endowed with limitless potential) we at RTB love it when a new podcast appears. Especially one as thoughtful and original as The Caste Pod, which assembles scholars and activists to make sense of what caste is, how it's experienced and how it has travelled globally. Join us to discuss and share an extended excerpt is its widely published (check out her earlier books!) founder Ajantha Subramanian, Professor of Anthropology at CUNY Graduate Center, and producer (with Lori Allen) of the “Violent Majorities” series here at RTB. John and Ajantha delve into the founding of the podcast, and then enter into the business end of the series, which is to explore the complex interplay between caste, race and class as organizing features of economic inequality and its corresponding features of cultural discrimination and oppression. Ajantha's extended conversation with Prachi and Ram of Savera, a multiracial, interfaith, anti-caste coalition of Indian Americans from The Caste Pod episode 10 lays bare its premise: to put scholars and activists into conversation and opens a space engineered for each to learn form the other. Before introducing the Savera excerpt, Ajantha frames the topic by way of Isabel Wilkerson's influential (if problematic) book Caste and its neglect of class and economic issues, and also the case against Cisco for caste discrimination in California that in significant ways internationalized the fight around caste's role in perpetuating economic and political inequity. Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alors que tout le monde annonce la mort des NFT, la Coupe du Monde 2026 montre exactement l'inverse.Dans cet épisode, nous analysons l'une des expérimentations Web3 les plus ambitieuses jamais lancées par une institution mondiale : la nouvelle billetterie de la FIFA, basée sur la blockchain, les Right To Buy (RTB) et les Right To Ticket (RTT).Au programme de cet épisode: le retour en force de Panini, les cartes numériques qui s'échangent des centaines de milliers de dollars, la stratégie discrète de la FIFA, les limites du système actuel et pourquoi, malgré un marché crypto toujours en plein bear market, les cas d'usage réels des NFT continuent de progresser.⚽ Au programme de cet épisode

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

RTB's sister podcast, Novel Dialogue, spoke recently with Aaron Gwyn. He is the author of four novels: The World Beneath, Wynne's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism), we learn that Robert Lemmons is a real historical figure and so is Levi English. One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In NOvel Dialogue's "signature question," we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in this episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner, Absalom, Absalom! Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

For the details from the Residential Tenancies Board report, Director of the RTB, Rosemary Sheen.

A record number of evictions have been issued by landlords during the first three months of the year compared to the same period in 2025.The data, collated by the RTB, overlaps new rental rules which were introduced two months ago, on March 1st.Marian Finnegan, Sherry Fitzgerald Managing Director, joins Ciara to discuss.

Join nationally-credentialed journalist Thomas Christopher in this action-packed episode of Mr. Gridiron - discussing the hottest topics in college football.While you're listening to the show, please make sure to like the video, leave a comment, and subscribe to the channel!Today's episode focuses on the potential expansion of the College Football Playoff format moving to 24 teams, and its impact on the sport.Yet first, Mr. Gridiron is joined by Maddy Hudak, sideline reporter for the Tulane Green Wave and Assistant National Editor-in-Chief at RTB. The two discuss the impact of former coach Jon Sumrall, the program's new head coach, and expectations moving forward.Later, Greg Nejmeh of Accelerate Sports Ventures joins the conversation. The two discuss ASV, the future of college football, NIL, and much more.Follow along for that, and much more in the latest edition of Mr. Gridiron!The League Winners are a company dedicated to covering the college football and the NFL. Created by Thomas Christopher, TLW was created to give football fans news, highlights, interviews, film review and much more surrounding the game of football.#MrGridiron #CollegeFootball #FootballPodcast #CFB #NCAAFootball #CollegeFootballPodcast #CFBPodcast #NCAA #Football #SportsPodcast #Tulane #TulaneFootball #MaddyHudak #TulaneGreenWave #RollWave #UptownFootball #GregNejmeh #AccelerateSports #NIL #CFP26 #CollegeFootballPlayoff #CollegeFootballNIL #Like #Comment #Subscribe #LeagueWinners #TheLeagueWinners

