Podcasts about peaceville

New Skeletal Faces, the genre-defying band led by Errol Fritz (vocals/guitar) and Don Void (drums), has once again pushed musical boundaries with their latest release, Until the Night. Following their debut, Celestial Disease, Until the Night showcases a bold evolution in their sound, blending elements of punk, gothic rock, metal, and more. In an insightful interview, Fritz and Void shared their thoughts on the album's creative process, signing with Peaceville Records, and what sets New Skeletal Faces apart from today's music scene.The band quickly points out how Until the Night differs from its predecessor. While Celestial Disease laid the foundation for New Skeletal Faces' identity Until the Night expands the band's sonic palette. "The songs are a lot more catchy on this album," Fritz explained. "It's just fucking catchy here to me." The album delves into a wider range of styles, from the aggressive, headbang-worthy Pagan War (arguably their heaviest track yet) to the darker, death-rock vibe of Enchantment of My Inner Coldness.Void also appreciates the new album's diversity: "There's stuff on Until the Night that's more punk, and stuff that's heavier than anything on Celestial Disease. It branches and pushes in every direction."Until the Night marks New Skeletal Faces' debut release on the legendary Peaceville Records. For the band, signing with the iconic label felt like a major milestone. "This is the first time I've ever been on a label of this size, so it's a big deal," Fritz said. Void added, "When we found out that they were interested, it was the easiest yes to ever say." The band had long admired Peaceville's roster, which includes genre-defining acts like Anathema, Paradise Lost, and Opeth. The support from Peaceville has been invaluable, allowing the band to stay true to their vision. "They immediately understood what we were about," Void said, noting how the label supported the band's unique artistic choices, including the gold foil album cover and custom vinyl variants.Speaking of the album cover, Until the Night features artwork by none other than Errol Fritz himself. Fritz, who also created the cover for the band's Sextinction EP, took a minimalist yet striking approach to the design. "Sometimes simplicity is better," he explained. "There's not a whole lot going on, but it says a lot." The artwork, which captures raw emotion, was a perfect complement to the album's diverse and atmospheric sound. "The minute you showed us those sick paintings of yours, we just knew they were the ones," Void said, praising Fritz's talent.The band also discussed making the music video for Ossuary Lust, filmed in a chapel in a cemetery just five minutes from Fritz's home. "We broke into this little chapel and just started filming," Fritz recalled. Despite the somewhat illicit nature of the shoot, the band had no issues with the church authorities. "Nobody stopped us. No priests walked in and tried to throw holy water on us," Fritz joked. The video, filled with striking imagery and a sense of rebellion, mirrors the band's aesthetic and attitude—uncompromising and raw.Another highlight for the band was working with legendary producer Bill Metoyer (Slayer, W.A.S.P., and the godfather of Los Angeles heavy metal). "Bill is a legend," Void said. "His resume speaks for itself." The band recorded Until the Night themselves before bringing the material to Metoyer for the final production. "It was incredible," Fritz noted, explaining how Mitoia understood the band's vision and helped bring it to life. Fritz and Void formed a personal bond with Metoyer outside the studio, enjoying nights of casual drinks and conversation. "He's just a lot of fun," Void said. "We hit it off with him immediately."When asked what sets New Skeletal Faces apart from today's musical landscape, the band had a simple answer: nearly everything. "We're too heavy for goth, and then we're too goth for metal," Fritz said. "We're not political enough for punk. We don't really fit into current trends." This genre-defying approach has earned the band a loyal following, with fans drawn to their unique sound that blends elements from multiple genres without being confined to any single one.When it comes to musical influences, New Skeletal Faces draws inspiration from an eclectic mix of artists, including Celtic Frost, The Cure, David Bowie, P.I.L., and Killing Joke. These bands, known for their boundary-pushing styles, have significantly shaped New Skeletal Faces' sound. "Looking ahead, the band is eager to continue experimenting and expanding their sound, creating music that is as unpredictable and exciting as their live shows. As Void said, "We just want to keep making music that stands out and pushes boundaries."With Until the Night, New Skeletal Faces has delivered an album that is as ambitious as it is bold—marking the beginning of a new era for the band. As they continue to challenge expectations, one thing is clear: New Skeletal Faces is a force to be reckoned with in the world of heavy music.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

California death-rockers New Skeletal Faces will release their new album, ‘Until the Night' on November 1st, 2024, via Peaceville (their label debut). The trio that makes up the garish look and sound of New Skeletal Faces formed in 2017, and have been spreading the darkness of their reanimated ‘death rock' sound since then. 2019‘s Celestial Disease album woke the dead, but it's this new release that gets the creaky bones and rotted flesh well and truly moving. Think seductive & hypnotic gothic vibes fused with early Swedish black metal and Sunset Strip style heavy metal. It's hellacious, but that's exactly how New Skeletal Faces like it. We spoke to two out of three of the band, specifically Errol Fritz (vocals/guitar) and Don Void (drums), about the new album and everything that went into making it a reality. As well as digging into their past, present, and future, talking about spreading the wicked word of New Skeletal Faces further afield, and so much more. Find out more here: https://newskeletalfaces.bandcamp.com/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Twitter: https://twitter.com/GBHBL_Official Instagram: https://www.instagram.com/gbhbl/ Threads: https://www.threads.net/@gbhbl TikTok: https://www.tiktok.com/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios. YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Terminators, thank you for your patience. After a couple weeks' delay, for which TDMG has a good excuse (two fucking hurricanes) and I have none, we're back! Or rather, I'm back, with a big interview. A couple weeks ago, I had the pleasure of speaking with Chris Naughton, frontman of Winterfylleth and pioneer of modern pagan black metal. I asked him to draw up a list of five quintessentially English bands/scenes that fed into the Winterfylleth sound. These serve as touchstones for a conversation ranging from details of guitar technique to lyrical source texts to obscure distro history. On the show, we've often characterized Winterfylleth as a kind of tricky folk-cultural transplant project, “English Slavblack.” Talking with Chris led me to revise this portrait: Much of what I attributed to the influence of Ukrainian bands has older roots in Chris's native soil, in styles I hadn't necessarily expected. As for the question of English black metal, Chris has a thoughtful answer, a robust rebuttal to the old saw that “there's no such thing as 'English' culture." 00:00 - Intro 3:08 - Peaceville death-doom, songwriting for Winterfylleth 33:22 - Bolt Thrower, Carcass 52:45 - Is there an “English Sound” in black metal? (YES, but it's not what you think) 1:01:09 - Deep Purple 1:06:40 - Interlude - Iron Maiden - “Blood Brothers” fr. Brave New World (EMI, 2000) 1:13:54 - Fairport Convention, folk ballads, and pastoral poetry 1:30:21 - Primordial, the turn towards pagan black metal 1:43:22 - Drudkh / Hate Forest vs. other Slavic black metal 2:14:00 - Outro - Winterfylleth - “The Insurrection,” fr. The Imperious Horizon (Candlelight, 2024) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

