Podcasts about Satyricon

W 134 odcinku Ciężkie Majki po standardowych blokach rozgrzewkowo-społecznościowych przechodzą do omawiania następujących tematów: ominięcie łukiem na trasie Polski przez Paradise Lost i Killswitch Engage (ze zrozumieniem dla tych pierwszych), niepojęte dla Kerry'ego Kinga zjawisko, że ludzie się zmieniają, wspomnienia Gary'ego Holta z czasów gdy Kirk Hammett poszedł do Metalliki, potrzebę odpoczynku u Devina Townsenda, Steve'a „Zetro” Souzę, który zarzeka się, że nie wróci po raz kolejny do Exodus, ale jedzie w trasę z innym zespołem i muzyką Exodus (xDDDD), brak czasu w zespole Scorpions na nagranie płyty i chorobę Klausa Meine oraz pierwszego wokalistę AC/DC, który uważa, że metal to muzyka pozerów.Wśród omawianych płyt prezentowane są najnowsze dzieła od: Ghost, Ghostsmoker, Snowblind, The Suns i Riverside.Tematem głównym są relacje z kinowego koncertu „Live At Pompeii” Pink Floyd i Behemoth, Satyricon i Rotting Christ we Wrocławiu.

Is Gov. Janet Mills of Maine an ‘Neo-Confederate'? Yes, and “she is taking states' rights to the extreme,” argues Victor Davis Hanson on today's edition of “Victor Davis Hanson: In His Own Words.” After refusing to comply with a Trump administration order banning men from competing in women's high school sports, the Department of Justice launched a civil lawsuit against the Maine Department of Education for failing to protect women in women's sports, Attorney General Pam Bondi said Wednesday. “Janet Mills may not know it, but she's an insurrectionist. She's a neo-Confederate. She is taking states' rights to the extreme. Rather than saying, ‘I oppose the federal government. I will go to court to stop you. But if I lose, I will comply because the states are subordinate to the federal' —she's not doing that. She's right in the spirit of the old Confederacy… “I can cite you chapter and verse from the poems of Catullus to the novels of ‘Satyricon,' of Petronius, ‘The Satyricon,' of men who dress up like women. Both as transvestites who are still, I guess you'd say heterosexual, but they have a fetish to wear women's clothes or that who really want to be women. In the case of a poem or two, they castrate themselves. It's found in ancient history.   “And statistically, if you go back before this controversy happened, it was a very small number of the population. About less than 1% identified as transgendered or transsexual. Then it became, in the last decade, the next civil rights frontier. And all of a sudden, we had universities where students were polled at 10% or 20% or 30%, thought they might want to transition. It became almost a cult following.”  

Her lukter så kristen manns blod! Helge Kaasin er mannen bak boka med den eminente tittelen "Snø og granskog: språk, ideologi og nasjonalromantisk raseri i norsk svartmetall".Her setter jeg meg ned sammen med en kar som har viet enorme mengder tid til å analysere tekstene og musikken til band som Mayhem, Satyricon, Emperor, Darkthrone etc. Det skal selvfølgelig handle om perioden der Iron Maiden hadde sin første storhetstid, Helge Kaasin fikk sine første store rockeopplevelser og norsk svartmetall var i sin spede barndom.Herregud (pun intended) så KJEDELIG verden og Norge var. Det var på tide med noe nytt og annerledes. Som Satyricon skrek: "Vinder av kulde skal komme, for å fryse kristen manns blod". Hå-hå-hå!

This week, Desmond and Tom look at Chad Ferrin's Lovecraft pastiche:HP Lovecraft's The Old Ones. Then, Desmond keeps the theme rolling with a look at the previous film in the trilogy: HP Lovecraft's The Deep Ones. The third film isn't out yet, but chances are you'll hear about it here. Songs included: "H.P. Lovecraft" by BloodHag, "Please God No" by The Darkest of the Hillside Thickets, "Deep Calleth Upon Deep" by Satyricon, and "Even Deeper" by Nine Inch Nails. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Tom look at Chad Ferrin's Lovecraft pastiche:HP Lovecraft's The Old Ones. Then, Desmond keeps the theme rolling with a look at the previous film in the trilogy: HP Lovecraft's The Deep Ones. The third film isn't out yet, but chances are you'll hear about it here. Songs included: "H.P. Lovecraft" by BloodHag, "Please God No" by The Darkest of the Hillside Thickets, "Deep Calleth Upon Deep" by Satyricon, and "Even Deeper" by Nine Inch Nails. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

