Podcast appearances and mentions of Paolo Gregoletto

The Podcast That Rocked for 5/14/25. The Poisoned Ascendency Tour from Trivium and Bullet For My Valentine has been stopped, Sleep Token on route to #1, more. ___Discussion Topics:Trivium VS Bullet For My Valentine (but not really?)Even In Arcadia by Sleep Token on route to be #1Someone actually bought the Gene Simmons roadie opportunityTurnstile go big at home show in BaltimoreNine Inch Nails announce Future Ruins composer festivalUpcoming albums/tours/more ___SONG OF THE WEEK: Halsey & Amy Lee “Hand That Feeds” https://www.youtube.com/watch?v=i_cBf-E7n7A ___“Fans initially expected both bands to visit South America, Australia and more, but Bullet for My Valentine will instead "divert [their] full attention towards the next chapter" of the band with plans to enter the studio in the summer. "As we head into the final shows of The Poisoned Ascendancy tour, we want to thank everyone who's come out to celebrate with us," the band wrote. "The shows have been phenomenal and we've loved connecting with every single one of you. Being in this band is the most important thing to the four of us. We're incredibly grateful to have been given the chance to look back at a pair of life-changing albums for us & Trivium, who we have nothing but respect and admiration for." After acknowledging the "incredible achievement" of a 20-plus-year career, Bullet for My Valentine said they "can't wait to get back in the studio later this summer and finish what we promise you is our best album to date. To go along with this, we are already starting to make plans for the 2026 & 2027 touring cycles, hitting every corner." They ended their statement with a note of gratitude for their fans plus the promise, "We'll be back with all of you very soon." What Did Trivium Say About Bullet for My Valentine Tour Ending? Earlier this week, Trivium bassist Paolo Gregoletto blamed Bullet for My Valentine frontman Matt Tuck for the Poisoned Ascendancy tour coming to an apparently premature end. "Matt Tuck didn't want to do it, after we had planned it, after stuff was already in the works — don't know why," Gregoletto said in a livestream. The band later said in a TikTok comment that Tuck was "the sole decision maker of the band and he has no respect for us or our crew." Despite the public drama, Trivium frontman Matt Heafy expressed his joy and gratitude for the tour in his own statement on Tuesday. "I have loved every show, every day, every minute; from the work I did - I have found myself more present and more appreciative than ever," he wrote.” (Loudwire) ___Trivium VS Bullet For My Valentine?! | The Podcast That Rocked

Paolo Gregolletto of Trivium joins the show to introduce us to his dog Mochi who's a Chihuahua/Poodle/Cocker Spaniel mix and pay tribute to his Rottweiler/Boston Terrier/Pointer mix Lady. Trivium will be on tour in Europe in August. For dates and locations visit https://www.trivium.org/tour To enjoy Lady and Mochi's Instagram go to https://www.instagram.com/ladyandmochi/  

This episode of the Bass Freq's Podcast brings you Paolo Gregoletto, bassist for hard working metal music makers Trivium. Speaking with host Josh Paul, Paolo fills us in on how he got started, how he crafts his tone and bass lines for the band, what life is like on the road and in the studio, and—of course—a healthy dose of gear talk.

The Razor's Edge - Interview! https://therazorsedge.rocks They've just release the breath taking new album 'In The Court of the Dragon'. Now we catch up with Trivium bassist Paolo Gregoletto to talk all about it, the stunning accompanying artwork, playing Bloodstock festival and more...

We had the pleasure of interviewing Paolo Gregoletto of Trivium over Zoom video! Grammy-nominated band TRIVIUM — Matt Heafy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums] — have released their tenth album, titled In The Court Of The Dragon, via longtime label Roadrunner Records. The record was produced and mixed by Josh Wilbur and recorded in the Fall of 2020 at Full Sail University in Orlando.The band has also shared the new song "Feast Of Fire," which is joined by an official music video. The footage was filmed at the band's HQ — The Hangar in Orlando. It was shot by director John Deeb. "There's always that one song you aren't expecting when you begin writing a new album," says Gregoletto about the song and, in turn, sharing an inside look at the band's songwriting process. "It could be a riff written on the spot in the rehearsal space, a lyric that pairs just right with a melody, or in the case of 'Feast Of Fire,' sitting right there in front of us in the middle of a demo that Corey brought in. We were well into pre-production at Full Sail when we all decided that something about the demo we had tracked was good but could be even better. Our producer Josh Wilbur even had in his notes: 'Bridge is special, maybe so special it needs its own song.' We tore the song apart and began again on the spot."He continues, "We went into this album knowing we had time to consider everything and anything that came about during this period, and if need be, we could start again if it didn't feel right given that no touring was on the horizon."Further pulling back the curtain, he says, "I had the words 'Feast Of Fire' written in my running list of notes for lyric ideas that I try to amass before we record. Something about the phrase stuck out to me. It felt like the missing piece of the story we were trying to tell with this album, a climactic moment and a real centerpiece for the narrative."He finishes, "After all these years, I'm still blown away at how a song can really appear out of thin air and take the album to a place you weren't expecting. Those are the moments we are always looking for when making a record."The album cover is an original oil painting by French artist Mathieu Nozieres (@mathieunozieres on Instagram)"While the music of In The Court Of The Dragon was taking shape, we knew we needed epic artwork of the type that you might see on the wall of an important museum from a long dead renaissance master," says Heafy. "After extensive research, we found one of the few living artists who is capable of creating artwork like Caravaggio and Gentileschi — painter Mathieu Nozieres. Mathieu took our song title and created an original oil painting on canvas unlike anything we could have ever imagined. It's so staggeringly breathtaking and epic and it looks like what the song and album sounds like." Last month, Trivium shared the album's title track, "In The Court Of The Dragon," which featured an epic intro composed and orchestrated by Ihsahn (Emperor) and was accompanied by an official short film music video directed by Ryan Mackfall. Loudwire called out the song as "a skillful blend of dynamics. And blast beats just sound really, really good beneath Matt Heafy's soothing clean singing" while Revolver labeled it "epic."We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #PaoloGregoletto #Trivium #zoomListen & Subscribe to BiBFollow our podcast on Instagram and Twitter!