From the depths of Norway looms a new rising beast of hate and misanthropy in the form of Avmakt. Featuring the duo of Kristian Valbo and Christoffer Bråthen – known for their work with such acts as Aura Noir, Obliteration, and Condor – their debut album, ‘The Satanic Inversion of….' Was released on August 30th, 2024, via Peaceville. Avmakt make no pretences to be anything but a throwback of bleak blackness. They just so happen to be immeasurably talented enough to make it sound necessary listening. Read our full review here: https://www.gbhbl.com/album-review-avmakt-satanic-inversion-of-peaceville/ We spoke to Christoffer Bråthen about the debut album, delving into the creative process and how it came about. We also talk about Christoffer's desire to give this project as much time as he can, musing on what the future might hold, black metal expectations, and so much more. Find out more here: https://bio.to/avmakt Website: https://gbhbl.com/ Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Big Cartel: https://gbhbl.bigcartel.com/ Facebook: https://www.facebook.com/GBHBL Twitter: https://twitter.com/GBHBL_Official Instagram: https://www.instagram.com/gbhbl/ TikTok: https://www.tiktok.com/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios. YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Orange Goblin is one of the most uncompromising representatives of old school heavy metal and hard rock in the world. Thirty years into their riff-driven career, they're releasing a brand new album (and first album with Peaceville), which may be their greatest work. Join Nate and Orange Goblin vocalist/lyricist Ben Ward as they discuss metal as a way of life, walking the fine line between stupid and clever, recording studios reminiscent of American Werewolf in London and The Texas Chainsaw Massacre, the pursuit of better living through riffs + fitness + sobriety, the importance of free speech in an increasingly volatile world, and more!   Album of discussion: Orange Goblin - Science, Not Fiction (2024) __________________________________________ E-mail all questions/ideas to: BIGRIFFENERGY@GMAIL.COM To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to https://paypal.me/BigRiffEnergy. Include your question in the note/message. Thanks for supporting the podcast! __________________________________________ BIG RIFF ENERGY official sponsor: https://www.pulltheplugpatches.com __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate https://www.instagram.com/borntoonate __________________________________________ Find Spirit Adrift:   https://spiritadrift.bandcamp.com https://spiritadrift.com __________________________________________

This epic interview with NOCTURNO CULTO is best experienced with the visual aid of our smiling faces (on YouTube): https://youtu.be/C-jgVTTxOyw Talking BIG RIFFS with the man himself, Ted Skjellum/ Nocturno Culto from Darkthrone. We discuss the new album "It Beckons Us All,” (out now on Peaceville Records), the steady evolution and thrillingly diverse eras of Darkthrone, how to conjure riffs from the depths of our souls with no regard for rules or expectations, the key to writing music that lasts for decades, breaking the chains of genre constraints and studio rental rates, developing an evolved black metal vocal style in order to withstand the cruel force of physical aging, hiking as a fuel source for riffs, the first-ever FOUR-PART Darkthrone guitar harmony, the subliminal power and mysticism of Fenriz lyrics, and MORE... Album(s) of discussion: A Blaze In The Northern Sky (1992) Transilvanian Hunger (1994) Sardonic Wrath (2004) The Cult Is Alive (2006) The Underground Resistance (2013) Old Star (2019) Eternal Hails (2021) It Beckons Us All (2024) __________________________________________ To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to https://paypal.me/BigRiffEnergy. Include your question in the message, or send an e-mail to BIGRIFFENERGY@gmail.com. Thanks for supporting the podcast! __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate __________________________________________ Find Spirit Adrift:   https://spiritadrift.bandcamp.com https://spiritadrift.com __________________________________________

Reviewing the MASSIVE riff energy of the debut Coffin Storm album. Discussing how Coffin Storm channel the most exciting period of metal when trad metal, doom metal, thrash, extreme metal, hardcore, crossover, and the fledgling extreme metal styles were swirling in an exciting alchemical riff energy stew. Answering e-mails regarding The Sword, doom metal, merch cuts, combat sports, discovering Solitude Aeturnus in 1990s Brazil, and more! Album of discussion: Coffin Storm - Arcana Rising (2024) __________________________________________ To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to paypal.me/BigRiffEnergy. Include your question in the message, or send an e-mail to BIGRIFFENERGY@gmail.com. Thanks for supporting the podcast! __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate __________________________________________ Find Spirit Adrift:   spiritadrift.bandcamp.com spiritadrift.com __________________________________________

Praising the decades-long, fearless, rule-breaking domination of Darkthrone, ranking my top 5 favorite albums by these black metal legends, appreciating the full-circle glory of hearing Spirit Adrift played on Radio Fenriz, getting poser checked by Phil Anselmo for wearing a Darkthrone tee, answering epic emails (including one from the frontman of the most brutal modern death metal band), and more! Album of discussion: Darkthrone - Old Star (2019) __________________________________________ To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to paypal.me/BigRiffEnergy. Include your question in the message, or send an e-mail to BIGRIFFENERGY@gmail.com. Thanks for supporting the podcast! __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate __________________________________________ Find Spirit Adrift:   spiritadrift.bandcamp.com spiritadrift.com __________________________________________

In this episode I go through the discography of Peaceville Records from 1989 - 1999 Track Played; Autopsy - Pagan Saviour - Severed Survival (1989) Paradise Lost – Rotting Misery – Lost Paradise (1990) Pitchshifter - Landfill - Industrial (1991) Paradise Lost – Dead Emotions – Gothic (1991) Darkthrone – A Blaze In The Northen Sky – A Blaze In The Northen Sky (1992) My Dying Bride - The Snow In My Hand - Turn Loose the Swans (1993) Darkthrone - Transilvanian Hunger - Transilvanian Hunger (1994) Anathema - A Dying Wish - The Silent Enigma (1995) Opeth – Moonlapse Vertigo – Still Life (1999) Host; Phil Wadey Contact us at philsbreakfastmetal@gmail.com Facebook page; www.facebook.com/Philsbreakfastmetal/?fref=ts Twitter; @BreakfastMetal