tri-mal-ciò-ni-co SIGNIFICATO Ostentatamente sontuoso, abbondante, fino al grottesco, detto in particolare di pranzi, banchetti e simili ETIMOLOGIA dal nome di Trimalcione, personaggio del ‘Satyricon' di Petronio, scrittore latino del I secolo d.C. Voce di Giorgio Moretti Montaggio di Stefano Riggi e Emanuele Pavese Sigla a cura di Emanuele Pavese Testi di unaparolaalgiorno.it Sito Instagram Una produzione Bonfire Sito  Instagram

En este capítulo de La Galería Nocturna, hacemos un balance del MXMF Metal Fest VIII, que sacudió el Velódromo de la Ciudad de México el pasado 16 y 17 de noviembre. Aunque el evento contó con un cartel impresionante —con leyendas como Hypocrisy, Satyricon, Sonata Arctica y más—, no todo fue perfecto. Hablamos de los numerosos problemas que ensombrecieron la experiencia: comunicación deficiente, cambios de horarios inesperados, precios desorbitados, y hasta cobros adicionales en el merch sin previo aviso. A pesar de estos inconvenientes, el festival logró redimirse con actuaciones memorables y una energía que dejó satisfechos a la mayoría de los asistentes. ¿Qué lecciones dejó este caótico pero épico evento para la escena metalera en México? Acompáñanos en este análisis sin censura de lo bueno, lo malo, y lo inolvidable del MXMF Metal Fest VIII.

In episode 99 of La Araña FM, the Nest of Black Metal, we delve into the depths of the MxMf Metal Fest Volume 8, held at the iconic Olympic Velodrome in Mexico City. We analyze the striking lineup featuring Watain, Satyricon, Carpathian Forest, 1349, and Enslaved, exploring the essence of each band and their contribution to black metal. Additionally, we present an essential selection for your dark rituals: Codex 666 by Otargos, Seals Of Hate by Besatt, and Destructor by Throne Below. Get ready for a sonic journey full of brutality, atmosphere, and chaos. #LaArañaFM #BlackMetalEterno

Brice Leclercq is the man behind the new black metal project From Kaos. He was the bassist for Dissection during the ‘Rebirth of Dissection' and Reinkaos album. He also played bass for Satyricon for the Age of Nero tour. We discuss From Kaos debut album. Brice also tells stories of the reformation of Dissection immediately following Jon Nödtveidt's release from prison, the radically different experiences auditioning for Dissection vs. Satyricon, getting shut down at a festival while attempting to play an encore with Attila Csihar, the influence that classic metal bands like Iron Maiden and WASP had on Dissection, and more… Albums of discussion: Dissection - Reinkaos (2006) From Kaos - Synchronicity I (2024) __________________________________________ E-mail all questions/ideas to: BIGRIFFENERGY@GMAIL.COM   To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to https://paypal.me/BigRiffEnergy. Include your question in the note/message. Thanks for supporting the podcast! __________________________________________ Find Neon Nightmare: North America: https://www.20buckspin.com/neonnightmare   Europe: https://www.hrrecords.de/NEON-NIGHTMARE-Faded-Dream-LP-ELECTRIC-AQUA-BLUE-CLOUDY   Europe: https://van-records.com/Neon-Nightmare-Faded-Dream-12-LP_1   __________________________________________   Find Spirit Adrift:   https://spiritadrift.bandcamp.com https://spiritadrift.com __________________________________________   Find Nate:   https://www.youtube.com/@BornTooNate https://www.instagram.com/borntoonate __________________________________________

Emperors! Gladiators! Nearly 1000 extras! We talked to Jana Carboni (makeup designer) and hair designer Guiliano Mariano about their immense work on Ridley Scott's Gladiator II. How they were inspired by Fellini's Satyricon and the Sex Pistols. Battling the heat and the elements to get Paul Mescal's gladiator tan and body paint just right. Denzel's manicured hands and much more.

En este episodio especial de La Galería Nocturna, exploramos el cartel del MXMF Metal Fest 2024, que se llevará a cabo en el ya emblemático Velódromo de la Ciudad de México el próximo 16 y 17 de noviembre. Este festival se perfila como el evento de metal más importante desde 2019, presentado por Cacique Entertainment, y promete una experiencia única para los fans del género. Con un cartel colosal que incluye a algunas de las bandas más legendarias, destacamos a Hypocrisy, Satyricon, DeathLock, , Sonata Arctica, Chelsea Green, Cynic, Urticaria 4n4l, Hate. 1349, Pestilence, junto a muchas otras que conforman una alineación poderosa y diversa. En este capítulo, analizamos lo que cada uno de estos gigantes del metal aportará la escena metalera en México. ¡Prepárate para descubrir cada detalle de este impresionante festival y para contagiarte de la adrenalina que está a punto de desatarse en el Velódromo!

Welcome metalheads to another episode of the great metal debate podcast. It's Xander with another back to back album review. Today, I'm probably going to be giggling a lot during this because we're talking about a parody band. Yes that's right, good old fashion spoof comedy. This band is called Dimmu Bongir which is making fun of the popular symphonic black metal band Dimmu Borgir. This is their brand new album titled Dark Medieval Hash which is making fun of Satyricon's debut album Dark Medieval Times. The black and white album cover even looks similar. Before I go any further, I have to point out that this band actually is from Norway. That is the one thing about this band that isn't a joke. Also, this band is basically the modern black metal equivalent of the band Cannabis Corpse. Those of you who don't know, Cannabis Corpse is a parody death metal band that makes their own original music but just takes small jabs at other classic old school death metal bands by changing around song and album titles to fit marijuana themes. The same is happening here, only its black metal and the music isn't exactly original. I just discovered this band the other day thanks to the YouTube algorithm bringing me to their music video for "A Witch is Stoned". "Bongens kammer del 1" is a two and a half minute instrumental intro track which is clearly a parody title for Dimmu Borgir's instrumental "Sorgens kammer del 1" even if I personally am more familiar with the song Sorgens kammer del 2". Ah, ok I'm looking at the track list. The final track on this album is "Bongens kammer del 2". Makes sense. I'm not really sure what "Du som røyker brunt" is supposed to be a spoof of but next we have the album title track followed by "Deathkush" which is a jab at Mayhem's "Deathcrush". "I troldskogen fyrer weed" is a parody of "Troldskog Faren Vild" by Ulver. I had to YouTube the first part of the song title to see what popped up because I'm honestly unfamiliar with Ulver. However I also have no idea what "Pipens Åpenbaring" and "Tåkeleggelse og røketrang" ... Look, I'm not fuckin Norwiegen here, I have no idea how to read or pronounce this shit. I don't know what they are supposed to be spoofs of. But the idea is still funny. I assume the word "Pipens" has to do with smoking because it sounds like the word pipe. Honestly, if I didn't know this was meant to be a comedy band, I would've never known. The music and vocals both sound great albeit nothing groundbreaking. I'm going to keep this review short since I know this band isn't meant to be taken seriously. As I already mentioned, it isn't bad but it's completely unoriginal. I'll give it a 6 out of 10. Their music is available on all streaming platforms but their physical media is completely sold out on their bandcamp page. I'm not sure if they have plans to do reprints of their "Hvis pipen tar oss" debut that has a colorized parody album cover of "For All Tid". But I don't currently see hard copies of Dark Medieval Hash or shirts available for sale. If you're really interested in showing your support for these Norwegian "Weird Al" Yankovics, feel free to contact them on Facebook and ask them about their merch.