Trivium has proved they've made the most of their downtime during a global pandemic - producing “In the Court of the Dragon” barely a year after releasing their last album. But does album #10 continue the Grammy nominated act's ascension into heavy metal dominance?    Find out what Matt and Zach think in Epic Footnote Productions' “2 Minutes to Review,” a podcast that's part album review and part competition. In each episode, both hosts are given two minutes each to review a newly released album or a classic record they're revisiting. Whoever gives the longest review in under two minutes wins.   Also listen to our conversation with Trivium's Paolo Gregoletto back in 2020 - where we discussed everything from how COVID-19 impacted the release of “What the Dead Men Say,” to what it was like dining with Metallica and meeting OJ Simpson (... no, seriously).   Stream Part 1: https://youtu.be/yozisbdCwQI  Stream Part 2: https://youtu.be/2_JTQ3b3BMU    Sponsored by:   - Rootless Coffee Co.: head over to https://rootlesscoffee.com/ and listen to this episode for a special code that will give you 15% OFF your order of coffee blends that break free from boring. And also try our VERY OWN bag of coffee: https://rootlesscoffee.com/collections/partners/products/epic-footnote-productions - Lucky 13 Beard Co.: Head over to https://lucky13beardco.com/ and listen to this episode for a special code that will give you 10% OFF your order of quality, made-to-order beard care products!   #Trivium #InTheCourtOfTheDragon #AlbumReview #ITCOTD #ThePhalanx #FeastOfFire #LikeASwordOverDamocles #FallIntoYourHands #MattHeafy #CoreyBeaulieu #PaoloGregoletto #AlexBent #JoshWilbur #RoadrunnerRecords #Metal #HeavyMetal #Metalcore #ThrashMetal #ProgressiveMetal 

Heavy Pod Is Heavy Cast! This week, we have Paolo Gregoletto from Trivium over again! We obviously talk about their upcoming album In The Court of The Dragon, touring after the pandemic (because that's totally over, right?) and much more. Enjoy! Join our community on Facebook! Or, if you want to get more involved, with exclusive content and stuff, support us on Patreon! By the way, the NYN album Entropy: Of Chaos And Salt is finally out, so check it out!