Twee grote verhalen, één rode draad: de infrastructuur die je dagelijks gebruikt wordt tegen je ingezet — door staten én door commerciële partijen die aan staten verkopen. Deel 1 – APT28 FrostArmada: De FBI ontmantelt een Russische GRU-operatie (Operatie Masquerade) waarbij 18.000 SOHO-routers in 120 landen — MikroTik en TP-Link — zonder malware werden overgenomen. DNS-instellingen omgezet, en Microsoft 365 OAuth-tokens gestolen via een adversary-in-the-middle aanval. Court-authorized reset door de FBI. Historische parallel: MIVD/Cyclops Blink 2022 op Nederlandse routers. Deel 2 – Webloc/Penlink: Citizen Lab legt bloot hoe het Israëlische bedrijf Penlink via advertentiedata van 500 miljoen mobiele devices real-time locatie, Wi-Fi-netwerken, app-inventaris en gedragsprofielen verkoopt aan ICE, NYPD, het Amerikaanse leger en anderen — zonder rechterlijke toets. Inclusief uitleg van de RTB-bidstream en SDK-sourcing. Nieuwtjes: Cyberbeveiligingswet door de Tweede Kamer, Privacy Adviseur Binnenlandse Zaken over de Solvinity/Kyndryl/DigiD-overname, prompt injection via GitHub-comments in AI coding agents. BRONNEN Deel 1, APT28 FrostArmada > KrebsOnSecurity, “Russia hacked routers to steal Microsoft Office tokens” (7 april 2026): https://krebsonsecurity.com/2026/04/russia-hacked-routers-to-steal-microsoft-office-tokens/ > FBI/DOJ persbericht (7 april 2026): https://www.ic3.gov/PSA/2026/PSA260407 > Lumen Black Lotus Labs, technische rapportage FrostArmada: [URL checken] Context: eerdere APT28 router-campagnes (VPNFilter 2018, Cyclops Blink 2022, Jaguar Tooth 2023) Volkskrant / Huib Modderkolk, “MIVD verstoort Russische digitale aanval op routers van Nederlandse burgers” (3 maart 2022): NL-historische precedent, Sandworm/eenheid 74455 gebruikte Cyclops Blink op tientallen NL-routers, MIVD ging er publiek mee naar buiten via directeur Jan Swillens Deel 2, Webloc / Penlink > Citizen Lab, “Analysis of Penlink's ad-based geolocation surveillance tech” (11 april 2026): https://citizenlab.ca/research/analysis-of-penlinks-ad-based-geolocation-surveillance-tech/ > Context: Carpenter v. United States (2018), SCOTUS-uitspraak over locatiedata en Fourth Amendment > Context: eerdere Locate X / Venntel onthullingen (Vice/Motherboard 2020-2022) Nieuwtjes > Cyberbeveiligingswet: https://www.rijksoverheid.nl/actueel/nieuws/2026/04/15/tweede-kamer-stemt-in-met-wetsvoorstellen-cyberbeveiligingswet-en-wet-weerbaarheid-kritieke-entiteiten > Volkskrant, "Privacy-adviseur Binnenlandse Zaken: overname van DigiD bedreigt veiligheid van Nederland" (16 april 2026): https://www.volkskrant.nl/tech/privacy-adviseur-binnenlandse-zaken-overname-van-digid-bedreigt-veiligheid-van-nederland~b6be96c0 > Aonan Guan, "Command and Control: ..." (15 april 2026): https://oddguan.com/blog/comment-and-control-prompt-injection-credential-theft-claude-code-gemini-cli-github-copilot/

Entre stratégies d'influence étrangères et reprise en main des récits nationaux par les autorités de transition, le contrôle des médias est désormais un levier central de la souveraineté au Mali, au Burkina Faso et au Niger. Pour décrypter ces mutations, L'atelier des médias reçoit la géopolitologue Selma Mihoubi. Depuis la série de coups d'État survenus entre 2021 et 2023, les pays qui se sont réunis en confédération au sein de l'Alliance des États du Sahel (AES) ont opéré un tournant radical, y compris sur le plan médiatique. Loin d'être uniquement le fruit d'ingérences extérieures, cette transformation s'appuie sur des racines locales profondes. Un « alignement narratif » Selma Mihoubi, docteure en géopolitique à Sorbonne Université et consultante, souligne que ce « régime narratif » s'articule autour de trois axes : la célébration d'une souveraineté retrouvée face à l'ancienne puissance coloniale française, l'instrumentalisation de l'histoire et une occultation volontaire des revers sécuritaires face aux groupes djihadistes. Face à ce que l'experte nomme un « encerclement cognitif », les États de l'AES structurent leurs propres outils de communication. La création de la radio La Voix du Liptako, de la télévision AES TV et d'une agence de presse commune à Niamey vise à créer un « alignement narratif », explique la géopolitologue. « En fait, il y a vraiment une recherche de coalition informationnelle pour diffuser un même narratif. Et d'ailleurs, les dirigeants des pays de l'AES l'ont dit eux-mêmes : les médias de service public de ces trois États [L'ORTM au Mali, la RTB au Burkina et la RTN au Niger, ndlr] doivent travailler pour le rayonnement de l'Alliance des États du Sahel et diffuser des contenus qui vont véhiculer ces narratifs-là. Donc il y a ce partage de contenus gratuits, justement pour s'assurer en fait d'un alignement narratif. » La vulnérabilité économique, un terreau fertile Les journalistes locaux ont été mis au pas tandis que le paysage médiatique sahélien souffre d'un sous-développement chronique et d'une précarité financière qui facilitent l'influence de puissances étrangères. Ainsi, l'agence étatique chinoise Xinhua propose ses dépêches gratuitement, une oportunité pour des médias locaux qui ne peuvent souscrire aux flux des agences européennes (AFP et Reuters) ou américaines (AP). Mais Selma Mihoubi explique que « cette opportunité économique de récupérer des informations gratuites n'est pas nécessairement synonyme d'une adhésion idéologique ». À cette influence feutrée s'ajoute la stratégie plus frontale de la Russie, qui utilise massivement des comptes inauthentiques et des campagnes d'astroturfing sur les réseaux sociaux pour saturer l'espace numérique de discours hostiles à la France. À lire aussiComment un réseau de désinformation tente de déstabiliser les pays de l'AES

