Podcast appearances and mentions of Michael Snow

On this episode of Below the Radar, our host Am Johal is joined by Hank Bull, an artist and curator whose administration and advocacy work has greatly contributed to artist-run culture in Canada. Hank discusses his work with the Western Front and Centre A, and he also brought along some props to give us a taste of what his past radio art sounded like! Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/254-hank-bull.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/254-hank-bull.html Resources: Hank Bull: https://hankbull.ca/ The HP Show: https://wavefarm.org/ta/archive/works/vae2da Western Front: https://westernfront.ca/ Centre A: https://centrea.org/ Vancouver Art Gallery: https://www.vanartgallery.bc.ca/ Bio: Hank Bull was born in 1949 in Moh'kins'tsis/Calgary and grew up in Toronto and small towns in southern Ontario. He became interested in art and music at an early age, mentored by a librarian, Graham Barnett, and encouraged by high school instructors Paavo Airola and David Blackwood. After travels in Europe in 1968, he studied drawing and photography in Toronto under Robert Markle and Nobuo Kuobota. In 1973, he moved to xwməθkwəy̓əm (Musqueam)/Vancouver to join the newly formed artist-run centre Western Front. In this interdisciplinary setting, he was exposed to mail art, poetry, ceramics, improvised music and video. He produced a weekly radio broadcast, cabaret performances, shadow theatre and telecommunications projects. During the 1980s he travelled in Asia, Africa and Europe, organized international exchanges and helped to develop a Canadian network of artist-run centres. He has worked in collaboration with a wide range of artists, including Kate Craig, Glenn Lewis, General Idea, Robert Filliou, William S. Burroughs, Kathy Acker, Michael Snow, Mona Hatoum, Antoni Muntadas, Steve Lacy, Tari Ito, Rebecca Belmore, Germaine Koh, Khan Lee, Cornelia Wyngaarden and many others. He has filled a variety of roles as artist, curator, writer, organizer and administrator. Throughout his career, he has continued an individual practice of painting, music, photography, video, sound and sculpture. He lives at the Western Front and spends a fair amount of time in swiya, territory of shíshálh Nation, as a member of the Storm Bay Art and Conservation Society. Cite this episode: Chicago Style Johal, Am. “The World Accordion To Hank — with Hank Bull.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 22, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/254-hank-bull.html.

100 Folgen 42! Niemand hat damit gerechnet, aber nach 4 fantastischen Jahren feiern wir nun die große Jubiläumsfolge LIVE mit Publikum im Capitol in Bochum. Wie es sich für einen Geburtstag gehört, gibt es "viel" Kuchen, besondere Geschenke, spannende Spiele und weitere Überraschungen, mit denen unsere beiden Filmfreunde selber nicht so ganz gerechnet hatten. Timon und Marcel schenken sich zwei ganz besondere Filme, erraten im 42er der Woche den Plot von unbekannten Filmtiteln und ChatGPT trägt auch mal wieder außergewöhnliche Filmideen bei. Lasst uns alle gemeinsam feiern, singen und tanzen! Bitte bringt Stoppersocken und gute Laune mit!Danke wie immer an unser Partnerkino - das Capitol in Bochum!Schickt uns euer Feedback: https://www.instagram.com/42podcast/- - -

Episode 115 Radio Spirits in the Night Introduction Track Start Times Onda, “Part 1”  10:06 Onda, “Part 2” 28:22 Onda, "Seoul" 47:26 Onda, “Köln” 1:08:03 Onda, Lewisburg” 1:11:35 Onda, “Wroclaw" 1:19:47 Holmes. “3 Open Windows, 1 Small Antenna” 1:27:36 Playlist Aki Onda, “Part 1” (18:16) and “Part 2” (19:04) from “Transmissions From The Radio Midnight (2023 Dinzu Artefacts). Limited Edition 12" Black Vinyl. Limited to 200 copies. “for this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.” (Aki Onda). Aki Onda, “Seoul” (2010, 20:37), “Köln” (2012, 3:32), “Lewisburg” (2014, 8:12), “Wroclaw” (2013, 7:49) from “Nam June's Spirit Was Speaking To Me” (2020 Recital). Includes 20-page art booklet including rare photographs of Nam June Paik from the set of Michael Snow's film Rameau's Nephew (1974), two essays on radio-wave phenomenon (by Onda and Marcus Gammel), and a remembrance of Paik by Yuji Agematsu from an interview conducted by Aki Onda. Thom Holmes. “3 Open Windows, 1 Small Antenna” (1973 Private recording). I realized this piece in the electronic music studios of Temple University in 1972-73. I recorded various shortwave radio sounds at my apartment in Philadelphia, then edited and embellished it with synthesis and modulation using the Moog Modular III synthesizer at in the Temple Music School. I was a student of Paul Epstein at the time, and he asked several of us to join him for a performance on the WBAI Free Music Store, a program radio in NYC. I developed and sketched-out some vocal parts to sing along to the tape and Paul and my friend Ed Cohen joined me for the performance in NY. The lights were dim, the mood was quiet, and we soared along on the sounds on this piece over the airwaves. A recording of that radio broadcast exists somewhere in my storage but for this instance I present the tape piece alone. 24:53. Opening background music: Thom Holmes, “Signatures Revisited” (2023), an extended version of a piece from my album Intervals (2017), based on the experience of listening to shortwave radio. 01:07:40. Listen to the complete work on my Soundcloud channel.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Jason Michael Snow (Book of Mormon) makes his gay ass podcast debut with tales of Broadway, sex, and a Carrie Bradshaw wig. In addition to wondering how Scarlet (of Takes A Tumble) is doing, we discuss:-who was f*cking at Book of Mormon-Clue-open relationship rules-the magic of a zig zag part -Avril Lavigneplus we ask, "are showmances bad?"**********************************************************************Watch all of last week's GAY ASS LIVE SHOW with Bowen Yang, Jessica Vosk and more at patreon.com/gayasspodcast!Follow Jason on Instagram (@jmspinafore) and pre-order his book with Trinity The Tuck, Trinity Ruins ChristmasFollow Eric (@ericwillz) and Gay Ass Podcast (@gayasspodcast) and tell your friends about the pod?xoxoxooxoxoSupport this show http://supporter.acast.com/thats-a-gay-ass-podcast. Hosted on Acast. See acast.com/privacy for more information.

Épreuves de la matièreLa photographie contemporaine et ses métamorphosesà la BnF François Mitterrand, Parisdu 10 octobre 2023 au 4 février 2024Interview de Héloïse Conésa, cheffe du service de la photographie, chargée de la photographie contemporaineau département des Estampes et de la photographie, BnF, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 9 octobre 2023, durée 16'3725, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/17/3488_epreuves-de-la-matiere_bnf-francois-mitterrand/communiqué de presseCommissariatHéloïse Conésa, cheffe du service de la photographie, chargée de la photographie contemporaine au département des Estampes et de la photographie, BnFTraversé par de multiples explorations plastiques, le questionnement autour de la matière irrigue tous les champs de la photographie, du processus créatif à la présentation des images. Prenant appui sur la riche collection de photographies contemporaines de la BnF, l'exposition révèle les capacités de métamorphose de la matière photographique mais aussi sa possible disparition. À travers les oeuvres singulières de près de deux cents photographes français et étrangers se dévoile une histoire sensible et incarnée de la photographie.L'exposition explore en quatre grandes parties les états possibles de la matière-image en photographie, analogique comme numérique.La première partie, « L'image tangible, la matière incarnée », montre comment des photographes tels que William Eggleston, Ann Mandelbaum, Denis Brihat entre autres transforment la matière photographiée en recourant par exemple au fou, au gros plan, aux variations d'échelles. D'autres comme Andreas Müller-Pohle, Philippe Gronon ou Isabelle Le Minh s'attachent à analyser toutes les textures des composantes de la photographie : grain d'argent, gélatine, pixels, papier...Avec « L'image labile, la matière expérimentée », l'exposition évoque ensuite la matérialité à l'aune des explorations mises en place dans la « cuisine » du laboratoire jusqu'au menu de l'ordinateur : aussi les expérimentations analogiques sur les émulsions (chimigrammes de Pierre Cordier, gommes bichromatées mélangées à du sang chez Marina Bério) ou sur le support photographique (photogramme plié d'Ellen Carey, daguerréotype de Patrick Bailly Maître Grand ou impressions sur végétaux d'Almudena Romero) sont-elles présentées en regard des oeuvres numériques de Thomas Ruff (série « Substrats » obtenue par la superposition de plusieurs images glanées sur internet ) ou de Lauren Moffatt (détournement de la photogrammétrie dans la série « Compost »).« L'image hybride, la matière métamorphosée » met en exergue des pratiques où la photographie s'hybride avec d'autres expressions artistiques (Anne-Lise Broyer, Paolo Gioli) ou alors parvient par ses ressources propres à suggérer des effets de matière picturale, graphique ou sculpturale (Valérie Belin, Jean-Luc Tartarin, Laurent Millet).Enfin, la quatrième et dernière partie, « L'image précaire, la matière fragilisée », présente des oeuvres interrogeant la photographie soumise au passage du temps et des éléments qui peuvent conduire à son effacement progressif (travaux sur l'archive photographique d'Eric Rondepierre, Joan Fontcuberta, Hideyuki Ishibashi, Lisa Sartorio, Oscar Muñoz…) ainsi que des matérialisations fugaces qui donnent lieu à des images évanescentes (hologramme de Michael Snow) ou à des images latentes, spectrales (Rosella Bellusci, Smith, Vittoria Gerardi, Alain Fleischer).[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

We're reporting this week from one of the major film events of the fall: the Toronto International Film Festival, which runs from September 7 to 17. Throughout this year's festival, we'll be on the ground, covering all the highlights (and lowlights) from the lineup with a rotating crew of critics and special guests. For our second podcast dispatch from Toronto, Film Comment Co-Deputy Editor Devika Girish is joined by local critics Adam Nayman (The Ringer, Cinema Scope, and elswhere) and Saffron Maeve (Cinema Scope and elsewhere). They kick things if with a focus on Canadian films, including Atom Egoyan's Seven Veils, Chloé Robichaud's Days of Happiness, and Michael Snow's Standard Time, before expanding their scope to encompass Cord Jefferson's American Fiction, Pedro Almódovar's Strange Way of Life, and Bertrand Bonello's The Beast. Watch this space for more podcasts from TIFF 2023.