Duel : le Peaceville Three (2ème partie) Ce nouveau duel du Secret des Dieux voit s'affronter les membres du fameux Peaceville Three, représentés par leurs avocats respectifs : Laurent Judas, Gillet Moinet et Sylvain Bégot. Ce sont donc trois protagonistes britanniques, à savoir les titans Anathema, My Dying Bride et Paradise Lost qui s'affrontent sur ce champs de bataille oral. Si déclarer un vainqueur n'a finalement que peu d'importance tant ces artistes ont apporté à la scène Metal, cette joute en deux épisodes demeure cependant une belle occasion de faire un tour d'horizon des carrières de ces trois groupes mythiques. Lien de la playlist musicale Spotify de cet épisode :⁠⁠⁠ ⁠Playlist⁠ (spéciale Peaceville Three) Pour soutenir le podcast:⁠⁠⁠ ⁠Tipee⁠⁠ Tous les liens pour écouter DANS LE SECRET DES DIEUX :⁠⁠⁠ ⁠Linktree

Duel : le Peaceville Three (1ère partie) Ce nouveau duel du Secret des Dieux voit s'affronter les membres du fameux Peaceville Three, représentés par leurs avocats respectifs : Laurent Judas, Gillet Moinet et Sylvain Bégot. Ce sont donc trois protagonistes britanniques, à savoir les titans Anathema, My Dying Bride et Paradise Lost qui s'affrontent sur ce champs de bataille oral. Si déclarer un vainqueur n'a finalement que peu d'importance tant ces artistes ont apporté à la scène Metal, cette joute en deux épisodes demeure cependant une belle occasion de faire un tour d'horizon des carrières de ces trois groupes mythiques. Lien de la playlist musicale Spotify de cet épisode :⁠ Playlist (spéciale Peaceville Three) Pour soutenir le podcast:⁠ Tipee⁠ Tous les liens pour écouter DANS LE SECRET DES DIEUX :⁠ Linktree

Summer yawns over the horizon, but Terminus is interested in something a little colder: today's episode features both DSBM and material descended from Peaceville doom to add some well-needed cynicism to your time by the pool. First up is the return of Austere some 14 years after their last full length. Titans of Australian DSBM, Austere return no less powerful for their time absent, with material just as grey, lonely, and withering as their classic works. Beyond simple depression, though, Austere explores fascinating textural territories with dense, novel chord voicings, a patient, nearly ambient manner of constructing songs, and moments of triumphant melody which burst through the music's dense, suffocating fog. Highly recommended for DSBM fans and even those suspect of the genre. The other half of this episode features the return of Hanging Garden to the show, who made a great impression on us with 2021's "Skeleton Lake." Their new (nearly) eponymous full length presents an aggressively streamlined, pop-forward sound which manages to fully integrate the band's serious extreme metal pedigree with hook-laden, approachable songwriting. This record functions as a fascinating update to 00's Hot Topic stalwarts like Lacuna Coil, with just enough bite to keep noisemongers like us listening. While this is far more accessible than our typical fare, it's no less potent in its songwriting and craftsmanship. 0:00:00 - Intro 0:05:39 - Austere - Corrosion of Hearts (Lupus Lounge) 0:53:50 - Interlude - Totalselfhatred - “Total Self-Hatred” fr. Totalselfhatred (Ordo Decimus Peccatum, 2008) 1:01:06 - Hanging Garden - The Garden (Agonia Records) 1:52:32 - Outro - Theatre of Tragedy - “And When He Falleth” fr. Velvet Darkness They Fear (Massacre Records, 1996) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

If you're wondering why today's installment of Terminus took a while to get to you, it's simple: episode 111 is all about doom, so it moved a little slower. Amidst all the high energy death and black metal we've been covering this year, we've been waiting for the opportunity to cover records a bit more... lethargic. Call us Type O Negative, because today we're going slow, deep, and hard. First up: a mini review of the debut record by Chilean epic doomdeath purveyors Mournument, which fuses romantic funeral doom with Peaceville riffing and all the wistful sorrow you could ask for. Next up: the 13th full length record by Candlemass. Typically while writing these descriptions we try not to spoil our overall assessment of an album, but in this case, it's unavoidable: it's a rough one, folks. Somewhere in a murky realm between stoner rock, bad Manowar, and a hint of actual doom lie the remains of Candlemass, who present a record composed nearly exclusively of terrible songwriting decisions and musical theater cheese. Those negative nancies who appreciate us at our most critical will undoubtedly enjoy this episode nearly as much as we despised the record in question. Following is a record that makes its listeners miserable for the RIGHT reasons: the newest split between Grave Upheaval and Terminus alums The Funeral Orchestra. This came out back in August but it was worth the wait: this is a split that's more than the sum of its parts, feeling like a truly collaborative effort between the artists. Grave Upheaval slows way down and explores the dismal fringes of caverncore to great effect; TFO strips back their buzzing lurch to something more minimal, grumbling, and unsettling. The result: a record so empty, dismal, and harrowing it would make Mutiilation blush. 0:00:00 - Intro 0:06:08 - Mournument - Smouldering Into Dust (Ardua Music) 0:26:05 - Candlemass - Sweet Evil Sun (Napalm Records) 1:14:00 - Interlude - Reverend Bizarre - “The Devil Rides Out” fr. II: Crush the Insects (Spikefarm Records, 2005) 1:20:12 - Grave Upheaval/The Funeral Orchestra - Inexistentia (Parasitic Records) 2:06:53 - Outro - Lycia - “Ionia,” fr. Ionia (Projekt, 1991) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

This all new edition of THE LOADED RADIO PODCAST features discussions with Eric Cutler from death metal pioneers AUTOPSY as well as iconic songwriter and performer Devin Townsend.  AUTOPSY have the new album 'Morbidity Triumphant' available now via Peaceville records and delivers an absolute onslaught of everything you would expect from an AUTOPSY album, complete with gore-ridden lyrics, brutal vocals and pulverizing music. Devin Townsend has the new album 'Lightwork', which drops on October 28 via InsideOut Music and marks somewhat of a departure from Tonwsend's previous work, with a more hopeful and sonic delivery which comes off so beautifully. 

This is an interview with Sean and Brielle Keller who are building a conscious community of tiny homes in Graceville, Florida. The name of the community is Peaceville. How appropriate for what we need in our world. To live in Graceville and Peaceville! Here is the website: http://peacevillelots.com/This is something to take a look at if you are being called to community living, as many of you have already said you may be. Enjoy the Journey! Thomas

For episode 41 it's another special crossover episode with the excellent Kerrang Back Issues podcast as Steven joins us to talk about Kerrang's New Metal Messiah's tape from June 1995. The tape's full tracklisting is - 1 – Cathedral - Vampire Sun (Demo Version) 2 – Paradise Lost - Hallowed Land 3 – Pitch Shifter - Nowhere Is Everywhere (Free Dum Of Choice Mix) 4 – My Dying Bride - The Cry Of Mankind (edit) Find all the previous episodes of Kerrang Back Issues at pod.link/1548101393 and follow Steven on Instagram at https://www.instagram.com/kerrangbackissues/ and Twitter at https://twitter.com/kerrangpod Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2Q You can buy a copy of the cd from Discogs here - https://www.discogs.com/release/3166169-Various-New-Metal-Messiahs Host - Colin Jackson-Brown (Ian's on paternity leave!) Recorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig Podcasts Part of the We Made This podcast network. https://twitter.com/we_madethis Twitter – https://twitter.com/thismonthsissue Instagram - https://www.instagram.com/freewiththismonthsissue/ Facebook - https://www.facebook.com/freewiththismonthsissue/ Find our other episodes at www.wedigpodcasts.com Find other We Made This shows & writing at www.wemadethisnetwork.com

For episode 41 it's another special crossover episode with the excellent Kerrang Back Issues podcast as Steven joins us to talk about Kerrang's New Metal Messiah's tape from June 1995.The tape's full tracklisting is -1 – Cathedral - Vampire Sun (Demo Version)2 – Paradise Lost - Hallowed Land3 – Pitch Shifter - Nowhere Is Everywhere (Free Dum Of Choice Mix)4 – My Dying Bride - The Cry Of Mankind (edit)Find all the previous episodes of Kerrang Back Issues at pod.link/1548101393 and follow Steven on Instagram at https://www.instagram.com/kerrangbackissues/ and Twitter at https://twitter.com/kerrangpodListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2Q You can buy a copy of the cd from Discogs here - https://www.discogs.com/release/3166169-Various-New-Metal-MessiahsHost - Colin Jackson-Brown (Ian's on paternity leave!)Recorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Made This podcast network. https://twitter.com/we_madethis Twitter – https://twitter.com/thismonthsissue Instagram - https://www.instagram.com/freewiththismonthsissue/ Facebook - https://www.facebook.com/freewiththismonthsissue/ Find our other episodes at www.wedigpodcasts.com Find other We Made This shows & writing at www.wemadethisnetwork.com

As Terminus trundles its massive bulk toward something resembling a conventional schedule again, we present an oldschool episode with a bunch of records, a bunch of different sounds, and a lot of confused late-night cackling regarding goats and the docking thereof. The opening ceremonies today are conducted by one Paimon Gate, a brand new project who blow the hinges off the barn door with their debut demo of primitive yet ornate black/death in the vein of Profanatica. Keep your eyes on this one- a full length will almost undoubtedly be an album of the year contender when it arrives. Following this is the new split by Rotting Kingdom and Encoffination, personal favorites of TBMG and TDMG respectively. A well-arranged split always functions as a complete piece unto itself, and such is the case here, presenting two distinct sides of the doom/death coin: RK explore a nuanced take on the more melodic Peaceville sound while Encoffination suffocates the listener with nihilistic minimalism. Party music it's not, but it's a great disc for the seasoned listener. Next up to bat is Downcross, a Belarusian duo who explore various fringes of black metal styles wrapped around an 00s trenchcoat black'n'roll core. Don't let that descriptor scare you away- this is subtle and rich music which employs its rock techniques in service of fascinating, eccentric tracks. Every track on Hexapoda Triumph could be the seed of a new band unto itself, and to hear all of these ideas bundled together and presented as a distinct unit is something of a revelation. Concluding is, of course, more brutal death, this time courtesy of deep south butcherers Perceptions of Torment. Longtime friends of TDMG, PoT finally present a concise, punchy debut record of Texas-style brutal death. Ripping technical tremolo riffs whip across a surface of mechanical blast beats which periodically dissolve into crushing NYDM breakdowns suitable for mosh pit homicide- in short, it's everything a growing Terminator needs. 0:00:00 - Intro/Paimon Gate - Seven Legions (Nuclear War Now) 0:23:01 - Rotting Kingdom / Encoffination - Wretched Enigma of Salvation (Selfmadegod Records) 1:01:00 - Interlude - Rigor Sardonicous - “The Dead” fr. Principia Sardonica (Paragon Records, 2004) 1:08:05 - Downcross - Hexapoda Triumph (Cavum Atrum Rex) 1:49:01 - Interlude - Ashes - “Beloved Dust” fr. Ashes (Malignant Voices, 2019) 1:56:54 - Perceptions of Torment - Elegance in Postmortem (Sevared Records) 2:40:03 - Outro - Big K.R.I.T. - “Hometown Hero” ft. K.R.I.T. Wuz Here (Nature Sounds, 2010) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Do you love everything Brand New? Or can Katatonia weaken your woes? Feat Tim Whiffen of Whimsy Productions and Blind Insights.THE SONGSSong 1 - ‘Sowing Season (Yeah)' by Brand NewApple Music - apple.co/3vLSX4zSpotify - spoti.fi/35CijaqYoutube - youtu.be/8HgUaaTTh_Q
Song 2 - 'The One You Are Looking For Is Not Here' by KatatoniaApple Music - apple.co/3HIEgShSpotify - spoti.fi/3HJn5zLYoutube - youtu.be/TkWXDAcREJETHE GUESTThe whimsical and non-lackadaisical Tim Whiffen of Whimsy Productions and Blind Insights. Whether he's producing top podcast content or getting philosophical behind the mic, Tim detailed thought and approach to life is inspiring.Listen to Blind Insights with David OlneyCheck out Tim's work at whimsyproductions.comSONG CREDITS‘Sowing Season (Yeah)' written by Jesse Lacey and Vincent Accardi. From the album ‘The Devil and God Are Raging Inside Me'. Copyright 2006 Interscope.'The One You Are Looking For Is Not Here' written by Jonas Renske. From the album ‘Dead End Kings'. Copyright 2012 Peaceville.

Finyl Vinyl ist eine Hommage an Plattensammlungen überall. Wie es so schön heißt, man ist nicht Besitzer einer Sammlung, nur vorübergehender Hüter. Die Platten bringt diesmal mit Stefan Kerber (Sonic Booze Machine / Droen / Love Music Help People) 1. Candlemass - Solitude (1986/2019 Peaceville) 2. Saxon - Heavy Metal Thunder (1980) 3. Blue Öyster Cult - The Red & The Black (1973) 4. Mahogany Rush - Little Sexy Annie (1976) 5. Manfred Mann's Earth Band - Look Around (1972) 6. Elvin Bishop - Do Nobody Wrong (1975) 7. Ted Nugent - Smokescreen (1978) 8. Atomic Rooster - Sleeping For Years (1975) 9. The Golden Earring - Everyday's Torture (1969) 10. Stoned Jesus - Black Woods (2020) 11. Cathedral - Ride (1993) 12. Bathory - For All Those Who Died (1988) 13. Bongzilla - Sundae Driver (2021) 14. Confusion Master - Viking X (2021) 15. Bathory - Chariots Of Fire (1987) 16. Isolert - Fire, Ash, Blood (2020) 17. Dimmu Borgir - Sorgens Kammer (1996) 18. Seized - Imbalance (1996) 19. Black Sabbath - Sleeping Village (1970) # Finyl Vinyl – Record collections everywhere Finyl Vinyl ist eine Hommage an Plattensammlungen überall. Wie es so schön heißt, man ist nicht Besitzer einer Sammlung, nur vorübergehender Hüter. In diesem Sinne wird brav geteilt. Ich habe endlose Neugier für das was Du hörst, welche besonderen Schätze dabei sind, neben allen versteht sich, und ich will immer noch ein Lied hören. Komm, einer geht noch und sag, wo hast Du diese Platte gefunden? Wann hast Du sie das letzte Mal gespielt? Diese und viele weitere Fragen werden hier beschnattert von mir und meinen illustren Wegbegleitenden und Hütenden von unserem Lieblingsding, Vinyl. – Elisabeth Finyl Vinyl is an homage to record collections everywhere. As the saying goes, one is never the owner of a collection, only the temporary guardian. In that spirit the wealth will be shared. I have a never ending curiosity for what you are listening to, what the gems are in your collection, besides all of them. Plus I always want to hear one finyl song. Go on, play one more and tell me, where did you find this? When did you play this last? These and many more questions will get answered in this show with me and my illustrious fellow guardians of our favourite thing, vinyl. – Elisabeth

One of our great dreams here at the Terminus Bunker is that one day people will say we jumped the shark, and only the old demo material is still worthwhile. In eager anticipation of our critical demise, we present an episode that would fit back in 2020, with several obscure, mostly independently released records that play around the edges of disrespected genres and styles. "Once they learned how to mix audio properly, it was all over." We agree. Opening the festivities is a presentation by The Black Metal Guy with Military Shadow, a Japanese metalpunk band which allows The Death Metal Guy to finally ask what the hell metalpunk is anyway. The answer, at least in the case of Military Shadow, is a high-flying combination of NWOBHM/speed metal and driving, raucous d-beat. It's an intensely good time- imagine Impaled Nazarene without the black metal and you have a pretty good idea. Following is the second full-length by Isataii, a Los Angeles duo who emerged in 2021 and have released an astounding amount of material over the past year. Don't let this get confused for a lack of quality control, however- Isataii's music reaches back to the ooze of mid-00s black metal, typically decried as a dark age for the genre, but was secretly creatively fertile. Somewhere between Franco-Finnish, DSBM, and stomping Swedish, Isataii strips down modern riff forms and places them into the blocky structures of primitive 2nd wave or USBM, resulting in a record for patricians only. Wrapping up is the newest LP by Deadlife, a similarly prolific Swedish one man project which plays... DSBM? Maybe? Discussion in this segment centers around what DSBM means anyway, given that Deadlife's music in large part reflects the strains of Peaceville doom and Katatonia rather than anything conventionally "black metal." Regardless of genre, Deadlife has mastered the resurrection of conventional riff forms of old, playing familiar melodies with a physical power and nuance rarely seen in the years since the style's heyday. 0:00:00 - Intro/Military Shadow - Violence Reigns (Black Konflik) 0:29:28 - Interlude - Syphilitic Vaginas - “Black Sorcery” fr. Black Motor Covenant (RFL Records, 2007) (Link is to the "Complete Studio Collection compilation, featuring that EP and much more) 0:33:08 - Isataii - Invoking in Darkness (Independent) 1:23:42 - Interlude - Ghremdrakk - “Chemikinesis” fr. Je m'exalte (Grievantee Productions, 2007) (Out of print, not available digitally, but still available through underground distros) 1:30:04 - Deadlife - The Darkening (Independent) 2:13:00 - Outro - Sangre - “As in Life, So in Death” fr. En Memoria (Restroom Records, 2005)   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Dave Gregor of Morta Skuld calls into the hole! heavyholepodcast.com Voicemail - 631 837 3274 Music Featured - Morta Skuld - Dying Remains Morta Skuld - Suffer for Nothing

