Podcast appearances and mentions of Neil Fox

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Hablamos de una batería nuclear. Dicen los científicos que están trabajando en esta invención alucinante que, de usarse, algunos dispositivos podrían durar miles de años. Un equipo de científicos de la Universidad de Bristol (Reino Unido) liderado por un Neil Fox, un profesor especializado en materiales para la obtención de energía. De momento, han colocado una batería nuclear dentro de un diamante. La idea es aprovechar la reacción de un diamante colocado cerca de una fuente radioactiva para producir electricidad espontáneamente. Es decir, no se requiere ningún movimiento para generar esa corriente eléctrica, a diferencia de otras fuentes de energía más convencionales. Después, la batería recolecta electrones de movimiento rápido que son excitados por la radiación, de manera similar a como la energía solar utiliza células fotovoltaicas para convertir fotones en electricidad.

Do you like music films? Dumb question, I guess, because if you've deliberately downloaded an episode of See Hear, you know that music films are our niche in the podcast world. For us to discover that there was a new book about the subject that drives this very podcast....well, there was much cheering and jumping for joy. Welcome to episode 121 of See Hear Podcast. We welcome to the show Professor Neil Fox of Falmouth University. He's written a terrific book called “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. He felt that music films were poorly regarded in the wider space of cinematic genres.....which is stupid. As our show has proven, the wider umbrella of music cinema can include discussion of class divides, social structure, civil rights, the cult of celebrity, mental health, and knocking down Stonehenge. Neil's book puts specific films under the microscope and links them thematically.....many made in the 21st Century. He shows that the wider umbrella of music cinema has much to say....regardless of whether you want something deep or something fluffy. It should be celebrated as much as anything out there. You may think you know a thing or two about music films, but Neil's book reveals so many interesting films that deserve a wider audience. You don't even need to be a fan of the music some of these films celebrate.....just an interest in stories well told....and that, dear friends, is what drives this very podcast. Huge thanks to Neil for being such a great conversationalist. Extra thanks go to the host of the Beatles Books podcast, Joe Wisbey for making the connection. If you want to get hold of a copy of the book (and it's highly recommended by Tim, Kerry and myself), you can order it from https://www.bloomsbury.com/au/music-films-9781839023439/ or wherever you get your books. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com/2024/10/see-hear-episode-121-interview-with.html Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you like music films? Dumb question, I guess, because if you've deliberately downloaded an episode of See Hear, you know that music films are our niche in the podcast world. For us to discover that there was a new book about the subject that drives this very podcast....well, there was much cheering and jumping for joy. Welcome to episode 121 of See Hear Podcast. We welcome to the show Professor Neil Fox of Falmouth University. He's written a terrific book called “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. He felt that music films were poorly regarded in the wider space of cinematic genres.....which is stupid. As our show has proven, the wider umbrella of music cinema can include discussion of class divides, social structure, civil rights, the cult of celebrity, mental health, and knocking down Stonehenge. Neil's book puts specific films under the microscope and links them thematically.....many made in the 21st Century. He shows that the wider umbrella of music cinema has much to say....regardless of whether you want something deep or something fluffy. It should be celebrated as much as anything out there. You may think you know a thing or two about music films, but Neil's book reveals so many interesting films that deserve a wider audience. You don't even need to be a fan of the music some of these films celebrate.....just an interest in stories well told....and that, dear friends, is what drives this very podcast. Huge thanks to Neil for being such a great conversationalist. Extra thanks go to the host of the Beatles Books podcast, Joe Wisbey for making the connection. If you want to get hold of a copy of the book (and it's highly recommended by Tim, Kerry and myself), you can order it from https://www.bloomsbury.com/au/music-films-9781839023439/ or wherever you get your books. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

PART 7, and final installment, of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience. --- Support this podcast: https://podcasters.spotify.com/pod/show/rskxfm/support

PART 6 of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience. --- Support this podcast: https://podcasters.spotify.com/pod/show/rskxfm/support

PART 5 of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience. --- Support this podcast: https://podcasters.spotify.com/pod/show/rskxfm/support

PART 4 of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience. --- Support this podcast: https://podcasters.spotify.com/pod/show/rskxfm/support

PART 3 of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience.

PART 2 of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience.

My guest for this episode is Neil Fox,  a Professor of Film Practice and Pedagogy at Falmouth University, and co-host of the acclaimed film podcast, The Cinematologists. He's here to discuss his book, 'Music Films'. We focus our conversation, of course, on The Beatles movies - what makes Hard Day's Night great and Help less great? What influence did The Beatles films have on other music films of the 60's? And how did The Rutles inspire This Is Spinal Tap?

PART 1 of a Compilation of all the guests, callers and emailers from The Ricky Gervais Show on Xfm. This compilation includes such luminaries as Jonathan Ross, Chris Martin from Coldplay, Dr. Neil Fox, as well as a random assortment of listeners participating in inane competitions, responding to pointless questions from the hosts, commenting on Karl's antics, or popping in for no apparent reason. Ricky Gervais is keen to hear from their dedicated listeners, Stephen Merchant would rather they not allow the unwashed masses onto the show, and Karl Pilkington just wants his little features to educate his audience.

PJ talks to Neil Fox about how this Bank Holiday weekend could be a turning point for deaths on the roads Hosted on Acast. See acast.com/privacy for more information.

Gareth O'Callaghan talks to Neil Fox who reminds us that there is a person behind each statistic in our sad road death figures. Hosted on Acast. See acast.com/privacy for more information.

Neil Fox was the face (or voice?) of Capital FM's Pepsi Chart from '95 to 2002. He went on to host Pop Idol with Simon Cowell and Magic FM. Tonight we discussed Media, Broadcast in general, how nothing is really "special" anymore AND: whether he's ever been a massive bellend lmfao. Here are some links i really hope you click: Patreon

Our own Prof. Neil Fox in his day job is director of Falmouth University's Sound/Cinema Lab, which is behind films such as Mark Jenkin's Enys Men (2022) and Chris Morris' A Year in a Field (2022) as well as Wilderness (2017), which Neil wrote and produced. Wilderness was also made with a student crew and was proof of concept for making a feature drama within the structure of a university course. With Dario delivering a module to second-year students called Professional Life Practice, designed to help students research and understand the creative industries and learn from working experiences, Neil very generously agreed to answer a range of questions on subjects including his ethos of film pedagogy, how students should use extra-curricula events to shape their careers, the process of developing Wilderness, how students were recruited and what roles they took, understanding a professional mindset, and how the students' experiences on the film shaped their career pathways. Neil is on top form in this talk which is why we have decided to put it out as a bonus episode. It's a hugely valuable insight for film lecturers in practice and screenwriting, and definitely for students in all areas of the creative industries. Prof. Neil Fox - Neil.Fox@falmouth.ac.uk Dr. Dario Llinares - d.llinares@rave.ac.uk _____ You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Neil Fox spent 4 years training to become a priest before leaving the seminary. He says he feels ready now to talk about his experience and also offers ideas of what the Catholic Church could do to encourage people back to their faith.