City Lights in conjunction with Asian American Writers' Workshop and University of California Press present a tribute to the life and work of Theresa Hak Kyung Cha. Moderated by Linda Norton with appearances by Brandon Shimoda, Min Sun Jeon, and Christina Yang celebrating the publication of two new books from University of California Press: "Dictee" and "Exilee and Temps Morts: Selected Works." This event was originally broadcast via Zoom and hosted by Peter Maravelis. You can purchase copies of "Dictee" directly from City Lights here: https://citylights.com/general-fiction/dictee-2/ And "Exilee and Temps Morts: Selected Works" here:https://citylights.com/general-poetry/exilee-temps-morts-sel-works/ Theresa Hak Kyung Cha (1951–1982) was a poet, filmmaker, and artist who earned her BA and MA in comparative literature and her BA and MFA in art from the University of California, Berkeley. During her brief yet brilliant career, Theresa Hak Kyung Cha explored a variety of media, including handmade books, video, film, sculpture, performance, and sound. Her work is distinctive for its somber, unforgettable beauty, its innovative treatment of texts and images, and its ongoing, rigorous exploration of the phenomena of physical, cultural, and linguistic displacement. One element linking much of her work is an abiding concern with film and film theory. Cha's aesthetic influences are to be found much less among contemporary artists than among the works of filmmakers such as Chris Marker, Yasujiro Ozu, Jean-Luc Goddard, Marguerite Duras, Michael Snow, and above all, Carl Th. Dreyer. She was especially influenced by their innovative treatments of narrative and their concern for problems of memory, communication, and consciousness. Cha was also influenced by her studies of French film theory, particularly the scholarship of Christian Metz, Jean-Louis Baudry, Thierry Kuntzel, and Bertrand Augst. From these theorists, Cha developed an awareness of the artwork as an extended “apparatus,” the meaning of which was inscribed between its psychological origin in the artist, its material and temporal existence, and its destination in the viewer's consciousness. While Cha developed her response to these ideas particularly in her live performances, they can be seen to have considerably influenced her work in other media as well. Cha, who died tragically in New York City in 1982, received her MFA from the University of California at Berkeley in 1978, and was an employee of the University Art Museum and Pacific Film Archive (Special thanks to BAMPFA for the use of this biography). The Asian American Writers' Workshop (AAWW) is a national literary nonprofit dedicated to publishing and incubating work by Asian and Asian diasporic writers, poets, and artists. Since their founding in 1991, they have provided a countercultural literary arts space at the intersection of migration, race, and social justice. Find out more at aaww.org. To learn more about the speakers in this tribute, visit: https://citylights.com/events/dreaming-of-theresa-hak-kyung-cha-an-appreciation/ And if you would like to see any of the visuals shared during this event, you can check out the video on YouTube: https://www.youtube.com/watch?v=tBZ_-hEqC3c This event was made possible by support from the City Lights Foundation: citylights.com/foundation

David and Scott Nye discuss the career of the late Michael Snow as well as some of the reactions to Beau Is Afraid.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Three arguing children wake up in the middle of the night to find their god is missing, and their sense of camaraderie and decorum have vanished. On Episode 550 of Trick or Treat Radio we discuss Skinamarink, from director Kyle Edward Ball! The film has been very divisive among its viewers, where do we stand on this experimental nightmare? We also have another entry into the art vs. the artist discussion that erupts into an all-out war, we talk about deplorable humans, and creepy toys. So grab your 8mm camera, whatever you do do not answer the Chatter Telephone, and strap on for the world's most dangerous podcast!Stuff we talk about: The Outwaters, HP Lovecraft, Robert Ebert, divisive films, COVID Cubed, Sabacc, Ravenshadow's Star Wars Podcast, MZ's Transformers collection, LL Bean, Poland Springs, Rolling Out, “chuffed”, fixing a clogged sink, UNICEF, J.K. Rowling is a POS, Hogwarts Legacy, Roman Polanski, Woody Allen, doubling down on being shitty, Neil Gaiman, plagiarism, unfriending Harry Potter, Tim Hunter, Books of Magic, Shrinky Dinks, Antrum, Max Fleischer cartoons, Dreamland, Skinamarink, Kyle Edward Ball, experimental film, fully immersive films, TikTok, Reddit, experimental films, creepypasta, Heck, Matt Murdock and Stevie Wonder as cinematographers, chatter telephone, sleep paralysis, Rodney Ascher, The Nightmare, Michael Snow's Wavelength, caffeine and coke, films as art, Hausu, Subconscious Cruelty, Begotten, Inland Empire, Hard Ticket to Hawaii, a slideshow of hallways and whispering, the nightmare of abusive parents, Watch/Skip+, Death By DVD, The Blair Witch Project, The Stepfather, City of the Living Dead, Matango, Legions, Fabian Forte, Fulch Force Five, Lionel Richie, Shrinky Dinks, and Instagram Filter Fueled Nightmares.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Cette semaine, au balado de 24 images, Alexandre Fontaine Rousseau reçoit Bruno Dequen afin de discuter d'une des tendances les plus visibles du moment : les satires des ultra-riches. Du cinéma à la télévision, de Triangle of Sadness, Glass Onion et The Menu à White Lotus et Succession.En seconde partie d'émission, Guillaume Lafleur vient rendre hommage à Michael Snow, l'immense cinéaste et artiste d'avant-garde canadien décédé récemment. 

Aunque ha pasado más de medio siglo desde su filmación, todavía cuesta poner en perspectiva todo lo que Michael Snow se jugaba a la hora de concebir Wavelength, su mediometraje ambientado en un loft de Nueva York, en el cual la cámara —presuntamente anclada a una posición fija— va haciendo un lento zoom sobre una fotografía colgada en la pared. El ejercicio está en directa conexión con las primitivas y formalistas películas que Andy Warhol produjo en esos mismos años, pero al concentrarse de lleno en el fenómeno de la percepción, Snow suma al mix ideas de Alfred Hitchcock (la continuidad del plano) y Antonioni (lo que el plano esconde en su interior), lanzando el experimento a otro nivel. Eso que parecía el simple registro de una instalación contiene dentro una historia, el peso de las horas, infinita paleta colores y un enigma que va develándose sólo para sugerir nuevos y aún más extraños misterios. De eso y más se discute en este podcast.

Special episode: RIP Michael Snow. In this episode, we'll look back at his key experiments, discuss whether they actually work, explore why he is an important artist, and dive into his 7 biggest films. We'll also make a case for why even those who disliked Wavelength and La region centrale should not bail on his later films, with Sol making one rather extraordinary claim, that 1 of Mr Snow's films is the best of its century. Oh, and we'll also drive home the rarely-mentioned point that Michael Snow's films are filled with comedy and humour!

After a brief introduction, this episode is a re-air of host Tyler Green's 2014 conversation with artist Michael Snow. Snow died on January 5. He was 94.

Michael Snow is a managing broker with Pearson Smith Realty in northern Virginia. He's a masterful prospector and spends most of his time coaching approximately 1,000 agents on how to attract and find new leads. We asked him to share with us what he's telling them as they head into 2023. Listen to Michael's interview to find out the three-part plan for success that he has all his agents implement, understand why he is an enthusiastic fan of hosting open houses and how you can approach agents to run theirs, and discover the necessary steps to getting the maximum ROI from online leads. Be sure to check out our show notes at staypaidpodcast.com for more in-depth information and added details not included in the episode. Connect | Resources Reach out to Michael via email: snow@pearsonsmithrealty.com   0:00     Introduction 2:18     Michael's backstory 6:24     #1: Define categories of lead generation     7:33     #2: Write a detailed business plan 8:45     #3: Create a detailed schedule 10:46   Figuring out your daily activity 14:24   Thoughts on hosting open houses 16:08   Asking agents to host their open house 18:49   Generate multiple touchpoints with events 21:37   The expectation when calling online leads 25:21   Anecdotes about closing rates 28:15   Action Item

Slow cinema aesthetics are becoming more popular in mainstream cinema, not only the art house or festival circuit. People are looking for ways to get away from the quick pace of modern life and our continual connectivity. Why not look for it in the stillness, in the static images of landscapes, in the experience of ordinary people living ordinary lives? Slow Cinema is a formal trend that has gradually gained popularity in modern cinema since its inception after the Second World War. Slow cinema is an art or experimental film model that portrays several distinct characteristics. Flanagan (2012) explained that slow cinema was characterized by the application of the long take, a tendency toward realist or hyperrealist representation, an undramatic narrative or non-narrative structure, stillness in composition, and visual content. Slowness in cinema has prompted the rise of questions that have gained critical and theoretical discussions over the past decade (De Luca, 2016). A review of the slow cinema style based on stillness, long durations, and silence makes it unsuitable for domestic film viewing. The fragmented and distracted modes of spectatorial interaction with miniaturized screens are only attainable in film theaters.  There are several films that have helped to popularize slow cinema and have promoted the idea of searching for meaning in the everyday in ordinary life, including but not limited to Jean-Luc Godard's "Contempt", Béla Tarr's "Sátántangó", Abbas Kiarostami's "Ten", Lav Diaz's "Fallen Angels", Michael Snow's "La Région Centrale", Apichatpong Weerasethakul's "Mit Klang", Chantal Akerman's "No Home Movie" and Abbas Kiarostami's "Like Someone In Love".  Ideally, slow cinema was primarily interested in how the passage of time can be felt within a film. The idea was to ensure duration became a filmic element, similar to editing or cinematography (Flanagan, 2012). To achieve the duration ideology, films leaned towards longer takes, minimal editing, and naturalistic performances, which made the films alienating and bizarre. The focus on time and duration involved, making films to be agonizingly slowly paced. For instance, the films would have 20-minute sequences during which a man walked while holding a candle. As the focus on time in Cinema intensified, there was minimal narrative and more time spent building tone in Poetics of Slow Cinema (Çaglayan, 2018). Sound design is also minimal, and the camera is seen to move but slowly. Previously, Cinema was established to be a narrative art form that slow Cinema has drastically changed. Slow Cinema is argued to test patience, hooking the viewer by making them wait, expecting a pay-off that sometimes never arrives. Talented slow cinema directors have greatly mastered the art of keeping their audience waiting for the entire length of their films. Slow cinema films have significantly gained popularity and are reported to leave a lasting impact on viewers immersed in a slowly moving world.  A slow film is one that does not move. This could include a lack of narrative, contemplative cinema, aesthetic sensibility, or philosophical insights. The length of a shot. Slow cinema is distinguished by the use of static shots, long duration shots, pans, tracking shots, and a narrative focus on the more mundane aspects of life. There is an emphasis oVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Singer-songwriter/multi-instrumentalist Michael Snow gives a rare career spanning interview on working with Doris Troy, Chuck Berry, John Lennon The post Michael Snow appeared first on The Strange Brew  .

“Marine Hugonnier“Le cinéma à l'estomacau Jeu de Paume, Parisdu 8 juin au 18 septembre 2022Interview de Marine Hugonnier,par Anne-Frédérique Fer, à Paris, le 7 juin 2022, durée 25'58.© FranceFineArt.Communiqué de presse Commissaire : Marta PonsaÀ l'été 2022, le Jeu de Paume ouvre ses portes à Marine Hugonnier pour sa première grande exposition en France. L'exposition réunira une sélection d'oeuvres représentatives de son approche artistique depuis ses débuts en 1998.Depuis vingt ans, le travail de Marine Hugonnier opère une lecture critique de la complicité que les conventions de la représentation entretiennent avec les idéologies politiques. Concevant sa pratique comme une recherche sur les politiques du regard, elle tente de mettre au jour les mécanismes de pouvoir qui les sous-tendent en cette époque de spectacularisation généralisée qui est la nôtre. L'artiste franco-britannique s'attache ainsi à rendre compte de ce qui façonne les images pour mettre en question l'empreinte qu'exercent le colonialisme, le capitalisme et le patriarcat sur tout appareil de captation et de restitution dans nos sociétés occidentales.Habitée par le sentiment d'être toujours une étrangère en raison des différents pays dans lesquelles elle a vécu, elle est animée par la volonté de déconstruire le cadre culturel qui modèle notre regard pour en imaginer un autre qui soit émancipateur et non aliéné.Cinéaste avant tout, Hugonnier a souvent voyagé avec sa caméra Aaton, filmant en marchant et vice versa, empruntant la posture d'une reporter ou d'une ethnographe afin de brouiller délibérément le statut de l'artiste.Après des études de philosophie et d'anthropologie, Hugonnier participe à la numérisation de la photothèque du musée de l'Homme, ce qui lui donne accès aux clichés des expéditions ethnographiques de Jean-Baptiste Charcot, Désiré Charnay, Paul-Émile Miot et Claude Lévi-Strauss. L'étude de cette documentation sera déterminante quant à la définition des enjeux majeurs de son travail : une attention portée à la matérialité des images et un intérêt particulier à interroger la distance qui sépare l'observateur de l'observé afin d'éviter l'écueil d'une instrumentalisation du monde par les images.Cette démarche discursive s'est traduite par une thèse intitulée Mapping the Politics of Vision: Searching for a Transformative Gaze [Cartographier les politiques du regard. À la recherche d'un regard transformatif], que l'artiste mène au Centre de recherche du cinéma expérimental et documentaire de l'université de Westminster à Londres et qu'elle soutient en mars 2021.Sa deuxième expérience fondatrice a lieu en 1990 lorsqu'elle effectue un stage au Centre Pompidou à l'occasion de l'exposition « Passages de l'image ». Hugonnier se trouve alors en contact avec les oeuvres, entre autres, de Jeff Wall, Gary Hill et Michael Snow, mais c'est Chris Marker et son Zapping Zone (Proposals for an Imaginary Television) qui la marquera le plus durablement. Cette installation multimédia, constituée d'une collection d'images, de logiciels informatiques et de fragments de vidéos d'origines diverses, critique l'attitude passive des téléspectateurs devant une représentation chaotique du monde globalisé et médiatisé.Le cinéma à l'estomac est sa première grande exposition en France. Elle emprunte à Julien Gracq une partie du titre de son pamphlet La Littérature à l'estomac, publié en 1950. [...] Marta Ponsa Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Alan Licht is a writer, musician, and curator based in NYC. He is known for his solo guitar work and long-time collaboration with guitarist Loren Connors and rock bands Run On and Love Child and the experimental group Text of Light. He is also the author of several books, including his new book Common Tones: Selected interviews with artists and musicians from 1995-2020. In this in-depth and wide-ranging conversation, we talk about his interview with Lou Reed, the new Velvet Underground documentary by Todd Haynes, Alan's work at the seminal NYC venue Tonic, his collaboration with Loren Connors, and his interviews with Christian Marclay, Michael Snow, Milford Graves, and the late writer/musician Greg Tate., who passed away the day after our conversation.

It's Part 2 of our interview with founding members Annie Humphrey and Michael Snow. Take notes on what improv has taught them, making funny videos before funny videos were cool, and the heights of fame (and what it took to maintain it for 25 of 39 days).

As we continue to look ahead to the 2021 college football season, and examine what the Big Ten will look like through the coaches who will be calling the shots, are any of these head men in danger of losing their jobs at the end of this season? We don't necessarily think any are in grave danger, but a few seats might be getting warm. So we turn to the expertise of a sports radio legend in Big Ten country, Michael Snow. Michael is a former sports talk radio host at 93.7 The Ticket in Lincoln, Nebraska and brings that wealth of knowledge to discuss Scott Frost, Jeff Brohm, and the rest of the coaches in the Big Ten Conference.Support Us By Supporting Our Sponsors!Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order.BetOnline AGThere is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus.Rock AutoAmazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you.Lucy.coGo to LUCY.CO and use Promo Code LOCKEDONCOLLEGE to get 20% off all products on your first order, including gum or lozenges! Learn more about your ad choices. Visit podcastchoices.com/adchoices

As we continue to look ahead to the 2021 college football season, and examine what the Big Ten will look like through the coaches who will be calling the shots, are any of these head men in danger of losing their jobs at the end of this season? We don't necessarily think any are in grave danger, but a few seats might be getting warm. So we turn to the expertise of a sports radio legend in Big Ten country, Michael Snow. Michael is a former sports talk radio host at 93.7 The Ticket in Lincoln, Nebraska and brings that wealth of knowledge to discuss Scott Frost, Jeff Brohm, and the rest of the coaches in the Big Ten Conference. Support Us By Supporting Our Sponsors! Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you’ll get 15% off your next order. BetOnline AG There is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus. Rock Auto Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Lucy.co Go to LUCY.CO and use Promo Code LOCKEDONCOLLEGE to get 20% off all products on your first order, including gum or lozenges! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our Whole World Improv Theatre alumni are here to educate John. Annie Humphrey and Michael Snow talk to us about the path through classes to performing. The energy and drive it took for a young group of actors to build a theater. Including an era of scripted shows, special gifts from a special sponsor, and yes - Bitches (Don't worry, it's not what you think).

Who’s afraid of structural film? Not special guests Igor Toronyi-Lalic and Daniel Neofetou, who join the boys this week to discuss the adventurous career of Canadian experimental filmmaker Michael Snow. What is a film when the film is concentrated, elongated, and entirely the sum of its parts? They look at Wavelength (1967), La Region Centrale (1971), "Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974), and  Cityscape (2019), among others, with a digression via music, composition, and the films of Brakhage and Hollis Frampton.

Professor Emily C. Burns, Terra Foundation Visiting Professor in American Art, gives the first in the series of The Terra Lectures in American Art: Performing Innocence: US Artists in Paris, 1865-1914. Between the end of the US Civil War and the start of World War I, thousands of American artists studied and worked in Paris. While popular thought holds that they went to imbibe culture and attain artistic maturity, in this four-part lecture series, Professor Emily Burns explores the various ways that Americans in Paris performed instead a cultural immaturity that pandered to European expectations that the United States lacked history, tradition, and culture. The lectures chart knowing constructions of innocence that US artists and writers projected abroad in both art practice and social performance, linking them to ongoing conversations about race, gender, art making, modernity, physio-psychological experience, evolutionary theory, and national identity in France and in the United States. Interwoven myths in art and social practice that framed Puritanism; an ironically long-standing penchant for anything new and original; primitivism designed by white artists' playing with ideas of Blackness and Indigeneity; childhood's incisive perception; and originary sight operated in tandem to turn a liability of lacking culture into an asset. In analyzing the mechanisms of these constructions, the lectures return to the question about the cultural work these ideas enacted when performed abroad. What is obscured and repressed by mythical innocence and feigned forgetting? Performing Innocence: Belated Abstract: Why did terms like innocence, naïveté, and artlessness have currency for US artists working in fin-de-siècle Paris? This lecture examines the language employed by artists and critics that applied these terms to Franco-American art exchange. Professor Burns traces the concepts' emergence and expansion at the end of the US Civil War. Linking the mass exodus to France for study to attempts at cultural rejuvenation, innocence reveals a culture triggered by the realities of war, failed Reconstruction, divisive financial interests, and imperial ambition. The impossibility of innocence gave the myth its urgency and paradox. Engaging with artists from Thomas Eakins and Robert Henri to writers Mark Twain, Henry James and Edith Wharton, as well as journalists, the lecture frames the definitions and stakes of claiming to be innocent and naïve in Paris. In performing these characteristics, these artists and writers built an idea that American culture was belated compared with Europe; the lecture contextualizes this idea of strategic belatedness alongside similar projections in other emergent national contexts. Biographies: Emily C. Burns is an Associate Professor of Art History at Auburn University where she teaches courses on eighteenth- and nineteenth-century American, Native American, and European art history. Her publications include a book, Transnational Frontiers: the American West in France (University of Oklahoma Press, 2018), which analyzes appropriations of the American West in France in performance and visual and material culture in the tripartite international relationships between the United States, France, and the Lakota nation between 1867 and 1914, as well as journal articles, exhibition catalogue essays, and book chapters related to art and circulation, US artists in France, and American impressionism. She is currently completing a co-edited volume with Alice Price on global impressionisms entitled Mapping Impressionist Painting in Transnational Contexts (forthcoming from Routledge). During her tenure as the Terra Foundation for American Art Visiting Professor in the Department of History of Art at the University of Oxford and a Visiting Fellow at Worcester College, Professor Burns will complete her second book, Performing Innocence: Cultural Belatedness and U.S. Art in fin-de-siècle Paris. Peter Gibian teaches American literature and culture in the English Department at McGill University (Montréal, Canada), where he has won four teaching awards. His publications include Mass Culture and Everyday Life (editor and contributor, Routledge 1997) and Oliver Wendell Holmes and the Culture of Conversation (Cambridge UP 2001; awarded the Best Book Prize in 2001-02 by NEASA, the New England branch of the American Studies Association) as well as essays on Whitman, Poe, Melville, Hawthorne, Twain, Dr. Holmes, Justice Holmes, Bayard Taylor, Washington Irving, G. W. Cable, Edward Everett Hale, Wharton and James, John Singer Sargent, Michael Snow and shopping mall spectacle, the experience of flânerie in 19th-century shopping arcades, and cosmopolitanism in nineteenth-century American literature. He is currently at work on two book projects: one exploring the influence of two competing speech models—oratory and conversation—on Whitman's writing and his notions of public life; the other tracing the emergence of a “cosmopolitan tradition” in American culture over the course of the long nineteenth century.

Professor Emily C. Burns, Terra Foundation Visiting Professor in American Art, gives the first in the series of The Terra Lectures in American Art: Performing Innocence: US Artists in Paris, 1865-1914. Between the end of the US Civil War and the start of World War I, thousands of American artists studied and worked in Paris. While popular thought holds that they went to imbibe culture and attain artistic maturity, in this four-part lecture series, Professor Emily Burns explores the various ways that Americans in Paris performed instead a cultural immaturity that pandered to European expectations that the United States lacked history, tradition, and culture. The lectures chart knowing constructions of innocence that US artists and writers projected abroad in both art practice and social performance, linking them to ongoing conversations about race, gender, art making, modernity, physio-psychological experience, evolutionary theory, and national identity in France and in the United States. Interwoven myths in art and social practice that framed Puritanism; an ironically long-standing penchant for anything new and original; primitivism designed by white artists’ playing with ideas of Blackness and Indigeneity; childhood’s incisive perception; and originary sight operated in tandem to turn a liability of lacking culture into an asset. In analyzing the mechanisms of these constructions, the lectures return to the question about the cultural work these ideas enacted when performed abroad. What is obscured and repressed by mythical innocence and feigned forgetting? Performing Innocence: Belated Abstract: Why did terms like innocence, naïveté, and artlessness have currency for US artists working in fin-de-siècle Paris? This lecture examines the language employed by artists and critics that applied these terms to Franco-American art exchange. Professor Burns traces the concepts’ emergence and expansion at the end of the US Civil War. Linking the mass exodus to France for study to attempts at cultural rejuvenation, innocence reveals a culture triggered by the realities of war, failed Reconstruction, divisive financial interests, and imperial ambition. The impossibility of innocence gave the myth its urgency and paradox. Engaging with artists from Thomas Eakins and Robert Henri to writers Mark Twain, Henry James and Edith Wharton, as well as journalists, the lecture frames the definitions and stakes of claiming to be innocent and naïve in Paris. In performing these characteristics, these artists and writers built an idea that American culture was belated compared with Europe; the lecture contextualizes this idea of strategic belatedness alongside similar projections in other emergent national contexts. Biographies: Emily C. Burns is an Associate Professor of Art History at Auburn University where she teaches courses on eighteenth- and nineteenth-century American, Native American, and European art history. Her publications include a book, Transnational Frontiers: the American West in France (University of Oklahoma Press, 2018), which analyzes appropriations of the American West in France in performance and visual and material culture in the tripartite international relationships between the United States, France, and the Lakota nation between 1867 and 1914, as well as journal articles, exhibition catalogue essays, and book chapters related to art and circulation, US artists in France, and American impressionism. She is currently completing a co-edited volume with Alice Price on global impressionisms entitled Mapping Impressionist Painting in Transnational Contexts (forthcoming from Routledge). During her tenure as the Terra Foundation for American Art Visiting Professor in the Department of History of Art at the University of Oxford and a Visiting Fellow at Worcester College, Professor Burns will complete her second book, Performing Innocence: Cultural Belatedness and U.S. Art in fin-de-siècle Paris. Peter Gibian teaches American literature and culture in the English Department at McGill University (Montréal, Canada), where he has won four teaching awards. His publications include Mass Culture and Everyday Life (editor and contributor, Routledge 1997) and Oliver Wendell Holmes and the Culture of Conversation (Cambridge UP 2001; awarded the Best Book Prize in 2001-02 by NEASA, the New England branch of the American Studies Association) as well as essays on Whitman, Poe, Melville, Hawthorne, Twain, Dr. Holmes, Justice Holmes, Bayard Taylor, Washington Irving, G. W. Cable, Edward Everett Hale, Wharton and James, John Singer Sargent, Michael Snow and shopping mall spectacle, the experience of flânerie in 19th-century shopping arcades, and cosmopolitanism in nineteenth-century American literature. He is currently at work on two book projects: one exploring the influence of two competing speech models—oratory and conversation—on Whitman’s writing and his notions of public life; the other tracing the emergence of a “cosmopolitan tradition” in American culture over the course of the long nineteenth century.

Professor Emily C. Burns, Terra Foundation Visiting Professor in American Art, gives the first in the series of The Terra Lectures in American Art: Performing Innocence: US Artists in Paris, 1865-1914. Between the end of the US Civil War and the start of World War I, thousands of American artists studied and worked in Paris. While popular thought holds that they went to imbibe culture and attain artistic maturity, in this four-part lecture series, Professor Emily Burns explores the various ways that Americans in Paris performed instead a cultural immaturity that pandered to European expectations that the United States lacked history, tradition, and culture. The lectures chart knowing constructions of innocence that US artists and writers projected abroad in both art practice and social performance, linking them to ongoing conversations about race, gender, art making, modernity, physio-psychological experience, evolutionary theory, and national identity in France and in the United States. Interwoven myths in art and social practice that framed Puritanism; an ironically long-standing penchant for anything new and original; primitivism designed by white artists’ playing with ideas of Blackness and Indigeneity; childhood’s incisive perception; and originary sight operated in tandem to turn a liability of lacking culture into an asset. In analyzing the mechanisms of these constructions, the lectures return to the question about the cultural work these ideas enacted when performed abroad. What is obscured and repressed by mythical innocence and feigned forgetting? Performing Innocence: Belated Abstract: Why did terms like innocence, naïveté, and artlessness have currency for US artists working in fin-de-siècle Paris? This lecture examines the language employed by artists and critics that applied these terms to Franco-American art exchange. Professor Burns traces the concepts’ emergence and expansion at the end of the US Civil War. Linking the mass exodus to France for study to attempts at cultural rejuvenation, innocence reveals a culture triggered by the realities of war, failed Reconstruction, divisive financial interests, and imperial ambition. The impossibility of innocence gave the myth its urgency and paradox. Engaging with artists from Thomas Eakins and Robert Henri to writers Mark Twain, Henry James and Edith Wharton, as well as journalists, the lecture frames the definitions and stakes of claiming to be innocent and naïve in Paris. In performing these characteristics, these artists and writers built an idea that American culture was belated compared with Europe; the lecture contextualizes this idea of strategic belatedness alongside similar projections in other emergent national contexts. Biographies: Emily C. Burns is an Associate Professor of Art History at Auburn University where she teaches courses on eighteenth- and nineteenth-century American, Native American, and European art history. Her publications include a book, Transnational Frontiers: the American West in France (University of Oklahoma Press, 2018), which analyzes appropriations of the American West in France in performance and visual and material culture in the tripartite international relationships between the United States, France, and the Lakota nation between 1867 and 1914, as well as journal articles, exhibition catalogue essays, and book chapters related to art and circulation, US artists in France, and American impressionism. She is currently completing a co-edited volume with Alice Price on global impressionisms entitled Mapping Impressionist Painting in Transnational Contexts (forthcoming from Routledge). During her tenure as the Terra Foundation for American Art Visiting Professor in the Department of History of Art at the University of Oxford and a Visiting Fellow at Worcester College, Professor Burns will complete her second book, Performing Innocence: Cultural Belatedness and U.S. Art in fin-de-siècle Paris. Peter Gibian teaches American literature and culture in the English Department at McGill University (Montréal, Canada), where he has won four teaching awards. His publications include Mass Culture and Everyday Life (editor and contributor, Routledge 1997) and Oliver Wendell Holmes and the Culture of Conversation (Cambridge UP 2001; awarded the Best Book Prize in 2001-02 by NEASA, the New England branch of the American Studies Association) as well as essays on Whitman, Poe, Melville, Hawthorne, Twain, Dr. Holmes, Justice Holmes, Bayard Taylor, Washington Irving, G. W. Cable, Edward Everett Hale, Wharton and James, John Singer Sargent, Michael Snow and shopping mall spectacle, the experience of flânerie in 19th-century shopping arcades, and cosmopolitanism in nineteenth-century American literature. He is currently at work on two book projects: one exploring the influence of two competing speech models—oratory and conversation—on Whitman’s writing and his notions of public life; the other tracing the emergence of a “cosmopolitan tradition” in American culture over the course of the long nineteenth century.

Jennifer Baichwal, Nicholas de Pencier and Face2Face host David Peck talk about minor miracles, conduits for truth, journalism, craft and art, humility and openness, Immanuel Kant and the ethics of engagement.Human Rights Watch Festival - February 18th to 22 - 2021Get your tickets here: The annual Toronto Human Rights Watch Film Festival brings human stories to life in a manner that empowers the audience to demand justice for all.By using film as a medium, Toronto Human Rights Watch Film Festival aims to bring awareness to human rights issues in a way that is easily understandable and provides the viewer with the knowledge to advocate for change. Join us and the vibrant movement to uphold human dignity and advance the cause of human rights for all.For more info about Human Rights Watch head here.About Jennifer & Nick:Jennifer Baichwal Jennifer Baichwal was born in Montréal and grew up in Victoria, British Columbia. She studied philosophy and theology at McGill University, receiving an M.A. in 1994, supported by a McGill Major Fellowship and an FCAR Master’s Scholarship.Baichwal has been directing and producing documentaries for 25 years. Among other films, installations and lens-based projects, she has made 10 feature documentaries which have played all over the world and won multiple awards nationally and internationally.Baichwal, along with her partner Nicholas de Pencier, was commissioned in 2003-4 to make forty short films on artists who have been supported over the past four decades by the Ontario Arts Council. These include writer Michael Ondaatje, artist Michael Snow, pianist Eve Egoyan and playwright Judith Thompson, and are in periodic rotation on TVOntario. The collection received a 2006 Gemini nomination for Best Direction in a Performing Arts Program or Series.Baichwal’s most recent collaboration with de Pencier and Edward Burtynsky is The Anthropocene Project. It includes a major touring exhibition which debuted simultaneously at the Art Gallery of Ontario and National Gallery of Canada and is currently travelling around the world. The feature documentary film Anthropocene: The Human Epoch premiered at TIFF 2018, played Sundance and the Berlinale, and was released theatrically in Canada by Mongrel Media and in the U.S. by Kino Lorber in September 2019, and is now in international release. The film won the Toronto Film Critics Association prize for Best Canadian Film, and a Canadian Screen Award for Best Documentary Feature. The Anthropocene Project also includes an art book published by Steidl, and an educational program in partnership with the Royal Canadian Geographical Society. For more information visit theanthropocene.org.She is currently in development on several projects, and in production for a feature documentary on global insect collapse.Nicholas:Nicholas de Pencier is a Director, Producer, and Director of Photography working in documentary and video installation. He is President of Mercury Films Inc., the Toronto-based production company he shares with his partner, Jennifer Baichwal.Aside from his work in factual series, de Pencier’s director credits include the feature documentary Four Wings and a Prayer, about the migration of the Monarch butterfly which won the Grand Prix Pariscience, the Banff Rockie Award for best Wildlife and Natural History Program, the Jules Verne Nature Award, and was nominated for Geminis for best Science Documentary, Best Cinematography and Best Direction in addition to an Emmy nomination for the PBS NOVA version (called The Incredible Journey of the Butterfly). In 2004 de Pencier was nominated for a Gemini for Best Direction for his performance film Streetcar, while the film’s lead, Peter Chin, won for Best Performance. His 2016 feature documentary Black Code about internet censorship and surveillance around the world which he directed, produced and shot, premiered at TIFF and was released theatrically in Canada in 2017.As a cinematographer, de Pencier has shot many factual TV series and documentaries for the CBC, PBS, Discovery, National Geographic and History. A detailed Director of Photography CV can be found at www.mercuryfilms.ca. In 2010 he shot the documentary adaptation of Payback, Margaret Atwood's Massey Lecture on debt, which was selected for Sundance, 2012 and released theatrically in Canada and the U.S. De Pencier was admitted as a full member to the Canadian Society of Cinematographers in 2012.With Baichwal, he is the co-director and DOP of Long Time Running, a feature documentary on the Tragically Hip’s iconic Man Machine Poem tour from the summer of 2016, which premiered as a gala presentation at TIFF 2017, was subsequently released by Elevation Pictures, and broadcast by Bell and Netflix.ANTHROPOCENE: The Human Epoch, is another collaboration with Jennifer Baichwal and Edward Burtynsky where de Pencier was Co-Director, Director of Photography and Producer. It includes a feature documentary, book, and museum exhibition, and was a Special Presentation at TIFF, and was released in the fall of 2018 with simultaneous Museum Exhibitions at the Art Gallery of Ontario and the National Gallery of Canada before heading to Sundance, Berlin and major festivals around the world. The film won the Toronto Film Critics Association for Best Canadian Film, and Ted Rogers Award for Best Documentary as well as the Best Cinematography Award at the Canadian Screen Awards, in addition to the Canadian Society of Cinematographers Robert Brooks Award for Documentary Cinematography.He is a past president of the board of directors of Charles Street Video, a former member of Rogers Industry Advisory Group at TIFF, and currently sits on the boards of The Toronto Chapter of the Documentary Organization of Canada and the Hot Docs Festival.Image Copyright and Credit: Mercury Films.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Dr. Jeanette welcomes Michael Snow, author of "Mindful Philosophy", to explore the unfolding of our soul essence. How have we been evolving from human 'doing' beings to spiritually, philosophical soul essence consciousness?What is a Spiritual Journey; there has to be so much more to this existence, right?There has been a lot of esoteric philosophical thoughts in the eons past and now we can bring them to light to help guide us in translating the energy of the world we are in today.Truth; who's truth? Is it an illusion? What gives us this static kind of chaos?What is the 'I am'? The consciousness or essence is what we are.We are now in a pause phase that is allowing us to examine what life is about, how to navigate the New World, and how to create a better world. Are you listening? Are you tuned in? Where are we going? Can we be comfortable with the unknown? What about control? Does that work anymore?For more information on Michael visit: http://www.MichaelJSnow.co.ukFor a Soul Guidance session and a free book from Dr. Jeanette visit: https://DrJeanetteGallagher.com

Dr. Jeanette welcomes Michael Snow, author of Mindful Philosophy, to explore the unfolding of our soul essence. How have we been evolving from human 'doing' beings to spiritually, philosophical soul essence consciousness? What is a Spiritual Journey; there has to be so much more to this existence, right? There has been a lot of esoteric philosophical thoughts in the eons past and now we can bring them to light to help guide us in translating the energy of the world we are in today. Truth; who's truth? Is it an illusion? What gives us this static kind of chaos? What is the 'I am'? The consciousness or essence is what we are. We are now in a pause phase that is allowing us to examine what life is about, how to nagivate the New World, and how to create a better world. Are you listening? Are you tuned in?  Where are we going? Can we be comfortable with the unknown? What about control? Does that work anymore? For more information on Michael visit: www.MichaelJSnow.co.uk For a Soul Guidance session and a free book from Dr. Jeanette visit: www.DrJeanetteGallagher.com

Michael Snow is back and so too is Major League Baseball. No real news about the Big Ten to discuss, so Ben and Michael give you some MLB best bets for the opening weekend of action and the return of America's pastime. And the guys do compare some of the MLB teams to Big Ten programs, so there's that!

Précipités de lenteur - Matthieu Saladin00:00 - 24:00 Une proposition de Matthieu SaladinPrécipités de lenteur est un projet protéiforme. Conçu initialement pour une exposition personnelle au BBB centre d’art à Toulouse en 2019, il est devenu depuis un essai d’économie politique de la musique publié dans la revue Audimat, une mixtape pour un marathon confiné du festival Sonic Protest et à présent un programme radiophonique de 24 heures pour *DUUU Radio. Quelle que soit sa forme, il s’agit à chaque fois d’interroger l’idéologie de l’accélération qui gouverne nos sociétés, à travers des expérimentations sonores menées sur le ralentissement. À l’heure du trading à haute fréquence, de l’occupation 24/7 du temps de vie, de l’apologie de la mobilité et de l’augmentation généralisée du rythme des changements sociaux, ces expériences constituent autant de critiques en acte, de tentatives de temporisation, sinon de replis face aux impératifs de l’accélération. Dans le contexte actuel de pandémie, où cette fuite en avant semble avoir été – temporairement – stoppée net dans sa course, ces musiques résonnent sans doute encore autrement, tel un retard en guise de prélude, celui-là même où nous vivons.⏳ Précipités de lenteur (version programme radiophonique) ⏳ 🕛 Dj Screw, In The Air Tonight 🕛 Harry Pussy, Let’s Build a Pussy 🕐 La Monte Young, Dream House, Map Of 49's Dream, Drift Study, The Second Dream Of The High Tension Line Stepdown Transformer From The Four Dreams Of China 🕞 A$AP Rocky, Purple Swag, Been Around The World, Get Lit 🕓 John Cage, Organ2/ASLSP 🕡 Michael Prime, One Hour As A Plant 🕢 Philip Corner, Satie Slowly 🕤 Neu!, Cassetto 🕤 Dj Screw, Chapter 178 – In the Zone 🕚 Neu!, Hallo Excentrico!, Super 16 🕚 Michael Snow, Falling Starts 🕛 Kylie Minoise, You Suffer 🕐 Alvin Lucier, Nothing Is Real (Strawberry Fields Forever) 🕐 Taku Sugimoto & Radu Malfatti, Futsatsu 🕞 A$AP Rocky, Purple Swag – Chapter 2 🕞 Walter Marchetti, Natura Morta 🕟 Dj Screw, Same Ol G 🕡 Eliane Radigue, Adnos I-III 🕙 Earth, Seven Angels, Teeth of Lions Rule The Divine 🕥 Collin Olan, Rec01 🕚 Gavin Bryars, The Sinking Of The Titanic

Well, the college basketball season is over. It is a sad, sad time. Hosts Ben Stevens and Michael Snow try to get you through this tough time with some laughter, smiles, and a few tears. This college basketball season was one crazy ride, thanks for coming along.

Part 1: Zach, Michael and Andrew discuss movies they saw this week, including: Emma., Dark Waters, Portrait of a Lady on Fire and The Mosquito Coast.Part 2 (35:33): The group continues their Intro to Avant-Garde series with a selection of feature films from director Michael Snow –– 1967's Wavelength and 2002's *Corpus Callosum.See movies discussed in this episode here.Film list for the Intro to Avant-Garde series.Also follow us on: Facebook Twitter Letterboxd Spotify Stitcher Radio Radio Public ★ Support this podcast on Patreon ★

Why must good things always come to an end? That's how hosts Ben Stevens and Michael Snow feel about the Big Ten regular season wrapping up this week. But don't fret, to get over the sadness, let's transition into the madness that is March with their locks for a full weekend slate of Big Ten hoops.

Amazon Fire TV https://www.amazon.com/gp/product/B079QHML21/ref%3Das_li_tl?ie%3DUTF8%26camp%3D1789%26creative%3D9325%26creativeASIN%3DB079QHML21%26linkCode%3Das2%26tag%3Djeremybailey-20%26linkId%3Dafd9c3d4622f9f163906977aa316334a&sa=D&ust=1582644531143000 Roku https://www.google.com/url?q=https://amzn.to/3c6d7tC&sa=D&ust=1582644531143000 Sonos Beam (Jeremy’ Sound Bar)https://amzn.to/2STz2g7&sa=D&ust=1582644531143000 Sony wx1000xm3 Headphones https://amzn.to/2SRyKq2&sa=D&ust=1582644531144000 Shure MV5 Microphone https://amzn.to/2Vg3nqU&sa=D&ust=1582644531144000 1917 https://www.youtube.com/watch?v=gZjQROMAh_s Sam Mendes https://www.imdb.com/name/nm0005222/ Roger Deacons https://www.imdb.com/name/nm0005683/ Lumiere Brothers https://en.wikipedia.org/wiki/Auguste_and_Louis_Lumi%C3%A8re Coen Brothers https://en.wikipedia.org/wiki/Coen_brothers Jamiroquai Virtual Insanity video https://www.youtube.com/watch?v=4JkIs37a2JE Radiohead No Surprises video https://www.youtube.com/watch?v=u5CVsCnxyXg Game of Thrones https://en.wikipedia.org/wiki/Game_of_Thrones Call of Duty https://www.callofduty.com/ca/en/ Battlefield https://www.ea.com/games/battlefield/all-battlefield Wavelength, Michael Snow https://www.youtube.com/watch?v=aBOzOVLxbCE Solar Breath, Michael Snow https://www.youtube.com/watch?v=Mrl-66m9lO4 binaural Recording of New York in the rain https://www.youtube.com/watch?v=eZe4Q_58UTU&t=66s Fassbinder, Ali Fear Eats the Soul https://www.youtube.com/watch?v=LsLlXnmxWtM Average edits shorter and shorter https://www.wired.com/2014/09/cinema-is-evolving/ Francis Ford Coppola, from photographic medium to painterly medium https://twitter.com/bja_samuel/status/1213413098381594624 Rambo https://www.youtube.com/watch?v=vNPYoMJcSvs Snow White https://www.youtube.com/watch?v=hQZ6zzLpoNQ David Byrne http://davidbyrne.com/ Once Upon a Time in Hollywood https://www.youtube.com/watch?v=ELeMaP8EPAA Avengers DP https://www.imdb.com/name/nm1022001/ Making of 1917 on Youtube https://www.youtube.com/watch?v=ypvd2LJCJHg Phantom of the Opera Chandelier https://www.youtube.com/watch?v=py__iDeCFkc Cindy Sherman untitled film stills https://artlead.net/content/journal/modern-classics-cindy-sherman-untitled-film-stills/ Sophie Calle https://www.guggenheim.org/artwork/10438 John Cage 4’33 https://www.youtube.com/watch?v=9RAgthGA-9Q Kill Bill Buried Alive https://www.youtube.com/watch?v=Ris0Kce0ZPo Rafael’s Mosquito Installation https://www.newrafael.com/tag/mosquito/ Elizabeth Warren at DNC Debates https://www.youtube.com/watch?v=se4qX4vhmKw Dogma 95 https://en.wikipedia.org/wiki/Dogme_95 the Celebration https://www.youtube.com/watch?v=vKe_AxTFGXc Marshall McLuhan https://en.wikipedia.org/wiki/Marshall_McLuhan Eric Kessels https://en.wikipedia.org/wiki/Erik_Kessels

On the teaser episode of Bleav in Big Ten Bets, what better way to debut the show than teaser picks from hosts Ben Stevens and Michael Snow for the Big Ten Championship Game between Ohio State and Wisconsin (1:57-5:46) and a rivalry game in college basketball involving the Big Ten’s own: Nebraska (5:47-7:58).

Mo gets duped by Blair and Dawn and he never saw it coming, we finally find out who falls from the Jammer Group offices to their death and Blair goes from wuss to monster BOSS with revenge and Wall street domination as his #1 agenda items. It's 1987 and Wall Street's about to get interesting. Join us through the hi-jinx driven, time-period comedy Black Monday on the BLACK MONDAY AFTERBUZZ TV AFTERSHOW! We're breaking down the episodes every. Single. Week. From 365, All the way to 1. With special guests, insider news, and opinionated predictions, we have everything you could need! Subscribe and Comment to stay up to date with all things Black Monday! A group of outsiders crashes the old-boys' club of Wall Street and accidentally crashes the world's largest financial system on October 19,1987. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

James King is the author of six novels and nine biographies, including books on David Milne, Margaret Laurence, Jack McClelland, and Lawren Harris. His biography of Herbert Read, The Last Modern, was nominated for the Governor General's Literary Award. A fellow of the Royal Society of Canada, James lives in Hamilton, Ontario. And that's where I met him to discuss his biography of Jack McClelland, Jack, A Life with Writers. Among other things we talk of publicizing Canadian authors, happy childhoods, Patrick Crean, Esi Edugyan, magnetic personalities, P.T. Barnum, swearing, multi-national publishing houses, Canadian literature, Gabriel Roy, Margaret Laurence, Mordecai Richler, the New Canadian Library, editing, approbation, publishing poetry, Avie Bennett, the dangers of promoting Canadian culture, Alfred and Blanche Knopf, Bennett Cerf, James Laughlin, curiosity, Alice Munro, Michael Snow, Lauren Harris, The Handover, Dundurn Press, and naming Canada's national library after Jack McClelland. 