It was a dark and stormy night at Terminus HQ- in a literal sense, since this episode was recorded over the course of a couple days when TDMG's power was knocked out mid-recording. Dark forces conspire against us, but we drive ever forward in the name of Sword Boy Summer, now fully upon us. Today's theme? The return of "uncool" styles of metal from the mid-90s and 00s, just barely old enough to inspire feelings of nostalgia in your hosts, finally vindicated in their love of all the music they were bullied about in high school. The episode open's with a Terminus landmark: The Black Metal Guy's first ever brutal death metal submission. Predictably, it's an odd one: Blind Hate operates in the deepest reaches of the Japanese death metal scene but takes their influences from the most thuggish and ruggish elements of NYDM circa '97. TDMG predictably spergs out, rushing to recommend all the OTHER bands his cohost now needs to listen to. Beyond the immediate love of creeping, crawling, crushing hardcore breakdowns, however, is a work of considerable depth which reveals more and more on subsequent listens. In a twist of hideous irony, it's TDMG that brings spartan black metal to the table in the form of Gallows. This Salem, Massachusetts duo plays black metal that was nowadays when your hosts grew up but is now almost oldschool- the clattering, discordant strains of Under a Funeral Moon and the oldest work by Mutiilation could be straight out of the late 90s were it not for subtle gestures at modern songwriting standards. It's a fun record with both Unholy Black Metal style rippers as well as slow-burn stuff for the more refined. We return from our interlude with a blast from TDMG's past with the new EP by Thy Light, a project from the last gasps of DSBM before that scene collapsed. Have you heard DSBM before? You've kind of heard this, then, but it's the little things that count- subtle harmonic color, wonderful rhythmic arrangements and- face-melting guitar solos? Two sprawling tracks announce the return of one of DSBM's unsung heroes, much to the pleasure of your hosts. Back in the day it was just Suicidal Black Metal! I can't handle you whippersnappers! Concluding the episode is the newest release by Hanging Garden, a melodic, goth-inflected doom/death band drawn from the old Peaceville style who liven things up with remarkable poise and pacing. This is far outside of the usual Terminus wheelhouse but undeniably excellent, making new converts to the kvlt of clean female vocals and tambourine accompaniment. Terminus listeners are exactly the sort of weirdos who would love the transitional records by bands like Paradise Lost and Amorphis, so here's a band for you, who attempt to convert those awkward, fawn-like steps into a limestone-solid foundation to build upon.   0:00 - Intro 0:05:55 - Blind Hate - Shinbe - Expulsion of Foreigners (Rock Stakk Records) 0:46:35 - Gallows - 66 Black Wings (Katafalque) 1:21:59 - Interlude - Avsky - Fuck Your Values, Fuck Your Beliefs fr. Malignant (Moribund Records, 2008) 1:29:55 - Thy Light - Thy Light (Independent) 2:16:53 - Hanging Garden - Skeleton Lake (Lifeforce Records) 2:57:29 - Outro - Novembers Doom - Collapse of the Fallen Throe fr. The Pale Haunt Departure (The End Records/Candlelight Records, 2005, or you can find a hard copy of this one just about anywhere)   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

The first instalment of a meeting of minds between Peaceville founder Paul ‘Hammy’ Halmshaw from Dewsbury & Teenage Pi the founder of Pimp Millipede records from the imaginary psychedelic anarchist utopia of Halmstead. Hammy’s latest Spotify playlist. https://open.spotify.com/playlist/7D9Q0obSOHcJS7eTy3Fr5B

As the days grow short and the nights grow long, The Black Metal Guy drags himself out of bed to Storm of The Light's Bane and Welcome My Last Chapter, pulls up the hood on his wizard's cowl, and prepares for a Terminus write-up..... Though this week's show tends towards all sorts of swirling, low-end chthonic gloom, we lead off with a flash of sunlight on plate armor, and the gleam of a witch's eye from a scrying stone. After two years of silence and preparation, along with a pivotal line-up change, Mongrel's Cross return with a mighty work of effortlessly flowing, magisterial black thrash. The Death Metal Guy is a longtime skeptic of the Aussie sound -- can the soaring leads and viciously jabbing vocals win him over? We follow that up with a close listen to a split from two German bands with intensely complementary takes on High IQ War Metal. Hadopelagyal channel their obsession with the ocean's deepest nightside zones into the "cavernous black/death" aesthetic, but show a greater interest in composition than guitar tone, and treat their extended atmospheric passages as real music rather than filler.  Thorybos plays more minimalistic, barbarian attack riffs, but with equal if not greater influence by ritual-industrial sampling procedures. Between these two bands, there's real potential for a new sound. On the second half of the show, we check out the debut EP from a rumbling, droning black/death band that bills its sound as "Hate Forest meets Bolzer." But if that's the conceptual starting point, what is this project actually doing? The Death Metal Guy has some interesting advice. Finally, we close with an even bleaker record, the blastbeat-driven funeral doom of Sweden's Gravkväde. I try not to call things "crushing" in these writeups, but it's pretty damn crushing -- and not in the way you expect. This leads us into a broader discussion on the coolness of classic 90s funeral doom, a sound yet to be processed by the modern underground.   00:00 - Introductory bullshitting 02:58 - Terminus News ft. a Filipino band called Asgardsrei (Hessian Firm) 16:38 - Rundown of bands and labels 19:44 - Mongrel's Cross - Arcana, Scrying and Revelation (Hell's Headbangers) 01:01:58 - Hadopelagyal / Thorybos - Conjuring Subterranean Vortex (Amor Fati Productions) 01:33:43 - Interlude - Ayat - "Raw War (Beirut Unveils Her Pussy Once More)" fr. Carry On, Carrion! (Moribund Records, 2017). 01:41:31 - Catherine Wheel - The Procession of Flagellants (Blood Boiler Studios) 02:17:40 - Gravkväde - Grav|Ruin (Transylvanian Tapes / VGDK Records) 02:51:30 - Outro - Thergothon - "Everlasting," fr. Stream from the Heavens (Avantgarde Music, 1994). LP and CD reissue available from Peaceville.   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

My Dying Bride skulle ha spilt på Midgardsblot i slutten av august. Jernverket har i den anledning plukket frem et arkivintervju med gitarist Andrew Craighan. Hvorfor endte My Dying Bride opp som et doom-band? Hvordan kan du bli glad av å skrive trist musikk? Hvordan ender man opp med å spille dart med konsertpublikum? Hva bør man gjøre som turist i Leeds? Hvorfor vil ikke Craighan spille med et klassisk orkester, og hva gjør han egentlig med håret sitt? My Dying Bride ga ut albumet "The Ghost of Orion" på Nuclear Blast i mars. Du kan høre My Dying Brides spilleliste ved å følge Jernverket på Spotify. Spilleliste: Rainbow - Stargazer Obituary - Slowly We Rot My Dying Bride - The Wreckage of My Flesh Ozzy Osbourne - Diary of a Madman Morbid Angel - Maze of Torment W.A.S.P. - School Daze Dio - Holy Diver Kreator - Behind the Mirror Candlemass - Bewitched Dio - Egypt (The Chains are On) Støtt Jernverket økonomisk via Patreon eller Vipps-nummer 567438. Det er også hyggelig om du legger igjen en anmeldelse der du lytter. NB! Jernverket har byttet publiseringsplattform. Det vil sannsynligvis føre til en del døde lenker i episodebeskrivelsene. Jeg jobber med å få ordnet dette, men si gjerne fra dersom du oppdager noe "rart". 