I'm calling out to you, can you hear me? Hope so, because Grammy-nominated, multi-million-record-selling bass legend Paolo Gregoletto of Trivium joins us from across the pond for Episode 12. This right here is the section of text where we like to big up our incredible guests but we're not sure we will this time. It's Paolo. He plays bass in Trivium. The band Trivium. Press play and envelope your hungry ears with the sound of us chatting with Paolo about What The Dead Men Say (probably our favourite album of 2020), the construction of a kick-ass Trivium HQ in an aircraft hangar and why, unlike us, he doesn't spend all of his time on Warzone in the gulag chucking rocks at the player next to him. Before we load the pyrotechnics and throw our devil horns up in the air, we (Kieran and Graham, EQUAL co-hosts) engage in some jovial banter about clothes shopping on a budget, living our lives vicariously through other people's holiday videos and the most niche genre of metal out there - Wizard Of Oz-core.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Clifford Lee Burton (Castro Valley, California, 10 de febrero de 1962-Kronoberg, Suecia, 27 de septiembre de 1986), más conocido como Cliff Burton, fue un bajista estadounidense de thrash metal, conocido por haber sido el bajista de Metallica desde 1982 hasta el día de su muerte, a la edad de 24 años. Fue incluido póstumamente en el Salón de la Fama del Rock and Roll con Metallica, el 4 de abril de 2009. Fue seleccionado como el noveno mejor bajista de todos los tiempos en una encuesta en línea de lectores organizada por la revista Rolling Stone en 2011.Clifford Burton nació el 10 de febrero de 1962 en San Francisco, California.Fue criado por sus padres hippies,y de ellos adoptó su imagen, sus ideales y, sobre todo, su actitud.​ Sus padres describen a Cliff en su infancia como un niño tranquilo, inteligente y normal a excepción de una cosa, siempre fue él mismo y no hacía las cosas que hacían los demás si es que no quería.Cuando tenía 6 años empezó a tomar clases de piano.El 19 de mayo de 1975, su hermano murió de un aneurisma cerebral,​ Después del fallecimiento de su hermano cuando tenía 13 años, empezó a tocar el bajo y tomar clases de música. Él le dijo a algunas personas: «I'm gonna be the best bassist for my brother» («Yo voy a ser el mejor bajista por mi hermano»), mientras que sus padres no creían que lograra realmente ser un buen bajista, ya que veían lo mucho que le costaba al comienzo aprender, ​ en este periodo empezó a tocar con bandas como AD 2 Million, Agents of Misfortune, (junto a Jim Martin, quien más adelante sería integrante de Faith No More), y EZ Street, (junto a Martin y Mike Puffy Bordin, quien sería baterista de Faith No More y Ozzy Osbourne) Después de 6 meses de haber tomado clases, sus padres vieron un verdadero progreso en su trabajo y se sorprendieron, ya que nadie tenía algún talento musical en su familia. Cliff siguió tomando clases durante un año y superó totalmente a su profesor, por lo que siguió sus clases con otro profesor, con el que estuvo un par de años. ​ Después, comenzó a tomar clases con el bajista de jazz Steve Doherty, entre septiembre de 1978 y enero de 1980; este le instruyó en variados estilos, desde el jazz hasta la música clásica, además de enseñarle a leer música.Cliff se graduó en Castro Valley High School en 1980. Después de graduarse pasó a Trauma, un grupo de la Bay Area de San Francisco. Cliff fue el que más se destacó en el escenario por su presencia y su característico headbanging, envuelto en su cabellera roja, a diferencia de la glamurosa y teatral actitud que tenían sus compañeros de banda durante el espectáculo. En Trauma grabó algunas maquetas, una de ellas «Such A Shame», se pueden encontrar en la recopilación de Metal Blade Records, Metal Massacre 2, En 1982, cuando Cliff Burton tocaba con Trauma en el Whisky A Go Go, dos miembros de Metallica, James Hetfield y Lars Ulrich, entraron al lugar y escucharon que se ejecutaba un solo. Al ver a Cliff se sorprendieron ya que el solo provenía de un bajo y no de una guitarra como creían, y además quedaron asombrados por la agresiva manera con que tocaba su instrumento. Debido a la salida de Ron McGovney de la banda, decidieron que Burton era el hombre que necesitaban para reemplazarlo, ​ Sin embargo, este no aceptó tan fácilmente su propuesta (pese a que no le gustaba el camino comercial que estaba tomando Trauma),ya que no quería irse al sur de California, por lo que empezó una fase de llamadas telefónicas y ensayos,​ En algunos meses, Burton convenció a Metallica para que dejaran Los Ángeles, su base de operaciones, y se establecieran definitivamente en San Francisco,​ El debut de Cliff con Metallica fue el 5 de marzo de 1983 y su segundo concierto fue el 19 de marzo de 1983, donde realiza un solo que se encuentra en el DVD Cliff 'em All!.El primer álbum de estudio de Metallica, Kill 'Em All, ​ se lanzó en julio de 1983, después de la incorporación de Cliff en el grupo, pero 9 de los 10 temas del álbum ya estaban hechos antes de la entrada de este en el grupo, por lo que su única creación en esas canciones son las pistas de bajo, sin embargo la única canción en la que se le da crédito como autor es «(Anesthesia) Pulling Teeth»​ un solo de bajo creado por Cliff, en el que se nota su distintiva manera de tocar, incorporando gran distorsión, el uso del pedal de wah-wah y el tapping. En 1984, Cliff juntó a sus amigos Jim Martin, ​ (entonces guitarrista del grupo Faith No More) y Dave Didonato (quien después sería baterista de Ozzy Osbourne) forman el grupo The Agent of Misfortune, para entrar en la Batalla de las Bandas. Sus intenciones eran mostrar a un público en general, la experimental música que creaban en el rancho de Maxwell, absolutamente diferente a sus rivales, que se basaban en el glam rock. Aunque sus canciones duraban mucho tiempo, la banda solo tocó durante doce minutos, ya que era el tiempo límite. Al terminar la canción, el jurado y el público quedaron desconcertados con la extraña música y los solos a destiempo que ejecutaban Cliff y Jim. Finalmente The Agent of Misfortune, no se clasificó para la Batalla de las Bandas.En 1984, Metallica lanzó su segundo álbum de estudio, Ride the Lightning,​ este disco tiene una gran influencia de Cliff a través de todo el álbum. Burton destaca en «The Call of Ktulu» y «For Whom the Bell Tolls». Unos meses antes de lanzar su tercer álbum junto a Metallica, Cliff junto a James Hetfield forman una banda llamada Spastik Children, donde James tocaba la batería, Burton el bajo eléctrico, en tanto que Fred Cotton cantaba y James flunkey McDaniel tocaba la guitarra eléctrica. Debutaron en el Club Ruthie's en San Francisco y volvieron a tocar otras dos veces en este club y tres veces en el club The Rock En 1986 se lanzó el tercer álbum de estudio de Metallica, «Master of Puppets», con el que el grupo obtuvo un gran éxito, catalogándolo según la crítica como uno de los mejores discos de thrash metal. ​ La más importante influencia de Cliff en el álbum es la séptima canción, el instrumental «Orion», canción compuesta casi enteramente por Cliff, donde ejecuta solos; sin embargo, la composición más destacada es la canción que le da el título al álbum, «Master of Puppets», que, como Cliff Burton declaró en una entrevista de 1986, era su canción favorita de Metallica hasta la fecha, Después del lanzamiento de este álbum, la banda hizo una gira por los Estados Unidos junto al veterano roquero Ozzy Osbourne,​ y después de recorrer los EE.UU., se dirigieron a Europa. El 26 de septiembre, Metallica tocaba en Estocolmo, Suecia, ​ Fue una gran noche, sobre todo para la banda, era la primera vez que Hetfield volvía a tocar la guitarra en dos meses, ya que se había fracturado el brazo en la mitad de la gira. ​ Esa noche Cliff tocó un gran solo de bajo, en una versión muy melódica de «Star Spangled