Podcasts about TVOntario

Send us a textHamilton-born broadcaster Steve Paikin joined TVOntario in 1992. He became the host of the station's flagship show, The Agenda. After 19 seasons at the helm, he is stepping away for a new venture with the public broadcaster. On this edition of the Newsmakers Podcast, host Matt Ingram talked to Paikin about the decision and his career, including a couple of things you may not know.

Conservative Leader Pierre Poilievre confirmed this week that if elected prime minister, his government would invoke the notwithstanding clause to ensure mass murderers serve consecutive sentences without a chance for parole. “They should only come out in a box,” the Tory leader said Monday.  In this episode of “It's Political,” we look at the impact of Poilievre's decision and what the main parties are suggesting to tackle crime. We'll also discuss what they should be proposing instead. In this episode: Irvin Waller, professor emeritus of criminology at the University of Ottawa, Anthony Doob, professor Emeritus at the University of Toronto's Centre for Criminology and Sociolegal Studies, and Lisa Kerr, Associate professor and Director of the Criminal Law Group at Queen's. Hosted by Althia Raj. This episode of “It's Political” was produced by Althia Raj and Kevin Sexton. Kevin also mixed this episode. Our theme music is by Isaac Joel. Some of the audio clips this week were sourced from CPAC, CBC, CTV, TV Ontario and the BBC. 

Bummed your invitation to Martin Short's cottage in the Muskokas was evidently lost in the mail? Save yourself the long drive and listen to this week's episode of brioux.tv: the podcast. One of my favourite guests, filmmaker Mitch Azaria, is back with his sixth in an annual series exploring the province of Ontario: Tripping The Muskoka Lakes. We talk all about the new documentary, premiering April 20 on TV Ontario and also streaming (even earlier) on TVOdocs.org and at TVO's YouTube channel.This latest three hour, immersive, real-time documentary invites viewers to cruise along in a made-in-Muskoka Duke runabout, a mahogany classic converted to electric power. From the passenger seat you'll cruise past incredible boat houses along "Millionaires" and "Billionaires" row. Reel in a boatload of pop up info bites and dive under the water to visit an actual shipwreck. Travel tariff free from your own living room. All aboard!

Send us a textThis week on our 'Inside the Village' podcast: The moderator for next week's English-language leaders' debate tells us how he gets ready, what can go wrong — and his strategy for keeping things fair.Welcome back to Inside the Village, a one-of-a-kind podcast where all news is local — and no topic is off-limits.On this week's episode: Prepping for the big showdown.Next week will be a crucial one in the ongoing federal election race, as party leaders take the stage for back-to-back debates on Wednesday and Thursday in Montreal.First up will be the French debate, moderated by Radio-Canada's Patrice Roy, at 8 p.m. on April 16. The English-language debate will air the following night at 7 p.m., moderated by TVOntario's Steve Paikin.How will the format work? What kind of preparation is going on behind the scenes? Paikin joins us on this week's podcast to answer those questions — and a lot more.Thursday's debate will be Paikin's ninth as moderator (four federal, five provincial). And yes, he still gets butterflies.Hosted by Scott Sexsmith and Michael Friscolanti, the Editor-in-Chief of Village Media, Inside the Village is a news and current affairs podcast that provides a weekly window into some of the best local journalism from across our chain of Ontario newsrooms. Produced by Derek Turner, the program also explores bigger-picture issues that impact people across the province.Every episode can be found HERE. If you prefer the audio version, it is available wherever you find your favourite podcasts.Have something to say? You can reach us at itv@villagemedia.ca.Want to see more video features from Village Media? Please subscribe to our YouTube channel.Reach out to us anytime: itv@villagemedia.caFollow: X, YouTube

Is AI the latest chapter in our long history of creating an all-knowing God? AI ethicist Christopher DiCarlo certainly suspects it is. In his new book "Building a God: The Ethics of Artificial Intelligence and the Race to Control It, DiCarlo argues that we are creating AI systems with godlike capabilities that will eventually exceed all human intelligence through their ability to make unprecedented inferences and connections. Like so many other self-styled ethicists, DiCarlo emphasizes the urgent need to establish ethical guardrails and principles for AI development. He expresses both hope for AI's potential benefits, particularly in medicine, while warning about the risks of losing control of super intelligent systems that might, one day, develop their own ethical frameworks. Given that AI development is currently largely controlled by profit-driven companies and shaped by geopolitical competition rather than ethical considerations, DiCarlo advocates for raising public awareness and establishing robust international oversight bodies (similar to the IAEA for nuclear weapons) to govern AI development. He argues that AI's potential for systemic manipulation and control makes it potentially more dangerous than nuclear weapons, as it wouldn't require human intervention for the technology to destroy humanity. Christopher is a Senior Researcher at Convergence Analysis, an AI consultancy. He teaches in the Department of Biology at the University of Toronto and The Life Institute at Toronto Metropolitan University and is a past Visiting Research Scholar at Harvard University. He is the founder of Critical Thinking Solutions, the Ethics Chair for the Canadian Mental Health Association, a lifetime member of Humanist Canada, and an Expert Advisor for the Centre for Inquiry Canada. Christopher has published three books, including an international best-seller. He has won several awards including TV Ontario's Big Ideas Best Lecturer in Ontario Award and Canada's Humanist of the Year.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this episode of Cloudlandia, Our stories highlighted agricultural aspects of central Florida and comparisons of population densities in the U.S. and Canada. We also reminisced on television's evolution from shows like Romper Room to the first color programs. We reflected on limited past options versus today's unlimited streaming and the importance of managing screen time given continual new choices. Additionally, the discussion explored social dynamics considering Dunbar's number theory contrasted against digital reach on platforms. SHOW HIGHLIGHTS Dean discusses the strategic advantages of living in Central Florida, particularly in Winter Haven, which is centrally located and offers easy access to both coasts. We delve into Winter Haven's rich agricultural heritage, highlighting cattle ranches, orange groves, and other rural aspects of Central Florida. There's an interesting comparison between the population densities in the U.S. and Canada, including reflections on Ontario's geographic size and its southern location relative to many U.S. cities. We take a nostalgic look at the evolution of television, from classic shows like "Romper Room" to the advent of color TV with hits like "The Price is Right," and how this contrasts with today's streaming culture. The episode includes reflections on how past limited screen choices have evolved into today's endless streaming possibilities, and the impact of this shift on modern screen time habits. We explore the concept of social reach and relationships in the digital age, discussing the Dunbar number and how platforms like TikTok and Instagram have changed the dynamics of personal connections. Insights are shared from the new book "Casting, Not Hiring," which introduces the VCR formula—Vision, Capability, and Reach—as a framework for modern success. Through real-life examples and personal stories, we emphasize the importance of aligning vision, capability, and reach to achieve significant accomplishments, using figures like Safali Shabari and Max Martin as case studies. The episode also discusses the importance of choosing the right tools and staying committed to ongoing exploration and self-improvement. Finally, the conversation underscores the necessity of conceptual ability to see how one can be useful to others and leverage their capabilities, vision, and reach for collaborative success. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan, mr Jackson, you got through Hurricane Week. Dan: Not quite Hurricane Week, Tropical Storm Week, but we did oh. Dean: Tropical Storm A notch down in the hierarchy. Dan: That's one of the good things about living in Winter Haven. It is actually a haven from winter. We are in the center. We are perched on high dry, sandy land, so there's no storm surges, nothing like that yeah, so you're a long way from the coast, aren't you? Well, I'm actually an hour and 15 minutes from either coast. We can get to either side and we can get to virtually almost every beach in two hours. Like it's such a centrally located, we're almost in the exact geographic center of peninsular Florida, so I can get to Jacksonville in three hours and Miami in three hours and pretty much everywhere you want to be within an hour. So it's good. Dean: So I have a question because I've been there. Where is the big cattle ranching country? Is that south of you or north? Dan: It's surrounding us, but sort of north and south in the central. If you think about the middle of Florida, basically aside from the Orlando-Tampa corridor which is like this swath that goes all the way across the state from Tampa to Cocoa Beach, that area is very developed but above and below that the center is much like the Australian outback in terms of the density of population. And north of I-4. In that area there is equestrian and rolling hills and there's a lot of equestrian properties there and ranches. South of that is where you'd find a lot of the cattle ranches, sod ranches, orange groves. All of that is in the center and then you get all the way down to the Everglades and then the Everglades is one of the big national parks, it's the Everglades. Dean: Yeah, alligators I was actually on something that was described as the biggest cattle ranch, not only in Florida, but one of the bigger ones in the United States. Yes, and we drove at least 20 miles on the ranch before we got to buildings. Dan: And it was interesting. Dean: It was interesting. They had a lot of pigs wandering around and I asked them were they in the pig business? And they said no. It's just that every week or so the trail hands would like something besides beef. Dan: Right, go out and wrestle them up a hog Right. Dean: Yeah, yeah, have a barbecue, have a. Dan: Yeah, well, you can actually not too far from here you can do hog hunting, where you can go and hunt hogs in the forest, yeah, all natural. Dean: It's not. So. It's not silicon valley that we're talking about here no, we're really not. Dan: We're talking about, you know, rural florida. This is why I know, yeah, you know you look at Florida and you know people talk about population density and stuff, but there's a lot of land in Florida that is undeveloped. I mean there's a whole south of I-4, there's another highway that goes all the way across the state, called Highway 60, and through Lake Wales, and it's very undeveloped. I mean there's really nothing. All the way from Tampa to Vero Beach is where it goes and it's virtually. It's the only place I've been in Florida where you can, on certain parts of it, look as far as you can see in any direction and see nothing. I mean it's that. And somebody has bought up like 80,000 acres around what's called Yeehaw Junction, which is where the Florida Turnpike intersects with Highway 60. Where the turnpike, the Florida turnpike, intersects with Highway 60. And you could see easily that you could duplicate the entire I-4 corridor, like Tampa and Orlando, along Highway 60 with plenty of room to spare. So I'm not worried about the you know population increase in Florida. Dean: Yeah, it's really interesting. Peter Zion and one of his frequent you know he has his. You know he has videos every three days. Yeah, and you. But he was talking about all the developed countries, which would be mostly European countries, and you know Australia, new, zealand. You know he said that the US is by far the country with the least population density. I agree with that. Dan: Most any state, even Ontario you look at as densely populated as the GTA is. Once you get beyond the GTA it's pretty sparse in Ontario. Dean: Oh yeah, oh yeah I mean, yeah, there's an interesting thing. Just to give you a sense of how big Ontario is. First of all, ontario is a province in Canada, for those listening, and it's roughly about from north to south it's about 1200 miles, and from east to west it's 1400 miles. It's actually it's as big as mainland. It's almost as big as mainland Europe Isn't that amazing Without Russia when I found out. Not counting Russia. Dan: I heard when I found out you could drive north from Toronto the entire distance from Toronto to Florida and still be in Ontario. That's pretty amazing. Dean: Yeah, that gives you a context for it and most people don't realize that Toronto itself is further south than almost 20% of the United States. Dan: People don't realize that Ontario dips down no below that. Dean: No, it wouldn't be that much, but it is south of Minneapolis, south of Seattle, I think, it's south of Portland, you know, and then it's quite a bit south. I think it's south of Boston, it's south of you know everything like that. Yeah, maine all of it. It's about as south as you can get actually, yeah, but I think it's the most populated large city in the world, furthest north large city in the world oh, wow I think it's further south. I think it's further north than moscow oh, wow interesting. Yeah, yeah and yeah, and it's getting bigger, it's getting bigger. Well, there you go. Dan: Well, everyone. I'm waiting with bated breath to hear the great air fryer experiment from the Four Seasons beaches. Dean: Has your air fryer arrived. Dan: Oh, it's on the counter. Dean: Okay, it's on the counter. It's on the counter, it's been plugged in, but it hasn't been used yet. Okay, okay, we sort of inch our way into these new technologies. Dan: I got it, just unpack it and set it there for a little bit and just kind of let it live with it. Dean: Well, it's been a week now and we haven't used it. Why don't we use it? So anyway, but it is sitting on the counter. It's a ninja. Is that the kind you have? Dan: I think I have a breville is the name of uh mine. But did you get the one then? Did you get the one that steven palter posted? I have no idea. Oh okay, that's uh. Dean: So, oh yeah, that's fab you have to appreciate how little I take into this sort of thing, exactly right. Dan: I love that. Dean: There will be a who who's between me and the air. Dan: That's right? Dean: Oh, dan, that's the best Any technology in the world. I can guarantee you there will be a who between me and the technology. And I said what do you think? And I look for people who really love interacting with technology. I want that person between me and the technology and I'll ask them what's it do? What's it do? Dan: I'll tell you what I'm working on. Dean: What will it do for the thing I'm working on? Yeah, yeah, I love that and I've been pretty constant on that. I mean, you know, I was constant on this when I was six years old. I just always let some other human investigate the new technology. Dan: Yeah, and yeah. Dean: So I've lived a disconnected life when it comes to technology. What explains that? Dan: Well, I was thinking, you know about you, and I was thinking how you have the gift of being kind of brought into an era where television wasn't even a thing Like your earliest childhood was electronic free, I thought. But were you like? So you were born in 1944. And so it was six years. Probably Do you remember when you got exposed to your first television. Dean: Yeah, I think I was maybe. Yeah, I think it was around 52. I mean I had seen it, I'd been in other people's houses right they had television, but actually having our own television, I think it's maybe eight years. I was eight, so you got all the way to you. Dan: Think about this. You got all the way to eight years without being exposed to anybody else's visual bombardment of electronic propaganda or otherwise. Right, your visual input into your mind was largely formed through your own imagination. Yeah, you. You had to work, you had to create these visual pictures in your mind. Yeah, did you guys, did you? Dean: listen to radio, and I was assisted by radio. Dan: I remember radio had a big impact on me. Dean: And yeah, oh yeah, sorry, sergeant King of the Yukon. And yeah, there was Amos and Andy. We listened to Amos and Andy, andy, we listened to Edgar Bergen and Charlie McCarthy and then there was one that my siblings, my older siblings, listened to at night, which was called the dark museum, which scared the daylights out of me and the shadow. Dan: We listened to the shadow so was that the family activity no, no. Dean: Here you have to get the full impact okay, sorry sorry. Who knows what evil lurks in the hearts of men. The shadow knows. And then you had a 30 minute. 30 minute example of human evil. You know it was great but you had to do all the visuals. You know I, you were the visual director of all these radio programs. Dan: So was this? Everybody in the family gathered in the living room sitting on the couch listening to the radio like this. Is that what was going on? Dean: Yeah, there was sort of a. Yeah, there was sort of a dining room actually where you could listen. There were a number of radios. There was a radio in the kitchen, there was a radio, I think, someplace else, and it was a big house, a farmhouse, yeah, and I remember listening, imagining, you know, imagining. There was another series called Sky King, sky King, which became a TV station you know, and the Lone Ranger. We had the Lone Ranger. Dan: So there was a lot of variety, uh-huh and so, and then, in 1952, eight years old, you get your first television set. Dean: I think, so I think that would have been about then, yeah. Yeah, because I remember the first presidential election was 52. And I can remember that being on television. Who was the? Dan: president, was that Ike Eisenhower? Dean: Yeah, I like Ike, that was Eisenhower's first term. I like Ike. Dan: Now you know that's a really interesting thing. Do you remember, like your new routine when the television came? Were you watching TV every day from that period on? Or were your parents limiting the TV, or was everybody gathered around and limiting the TV, or was everybody around? Dean: and watch the TV. Yeah, I mean it was a frequent. It was a frequent activity once came in, that's all I can say I don't know, I don't know if I watched every day, but there you know, there were favorite shows. I think Arthur Godfrey was one of the early shows, the variety hour, and yeah, no, children's. I think there wasfrey was one of the early shows, the Variety Hour, and yeah, no, so Children's. I think there was Howdy Doody. Howdy Doody was. Dan: I think one of them Doody time. Dean: Yeah, and I think Soupy Sales was on and yeah. Dan: Yeah, I'm just thinking how. Yeah, I remember Romper Room. I just saw a video of Joe and I at the I Love Marketing event and I was saying we had all the people streaming from all over the world and I was doing a little Romper Room and about half the people in the audience knew about Romper Room and half didn't. Dean: That was kind of interesting. Dan: I remember I see Bobby and Johnny in their magic mirror. I used to hide behind the sofa so she wouldn't see me miss joan miss joan, miss joan. Yeah, so I was thinking about it was good, I mean I mean it was good, but it wasn't. Dean: It wasn't the major part, you know, of your you know it was only during weekdays, it was only at night and uh yeah, and on weekends I don't really there was. I don't know what the years were, but you know you got. You know, somewhere along the line you had jackie gleason and you had ed sullivan and you had other things like that, you know. But I wasn't. I can't say I was captivated because I was usually out. You know, I was outside, we lived in the country and I was out and I had really gotten hooked on reading. So I was doing a lot of reading back then. Yeah, interesting, but it is kind of what about yourself? Dan: I mean, you were born in the television age. I was born in the television age, you're right. And so every day, you know, I mean, yeah, tv was part of every day. And I was just the reason. The context for me thinking about this was thinking about how recent, you know, as each layering availability of content became unlocked kind of thing, our, you know, screen time has dramatically increased. And I was thinking all the way back to you. That's why I was thinking about you is, you know, literally your first six or eight years there were no screens, there were the only, you know, the cinema of the mind. That was your, that was your entertainment, your imagination. But I remember, so when I remember when we got our first color television right Around 19 or some early like that, and I remember the first show that I saw in color was the Price is Right with Bob Barker, and then All in the Family with Archie Bunker. That was, so you know, in the 70s. It was the Jefferson and Sanford and Sand and then all these. You know, the 70s, I think, was the golden era of television, you know, with all these shows becoming. You know, I remember Star Trek and you know all these, the Rockford Files and Starsky and Hutch, all the Love Boat, all these shows, these iconic shows in the seventies. But you only had, you know, basically the three networks was Canada, we had the CBC and TV Ontario. So those were the things and I remember as a kid, when the TV guide would arrive, we subscribed to the Saturday Star, the Toronto Star, that would arrive on Saturdays and that would have the TV guide in there, and I remember they would have it laid out like a you know a. Gantt chart, or whatever the time, the grid of times, to show you what was on. Dean: It was like a matrix. Dan: It was like a matrix you could see yeah, so it would list there were, you know. Dean: Every day had a matrix from yes till night 13 but you only had the three. You only had the three. Dan: There were 13 13 channels, yeah, to choose from three networks. And I remember the you know organizing my saturdays in the winter around the cartoons. You know like okay, so I would have a highlighter which was recently invented in that winter around the cartoons. You know like okay, so I would have a highlighter which was recently invented in that or newly introduced or whatever to our household, but I would have the highlighter and I would like highlight my. I would do my programming. You know I'm going to watch. I'm going to watch the Justice League at you know eight o'clock and then I'm going to watch the Justice League at you know eight o'clock, and then I'm going to watch Batman at nine, and then I'm going to watch Shazam and then Scooby-Doo, and then it was the we're all about why CBS or ABC's wide world of sports. That was like a big thing. And I remember now how much of my childhood was around synchronous and scheduled programming Because there was no other option. If you wanted to see that show, if you wanted to watch the Waltons that was on my mom's favorite show you had to watch that on Thursday nights or whenever the Waltons were on, you know, and Little House on the Prairie, and it was like your selection, your decisions were made. It wasn't like what should we watch tonight? Of the like now, infinite choices available to us, but we actually spend probably more as a percentage of our time not you, but collectively watching, consuming screen content. It's just been an observation. I've had some of these conversations. I'm getting really conscious of really being aware of my screen time and trying to be more discerning. Dean: I was just thinking now that you've got me thinking about it. I left home in 62 when I was 18. And I can't remember until I was 40 actually having a television during that 20 years or 22 years. I went 22 years and you know I don't remember. I remember people having televisions that I would go and watch things, sports things like that but, I went 22 years so, and then, of course, I haven't watched it in the last six years, so I've got pretty close to 40 years of my life when I didn't watch television Half, almost half my life. So I think it's never been a big deal for me. Dan: Right, think now like I look at kids now, like you think about the technological sophistication and facile nature of technology to eight-year-olds today, compared to Dan Sullivan at eight, you know is pretty amazing. But your experience in the outdoors to the average eight-year-old you know? Dean: it's so funny. I never see very rare. Dan: It's very rare, even in the 70s. Like growing up, you know the whole period of my childhood like from you know, six to 12. Six to 12. You don't see the same sort of pack of kids roaming around on the street that we saw when we were, when I was growing up anyway. I mean, you know, I grew up in the suburbs so we had like a very active, you know social ecosystem. We were outside all day, every day. You know social ecosystem. We were outside all day, every day you know, playing and making things up and riding our bikes and exploring the ravines and the sewers, and our parents never really knew where we were either. I mean we were. The idea was you got up and you had breakfast and you got out and you came home when you got hungry or when the streetlights came on at night. That's the deadline, you know I heard a comedian talking about that that it was so laissez-faire when we were growing up that they had to run ads on TV at night that said it's 1030. Do you know where your children are? Had to remind our parents that they had kids. Oh, so funny and true, you know. Dean: Yeah, it was really interesting, Really interesting. We in London we have our favorite hotel where we stay in London. Dan: And across. Dean: They've taken a whole old industrial area and they've completely transformed it. So they have a hotel and then they have condos and then they have shops and there's a courtyard in the middle and you cross one of the courtyards and there's a Japanese restaurant there. I remember being in there one night and there were six teenage girls, Japanese girls 16, 16, 17. And there were six of them at the table and each of them was on their phone during the entire meal. Dan: Yeah they're all talking in direct with other people. Yeah, so funny, right? Dean: They're not even there even when they're in the presence. It struck me that their world is actually inside the phone. Well, that's my point. Dan: That's the whole point of Cloudlandia. Cloudlandia is the real world. That's where we all live in. Cloudlandia. Dean: Not me. Dan: No, when I say we all, I mean society, everything. I have to have a permanent disclaimer. Dean: You're saying a large number, a large percentage, a large percentage, a large percentage, and Sullivan excluded A large percentage of people. Yeah, yeah. And it's honestly a different world. I mean, yeah, I can't make too many comments on it because I've never really experienced that you know. Dan: So we've got a young guy in our, in our go-go agent platform. He's a young realtor in Guelph, ontario. He's in his mid twenties, just getting started on his career and stuff. He's lived in Guelph his whole life and one of the strategies that we teach people. Dean: Nice city. Dan: Yeah, guelph is a is beautiful, yeah, so he's grown up there. You know, really, you know good looking young guy, very personable. I think he's got a big future. But one of the strategies that we encourage people is to gather their top 150 relationships, the people that if they saw them at the grocery store they'd recognize them by name and stop and have a conversation with them. Right, and the hardest thing, the funniest thing is he, after racking his brain, could only come up with 88 people on his list of 150 people. And I thought to myself like the population of Guelph must be 150,000 people right In the Guelph area I mean, it's pretty good size city. I thought you know you look at this right that there's a kid who has grown up largely in the internet world, right, like largely on in Cloudlandia, and that's the real thing. The reality is that if you go outside of his bedroom and walk around on the street, he only knows 88 mainland people and he's surrounded. I was teasing him that I said are you telling me that you've lived your entire 26 years in Guelph and all you know is 88 people and you're walking around surrounded by 149,920? Npc is a gaming term, dan for non-playing characters, because all of these online video games GTA or Grand Theft Auto and all these things that are kind of photorealistic things. All the people that walk around in the background are called non-playing characters or NPCs. Ground are called non-playing characters or NPCs. And I said that's really what you're telling me is, you've spent your whole life in Guelph and you only when you step outside your bedroom, know 88 people. That's a problem If you're in a business that is a mainland business. Mainland business right. Dean: All houses are 100% firmly planted on the mainland, as are the people that inhabit those homes. Dan: So it only makes sense that you need to get an outpost on the mainland, not in Cloudlandia, you know. Dean: Yeah, I was just thinking, I was just caring of my company company, my team members. There may be some new ones that I don't know, but I certainly know 100. And then my free zone program. I've got 105 in there and you know, some of them. I have to check the list to get their name, but you know I'd be over. I'd be over 150 with those two groups. Dan: Yeah, but there's. Dean: And then there'd easily be another 100 with the 10 times group, and then there would be 20 with Genius Network. Yeah, I'd probably be 300 or 400 anyway. Dan: And it's a really interesting thing. There's a lot of thing around that. Like Robin Dunbar, the evolutionary psychology anthropologist from Oxford, he is the one that coined that or discovered that information that the 150 is the magic number. You know, that's the number of relationships that we can manage where we recognize people and have, you know, a current status in their life kind of thing, in their life kind of thing. And that goes back to our first kind of days of playing the cooperation game where we would be tribal and have 150 people and that was a security thing. If you didn't know the people around you, that was a threat. Right, you had to know everybody. So, that's part of it. If it got to 150 150 what would happen is they would split up and go off and, you know, form other tribes. But that was. There's so many naturally occurring ways that that happens, but I just noticed you know how so much of it is for me personally. Like my Cloudlandia reach is a hundred times or more my mainland reach. Like if you just think about the number of people that I know or know me from in Cloudlandia it's way bigger than the number of people that know me in Winter Haven, florida, in my own backyard, you know. Dean: Yeah, well, it's very interesting. You know good FreeZone partner Peter or Stephen Poulter. You know, with TikTok he's got he's probably got 100,000 people who believe that he's their friend, he's their guide, he's their friend, yeah, yeah, but he wouldn't know any of them. Dan: Right, that's exactly right. Dean: So it's very. Taylor Swift probably has 100 million easy, probably more who know her? Dan: Mr Beast has 350 subscribers. You think about that. That's a measurable percentage of every person on the planet. When you think about that, almost that's, yeah, more than. Dean: It'll be interesting to see what he's like at 40. I wonder he's pushing 30. He's pushing 30, now right. Dan: Yeah, I think 26 or 7. Dean: Yeah, yeah, it'd be interesting to see what that does, because we only have really interactive relationships with a very small. I mean you talk about Dunbar's 150, but actually if you see who it is you hang out with, you know in the course of a year. I bet it's less than 15. Yeah, that's less, yeah, but yeah, yeah that's less, yeah, but yeah, I think, these numbers, you know, these huge numbers that come with quadlandia, do they mean anything? Do they actually mean anything, though, you know? Dan: um, well, I think that what I mean to that? Dean: do they have any? If you have that large of a reach, does it actually mean anything to you? Dan: It certainly from a monetary standpoint it does. From a relationship standpoint it's sort of a one-way thing, yeah, I was talking to one of our social media. Dean: We have a social media team here and I said can you bring me up to date? We have a social media team here and I says can you bring me up to date? I'm out there a lot every day, aren't I On Facebook and TikTok and Instagram and everything I said? I'm out there. And LinkedIn I'm out there a lot. And she says oh, yeah, every day there's probably about you know, five to ten new messages are going out from you and I said, that's interesting Because every once in a while I run into someone and someone says boy, I really liked your Instagram the other day and I said yeah, well, I aim to please. That's your whole thing, yeah, but I have no idea what's going out. Dan: And that's, you know, that's only going to be amplified when you take, when AI starts creating or, you know, repackaging a lot of the let's face it, you've got a lot of content out there. You've spoken a lot of words, You've been, you know, if we capture, everything you say basically is captured digitally right. Dean: Yep, Danny's got a lot to say. You do. Yeah that's right and you've got your. Dan: You've got the whole organization. You're the happiest. He's very expressive. Dean: Yeah, he's very expressive. You got a lot of milk, yeah, yeah. Well, anyway we're. I think we're going to start our next big book. We did the three with Ben Hardy, which have been a huge success. And I sent Ben a note. I said it was your idea to do these things, so without your initiative none of this would have happened. And of course you wrote the three books, so without your writing none of this would have happened and we've had really good results from hot leads coming in to coach from the books. It wouldn't have happened if you hadn't done that. But you know the publisher is giving us a call every month Say do you have a new book, do you need a new writer and everything. But we're ready to go. Dan: We're ready. Dean: And I think so it's going to be. I think it's going to be the one that we're doing with Jeff Madoff casting, not hiring. Yeah, it's a nice punchy, you know, it's another one of the punchy titles and so that will come out in coach form in the first week of September. Dan: So that'll be all printed. Dean: I think it went. I think it goes tomorrow to the printer and it'll be printed up. And you know, I don't know what it is, but I think a lot of people are fooling themselves about reach because they're lacking vision and capability. They think if you have reach, you've got something. But I think, if you don't have all three, you don't have. If you don't have all three, you don't have anything. Dan: Well, I think it's, if you have capability if you have capability. Dean: If you have capability but no vision, no reach, you have nothing. If you have vision but you have no capability and reach, you have nothing. You got to have all three. Dan: Yeah, you know it's very interesting. Chad Jenkins and I were talking, you know he's one of the bigger advocates for the VCR formula vision, capability, reach, about the you know the secret of that for people that you know whether we were to express them in capital V or lowercase v and capital C, lowercase c, capital R, lowercase r to see that where somebody self I see a lot of situations where people have a capital C capability that gets discovered and all of a sudden they're thrust into reach that they have no idea, no vision of what to do with. And it's very interesting. So someone that comes to mind. There's a woman, safali Shabari, who I met in Toronto through Giovanni. She was a guest or speaker at one of his Archangel events capital C capability for parenting and that kind of advice and she got discovered by, you know, Oprah and all the mainstream. So she was kind of thrust into the spotlight that was now shining a light on her capability, which brought her tremendous, acute onset reach that she really doesn't have, in my observation, a vision for how to navigate, you know, or what to do with that. They're an abundant reach asset with no vision. You know, to connect the two and I think that happens a lot. I think that happens a lot, that people get thrust into a spotlight and they, you know, have. And often you can have reach without capability too, and that's a problem too, and that's a problem. But if your reach is a result of somebody discovering your capability, that is a big. That's the formula I was. you know I've often talked about Max Martin as a role model you know the guy who's written all the number one songs on the radio that when I really started looking a little bit deeper into it, what I found out was that it was really through the reach of of Clive Davis that Max Martin's capability became. You know that he became Max Martin capability became. You know that he became Max Martin and because he was just a guy in Sweden producing great music, with a capital C capability of making pop songs, you know, and Clive Davis, when he discovered that he, as the president of Columbia Records and the founder of Arista and Jive Records, all of these subsidiaries, he had tremendous reach to both artists and their audiences. Visionary, to pair his artists with this Max Martin capability to create this capital VCR outcome of you know, all the success that Max Martin has had. And it was only through that pairing of a capital C capability with a capital R reach and a capital V vision then it all really became a big thing. Dean: This is my observation. Dan: This is all like live, you know developing, you know thoughts here around it, because I constantly. I run that filter constantly in background, filter constantly in background. But that VCR formula is, I think, a very relevant collaboration tool, that if people were really aware of their capabilities and had transparency to other people's vision, capabilities and reach, that's where the big connections happen, you know. Dean: Yeah, I think it requires a fair amount of conceptual capability that you can. You can sort of depersonalize your situation enough to understand what your capability would mean to somebody else. And you have to have a conceptual ability to see what reach would mean. For example, I was on a podcast on Friday. I was a guest of someone who is a key player in the land development industry across the United States and he's in COACH. So he asked me a lot of questions about coach and I went through and I explained. He's got 10 years in coach and he talked about what each of those concepts meant to him and everything else. And then his podcast is going to go out to 5,000 key players in the land development land development business in you know probably 25 or 30 states and everything else. And so at the end he says you know, I'm going to send this out and I'll send all the coach information, everything else. And I got off the call and I said that was easy. Dan: That was easy. Yes, that all you had to do was stay in your C lane of your capability. Dean: I just stayed in my lane and said what we had done. And then I talked about where I thought we would be with Coach when I was 100. I'm 80 and Coach was 100. And that's kind of a significant statement. It's not the sort of thing you would hear every day from an 80-year-old of what things were going to be like when they were 100 and much bigger at 100 than at 80. And it was really interesting, but that was like an hour middle house and you know I'm just talking, you know really good conversation, a lot of back and forth and you know, both of us asking the other questions and everything else and I said that's pretty cool that goes out immediately to five thousand. That's immediately goes out to five thousand people. Dan: Uh, yeah, yeah I mean that's pretty mean, you know, when you think about this, so of staying in your, in your lane of that's. Part of the great thing is that these things are largely plug and play, you know, like, and it happens. That's why I say a multiplier. You know, with the formula vision plus capability multiplied by reach, that reach is a multiplier. Dean: Well, they're actually. Yeah, I think what it is that two of them are addition, but the third one's a multiplier. Dan: Yes, that's exactly right. Dean: In other words, you can have vision plus reach multiplied by capability. You can have vision plus capability multiplied by capability. You can have vision and capability, vision plus capability multiplied by reach. You can have vision plus reach multiplied by yeah, yeah, yeah but, I, think it's like two of them are inside of our parentheses. You have, you know yeah, then the other that's multiplied by the third one. Dan: Yeah so it's very. Dean: I'm convinced it's three yes From the triple play. So I'm thinking about a tool right now where I said who's got the big idea, who's got the big idea, who's got the ready-to-use capability, who's got the ready-to-use capability? Dan: And who's? Dean: got the ready-to-use reach? Dan: Yes, you know that's fantastic. That would be a very useful tool. I think that's a really useful framework for collaboration. Yeah, it fits so well with our whole free zone operating system, you know? Dean: yeah, because we're surrounded by those those capabilities. Dan: Everybody's got a capability in the form of, uh, their self-multiplying company that they've already kind of established. To get to that point right, most people undervalue. They mostly undervalue their own capabilities and reach. They don't see them as assets in most cases. Dean: Well, even when they have vision, the vision isn't really useful to anyone else. It's only useful to them Right. Dan: Vision isn't really useful to anyone else. It's only useful to them, right yeah? Dean: I mean your vision has to have a lot of room for other people. Dan: That's what. So, chad and I've been talking about this there's the horizontal vision is within your own capability channel. You know they see vision, maybe within how to improve their capability, or internally. All their vision is within the walls of their own company. But where the real benefit comes is with horizontal vision. I said vertical vision is within your own company vision. I said vertical vision is within your own company. Horizontal vision is being able to see what your capabilities paired up with, recognizing someone else's vision that your capabilities could help or how someone else's reach could enhance your capabilities. You know all of those that vertical or the horizontal vision is where the collaborative creativity comes yeah, yeah, there's so much yeah I think you're right that there's, you know, articulating, the thinking tool that helps you recognize and assess what your unique probably unique ability fits within a capability right. That's a thing in your organizational unique ability and your unique teamwork all fit within that capability channel. Dean: Yeah, it was really funny. I was when was it Thursday? I think I was. When was it Thursday? I think I was invited into a workshop here in Toronto and it was the lead master's group. Okay, so the lead master's group is the lead group of all the people who are still at the signature level after 20, 25 years. Okay, and they haven't jumped to the 10 times. They haven't, you know. Their next group would be 10 times. Dan: And they're a long way. Dean: They're a long way off from free zone Anyway, but we're introducing the triple play straight across the program. This quarter. So everybody's getting the triple play. And there was a group, probably about 40, maybe 40 in the room and I would say, three got it, three got the triple play Understood, yeah. And they said, yeah, well, why would I do this? And I said well to differentiate yourself from everybody else. Yeah well, I'm not sure why I would do that and everything else, and so this is why I put the emphasis you have to have a conceptual ability that's apart from you. You're just seeing something that exists, that's big and it's powerful, but it exists outside of you. It's not you. Somebody else's capability exists outside of you. Somebody's vision exists outside of you. And somebody's reach exists outside of you. And you've got to be able to see this as a reality that exists in the world, whether you want to use it or not. These abilities, these capabilities, vision and reach is outside of yourself. Vision and reach is outside of yourself. And then you have to say if I'm going to use what other people have, how do I have to be useful to them, that they would be agreeable to that, and I think that takes a lot of conceptual ability to see how you could be useful to other people. Dan: Yeah, I agree with that, that's true. Dean: Yeah, I think there's. I mean, if you can only see within your own framework, you're not going to be VCRing anything. Dan: Right, exactly, you're only going to be trying to increase, you know, or improve your own limited vision within your own situation and working on your own capabilities, and only with your own reach. It's real. That's where it's like linear. That's linear, yeah, and you know exponential is plugging in to ready to implement reach, vision and technology or capability. Dean: It's really funny because huh, well, yeah, it's who, not how. But you have to see the who's as existing, completely independent of you. They just exist. They're out there, they're doing their thing and they're not going to be interested in you unless there's a big payoff. In other words, they have to see and it was very interesting because when I talked to like first year and strategic coach, you know first or let's say, signature level first or second and people will say well, you have such great people here at coach, how do you find great people? Dan: And I said you know where I live, you know I live in such and such place. Dean: We don't have great people like you find great people. And I I said you know where I live, you know I live in such and such place. We don't have great people like you have great people. And I said I suspect you do have great people, they're just not looking for you. Yeah right, how? How do you have to be such that other great people would be interested in you as an opportunity? Dan: Yeah, yeah, amazing you have to have something compelling you do you? Dean: have to have something compelling. Yeah, not convincing, but compelling. Dan: That's right, you know, shaped with a what's in it for them. Yeah, viewpoint, you know that's. I think Joe's book is amazing to set. I can't. It's one of those things that I can't believe nobody has written that book until now, you know. But just that whole idea of thinking about your vision, capabilities and reach from a what's in it for them perspective, with other people, what you can do for other people, it's almost one of those things that it's so powerful. Dean: That's true. That's true of all new things, though. Dan: Yeah. Dean: I can't believe somebody hasn't thought about this before. Uh-huh. Right right, right yeah. Dan: Oh man, that was. So there was George Carlin. He had a thing, a little you know comment where he was saying how the English language is so incredible that you'd think everything that's possible to say has already been said, you know. But he said I'm going to say things tonight here that have never been spoken in the history of the world. For instance, he said hey, marge, after I finish sticking this red hot poker in my eye, I'm going to go out and barbecue some steaks. Nobody's ever said those words in the history of the world. So it's not. Everything hasn't been said. I thought that was pretty funny actually. So there, yeah, Well we've spent an hour. Dean: We did a good hour, I think so. Dan: I always enjoy these conversations. Dean: Yeah, and. I'm going to, I think yeah you ought to zero in on the tools. You know that, yeah, and I'm going to. Dan: I think, yeah, you ought to zero in on the tool. Dean: You know that I'll give some thought to it, but this is your tool, not my tool. I'll give some thought to it. I love it, All right. Dan: Okay, talk to you next week. Bye. Dean: Okay, bye.

An exploration of diplomatic initiatives that might resolve the immediate crisis and reduce the cost of the conflict. Moderator Steve Paikin is a Canadian journalist and Host of TV Ontario's flagship current affairs show, The Agenda with Steve Paikin. Joining the conversation are panelists Daniel Byman, Thomas Fletcher and Julie Trottier. Daniel Byman is a professor at Georgetown University's School of Foreign Service and director of the Security Studies Program; Thomas Fletcher is the Principal of Hertford College at Oxford University and former United Kingdom Ambassador to Lebanon. Julie Trottier is Director of research at the Centre National de la Recherche Scientifique in France and adjunct lecturer at Sciences Po Paris, in the Master's program on Environmental Policy.

This week on Finding Your Bliss, Celebrity Interviewer and Bliss Coach Judy Librach is joined by acclaimed TV and radio hosts Cynthia Loyst and Josie Dye to talk about their podcast "Cynthia and Josie

Oh what a circus, oh what a show, as a newly reenergized Conservative Party of Canada holds its first convention with Pierre Poilievre as leader. Under this tent, everyone from anti-trans activists to British aristocrats are apparently welcome, because nothing says “populism” like telling people you know what's best for them.And as the strike at TVOntario creeps toward month two, we anxiously await Polkaroo's show of solidarity.Jacobin's Luke Savage joins Jonathan on Short Cuts.Host: Jonathan GoldsbieCredits: Aviva Lessard (Producer), Caleb Thompson (Audio Editor and Technical Producer), Annette Ejiofor (Managing Editor), Karyn Pugliese (Editor-in-Chief)Guest: Luke Savage Further reading: Tory convention seeks to dazzle supporters, but Poilievre the real draw - The Globe and MailThe working class inevitably becomes conservative: Full Comment podcast - National PostOpinion: The horrific food poisoning of Calgary children underscores the unravelling of public health in Canada - The Globe and MailBiden books are still bombing - Politico Sponsors: Squarespace, Rotman Executive Programs, Elijah CraigFind Canadaland on Youtube! Watch and subscribe to our original content @Canadaland and our new podcast channel @CanadalandPodcastsWe're hitting the road for three live events this fall! Canadaland Supporters get 50% off tickets to ALL events. Head to canadaland.com/events to learn more. If you value this podcast, Support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch at our store, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody. You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information.

In this podcast episode, Larry Ostola talks to Ted Barris about his book The Battle of the Atlantic: Gauntlet of Victory published by HarperCollins in 2022. In Battle of the Atlantic, Ted Barris provides a well-researched account of Canada's longest continuous military engagement during the Second World War. The years 2019 to 2025 mark the 80th anniversary of the Battle of the Atlantic - the war's most critical and dramatic battle of attrition. For five and a half years, German surface warships and submarines attempted to destroy Allied trans-Atlantic convoys, most of which were escorted by Royal Canadian destroyers and corvettes, as well as aircraft of the Royal Canadian Air Force. Throwing deadly U-boat “wolf packs” in the paths of the convoys, the German Kriegsmarine almost succeeded in cutting off this vital lifeline to a beleaguered Great Britain. During the desperate days and nights of the Battle of the Atlantic, the Royal Canadian Navy grew to 400 fighting ships and over 100,000 men and women in uniform; by V-E Day in 1945, it had become the fourth largest navy in the world. While Canadians think of the Great War battle of Vimy Ridge as the country's coming of age, it was the Battle of the Atlantic that proved Canada's gauntlet to victory and a nation-building milestone. Ted Barris is an award-winning journalist, author and broadcaster. His writing has regularly appeared in the national press as well as a wide variety of magazines. He's also worked as a host and contributor for CBC Radio, PBS, and TV Ontario. Barris is the author of 20 best-selling nonfiction books and is a member of the Order of Canada. This podcast was produced by Jessica Schmidt. Image Credit: Dave Wright / Library and Archives Canada If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.

The history of mokuhanga in Canada is small, yet strong. There are Canadian mokuhanga printmakers who have helped grow the art form in Canada and throughout the world, such as Walter J. Phillips (1884-1963), David Bull, Elizabeth Forrest, Barbara Wybou, to name but a few. But what if there was a tradition of printmaking you could never think have a connection with Japanese mokuhanga, thriving and growing in the Canadian Arctic?  Norman Vorano is the Associate Professor of Art History and Head of the Department of Art History and Conservation at Queen's University in Kingston, Ontario, Canada. In 2011 Norman published a book, with essays by Asato Ikeda, and Ming Tiampo, Inuit Prints: Japanese Inspiration.  This book opened me to the world of how various print traditions, so far away from each other, could influence one another. In this case, the Inuit of the Canadian Arctic in what is now known as Kinngait, have built one of the most thriving and economically sustainable print traditions in the world. But what I didn't know is that mokuhanga and the Japanese print tradition had a huge part to play in their early success.  I speak with Professor Norman Vorano about Inuit history and culture, how the Inuit print tradition began, how an artist from Toronto made his way to the Arctic, then to Japan, then back to the arctic, changing everything. Norman also speaks on how the work of sōsaku hanga printmaker U'nichi Hiratsuka influenced the early Inuit printmakers, and we discuss tools, pigments, and the globalization of art.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Norman Vorano PhD - is Associate Professor of Art History and Head of the Department of Art History and Conservation at Queen's University in Kingston, Ontario, Canada. For more information about Inuit printmaking and their association with mokuhanga you can get Norman's book, Inuit Prints: Japanese Inspiration (2011). For additonal information about Inuit printmaking and mokuhanga, Norman lectured on the subject for The Japan Foundation Toronto in 2022. The online lecture can be found, here.  A few topics that Norman and I really didn't have a chance to explore, but alluded too, was process. As wood is scarce in the Arctic, stone carving (soapstone), and linocuts are and were used. Also there is a chain within Inuit printmaking much like the hanmoto system of mokuhanga in Japan, where the Print Studio chooses images drawn by others in the community and those images are carved and printed by carvers and printers associated with the Print Studio in the Kenojuak Cultural Center in Kinngait, and then sold to the public.  Queens University at Kingston - is a public research university located in Kingston, Ontario, Canada. What began as a school for the Church of Scotland in 1841 has developed into a multi faculty university. More info can be found on their website, here.  Canadian Museum of History - one of Canada's oldest museums the CMH focuses on Canadian and world history, ethnology, and archeology. The museum is located in Gatineau, Québec, Canada. More info can be found on their website, here.  The Eastern Arctic of Canada - is a portion of the Arctic archipelago, a chain of islands (2,400 km or 1,500 mi) and parts of Québec and Labrador, located throughout the northern portion of the country of Canada. The Eastern portion discsussed in the episode is comprised of Baffin Island (Qikiqtaaluk - ᕿᑭᖅᑖᓗᒃ),  and Kinngait (Cape Dorset).  Kinngait (ᑭᙵᐃᑦ) - is located on Dorset Island at the southern part of Baffin Island in the territory of Nunavut, Canada. It was called  Cape Dorset until 2020, when it was renamed “high mountain” in the Inuktitut language.  Distant Early Warning Line (DEW)- was a radar system located in the Arctic regions in Canada, the Aleutian Islands of Alaska, the Faroe Islands, Greenland and Iceland. Its purpose was to help detect any aggression, militarily, from the then Soviet Union. This system was overseen by the Royal Canadian Air Force and the United States Air Force. It ceased activity in 1993.  The Canadian Guild of Crafts - also known as La Guilde, was established in 1906 in Montréal, Quebec, Canada. It has focused its work on preserving First Nations crafts and arts. It began working with James Houston (1921-2005) in 1948, having the first Inuit exhibition in 1949 showcasing Inuit carving and other crafts. It exists and works today. More information can be found, here. James Archibald Houston - was a Canadian artist who worked and lived in Kinngait (Cape Dorset) until 1962. He worked with La Guilde and the Hudson's Bay Company, bringing Inuit arts and crafts to an international community starting in 1948 through to the Cape Dorset co-operative of the 1950's. His work in helping to make Inuit art more commerical for the Inuit people has been documented in Norman Vorano's book, Inuit Prints: Japanese Inspiration (2011), as well as several articles from La Guilde, which can be found, here. Drum Dancer (1955) - chalk on paper West Baffin Eskimo Co-Operative - is the co-operative on Kinngait (Cape Dorset) established in 1959 and created by the Department of Natural Resources and Northern Development represented by Don Snowden and Alexander Sprudz, with James Houston. It focuses on drawings, prints, and carvings. More info can be found on their website, here.  The Department of Indian Affairs and Northern Development - in 2019 it was replaced by the Department of Indigenous Services Canada. The ISC is a government department whose responsibility is to colaborate and have an open dialogue with First Nations, Inuit and Métis peoples in Canada.  Terry Ryan (1933-2017) - was an artist and the arts director of the West Baffin Eskimo Co-Op in 1960 and General Manager in 1962. His work with the Cape Dorset Print Studio, bringing artists from all over Canada, helped to push the studio's work throughout the world. There is a fine Globe and Mail article about Terry Ryan's life and accomplishments, which can be found here.  Kenojuak Cultural Center - is located in Kinngait, and was opened in 2018 with a space of 10,440 sq ft. The KCC is a community center and space for sharing. It has a large printmaking studio, meeting spaces and exhibition spaces for work as well as a permanent gallery. It is associated with the West Baffin Eskimo Co-Operative.  Early Inuit Art - for more information regarding early Inuit art on record, from first European contact, La Guilde discusse this very topic in their article Going North: A Beautiful Endeavor, here. Grand-Mère, Québec - is a city in the province of Québec in Canada. Located in the region of Maricie, with a population of around 14,000. It was founded in 1898 and is made famous for the rock formation which shares its name. Grand Mère means ‘grandmother.' It is known for hunting and fishing tourism.  The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson  1882–1974), Frank Johnston (1888–1949), Arthur Lismer  (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group because of their individual relationships with the other member of the group. More info can be found, here. A fine article on the CBC by Cree writer Matteo Cimellaro, discusses the role The Group of Seven played in Canadian nationalism and the exclusion of First Nation's voices in their work. This can be found, here.      Tom Thompson - The Jack Pine (1916-1917)   Moosonee, Ontario - is a town located in Northern Ontario, Canada. It was first settled in 1903, and is located on the Moose River. It's history was of trapping, and is a gateway to the Arctic. English and Cree is spoken.   Moose Factory, Ontario - is a town first settled in 1673, and was the first English speaking town in Ontario. Much like Moosonee, Moose Factory has a history of fur trading, in this case by the Hudsons Bay Company. Like Moosonee there is a tourist industry based on hunting and fishing. The population is predominantly Cree.    Cree (ᓀᐦᐃᓇᐤ) - are a Canadian First Nation's people who have lived on the land for centuries. Their people are divided into eight groups through region and dialect of language:   Attikamekw James Bay Cree Moose Cree Swampy Cree Woods Cree Plains Cree Naskapi and Montagnais (Innu)   For more information regarding history, tradition of the Cree people of today, Heritage Centre: Cree Nations, and the Cree Nation Government website can get you started.    John Buchan (Lord Tweedsmuire, 1875-1940) - was the 15th Governor General of Canada serving from 1935-1940 (his death). He was born in Scotland, but committed himself to Canada when taking to his position as Governor General. He was also a writer of almost 30 novels.    sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.    Un'ichi Hiratsuka (平塚 運一) - (1895-1977) - was one of the important players of the sōsaku hanga movement in mokuhanga. Hiratsuka was a proponent of self carved and self printed mokuhanga, and taught one of the most famous sōsaku hanga printmakers in Shikō Munakata (1903-1975). He founded the Yoyogi Group of artists and also taught mokuhanga at the Tōkyō School of Fine Arts. Hiratsuka moved to Washington D.C in 1962 where he lived for over thirty years. His mokuhanga was multi colour and monochrome touching on various subjects and is highly collected today.      Mara Cape, Izu (1929)   Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shikō is famous for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.      Castle ca 1960's   Venice Bienale  - is a contemporary art exhibition that takes place in Venice, Italy and which explores various genres of art, architecture, dance, cinema and theatre. It began in 1895. More info, here.   Sao Paolo Biennal - is held in Sao Paolo, Brazil and is the second oldest art bienale in the world. The Sao Paulo Biennal began in 1951. It's focus is on international artists and Brazilian artists. More info can be found, here.    German Expressionism - was produced from the early twentieth century to the 1930's and focused on emotional expression rather than realistic expression. German Expressionists explored their works with colour and shape searching for a “primitive aesthetic” through experimentation. More info can be found,  here, on Artsy.net    Vasily Kandinsky (1866-1944) : Poster for the First Exhibition of The Phalanx, lithograph 1901.  Yanagi Sōetsu (1889-1961) - was an art critic, and art philosopher in Japan, who began writing and lecturing in the 1920's. In 1925 he coined the term mingei (rural crafts), which he believed represented the “functional beauty” and traditional soul of Japan. While on paper an anti-fascist, Yanagi's early views on the relationship of art and people, focusing on the group and not the individual, going back to a Japanese aesthetic; veering away from Western modernity, was used by Japanese fascists leading up to and during the Pacific War (1941-1945). For more information about Yanagi and the mingei movement in Japan during war time check out The Culture of Japanese Fascism, Alan Tasman ed. (2009) mingei movement - began with the work of Yanagi Sōetsu in the 1920's. The movement wanted to return to a Japanese aesthetic which honoured the past and preserved the idea of the “everyday craftsman,” someone who went away from industrialization and modernity, and fine art by professional artists. It was heavily influenced by the European Arts and Crafts Movement (1880-1920) as conceived by Augustus Pugin (1812-1852), John Ruskin (1819-1900), and William Morris (1834-1896).    Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.”   Stuben Glass Works - is a manufacturer of glass works, founded in 1903 in New York City. It is known for its high quality glass production working with talented glass designers.    Ainu - are a First Nations peoples with a history to Japan going back centuries. They traditionally live in the northern Japanese island of Hokkaido as well as the northern prefectures of Honshū.  There are approximately 24,000 Ainu in Japan. Made famous for the face, hand and wrist tattooing of Ainu women, as well as animist practices, the Ainu are a distinct culture from the Japanese. There has been some attempts by the Japanese goverment to preserve Ainu heritage and language but the Ainu people are still treated as second class citizens without the same rights and prvileges of most Japanese. More information about the Ainu can be found at the World Directory of Minorities and Indigenous People, here.    baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations.    Keisuke Serizawa (1895-1984) - was a textile designer who was a Living National Treaure in Japan. He had a part in the mingei movement where he studied Okinawan bingata fabric stencil dying techniques. He also used katazome stencil dying technqiues on paper in the calendars he made, beginning in 1946.      Happiness - date unknown: it is an ita-e (板絵) work, meaning a work painted on a piece of wood, canvas, metal etc.    National Museum of Ethnology (Minpaku) - is a research institute and public museum located on the old Expo '70 grounds in the city of Suita, Osaka Prefecture. It provides a graduate program for national and international students, doctorate courses, as well as various exhibitions. More information can be found on their website, here.    Prince Takamado Gallery -  is a gallery located in the Canadian Embassy in Tōkyō. It has a revolving exhibition schedule. It is named after Prince Takamado (1954-2002), the third son of Prince Mikasa Takahito (1916-2016). More info can be found, here.   Carlton University - is a public resesarch university located in Ottawa, Ontario, Canada. It was founded in 1942 in order to provide a serivce for returning World War II veterans. More information about the university can be found, here.     Kenojuak Ashavak (1927-2013) - was an Inuit graphic designer and artist born in Ikirisaq, Baffin Island. She moved to Kinngait (Cape Dorset) in 1966. Kanojuak Ashavek has made some of the most iconic imagery of Inuit art in Canadian history. One of her images, The Enchanted Owl was the subject of a TV Ontario short from TVO Today, and can be found here. The famous National Film Board of Canada documentary (1963) about her and her work can be found, here.       Luminous Char, stonecut and stencil, 2008. © Dorset Fine Arts   Inuit Prints: Japanese Inspiration -  was an Inuit print exhibtion at the Prince Takamado Gallery held at the Canadian Embassy in Tōkyō in 2011. It later toured across Canada.    Osaki washi - is a paper making family located in Kōchi, Japan. His paper has been provided to Inut printmakers for many years. The print by Kenojuak Ashavak, and printed by Qiatsuq Niviaksi,  was the one aluded to in Norman's interview as hanging on the washi makers wall.    Norman discusses, near the end of the interview, about how Inuit leaders were stripped of their power. The Canadian government instituted more policing in post war Canada, especially during the Cold War. The RCMP and other government officials used colonial practices such as policing, culturally and criminally, to impose Canadian practices from the South onto the Inuit.      Pitaloosie Saila - Undersea Illusion,  lithograph 2012     Lukta Qiatsuk (1928-2004)       Owl -  Stonecut print on paper, 1959. Canadian Museum of History Collection, © Dorset Fine Arts. Kananginak Pootoogook (1935-2010)       Evening Shadow: stone cut and stencil, 2010 © Dorset Fine Arts   Eegyvudluk Pootoogook (1931-1999)     Eegyvudluk Pootoogook w/ Iyola Kingwatsiaq , 1960, photo by Rosemary Gilliat Eaton, Library and Canadian Archives.      Our First Wooden Home: lithograph, 1979.     Osuitok Ipeelee (1922-2005)       Eskimo Legend: Owl, Fox, and Hare - stencil print, 1959 Canadian Museum of History Collection © Dorset Fine Arts.    Iyola Kingwatsiak (1933-2000)       Circle of Birds: stencil on paper, 1965   © Popular Wheat Productions opening and closing musical credit - From Professor Henry D. Smith II, lecture entitled, The Death of Ukiyo-e and the Mid-Meiji Birth of International Mokuhanga, as told at the 4th International Mokuhanga Conference in Nara in November, 2021.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  All photos of Inuit artists and works of Inuit artists have been either provided by Norman Vorano, or have been sourced from elsewhere. These are used for educational purposes only. Any issues please reach out.   

“I live on the other side of the faith divide from Michael Coren, but that doesn't prevent intense admiration of his insight, clarity, courage and honesty." Stephen Fry Michael is the author of 18 books, a Contributing Columnist for the Toronto Star, and appears regularly in the Globe and Mail, The Walrus, TVOntario, The New Statesman, and numerous other publications in Canada and Britain. He is also a priest in the Anglican Church of Canada. His new book is The Rebel Christ, available in stores and on-lin

George Buza played Turner Edison on Maniac Mansion for the entirety of its 1990-1993 run on YTV and The Family Channel. He also had a recurring role on the Red Green Show as Dwight Cardiff, the extremely lazy marina operator. He appeared as Chief Jake McKenna several times in the TV series Honey, I Shrunk the Kids: The TV Show. In addition, he portrayed Doubar, the older brother of Sinbad, in The Adventures of Sinbad syndicated TV series, as well as a recurring role on the syndicated Mutant X. George was also in episode 11 of TV Ontario's Read All About It, and played Buck Norris on The Strain. He was one of the Kzamm tribe in Quest for Fire (film).He also makes a small appearance as a trucker in 2000's X-Men movie, and a biker in George Romero's Diary of The Dead. He played Stuckmore in 2002's Men With Brooms. George Buza also played Lenny "The Brain" Lepinski in the Quebec-Ontario TV show called "The Last Chapter". He also played Santa, the character that fought Krampus in the horror movie A Christmas Horror Story.George is probably best known for voicing Beast in the X-Men Animated Series. He also reprised the role in the video games X-Men: Children of the Atom and both X-Men: Mutant Academy games.George has also provided character voices in many animated series. He voiced Grandpa Granger in the English dub of Beyblade, Chief Chirpa on Star Wars: Ewoks, and additional roles in Star Wars: Droids, The Busy World of Richard Scarry, Mythic Warriors: Guardians of the Legend, The Neverending Story, Babar, Hammerman, Jayce and the Wheeled Warriors, Grossology, Iggy Arbuckle, Dog City, Pecola, Monster Force, Franny's Feet Starlink: Battle for Atlas and Tales from the Cryptkeeper.He also provided his voice in the English dubs of the Medabots and Power Stone video games.https://www.deluxeedition.showSupport our show:https://www.patreon.com/deluxeditionpodFollow Rayhttps://open.spotify.com/show/2Icote9QnVOVQ9QiWUcSQL?si=4e1b361875904e77&nd=1MERCH:https://whatamaneuver.net/collections/deluxe-editionCheck out our network at:https://www.deluxeeditionnetwork.comUse code DELUXE15 at checkout and grab some awesome granola:https://bearclawkitchen.com/?irgwc=1Join this channel to get access to perks:https://www.youtube.com/channel/UCcKR-qeXy1KyPj3w4cxgOYw/joinSupport the showCheck out all of our previous shows at https://www.deluxeedition.show

Tomorrow, for the first time since the election that many Americans still believe was 'stolen', voters in the US head back to the polls. Almost everything except the presidency is up for grabs – and for many Americans on both sides, the fate of the nation itself hangs in the balance. This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: thetimes.co.uk/storiesofourtimes. Guest: David Charter, US Editor, The Times. Host: David Aaronovitch. Clips: BBC News, TV Ontario, MSNBC, News 19 WLTX, NBC, CNN, CBS, ABC News, PAHomepage.com, Dr Oz, Sky News. Hosted on Acast. See acast.com/privacy for more information.

Have you ever realized that healing was necessary, but you didn't know where to start? The impact of the trauma you were carrying was showing up in different ways. Your sense of worth is a direct result of reconnecting with your voice and owning your story. In this episode, I have a conversation with Lily Kumanini. Lily  prides herself in being able to help women own their voices and story, discover their inner Queen, & gain access to their natural gift of self-healing. She is the co-owner of a pop-up wellness shop and her story has been shared on TVOntario. In this  episode, you'll also hear:Freedom is found in owning every part of your journeyHow emotional and physical trauma  shows up in the bodyThe importance of giving yourself the gift of self-healingand moreConnect with Tamika:If you loved today's episode, please share your favorite takeaways by sharing this episode and tagging us on Instagram!Connect with me on Instagram  @_tamikamctierwebsite: tamikamctier.comIf you are a wife looking to up-level the communication in your marriage, click here to download your free T.A.L.K It Out Conversation Guide now!Connect with Lilywebsite: coachlily@me.com

Lily is a Holistic Practitioner, Intuitive Energy Healer, Certified Life Coach, Nutrition Counselor, Birth Trauma Facilitator, Podcaster, & Speaker. After years of enduring health challenges due to emotional and physical trauma, she prides herself in being able to help women own their voice and story, discover their inner Queen, & gain access to their natural gift of self-healing. Lily has been featured on TVOntario, has been a speaker at the Powerhouse Women Event. Whether she's speaking on podcasts or working with a client, Lily imparts a message of acceptance, connection and empowerment.Lily shares about how her past trauma was affecting her life and how this led to her helping others with their own trauma.  She talks about her healing journey and how this led to her clarity in her business.In this episode we talk about:How trauma can show up in physical ways and affect all aspects of your life.How owning all parts of who we are can be the most important aspect of healing.How Lily studied in various areas and how she came to understand the importance of really listening to ourselves.How we need to be clear on who we are and our purpose so we can serve others.How to know if our physical ailments are medical or a manifestation of past trauma.How feeling safe with our coach is the most important aspect to success.Connect with Lily:Instagram:@lilygks  @howshereignsConnect with Jennifer to get more Clarity & Confidence in your Biz!Website: www.jenniferjakobsenlifecoaching.comInstagram: @jjakobsenlifecoachJoin my free Facebook group: Clarity to Cash for Female Coaches and EntrepreneursJoin my weekly Coffee Chat every Thursday at 12pm PST by signing up for free HERE.

On this episode of Finding Your Bliss, we meet a remarkable woman who teaches people with low levels of literacy, how to read. Robyn Keystone is a remedial literacy teacher and linguistic specialist, who has taught inmates in jails and detention centres, along with children and teens from various marginalized communities and backgrounds, how to read and write. She is on the program to talk about her initiative "Literal Change". "Literal Change" is all about providing a positive academic setting for people who have struggled in the mainstream classroom. They work specifically to improve the literacy levels of communities and populations who have experienced limited access to educational support and alternative learning strategies. Their team is made up of individuals from various walks of life and backgrounds, all of whom have an understanding of the barriers that are being faced in vulnerable Toronto communities. Their philosophy is that everyone has a right to access education, and that with effective strategies and supports, individuals will be able to reach their career and academic potential. Robyn Keystone is a literacy specialist who has been working in the field of literacy, education and learning disabilities for the last decade. She has an MSc from the University of Edinburgh, a BA from Dalhousie University, and a TESOL certificate from the University of Toronto. She obtained her Orton-Gillingham certification through the Canadian Dyslexia Society with Evelyn Reiss, and she is a registered member of the International Dyslexia Association

In this episode of Causes or Cures, Dr. Eeks discusses "misinformation vs dissent" with Dr. Joe Schwarcz. Topics discussed include: who/what are credible sources; censorship; who is doing the fact checking; who defines what misinformation is/isn't; how do you weed out scientific dissent from misinformation; what to do with anecdotes; and how one measures the potential impact of misinformation.  Dr. Schwarcz is Director of McGill University's Office for Science and Society which has the mission of "separating sense from nonsense." The office is currently focused on determining what is misinformation and what is not regarding COVID-19. Dr. Schwarcz is also a spokesperson for ScienceUpFirst, a national initiative funded by Public Health Canada, whose mission is to weed out COVID-19 misinformation. Dr. Schwarcz is also a chemistry professor, hosts "The Dr. Joe Show" on Montreal's CJAD and has appeared hundreds of times on The Discovery channel, CTV, CBC, TV Ontario and Global Television.  He is also a magician. To contact Dr. Eeks, do so through bloomingwellness.comTo  listen to her comedic parody/audiobook on the sleazy side of the wellness industry, check out Yours in Wellness, Krystal Heeling on Amazon.Or you can listen to it from Google Play or Walmart!Or follow her on Instagram here.Twitter here.Or Facebook here.Subcribe to her newsletter here!.

After attending two universities in Britain as a young man, Michael returned to higher education in 2016, graduating from Trinity College, University of Toronto, three years later with a Master of Divinity (Honours) degree. He was ordained in the Anglican Church of Canada in October 2019 and is a Pastoral Associate at St. Christopher's in Burlington.Michael has received several awards for his writing and broadcasting. In 2005 he won The Ed Murrow Award for Radio Broadcasting, in 2006 The RTNDA Radio Broadcasting Award, in 2007 the Communicator Award in Hollywood and in 2008 the Omni Award for his television show. In 2012 he was awarded the Queen's Jubilee Medal for his services to media and in 2013 he was named North American Columnist of the Year at the Catholic Press Association awards.Michael is an Anglican priest, an author and a columnist. He also hosted a nightly television and radio show for 15 years, for which he won numerous awards.He's a columnist for The Toronto Star, and a frequent contributor to the Globe and Mail, NOW magazine, TVOntario, Macleans, and several other Canadian and British publications.He is the best-selling author of seventeen books, including biographies of G.K. Chesterton, H.G. Wells, Arthur Conan Doyle, J.R.R. Tolkien, and C.S. Lewis. He has contributed to the Dictionary of National Biography and several other anthologies and is published in many countries and in more than a dozen languages.https://michaelcoren.com/This podcast was recorded on October 13th, 2021.

We begin this one with what we're reading and how. Oh, and with a plea and a trip to see a giant sand pile. On Outlook this week, another Mixed Bag Monday discussing a musical gig, guitar by co-host here with band Trusty Fox. Brian reads and plays the same way. Other co-host Kerry is excited that fall is coming, but it's always apple season for Brian, technology wise. We mention a few shows we've been on which have recently come out, such as the American Foundation for the Blind's Inform & Connect podcast, a Kerry Connection, and bonus episode of the #onpoli Podcast from TV Ontario. We share the going back with a recent day trip, summer family stories from the old days at Sand Hill Park on Lake Erie, one of Ontario's natural wonders. And finally, a plea on vaccines and to all that's going on, from Covid to politics. We at Outlook On Radio Western stand with the women of Afghanistan and of all those living with disabilities in any corner of the world who feel oppressed or at risk. Check out our interview on the Inform & Connect podcast here: https://www.afb.org/news-publications/publications/inform-and-connect-podcast/inform-connect-season-two/inform-14 Our segment discussing Canadian library accessibility for TVO's #onpoli podcast: https://www.tvo.org/video/bonus-stories-you-might-have-missed?fbclid=IwAR3Mg8v_kmpQPRooi9W_Y4rIUYDnnlbryod_v8cumZ31xfK-LnWPpKSZNyo Note: We're featured in the second story of this clip, around 10 minutes in. And for more information on this year's Paralympic Games (taking place from Tuesday, August 24 to September 5), and to learn about their associated #WeThe15 social media campaign for greater awareness: https://www.youtube.com/watch?v=gHCDvdCaJhI https://www.wethe15.org

Harvey Brownstone conducts an in-depth interview with Steve Paikin, Host of TV Ontario's “The Agenda” and AuthorAbout Harvey's guestSteve Paikin, OC OOnt, is a Canadian journalist, author, and documentary producer.  He has primarily worked for TVOntario (TVO), Ontario's public broadcaster, and is anchor of TVO's flagship current affairs program The Agenda with Steve Paikin. A native of Hamilton, Ontario, Paikin was born to Lawrence and Marina Paikin. He graduated from Hillfield Strathallan College in 1978 and continued to university where he received a Bachelor of Arts degree from the University of Toronto (Victoria University, Toronto 1981).  Later, he received his master's degree in broadcast journalism from Boston University. He served as sports editor for the University of Toronto's independent weekly, The Newspaper, while pursuing his BA, and was the play-by-play voice of the Varsity Blues hockey and football teams on U of T Radio.In 1992, Paikin began work at TVO, hosting the political series Between the Lines until 1994. He also co-created the Queen's Park magazine Fourth Reading, which he hosted for 14 years. In 1994, Paikin began co-hosting duties (with Mary Hynes for two years, and then Paula Todd) on Studio 2 until 2006. In 1998, he co-created and began hosting Diplomatic Immunity, a weekly foreign affairs commentary show.In 2006, TVO cancelled Studio 2 and replaced it with a new program, The Agenda with Steve Paikin. Paikin frequently is selected to be the moderator of election debates. He acted as a moderator for federal leaders debates in 2006, 2008, and 2011; and for Ontario provincial leaders debates in 2007, 2011, 2014, and 2018.Aside from his hosting and journalistic endeavors, Paikin has produced a number of feature-length documentaries: Return to the Warsaw Ghetto; A Main Street Man; Balkan Madness; Teachers, Tories and Turmoil; and Chairman of the Board: The Life and Death of John Robarts. For 1993's Return to the Warsaw Ghetto, Paikin won the "Silver Screen Award" at the U.S. International Film and Video Festival, and received awards at the Yorkton Film Festival in Saskatchewan and at China's Shanghai Film Festival.He holds honorary doctorates from McMaster University, Victoria University, Laurentian University, York University, and honorary diplomas from Humber College, Centennial College, Mohawk College and Fanshawe College.  He was later appointed chancellor of Laurentian University in Sudbury in October 2013, a position which he terminated following the university's restructuring amidst financial difficulties in 2021.  In December 2013, he was made an Officer of the Order of Canada and invested into the Order of Ontario.His publications include:The Life: The Seductive Call of Politics The Dark Side: The Personal Price of a Political Life Public Triumph, Private Tragedy: The Double Life of John P. RobartsThe New Game: How Hockey Saved ItselfPaikin and the Premiers: Personal Reflections on a Half Century of Ontario Leaders, I am a Victor: The Mordechai Ronen Story Bill Davis: Nation Builder, and Not So Bland After AllIntroduction to Without Walls or Barriers: The Speeches of Premier David Peterson For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com https://m.facebook.com/TheAgenda/ https://twitter.com/spaikinhttps://www.youtube.com/channel/UCu_u-P3cBFO7D-sAjxd_I-whttps://www.tvo.org/author/steve-paikin#spaikin  #harveybrownstoneinterviews

On this episode of Finding Your Bliss, Judy Librach is joined by one of the most popular and longest standing hosts ever on the Shopping Channel (TSC). For 23 years, Richard Nester was a welcome fixture in all of our living rooms as a beloved on-air personality. When he made the announcement on the air, that he was leaving TSC, not only was he emotional, but so were all of his colleagues on set that day and everyone watching all over the world. We

"I just wanted to buy a painting, really." Kevin Hearn of the Barenaked Ladies is our guest on this episode of #Ahkameyimok. He and Perry talk about his new documentary, "There Are No Fakes," which exposes a massive art forgery ring surrounding the work of legendary Ojibwe painter, Norval Morrisseau. When the Barenaked Ladies started producing chart topping, international hit songs in the late '90's, Kevin Hearn decided he could now afford to buy a painting by his favourite artist, Norval Morrisseau, whose abstract works of Indigenous inspired woodland scenes are celebrated in galleries around the world. Little did Hearn know that that purchase, which turned out to be a fake, would draw him into a bizarre, dangerous and heartbreaking world of art fraud that is destroying the legacy of one of Canada's greatest artists. The documentary "There Are No Fakes," tells Hearns story. It was featured at HotDocs in Toronto and is now available to watch for free on TV Ontario at TVO.org The Ahkameyimok Podcast is produced by David McGuffin of Explore Podcast Productions. Our theme music is by the Red Dog Singers from Treaty 4 Territory in southern Saskatchewan.    

Michael is an Anglican cleric, an author and a columnist. He also hosted a nightly television and radio show for 15 years, for which he won numerous awards. He's a columnist for The Toronto Star, and a frequent contributor to the Globe and Mail, NOW magazine, TVOntario, The Walrus, Macleans, The Critic, and several other Canadian and British publications. He is the best-selling author of sixteen books, including biographies of G.K. Chesterton, H.G. Wells, Arthur Conan Doyle, J.R.R. Tolkien, and C.S. Lewis. He has contributed to the Dictionary of National Biography and several other anthologies and is published in many countries and in more than a dozen languages.

Episode 25 features my chat with my friend and former TV Ontario colleague,  film critic, Thom Ernst.  We sat down to chat about the childhood betrayal at the hands of his adoptive father that led him to decide to become an advocate for survivors of childhood trauma and abuse.

This is a teaser for episode 25 featuring my chat with my friend and former TV Ontario colleague, Thom Ernst.  We sat down to chat about the childhood betrayal at the hands of his adoptive father that led him to decide to become an advocate for survivors of childhood trauma and abuse. 

On episode five of season two, we are joined by Wendy Donnan, Co-Founder of the Oakville Festivals of Film & Art (OFFA).  Wendy worked in broadcasting and television for 25 + years (TVOntario, TWN, OUTtv) in various management and programming positions before venturing out for her own productions. Wendy is also a part-time professor, currently teaching at Sheridan College and York University.On the podcast, we discuss Wendy's experience in the broadcasting and TV industry, being a professor, and taking OFFA virtually due to the COVID-19 pandemic.Members of the Chamber was created thanks to the strong support of Piper Foods and the podcast is fuelled by McCafé! The podcast is recorded at Staples Studio Oakville located at 320 North Service Road West. This episode is presented by the Discover Ability Network.

Jennifer Baichwal, Nicholas de Pencier and Face2Face host David Peck talk about minor miracles, conduits for truth, journalism, craft and art, humility and openness, Immanuel Kant and the ethics of engagement.Human Rights Watch Festival - February 18th to 22 - 2021Get your tickets here: The annual Toronto Human Rights Watch Film Festival brings human stories to life in a manner that empowers the audience to demand justice for all.By using film as a medium, Toronto Human Rights Watch Film Festival aims to bring awareness to human rights issues in a way that is easily understandable and provides the viewer with the knowledge to advocate for change. Join us and the vibrant movement to uphold human dignity and advance the cause of human rights for all.For more info about Human Rights Watch head here.About Jennifer & Nick:Jennifer Baichwal Jennifer Baichwal was born in Montréal and grew up in Victoria, British Columbia. She studied philosophy and theology at McGill University, receiving an M.A. in 1994, supported by a McGill Major Fellowship and an FCAR Master’s Scholarship.Baichwal has been directing and producing documentaries for 25 years. Among other films, installations and lens-based projects, she has made 10 feature documentaries which have played all over the world and won multiple awards nationally and internationally.Baichwal, along with her partner Nicholas de Pencier, was commissioned in 2003-4 to make forty short films on artists who have been supported over the past four decades by the Ontario Arts Council. These include writer Michael Ondaatje, artist Michael Snow, pianist Eve Egoyan and playwright Judith Thompson, and are in periodic rotation on TVOntario. The collection received a 2006 Gemini nomination for Best Direction in a Performing Arts Program or Series.Baichwal’s most recent collaboration with de Pencier and Edward Burtynsky is The Anthropocene Project. It includes a major touring exhibition which debuted simultaneously at the Art Gallery of Ontario and National Gallery of Canada and is currently travelling around the world. The feature documentary film Anthropocene: The Human Epoch premiered at TIFF 2018, played Sundance and the Berlinale, and was released theatrically in Canada by Mongrel Media and in the U.S. by Kino Lorber in September 2019, and is now in international release. The film won the Toronto Film Critics Association prize for Best Canadian Film, and a Canadian Screen Award for Best Documentary Feature. The Anthropocene Project also includes an art book published by Steidl, and an educational program in partnership with the Royal Canadian Geographical Society. For more information visit theanthropocene.org.She is currently in development on several projects, and in production for a feature documentary on global insect collapse.Nicholas:Nicholas de Pencier is a Director, Producer, and Director of Photography working in documentary and video installation. He is President of Mercury Films Inc., the Toronto-based production company he shares with his partner, Jennifer Baichwal.Aside from his work in factual series, de Pencier’s director credits include the feature documentary Four Wings and a Prayer, about the migration of the Monarch butterfly which won the Grand Prix Pariscience, the Banff Rockie Award for best Wildlife and Natural History Program, the Jules Verne Nature Award, and was nominated for Geminis for best Science Documentary, Best Cinematography and Best Direction in addition to an Emmy nomination for the PBS NOVA version (called The Incredible Journey of the Butterfly). In 2004 de Pencier was nominated for a Gemini for Best Direction for his performance film Streetcar, while the film’s lead, Peter Chin, won for Best Performance. His 2016 feature documentary Black Code about internet censorship and surveillance around the world which he directed, produced and shot, premiered at TIFF and was released theatrically in Canada in 2017.As a cinematographer, de Pencier has shot many factual TV series and documentaries for the CBC, PBS, Discovery, National Geographic and History. A detailed Director of Photography CV can be found at www.mercuryfilms.ca. In 2010 he shot the documentary adaptation of Payback, Margaret Atwood's Massey Lecture on debt, which was selected for Sundance, 2012 and released theatrically in Canada and the U.S. De Pencier was admitted as a full member to the Canadian Society of Cinematographers in 2012.With Baichwal, he is the co-director and DOP of Long Time Running, a feature documentary on the Tragically Hip’s iconic Man Machine Poem tour from the summer of 2016, which premiered as a gala presentation at TIFF 2017, was subsequently released by Elevation Pictures, and broadcast by Bell and Netflix.ANTHROPOCENE: The Human Epoch, is another collaboration with Jennifer Baichwal and Edward Burtynsky where de Pencier was Co-Director, Director of Photography and Producer. It includes a feature documentary, book, and museum exhibition, and was a Special Presentation at TIFF, and was released in the fall of 2018 with simultaneous Museum Exhibitions at the Art Gallery of Ontario and the National Gallery of Canada before heading to Sundance, Berlin and major festivals around the world. The film won the Toronto Film Critics Association for Best Canadian Film, and Ted Rogers Award for Best Documentary as well as the Best Cinematography Award at the Canadian Screen Awards, in addition to the Canadian Society of Cinematographers Robert Brooks Award for Documentary Cinematography.He is a past president of the board of directors of Charles Street Video, a former member of Rogers Industry Advisory Group at TIFF, and currently sits on the boards of The Toronto Chapter of the Documentary Organization of Canada and the Hot Docs Festival.Image Copyright and Credit: Mercury Films.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

She finished a 10-year stint as Director of Interactive at TVOntario and an 18-month stint as the Director of Interactive at Q Media Solutions to start her own company, Analytical Engine Interactive Inc. in her native Canada.But if you grew up in the 1980s, you likely know Christine McGlade for an entirely different reason altogether – and if you say "I don't know" where I know that name from, you should prepare to be slimed. A child actor who never had a desire to be one by her own admission, McGlade – nicknamed "Moose" – was the original host of You Can't Do That on Television (YCDTOT), the first kid-based sketched show on Nickelodeon. (Yes, even before All That .... Or the All That reboot currently airing on the network.) Airing on the network from 1979-1990, the show featuring a number of recurring bits including its Laff In-style locker room jokes, the firing squad, the less-than-hygienic Barth's Burgers and of course, the infamous green slime. Now working in an entirely different industry than the one that made her famous, McGlade's entrepreneurial nature has seen her use her ingenuity to make her own career path ...On this episode, McGlade talks with Tabari about what she's been doing since she left TV behind, Canada's great entertainment ambassadors, her love of math, answers all (or at the very least, many) of the questions you have about YCDTOT ... And an unexpected thing the two of them have in common.Check out this episode and others you may have missed at https://atight45.buzzsprout.com/or wherever you get your podcasts today! For more on Tabari or ask a question, be sure to visit www.tabarimccoy.com or email tabari@tabarimccoy.com.

Ep. 19 of COOL STORY with David J. MacNeil features an interview with my longtime friend and children's TV host, Gisele Corinthios. We chatted about Gisele's many years entertaining pre-schoolers on TV Ontario, as well as her brand new Youtube channel, The Gisele Mishmash.

Rev. Michael Coren is an Anglican cleric, an author and a columnist. He also hosted a nightly television and radio show for 15 years, for which he won numerous awards. He’s a columnist for The Toronto Star, and a frequent contributor to the Globe and Mail, NOW magazine, Ipolitics, TVOntario, The Walrus, Macleans, The Critic, and several other Canadian and British publications. He is the best-selling author of sixteen books, including biographies of G.K. Chesterton, H.G. Wells, Arthur Conan Doyle, J.R.R. Tolkien, and C.S. Lewis. He has contributed to the Dictionary of National Biography and several other anthologies and is published in many countries and in more than a dozen languages. Michael has received several awards for his writing and broadcasting. In 2005 he won The Ed Murrow Award for Radio Broadcasting, in 2006 The RTNDA Radio Broadcasting Award, in 2007 the Communicator Award in Hollywood and in 2008 the Omni Award for his television show. In 2012 he was awarded the Queen’s Jubilee Medal for his services to media and in 2013 he was named North American Columnist of the Year at the Catholic Press Association awards. Follow Us: Instagram: www.instagram.com/crossborderpodcast/ Twitter: twitter.com/CrossBorderPod Facebook : www.facebook.com/CrossBorderInterviewPodcast Website: www.crossborderinterviews.ca Cross Border Interviews is owned by Miranda, Brown & Associates Inc.

Nina Keogh talks about working in children's television in the 70s, 80s and 90s, on shows like The Friendly Giant, Polka Dot Door, and Today's Special, where she took on the role of the rhyming mouse, Muffy. She also discusses growing up with a family of puppeteers, the logistics behind operating one for TV, and getting freaked out by mannequins while filming after-hours at the old Simpsons department store.

Cornelia Principe and Face2Face host David Peck talk her new film Prey, justice, survivors guilt, truth, oppression and the abuse of power and why external oversight will be required for meaningful reform within the structure of the church. Trailer The film is now streaming on TVOWinner – Roger’s Audience Award for Best Canadian Documentary – Hot Docs 2019Winner – Special Jury Prize for Best Canadian Feature Documentary – Hot Docs 2019 Synopsis:Prey follows London, Ontario lawyer Rob Talach – a.k.a. “The Priest Hunter” – and focuses on two survivors, Patrick McMahon and Rod MacLeod. The latter is determined to be the one plaintiff who does not settle in the case of William “Hod” Hodgson Marshall — a Basilian priest and teacher in Sudbury, Toronto and Windsor, who sexually abused at least 17 minors over the course of 38 years.While not allowed into the actual court proceedings, Prey recreates the mood of the trial, while profiling the various people connected to it. McMahon - who was molested by Father Marshall in his own bed when the priest, a family friend, was invited to sleep over – mounts a one-man protest outside the churches and courtroom.On the surface, this seems like an unsolvable case. But Talach has fought this fight many times, and takes nothing for granted, as the settlement money waved at MacLeod rises higher.“Emotionally, this was a very difficult film to work through,” says the director Matt Gallagher, “The sheer scope of the abuse uncovered in these stories is chilling enough on its own. But the power of the secret held by these survivors, and the doubt and even blame they encountered when they began to talk, that’s an extra ordeal that’s hard to imagine.” About the Producer: Cornelia Principe is an Emmy©-nominated, award-winning producer with over 20 years of experience. She recently produced 14 & Muslim for CBC and is currently in post-production on the feature documentary with director Nisha Pahuja called Send Us Your Brother.Other credits include producing the feature How To Prepare For Prison producing, directing and writing The Motherload, for CBC’s Doc Zone which has just been awarded prizes at both the Chicago International Film/TV Festival and at the Worldfest Houston Festival; taught courses in documentary production at Centennial College and completed the feature documentary The World Before Her with Storyline Entertainment and director Nisha Pahuja for ZDF/Arte.The World Before Her has won 20 awards and distinctions including: best documentary at Tribeca, Hot Docs and Michael Moore's festival in Traverse City. It was voted a Canada top ten by the Toronto International Film Festival 2012, was nominated for Best Theatrical Documentary at the Canadian Screen Awards, and was part of the Sundance Film Forward Program. Recently it was nominated for an Emmy. Other select projects include: the feature documentary Grinders directed by Matt Gallagher, which was broadcast across Canada after a Hot Docs 2011 festival premiere and was nominated for a Canadian Screen Award in Best Direction in a Documentary and the 2008 Gemini award-winning (Best Documentary Series) Diamond Road, which she co-produced for TVOntario, History Television, Discovery Times and Arte/ZDF; Directed the one hour Poverty, Chastity, Obedience; and worked with Emmy award-winning Producer/ Director Shelley Saywell on several of her acclaimed documentaries including, A Child’s Century of War which was short-listedfor an Oscar.More about Cornelia here. Image Copyright: TVO and Border City Pictures. Used with permission. F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Welcome to season 5, and our 50th episode! This week we focus on the future: Julie and Dayna discuss Julie’s upcoming induction into the Order of Canada (!), and what comes next, both for her and for the NSRLP. We have some big changes coming, and a lot of work to do, but we’re excited to forge ahead! Also in this episode, we hear from some wonderful friends of the organization, speaking about why our work with self-represented litigants matters (a huge thank you to Jennifer, Rob, Jeff, Kaila, and Shannon), and we end with a plea to you, our loyal listeners, to consider how you can support the NSRLP over the coming year. Thanks for joining us on our journey! In other news: NSRLP is growing! Thanks to the Law Foundation of British Columbia, NSRLP has launched “NSRLP West”, located in Kamloops, British Columbia, at the Thompson Rivers University Faculty of Law; the NSRLP blog is still going strong – since the end of our last podcast season we’ve put out 16 new posts on our collaborative platform; and finally, Braunte Petric, our wonderful producer/editor, has directed a documentary short film (“Defender”) covering Julie and her social justice work – the film was one of 10 finalists in TV Ontario’s Short Doc contest in September! For related links and more on this episode, visit our website: https://representingyourselfcanada.com/national-self-represented-litigants-project-2020/ Jumping Off the Ivory Tower is produced and hosted by Julie Macfarlane and Dayna Cornwall; production and editing by Brauntë Petric and Brandon Fragomeni; Other News produced and hosted by Ali Tejani; promotion by Moya McAlister and Ali Tejani.

Author, editor, blogger and activist Cory Doctor joins us for this episode. Cory shares his thoughts on speculative fiction that made an impression on him at an early age, including Doctor Who — and specifically, TV Ontario's presentation of Doctor Who episodes along with introductions by sf legend Judith Merril (who, along with Tanya Huff, would later become one of Cory's mentors) — and Star Wars. He also discusses his ongoing love of the works of Stephen Brust. We also talk politics, from current affairs in Ontario, to his father's repurposing of Conan stories into "sword and socialism" tales for Cory's daughter. Cory also tells us about how his politics and activism inform his writing. From there, we get into a discussion about his writing process, including his current effort to enhance his ability to revise his work. And we talk about his professional balancing act and how he allocates time to writing, activism, journalism, and other endeavours. And Cory gives us a look at some of his upcoming stories, including a new Little Brother novel, and a children's picture book called Poesy the Monster Slayer. Our conversation took place in July, 2019 via a Skype call between Cory's home, and my studio, currently located in an abandoned Ewok treetops play set on the Island of Misfit Toys. You can read Cory's editorials and find out about his stories and other work on his websites: craphound.com and boingboing.net   To listen to Invaders From Planet 3, or to subscribe, visit Libsyn, iTunes, or your other favourite podcatching service. Be sure to rate and review us while you're there!  

In this week's episode, Bob has a conversation with Steve Paikin around the First Ministers meeting.The conversation centers on healthcare and the call from Premiers for more investment from the Federal Government. Steven Paikin is a Canadian journalist, author, and documentary producer. Mr. Paikin has primarily worked for TVOntario, Ontario's public broadcaster, and is the anchor of TVO's flagship current affairs program The Agenda. You can find his show here: https://www.tvo.org/theagendaEnjoying the show? Consider becoming a sponsor.  More details can be found here:https://amazingagency.ca/c/raeThis episode is brought to you by Amazing Agency! A full-service digital marketing agency and podcast studio. https://www.amazingagency.ca/

Filmmaker Matt Gallagher — whose award-winning documentary Prey makes its network and streaming premiere on TVOntario and TVO.org tonight, Tuesday November 19th, at 9 pm — chooses Bennett Miller’s 2011 sports drama Moneyball, the one where Brad Pitt and Jonah Hill reinvent baseball with statistics. Your genial host Norm Wilner is not a sports guy, which may … Continue reading Matt Gallagher on Moneyball →

In this episode of AmeerApproved I sit down with Dr. Christopher DiCarlo and dive in deep on does free will exists. How can we use Evolutionary psychology to better understand human nature and are human pre-programmed and or do we have a choice in our actions. Much of the conversation will also focus on the concept of free will and the freedom (or lack thereof) that humans have in making ethical decisions.    Dr. Christopher DiCarlo is a philosopher, educator, and author. He often teaches in the Faculty of Philosophy at the University of Toronto (in Scarborough). He is also a lifetime member of Humanist Canada and an Expert Advisor for the Centre for Inquiry Canada.  https://www.criticalthinkingsolutions.ca https://www.sixstepstobetterthinking.com/the-book He has been invited to speak at numerous national and international conferences and written many scholarly papers ranging from bioethics to cognitive evolution. His book entitled: How to Become a Really Good Pain in the Ass: A Critical Thinker’s Guide to Asking the Right Questions is currently in its fifth printing and is a best-seller in Canada and the U.S. His latest book: Six Steps to Better Thinking: How to Disagree and Get Along was released by Friesen Press and is available world-wide.   He is a past Visiting Research Scholar at Harvard University in the Faculty of Arts and Sciences: Department of Anthropology and the Peabody Museum of Archaeology and Ethnology. Here, he conducted research for two major papers entitled The Comparative Brain: The Evolution of Human Reasoning and The Evolution of Religion: Why Many Need to Believe in Deities, Demons, and the Unseen.   He is currently engaged in writing his latest book, So You Think You Can Think? Tools for Intelligent Conversations and Getting Along. ​ In April 2008 he was awarded TV Ontario’s Big Ideas Best Lecturer in Ontario Award. In August 2008 he was honored with the Canadian Humanist of the Year Award from the Humanist Association of Canada. In September 2008 he was awarded the UOIT Complementary Faculty Teaching Award. ​ Dr. DiCarlo is the Principal and Founder of Critical Thinking Solutions, a consulting business for individuals, corporations, and not-for-profits in both the private and public sectors. He is also the developer of the first Pilot Project in Canada to introduce Universal Critical Thinking skills into the Ontario Public High School curriculum which has begun in the Upper Grand District School Board. This has led to other Ontario School Boards adopting Dr. DiCarlo’s Critical Thinking program for their High School curricula.  

In this episode of the Unreserved Wine Talk podcast, we’re chatting with Kevin Brauch, a Gemini Award Winner, TV producer and host of hit series The Thirsty Traveler, Iron Chef America, SuperStar Chef Challenge, FOOD F!&#T. Kevin is one of the liveliest guests I’ve had the pleasure of interviewing, and he has so many stories to share, from his time with the late, great Anthony Bourdain, author of Kitchen Confidential, to sabering Champagne in France and wine faux pas in South Africa. Enjoy!   Highlights  How does Kevin sabre a sparkling wine bottle? What is Kevin’s favourite thing about Spanish Cava? How do the names of varietals impact wine choices? How did Kevin meet Anthony Bourdain? Why do the best chefs intertwine family and the kitchen? What is Kevin’s favourite wine gadget? Why does Kevin think we’re not making the right food shows? What is Kevin’s best tip for getting to know more about wine?   About Kevin Brauch Kevin Brauch is a 6-time Canadian Gemini Award Nominee and Gemini Award Winner. Kevin's broadcasting career began in earnest, after graduation from Ryerson (B.A.A. Radio & Television), as on-air personality, ’Revvin’ Kevin' at CFNY - FM102.1. Television was the next obvious step and took him to TVOntario as producer, writer and host of the kids, tweens and teens 4 hour, live, after school block of programming: TVOKids. The live block of programming allowed Brauch to create two award-winning shows for tweens: Off The Hook (OTH) and, the 'Get off the couch and do something!” Series, STUFF. From there, a three-year stint on HGTV’s Canadian Gardening Television, a failed one-year 'convergence' project at CBC Toronto and then onwards to the solidification of Brauch’s career spent at Food Network, Food Network Canada, Discovery, SKY Travel (The Thirsty Traveler, Iron Chef America, SuperStar Chef Challenge, FOOD F!&#T). Discovery/HDTV also played a home in Brauch’s career; hosting & v/o the light-science docu-series Mega World.   To learn more about the resources mentioned in this episode, visit the show notes.

Last year, we published a four-part documentary series all about Prisoners of Gravity, a sci-fi and comics television show that aired on TVO in the early '90s. We went deep into the show's rise and subsequent fall, but also how, even years later, viewers fondly remember how the show's in-depth discussions about comics shaped their nerdy lives. This week, we've combined all four episodes into a feature-length podcast doc for your listening pleasure. It's out of this world!Originally broadcast and supported by CJRU 1280 AM in Toronto. Written and reported by Justin Chandler and Mitchell Thompson and produced by Jacob Dubé.Like the show? Please consider supporting us on Patreon! 

Share this. This is Steve Paikin interviewing guests on his broadcast "The Agenda with Steve Paikin" on TVOntario. He is formerly a host and reporter for the CBC specializing in foreign affairs and politics. So Steve... Whats the agenda? This becomes repetitive but its very obvious that everyone agrees with the agenda. The problem seems to be that we are just not doing globalism well enough. Faster. Harder. More welfare. More taxes. More gender confusion. No dissent. This episode may not be the most interesting to listen through but its an informative piece to show how even apparently dissenting opinions on the "sustainable development" agenda actually agree in the larger framework. It may be valuable to revisit the ideals of communism with respect to the issued discussed in this episode. We will tackle this in future episodes. Thanks for listening. Spread the word. Heres the source video: https://www.youtube.com/watch?v=2wVAY7aSTXU&t=501s God Bless.

In this episode of ANTIC The Atari 8-bit Computer Podcast: Bill Lange guest-hosts with us and tells us all about the recent Atari Party East.  We talk about all the traveling and Atari things we did over the summer. Kevin throws in a mini-interview he did.  And, Jeff Fulton reviews Tempest Elite Plus. Plus, all the Atari 8-bit news we could find... READY! Recurring Links Floppy Days Podcast AtariArchives.org AtariMagazines.com Kevin’s Book “Terrible Nerd” New Atari books scans at archive.org ANTIC feedback at AtariAge Atari interview discussion thread on AtariAge ANTIC Facebook Page AHCS Eaten By a Grue   Donate to Ted Nelson project at: https://paypal.me/Savetz TEH: Tech Enthusiast Hour - https://tehpodcast.com What We’ve Been Up To Atari Party East 2018 video - https://www.youtube.com/watch?v=JjvP6AA6xg8 Glen’s Retro Show - Atari Party East 2018 Stream - https://www.youtube.com/watch?v=JjvP6AA6xg8 Ted Nelson Junk Mail project https://archive.org/details/tednelsonjunkmail KansasFest - https://www.kansasfest.org Have you heard the good news? - https://twitter.com/KevinSavetz/status/1020780246327492608 VCF West - https://vcfed.org/wp/festivals/vintage-computer-festival-west/ Krakow Pinball Museum http://www.krakowpinballmuseum.com/aboutus.html Wroclaw Museum Games & Computers Of The Past Era https://gikme.pl/en/ Dorsett Software - https://archive.org/details/DorsettAtariFractions Ground Kontrol - https://groundkontrol.com/ Powell’s Books - https://www.powells.com/ Best of Creative Computing, Vol. 2 - https://archive.org/details/bestofcreativeco00ahld VCF Midwest - http://vcfmw.org/ Claus Buchholz - 1978 Pre-production Atari 800 - http://atariage.com/forums/topic/122471-atari-800-engineering-serial-26/?&hl=%20engineering Tricky Tutorials - https://archive.org/details/ataribooks-tricky-tutorials-1-6 AtariMax Atari Peripheral Emulator (A.P.E.) - https://www.atarimax.com/ Atari Party East 2018 T-shirt art - https://www.deviantart.com/doncroswhite/art/Atari-Party-East-2018-761606869 New joystick BX-80 from Benj Edwards - https://twitter.com/benjedwards/status/1025119835179634689 Atari News XL/XE Podcast - https://twitter.com/xlxepodcast SDrive Max: Atariwiki - https://atariwiki.org/wiki/Wiki.jsp?page=SDrive-MAX Step-by-Step (German) - http://www.abbuc.de/~atarixle/readthread.php?f=15&t=9451&start=0 1 half SIO cable - https://lotharek.pl/productdetail.php?id=128 case - https://www.thingiverse.com/thing:2718842 Bill Lange with his 'brand new" Atari demo package - https://atariteca.blogspot.com/2018/09/con-exito-desarrollaron-atari-party.html Altirra on a Mac - http://atariage.com/forums/topic/278822-altirra-30-mac-wine-port/ The Artists: The Untold History of Video Games -  https://www.topic.com/the-artists/ Sergio Marchant video series on Atari 8-bit assembly language for beginners (Spanish) - https://atariteca.blogspot.com/2018/07/curso-en-video-de-programacion.html#more UnoCart NEW Cartridge Shell Design by Corei64 - http://atariage.com/forums/topic/280028-unocart-new-cartridge-shell-design/ Corei64 Atari 8-bit Carts - https://corei64.com/shop/index.php?route=product/category&path=62_87 Atarifreakz - https://www.ebay.com/str/atarifreakz# - source for many of the IC’s used in the 8-bit line of computers AtariNews.org domain name for sale - http://www.atarinews.org/ Old School Gamer Magazine - https://oldschoolgamermagazine.com/wp-content/uploads/2018/07/osg5.pdf 8-Bit Apocalypse: The Untold Story of Atari's Missile Command by Alex Rubens Oct 16th. - https://amzn.to/2QhbkXe Upcoming Shows where you might see Atari computers (or Atari people): Portland Retro Gaming Expo - http://www.retrogamingexpo.com/ - Oregon Convention Center on October 19-21, 2018 http://wp.freeplayflorida.com/ Nov 9-11 orlando http://www.tandyassembly.com November 10th & 11th 2018 Springfield, OH YouTube videos since last show Ben Heck’s Portable Atari 800 - parts 1 & 2 - https://www.youtube.com/watch?v=Uiw8LISBVj4&t=25s , https://www.youtube.com/watch?v=eV1lacUcZk8 Over 100 Atari XE Games System Cartridges In Under 1 Hour -Kieren Hawkin - https://www.youtube.com/watch?v=1rqUKzufD6k PAUL DANIELS AND ATARI 800 £1000 SYSTEM - https://www.youtube.com/watch?v=WhuVqq0w5Zc Commercial SCRAM on the Bits and Bytes TV Show from TV Ontario https://www.youtube.com/watch?v=VWcuh8QLlBc&list=PL77441A2ED0D0B6A8&t=670s Mini-interviews John and Maddie Meyer, son and granddaughter of Ed Meyer - http://ataripodcast.libsyn.com/antic-interview-360-ed-meyer-physical-chemistry-experiments-with-atari-computers New at Archive.org https://archive.org/details/AtariComputerEnthusiastsNewslettersVolume1 https://archive.org/details/@savetz?and%5B%5D=IO+Connector https://archive.org/details/@savetz?and%5B%5D=JACG https://archive.org/details/atari_8-bit_alive_sepoct94/page/n0   Bill Lange https://archive.org/details/ATR8000CPMSupplement/page/n1 Allan https://archive.org/details/APXMapmakerType5/page/n0 https://archive.org/details/InStoreDemonstrationProgramDiskVersionAtari https://archive.org/details/InStoreDemonstrationProgramDiskVersionAtari/page/n0 https://archive.org/details/CarCostCreativeSoftware/page/n0 https://archive.org/details/RandomAlleyAdventure/page/n0 https://archive.org/details/TheCodeBreakers/page/n0 Jeff Fulton Tempest Elite Plus game review - http://members.tcq.net/video61/tempestelite.html Possible side effects of listening to the Antic podcast include stuffy nose, sneezing, sore throat; drowsiness, dizziness, feeling nervous; mild nausea, upset stomach, constipation; increased appetite, weight changes; insomnia, decreased sex drive, impotence, or difficulty having an orgasm; dry mouth, intense hate of Commodore, and Amiga lust. Certain conditions apply. Offer good for those with approved credit. Member FDIC. An equal housing lender.

Larry Breakwell, Toronto Atari Programmers Society Larry Breakwell was founder of the Toronto West Atari Computer Support Group, then president of the Toronto Atari Programmers Society, which was the largest Atari user group in Canada. He adapted the Atari version of the book "Academy on Computers Hands-On Atari 400/800 Beginner's Manual" from a version of the book focused on the Commodore PET. These beginners manuals were part of the Academy on Computers, a self-directed learning activity based on "Bits and Bytes", a television program produced by the TVOntario network. This interview took place on May 10, 2018. Academy on Computers Hands-On Atari 400/800 Beginner’s Manual Bits & Bytes TV show

The Ontario provincial election is coming down to its final days with voters set to go to the polls on June 7. No one knows Ontario politics better than Steve Paikin, the longtime host of The Agenda, on TV Ontario. He joins us on the Full Count to talk about how we got here and where it’s going in the most populous and powerful province in the country.

All around us there are signs of a city bursting at the seams. Migration to major urban centres sees this playing out in metropolitan areas all over. Cranes dot the sky line, and everywhere you go there's another billboard promoting a new development, promising a toe hold in a real estate market that's become out of reach to most people. But where those developments are replacing rental housing, what happens to the families that call those places home? This is a special episode that explores the consequences of a city's growth that most of us don't consider carefully enough. Made in partnership with award-winning documentary filmmaker Charles Officer and TV Ontario, we meet some of the young people who called Toronto's The Villaways housing community home. Show Notes Love our work? Please check out our Patreon Campaign! Become a patron of the show for as little as $1 per month

The social justice movement is known for routinely staging demonstrations, shouting down (and shutting down) speakers, and issuing demands. More significantly, however, its ideas and terminology have become part of the fabric of university culture. As psychologist Jonathan Haidt said in an interview earlier this year: This is all so new. There’s been, I believe, a kind of a moral revolution, a new moral culture emerging on campus but it really is only in the last two years. If any of your viewers graduated from college in 2013, they probably haven’t seen it. … [I]t’s organized around victims of oppression, it’s a vertical metaphor of privileged and oppressor people, and victims. This idea that everything is power. To make way for this moral revolution, values that historically have defined secular universities are increasingly being swept aside. The most recent example is perhaps the most chilling. Lindsay Shepherd, a young teaching assistant at Wilfrid Laurier University in Ontario, Canada, was reprimanded for screening a five-minute clip from a televised debate on public education channel TVOntario between … The post Wilfrid Laurier and the Creep of Critical Theory appeared first on Quillette.

Feature Guest: Dan Falk What if everything we see in our universe is not all that there is. The concept of the multiverse has captured the imagination of both physicists and cosmologists, but for very different reasons. According to the many worlds interpretation of quantum mechanics, every quantum event triggers the creation of new parallel universes. Meanwhile many cosmologists studying the beginning of the universe have come to believe that inflation is an eternal process forever creating new universes. The quantum mechanical wave-function and cosmological inflation seem worlds apart. But what if these two dramatically different models were pointing to one and the same multiverse? In this second of our two part conversation, science reporter Dan Falk rejoins us here at The Star Spot to discuss this startling possibility. Current in Space Today Tony and Dave treat us to a special black hole double bill. First up, black holes were recently tested to determine if they really are every bit as exotic as we thought. And then, what happens to the supermassive black hole at the centres of merging galaxies? About Our Guest Dan Falk is an award winning science journalist and broadcaster. He’s been published very broadly, including in the Globe and Mail, the Toronto Star, The Walrus, Cosmos magazine, and New Scientist, and has contributed to CBC and TV Ontario science programming. Dan Falk is also the author of three books, including In Search of Time: Journeys Along a Curious Dimension, Universe on a T-Shirt: The Quest for the Theory of Everything, and The Science of Shakespeare: A New Look at the Playwright’s Universe. He co-hosts the BookLab podcast

Most sci-fi TV is more about action and spectacle than anything thoughtful, but one show that really did the intellectual side of science fiction justice wasPrisoners of Gravity, which aired on TVOntario from 1989 to 1994. On the show,host Rick Green used science fiction to explore far more serious topics. “You're talking with people who are really imaginative,” Green says in Episode 261 of the Geek's Guide to the Galaxy podcast.

Feature Guest: Dan Falk  They once portended the collapse of civilization. Well the solar eclipse visiting North America this summer probably won’t spell the end of days. But as our guest Dan Falk will explain astronomers and lay people alike are in for an unforgettable experience on August 21st, when day literally turns to night. Current in Space Data dump? Oh yes just another 200 or so alien worlds discovered by Kepler. About Our Guest Dan Falk is an award winning science journalist and broadcaster. He’s been published very broadly, including in the Globe and Mail, the Toronto Star, The Walrus, Cosmos magazine, and New Scientist, and has contributed to CBC and TV Ontario science programming. Dan Falk is also the author of three books, including In Search of Time: Journeys Along a Curious Dimension, Universe on a T-Shirt: The Quest for the Theory of Everything, and The Science of Shakespeare: A New Look at the Playwright’s Universe. He co-hosts the BookLab podcast  

Gerry Flahive and Face2Face host David Peck talk about secrets, story, the “D” word, why he’s a 2001 fanatic and how a “real life” can be intimidating. Biography Gerry Flahive is a Toronto-based writer, producer and creative consultant at his media arts company, Modern Story. Until May 2014, Flahive was Senior Producer at the National Film Board of Canada, which he joined in 1981. He has done creative and storytelling consulting, strategic planning, course development and speechwriting for clients, including the Toronto Maple Leafs, Cirque de Soleil, Telefilm Canada, MaRS, TVOntario, Humber College and Giants of Africa. His productions have won many international awards including 2 Emmy Awards, a World Press Photo Award and a Peabody Award for HIGHRISE (highrise.nfb.ca), a global interactive documentary. He produced & co-produced more than 80 documentary projects on a wide range of subjects. Major projects include the international co-production PARIS 1919, the ground-breaking Filmmaker-in-Residence multi-media project at St. Michael’s Hospital in Toronto, the NFB-Canadian Film Centre Feature Documentary Program, and short films for the Governor-General’s Performing Arts Awards, working with such recipients as Bryan Adams and Rush. In the early 1990's, as Senior Communications Manager, he managed NFB involvement in the Oscars and the Sundance Film Festival, as well as corporate communications and corporate branding.  Flahive is a frequent contributor to the Globe and Mail and has been published in Time, The New York Times and The Walrus, and many media industry publications, and is a National Magazine Award nominee for humour. He is a member of the boards of the Pages Unbound literary festival, the Toronto Irish Film Festival and the Seneca College Documentary Film Institute, and was on the Advisory Board for the MIT Open Documentary Lab report "Interactive Documentary and Digital Journalism".   He has been a guest speaker, presenter and mentor at many international events and institutions, including MIT, the I-Docs Lab in Switzerland, the MEDIMED Documentary conference in Barcelona, and the New York Film Festival. ---------- For more information about my podcasting, writing and public speaking please visit my site. With thanks to producer Josh Snethlage and Mixed Media Sound.   See acast.com/privacy for privacy and opt-out information.

Batman 66 superfan Aaron (@BatLabels) and comic book omnivore Chris (@chcardin) hang out and talk about crop-stealing aliens, Jack Ryan's reverse aging process, TVOntario's Saturday Night at the Movies and Magic Shadows, James Bond as a family business, the brilliant psychology of Lego Batman, and finding out that your coworker's dad is the Polkaroo. Music by Chris Seibel (@seibeltron).

As a nod to the Valentine's Day holiday, we're going to talk about – you guessed it – relationships. We take a unique approach, however, and we discuss how movies – yes, movies - can actually teach us valuable lessons about love, romance & sex. Whether you are married or single and dating, today our guest will help reveal how to keep the love you have or find the love you want. Leslie C. Halpern is an award-winning poet, essayist, book reviewer, movie reviewer, and entertainment journalist. She wrote the nonfiction books 200 Love Lessons from the Movies (2016), Passionate About Their Work (2010), Reel Romance: The Lovers' Guide to the 100 Best Date Movies (2004) and Dreams on Film (2003), plus the “Funny Children's Poems” book series. An entertainment journalist since 1984, she worked 13 years as a stringer for The Hollywood Reporter, 5 years as film correspondent for the Orlando Sentinel, and 7 years as indie film columnist for Markee Magazine. More than 4,000 of her articles have appeared in publications including Variety, True Romance, Fitness, Storytelling, Just For Laughs, Bluegrass Unlimited, Salt Lake Tribune, and South Florida Sun-Sentinel. Leslie has won numerous awards for her writing, including two national awards for essays and several international prizes for poetry and has appeared on many radio and television shows, including TV Ontario's Saturday Night at the Movies, Canada's longest-running television program. She currently reviews books for several online magazines, and reviews movies for“Seen It, Done It, Reviewed It: The Blog”, which you can find on her website at www.lesliehalpern.com. What we cover: 1. What inspired Leslie to write the book 200 Love Lessons from the Movies 2. Why most movies have a kernel of truth that we can use for our daily lives 3. Why the book is best for people who are in the mindset/ready to work on their relationships 4. How her personal life played a role in choosing the movies and the lessons in them 5. How the Love Languages are included in the book 6. How the lessons in the book can give you ideas on how to navigate your real-life love life 7. Examples of a few lessons from movies including “Love Actually”, “Up In the Air” and “The Hangover” 8. How the book helps you self-reflect on how you approach your relationships and how to shift that 9. Leslie's advice for singles on Valentine's Day  

As a nod to the Valentine’s Day holiday, we’re going to talk about – you guessed it – relationships. We take a unique approach, however, and we discuss how movies – yes, movies - can actually teach us valuable lessons about love, romance & sex. Whether you are married or single and dating, today our guest will help reveal how to keep the love you have or find the love you want. Leslie C. Halpern is an award-winning poet, essayist, book reviewer, movie reviewer, and entertainment journalist. She wrote the nonfiction books 200 Love Lessons from the Movies (2016), Passionate About Their Work (2010), Reel Romance: The Lovers’ Guide to the 100 Best Date Movies (2004) and Dreams on Film (2003), plus the “Funny Children’s Poems” book series. An entertainment journalist since 1984, she worked 13 years as a stringer for The Hollywood Reporter, 5 years as film correspondent for the Orlando Sentinel, and 7 years as indie film columnist for Markee Magazine. More than 4,000 of her articles have appeared in publications including Variety, True Romance, Fitness, Storytelling, Just For Laughs, Bluegrass Unlimited, Salt Lake Tribune, and South Florida Sun-Sentinel. Leslie has won numerous awards for her writing, including two national awards for essays and several international prizes for poetry and has appeared on many radio and television shows, including TV Ontario’s Saturday Night at the Movies, Canada’s longest-running television program. She currently reviews books for several online magazines, and reviews movies for“Seen It, Done It, Reviewed It: The Blog”, which you can find on her website at www.lesliehalpern.com. What we cover: 1. What inspired Leslie to write the book 200 Love Lessons from the Movies 2. Why most movies have a kernel of truth that we can use for our daily lives 3. Why the book is best for people who are in the mindset/ready to work on their relationships 4. How her personal life played a role in choosing the movies and the lessons in them 5. How the Love Languages are included in the book 6. How the lessons in the book can give you ideas on how to navigate your real-life love life 7. Examples of a few lessons from movies including “Love Actually”, “Up In the Air” and “The Hangover” 8. How the book helps you self-reflect on how you approach your relationships and how to shift that 9. Leslie’s advice for singles on Valentine’s Day  

The Empire Club of Canada Presents: Ambassador David MacNaughton, Canada's Ambassador to the United States David MacNaughton presented his credentials as Canada's Ambassador to the United States on March 3, 2016. As a seasoned entrepreneur and political strategist, Mr. MacNaughton brings a unique set of skills and experiences to his new role as Ambassador. In the 1980s, Mr. MacNaughton transformed the public affairs industry by building an organization that comprised government relations, public opinion research and public relations. After selling his business in 1989, Mr. MacNaughton became President of Canada's largest government and public relations firm and subsequently North American President of the world's largest public relations firm. From 1995 until 2003, Mr. MacNaughton was President of Strathshore Financial and was an advisor to one of Canada's leading investment banks. Mr. MacNaughton's public sector experience includes work at both the federal and provincial levels, including as advisor to the Minister at the Departments of Transport, Industry and Foreign Affairs. He was principal secretary to the Premier of Ontario from 2003 to 2005 and the Chairman of StrategyCorp from 2005 until his appointment. Active in community affairs. Mr. MacNaughton has served on the boards of the North York General Hospital, the Stratford Festival, the National Ski Academy, TV Ontario, the Toronto French School and the Toronto International Film Festival. Mr. MacNaughton is married and has four daughters. Speaker: David MacNaughton, Canada's Ambassador to the United States *The content presented is free of charge but please note that the Empire Club of Canada retains copyright. Neither the speeches themselves nor any part of their content may be used for any purpose other than personal interest or research without the explicit permission of the Empire Club of Canada.* *Views and Opinions Expressed Disclaimer: The views and opinions expressed by the speakers or panelists are those of the speakers or panelists and do not necessarily reflect or represent the official views and opinions, policy or position held by The Empire Club of Canada.*

DEEKAST #6 Joseph "Joe" Frederick Motiki is a Canadian television host and performer. A Toronto native, In March 1995, Motiki became co-host of The TVOkids Crawlspace, TVOntario's after school block of children's programs, Patty and Joe appeared in live interstitial breaks between shows such as Art Attack, The Magic School Bus, and Bill Nye the Science Guy. He retired from the Crawlspace on May 30, 1999. You may also remember Joe as the voice of Metabee from the show Medabots (1999-2004). Joe and I talk 90s, TVOkids, life, relationships, and the meaning of the word genius. --- Support this podcast: https://anchor.fm/deekast/support

Michael talks about his new book Epiphany, dogmatism, the religious right, why he’s still so optimistic and his desire for change. Biography For four years Michael was the host of The Arena, a nightly television show on Sun News. For more than twelve years he was host/producer of The Michael Coren Show on Crossroads Television, presenting more than 3000 episodes and winning numerous awards. Michael is a columnist for Ottawa Life, Snowbirds Magazine and The Landowner and a monthly columnist for The Winnipeg Free Press and The Toronto Star. He is also a regular contributor to Metro News and The Walrus. He appears each week on Newstalk 1010 radio and is a frequent guest on TVOntario’s The Agenda and guest hosts on CKTB radio. He is the best-selling author of fifteen books, including biographies of G.K. Chesterton, H.G. Wells, Arthur Conan Doyle, J.R.R. Tolkien and C.S. Lewis. He has contributed to the Dictionary of National Biography and several other anthologies. He is published in many countries and in more than a dozen languages. His last two books were on the best-seller list for more than ten weeks. He has received several honorary doctorates and awards for his writing and broadcasting. In 2005 he won The Ed Murrow Award for Radio Broadcasting, in 2006 The RTNDA Radio Broadcasting Award, in 2007 the Communicator Award in Hollywood and in 2008 the Omni Award for his television show. In 2012 he was awarded the Queen’s Jubilee Medal for services to media. Michael Coren is a frequent speaker on a number of issues. Please visit the Public Speaking page for more details. ---------- Please visit my website for more information on my podcasting, writing and public speaking.   With thanks to producer Josh Snethlage and Mixed Media Sound     See acast.com/privacy for privacy and opt-out information.

Instead of popping two aspirins, you can now light up a joint at work – if you have a medical marijuana prescription. Medical marijuana users with a doctor’s prescription are exempt from the laws that prohibit cigarette smoking and e-cigarette vaping in most public places in Ontario, Associate Minister of Health and Long-Term Care, Dipika Damerla, explained on Wednesday. “The law allows for an exemption because someone needs it for a medical purpose … It’s about negotiating. It’s about balancing the rights,” she said. c

Listen in as Hoda talks about her life as a film and TV producer, why math can be fun and how her new documentary, Muneeza and the Middle has changed her life and made her realize that we are all so very connected.————-Hoda Elatawi has been producing award-winning films and television in Canada and internationally for over two decades with GAPC Entertainment. Hoda’s passion for history, social issues, education, and the arts has united her with like-minded producers and writers from around the world and allowed her to work on a diverse range of television projects.Hoda has created and produced award-winning concepts in the children’s and factual programming genres. She has collaborated with and produced for most Canadian broadcasters, with work that is also showcased internationally. From doc series to biopics, from specials to unscripted dramas, she brings a depth and unique perspective to all that she produces, working with teams across the country and around the world.Recently, Hoda has completed production of a new award-winning children’s television series, The Prime Radicals, for TVOkids and is currently in post-production for Season 2, along with a social issue doc for the Documentary Channel-this latter will be her directorial debut.Select Television CreditsThe Great March. History Television. Nominated for two Gemini awards.Spellz I & II. TVOntario. A live-action entertaining and educational series for kids about the secrets behind magic tricks.The Prime Radicals. TVOntario. A live-action children’s educational math series for 6-8 year olds, seen across Canada on TVOntario, Knowledge, Access and SCN.Oscar Peterson: Keeping the Groove Alive. Canada Broadcasting Corporation. A one-hour television documentary for CBC’s Life and Times program. Oscar Peterson’s extraordinary path to fame and acclaim was presented in this biographical documentary.Christopher Plummer: A Man For All Stages. Canada Broadcasting Corporation. A one-hour documentary exploring the many stages, theatrical and personal, of Plummer’s life. See acast.com/privacy for privacy and opt-out information.

Listen in as film maker Danae talks about her new film P.S. Jerusalem, racism, exploitation, why it’s so difficult to film in Jerusalem and how she has become increasingly uncomfortable pointing the camera at other people.The new P.S. Jerusalem trailer is here and for more info about Danae’s work check out her website.Film SynopsisReturning to her hometown of Jerusalem with her young family after several years abroad, documentarian Danae Elon offers an intimate, ground’s-eye view of one of the most fiercely contested cities in the world.In 2010, filmmaker Danae Elon was living in New York City and pregnant with her third child when she felt a powerful urge to move back to her hometown of Jerusalem. Her husband Philip is a French-Algerian Jew who had never lived in Israel, but was game to try it. In P.S. Jerusalem, Elon chronicles her family’s three-year sojourn, during which time they bore witness to much of what makes the city such a fiercely debated territory.Even though Jerusalem is frequently in the headlines, Elon brings a fresh perspective as she observes the city physically transform as the Israeli government increases the evictions of Arabs and the expansion of Jewish settlements. Meanwhile, she also documents Philip’s struggle to fit in and the experiences of her young sons as they confront the challenges of mixing between Jews and Arabs. As the years pass, we see how the city’s tensions become internalized within the family.A looming presence in the film is Danae’s father, the noted journalist and author Amos Elon. An outspoken critic of Israel, Amos and his wife Beth had raised Danae in Jerusalem in an atmosphere of activism and engagement. Before his death in 2009, Amos had grown so disappointed with his adopted country that he and Beth relocated to Tuscany.In the film, Danae includes conversations with him in which he shares his pessimistic analysis and warns her not to move back.P.S. Jerusalem is a film about navigating the divisions between the individual and the family, the past and the present, and hope and reality. There are no easy answers.BiographyDanae Elon is an award-winning documentary producer, director and cinematographer. She graduated from NYU Tisch school with honors in 1995, where she won the National Kodak Award for Cinematography.In 2009 she was awarded a prestigious Guggenheim Fellowship in film. Twice she has been awarded a grant from the Sundance Institute in Lost Angeles.Her first feature documentary film Never Again Forever, released in 1996, showcased in more than 25 international film festivals and received a Golden Spire award from the San Francisco International film festival as well as an achievement award from the Chicago International Film festival.Soon after she returned to Jerusalem, her hometown to complete two additional films Wild Mint, which she directed and produced, and Cut which she photographed and co-produced with Director/Producer Nizar Hassan. For this film she was awarded a grant from theRothschild foundation. In addition she won an Award from the 2000 Jerusalem festival for Cinematography.In 2001 Danae returned to the US and began work on her film Another Road Home which she received a Sundance grant in 2003 and went on to be praised as one of the most honest and sensitive films ever made about the Israeli-Palestinian conflict.  The film premiered at the 2004 Tribeca film festival and showcased in over 20 international film festivals, including IDFA, LAFF, Jerusalem film festival, Hot Docs, Encounters South Africa, Gotenburg, and many more. Another Road Home was theatrically released it 2005 and was shown in over fifteen US cities. It was broadcast on the Sundance channel, BBC, Finnish, Belgian, New Zealand, Swedish, and on both Al Jazeera and Israeli television. She won two awards for Another Road Home a Bronze Medal from the Warsaw International Film Festival, and best documentary from Tursak Film Festival in Istanbul.Partly Private is her second feature documentary, it is a witty documentary about the rite of circumcision. A Canadian production broadcast on Channel 8 Israel, Arte France, TV Ontario, Canal Vie, TV2 Denmark. Partly Private premiered in the 2009 Tribeca film festival where it won the Best New York Documentary award. In 2012 it was screened at the Jewish Motifs festival in Warsaw Poland and received the special award of the Jewish community for best representation of contemporary Jewish and Israeli Culture.Currently Danae is working two feature films; One for Channel 8 is a personal documentary about Jerusalem  seen from the perspective of a family who moves back after a 20 year absence. The second is a film about The Patriarch of the Greek Orthodox Church commissioned by IBA channel 1 and supported by the New Foundation for Film and TV.In addition to her work as Director and Producer Danae graduated from NYU with an excellence in cinematography and proceeded to win numerous awards for her work as cinematographer. In this capacity she has worked for the Discovery Espanol Channel in Mexico, Guatemala, Peru, and Nicaragua as well as in Palestine and Israel. She has also worked as an educator for a community based organization Community Access, which assists people with psychiatric disabilities in making the transition from shelters and institutions to independent living.In recent years Danae has been the curator of the Documentary competition at Cinema South a film festival held annually in the town of Sderot and hailed as one of the most interesting festivals in the region. She has been a lecturer at the Sapir School for film in TV on Cinematography and Documentary film. See acast.com/privacy for privacy and opt-out information.

On the twenty-third edition of Reality Bomb, we have a feature length documentary about the early days of Doctor Who in Canada in the 1970s, the educational segments on TVOntario featuring Dr. Jim Dator and science fiction author Judith Merrill, and the first generation of Doctor Who fans in Canada and how they organized themselves. This documentary features conversations with Ed Conroy of the YouTube channel Retrontario and one of the first fans in Canada, Dean Shewring. Also in this episode, Graeme Burk is talking about the lasting legacy of UNIT with Peter McAlpine and Patrick Troughton's Doctor finally comes to the Gallery of the Underrated when Jason Miller brings The Krotons. Plus, a new feature, Doctor Who From A to Z, has NPR Books Editor Petra Mayer pondering about a word with the letter E and its importance to Doctor Who... and we have a murder mystery on a Doctor Who podcast! Bonus content: the raw TVOntario footage in our documentary can be found here, here and here!

Mike chats with Retrontario about retro Toronto television from TVOntario to CityTV. We share memories of old ads, jingles, psas and all the nostalgia you can stomach.

In 1999, Ontario Country artist Shelley Buffitt released her debut album My First Love. The acclaimed album received airplay world-wide and garnered Shelley the 1999 Nashville Tracker Magazine "Female Vocalist of the Year" (European market). Shelley was nominated at the OCMAs for Female Vocalist of the Year, as well as Album of the Year in 1999. Riding on the success of her debut album, Executive Producers at Five Star Productions decided to release Bad Side of Town in 2000. This was a wise move as that year The Ontario Country Music Association recognized Shelley's contribution to the Canadian music scene by nominating her for Female Vocalist of the Year, Rising Star and Duet of the Year (with the multi-talented songstress, Kelly Vohnn.)  The album features the musicianship of Wendell Ferguson. This same year, TVOntario filmed a documentary about Shelley and her music on their show Studio 1 with Steve Paikin.  In July 2014, Daddy’s Little Girl - a song from Shelley's album Beyond This Woman - was released to Canadian Country radio.

In this episode, Black Hollywood Live hosts Derrial Christon, Jesse Janedy and Courtney Stewart interview special guest Quddus, a TV personality best known from his days as the host of MTV's Total Request Live and ABC's singing competition show Duets. Quddus' professional career in broadcasting began in 2000 as a host and co-writer of VOX, a groundbreaking youth culture show on TV Ontario which went on to win a Gemini Award (Canada's version of the Emmy®). This led to his big break - hosting Total Request Live on MTV. As host of MTV's biggest show, Quddus conducted daily interviews with stars such as Will Smith, Beyoncé, Jay-Z, Jake Gyllenhaal, Alicia Keys, Ben Affleck and Denzel Washington, and his work on Total Request Live led to both Usher and Britney Spears requesting him to host their Showtime concert specials. Quddus won a 2003 Favorite TV Personality nomination at the Teen Choice Awards. In 2005, TV Guide named him one of TV's Hottest New Stars, USA Today featured him as a "you

Unlike Britain, which opted to invest in public non-commercial broadcasting in the early '60s, Canada chose a hybrid model that freed the Canadian Broadcasting Corporation (CBC) to augment its Parliamentary appropriation with advertising revenues. Canada's 1968 Broadcast Act prescribed a broadcasting system controlled by Canadians that ‘safeguards and strengthens our cultural, political, social and economic fabric, promotes unity and national identity, and provides challenging, entertaining, informative programming that caters to a wide range of audiences.' This conflicted mandate parked the CBC at a particularly congested intersection, one that today invites more collisions than ever before, what with the significant funding cuts just announced and profits from the Hockey Night in Canada franchise in jeopardy. In addition to the impossible task of simultaneously promoting a single, nebulous national identity and culture, and providing programming for a wide variety of tastes and audiences, the CBC is also under pressure to produce “popular” shows that Canadians will watch and advertisers will support. One solution is to abandon the old commercial hybrid model and fund the CBC not through Parliament, but directly from licence fees  levied on consumers. This way the CBC could, similar to TVOntario, carve out a more distinctive, unique role for itself by eliminating advertising  (and much of the glib, manipulative, audience-spinning crap one finds on commercial television)  from most of its schedule, and delivering ‘high' quality Canadian alternative programming without regard for ‘lowest-common-denominator' audience share. Replacing a chubby old confused mongrel, with a lean, alert purebred puppy dog. Good idea. Perhaps that's why it stands little chance of seeing daylight. Anything that resembles a new tax, or loosens the leash that government holds on public broacasting is unlikely to fly in Harperland, or for that matter in any other party-that's-in-power land. The alternative, one which Richard Stursberg championed as Vice President of English language programming at the CBC (2004-2010), is to focus on audience. ‘ What use are ‘good' television shows if nobody watches them?  Stursberg  asks in his book The Tower of Babble: Sins, Secrets and Successes Inside the CBC which documents his tenure with the public broadcaster. While ‘Little Mosque on the Prairie' is no ‘Mad Men', it is watched by lots of Canadians. And this is more than can be said of much CBC programming prior to Stursberg's arrival. By pushing one component of a decidedly messed-up mandate he created much controversy during his time at the CBC, and, eventually, got himself fired. One hopes that his book, and his bold efforts will, if nothing else, encourage debate, and ultimately produce from government a clearer mandate for this important, troubled institution. I met with Richard (not Peter) Stursberg in Ottawa to talk about his  book.

From Wikipedia with thanks Colony in Space is a in the series , which was first broadcast in 6 weekly parts from April 10 to May 15, 1971. Contents [] [] Synopsis Three meet at an observatory and discuss the theft of confidential files relating to "the Doomsday Weapon." They begrudgingly realise that only one man can help them — and the Doctor, accompanied by , is temporarily released from his exile and sent in the to the desert planet of Uxarieus in the year 2472. There he finds an outpost of human colonists living as farmers. The colony is not a success — the land seems unusually poor and recently they are being besieged by representatives of rapacious mining corporations, and more recently, ferocious reptiles. The colony's governor, Robert Ashe, makes them welcome, and explains the colonists fled a year ago to the planet to escape the overcrowding and pollution on Earth. Two colonists die in a reptile attack that night, and the next morning a man named Norton arrives at the settlement, claiming that he is from another colony that was wiped out by the reptiles. While the Doctor is investigating the dome of the dead colonists he is surprised by a controlled by Caldwell, a mineralogist for the IMC. Caldwell invites the Doctor to talk to his bosses and hear their side of the story. His superior, Dent, is a ruthless mining engineer, who has been using the mining robot to scare and now kill the colonists - something which Caldwell finds repellent. Dent knows the planet is rich in rare minerals and wants it for IMC and his greedy troops agree that this should be done at any cost. The original inhabitants of the planet, known to the colonists as primitives, have a truce with the colonists - but this is tested when Norton kills the colony's scientist and blames it on a primitive, whom he insists are hostile. Later, Norton is seen communicating with Captain Dent, implying that he is in fact a spy sent from IMC to further disrupt the colonists and not the sole survivor of a similar colony as he claimed. The Doctor meanwhile returns to the central dome of the colonists, having evaded an IMC attempt to kill him, and explains to Ashe that the miners are behind the deaths. An Adjudicator from Earth is sent for to deal with the complex claims over the planet - and when he arrives it turns out to be . In this alias he determines that the mining company's claim to the planet is stronger. The Doctor and Jo have meanwhile ventured to the primitive city. From images on cave walls they interpret it was once home to an advanced civilisation that degraded over time. In the heart of the city, in a room filled with massive machines and a glowing hatch, they encounter a diminutive alien known as the Guardian. It warns them that intruding into the city is punishable by death, and lets them go, but warns them not to return. The Master's adjudication is heard by a returning Doctor and Jo. Still in the Adjudicator's guise he tells Ashe that an appeal will fail unless there are special circumstances, such as historical interest and is intrigued when Ashe tells him about the primitive city. By this ploy he finds out more about the planet and the primitive city while Ashe is drawn away from the Doctor, who begins to lose his credibility with the colonists. The Master then manipulates the Doctor into accompanying him to the primitive city. The situation between colonists and miners has meanwhile reached flashpoint with a pitched battle between them. Dent and his forces triumph and he stages a false trial of Ashe and Winton, the most rebellious of the colonists, sentencing them to death but commuting the sentence if all the colonists agree to leave the planet in their damaged old colony ship which first brought them to Uxarieus. Inside the city, the Master tells the Doctor that the primitives were once an advanced civilisation. Before their civilisation fell apart, they built a super-weapon that was never used - and he wants to claim this weapon for himself. The room with the machinery in the city is the heart of a weapon; so powerful that the was created during a test firing. The Doctor rejects the Master's overture to help him rule the galaxy using the weapon, stating that absolute power is evil and corrupting. The Guardian appears, demanding an explanation for the intrusion. The Master explains that he's come to restore their civilisation to its former glory. The Doctor argues against him, and the Guardian recalls that the weapon led his race to decay, and its radiation is ruining the planet. It instructs the Doctor to activate the self-destruct, which he does. The city begins to crumble, and the Guardian tells them they must leave before it is too late. While the Doctor and the Master flee the decaying city, they find Caldwell and Jo, and the four get out before the city explodes. The colonists' ship has meanwhile exploded on take-off as Ashe predicted it would. However, the colony leader was the only one to die. He piloted the ship alone to save his people. Winton and the colonists now emerge from hiding and kill or overpower the IMC men, with Caldwell having switched sides to support the colonists. Amid the confusion, the Master manages to make his escape. With the battle over, the Doctor explains that the radiation from the weapon was what was killing their crops but this limiting factor has now been removed. Earth has agreed to send a real Adjudicator to Uxarieus, and Caldwell has decided to join the colonists. He tells them that he can help them with their power supply. The Doctor and Jo return to the TARDIS, which returns to Headquarters mere seconds after it left. Having accomplished what the Time Lords intended, the Doctor is once again trapped on Earth. [] Continuity This is the first time since season six that the Doctor travels to another planet in the TARDIS. Excepting a brief shot of one wall in , this is also the first time that the inside of the Master's TARDIS (a redress of the Doctor's TARDIS set) is shown. [] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Episode One" 10 April 1971 24:19 7.6 PAL colour conversion "Episode Two" 17 April 1971 22:43 8.5 PAL colour conversion "Episode Three" 24 April 1971 23:47 9.5 PAL colour conversion "Episode Four" 1 May 1971 24:20 8.1 PAL colour conversion "Episode Five" 8 May 1971 25:22 8.8 PAL colour conversion "Episode Six" 15 May 1971 25:22 8.7 PAL colour conversion Working titles for this story included Colony. Script editor has frequently stated that he disliked the original premise of the Doctor being trapped on Earth, and had meant to subvert this plan as soon as he felt he could get away with it. He recalls in a DVD documentary interview (on the release) having had it pointed out to him by Malcolm Hulke that the format limited the stories to merely two types: alien invasion and mad scientist, and says he'd immediately responded, "Fuck Me! You're right!" (on the release). The story is one of the first to use the show for social commentary - in this instance, the dangers of colonialism. [] Cast notes See also . Bernard Kay appears as Caldwell. This is his fourth and final appearance on the series. Director Michael Briant spoke the commentary accompanying a propaganda film watched by the Doctor on the IMC spaceship in Episode Two. This was a late cast change, and was originally intended for Pat Gorman – who was subsequently still credited on Episodes One and Two as 'Primitive and Voice'. [] Broadcast and reception 16mm colour film trims of location sequences for the story still exist and short clips from this material was used in the BBC TV special "30 years in the Tardis" (1993). [] In print A novelisation of this serial, written by , was published by in April 1974 as Doctor Who and the Doomsday Weapon. This was the first serial of the 1971 series to be so adapted; as a result, Hulke breaks continuity by having Jo Grant introduced to the Doctor for the first time, even though on television her introduction was in (and this would be reflected in the later novelisation of that serial). There is another extensive Malcolm Hulke prologue as an elderly Time Lord describes the Doctor-Master rivalry to his assistant and learns of the theft of the Doomsday Weapon files. There have been , , and editions. An unabridged reading of the novelisation by actor was released on CD in September 2007 by BBC Audiobooks. book Doctor Who and the Doomsday Weapon Series Release number 23 Writer Publisher Cover artist ISBN Release date April 1974 [] VHS and DVD releases Although the mastertapes had been wiped copies were returned to the BBC in 1983 from TV Ontario in Canada. In November 2001, this story was released together with , in a tin box set, entitled The Master. A new transfer was made from the converted NTSC to PAL videotapes but no restoration work was carried out for this release. The story has been scheduled for release on DVD in the UK on 3 October 2011. The single disc release will contain four seconds which were missing from VHS & US masters of the story and which restores two lines of dialogue. [] References Shaun Lyon et al. (2007-03-31). . Outpost Gallifrey. Archived from on 2006-03-24. Retrieved 2008-08-31. . Doctor Who Reference Guide. Retrieved 2008-08-31. Sullivan, Shannon (2007-07-05). . A Brief History of Time Travel. Retrieved 2008-08-31. Butler, David (2007). Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester University Press.  . Marcus (21 July 2011). . The Doctor Who News Page. Retrieved 22 July 2011. [] External links at at at the [] Reviews reviews at reviews at [] Target novelisation reviews at

Speaking on TVOntario's The Agenda with Steve Paikin, I make the case that separation of church and state is as much in the interests of the church as it is in the interests of the state. However, upholding the ideal of the secular state often demands more courage than we might expect.

In my broadcast essay for TVOntario's The Agenda with Steve Paikin, I argue that despite our sometimes chequered history in the region, Western states have an obligation to enforce the Libyan no-fly zone, both to protect civilians and to ensure that the Arab Spring and the hopes for democracy in the region are not snuffed out in the killing fields of Libya.

Videocast of my televised essay for TVOntario's The Agenda with Steve Paikin, on Canada's role in Afghanistan: Our ability to successfully conclude the mission and effect an honourable departure is being prejudiced by an ignominious political retreat from the truth: the truth about why we went to Afghanistan in the first place and what we are actually trying to achieve there... I fear that the current government is unwilling to engage in an honest national debate about our objectives in Afghanistan, because it believes that Canadians prefer easy lies to hard truths. But Canadians are not the fools or the cowards that such politicians take us for.

In this, my second broadcast essay for TVOntario's The Agenda with Steve Paikin, I argue that the efforts by the federal government to place emotion above reason and shut down Insite are unworthy of our country's better traditions and higher responsibilities. It is little more than an effort to purchase easy political popularity at the expense of a wretched and unpopular segment of society.

In this, my maiden broadcast essay for TVOntario's The Agenda with Steve Paikin, I argue that freedom of expression is too fundamental a right to be casually abridged, and that the Canadian Human Rights Tribunal must be stripped of its power to regulate public expression.

One of the many blessings of doing this is meeting so many great people who are doing things to help the Black community. One of these people is Mitzie Hunter. She has accomplished so much!! At the present time, she is a member of the Board of HSI Solutions, a subsidiary of Toronto Community Housing Corporation and is the Vice President, External Relations and Corporate Secretary at Goodwill Industries of Toronto. She has just finished her Executive MBA from the University of Toronto - Rotman School of Management. She also served on the Board of Directors at TV Ontario, on the Board of Trustees at United Way of Greater Toronto and as an Regional Director at Bell Canada. During this episode, Mitzie provides information on one of her initiatives taking place in Toronto, The Emerging Leaders Network.As always, if you would like to send us your feedback, comments or suggestions, please feel to email us at info@blackcanadianman.com.God bless, peace, be well and keep the faith,Vibe and Vegasinfo@blackcanadianman.com

 Continuing the Doctor's adventures in E-Space, the Doctor, Romana, K-9, and their newest companion/stowaway, Adric, arrive on a planet experiencing what appears to be a period. The population scratches out a living as under the thrall of three local lords, Zargo, Camilla, and Aukon, who dwell in a shadowy tower. Adding further fear to their lives, they experience a yearly ritual called "the Selection," in which a sample of young villagers are taken to the tower, never to be seen again. This selection process is enforced by a thuggish band of guards led by Habris. The Doctor and Romana venture out into the village (not knowing that Adric is following them), and it doesn't take long for the Doctor to realize that something is very wrong when he discovers evidence of technology considerably more advanced than what this society seems capable of producing. With such technology, the Doctor and Romana wonder what happened in the course of the planet's development to cause it to evolve "backward" from a presumably advanced culture to its current rustic condition -- to be in a "state of decay." The arrival and then departure of the Doctor and Romana from the village hall is reported by the headman, Ivo, via an electronic communications device to an unseen figure called Kalmar. As the two head out of the village they are seized by cloaked figures who convey them to a secret base filled with illegal computers and other technology. Kalmar is a scientist - a heretical role in their society - and is very grateful for the Doctor's help in repairing a computer which proceeds to reveal the names of the original chief officers of the spaceship Hydrax. The faces of three senior officers are revealed as those of the Lords of the Tower. The Lords too have learnt of Romana and the Doctor, and Aukon sends a flock of his winged servants, bats, (aka "The Wasting") to menace them as they travel a clearing near the village. The Doctor and Romana are now seized by Habris and his guards and taken to an audience in the Tower. Zargo and Camilla entertain them for a while, then are called away to deal with a situation called the Arising. The Doctor and Romana start to snoop around and discover that in fact, the great Tower in which the Lords dwell is itself a spaceship originally from , which also somehow was pulled into E-Space long ago. Adric has meanwhile wandered into the village and finds himself looked after by Ivo and his wife Marta, both of whom are grieving for their late son who was chosen for the Selection. In the Hydrax the Doctor and Romana discover rows of corpses drained of blood, while the craft's fuel stores are full of blood. Talk turns to . They head downwards and find an . It is there that the Lord Aukon greets them, welcoming them to his domain. Aukon invites the Doctor and Romana to become the first of the new servants of the Chosen Ones then tells them that he has Adric much to their surprise. When they refuse they are imprisoned. The Doctor deduces by applying principles of that the current lords' names are a corruption of the original crew names (e.g. "Sharky" becomes "Zargo"). Thus the Doctor realizes that the three lords might not be descendants of the original crew, but members of the original crew themselves. He is reminded of ancient stories of the Great Vampires, a giant race of rapacious, destructive, and powerful creatures that were ancient enemies of the Time Lords themselves. He deduces that the Great Vampire escaped destruction at the hands of the Time Lords by somehow retreating into E-Space, and it managed eventually to gather enough power to pull the old Earth ship into this universe and corrupt the crew. Over time, it licked its wounds and gathered power so that it could once again feast on worlds. Meanwhile, Adric's attempts to mingle with the natives have led to him getting caught up in the Selection. He is put under a by Aukon and accompanies him to the tower. Normally, the Chosen Ones are chosen for Guards or killed if they defy the Three Who Rule, but Aukon has other plans for Adric when he finds, to his surprise, something different about the third stranger. Aukon plots to change Adric into the new Chosen. Another rebel named Tarak, makes a solo attack on the Tower in the hope of freeing the Doctor and Romana. The Doctor returns to the TARDIS, while Romana stays with Tarak to search for Adric, whom she knows now is in the Tower's Inner Sanctum. As they try to snap Adric out of his trance, they unknowingly awaken Zargo and Camilla. Tarak is literally throttled by Zargo and dies when his neck snaps on the edge of the "bed". Adric throws a knife at Zargo's heart and Camilla advances on Adric. Romana backs away but Zargo grabs her shoulder. With a toothy evil grin, he chuckles as he pulls the knife out of his heart and is about to give a fatal blow to Romana. Romana closes her eyes as Zargo draws his arm back for a fatal blow but Aukon orders him to stop. "The boy," he says "is the first of the Chosen Ones, soon to be one of us. He is not for you!" Camilla then asks to have Romana. Aukon grabs Romana's chin and says gloatingly, "The girl is a Timelord, one of the enemies of the Great One. She is to be held for sacrifice at the time of Arising!" Romana and Adric argue about their fate. Adric says if it's a choice between death and joining the dine that means there's no sense in two of them getting the chop. Adric asks Aukon why he is being kept prisoner when Romana is the sacrifice and he is a Chosen One. "I'm sorry Timelady. One of my families died for your lot already. I reckon one's enough!" Romana asks Adric if he knows what happens to vampires when they die. Adric smugly replies "But they don't die, do they Aukon!". They are taken to the bottom of the Tower (as shown in the picture above), where Romana will be sacrificed at the time of Arising and Adric will indeed become a Chosen One. In the TARDIS the Doctor and K-9 review the old stories about vampires. The lore that the Doctor and K-9 uncovers determines that the Great Vampires could only be defeated by metal bowships driven through their chests (rather like the wooden stakes that work on lesser vampires). He takes the craft to Kalmar's base and there uses scanning equipment to scan the Tower. Under the lake of blood he finds a restless, demonic presence, whom he determines to be the last Great Vampire. He warns it is about to be revived. Kalmar, Ivo and many other villagers agree to help him fight back. This rebel army and K9 make an assault on the Tower itself, killing collaborator guards. Ivo finds Habris and tells him "This is for my son!" and then kills him. The Doctor heads off to the peak of the Tower and, in a burst of characteristic ingenuity, the Doctor manages to rig one of the old scoutships still attached to the spaceship/tower to launch and achieve a trajectory that caused it to point back toward the ground and drive itself into the heart of the subterranean Great Vampire, thus duplicating the effect of the "metal bowships" of Time Lord history. With the Great Vampire dispatched, the three vampire Lords crumble to dust without the power of their master to sustain them. The Doctor finds Romana and Adric. Together with K9 they leave the planet to its own fate, hoping that, now freed from the corruptive effect of the vampires, it will change direction and develop once again toward its former advanced state and even perhaps surpass it. He leaves the planet in Kalmar's hands, while hoping the next journeys in the TARDIS will take Adric home and lead the craft back out of E-Space. Continuity This serial comprises the second leg of an extended adventure generally known as the "The E-Space Trilogy"; the trilogy began in the previous serial, , and concludes in . The Doctor mentions his childhood on Gallifrey and "an old hermit who lived up a mountain behind our house [and] used to tell me ghost stories" – tales of the Time Lord's war with the Vampires. This is the first mention of the Doctor's mentor from his youth since his last . This figure, K'Anpo (or Cho-Je) is first mentioned in and seen in . The Great Vampires are mentioned by the in "". Tie-in media The spin-off novel by Terrance Dicks and the by are sequels to this serial. Other Doctor Who novels featuring vampires include and . Many of the novels feature references to the war between the Time Lords and the Vampires. Another anti-Vampire weapon, the N-Forms, were introduced by in his New Adventures novel . Bowships are mentioned in the Doctor Who Annual 2006 as one of the weapons used in the against the , along with N-Forms and Black Hole Carriers. The Fourth Doctor segment of , in which the Fourth Doctor is captured by the last few surviving vampires and is rescued by Romana and the Eighth Doctor, takes place between the destruction of the Great Vampire and the end of this story. The , , and refer to the vampires and to their history with the Time Lords. The BBC audio webcast features a vampire named Nessican. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 22 November 1980 22:24 5.8 "Part Two" 29 November 1980 23:16 5.3 "Part Three" 6 December 1980 24:13 4.4 "Part Four" 13 December 1980 24:54 5.4 Working titles for this story included The Wasting and The Vampire Mutations.The serial was a re-written version of a story called The Witch Lords which Dicks had submitted to the series in 1977, but which had been pulled just before production and replaced with .This was one of two serials to feature a highly improved K-9 prop. The other was . book Doctor Who and the State of Decay Series Release number 58 Writer Publisher Cover artist ISBN 0 426 20133 7 Release date 14 January 1982 Preceded by Followed by Commercial releases This story was released on in October 1997. On the video, one tiny scene is omitted that was previously on the TVOntario version. In Part 4, K-9 is perched on the thrones of Zargo & Camilla, determining the moment when the Doctor is activating the scout ship. When he tells the rebels to evacuate the Tower, a rebel lifts him down and they escape.A commentary with , and has been recorded and it was released on January 26th 2009 in a box set with Warriors Gate & Full Circle. In print A novelisation of this serial, written by , was published by in September 1981. A condensed version of the book was read by Tom Baker and released on cassette. Audio Book This story was released on with linking material by Plot A new adventure for a new Doctor in a new Dimension… The Doctor and his travelling companion, retired army officer Alistair Lethbridge-Stewart, take a random trip in the - and land on the planet . The Doctor helped the to the years ago, so he is surprised to find the Thal city under Dalek occupation. He determines to help them again, but what is the Daleks' purpose in keeping the Thals alive? Does it have anything to do with the Daleks' mythical creator, named in their teachings as ? Cast — — — — Nadel — Gillen — Delt — Jeremy JamesToloc — Christopher Heywood Notes This is a sequel to .As the previous story was named after a , this play is named for a .In this audio drama, David Warner plays an alternative Third Doctor. He previously appeared with his "predecessor" in .The incident in 1972 that the Brigadier mentions is apparently an alternate version of the events of 1972's . External links

In the wake of the Quebecois Nation issue, TV Ontario's The Agenda asks if politics and principles are Canada's true twin solitudes. With Steve Paikin as moderator, Val Meredith for the Conservatives, Robin Sears for the NDP, and I for the Liberals.