In this episode, Jess sits down with Staff Sergeant Julianne Jackson from 6th Ranger Training Battalion—the infamous swamp phase of Ranger School.Julianne didn't follow a straight path into the Army—and that's exactly what makes her story hit. What started as a simple “why not?” turned into stepping into some of the toughest environments the military has to offer… and now she's on the other side of it, training others to make it through.We talk mindset, discipline, and what it really takes to stay composed under pressure. Julianne also shares real, no-BS advice for women chasing hard goals—if you want it, go after it.We touch on the wild realities of Florida phase (yes… the wildlife is very real), her CrossFit-driven fitness journey, and a glimpse into life at 6 RTB.If you've ever questioned whether you're capable of more… this one's for you.Curious about Julianne's world or want to learn more about 6 RTB? Tap into the show notes for more info and ways to connect.Follow, rate, and share Resilient & Rowdy with someone who needs to hear it.

For the details Louise Loughlin, Deputy Director of the RTB, which regulates the private rental market.

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

The CPG Guys are joined in this episode by Michael Krans, Vice President of Retail Media at Macy's Inc. and Andreas Reiffen, Founder and CEO of Pentaleap, a best-in-class ad-serving platform focused on relevance, transparency, and performance.Follow Michael on LinkedIn at: https://www.linkedin.com/in/michael-j-krans-a7ba85Follow Macy's online at: https://www.macysmedianetwork.com/Follow Andreas on LinkedIn at: https://www.linkedin.com/in/andreasreiffenFollow Pentaleap on LinkedIn at: https://www.linkedin.com/company/pentaleaptech/Follow Pentaleap online at: https://www.pentaleap.com/This episode is sponsored by Pentaleap.Michael and Andres answer these questions:From your vantage points, what's broken today about how organic and sponsored product search currently coexist—or don't—on retail sites?From a retailer perspective, how do you balance monetization with protecting the shopper experience from potential friction impeding the journey?Why is unifying organic and sponsored search so critical to relevance, and what happens to performance when those systems operate in silos?How do shoppers respond when relevance breaks down?Retail media has largely been built as closed ecosystems. Why is that becoming a limitation for advertisers today?What do advertisers actually want when they say they want retail media to “meet them where they already are”?What does “opening up” retail media really mean in practice?Retail media RTB can sound abstract—can you break down what's actually new here and why it matters now?What does it unlock for a retailer when you can connect demand partners and swap ad servers without losing control of the experience?Can you share a real-world example of how RTB-driven retail media improves outcomes for the retailer, the brand, and the shopper?If this model continues to scale, how should brands rethink their approach to retail search and retail media investment?Looking ahead, what does “best-in-class” retail search and media look like from a shopper's point of view?If there's one thing retailers or brands listening today should start doing differently based on this conversation, what would it be?CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comSheCOMMERCE Website: https://shecommercepodcast.com/DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent.CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

Rajeev Goel, CEO of PubMatic, joins Ari Paparo and Eric Franchi to discuss how agentic AI and AdCP are reshaping the media buying process, collapsing the ad tech value chain, and creating new opportunities for publishers and advertisers to compete with walled gardens. Takeaways Agentic AI can automate planning, buying, and optimization beyond today's DSP workflows. PubMatic's AgenticOS lets advertisers transact through AI agents using AdCP. AI efficiency may grow digital ad spend and shift more ROI budgets to the open internet. Seller agents and marketplaces could help publishers unlock demand without big sales teams. The open web will compete better with stronger identity, measurement, and a simpler supply chain. Chapter 00:00 Travel check and AI kickoff 01:05 Moltbot and why autonomous assistants matter 01:56 Rajeev Goel on agentic AI at PubMatic 07:00 RTB automates only the impression moment 08:37 RFPs, emails, spreadsheets — the manual reality 10:05 Agents scaling campaign management 15:15 Butler Till and Clubtails case study setup 18:37 PubMatic agent recommends inventory, audiences, and data 22:34 Agents compress the value chain, weaken DSP lock-in 45:05 OpenAI ads debate, CPM economics, answer engine ads Learn more about your ad choices. Visit megaphone.fm/adchoices