Im Jahre 1996 begann eine neue Zeitrechnung im Black Metal. Wenige Monate bevor die schwedische Band Dissection starb, zogen die norwegischen Krieger von Satyricon in die Schlacht für Mutter Nord. Mit verhexten Versen und unsterblicher Passion eroberten sie die Szene derer, die Gott hassen. In sieben Akten schufen die stolzen Mannen Satyr, Frost und Kveldulv mit “Nemesis Divina“ ein wegweisendes Werk, in welchem der heidnische Hammer das christliche Kreuz zertrümmerte, bis alles im transzendentalen Sklavenrequiem endete. Im Jahr 2024 sprechen Pint und Kain für euch in Episode 71 der PLATTNEREI über die Platte sowie dieses und jenes. Gönnt euch!

Filmbarátok Podcast #288 (Október 2024) 241 perc Beszélgetnek: Blacksheep, Sorter, Gergő, freddyD Téma: -Felvezető (00:00:00) -Borítóképek (00:08:45) -Nép akarata sorsolás (00:16:30) -Villámkérdés (00:21:25) -Két magányos farkas / Wolfs (00:47:12) -Joker: Kétszemélyes téboly (01:02:20) -Fekete pont (01:33:25) -Ne oldozz el (02:12:53) -A szer (02:25:35) -Megalopolis (03:06:16) -Fellini-Satyricon (03:31:40) Csatolmányok: Egy kiragadott Satyricon jelenet https://x.com/FilmbaratokPod/status/1844412918143779029

The tenth episode of our season on the awesome movie year of 1969 features one of the Venice International Film Festival's major award winners, Federico Fellini's Fellini Satyricon. Directed and co-written by Federico Fellini and starring Martin Potter, Hiram Keller, Max Born and Salvo Randone, Fellini Satyricon won the Pasinetti Award for Best Italian Film at the 1969 festival and was nominated for an Oscar.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/fellini-satyricon-1970), Vincent Canby in The New York Times (https://www.nytimes.com/1970/03/15/archives/fellinis-magical-mystery-tour-fellinis-magical-mystery-tour.html), and Pauline Kael in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy.

Denne uken har Jim og Joakim med seg Sigurd Wongraven, kjent fra Satyricon og Wongraven Wines, inn i studio. De dykker ned i hans fascinasjon for håndverk og utforsker parallellene mellom hans lidenskaper for musikk, vin og klokker.