Bleu Cinéma | Podcast | Épisode 4 Suite à quelques complications organisationnelles, j'ai été dans l'impossibilité d'avoir un podcast avec des invités. J'ai donc décidé de faire un podcast spécial dans lequel je monte le top 11 de mes films préférés. Sans aucune prétention, j'ai pensé que ce serait intéressant de partager ça. En introduction, je parle de deux choses brièvement. Premièrement, le dernier clip de Safia Nolin réalisé par Jean-François Sauvé qui s'avère être encore un délicieux produit. Et deuxièmement : les vrais films-dont-vous-êtes-le-héros sont en fait les jeux vidéos, pas le film sorti de Black Mirror. PS : À 00:26:22, je dis de Lost Highway qu'il s'agit d'un vieux film avant Blue Velvet et Mulholland Drive. Correction, Lost Highway arrive entre Blue Velvet et Mulholland Drive ce qui ne fait pas de lui un si vieux film. Toujours est-il que le fait qu'il arrive entre les deux appuie mon idée que Lost HIghway est un parfait mélange entre Blue Velvet et Mulholland Drive. PPS : S/o à Mike, le rusé correcteur qui n'en manque jamais une. Voici le top 11 : 01. F.W. Murnau, 1923, « Nosferatu », Allemagne. 02. Michael Snow, 1971, « La Région Centrale », Canada. 03. Stanley Kubrick, 1971, « Orange Mécanique », Angleterre. 04. Andrei Tarkovski, 1979, « Stalker », Russie. 05. Luis Bunuel, 1974, « Le Fantôme de la Liberté », France. 06. Saul Bass, 1974, « Phase IV », États-Unis. 07. Dario Argento, 1977, « Suspiria », Italie. 08. David Lynch, 1997, « Lost Highway », États-Unis 09. Lars von Trier, 2011, « Melancholia », Danemark. 10. Xavier Dolan, 2014, « Mommy », Canada. 11. The Neon Demon, 2016, « The Neon Demon », Danemark. Mentions spéciales : 01. Steven Spielberg, 1971, « Duel », États-Unis. 02. Hanyi Zhang, 2016, « Life After Life », Chine & Apichatpong Weerasethakul, 2015, « Cemetery of Splendour », Thailande. 03. David Lowery, 2017, « A Ghost Story », États-Unis. TABLE DES MATIÈRES 00:02:00 : Dagues de Safia Nolin par Jean-François Sauvé. 00:04:01 : Les films-dont-vous-êtes-le-héros, les jeux vidéos pis Black Mirror. 00:05:30 : Nosferatu. 00:07:29 : La Région Centrale. 00:11:09 : Orange Mécanique. 00:12:16 : Stalker. 00:14:39 : Le Fantôme de la Liberté. 00:16:10 : Les Boys III pis Les Benchwarmers sont le deux meilleurs films de l'histoire du cinéma. 00:18:24 : Phase IV. 00:21:32 : Suspiria. 00:25:10 : Lost Highway. 00:27:41 : Melancholia. 00:31:03 : Mommy. 00:37:12 : Duel (Mention spéciale). 00:38:05 : Life After Life & Cemetery of Splendour (Mention spéciale). 00:39:15 : A Ghost Story. 00:41:12 : The Neon Demon. 00:44:47 : That's a wrap. BIBLIOGRAPHIE - « Safia Nolin - Dragues » Youtube, mis en ligne par Safia Nolin, 29 janvier 2019, https://www.youtube.com/watch?v=03jkj...

Jason Michael Snow (THE BOOK OF MORMON, SOUTH PACIFIC) is an actor, composer, writer, and very funny human being. Jason has excelled in all of these areas because he learned early on that you have to make your own opportunities. Jason walks us through the daily routines that keep him grounded, how he uses humor to deal with rejection, and his thoughts on social media.    This episode is sponsored by Goldstar! If you are one of the first 200 listeners who use the promo code RORY, you'll get $10 off your purchase of tickets to live events in your area! Use promo code RORY here: www.goldstar.com/rory

We discuss the work of Stan Brakhage, Maya Deren, The Kuchar Brothers, Michael Snow, Jonas Mekas and the history of experimental film. You must have this much mind power to enter! WWW.PATREON.COM/THEIMPORTANTCINEMACLUB We have a PATREON! Join for five dollars a month and get a brand new exclusive episode of ICC every week. This week we discuss Tarantino's Kill Bill. If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com

This week on TIFF UN/CUT, we hear from Canadian film and art legend Michael Snow. From Flightstop, his iconic collection of life-size Canada Geese sculptures that hang in Toronto's Eaton Centre, to his landmark experimental films La Région Centrale (1971) and Wavelength (1967) (the title of which inspired the Toronto International Film Festival's programme of experimental works, Wavelengths), Snow's work as a visual artist and filmmaker has been celebrated around the world. In this episode, we hear an extended conversation about Snow's early career, his influences, his initial encounters with the medium of film, life as an artist in Europe, Canada, and New York in the late 1950s and early 1960s, his relationship with fellow artist Joyce Wieland, and the interplay in his work between the visual arts, music, and film.

This week is all about scale. Rafael believes given twitter’s flat growth they should just give up and become a telegram utility and Jeremy argues artists should diversify to succeed like Get Out producer Jason Blum. The longest freshwater beach in the world https://www.tripadvisor.ca/ShowUserReviews-g316030-d2233507-r157495758-Wasaga_Beach_Provincial_Park-Wasaga_Beach_Ontario.html Chasing Coral https://www.chasingcoral.com/ The Good Family http://www.imdb.com/title/tt1183569/ Culture Amp inclusion survey http://hello.cultureamp.com/diversity-and-inclusion Evgeny Morozov’s To Save Everything Click Here https://www.goodreads.com/book/show/13587160-to-save-everything-click-here Twitter and the Arab Spring https://mic.com/articles/10642/twitter-revolution-how-the-arab-spring-was-helped-by-social-media#.fZsEbq3WL Twitter flat user growth https://www.recode.net/2017/7/27/16049084/twitter-jack-dorsey-q2-earnings-2017 Facebook “move fast and break things”http://mashable.com/2014/04/30/facebooks-new-mantra-move-fast-with-stability/#SjVLqrlmlPqj Kickstarter B corp https://www.kickstarter.com/blog/kickstarter-is-now-a-benefit-corporation Mastadon https://mastodon.social/about Value Hypothesis vs Growth Hypothesis http://whichlight.com/blog/the-value-hypothesis-and-the-growth-hypothesis/ Elon Musk as a young millionaire https://www.youtube.com/watch?v=eb3pmifEZ44 “Burp.” https://twitter.com/jeremybailey/status/891276607859691520 Banksy has UK’s favourite work of art https://www.theguardian.com/artanddesign/2017/jul/26/banksy-balloon-girl-hay-wain-favourite-uk-work-of-art-constable-poll-nation Giorgio Morandi http://www.tate.org.uk/art/artworks/morandi-still-life-n05782 Bo Burlingham’s Small Giants http://www.smallgiantsbook.com/bio.html Jiro Dreams of Sushi http://www.magpictures.com/jirodreamsofsushi/ Wavelength by Michael Snow https://en.wikipedia.org/wiki/Wavelength_(1967_film) Louise Bourgeois http://www.theartstory.org/artist-bourgeois-louise.htm Tesla Model 3 launch event in 5 minutes https://www.youtube.com/watch?v=6uK6BIVzcxU Barnett Newman (83 paintings) https://www.wikiart.org/en/barnett-newman “The Scarily Profitable Hits of Jason Blum” https://www.nytimes.com/2017/05/11/magazine/the-scarily-profitable-hits-of-jason-blum.html?_r=0 Get Out http://www.imdb.com/title/tt5052448/ Whiplash http://www.imdb.com/title/tt2582802/ Jeff Koons retrospective at the Whitney http://whitney.org/Exhibitions/JeffKoons#installation-25 Alexander Calder https://www.artsy.net/artist/alexander-calder Claus Oldenburg large scale works http://oldenburgvanbruggen.com/largescaleprojects/lsp.htm Eddie Murphy in the remake of Doctor Dolittle https://www.youtube.com/watch?v=ozMmf9Yi7TM Doctor Dolittle almost bankrupted 20th century fox in 1967 http://mercurie.blogspot.ca/2009/02/doctor-dolittle-film-that-almost.html Gunnar Schonbeck at MASS MoCA http://massmoca.org/event/gunnar-schonbeck/

THURSDAY 04/21/16 at 7pm ET/ 6pm CT/ 4pm PT Join us for "MIKE ON THE MIC" w/Host MIKE ALLBRIGHT and Special Guests: MATT BISCHOFF and MICHAEL SNOW from Survivor Caramoan!!! Host MICHAEL ALLBRIGHT is thrilled to Welcome MATT BISCHOFF and MICHAEL SNOW from Survivor Caramoan to The #MikeOnTheMic Show! #SurvivorKaohRong is getting verrry interesting now! Will Tai keep both #ImmunityIdols? Will he stay with the guys or move over to the girls side? Will we see another #Blindside this week at #TribalCouncil? Last week's episode of #Survivor will be recapped and much more will be discussed between MICHAEL ALLBRIGHT, MATT BISCHOFF and MICHAEL SNOW! Fans are always encouraged to join in the conversation! If you'd like to talk #Survivor with MIKE and MATT and MICHAEL, there are 2 ways to join us: Call in to join us on air at 1-347-237-5506 and/or click our link, then scroll down till you see our Live Chat Room, where you can also chat with us during the show! Cherry Garcia will be there as Co-Host. ***WE CONNECT YOU TO THE REALITY STARS YOU LOVE!!!***  Since 2002, MICHAEL ALLBRIGHT has become the #1 Survivor fan in the world and has met 431 cast members! He's Outwitted, Outplayed and Outlasted his competition and is now known and beloved by nearly every player in the show's history, and many of the people behind the creation of show including Russ Landau, Monty Brinton, Jesse Jensen, Lynne Spillman, Jeff Probst, and even Mark Burnett himself!  