Ari Paparo and Eric Franchi are joined by Erez Levin, a former Googler who focuses on media and inventory quality. They dig into what “quality” really means in programmatic advertising, why short-term outcomes can be misleading, and how incentive structures have pushed spend toward lower-value impressions. Takeaways Quality is best understood through effectiveness, but most measurement overweights short-term signals.  “Not all impressions are created equal.”  quality varies by context, format, and goal.  Video definition loopholes led to premium pricing for lower-attention formats and contributed to market confusion.  MFA, SPO, and curation are connected symptoms of incentives that reward cheap scale and vanity metrics.  Verification helps, but quality needs to be addressed across the full media workflow, including experimentation and MMM.  Agentic buying could either improve quality controls or make it easier to optimize only to what's measurable in the near term.  Publisher traffic declines reinforce the difference between commoditized content and differentiated journalism or creator-led media.  Chapters 00:00 Welcome and introduction to media quality 01:29 Marketecture Live updates and announcements 04:18 Erez Levin on why advertising quality matters 06:00 Defining quality vs outcomes in digital advertising 08:30 Brand impact, long-term effectiveness, and mental availability 09:43 Lessons from Google AdX and DV360 10:58 Video misclassification, IAB definitions, and market fallout 14:03 Outstream video, pricing, and mobile gaming use cases 17:00 MFA, SPO, and the real causes of inventory quality problems 19:03 Tools, verification, and the role of measurement frameworks 20:30 Agentic buying, AI, and control over media quality 22:41 AI news: Google UCP, AdCP, and agentic commerce 30:13 Apple, Siri, and Google Gemini's implications 34:16 Publisher traffic decline and the future of content 36:23 Agentic buying vs RTB and portfolio theory 42:34 AppleCart funding and influence-based advertising 45:04 Liftoff IPO filing and the mobile ad tech landscape 47:57 Google antitrust lawsuits update 49:03 Closing thoughts and wrap-up Learn more about your ad choices. Visit megaphone.fm/adchoices

For our Pandemic-era Books in Dark Times series, RTB spoke in 2020 with Carlo Rotella of Boston College. Rotella is the author of such gems as Good With Their Hands: Boxers, Bluesmen, and Other Characters from the Rust Belt and most recently has come out with What Can I Get out of This? along with some sparkling related pieces about AI in the classroom. Carlo is always worth listening to, in dark days... and darker ones, too. He starts by praising sagas, makes a case for stories of disagreeableness and plugs a remarkable book about preaching, deception, and the urge to belong. Tacitus, Germania Njal's Saga Egil's Saga Prose Edda Poetic Edda Haldor Laxness, Iceland's Bell Mitch Weiss, Broken Faith Lawrence Wright, Going Clear (2013) P. G. Wodehouse My Man Jeeves (indeed, 1919) The Wizard of Id Robert E. Howard, Conan (first appearance 1932) Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For our Pandemic-era Books in Dark Times series, RTB spoke in 2020 with Carlo Rotella of Boston College. Rotella is the author of such gems as Good With Their Hands: Boxers, Bluesmen, and Other Characters from the Rust Belt and most recently has come out with What Can I Get out of This? along with some sparkling related pieces about AI in the classroom. Carlo is always worth listening to, in dark days... and darker ones, too. He starts by praising sagas, makes a case for stories of disagreeableness and plugs a remarkable book about preaching, deception, and the urge to belong. Tacitus, Germania Njal's Saga Egil's Saga Prose Edda Poetic Edda Haldor Laxness, Iceland's Bell Mitch Weiss, Broken Faith Lawrence Wright, Going Clear (2013) P. G. Wodehouse My Man Jeeves (indeed, 1919) The Wizard of Id Robert E. Howard, Conan (first appearance 1932) Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Austin, Dak, and Hunter recap the latest week of Husker sports.

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about Paul Thomas Anderson and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things that Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in this live-before-a-studio-audience Recall This Book conversation. Pete situates the inspirational novel as a pivot-point ("funniest novel you've ever read") for Thomas Pynchon, who traces what happens to counter-insurgency from the post-1960's when it meets the complacency of the Reagan era. Ethan, who defends practically every PTA movie but Hard Eight (despite John's affection for it) points out the significance of centering non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the cartoon supervillainy of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, Ethan sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Austin, Dak, and Hunter recap the Iowa game and discuss Matt Rhule's future at Nebraska.

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices