Podcasts about Lorraine Hansberry

Vanessa and Morgan invite fellow trekkers to walk as the daughters of the playwright, Lorraine Hansberry, leading a reflective self-care audit and sharing the profound benefits of connecting with nature, grounding, and alternative healing practices. Our favorite Workshop Wednesday homegirl, Yolanda William, returns, relaying her personal experience with grounding and holistic wellness, offering insightful perspectives on rejecting fear and embracing healing in daily life. Join us for an episode that nourishes the mind, body, and spirit, encouraging deep reflection and renewal.Important Disclaimer: While this episode provides helpful information, we are not medical experts. Please consult your doctor for personalized advice.

On this day in 1959, “A Raisin in the Sun” debuted on Broadway, making history as the first play produced by a Black woman, Lorraine Hansberry. Starring Sidney Poitier and Claudia McNeil, the play was inspired by Langston Hughes' poem "Harlem ('A Dream Deferred')" and depicted a struggling Black family in Chicago's Washington Park neighborhood. Originally titled “The Crystal Stair,” it was Hansberry's first play after leaving her writing job. Despite being a debut work, it ran for 530 performances and was widely acclaimed. Hansberry became the first Black playwright and the youngest American to win a New York Critics' Circle Award, cementing her legacy as a groundbreaking voice in American theater. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr Jack Marchbanks and Gamal Brown sit down with us to talk about the legacies of Four Women: Maya Angelou, Lorraine Hansberry, Abbey Lincoln, and Nina Simone. These icons of African American artistic achievement, activism, courage and vision will be highlighted at the Lincoln Theatre's Community Conversation on March 6th at 6pm! Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at https://www.bexleylibrary.org Follow Bexley Public Library across platforms @bexleylibrary

Arnetia Walker has lit up stages and screens for decades and she joins us this week to review her stunning show biz resume, including her latest entry, Bookie, the Chuck Lorre Max comedy on which she is currently slaying as Grandma.We are also joined by artist and Holocaust Survivor Erika Kahn, a first-hand witness to the consequences of authoritarian rule, scapegoating, and nationally sanctioned brutality. Erika offers vital insight for us in our fight against a dangerous wave of fascism.Orphaned as a child, Arnetia Walker's showbiz career began at New York City's High School for the Performing Arts where her talent and dreams were nurtured and encouraged. Arnetia was embraced by a similar culture of community and support when she won her first Broadway role with Hal Linden in The Sign in Sidney Brustein's Window and then A Raisin in the Sun. Both  Lorraine Hansberry's plays.With a favorable alignment of the stars and talent recognition from Michael Bennet, Arnetia went from understudying Stephanie Mills in The Wiz to co-starring in Dreamgirls… a show within which she ultimately played every starring character. (But not on the same night.) As gifted an actor as she is a singer, Arnetia talks about her slew of TV appearances, including her lead role in the Witt Thomas Harris sitcom, Nurses and the circumstances under which that part prevented her from being cast in  E.R.Currently, she is stealing every scene as the ruthlessly direct Grandma in Bookie. Arnetia shares what it's like to work with Chuck Lorre and Sebastian Maniscalco. She tells us about her cabaret era and her passion for cooking and she boldly takes on a round of IMDB Roulette that jars some treasured TV memories!Then, Centenarian Erika Kahn recalls her childhood in Nazi Germany, and she contrasts and compares the climate which led to the Nazi atrocities with that of our current perilous pivot point in America. Erika is a tenacious activist whose words of hope and optimism are essential for those of us taking on the rise of American fascism.In recommendations --Fritz: Netflix Series 'American Manhunt: OJ Simpson'Weezy: The Movie 'Studio One Forever' (2023), streaming on several platforms Path Points of Interest:Arnetia WalkerArnetia Walker on IMDBArnetia Walker on WikipediaArnetia Walker on TiktokBookieErika KahnWe Played Marbles: Remembering A Stolen ChildhoodA documentary featuring Erika KahnAmerican Manhunt: O.J. SimpsonStudio One Forever

PEER TALK is a fresh new podcast emerging from the halls of Willie L. Brown Jr. Middle School. At Beyond the Fog Radio, we recognized the need for a platform designed for and by middle school students — where youth can develop their voices and share their perspectives. Located in Bayview—Hunters Point, in San Francisco — a neighborhood historically comprised of African-American families — Willie L. Brown Jr. Middle School carries the name of former San Francisco Mayor and Speaker of the California Assembly, who has devoted himself to the well-being of others. In the wake of the 2024 Election, we realized just how critical it is to equip students with the confidence to speak out, learn from community leaders, and dive into civic engagement — preparing them to become the next wave of local and global change-makers. Each guest on PEER TALK is chosen to align with the students' coursework, bringing lessons to life through real-world experiences. Our debut episode features seventh-graders from Mr. O's Peer Resource class interviewing Margo Hall — Artistic Director of the Lorraine Hansberry Theatre — to discuss the influence she and Lorraine Hansberry have had on American theatre. Beyond the Fog Radio is thrilled to present PEER TALK at Willie Brown Middle School: a space for the next generation of community leaders to explore, learn, and inspire, right here in San Francisco.

Episode 092: A Raisin in the Sun by Lorainne Hansberry Host: Douglas Schatz Guest: Tinuke Craig Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. When Lorraine Hansberry's play A Raisin in the Sun opened in New York in 1959, its author became the first African-American woman to have a play on Broadway, and this with her debut at age of 29. The play was ground-breaking for its realist portait of a black working-class family, spotlighting their personal dreams and the public prejudice they confront. We recorded this episode shortly after an acclaimed new production of the play completed its run at the Lyric Hammersmith theatre in London, and I am delighted to talk with the production's director, Tinuke Craig, about this landmark play.

Court Theatre's ‘A Raisin In The Sun' is honoring Lorraine Hansberry's South Side Tale 60 Years After Her Death.The cast of South and West Side natives are bringing a fresh “heartbeat” to the Broadway play nearly 70 years after its debut.Host - Jon HansenReporter - Atavia ReedRead More HereBuy Tickets Here Want to donate to our non-profit newsroom? CLICK HEREWho we areBlock Club Chicago is a 501(c)(3) nonprofit news organization dedicated to delivering reliable, relevant and nonpartisan coverage of Chicago's diverse neighborhoods. We believe all neighborhoods deserve to be covered in a meaningful way.We amplify positive stories, cover development and local school council meetings and serve as watchdogs in neighborhoods often ostracized by traditional news media.Ground-level coverageOur neighborhood-based reporters don't parachute in once to cover a story. They are in the neighborhoods they cover every day building relationships over time with neighbors. We believe this ground-level approach not only builds community but leads to a more accurate portrayal of a neighborhood.Stories that matter to you — every daySince our launch five years ago, we've published more than 25,000 stories from the neighborhoods, covered hundreds of community meetings and send daily and neighborhood newsletters to more than 130,000 Chicagoans. We've built this loyalty by proving to folks we are not only covering their neighborhoods, we are a part of them. Some of us have internalized the national media's narrative of a broken Chicago. We aim to change that by celebrating our neighborhoods and chronicling the resilience of the people who fight every day to make Chicago a better place for all.

Ce matin, on cherche évidemment la femme en Amérique, Cindya Izzarelli nous raconte Lorraine Hansberry, jeune, talentueuse, noire et autrice de la pièce "un raisin au soleil". Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Ashley Lauren Rogers takes center stage in our latest episode, bringing her dynamic artistry as a playwright, podcaster, and actor to our conversation. Discover how a high school program and Lorraine Hansberry's "A Raisin in the Sun" sparked Ashley's passion for storytelling, while her battle with ADHD turned plays into her refuge. As an out trans woman, Ashley is committed to crafting narratives that humanize misunderstood communities, using her personal experiences to challenge societal stereotypes and advocate for inclusivity.Join us as we unravel the art of creating authentic characters and inclusive stories in theater. We explore the challenges of casting trans characters and the responsibilities theaters hold in fostering genuine representation. With inspiration from Lin-Manuel Miranda's philosophy, Ashley shares her creative process, revealing how her ADHD shapes her storytelling journey and how her characters naturally lead the narrative. Hear how a playwright's willingness to adapt a script for a trans actor exemplifies the essence of inclusivity in the arts.Finally, we navigate the current state of playwriting and the hurdles playwrights face today. Despite the industry's focus on revivals and adaptations, Ashley emphasizes the enduring power of theater to unite audiences through live performances that spark societal conversations. As a multi-hyphenate artist, she discusses the necessity of embracing varied roles to sustain a career in the arts while championing the transformative impact of playwrights in reflecting humanity's diverse narratives. Tune in for an enriching dialogue that underscores the vital role of authenticity and inclusivity in shaping the future of theater.The podcast is sponsored by Point Park University's MFA program in Writing for Screen and Stage. Find out more here: https://bit.ly/3zjugR2To support the podcast: https://www.buymeacoffee.com/QuillandCurtainPodcastThe Podcast SWAG store!: https://www.bonfire.com/store/the-quill-and-curtain-podcast/To read Darrin Friedman's work, please go to: https://newplayexchange.org/users/76352/darrin-friedman

This week, we celebrate the lasting legacy of Lorraine Hansberry with J. Nicole Brooks, Natalie Y. Moore, and Ericka Ratcliff. The following conversation originally took place August 22nd, 2024 and was recorded live at the American Writers Museum.

Listen to the Fri. Sept. 6, 2024 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. The episode features our regular PANW report with dispatches on the conclusion of the Forum on China-Africa Cooperation (FOCAC) Summit which was held in Beijing; 18 students have been reported killed in a dormitory fire in Kenya; the World Health Organization and the African Centers for Disease Control & Prevention have launched a response to the Mpox health emergency; and 70,000 people have been impacted by floods in the Republic of South Sudan. In the second hour we look at the situation involving the Alliance of Sahel States (AES) and the geostrategic status of West Asia. Finally, we listen to a rare archival audio file of an interview with African American playwright and public intellectual Lorraine Hansberry.

In this episode, Eric sits down with award winning actress, director and art patron Phylicia Rashad. They discuss her experience of growing up in Houston, Texas during legal segregation, travels with her Family as a young girl. Her early exposure to art through her mother's many interests and love for art. Her experience of studying Theater at Howard University during a time of social upheaval. Moving to New York City, acting in plays and performing on Broadway, breaking into the entertainment industry... to eventually acting in Television shows including The Cosby Show, where she played the beloved role of Clair Huxtable and Films including CREED I, II, & III and The Beekeeper. They explore how she first discovered her love for acting and cultivated her craft, the support she had from her parents to pursue a career in the arts, evolving as a performer and working in different mediums... including her passion for directing plays!    ...To now serving as Dean of the Chadwick A. Boseman College of Fine Arts at Howard University — where she's enjoying her role and commitment to 'presenting windows of access and opportunity'. They explore the role that James Porter played during his time at Howard. His devotion to the Art department and art history. Howard University's extensive collection of African American art and how the students live amongst the art. They explore her own personal collection of visual art. Stifling of human creativity as being deliberate and the role of and necessity of creativity and freedom to explore creativity for human development.  Publishing her Mother's book of poetry and reviving her mother's work at Brainerd Institute Heritage of educational and cultural practices; promoting literacy through the arts for pre-school children...!  Guest Bio: An accomplished actor and stage director, Phylicia Rashad became a household name when she portrayed Claire Huxtable on The Cosby Show, a character whose enduring appeal has earned her numerous honors and awards. She has appeared in NBC's This Is Us, in the popular Fox TV series Empire, and in Tarrell Alvin McCraney's Peabody Award-winning series David Makes Man, on the OWN Network. A force on the stage; appearing both on and Off Broadway, often in projects that showcase her musical talent such as Jelly's Last Jam, Into the Woods, Dreamgirls and The Wiz. In 2016, Rashad was inducted into the Theater Hall of Fame and received both the Drama Desk and the Tony Award for Best Actress in a Play for her riveting performance as Lena Younger in the 2004 Broadway revival of Lorraine Hansberry's A Raisin in The Sun. Among Ms. Rashad's film credits are Creed and Creed II, Just Wright, Tyler Perry's Good Deeds, A Fall From Grace. Ms. Rashad made her critically acclaimed directorial debut at the Seattle Repertory Theater with August Wilson's Gem of the Ocean. She has also directed Stephen Adly Guirgis' Our Lady of 121st Street, The Roommate, Blues for an Alabama Sky, Ma Rainey's Black Bottom, Joe Turner's Come and Gone (2014 NAACP Theatre Award for Best Director). Respected in the academic world as well, Ms. Rashad was appointed Dean of the Chadwick A. Boseman College of Fine Arts at Howard University in May of 2021.  Ms. Rashad also holds the distinction of being the first recipient of the Denzel Washington Chair in Theatre at Fordham University. She has received countless esteemed awards including the BET Honors Theatrical Arts Award, Chicago Shakespeare Theatre's Spirit of Shakespeare Award. And serves on several important boards including Brainerd Institute Heritage and DADA, the Debbie Allen Dance Academy. Phylicia Rashad graduated Magna Cum Laude from Howard University and is the mother of two adult children.  For more on Eric's Perspective, visit www.ericsperspective.com

Any threat to the status quo within the American empire has led to the censorship, jailing and escape of the dissidents brave enough to stand against it. One may think of Edward Snowden’s asylum in Russia or Julian Assange’s refuge in the Ecuadorian embassy in London as recent examples. However, the history of dissidents fleeing American persecution runs deep. Joining host Robert Scheer on this episode of the Scheer Intelligence podcast to discuss his new book, “Flights: Radicals on the Run,” is author and journalist Joel Whitney. The book exemplifies this missing history of dissent in America through accounts of people such as Angela Davis, Paul Robeson, Graham Greene and Malcolm X. Also included are the accounts of Lorraine Hansberry and her mentor, W.E.B. Du Bois. Whitney refers to De Bois’ time starting an anti-nuclear peace movement and subsequently being persecuted by the U.S. government. “[Du Bois’] reputation took severe damage, so when Hansberry knew him, he could barely afford to buy groceries,” Whitney told Scheer. “Flights” examines the stories of historic struggle of progressive thinkers and political activists who faced the onslaught of Cold War propaganda and McCarthyism, becoming refugees as a result of their political work. The book chronicles a counter-narrative of American history, where the bravest and most outspoken figures criticizing the system are crushed by it and their lives ruined. The book title, according to Whitney, refers to “flights that are political persecution in some form or another. In a way, you could think of it as 50 or 60 years of counter revolution, massive amounts of funding to chase people … across borders, out of print and, in some cases, unfortunately, into an early grave.” In the case of people like Graham Greene and his famous novel, “The Quiet American,” the blacklisting of himself and others for their exposure of American activities during the Vietnam War led to Americans “hav[ing] to wait about a decade or a little bit more to actually understand what carnage, what incredible, cynical violence the anti-communist Americans are overseeing in Vietnam as they're taking it over from the French.”

We celebrate James Baldwin, Jackie Shane, and Lorraine Hansberry. For more ways to give: Lorraine Hansberry Intiative Baldwin For The Arts --- Support this podcast: https://podcasters.spotify.com/pod/show/pj-oneal/support

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Conor O'Brien aka Villagers released their sixth studio album That Golden Time on May 10 via Domino Records and talks through its 10 tracks on this episode of the TPOE podcast. ---- From the press release: After the band-centred sessions of its predecessor Fever Dreams, That Golden Time's solo-centric core was not forced on O'Brien by lockdown. “For me, That Golden Time has an internalised voice, so much so that I almost found it impossible to let anyone else in,” he says. “It's probably the most vulnerable album I've made. I played and recorded everything in my apartment, and finally, towards the end, invited people in.” Aside from Dónal Lunny, the album features American songwriter and multi-instrumentalist Peter Broderick on violin, David Tapley of Dublin band Tandem Felix on pedal steel guitar, and a group of players that O'Brien had first seen performing in a tribute to one of his great loves, Italian composer Ennio Morricone, who added soprano vocal, viola and cello. The understated poetry within That Golden Time is effortlessly carried by gorgeous melodies and sublime instrumentation. Inspired by philosophers, poets, playwrights and singer-songwriters that had seeped into O'Brien's consciousness: namechecks this time go to Friedrich Nietzsche (his Beyond Good and Evil: Prelude to a Philosophy of the Future is quoted in the album's accompanying booklet), Dory Previn, Marcus Aurelius, Fintan O'Toole, Lorraine Hansberry, Chet Baker, Joan Didion, PJ Harvey and post-classical beauties Rachel's. --- Villagers Irish tour dates: June 29: Trinity College Dublin December 3: Cork Opera House December 4: Dolan's Warehouse, Limerick December 5: INEC Club, Killarney December 7: Mandela Hall, Belfast December 11: Set Theatre, Kilkenny December 12: Leisureland, Galway --- Passing a Message Passing a Message contains the lyrics to over 80 songs, with artwork and photographs, along with previously unseen notebook lyric drafts and drawings curated by Conor for his musical project, Villagers. Presented as a full-colour hardback book, with a unique glow-in-the-dark cover, there will also be a limited deluxe edition which comes with a 7" vinyl featuring an exclusive unreleased track 'Pictures of the Floating World' (featuring Rachael Lavelle). Both editions are now available for preorder for release on September 12 on Faber Links and info: https://linktr.ee/passingamessage --- Villagers Substack: https://villagersofficial.substack.com/

One family's matriarch does all she can to honor her late husband's memory, save her son from despair, and support the dreams of her daughter — Is there hope for them, a family who the world is against, a family who already feels death inside the walls of their dwelling? The play: A Raisin in the Sun  The playwright: Lorraine Hansberry LET'S GET LIT!!!  - View the video podcast here: https://www.youtube.com/@litsocietypod  Sources for theme discussion: The Lasting Effects of Covenants and Red-Lining https://www.npr.org/2017/05/03/526655831/a-forgotten-history-of-how-the-u-s-government-segregated-america https://www.npr.org/2021/11/17/1049052531/racial-covenants-housing-discrimination Find Alexis and Kari online:   Instagram — www.instagram.com/litsocietypod  Twitter — www.twitter.com/litsocietypod  Facebook — www.facebook.com/LitSocietyPod  Our website — www.LitSocietyPod.com.   Subscribe to emails and get free stuff: http://eepurl.com/gDtWCr 

Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019) by Christopher Cameron, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, Black Freethinkers is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron's work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society. Cameron's work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject. Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can learn more about her work here or follow her on twitter (@DrHettie2017).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019) by Christopher Cameron, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, Black Freethinkers is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron's work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society. Cameron's work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject. Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can learn more about her work here or follow her on twitter (@DrHettie2017).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019) by Christopher Cameron, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, Black Freethinkers is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron's work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society. Cameron's work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject. Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can learn more about her work here or follow her on twitter (@DrHettie2017).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Black Freethinkers: A History of African American Secularism (Northwestern University Press, 2019) by Christopher Cameron, an Associate Professor of history at the University of North Carolina, Charlotte, is a precise and nuanced history of African American secularism from the early nineteenth century to the mid-twentieth century. This text is written with economy and clarity as defined by four concise chapters that detail the major moments in African American history including some discussion of Reconstruction, the Harlem Renaissance, and the Civil Rights-Black Power era. Traversing nearly two centuries of black thought, from the Antebellum period to the demise of the Black Power era, Black Freethinkers is the first comprehensive historical survey of black free thought. For Cameron, free thought encompasses atheism, agnosticism, deism, paganism and other non-traditional modes of thinking. Cameron's work focuses primarily on the ideas advanced by African American men and women of letters such as Frederick Douglass, Zora Neale Hurston, Nella Larsen, Lorraine Hansberry, and James Baldwin to support his core argument that freethought and “unbelief” have been key elements of Black thought since the era of enslavement to the institutionalization of free thought oriented associations in African American society. Cameron's work forces us to rethink the way we study the era of enslavement and African American culture, and the place of Douglass as an American intellectual central to this history, as well as the role of religion in Black life more generally. In many respects, his text presents a more humanistic portrait of African American thought and culture from a historical perspective that goes well beyond most texts on this subject. Hettie V. Williams Ph.D., has taught survey courses in U.S. history, Western Civilization, and upper division courses on the history of African Americans at the university level for more than fifteen years. Her teaching and research interests include: African American intellectual history, gender in U.S. history, and race/ethnicity studies. Currently, she is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and encyclopedia entries and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can learn more about her work here or follow her on twitter (@DrHettie2017).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today's Met Gala, drawing America's wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie's larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who's Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today's activists can emulate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today's Met Gala, drawing America's wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie's larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who's Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today's activists can emulate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today's Met Gala, drawing America's wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie's larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who's Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today's activists can emulate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today's Met Gala, drawing America's wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie's larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who's Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today's activists can emulate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today's Met Gala, drawing America's wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie's larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who's Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today's activists can emulate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire who reigned over the glittering "Beaux Arts Ball,” the social event of New York and Harlem society for fifty years—a glamorous soiree rivaling today's Met Gala, drawing America's wealthy and cultured, both Black and white. Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement (Amistad Press, 2024) brilliantly illuminates a little known yet highly significant aspect of the civil rights movement that has been long overlooked—the powerhouse fundraising effort that supported the movement—the luncheons, galas, cabarets, and traveling exhibitions attended by middle-class and working-class Black families, the Negro press, and titans of industry, including Winthrop Rockefeller. No one knew this world better or ruled over it with more authority than Mollie Moon. With her husband Henry Lee Moon, the longtime publicist for the NAACP, Mollie became half of one of the most influential couples of the period. Vivacious and intellectually curious, Mollie frequently hosted political salons attended by guests ranging from Langston Hughes to Lorraine Hansberry. As the president of the National Urban League Guild, the fundraising arm of the National Urban League; Mollie raised millions to fund grassroots activists battling for economic justice and racial equality. She was a force behind the mutual aid network that connected Black churches, domestic and blue-collar laborers, social clubs, and sororities and fraternities across the country. Historian and cultural critic Tanisha C. Ford brings Mollie into focus as never before, charting her rise from Jim Crow Mississippi to doyenne of Manhattan and Harlem, where she became one of the most influential philanthropists of her time—a woman feared, resented, yet widely respected. She chronicles Mollie's larger-than-life antics through exhaustive research, never-before-revealed letters, and dozens of interviews. Our Secret Society ushers us into a world with its own rhythm and rules, led by its own Who's Who of African Americans in politics, sports, business, and entertainment. It is both a searing portrait of a remarkable period in America, spanning from the early 1930s through the late 1960s, and a strategic economic blueprint today's activists can emulate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorraine Hansberry might not be a familiar name to most, but what she did for the world of writing is undeniable and important! Check it, love it share it!   Warning: May Contain Spoilers Created by: Cristo M. Sanchez Written by: Cristo M. Sanchez and Jason Nemor Harden Hosted by: Jason Nemor Harden Music by: Creature 9, Wood, Cristo M. Sanchez and Jason Nemor Harden Follow us on instagram and facebook for the latest updates and more! And don't hesitate to support us on patreon if you enjoy the show

Connie Fairbanks, author of "Chicago's West Loop: Then and Now," joins me on this episode as co-writer and co-host as we discuss five Chicago parks named for women.Purchase Connie Fairbanks' book "Chicago's West Loop: Then and Now" from the author:https://www.conniefairbanks.com/Amazon link:https://amzn.to/3BzEPxtShow some love for the podcast for the cost of a cup of coffee and help offset production costs: https://www.buymeacoffee.com/chicagohistory Anything purchased through the links shown may generate a small commission for this podcast at no cost to you. Just for a Thrill: Lil Hardin Armstrong, First Lady of Jazz by James L. L. Dickersonhttps://amzn.to/3VEN6uCRaisin in the Sun, A by Lorraine Hansberryhttps://amzn.to/49eLXxkLooking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry by Imani Perry, LisaGay Hamilton, et al.https://amzn.to/4a9DRHmTo Be Young, Gifted, and Black by Lorraine Hansberryhttps://amzn.to/4cygicVGoddess of Anarchy: The Life and Times of Lucy Parsons, American Radical by Jacqueline Joneshttps://amzn.to/4aCcRQNA Lifelong Anarchist! Selected Words and Writings of Lucy Parsons by Lucy Parsons and T.S. Greerhttps://amzn.to/3PHuHJQ (FREE with Kindle Unlimited)Chicago's Parks: A Photographic History by John Grafhttps://amzn.to/43Hod3x (Paperback)https://amzn.to/3Tz8Khv (FREE with Kindle Unlimited)Have you tried Kindle Unlimited? You'll get access to tons of free books and audiobooks. Click here to learn more.Up your cocktail or Sodastream game with Portland craft syrups!https://portlandsyrups.com/collections/all?sca_ref=1270971.MO4APpJH1kNeed music for YOUR projects? Audiio has got you covered. Try a free trial here:https://audiio.com/pricing?oid=1&affid=481Chicago History Podcast Clothing, Mugs, Totes, & More (your purchase helps support the podcast):https://www.teepublic.com/user/chicago-history-podcasthttps://chicago-history-podcast.creator-spring.comChicago History Podcast Art by John K. Schneider (angeleyesartjks AT gmail.com)Chicago History Podcast email: chicagohistorypod AT gmail.comGear used in the recording of this episode:Shure MV7 Microphone: https://amzn.to/43zryS6Support the show

Listen to the Sat. March 23, 2024 edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. The episode features our regular PANW report with dispatches on the efforts by the Republic of Zimbabwe to contain a cholera outbreak in the country; a Rwandan living in the United States has been charged in the federal courts for not revealing his role in the 1994 genocide; there are water shortages in the Republic of South Africa; and the financial institutions in Ghana are trying to cope with an internet outage impacting several African states. In the second hour we listen to an extensive interview with South African Minister of Foreign Affairs, Dr. Naledi Pandor, on the legal claims made by Pretoria against the State of Israel for its war against the Palestinians in Gaza. Later we look back on the literary contributions of Ann Petry and Lorraine Hansberry as part of our commemoration of International Women's History Month.

In 2020 Diverse Voices Book Review host Hopeton Hay interviewed Koritha Mitchell, author of FROM SLAVE CABINS TO THE WHITE HOUSE.  As part of our continuing recognition of Black authors for Black History this year, I'm reposting this interview that was originally posted on the podcast site on October of 2020.  In the book Dr. Mitchell argues that it is Black success that is most likely to draw the ire of white mobs. Using characters in literature by black female writers from Zora Neale Hurston to Lorraine Hansberry, and the role in the White House of former first lady Michelle Obama, she demonstrates how Blacks have pursued success not in response to the forces that oppose them so much as they are continuing community traditions of affirming themselves while acknowledging that the resulting success will attract hostility.  Learn more about Dr. Mitchell at https://www.korithamitchell.com/about/.  Koritha Mitchell, PhD is an award-winning author, literary historian, cultural critic, and professional development expert. Her research focuses on African American literature as well as violence in United States history and contemporary culture. She examines how texts, both written and performed, help targeted families and communities survive and thrive.

This episode entails a panel discussion for Black History Month—and beyond—of some of the works and authors who epitomize the richness of black literature, which, of course, is also American literature. Both Parts 1 and 2 will illustrate the interconnection of the poetry and lives of Maya Angelou, Langston Hughes, and Paul Laurence Dunbar. Our passionate discourse about Lorraine Hansberry's "A Raisin in the Sun" will both get you thinking and inspire you; if you've read it or watched it, it'll stir you to take another look, and if you never have, it'll prod you in that direction. The beauty of these works is that while they definitely—and unapologetically—zero in on the black experience, their themes are so raw and so relatable, so timeless and so touching that absolutely no one is left out; every one of us can relate in some way. My students from over the years still testify to that. Enjoy Part 1, and then check out Part 2!ADVERTISEMENT | luxxle.com | Click image to try Luxxle.Watch today's episode on YouTube by clicking here. It's available, too, at thebmgnetwork.com/theadriennerossshow and major podcast platforms. Wherever possible, please subscribe, like, comment, leave a rating and review, and share! Like NOW—before you forget!

Now for Part 2! If you did not catch Part 1 yet, start there; it's too good to miss. Listen to Part 1 on Substack, or watch it on YouTube.This episode entails the continuation of a panel discussion for Black History Month—and beyond—of some of the works and authors who epitomize the richness of black literature, which, of course, is also American literature. Both Parts 1 and 2 will illustrate the interconnection of the poetry and lives of Maya Angelou, Langston Hughes, and Paul Laurence Dunbar. Our passionate discourse about Lorraine Hansberry's "A Raisin in the Sun" will both get you thinking and inspire you; if you've read it or watched it, it'll stir you to take another look, and if you never have, it'll prod you in that direction. The beauty of these works is that while they definitely—and unapologetically—zero in on the black experience, their themes are so raw and so relatable, so timeless and so touching that absolutely no one is left out; every one of us can relate in some way. My students from over the years still testify to that. Enjoy this episode as well as Part 1!Watch today's episode on YouTube by clicking here. It's available, too, at thebmgnetwork.com/theadriennerossshow and major podcast platforms. Wherever possible, please subscribe, like, comment, leave a rating and review, and share! Like NOW—before you forget!

Lorraine Hansberry - “Never be afraid to sit a while and think.” --- Send in a voice message: https://podcasters.spotify.com/pod/show/heyevette/message

Listen to the Sun. Feb. 18, 2024 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. The episode features our regular PANW report with dispatches on the condemnation of Israel by the African Union (AU) at their summit in Ethiopia; fighting is intensifying in Gaza and Khan Younis; Hezbollah took control of an IDF drone; and the Sudanese military factions are now engaging in sabatoge. In the second and third hours we continue our focus on African American History Month with a segment on the Nat Turner rebellion of 1831. Later we look back on the Black Seminole Wars against the United States government during the early decades of the 19th century. Finally, we listen to excerpts from an address delivered by African American playwright, journalist and public intellectual Lorraine Hansberry in June 1964 in New York City.

Branden Jacobs-Jenkins (winner of a 2016 Windham-Campbell Prize for Drama) chats with Prize Director Michael Kelleher about British theater legend Caryl Churchill's Far Away, the power of language on the page and stage, and the point of having a playwright at all. Reading list:  Far Away by Caryl Churchill • Escaped Alone by Caryl Churchill • Top Girls by Caryl Churchill • Prince • Jasmine Lee Jones on Lorraine Hansberry's A Raisin in the Sun • Cristina and Her Double: Essays by Herta Müller Branden Jacobs-Jenkins is a playwright whose plays include Girls, Everybody (Pulitzer Prize finalist), War, Gloria (Pulitzer Prize finalist), Appropriate (OBIE Award), An Octoroon (OBIE Award), and Neighbors. A Residency Five playwright at Signature Theatre, recent honors include the Charles Wintour Award for Most Promising Playwright from the London Evening Standard, a London Critics' Circle Award for Most Promising Playwriting, a MacArthur Fellowship, the Windham-Campbell Prize for Drama, the Benjamin H. Danks Award from the American Academy of Arts and Letters, the Steinberg Playwriting Award, and the inaugural Tennessee Williams Award. Jacobs-Jenkins has taught at Yale, NYU, Juilliard, Hunter College, and the University of Texas-Austin. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

Welcome to Bri Books! From sexy fiction to fascinating history, here's a look at what I'm reading in 2024. For a book lover, the new year is the definition of a blank slate. The books of 2024 offer escapes of all kinds. Below, I'vm nominating 8 books I can't wait to read in January and February. In this episode, I'm rounding up 8 titles I can't wait to read. 1:05: ‘From Slave Cabins to the White House: Homemade Citizenship in African American Culture' by Koritha Mitchell. I'm a cottagecore princess, and I wanted to get to the roots of domesticity in the US. In high school I was obsessed with domestic/ Victorian values during the Industrial Revolution, and noticed the glaring absence of free Black American women from this history. But that doesn't mean we weren't there. In the book, Koritha Mitchell analyzes canonical texts by and about African American women to lay bare the hostility these women face as they invest in traditional domesticity. Tracing how African Americans define and redefine success in a nation determined to deprive them of it, Mitchell plumbs the works of Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Toni Morrison, Michelle Obama, and others. These artists honor black homes from slavery and post-emancipation through the Civil Rights era to "post-racial" America. Mitchell follows black families asserting their citizenship in domestic settings while the larger society and culture marginalize and attack them, not because they are deviants or failures but because they meet American standards. ‘From Slave Cabins to the White House' illuminates the links between African American women's homemaking and citizenship in history and across literature. 4:15: ‘The Temp Economy: From Kelly Girls to Permatemps in Postwar America' by Erin Hatton. Everyone knows that work in America is not what it used to be. Layoffs, outsourcing, contingent work, disappearing career ladders—these are the new workplace realities for an increasing number of people. But why? In ‘The Temp Economy,' Erin Hatton takes one of the best-known icons of the new economy—the temp industry—and finds that it is more than just a symbol of this degradation of work. Succinct, highly readable, and drawn from a vast historical record of industry documents, ‘The Temp Economy' is a one-stop resource for anyone interested in the temp industry or the degradation of work in postwar America. 6:50: ‘New York, New York, New York: Four Decades of Success, Excess, and Transformation' by Thomas Dyja. A lively, immersive history by an award-winning urbanist of New York City's transformation, and the lessons it offers for the city's future. Dyja's sweeping account of this metamorphosis shows it wasn't the work of a single policy, mastermind, or economic theory, nor was it a morality tale of gentrification or crime. Instead, three New Yorks evolved. Dyja weaves New Yorkers famous, infamous, and unknown—Yuppies, hipsters, tech nerds, and artists; community organizers and the immigrants who made this a truly global place—into a narrative of a city creating ways of life that would ultimately change cities everywhere. 9:12: ‘Fashion Killa: How Hip-Hop Revolutionized High Fashion' by music journalist Sowmya Krishnamurthy was released in October of 2023. A cinematic narrative of glamour, grit, luxury, and luck, ‘Fashion Killa' draws on exclusive interviews with the leaders of the fashion world to tell the story of the hip-hop artists, designers, stylists, and unsung heroes who fought the power and reinvented style around the world over the last fifty years. In the book, Krishnamurthy explores the connections between the DIY hip-hop scene and the exclusive upper-echelons of high fashion. She discusses the sociopolitical forces that defined fashion and tracks the influence of music and streetwear on the most exclusive (and exclusionary) luxury brands. At the intersection of cultural commentary and oral history, ‘Fashion Killa' commemorates the contributions of hip-hop to music, fashion, and our culture at large. 11:10: ‘Prayer and Our Bodies' by Flora Slosson Wuellner. Written in 1987, this book explores the very real relationship that exists between the bodily self and the spiritual self. Readers will heighten their awareness of the interactions among body, mind, and spirit. If you're someone who struggles to appreciate your body, this book is an important touchstone toward healing our relationships with ourselves and others. It talks about how prayer isn't just what we say, but how we live our lives. Flora Slosson Wuellner, a retired ordained minister of the United Church of Christ, is well known throughout the United States and Europe for her writings and retreat leadership that focus on the inner healing that God freely offers through Christ. She has written 14 books on inner healing and renewal. 12:36: ‘You Learn By Living: Eleven Keys for a More Fulfilling Life' by Eleanor Roosevelt. This wise and intimate book on how to get the most of out life was gifted to me by a lovely friend named Carrie. At the age of seventy-six, Roosevelt penned this simple guide to living a fuller life—a powerful volume of enduring commonsense ideas and heartfelt values. Offering her own philosophy on living, she takes readers on a path to compassion, confidence, maturity, civic stewardship, and more. 14:30: ‘The Pillow Book' by Sei Shonagon. Written by 10th century court gentlewoman Sei Shonagon, ostensibly for her own amusement, ‘The Pillow Book' offers a fascinating exploration of life among the nobility at the height of the Heian period, describing the exquisite pleasures of a confined world in which poetry, love, fashion, and whim dominated, while harsh reality was kept firmly at a distance. Moving elegantly across a wide range of themes including nature, society, and her own flirtations, Sei Shonagon provides a witty and intimate window on a woman's life at court in classical Japan. 16:30: ‘Homebodies' by Tembe Denton-Hurst is already a fantastic read. An insightful, propulsive, and deeply sexy debut novel about a young Black writer whose world is turned upside down when she loses her coveted job in media and pens a searing manifesto about racism in the industry. A meditation on identity, self-worth and the toll of corporate racism, Homebodies is a portrait of modern Black womanhood with a protagonist you won't soon forget.

Listen as Robin and Lisa discuss "A Raisin in the Sun," written by Lorraine Hansberry, a seminal American play that explores the dreams and struggles of a Black family on the cusp of change. Set in 1950s Chicago, it delves into issues of race, identity, and the pursuit of a better life amid societal challenges. The film stars phenomenal performances from Sidney Poitier and Claudia McNeil. Believe it or not, it was based on Lorraine Hansberry's family experiences and the landmark trial Hansberry v. Lee. https://www.instagram.com/realoldreels/

Poet Taylor Byas joins co-hosts Whitney Terrell and V.V. Ganeshananthan to discuss writing about Chicago, which she does in her Maya Angelou Book Award-winning collection of poetry, I Done Clicked My Heels Three Times. She talks about growing up in the country's most segregated city, and considers its long traditions of Black, working-class, and ethnic literature, including writers like Nate Marshall, Lorraine Hansberry, Patricia Smith, and Jose Olivarez. She explains how moving away has given her a new perspective on Chicago's politics, history, crime, and beauty. She reads a poem (“You from “Chiraq”?”) addressing how outsiders view the city, as well as from a crown of sonnets about the South Side. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This episode of the podcast was produced by Anne Kniggendorf. Taylor Byas I Done Clicked My Heels Three Times Bloodwarm Poemhood: Our Black Revival: History, Folklore & the Black Experience: A Young Adult Poetry Anthology (Ed.) Others: Richard Wright Saul Bellow Gwendolyn Brooks  A Raisin in the Sun by Lorraine Hansberry The Jungle by Upton Sinclair Nelson Algren  Stuart Dybek The House on Mango Street by Sandra Cisneros  Nate Marshall  1919 — Eve L. Ewing Patricia Smith Promises of Gold by Jose Olivarez Carl Sandburg Chi-Raq (film, dir. Spike Lee) Gordon Parks Brandon Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

Women in the villages of Spain and the repression and passions of five daughters are at the heart of Lorca's last play the House of Bernarda Alba, completed two months before he was assassinated in 1936. Rana Mitter looks at the life and writing of Lorca, with guests including The Observer's theatre critic, Susannah Clapp and Professor Maria Delgado of the Central School of Speech and Drama and Professor Duncan Wheeler, Chair of Spanish Studies at the University of Leeds and Dr Federico Bonaddio who teaches Spanish literature at King's College London.Producer: Ruth WattsThe House of Bernarda Alba in a version by Alice Birch and starring Harriet Walter runs at the National Theatre until 6 January 2024. You can find more discussions about Prose, Poetry and Drama in a collection on the Free Thinking programme website including episodes looking at Ibsen, Moliere, Shakespeare, Lorraine Hansberry, John McGrath, George Bernard Shaw all available as Arts & Ideas podcasts

To be queer and communist at a time when the Communist Party in the U.S. banned LGBT people was tricky and often perilous. In her new book Bettina Aptheker profiles Lorraine Hansberry (who famously penned the play “A Raisin in the Sun”), Harry Hay (best known for founding the Mattachine Society), and other figures with radical sensibilities and closeted sexualities. (Encore presentation.) Bettina Aptheker, Communists in Closets: Queering the History 1930s-1990s Routledge, 2023 The post Hansberry and Hay appeared first on KPFA.

Actor Laura Dern and her mother Diane Ladd have always shared a profession. But when Ladd was diagnosed with lung disease, the two started sharing so much more. Their new book is Honey, Baby, Mine. Award-winning playwright of Slave Play, Jeremy O. Harris, helped bring Lorraine Hansberry's The Sign in Sidney Brustein's Window to Broadway. "This play is telling us, in every scene, that no matter how much capitalism corrupts the world of our politics, we cannot lose our ideals," Harris says. "We cannot stop fighting."

The award-winning playwright of Slave Play helped bring Lorraine Hansberry's The Sign in Sidney Brustein's Window to Broadway. "This play is telling us, in every scene, that no matter how much capitalism corrupts the world of our politics, we cannot lose our ideals," Harris says. "We cannot stop fighting."Maureen Corrigan reviews two roadtrip novels: Richard Ford's Be Mine and Lorrie Moore's I Am Homeless If This Is Not My Home.