Jernverket er tilbake med nye episoder den 7. august! I sesongens første avsnitt møter vi Andrew Craighan, gitarist i My Dying Bride. Doom-bandet skulle ha spilt på Midgardsblot i august, men pandemien satte en stopper for den planen. Vi får derfor trøste oss med et intervju mens vi venter på bedre tider. Abonner på Jernverket podkast via iTunes, Spotify, annen foretrukken podkasttjeneste eller hør den på jernverket.com. Støtt produksjonen av Jernverket med et månedlig beløp via Patreon på patreon.com/jernverket eller doner via Vipps-nummer 567438.

Guest : Jonas Renkse from KATATONIA talks new album 'City Burials'Metal, Rock and Everything noisy from Australia and around the world!This episode Hosted by Nev Pearcewww.facebook.com/EverblackmediaThe Everblack Metal Podcast is proudly supported by :RW Promotion : www.rwpromotion.com.auBlacklight Art & Design : www.blacklightad.com.au

Guest : Jonas Renkse from KATATONIA talks new album 'City Burials'Metal, Rock and Everything noisy from Australia and around the world!This episode Hosted by Nev Pearcewww.facebook.com/EverblackmediaThe Everblack Metal Podcast is proudly supported by :RW Promotion : www.rwpromotion.com.auBlacklight Art & Design : www.blacklightad.com.au

Mork kom på hjemmebesøk til Jernverket etter en kveld med "Lords of Chaos" på skjermen. Thomas Eriksen forteller hvordan en Mayhem-konsert på Roskilde inspirerte ham til å programmere black metal-trommer på et Casio-keyboard, om en bobleplastkonvolutt fra Nocturno Culto, de tunge stundene som preget innspillingen av "Det svarte juv", en praktisk skjeggolje og en Mob Rules-inspirert plate som bare ligger og venter på å bli ferdig. Mork slipper plata "Det svarte juv" på Peaceville Records 19. april. Samme dag signerer de plater på Katakomben. Mork spiller også på Inferno den 20. april. Abonner på Jernverket podkast via iTunes, Spotify, annen foretrukken podkasttjeneste eller hør den på jernverket.com. Nytt hardrockintervju hver fredag. Du kan høre Morks spilleliste ved å følge Jernverket på Spotify. Spilleliste (tekst) The Buzzcocks - Ever Fallen in Love Uriah Heep - Too Scared to Run UFO - Lights Out Black Sabbath - Voodoo Iron Maiden - Moonchild Mork - På tvers av tidene AC/DC - Spellbound AC/DC - The Furor Metallica - Where Wild Things Are Megadeth - Angry Again Støtt Jernverket økonomisk via Patreon eller Vipps-nummer 567438! Det er også hyggelig om du legger igjen en anmeldelse på iTunes.

Wishful Dreaming: A Study of My Dying Bride’s Urban Detour Join Radical Research hosts Jeff Wagner and Hunter Ginn in a spirited discussion on the fifth album from English death/doom maestros My Dying Bride. 34.788%…Complete was met with quizzical confusion upon its release in 1998,...

In what is appropriately, and perhaps ironically their longest most bloated episode to date, we start the show with Don’s report on Warped Tour and the recent controversy it’s brought on, and moves right along to a rant about the horrible human being Otep Shamaya has shown herself to be, then Zach continues the ravings with a dig at some shitty Kreator fans. Finally getting on topic (for the most part) the guys discuss 3 subgenres of Doom metal. Don, tackles some early work by the notorious Peaceville Three, and other death/doom from our European friends, Iain takes on the pride of Dixie with some Sludge Metal classics, and Zach struggles to find things to say about the mysterious early ninties forebearers of what would become Stoner Metal. Plus Chumbawumba, the weather’s role in doom appreciation and creation, last week's recommendations and more. ALBUMS DISCUSSED SLUDGE CLASSICS EYEHATEGOD - Take as Needed for PainAcid Bath - When the Kite String PopsCrowbar- Time Heals NothingIRON MONKEY- Our ProblemNeurosis - Souls at Zero Down - NOLA   PEACEVILLE & BEYOND   Katatonia - Dance Of December SoulsMy Dying Bride - As The Flower WithersTiamat - The Astral SleepAnathema - Pentecost IIIAmorphis - Karelian IsthmusParadise Lost - Lost Paradise   ORIGINS OF STONER METAL Sons of Kyuss - Sons of Kyuss EPAsbestosdeath (pre-Sleep) - Dejection/UncleanThe Quill - The QuillOnly Living Witness - Prone Mortal FormChristbait -Yeast EPSnail -Snail Thud - Life And Death Music By Grylagryla-pa.bandcamp.com/ Witch Hazelwitchhazeldoom.bandcamp.com/ Veilburnerveilburner.bandcamp.com/ CHECK OUTMIDNIGHT METALwww.facebook.com/MidnightMetalPodcast/      

In the latest Peaceville podcast episode, Greg Moffitt contacted mainman and founding member Carmelo Orlando to discuss Novembre'slatest opus, 'URSA', including the themes behind the album, and the longprocess of making their 2016 epic. Released on April 1st on Peaceville, 'URSA'effortlessly blends soothing, epic, melancholy and intense moods and representsa high point from one of the originators of the atmospheric Death/Doom Metal scene. Headed by founding member and writer Carmelo Orlando(with a reinvigorated musical alliance with Massimiliano Pagliuso), the line-upis completed by Fabio Fraschini (previously bassist on the Materia album), andDavid Folchitto on drums. Anders Nyström fromKatatonia makes a special guest appearance, adding his own unique 'cold' touchto the album's single track Annoluce. The album title, 'URSA', (the acronym for "Union desRepubliques Socialistes Animales"), was the title initially chosen for theFrench translation of George Orwell's masterpiece novel Animal Farm. Lyrically and conceptually the album is a statement against the squalor of an Orwellian apocalypse Novembre feel we're committing towards the Earth and its sons. 'URSA' was recorded at Blue Noise Studio, and Play Rec studio by Massimiliano, then mixed and mastered at Unisound Studios by DanSwano (Opeth, Katatonia, Bloodbath). The cover art comes courtesy of the legendary TravisSmith. www.facebook.com/Novembre-9166507723/ www.burningshed.com/store/peacevill…collection/249/