jD is joined by Mike Hogan from the 3 songs podcast w/ Bob Nastanovich. Learn about the Meeting Malkmus origin story while Mike shares his Pavement origin story and dissects song seventeen on the countdown.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous father to a sister of thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out i think the day it came out this is interesting it's a really fascinating song because in some ways it's super accessible uh musically uh it leans with the pedal steel and some of the other moves it leans towards kind of country music um i will say uh as i was pondering it i i mean i i know we are in a vacuum here of people who love pavement right and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything.Track 1:[1:04] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[1:12] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to countdown the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a four-slice toaster I had fashioned into a time machine. Now I pull the blinds of the time curtain. Yesterday is totally getting a do-over. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Mike fucking Hogan. How the hell are you, Mike? I'm doing good, JD. JD uh it's nice to talk to you yeah it's nice to talk to you too I've listened to you you know uh over the years with Bob on the on the pod and uh we've been lonesome for you yeah I was uh you know in advance of this I was like god when did we start that podcast and I looked the first episode was August of 2017 um and we did 177 episodes the last one being December of of, uh, 2022. And I think that was the only one we did that year too. I don't know. I haven't, I haven't checked, but yeah, we were pretty, we were pretty active, uh, for a few years with some breaks in between. Um, but, uh, but yeah, um, it was fun.Track 3:[2:39] So will the podcast be dusted off at some point? Will we get the Pavement-esque reunion tour? That's kind of the open question. I wouldn't say no. We don't have any immediate plans. The last time I talked to Bob about it was probably about, I don't know, four or five months ago. And he said maybe after the new year. You know, I think we we really paused things because, you know, obviously Pavement was rehearsing and then touring and things were hectic. We actually had this I had this idea to do a different like tour diary podcast in every city. Yeah.Track 3:[3:21] Like, you know, of course, the podcast that we did was very synchronous where we would talk back and forth. We would play songs but i was i had this idea where he would asynchronously record like five or ten minutes about like i'm in kansas city and here's my experience with kansas city and then we he'd pick a song that was kansas city based and i'd pick you know but it never it never ended up working out it would have been fun maybe damn that would have been great yeah maybe on the next reunion tour maybe the next reunion tour but yeah i think you know i mean between that and you know he's had some life changes i've had some life changes we kind of just were like let's take a pause let's um maybe start fresh you know after 177 episodes it's like how many different bands can you talk about that you haven't talked about in the first 176 so uh um you know i think if we came back we would probably you know might keep the same format but allow ourselves the opportunity to revisit and almost treat it as a fresh start. Hmm. That's interesting. You heard it here first, folks. No promises, you know, but no promises either way, really. Right. That's cool. It's, you know, you're saying there's a chance.Track 3:[4:41] Cool. Well, let's get right into it. Let's talk about your pavement origin story. story? Boy, um, I think I first heard of pavement. Um, I wasn't early enough to get the first seven inch. Um, but I think maybe the first drag city seven inch, um, it was probably the first time I'd heard of them. I don't know if I even bought it at the time I was in that era. I was in college. I was at very active in the college radio station at Santa Clara University KSU. And I was a music director for a little while. And there, you know, obviously, Pavement was getting a bit of buzz. And I remember them just being this band that had put out a few singles. They were getting written up in zines. You know, there wasn't social media. So there wasn't any of that buzz at that time. And it was it was like unless you had someone that had a copy you you know It was almost impossible to even find in stores, So they had this just kind of air about them of like and and there were no photos of them There weren't even their names. It was just SM and spiral stairs, and it was just this like very.Track 3:[6:02] Mysterious like who the hell are these guys and then little bits would come out where it was like Like, oh, you know, one of them worked at the Whitney as a as a as a guide. And they recorded in this in the studio in Stockton. And, you know, the the the drummer is the guy that runs the studio. He's just this old crazy dude. You know, it was just like little bits of information would kind of come out. And I think I think really what kind of hooked me was probably the 10 inch perfect sound forever. And then by the time Slandered and Enchanted came out, it was like I was full on waiting for it. And I think the first time I saw them, the only time I saw them until the reunion tour a couple years ago, was in San Francisco at the Kennel Club a week before Slandered and Enchanted came out.Track 3:[6:56] Was released. And shit. Yes, because I worked at the radio station, we had an advanced copy. So I was I was like, vigorously listening to the record. And so totally prepared for the show. And it's funny, because I think it was written up in one of the papers, one of the San Francisco papers, because the buzz was already even big. Even though Matador was still a pretty small label at the time. It was like this local band, local ish band is kind of getting uh some attention and uh it was funny the show was sold out and gary was out front like shaking people's hands as they walked into the show like could not believe that everybody was there to see him you know he'd been trying for years and years to hit it big in the music industry and couldn't believe that these two weird college kids that came into his studio was like his venue for We're actually getting some level of success. So it was kind of cool.Track 3:[7:59] Oh, very cool. Yeah. How was that show? It was, it was amazing. It was a little, um, ramshackle as some of their shows back then could have been. Um, but I just remember, you know, because I was so excited for it. Um, I just remember being like, odd, like, wow, this is great. You know? And then I never got a chance to see them again until they did the reunion tour. Uh, it was probably 30, a little over 30 years between my first and second pavement show that's hey you know what when you see them before slant it drops you're doing pretty good right like i like i think that's phenomenal i think the article in the paper said it would be like their 20th show that they played or something like that so it was certainly one of you know because before then they were just a recording band and you know they didn't it was you know all of the i think the earlier records were just the two of them plus gary uh and so they they sort of had to figure out like how are we as a band when we're playing out live and uh you know it was early enough that i think that i was still seeing some of that evolution of what pavement would become oh that is so fucking cool i you You know, I didn't get on board until very late, very late. So they were already broken up. Like, yeah.Track 3:[9:23] So, yeah, I got on board very late. And it's just listening to all this kind of talk, which I've heard, you know, a lot. I've done a lot of these at this point, these interviews and listening to people's pavement origin stories. Uh, you know, there's a lot of people who came late, but the people who came early have really fantastic stories. Like, you know, the fact that, uh, there were a mystery, you know, and that's something when I interviewed spiral, he said they really, that was something that was really important to them. And in fact, he was disappointed when they sort of dropped the. Like he wished they could have kept going with the – I don't know how they would have done that. Played in lucha masks or something? I don't know. Daft Punk did it for how many years, right? Oh, that's a good point. Yeah. Yeah. Yeah. I don't know. Or the residents. I mean it had been done before. But yeah, that was certainly part of the mystique for me. And seeing them, like, wow, they're real people when I saw them live. It was like – this is the, you know, yeah, the reveal of the curtain.Track 3:[10:31] But yeah, and that was why when slanted, I mean, perfect, perfect sound forever, too. But especially when slanted dropped, it was like felt very fresh, felt familiar, but totally different at the same time. And that's why in some ways, I think my experience of pavement is just naturally different from somebody that experienced them later when they already had this full body of work. And you could see you could see that progression because there was just this question of where were they going and what would they do next and um i can imagine the ep that came after was like oh my god these four songs are just amazing incredible like like and and it was uh.Track 3:[11:19] Yeah it was interesting it was um a very exciting time and they were like a very important band for me in that, in that period of my life. I bet. So what, um, is your go-to record at this point? Do you have one or, I mean, I know that's a tough question because it probably changes week, week over week, but you know, just think about right now, what would you, if, if we get off the phone here and you want to just reminisce about some pavement, what are you going to throw? It's hard because, you know, I think as somebody who had that level of experience about like this mystique early on and the seven inches were and, you know, the early albums were really just so ingrained in my memory. Like, I almost don't need I listened to Slandered and Enchanted before our talk today. And it was probably the first time in a couple years that I'd listened to it. But it was like, I knew every one of those songs. So in intimately, I knew every note, every lyric, every, you know, Baba Baba, you know, like every little like, like, part of the songs in a way that the later albums.Track 3:[12:38] I'm not as intimately familiar with. So when I listen to a later record, it's almost like hearing it fresh. And I can't distance myself from my experience of like Perfect Sound Forever back when it came out, or Slanded went back when it came out. But that said, I think if I were to just be like, I wanna put on a record, um well i mean watery domestic is probably my favorite piece of work that they did but it's only four songs so it's wrong but it's so fast yeah it just is over so quickly and i think i only had it on cd i only recently bought the the vinyl of it and i didn't realize that the little like you know that little like transitional piece i didn't realize it was at the end of a song i thought it was the intro of a song because i always just listened to the cd ah and it just went i never paid enough attention to it because i didn't listen to it on shuffle or anything um and so it was almost revelatory when i got it on vinyl i was like this is like the way it's supposed to be like and then i flipped the side over um so that must have been brain busting It was kind of