Paul Dutton is a sound poet, visual poet, essayist, and novelist from Toronto, Ontario. Paul was a member of the seminal sound poetry group The Four Horsemen from 1970 to 1988, and since 1989 he's performed in the improvisational trio CMCC with John Oswald and Michael Snow. Paul has also worked with the vocal art supergroup Five Men Singing, among numerous other collaborations. Paul's 2000 album Mouth Pieces: Solo Soundsinging is available on PennSound, and his visual work The Plastic Typewriter (1993) is on UbuWeb. You can find an online version of his 1991 poetry collection Aurealities at Coach House Books. Dutton's novel Several Women Dancing was published by The Mercury Press in 2002.

This is our 200th episode and we're celebrating with SPECIAL GUESTS and Survivor FINALE talk!http://www.stwdd.comAndy Baker, Michael Snow, Jeff Pitman, Matt Bischoff               S29, BvW, Reality TV, Reality, Jeff Probst, Finale, Survivor Finale, 

With the Toronto Film festival just ending and the Vancouver Film Festival one week away, Mike and Sean celebrate the Great White North with a pair of the most-acclaimed Canadian films of all-time, David Cronenberg's 1983 mind-bender Videodrome and Michael Snow's experimental classic Wavelength, from 1967. Along they way, they preview Sean's trip to VIFF 2014, make their picks for Essential Canadian Film and celebrate the life and work of the Greatest Canadian, Rick Moranis.

Teri Wehn Damisch | Gespräch 25.01.2013 Zu Ehren der französischen Regisseurin, Produzentin und Drehbuchautorin Teri Wehn Damisch präsentiert das ZKM | Karlsruhe ein zweitägiges Filmprogramm. Das Programm umfasst neun ihrer zahlreichen Dokumentarfilme. Darüber hinaus sind vor dem ZKM_Vortragssaal ganztägig fünf Kurzfilme von Teri Wehn Damisch zu sehen. Die Regisseurin wurde in Paris geboren und wuchs in New York auf, seit 1975 lebt und arbeitet sie in Frankreich. Sie realisierte zahlreiche Dokumentarfilme, vornehmlich über einflussreiche KünstlerInnen und GeisteswissenschaftlerInnen unserer Zeitgeschichte, wie z. B. über den Szenenbildner Alexandre Trauner, den aus Ungarn stammenden Fotografen André Kertész, den französischen Philosophen und Kunsthistoriker Hubert Damisch, den kanadischen Filmemacher und Künstler Michael Snow, den amerikanischen Künstler Robert Morris, die kanadische Architektin Phyllis Lambert und die bulgarische Literaturtheoretikerin Julia Kristeva. Teri Wehn Damisch ist mit dem französischen Philosophen und Kunsthistoriker Hubert Damisch verheiratet. Anlässlich des Filmscreenings wurde das Gespräch mit ZKM Vorstand Peter Weibel aufgezeichnet.

Dwaine and David are joined by Michael snow as they read, listen to and comment on your feedback for episode 9 of Survivor, "My Brother's Keeper." Dwaine also shares his crazy theory which was, according to David, the best crazy theory in two years of podcasting. Thanks to Shayna D, Enrico, Lou and Andy for their feedback. Visit our website: www.survivortalkwithdandd.com

This week we interviewed Michael Snow. He left the game in episode 9 of Survivor Caramoan. He started the game in a dominant alliance, controlling all the shots. A long challenge losing streak eroded his base of control and sent him scrambling when the tribes shuffled. In the end, he became the victim of the second, Favs blindside vote, but he did reach a Survivor milestone when he became the first member of the Jury. Listen to this interview to hear how this fan made it on to the show, which Fav confronted him after the Corinne blindside, how he will cast his vote for the sole Survivor and lots more! If you are not a subscriber to the Survivor Fans Podcast, you can click the Listen Now button on the webpage and the interview will download and play on your computer. If you enjoyed this interview, check out our others here: SFP Audio Interviews Past SFP Video Interviews Survivor Fans Podcast Homepage Links for Today's Show Michael at CBS Survivor Caramoan at Survivor Fever Survivor Links News Archive at Sir Linksalot Contact Info: Voicemail: 206-350-1547 Email: joannandstacyshow@gmail.com Survivor Fans Podcast P.O. Box 2811 Orangevale, CA 95662 Enjoy, Jo Ann and Stacy *Image is copywrite and courtesey of CBS

Four tracks clocking in at over 66 minutes! Podcast available in iTunes or by clicking here. (00:00) “Doo Rain” ~ Aki Onda, Michael Snow, Alan Licht ~ Five A’s, Two C’s, One D, One E, Two H’s, Three I’s, One K, Three L’s, One M, Two N’s, Two O’s, One S, One T, One W (Victo, 2008) (14:33) “Hwang Chin-Ee” ~ John Zorn* ~ New Traditions in East Asian Bar Bands (Tzadik, 1997) (30:59) “Sixteen Waltzes in Seventeen Seconds” ~ Paul Flaherty, Chris Corsano, C. Spenser Yeh ~ A Rock in the Snow (Important, 2006) (43:38) “The Crackle of Forests” ~ Tim Hodgkinson ~  Sang (RER, 2000)   *Though credited to John Zorn, it should be noted that the text was written by Korean-American poet Myung Mi Kim, and narrated in Korean by Jung Hee Shin. Improvisational drumming by Joey Baron and Samm Bennett.

Playliste de Christian Zanesi pour webSYNradio : BLUES WITH BEER, TABLE AND CHAIR, avec des créations de Michael SNOW, SCANNER, Ilhan MIMAROGLU, Lionel MarETTI, Jean-Claude RISSET, Trevor WISHART, Taylor DEUPREE, Meredith MONK, Bernard PARMEGIANI

Michael SNOW, cinéaste associé au courant minimaliste, a présenté lors de cette conférence son travail photographique et filmique, à l’occasion de la rétrospective qui lui est consacrée au Lausanne Underground Film & Music Festival (LUFF). Notons qu'il manque à la conférence le contrepoint visuel au discours de Michael Snow qui commentait en détails une partie de son oeuvre photographique.

Michael SNOW, cinéaste associé au courant minimaliste, a présenté lors de cette conférence son travail photographique et filmique, à l’occasion de la rétrospective qui lui est consacrée au Lausanne Underground Film & Music Festival (LUFF). Notons qu'il manque à la conférence le contrepoint visuel au discours de Michael Snow qui commentait en détails une partie de son oeuvre photographique.

http://www.andystreasuretrove.com/andystreasuretrove.com/Media/ATTSF%20Episode%20%233%20Levelated.mp3.mp3 ()Prepared in Santa Cruz, California while Andy is on a “working vacation” there, Episode #3 starts with a visit to the opening night party of the San Francisco International LGBT Film Festival and an amusing encounter with filmmaker Harjant Gill, then to the Roxie Theater and a chat with Barbara Hammer at the premier of her new film “A Horse Is Not A Metaphor” about her recovery from cancer and how guided imagery of horses helped her recover. Next, we'll talk to Stephen Kent Jusick about the plight of short experimental films, go on a Karaoke adventure with Jack, Valerie and Frank, and close with some ‘deep thoughts' about responsibility. This episode is 22 minutes long. Please view the photos and video below, under the keywords for this episode. Enjoy! Keywords for this episode: Santa Cruz, California, http://www.frameline.org/ (San Francisco International LGBT Film Festival), http://www.frameline.org/festival/ (Frameline32), http://en.wikipedia.org/wiki/Harjant_Gill (Harjant Gill), Washington, DC, “Lot's Wife,” http://www.barbarahammerfilms.com/ (Barbara Hammer), “A Horse Is Not A Metaphor,” wrinkles, alluvial fans, “Mommie Dearest,” Faye Dunaway, ovarian cancer, guided imagery, horse, Georgia O'Keefe, http://www.imdb.com/name/nm0433072/ (Stephen Kent Jusick), http://www.mixnyc.org/ (MIX: The New York Lesbian and Gay Experimental Film/Video Festival), Rotterdam Film Festival, https://www.artsy.net/artist/michael-snow (Michael Snow), http://www.imdb.com/name/nm0909196/ (Michael Wallin), Karaoke, responsibility, Apple.

We're still finding more prime numbers. Tonight, we bring on the bombers! In this episode, we find a woman with some crazy demands for her boyfriend's Call of Duty usage. We discuss sushi, sexbots, and Donald Trump. We reminisce with Michael Snow, and narrow in on a new celebrity to interview. All while enjoying Zipline's Barrel-Aged Hibiscus Saison, Avery Brewing's Ginger Sour and Lagunitas' Wilco Tango Foxtrot. Support this podcast at — https://redcircle.com/three-beers-later/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.

A milestone episode, our 40th as a podcast. And our first with one of the host's missing. No Connor, just Mark and Michael Snow. And some crowlers. In this episode, we dive deep into Michael's world as a bartender. We look at Instagram influencers, eBay, and the "Dick of Death." We talked about the merits of being single, and we drank some beer out of oversized cans from Nebraska Brewing, Fernson Brewing, and First Street Brewing.Support this podcast at — https://redcircle.com/three-beers-later/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.

Michael Snow is here. But he's changed, man. He's a cowboy now.This was a weird episode. This was recorded while the entire country was shutting down before our eyes due to COVID-19. We tried to have fun. We realized we probably shouldn't be having fun. We didn't know what to do. When all else failed, we made fun of Snow for being a cowboy. All while drinking Coronas, Hopslams, and Cold Press Cocos.Support this podcast at — https://redcircle.com/three-beers-later/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.