Featuring Ted Skjellum of Darkthrone

In the Peaceville podcast series, former Peaceville Records employee, Dave Pybus, responsible for the layout and design of many classic titles (and perhaps more widely known for his time with Anathema and Cradle of Filth), discusses his days at the company at the start of the 1990s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this latest episode of his 'Peaceville Days' podcast, Pybus talks with Ted Skjellum AKA Nocturno Culto from Norwegian legends Darkthrone about the early days of the band’s recording career and their long-standing association with Peaceville, as well as the evolution of Darkthrone from their death metal beginnings to leaders of the second wave of black metal in the early 90’s. In collaboration with 'Life is a Hideous Thing,' the official Dave Pybus podcast. www.davepybus.blogspot.co.uk

Featuring Tomas Lindberg of At The Gates

In a new Peaceville podcast series, former Peaceville employee Dave Pybus, responsible for the layout & design of many classic titles (& perhaps more widely known for his time with Anathema & Cradle of Filth), discusses his days at the company at the start of the 1990’s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this first episode of his ‘Peaceville Days’ podcast, Dave talks with Aaron Stainthorpe of My Dying Bride about the early visions of the band, plus techniques of constructing artwork in the early 90’s, along with some of the tribulations involved in the pre-photoshop era. Also joining the trip down memory lane is a conversation with artist Dave McKean, himself responsible for some of the early iconic My Dying Bride artwork.In collaboration with Life Is a Hideous Thing - The official Dave Pybus Podcast. www.davepybus.blogspot.co.uk/

In the Peaceville podcast series, former Peaceville employee Dave Pybus, responsible for the layout & design of many classic titles (& perhaps more widely known for his time with Anathema & Cradle of Filth), discusses his days at the company at the start of the 1990’s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since.In the latest episode of his ‘Peaceville Days’ podcast, Dave catches up with Autopsy’s Chris Reifert to reflect on the historical evolution in regard to censorship, including the often controversial legacy of the US death metal legends & their infamous artwork which at the time was deemed too extreme for the population at large.

In the Peaceville podcast series, former Peaceville Records employee, Dave Pybus, responsible for the layout and design of many classic titles (and perhaps more widely known for his time with Anathema and Cradle of Filth), discusses his days at the company at the start of the 1990s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this latest episode of his 'Peaceville Days' podcast, Pybus catches up with vocalist Tomas Lindberg of influential Swedish death metal masters At the Gates, and discusses the formative years of the band and their Deaf Records/Peaceville legacy, as well as thoughts on At the Gates’ album visual aesthetics, including Tomas’ input in the design of the iconic Darkthrone logo.In collaboration with 'Life is a Hideous Thing,' the official Dave Pybus podcast. www.davepybus.blogspot.co.uk

Featuring Chris Reifert of Autopsy

In a new Peaceville podcast series, former Peaceville employee Dave Pybus, responsible for the layout & design of many classic titles (& perhaps more widely known for his time with Anathema & Cradle of Filth), reflects on his days at the company at the start of the 1990’s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this first episode of his ‘Peaceville Days’ podcast, Dave talks with Aaron Stainthorpe of My Dying Bride about the early visions of the band, plus techniques of constructing artwork in the early 90’s, along with some of the tribulations involved in the pre-photoshop era. Also joining the trip down memory lane is a conversation with artist Dave McKean, himself responsible for some of the early iconic My Dying Bride artwork.

The third episode of the unholy Peaceville podcast is now upon us, and who better to serve up some rancid platters from the vaults of horror this Halloween than Mr Anders ‘Blakkheim’ Nyström from Swedish deathlords, Bloodbath. Taking us through a nightmare of brutality, blasphemy and sickness, & delving into the influential delights of death metal’s glorious past which contributed towards creating the monster that became Bloodbath, Blakkheim also blesses us with an exclusive Halloween treat in the form of a new track lifted from forthcoming album Grand Morbid Funeral, set for release on November 17th on Peaceville Records.ORDER YOUR COPYMORE BLOODBATHwww.peaceville.com/bloodbathwww.bloodbath.biz

Welcome to the new episode of the Peaceville podcast where our latest journey through the world of musical madness is captained by none other than Mr Chris Reifert from the masters of horror, Autopsy. Chris reveals some insightful, eclectic & perhaps unexpected influences from the likes of Repulsion, Trouble, Procol Harum and Mahogany Rush, and even plays some of them for our delectation. Enjoy! www.peaceville.com/autopsy

Peaceville Records is set to delve into the world of podcasts with a series of special shows courtesy of some of our esteemed artists from our roster. And who better to commence proceedings than a man who needs no introduction but will be given one anyway. It's the seemingly bottomless pit of musical knowledge that is Darkthrone's Fenriz, with his very own selection of influential tracks from the darker side of the metal universe, who first takes centre stage. The podcasts will be available through www.peaceville.com and downloadable for free from Podbean, Soundcloud and iTunes. Watch out for the next installment of the Peaceville podcast too, as we await the next suspect with impending dread.DARKTHRONE - Black Death and Beyond (Box set vinyl/book)‘Black Death and Beyond’ is a special collector’s box-set featuring an in-depth book containing extensive accounts of the band’s history & philosophy from both Gylve ‘Fenris’ Nagell & Ted ‘Nocturno Culto’ Skjellum, as well as additional recollections from bass player Dag Nilsen. Numerous other artists & friends along the way give their thoughts on the legends too, plus the book contains a large amount of personal photos from the band archive. Also included are 3 vinyls featuring Darkthrone’s own choice cuts from their illustrious collection of death/black/ & metal/punk classics, presented on white, black & transparent vinyl. This edition of ‘Black Death and Beyond’ is strictly limited to a single vinyl pressing. Once it's sold out, it will not be re-pressed. ORDER YOUR COPY: https://www.burningshed.com/store/peaceville/product/233/5439/MORE DARKTHRONE: https://www.burningshed.com/store/peaceville/collection/233/