weird. I thought that was the intro to the song, but it was really the outro.Track 3:[14:04] Well, speaking of Pavement songs, should we get into the song that you're going to cover? Yeah, let's do it. All right. We'll be right back after listening to song number 17.Track 1:[14:19] Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown.Track 2:[14:28] 17.Track 3:[16:10] There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be.Track 3:[17:03] At home on the velvet underground's third record you know there's this mood to it that feels, in some ways different from earlier in the record and even what comes a little later where there's a lot of like fuzz and noise it's just this light little break um that's almost this perfect little slice of i don't even know how long it is but i'm guessing it's less than two minutes it's It's just, uh, yeah, it's, it's in and out. Yeah. It's in and out. And, and the whole time Malchmus, I don't think really pauses the vocals for more than a second or two. It's just beautiful little instrumentation with his vocals kind of just strung throughout it all. Yeah. I'm singing it in my head right now. It's right. It's, it's, uh.Track 3:[17:59] I mean, you know, and it's like the chorus keeps coming back and then he ends it with the, you know, like just it is a perfect little song. It's just a perfect slice of, and if I were to play somebody that had never heard Pavement, if I would play them, what is from a songwriting perspective, what is a quintessential Pavement song? You know, there are probably a few others that might come to mind, but this is like one of those like sleeper cuts. It's just such a perfect little song that doesn't get the buzz of like the Summer Babes or, you know, some of the more hit songs. I just I love it, though. yeah it's a it's a it's a really great song it's very different from the rest of the record for for sure it like maybe even it's like more at home on crooked rain crooked rain like you know like just sonically but uh but you're right where it hits in the record is is just is just right and And it's a refreshing little wafer, you know, before the next meal. Yes. Or the next course.Track 3:[19:22] Yeah. I think because of where it hits in the record, it feels mellower, you know? Feels in contrast to some of the other songs that come before and after it. What did you say is right before it? Conduit? Conduit, yeah. Okay, yeah. So it comes out of that frantic chaos into this breezy little, there's like the twang guitar, there's no fuzz, it's just this kind of light, catchy little, very short song, song, but that feels fully formed. It's not one of those songs that feels too short. You know, it just is like an idea song. Like, like there's a lot of those on Wowie, for example. Right. Yeah. Yes. Right. Or, you know, I mean, I can even think of like Emmett Rhodes lullaby. I don't know if you know that song. It's, it's, it was used. I first heard of it in, um, I think Royal Tenenbaums, one of those Wes Anderson movies, but, um, it's a beautiful little song and it's It's only a minute long, and it just feels too short. Zyrka's Dane does not like that. It just feels fully formed, even though it's only a minute in, I don't know, 50 or something. Yeah.Track 3:[20:41] What was I going to ask you? I was going to ask you if you've got a line on what it's potentially about. And if not, that's cool. I don't know. No, I mean, I miss Malcolm. This is hard. I, I kind of try not to read in too much to the lyrics because I also don't really trust the lyrics. Um, if you know what I mean, like if the lyric sheet, um, is often or not, I wouldn't say often, sometimes the lyric sheet, Like I'm looking at the lyric sheet right now that is included in the vinyl of Slanted and Enchanted. And the one that stands out is not necessarily Zerka Stain, but on Loretta's scars, you know, the, the line from now on, I can see the sun is always what I knew it to be. But the lyric sheet says from now on, I can see the slums. And so. Really? Yeah. Yeah. Yeah. And so I sort of, especially with Mouthmasters lyrics, I try not to read too much into it. It's just this like, kind of catchy thing.Track 3:[22:06] You know, like a jumble of words that make sense within the music of the song. I call it word salad. Yeah. I call it word salad. You get a tasty morsel in every forkful. You know, there's a little bit of everything. There's imagery. There's, you know, these slant rhymes sometimes. Really cool phrases. Memorable phrases. Yes. I almost feel like, you know, I can't sing it strong enough is a great line. I don't know what it's about. Right. And I don't even know if it's about, I mean, the song is Zurich is Stained. I don't even think it's about Zurich. There's no other sort of mention of it. Yeah, I mean, right. Like, it's okay. It's not your fault. Cool. cool.Track 3:[22:57] Whose fault is it? Do we even care? I don't know. I just try not to. I try not to read too much into it. And I think one of the one of the things that I noticed and what I've always kind of tried to avoid when I would talk music, you know, the songs when when Bob and I did three songs, but is I would, I would try and talk about the music and not try to analyze the lyrics so much, unless there was something that really like, like stood out and grabbed me and resonated with me. Um, but yeah, I think, I think Malchmus is especially at this phrase, you know, phase of his career. I felt like each line was its kind of own self-contained mini story and often didn't even like match or connect or follow the line that came after it um so to your question what's the song about i have no idea that's cool well i'll pivot completely then and we'll go back to three songs for a minute how the fuck you know did you and bob connect yeah this is this is kind of.Track 3:[24:09] Obviously, I was