Banner», El Himno Nacional de los Estados Unidos, La última canción que Cliff tocó con Metallica fue una versión de la canción Blitzkrieg, original de la banda del mismo nombre. Sin embargo, las luces volvieron a encenderse mientras se escuchaba el comienzo de Fight Fire with Fire apareciendo nuevamente los integrantes para completar dicha canción. Terminada la canción, James Hetfield se dirigió al público diciéndole "Muchas gracias, Estocolmo (...) esperamos regresar muy pronto". Nada sabía Hetfield del fatídico desenlace que tendría aquella noche. Después del concierto, Metallica tomó el autobús para dirigirse de Estocolmo a Copenhague (Dinamarca), para su próximo concierto, que se programó para el 27 de septiembre de 1986. A principios de esa misma noche, la banda eligió cartas al azar para asignarse los puestos en que dormirían, ya que todos querían dormir en la cama de Kirk Hammett. Confirmado por la misma Banda, Cliff Burton sacó el as de picas eligiendo el lugar donde estaba Hammett para dormir, no sabiendo lo fatal que sería eso. Alrededor de las 6:15 de la mañana, el conductor perdió el control del autobús y trató de enderezar el volante para volver a la carretera. El autobús empezó a patinar fuera de control y rodó varias veces antes de llegar a su fin. Burton salió despedido del vehículo y este le cayó encima. ​ La banda salió del autobús y encontraron a Cliff aplastado por el vehículo de la espalda hacia arriba. Según Mick Hughes, ingeniero de sonido de Metallica, nadie estaba seguro de si Burton estaba muerto en ese punto, pues el autobús había sido levantado ya, pero posteriormente volvió a caer sobre el cuerpo del bajista, Finalmente el autobús es levantado y es sacado el cuerpo de Cliff Burton, confirmando su muerte. Según el conductor, el vehículo derrapó debido a las placas de hielo que había en la carretera, lo que ocasionó el vuelco; Hetfield, furioso por lo sucedido, lo insultó e intentó golpearlo junto con Hammett, siendo detenido por sus compañeros. Posteriormente recorrió una distancia considerable de la carretera, buscando las mencionadas placas de hielo que el conductor había mencionado... no obstante, nunca las encontró. Pese a eso Cliff Burton definitivamente ya había fallecido. Más tarde ese mismo día, Hammett vio a Hetfield, ebrio, gritando en la calle "Cliff, Cliff, ¿dónde estás? El informe del accidente declara como causa de fallecimiento una compresión torácica con una contusión pulmonar, atestiguado por el doctor Anders Ottoson, médico certificado. El informe policial señaló que la temperatura del aire en el lugar fue de 3,7 °C, sin embargo, no se hace mención sobre alguna placa de hielo de la carretera, ​ Las pesquisas determinaron que el conductor, contra las especulaciones, no iba ebrio ni dormido. Después de 10 años se supo que en realidad fue una fatalidad lo ocurrido. Su cuerpo fue trasladado a los Estados Unidos. Su funeral se realizó el 7 de octubre de 1986,​ en Chapel Of The Valley en la localidad de Castro Valley, California. Fue incinerado, y sus cenizas fueron repartidas en el rancho de Maxwell, un lugar donde había pasado mucho tiempo con sus amigos Jim Martin y Dave DiDonato. Uno de los asistentes fue su amigo, Dave Mustaine, En la ceremonia final, un grupo de amigos cercanos y la familia formaron un círculo alrededor de sus cenizas, y uno por uno, cada persona que caminó hacia el centro del círculo, tomó un puñado de sus cenizas, dijo algo acerca de Cliff y luego arrojaron sus cenizas en la tierra, Al terminar su funeral se escuchó la canción Orion, Su muerte provocó la suspensión de la gira de la banda, y la retirada de los tres miembros restantes para pensar al respecto de su futuro. Finalmente, y después de consultar a los familiares del fallecido bajista, decidieron continuar con la carrera musical de la banda, y reclutaron al bajista Jason Newsted del grupo Flotsam and Jetsam, en lugar del fallecido Cliff, puesto para el cual también optó Les Claypool entre más de 40 músicos, ​ Seis semanas después, la banda volvió a los conciertos debutando con su nuevo bajista.Después de su muerte, en 1988 Metallica lanzó el VHS/DVD Cliff 'Em All!, que muestra grabaciones recopiladas de conciertos de Cliff, a lo largo de su trayectoria junto al grupo, y también sacó a la venta el cuarto álbum de estudio, ...And Justice for All, en el que se encuentra la canción «To Live Is to Die», que contiene un poema escrito por Cliff, riffs y composiciones no terminadas que este, había creado antes de salir de gira, Cuando Dave Mustaine, guitarrista, vocalista y líder de Megadeth, que había sido integrante de Metallica entre 1982 y 1983, supo de su muerte, compuso la música de la canción «In My Darkest Hour», la que se encuentra en su álbum So Far, So Good... So What!, para Cliff. Cuando la noticia se difundió, el gremio musical le mostró su apoyo a la banda. Los miembros del grupo Anthrax le dedicaron su álbum Among the Living y también unas palabras para Cliff: «Los pantalones de campana reinan, ríete de ello, te echamos de menos», en clara alusión a los jeans hippies que solía usar Burton. Mientras que la discográfica europea Music for the Nations, publicó en una revista una simple lectura: «Cliff Burton 1962 – 1986», Jon Zazula, productor del primer álbum de Metallica, Kill 'em All, pagó para que en la revista europea Kerrang! apareciera a 2 páginas la frase: «Entrañable músico, entrañable 'headbanging', entrañable pérdida, un amigo para siempre», sobre un fondo negro, A pesar de que solamente estuvo en el grupo tres años y medio (Jason Newsted pasó 15), como se puede ver en los vídeos de Some Kind of Monster (2004), Metallica aún sigue teniendo a Burton presente. Catorce horas antes del accidente, Cliff había dado una entrevista a una revista sueca llamada Sweden Rock Magazine. Sus últimas palabras a los medios fueron: «...Uno de mis sueños es tener mi casa. Ahora vivo con mis padres, pero como estoy de gira, puedo decir que no tengo. Tal vez un día, si consigo el dinero me compraré una...» Cliff habló de la gira y predijo que se estaba gestando una nueva escena de thrash metal y que tal vez experimentarían con hacer más suave su propuesta y conseguir a un productor discográfico importante para hacer más rápido el trabajo en estudio. También habló del éxito de Master of Puppets, del estado financiero de la banda e irónicamente del autobús que lo llevaría a la muerte, Cliff era el único miembro de Metallica que podía crear una melodía en su cabeza y escribirla sin haberla tocado antes, y el único con nociones profundas de teoría musical, por lo que fue enseñando a James poco a poco cosas sobre la música y sus poemas ya que eran mejores amigos, En el bajo Burton aplicaba distorsión para reforzar la presencia del instrumento y lanzaba ataques solistas, técnicas que destacaban su estilo muy por encima de los bajistas de thrash metal, donde por lo general el bajo queda sepultado bajo la distorsión de las guitarras. Cliff cita como sus principales influencias en el rock, a los bajistas:Roger Glover, Martin Turner, Ed Gagliardi, John Deacon, Geezer Butler, Steve Harris, Geddy Lee y Lemmy Kilmister, los guitarristas Jimi Hendrix, Uli Jon Roth y Tony Iommi; los grupos Thin Lizzy, Iron Maiden, Gary Moore, Black Sabbath, The Misfits y Rainbow, y en la música clásica a Johann Sebastian Bach. También ha sido influencia de muchos bajistas como los propios Jason Newsted y Robert Trujillo, John Myung de Dream Theater, Paolo Gregoletto de Trivium, Alex Webster de Cannibal Corpse, Frank Bello de Anthrax, Tomasz Rejek de Vader, Christian Giesler de Kreator, Lauri Porra de Stratovarius, entre otros. Además de su música Burton también fue muy importante en las letras de Metallica. Les contagió su pasión por la literatura de terror, en particular de Howard Phillip Lovecraft, que sirvió de inspiración para temas como The Call of Ktulu y The Thing That Should Not Be.