Power demands for small satellites can not be met by solar panels alone. They require micro-power sources to ensure they will be can function for the life of their missions. And according to MarketsandResearch, the space power electronics market is projected to grow from $205 million in 2021 to $435 million by 2026. On this edition of The Ex Terra Podcast, Tom Patton talks with Morgan Boardman, CEO of Arkenlight, a UK-based developer and manufacturer of such micro-power sources, including nuclear batteries. Arkenlight is the natural progression of the ASPIRE diamond group housed at the University of Bristol in the U.K. The company's radiovoltaic technology was developed by Professors Tom Scott and Neil Fox and their team of energy and diamond material scientists. The company's mission is to recycle wastes from the nuclear power industry such as Tritium and Carbon-14 and safely convert them into useful products that benefit the technological advancement of humanity. Morgan is a committed technologist whose knowledge spans from the deeply technical & scientific to the commercialization of high technology concepts. He joined the ASPIRE group in 2019, prior to the formation of the Arkenlight, to focus on commercializing a full range of radiovoltaics. Arkenlight has one patent with more coming, covering the process of incorporating radioisotopes into diamond material and manufacturing. Among the products in development is the betalight voltaic battery, a type of nuclear battery which generates electrical current from a gaseous tritium light source (GTLS) or betalight vial and a scintillator sandwiched between two photovoltaic cells. The GTLS gives a steady glow, while the tritium undergoes beta particle decay, and these particles excite the phosphor. The optical photons from the betalight are collected in a standard photo-voltaic (PV) cell, creating electrical current at the voltage of the PV cell. It will power devices for decades, according to the company. How does what happens in space affect your everyday life? The Ex Terra podcast is dedicated to introducing you to many of the interesting people involved in the commercial space industry, and taking you behind the scenes with many of the companies making significant contributions to the new space economy. The podcast is available on Anchor, Spotify, Apple Podcasts, Google Podcasts, Breaker, Overcast, Pocketcasts and Radio Public.

Formed in early 2015 by film scholars Dario Llinares and Neil Fox, The Cinematologists is a podcast and film club that aims to bring fans, filmmakers, critics and academics together to watch, discuss and engage with cinema of all forms, genres and eras. The podcast is often based on a live event film screening where contributions from the hosts and audience members are recorded and edited together with related interviews and contextual chat from Neil and Dario, but there are also long form interview episodes with academics and filmmakers. At time of writing the podcast is entering its 16th season.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

On today's episode of Dan Wootton Uncancelled:Has the thriving Great Barrier Reef debunked the doomsday narrative around climate change? Spiked Online's Brendan O'Neill gives his analysis.As it's announced he will team up with pop icon Sir Cliff Richard and friend of the show Neil Fox on a hard-hitting documentary about the false historic sex abuse accusations that plagued them, famed BBC DJ Paul Gambaccini wants answers from DPP turned Labour leader Sir Keir Starmer - the man he calls ‘the witchfinder general' - and his employer over the destruction they delivered. As ex-leadership candidate Suella Braverman says teachers have no legal obligation to comply with students' preferred pronouns or allow boys to wear a girls' uniform and compete in female sports, is the Attorney General's intervention against woke ideology plaguing schools welcome? Columnist extraordinaire Rod Liddle finally goes head-to-head with broadcaster Ashley James, his biggest critic. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

I talk to writer, film producer and academic about screenwriters and screenwriting. Here's some information from Neil's own webpage:My award-winning film work includes the short film It's Natural To Be Afraid (2011), viewable here, and the feature film ‘Wilderness' (2017), currently out for sale following a successful festival run. You can find my filmmaking site here. I am the co-founder and co-host of the renowned film podcast The Cinematologists.I write about music documentaries for The Quietus, and about film more broadly for Beneficial Shock, Directors Notes and others.I am a contributing editor to MAI: Journal of Feminism and Visual Culture, and have conducted long-form interviews with filmmakers Hope Dickson Leach and Lynn Shelton.On this site you will find details of current projects and articles alongside links to where you can find evidence of my bold claims.My research interests include Film Education, Music Documentaries and Concert Films, and Podcasting.By day I am a senior lecturer in Film at the School of Film & Television, Falmouth University, where I also lead a research and innovation programme on pedagogy. I teach screenwriting and filmmaking on the BA Film and MA Film & Television courses.I have a beautiful wife and a daughter, Beth and Tessa, a cheeky dog called Bailey (aka Chaos Dog) and we all live in Cornwall, UK.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Dr Neil Fox is an Associate Professor of Film Practice and Pedagogy at Falmouth University in UK. He leads the Sound/Image Cinema Lab, a multifaceted partner, funder, resource and research centre dedicated to the production and education of independent cinema. In 2020 the Lab won an innovative pedagogy award at the University Industry Innovation Network. The Lab has been involved in feature films including Bait (dir. Mark Jenkin, 2018) and Make Up (dir. Clare Oakley, 2019). He wrote and produced feature film 'Wilderness' which was funded by The School of Film & Television as part of an innovative micro-budget filmmaking model developed. The film was picked up for distribution by Sparky Pictures and released digitally around the world in April 2021. He is also the co-founder and host of the acclaimed film podcast The Cinematologists in partnership with Dr. Dario Llinares at the University of Brighton. Mark Kermode says "for intelligent, informed cinema debate, The Cinematologists are hard to beat" and Sight & Sound call it "consistently one of the finest film podcasts around. In this episode we discuss the delicate balance between media education and professional practice.

 This episode of the poetry podcast features David Nash, Arden Hunter, Amanda McLeod, Darren Donohue, Margaret Royall and Neil Fox. Hosted and produced by Damien B Donnelly

Neil Fox is a road safety advocate highlighting the 'Give Time, Give Space' initiative, which is an appeal for motorists to slow down and give cyclists room on the roads. Neil has first-hand experience of the dangers faced by cyclists on the roads, his sister Donna was killed 5 years ago while cycling to work. He joined North West Today to tell his story and highlight the importance of the 'Give Time, Give Space' campaign.

Screenwriter Stuart Wright talks WILDERNESS writer Neil Fox and director Justin Doherty. A John Cassavetes inspired low budget feature film that was made with students from the University of Falmouth taking up many of the production roles below the heads of department to gain some real filmmaking experience while they studied.WILDERNESS is out now on all good HD Digital platforms:https://www.amazon.co.uk/Wilderness-Katharine-Davenport/dp/B08VYFMBGNhttps://tv.apple.com/gb/movie/wilderness/umc.cmc.7aojg2lwirzvyo2xvcoamlumfYou can buy me a cup of coffee & support this independent podcast that I host and produce at https://app.redcircle.com/shows/ae030598-6b83-4001-8a29-5e5dd592ed26/sponsort Rate, review and subscribe wherever you listen to your podcastsCreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com. Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kat Zabecka talks to Dr Neil Fox, the writer of Wilderness (2017), now available to stream. They discuss the writing process, inspiration for the characters and the timeliness of the digital release of the film. Neil Fox is the co-host of The Cinematologists podcast, senior lecturer at Falmouth University and a screenwriter. 

Today's episode focuses on the Jazz inspired bittersweet romance Wilderness, penned by our very own Neil Fox and directed by Justin Doherty. Both Neil and Justin subject themselves to an hour of intense Cinematologists questioning from Dario covering the development of the script, the unique production context, the casting and production design. We also get into the cinematic representation of relationships, particularly at their outset, and how the developmental phase of love can be a rollercoaster of contradictory feelings not always expressed in the most rational ways. The conversation also covers the release of the film to streaming sites at this particular moment, both in terms of issues around sexuality and race on screen, but also the after a year of the pandemic how much the world has changed from 2016, when the film was shot. The film is available on streaming platforms including: Google: https://play.google.com/store/movies/details/Wilderness?id=kzpGBLvw-LA.P&gl=GB Amazon.co.uk: https://www.amazon.co.uk/Wilderness-Katharine-Davenport/dp/B08VYWVXZY/ref=sr_1_1?dchild=1&keywords=wilderness&qid=1619440989&s=instant-video&sr=1-1 You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. Music Credits: ‘Theme from The Cinematologists’ Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

In this week's episode Eleanor and Barry discuss the world of Virtual Reality!  They discuss both the fun, recreational, entertainment use of VR as well as the professional, enterprise applications of the latest incarnations of VR technology.  They are joined by Neil Fox, CTO of Hexaware, emerging tech expert, open talent expert and VR afficionado and they discuss the world of VR from a business, open talent and societal perspective, it's a fascinating discussion which covers the basics, the fun stuff and some of the potential implications of life in the real world when the virtual world goes mainstream! www.hexaware.com www.re-source.uk www.humancloud.uk  

James (sans Matthew, who's in Bristol) talking with Falmouth School of Film and Television lecturer and Cinematologist podcaster Dr. Neil Fox, about his indie feature 'Wilderness', due out April 5th 2021 on most platforms, accompanied by Bailey the dog. This walk repeats the Flushing to Mylor route that nearly killed both James and Matthew on a previous excursion with less dramatic results apart from the brief appearance of an owl.

It's a warm welcome back to Neil Fox from episode 22!! Over two years later, the host of the Cinematologists podcast is back. The movie he'd just finished is now being distributed globally next month, and we catch up on the movie industry today and the hurdles film makers may (should?) face. If you want the full back story, listen to the previous episode, but in brief, Neil is a senior lecturer in Film at the School of Film & Television, Falmouth University, a screenwriter, podcaster and very lovely all around human. We catch up today about what it's like teaching the next generation of filmmakers and learning from them in turn. We talk about his film Wilderness (2017, Baracoa Pictures) and how it might hold up today. It was written five years ago, and depicts social and personal themes that are quite timely. Please do consider giving it a watch. Now, join us for this conversation about the realities of our industry. Topics: hindsight, what stories need telling, shifts in mindsets, #metoo and #blm, the problem with the film industry, you vs. the machine, the missed opportunities for post-COVID work life, modern day exploitation vs. worthy sacrifice, rethinking filmmaking, and some hopeful notes. For more about Neil, go to drneilfox.com! Thanks for listening to another episode and for your continuing support. With all my love, C. --- Support this podcast: https://anchor.fm/runningwildwithchristine/support

Kat Zabecka is joined by Dr Dario Llinares who is Principal Lecturer n the School of Media at the University of Brighton and co-host of the Cinematologists Podcast with Dr Neil Fox. We discuss Dario's latest article Cinema for the Ears: Imagining the Audio-Cinematic Through Podcasting published in the October 2020 issue of Film-Philosophy.We have an earlier episode about approaches to podcasting and the Cinematologists podcast with Dr Neil Fox, available on Media Hopper and iTunes.

In this episode, Senem Duruel Erkılıç is the "Bling of the month". She is Film Scholar at the Radio, Film and TV Department at Mersin University (Turkey). Her academic field of study involves Turkish cinema, cinema-history and memory relationship, documentary film and film language. She talks about her book "Turk Sinemasinda Tarih ve Bellek" ("History and Memory in Turkish Cinema") and her current research project titled "COVID-19 Pandemic and Crises of Turkish Film Industry". (0:01:09-0:34:56) http://apbs.mersin.edu.tr/saduruel In the News Chapter, it's all about the Podcast "The Cinematologists". The creators Dario Llinares and Neil Fox give an insight into how the Podcast reflect their work as Film Scholars and how the Podcast developed over the years. (0:34:58-1:07:45) http://www.cinematologists.com In the Dear Diary Chapter, Anna Luise Kiss tells about the "Dial S for Screen Studies Conference". (1:07:40-1:11:42) https://sydneyscreenstudiesnetwork.com "Film Studies bling-bling" is about hidden and well-known treasures, big and small diamonds from Film Studies. In each episode, we have a "Bling of the month"; scholars from Film Studies who are interviewed about their research. In the news section, you hear from current research projects or book publications, or whatever struck my way strolling around in the Film Studie's universe. To keep this podcast visible for you we decided to add it to the Indiefilmtalk Catalogue in consultation with the podcast-creators. More informations on: www.indiefilmtalk.de ---------- Project Website "Die filmische Straßenlandschaft in Potsdam" - https://filmische-stadt.projekte-filmuni.de/team.html Social Media - @indiefilmtalk Webseite - https://indiefilmtalk.de/

One of the most difficult things a person can experience in their lifetime is hearing the news that a loved one has died both prematurely and unexpectedly. In 2016, Neil Fox's life was changed forever, after gardaí knocked to his door to inform him his sister Donna had passed away in a cycling accident that morning. In the years since Neil’s personal experience with both grief and trauma has brought him on an incredible journey through sobriety, sexuality and ultimately becoming more comfortable in his own skin. He speaks with Sasha and Venetia about the ups and downs in his life, since Donna’s death, and his incredible work to prevent similar accidents taking place on Irish roads. If you're looking for a safe haven to express how you feel, Share articles, photos , memories and more,Join the Grief Encounters Facebook Group,A place for support, compassion and empathy for those grievinghttps://www.facebook.com/groups/GriefEncounters/Music by Nctrnm See acast.com/privacy for privacy and opt-out information.

SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada. Stay tuned for Season 2 this Fall!Episode Producers:Sadie Barker is a PhD student at Concordia, working at the intersections of aesthetic and affect theory, sound and decolonial studies. She holds an MA in Cultural Studies. She is increasingly interested in the affordances of podcasting to mediate interdisciplinary spaces.  Emma Telaro is an MA student at Concordia in the department of English, and a RA for SpokenWeb. She is interested in the disruptive potential of sound and of silence in the literary. This is her first official podcast. Ali Barillaro is an MA student in English at Concordia University and a SpokenWeb RA interested in both the study of comics in the social media age and the sounds of audience response in the context of poetry readings. Jason Camlot's most recent critical works are Phonopoetics: The Making of Early Literary Recordings (Stanford 2019),  and the co-edited collection, CanLit Across Media: Unarchiving the Literary Event (with Katherine McLeod, McGill Queen's UP, 2019). He is the principal investigator and director of The SpokenWeb and Professor of English and Research Chair in Literature and Sound Studies at Concordia University in Montreal.Bibliography:Bender, John and David E. Wellbery, "Rhetoricality: On the Modernist Return of Rhetoric." The Ends of Rhetoric: History, Theory, Practice. Ed. Bender and Wellbery. Stanford, CA: Stanford University Press, 1990.Copeland, Stacey.  "A Feminist Materialisation of Amplified Voice: Queering Identity and Affect in The Heart." Podcasting: New Oral Cultures and Digital Media.  Ed. Dario Llinares, Neil Fox, Richard Berry.  Palgrave MacMillan, 2018.  209-225. Llinares, Dario. "Podcasting as Liminal Praxis: Aural Mediation, Sound Writing and Identity." Podcasting: New Oral Cultures and Digital Media.  Ed. Dario Llinares, Neil Fox, Richard Berry.  Palgrave MacMillan, 2018.  123-145.Rapp, Christof, "Aristotle's Rhetoric", The Stanford Encyclopedia of Philosophy (Spring 2010 Edition), Edward N. Zalta (ed.), URL = .Sterne, Jonathan.  "The Theology of Sound: A Critique of Orality," CanadianJournal of Communication 36.2 (2011): 207-225.Ong, Walter J.: Orality and Literacy--The Technologizing of the Word (1982). Routledge, New York, 1988.Find a list of Ambient Sounds, Music and Additional Recordings used in this episode  Linked Here. 

Neil Fox talks to RadioToday’s Stuart Clarkson about his broadcasting return with digital station United DJs - and reflects on the current state of the UK radio industry. Former BBC Radio Wales editor Steve Austins also joins us with memories of two Welsh radio legends who died this week - Chris Needs and Tommo. Plus David Lloyd has more RadioMoments from the archives. Processing by Ian Deeley. Voiceover by Hannah Patterson. Original music by Mcasso.

Neil chats with Dr Neil Fox about his feature film Wilderness, the beloved film festival Filmstock - that he co-created - and his work as half of the acclaimed podcast The Cinematologists.

PhDCasting aims to be research through podcasting practice. Jerry Padfield documents his personal reflections of a journey through a PhD at Falmouth University, researching #podcasting and #CommunityRadio practice for wellbeing. The podcast talks about the experience of completing a PhD, from the perspective of a research student: the milestones, the emotional highs and lows, and also becomes a research tool in itself, interrogating the embodied knowledge within the practice. Each episode also features a conversation with a practitioner discussing issues around podcasting and broadcasting. Quarter Three: April 2019 - June 2019 PhD: After safely progressing the Application for Registration (AfR) submission and the symposium presentation I start to put PhD plans together, and things start to turn into more defined projects. I talk a little about the process of putting together a literature/practice review. I talk to Dr Neil Fox, one half of the Cinematologists podcast, a part of New Aural Cultures podcast research and podcast academic about podcasting for research, the future of podcasting and podcast studies. Links Cinematologists: http://www.cinematologists.com New Aural Cultures Book: https://www.palgrave.com/gp/book/9783319900551 Journal of Media Practice Disrupted Edition: http://journal.disruptivemedia.org.uk/ Neil's Twitter: https://twitter.com/drneilfox --- Send in a voice message: https://anchor.fm/newauralcultures/message

For our first episode of the new year, we bring you a podcast panel recorded at the Media, Communication and Cultural Studies Association Conference held recently at the University of Brighton. The panel features Dr Dario Llinares, Dr Neil Fox and Dr Martin Spinelli each giving 20minute papers and then answering questions from those in attendance. The papers were all works in progress to a certain degree and though on different topics cross-over and common themes were still found and addressed in the q&a at the end. The titles of the papers and contact details if you want to discuss any of the work further are as follows: Dr Dario Llinares - d.llinares@brighton.ac.uk - Mapping Dimensions of the Podcast Space. Dr Neil Fox - neil.fox@falmouth.ac.uk - Collection-Making: Podcasting as a Contemporary Curation Practice. Dr Martin Spinelli - M.J.Spinelli@sussex.ac.uk - Valuing Vulnerability: The Psychology of the "Podcast Hug". --- Send in a voice message: https://anchor.fm/newauralcultures/message

Kat Zabecka talks to Dr Neil Fox, co-founder and host of the Cinematologists Podcast. They talk Fringe Festival, Dr Fox's film background and approaches to podcasting. They also reflect on the Film-Philosophy Conference that took place in Brighton in July and discuss the accessibility of academia. 

Steve Penk presents another collection of on-air antics... and Neil Fox reveals his Radio Nightmare

Radio 1 goes 24 hours; Neil Fox leaves Capital; Radio Derby begins; DLT starts Radio 1 breakfast, 50 years since the start of Waggoners’ Walk’; Virgin 1215 launches; and much more. 'RadioMoments - This week in history'. 7 days of radio history in 7 minutes - for the week ending 3rd May. Follow the [podcast](https://podnews.net/podcast/1459316855/no).

This powerful voice began at Wyvern before rising with enviable speed to Luxembourg and to play a key part in Capital London’s truly dominant years. He took commercial radio’s chart to audience-leading position and assumed the Magic breakfast show for almost a decade as it too rose to rule the City.  In this hour of ‘Conversations’, Neil ‘Doctor’ Fox tells of his father’s early reluctance to support his chosen career route -and speaks candidly about his recent ‘challenging period', and about his excitement now at life beyond. In his own words - this is the Neil Fox story. The whole 'Conversations' series can be enjoyed [here](https://audioboom.com/playlists/1307245-conversations). Music by [Larry Bryant](http://www.larrybryant.com).

Episode 1 of the New Aural Cultures podcast sees co-editors of 2018’s Podcasting - New Aural Cultures and Digital Media (Palgrave), Dr Dario Llinares, Dr Neil Fox and Richard Berry, provide an overview of the first academic collection to tackle the nascent media of the podcast and discuss some of the underlying issues, advances, challenges and joys of the medium and try and contextualise why it means so much to so many people and why it’s worthy of such scholarly scrutiny. Over the course of the hour the three editors discuss how the book captures a significant moment, not only in terms of content but also in terms of the interdisciplinarity of the contributors, highlighting the potentiality of podcasting at a moment when it’s threatened by the corporatisation that has befallen other mediums and art-forms historically. It’s not all doom and gloom though, as Neil, Dario and Richard talk about why they love the medium and hopefully convey some of the energy and excitement that comes out of the book, for this emerging, empathetic and enlightening medium. Successive episodes will feature interviews with the book’s contributors and a final episode will see the co-editors come together again, this time to discuss their own contributions to the collection. The music used for this series is Winter Walk (Silver Trumpet Mix). It is licensed under creative commons attribution 3.0 and is available here. --- Send in a voice message: https://anchor.fm/newauralcultures/message

Dr Neil Fox from the cinematologists.com podcast comes to speak to me about his film Wilderness (baracoapictures.com/wilderness) and relationships in general. We ramble on about loving ideas, living in confusion, privilege, and unlearning destructive habits & assumptions. Listen in if you want to share some deep dark thoughts about creativity, voices that need/needn’t be heard and unsure answers. For more about Neil and all of his projects head to drneilfox.com ! Please follow, subscribe, rate and review this podcast if you like it! --- Support this podcast: https://anchor.fm/runningwildwithchristine/support

Chay and EJ discuss their wigs, interview Dr Neil Fox from The Cinematologists podcast and try to get corporate sponsorship from HelloFresh.

In this entry, the dreaded nemesis of humanity, Shedder (Tee) is broken out of prison by kooky-but-brilliant scientist Baxter Stockman (Perry), who has been entrusted to invent an ultra-powerful transporter device that will allow for travel between dimensions. Also on board is the maniacal alien Krang, who is part giant robot, part evil living brain, who sets about getting Shredder to use some strange, mutating ooze to make an army of super soldiers out of the Foot Clan, starting with the dimwitted but burly thugs Bebop (Williams) and Rock Steady (WWE's Sheamus), who immediately turn into a Rhino-man and Warthog-man, respectively. Krang's wild scheme involves gaining the otherworldly pieces together to form a gargantuan spaceship, the Technodrome, which is so powerful that he can usurp the entire planet of Earth with it once assembled. Leading the resistance yet again are the titular quartet of Turtles, along with ally news reporter April O'Neil (Fox), spirited hockey-loving cop Casey Jones ("Arrow" star Amell), and Vern Fenwick (Arnett), the smarmy cameraman who got credit for saving New York from Shredder and gang the last time around because the Turtles weren't 'ready for the world'. Meanwhile, the Turtlesare conflicted about what to do about the mysterious ooze, as it not only has the power to turn humans into creatures, but also to turn the Turtles into humans, which could mean an end to them feeling like pariahs in a world where they're seen as monsters, despite their determination to be New York City's protectors.

Mark Sweney reports from the industry event with guests including Jane Garvey, Neil Fox and Shelagh Fogerty Warning: this week's podcast contains language that some people may find offensive

At Radio Festival 2013 Trevor Dann meets Helen Boaden, Jeremy Vine, Neil Fox, Eleanor Oldroyd, Rhys Hughes and many more delegates. Plus David Lloyd's Radio Moments.

I am absolutely delighted to share a conversation with Angie Greaves today. Angie started her media career in 1982 as a BBC Administrator at Television Centre. In 1986 she moved to London’s Capital Radio, where she began working on the radio after being “discovered” by DJ David “Kidsen. She was the first female presenter to join the station and is the only female drivetime DJ on London radio. Angie went on to produce and present many long running, popular radio shows. She was the first DJ on Spectrum Radio at its launch on June 25 1990. Between 1992 and 1997, Angie presented the “Angie Greaves Breakfast Show” on Choice FM, London’s first urban radio station. It became the most listened to show in the station's schedule and saw listening figures treble In the UK Angie currently presents the weekday drivetime and Saturday morning shows on London's Magic 105.4, which feature music, competitions and Angie’s Book Club. She also presents Mellow Magic Love Letters every night and regularly fills in for Neil Fox on Magic Breakfast. Call in and join the conversation on: 3479457556 www.angiegreaves.com Follow Ebony on Twitter@ morebeingyou