At the edge of heavy music lies Trivium. Paolo Gregoletto joined the band in 2004, when the band was in the studio working on what would become “Ascendary” (their debut album in 2005). He’s our guest for this month’s episode of Groove.

Doc welcomes Trivium bassist and backing vocalist, Paolo Gregoletto, to the show and they talk about how the band went about releasing their new album during the pandemic, shared their thoughts on how COVID-19 would affect bands and touring in the near future, Paolo getting his start in high school with thrash band, Metal Militia, how he joined Trivium, the huge success of Ascendancy and the backlash they received from other bands, why the band was so mature at a young age, their mixed feelings about sophomore album, The Crusade, how the band progressed, yet also stayed consistent from album to album, and how the band stays savvy with technology utilizing social media and newer mediums like Twitch. This episode features the songs "Lifeline" by Dead Defined and "What The Dead Men Say" by Trivium. Follow Paolo on Instagram and Twitter @TriviumPaolo Follow Doc on Instagram and Twitter @DocCoyle Please support this episode's sponsor Dead Defined at https://www.deaddefined.com/ Buy the Rockabilia.com Exclusive Ex-Man T-shirt here - www.rockabilia.com/doc-coyle-the-e…irt-402964.html Listen to more great podcasts like this at JabberJawMedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris chats with Paolo Gregoletto from Trivium! IG: @triviumpaolo @triviumband https://www.trivium.org/ Listen and subscribe at: http://jabberjawmedia.com and http://tototpodcast.com Please subscribe, rate, and review on iTunes! And follow us on all platforms: @tototpodcast Wanna help out the show? Head over to http://patreon.com/tototpodcast Leave us some love/hate, suggest a guest, or tell us your own tour story on the TOTOT Hotline: (765)372-8818 Buy some TOTOT gear: http://tee.pub/lic/tototpodcast Check out this week's sponsors: Til Morning, Rockabilia, and James Devlin Art! -Til Morning- https://tilmorning.net https://open.spotify.com/artist/4blwrPlw6n4vRJEuaxLtV2?si=86wbB2BBQOeO1-sAar-0bQ -James Devlin Art- https://instagram.com/jamersdesigner  https://www.jamersdesign.com -Rockabilia- http://rockabilia.com -Merge 4- Become a Patron to win 50% all Merge 4 merch! http://merge4.com Become a sponsor: tototpodcast@gmail.com Donate on Venmo: @christopherswinney Pre-save Chris's new band, Southern Gothic, on Spotify! ( @southerngothicofficial ) https://distrokid.com/hyperfollow/southerngothic/long-overdue Check out Chris's old bands on Spotify! Chronic Chaos: https://open.spotify.com/artist/3g21wPm2j0Z3QnFNZs1jPP The Widow Jenkins: https://open.spotify.com/album/42Bsz2Hf68nZ4nCivbRCB1 Special Thanks to our Patreon Producers: Punk Rock Bob Foster ( @punkrockbobfoster ), John Exton ( @bsasband ), and Dewey Halpaus ( @peerpleasurepod ) Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the past two decades, Trivium has sold out hundreds of shows around the world, earned a loyal global fanbase, and produced Grammy nominated metal anthems. So it’s not surprising that Paolo Gregoletto has crossed paths with plenty of big names… but in part 2 of our interview with the bassist, we were left stunned by some of the celebrities Paolo has encountered. So which notable names did Paolo claim to have met? Find out in a new episode “Tell The Truth (And A Lie)” - an interview series where musicians share two obscure facts about themselves and one fib that could fool even a diehard fan. Matt and Zach then have to use their music knowledge to determine which 2 facts are true and which is a lie. And listen to part one of our chat with Paolo in “There Goes My Hero” - where the bassist shares insight into the making of Trivium’s new album “What The Dead Men Say,” how he predicts COVID-19 will continue to impact the music industry, and what it was like to have dinner with Metallica’s Kirk Hammett for the first time. (Stream it here: https://youtu.be/yozisbdCwQI )

We chat to Paolo Gregoletto from Trivium about their brand new album.

Heavy Pod Is Heavy Cast! This I got the opportunity to talk to Paolo Gregoletto, bass player for Trivium. I'm sure fans of the cast can appreciate how big a deal this is for me, and excuse my initial nervousness. We talk about how the pandemic has affected his life as a musician and the album release cycle, the writing and recording process, how their creativity is transformed into a recording, and what they are planning on doing for the release of the album throughout this situation. What The Dead Men Say is awesome, and it comes out this Friday! Enjoy!

Trivium bassist Paolo Gregoletto called in to talk about the new Trivium album "What The Dead Men Say" (out 4/24/20). Here's what we talked about: New album "What The Dead Men Say" (0-10) 2nd album "Ascendency" (10-13) Wiltern Theater concerts (13-14) House of Blues Anaheim w/o Matt Heafy (14-16) "Decline Of The Western Civilization: Part 2 The Metal Years (16-22) Mid 90's rock bands(22-23) Metallica cover song and favorite Metallica song (23-25) Bass Influences (25-26) 1st song learned on bass (26-end)

How does Trivium’s Paolo Gregoletto think the COVID-19 pandemic will impact the music industry in the long run? What encouraged the Grammy nominated metal titans to move forward with releasing their 9th full-length, “What The Dead Men Say”? And what was it like for Paolo to meet and dine with his music heroes Metallica for the first time?   Find out what Paolo reveals in “There Goes My Hero” - an interview series where Matt and Zach talk to their favorite artists about the first time they met their idols. Hear our guests relive every glorious (and possibly embarrassing) moment from encountering their musical heroes, and how that experience impacted them for the rest of their lives

Tommy Marz interview Trivium bassist Paolo Gregoletto.  They talk about the bands new album - What The Dead Men Say.  The album will be released on April 24th.  

Mainstays in the American metal scene since the early 2000s, Trivium are preparing to release their most definitive work to date on April 24th, offering up an album brimming with the strong character the band has spent almost two decades building. Each album Trivium has produced has lent itself to their gradual evolution, including transitions [...] The post TRIVIUM Bassist PAOLO GREGOLETTO Talks New Album: “We Found A Style That Works For Us, and We’re Trying to Make That Better” appeared first on Sonic Perspectives.

On this episode, I'm joined by Paolo Gregoletto, bassist for Trivium. The band is set to release their 9th studio album, "What The Dead Men Say", on April 24th via Roadrunner Records. Tag @TriviumPaolo @jakedenning on Instagram story, posts, etc.

We discuss Trapt's Twitter tantrum, Trivium's new album and when their big summer tour with Megadeth and Lamb of God could be called off. The post Trivium Bassist Paolo Gregoletto on MetalSucks Quarantinecast Episode #3 appeared first on MetalSucks.

Paolo Gregoletto of Trivium joins the podcast this week. Paolo and I discuss the making of "What The Dead Men Say". We talk about how he gets that monstrous bass tone, working with Josh Wilbur and his inspiration for the lyrics. Paolo also talks about his innate disaster prepping from growing up in Florida. Robb Rivera of Nonpoint gives us a Life of Agony classic for his Pick From The Kit.

BODS Mayhem Hour welcomes Paolo Gregoletto bassist of Trivium. I talk to Paolo about Trivium's music & plus much more !!!!!   #Trivium #BODSMayhemHour Learn More About #Trivium at Facebook: https://www.facebook.com/Trivium/  Site: http://www.trivium.org  Twitter: https://twitter.com/TriviumOfficial  Instagram: https://www.instagram.com/triviumband/  ________________________________ If you're new, Please Subscribe!: BODS Mayhem Hour YouTube Channel https://www.youtube.com/c/BODSMayhemHour247  Follow BODS Mayhem Hour: Website: http://bodsmayhemhour.com  Facebook: https://www.facebook.com/BODSMayhemHour/  YouTube: https://www.youtube.com/c/BODSMayhemHour247  Twitter: https://twitter.com/Bod24  Instagram: https://www.instagram.com/bods.mayhem.hour  Twitch: https://www.twitch.tv/bodman247  Spotify: https://open.spotify.com/show/5dpB4oBaxifyzIj4bF6gSP  Apple Podcast: https://podcasts.apple.com/us/podcast/bods-mayhem-hour/id1495876975  Podbean Podcast Site: https://bodsmayhemhour.podbean.com/  Iheart Radio Podcast: https://www.iheart.com/podcast/269-bods-mayhem-hour-56955566/    ( Intro & Outro Music By Downtrend ) _______________________________ Equipment used for the podcast Mackie ProFX12v2 12-channel mixer — with effects and USB connection: https://www.amazon.com/Mackie-ProFX12v2-12-Channel-Professional-Extended/dp/B073ZY1DJ5/ref=sr_1_2?keywords=mackie+12+channel+usb+mixer&qid=1575866144&sr=8-2  RODE PSA 1 Swivel Mount Studio Microphone Boom Arm: https://www.amazon.com/PSA-Swivel-Mount-Studio-Microphone/dp/B001D7UYBO/ref=sr_1_4?crid=30L8QWRVEFFDW&keywords=rode+mic+arm&qid=1575866238&sprefix=rode+mic+%2Caps%2C197&sr=8-4  Sterling Audio Condenser Mic: https://www.amazon.com/Sterling-Audio-ST51-Diaphragm-Microphone/dp/B003OA1BUQ/ref=sr_1_1?crid=PHTWAD6Q33A3&keywords=sterling+audio+st51&qid=1575867078&sprefix=%2Caps%2C162&sr=8-1  Wavepad NCH Software to record interviews: https://www.nch.com.au/wavepad/index.html   

Cameron recently spoke to Trivium bassist Paolo Gregoletto. They talked the band's consistent upward career trajectory, being on the most successful US headline run of the band's history, sharing production with opening bands, and much more.

Paolo Gregoletto joins us to discuss all manner of things related to Trivium.

On this episode of Talking Metal, Mark Strigl and Mitch Lafon interview guitarist Steve Brown and then Emily Strigl interviews Paolo Gregoletto from Trivium.

Paolo Gregoletto of the band Trivium talks to us about the stories behind emotional songs, finding records at the flea market, and getting to those eureka moments in the studio.

On this edition of the Loaded Radio 'IN YER FACE' Podcast, Scott Penfold sits down with Trivium bassist Paolo Gregoletto to talk about the band's latest release 'The Sin And The Sentence'.

Calling all metal heads, you asked for it, you receive it. Episode #15 of Wall of Sound: Up Against The Wall is a metal lovers wet dream complete with a playlist featuring some of the best current and classic metal bands including Metallica, Motörhead, The Dillinger Escape Plan, Heaven The Axe, Iron Maiden, Marilyn Manson and stacks more. We've also got Paolo Gregoletto of Trivium co-hosting this week and discussing the band's forthcoming album The Sin and The Sentence which he says is an album they made not only for the fans but themselves being fans of metal too. Join your podcast host Browny as he delves into the band's latest recording process, revisits the band's early years and asks your fan questions. There's also New Music for Cavalera Conspiracy, Vow to Conquer and the special project Northlane are involved with that pays homage to Silverchair. #WoSUATW #Trivium #PaoloGregoletto #TheSinAndTheSentence #HeavyMetal #Metal #Metallica #Motorhead #MarilynManson #VowToConquer #CavaleraConspiracy #Slipknot #IronMaiden #BabyMetal #Northlane #Silverchair #TheDillingerEscapePlan

Joining Brando in-studio are Paolo Gregoletto and Corey Beaulieu from the heavy metal band Trivium, who have sold over a million albums to date! Corey's very first album as a kid was NOT Appetite, but Use Your Illusion 2! He sites GNR and Slash as the reason he became a guitar player. Paolo goes deep into the history of Trivium as to compare how fans see original lineups, of course relating to Guns N' Roses' changes throughout the years. That and so much more on the latest episode of The AFD Show! Please subscribe on iHeartRadio and Apple Podcasts. Leave us a review!!

Neste episódio: Esta semana trazemos o grande baixista do Trivium, Paolo Gregoletto, para nos falar sobre um dos melhores álbuns do ano passado, "Silence In The Snow"! O músico nos falou sobre a mudança de som da banda e como os fãs de Trivium reagiram aos novos vocais de Matt Heafy. Gregoletto ainda nos deu sua visão sobre o ano de 2015 para o Metal e suas perspectivas para o futuro do Rock pesado. Aproveitamos o episódio também para prestar nossas homenagens ao inesquecível Lemmy Kilmister. No Orgulho Nacional, trazemos mais uma banda de São Luís do Maranhão. Membros da Gallo Azhuu vieram nos falar sobre seu novo álbum, nova formação, e as maiores inspirações da banda. Nesse episódio: Killed By Death (Motörhead), Blind Leading The Blind (Trivium), Dead And Gone (Trivium), Bruxa (Gallo Azhuu), War Ensemble (Slayer), Dying In Your Arms (Trivium), Overkill (Motörhead).

On this week's episode, Mike takes out a fun show from the archives: Paolo Gregoletto of Trivium! Recorded during the "In Waves" cycle, Paolo spoke with Mike about the new album, touring with a variety of heavy bands across the spectrum, traveling the world and more. Trivium's latest album "Silence In The Snow" is available now! Photo courtesy of the Trivium Twitter account. https://twitter.com/TriviumPaolo http://www.trivium.org/ https://www.facebook.com/Trivium https://twitter.com/TriviumOfficial

Guest : Paolo Gregoletto from TriviumRABID NOISE on Rabbit Radio : Metal, Rock and Everything noisy from Australia and around the world!Listen to Rabid Noise at www.rabbitradio.com.au live every wednesday night 9-11:30PMHosted by Nev PearceProudly supported by RW PROMOTION : www.rwpromotion.com.auCONTACT: rabidnoiseradio@hotmail.comRABBIT RADIO : GOLD COAST'S FIRST INDEPENDENT PROGRESSIVE RADIO STATION - Connecting the thriving cultural community of the Gold Coast via a cross platform media outlet!!listen live at rabbitradio.com.auDownload the Rabbit Radio app free or tune in with shoutcast

Guest : Paolo Gregoletto from TriviumRABID NOISE on Rabbit Radio : Metal, Rock and Everything noisy from Australia and around the world!Listen to Rabid Noise at www.rabbitradio.com.au live every wednesday night 9-11:30PMHosted by Nev PearceProudly supported by RW PROMOTION : www.rwpromotion.com.auCONTACT: rabidnoiseradio@hotmail.comRABBIT RADIO : GOLD COAST'S FIRST INDEPENDENT PROGRESSIVE RADIO STATION - Connecting the thriving cultural community of the Gold Coast via a cross platform media outlet!!listen live at rabbitradio.com.auDownload the Rabbit Radio app free or tune in with shoutcast

Paolo Gregoletto of Trivium called into this week's show. He answered fan questions, explained the proper way to pronounce his name and talked about his grandmother catching Trivium live in Italy. He wasn't our only guest caller. MetalGF, the girlfriend of MetalSucks co-editor Vince Neilstein, surprised use with a call, and told a tale of Rob walking through Frank's screen fence. We also learned what "vegma" means, contemplated Jason Newsted's solo career and Sid made the most disgusting joke ever involving Lemmy and James Hetfield. Here's this week's playlist: Trivium – Incineration: The Broken World Black Breath – Sentenced to Life Judas Priest – Metal Meltdown Enabler – Speechless Listen to the Metal Injection Livecast on Stitcher or on iTunes (please leave a rating/review as well). Also, make sure to follow us on Facebook, Twitter and Youtube. Join us live next week starting at 6pm Eastern (3PM Pacific Time, 11pm In London, 10am Mon in Sydney) and going until 8PM eastern time for an all new edition of the Livecast.   

Paolo Gregoletto, o baixista do Trivium, uma das bandas que comprova que o Metal está mais vivo do que nunca, é o covidado de honra no episódio #091 do Wikimetal. Extremamente simpático, Paolo conversou com o Wikimetal sobre diversos assuntos e com respostas inteligentes aliadas aos grandes sons que rolaram no episódio, ficou claro porquê o Trivium é uma das bandas de maior sucesso da atualidade. No Orgulho Nacional, um bate-papo com Tor, o líder e vocal da banda ‘Zumbis do Espaço’ que está lançando seu 7o. álbum !!! Promoções ? Têm pra todos os gostos: Par de ingressos pro Evanescence, Kit Zumbis do Espaço, Moleton e CD do Godsmack e ainda 5 Headphones da Sennheiser. Ouça e participe. Neste episódio: Trivium, Zumbis do Espaço e Metallica.