a fan for a while, for a long time. And I'm thinking back in 2013, I moved to New York City. And I started working at a horse racing company. Okay. And actually, it probably was 2014 that I moved there in 2013. Probably a year later, I got the job at the horse racing company. And as I'm sure you know, Bob has always been interested in horse racing. And what he was, I was based in New York, he was based in Iowa. But he was the local representative for the Iowa racetrack for the company that I worked for. And so when I get there and I see, you know, Bob Nastanovich, I'm like, hey, man, what's up? And we started working together for work. And then I was at some point I was like, you know, I'm familiar with your band, Bandza, you know, because I was also certainly familiar with the Silver Jews as well. So good. And so we just became friends. I worked there. I think Bob got laid off because horse racing is not really a growth industry. So Bob got laid off. And then a year or two later, I got laid off.Track 3:[25:37] But we were always friendly friends. I'd consider us friends. We became friends, even though we lived a couple thousand miles away from each other. Yeah um and after i got laid off in 2017 i was like hey i got some time now you want you want you want to do a music podcast um and he was like yeah sure and so we threw around ideas of like what it would be about and how we would approach it what we would call it all of that and he suggested three songs and we just kind of bandied back and forth uh you know hey this is this is is sort of how i want to do it i just want it to be like two friends talking music and sharing music that we like with each other kind of like the way it was back when pavement started when you just couldn't find things online there was no online you just had to hear about it because somebody you knew was into it and be like oh you got to check this out you'll love it so that was sort of the spirit of it we started i think our first episode i know our first episode i didn't have a mixer it sounds like shit you couldn't really hear bob bob couldn't hear the songs um but i just left it up anyway because they were good songs and it just it was uh a good a good chat um and then by episode two i got i bought a mixer and a mic and uh we're we're off.Track 3:[27:00] Game changed. Game changed. And we, yeah, we were friends for probably two and a half years before we did the podcast. Yeah. And then we did the podcast for probably another two and a half years before we met in person. So I knew Bob and was friends with Bob for five years before we'd ever. And you guys did an episode together in person, right? We did one episode in person. Yeah. Okay. I remember listening to that one. Yeah. I mean, I've listened to a bunch, but I specifically remember that one. Yeah. It was sort of weird because we're doing this with video. I can see you, so you can see me. I can see when you're ready to talk. We didn't do any of that. Bob didn't want to be on camera. He felt uncomfortable. He's out on his back porch. He's just running around. You'd hear the dog in the background. So I didn't know when he was done talking, and we would sometimes talk over each other. So doing the one in person when we could actually see each other's cues was a little strange, to be honest. Because we had done, I don't know, at that point, two and a half years worth, probably close to 100 episodes. That's what I was going to say. I feel like it was in the 90s, that episode. But I might be wrong. Yeah. That was probably after. Because we did the 100th episode.Track 3:[28:21] Yeah, we did the 100th episode, which was the David Berman Silver Jews focus one. Which is still our most listened to episode. That was the episode 100. And I know we recorded it a few months before we met in person. So, yeah, we probably did 110 before we'd ever met in person. And the reason we met, the way we met, was Bob came to Portland in January of 2020 because there was a tribute show to David and to Silver Juice. And so Bob, so we, you know, I think there were a number of people that played, including.Track 3:[29:02] Uh, um, the woman, Rebecca from the Spananes, um, played a set. Um, there were a few others that played, but the headliner was, uh, just a duo of Bob and Steven playing, playing silver juice stuff, which, and you can find it, you can find the recording on, um, on YouTube and famously one of it's great. It's actually worth seeking out because, you know, it was, it was cool to see. Um but someone in the comments was like this sounds like shit and then bob replied and he's like sorry man i can give you your five bucks back or whatever and and then the guy was like oh i'm really sorry i didn't mean to you know it's he's like that is spectacular yeah so it's it's almost it's worth watching for sure but it's almost worth seeking out to to find that little nugget of, of exchange, um, in, in the, in the YouTube comments section. But, um, but yeah, that was the first time we met. Did you parlay that meeting into, uh, an opportunity to meet with SM? I did. Yes. So this is, this is sort of my meeting mouth story. Although I actually met him in the nineties briefly at Satyricon when, um, the Geraldine Fibbers were playing. He.Track 3:[30:23] He lived in Portland at that point, and I think I was still down in Eugene, but I was and have been good friends with Nels Klein for years and years and years, put out some of his records back in the 90s. And then he got into the Geraldine Fibbers and was playing guitar with them. They played a show at Satyricon and I was hanging out with Nels and Stephen came to the show. And so I met him briefly then in the 90s. um but then yeah flash forward 20 plus years january 2020 so that the the day before the show.Track 3:[30:57] That they played uh with a tribute to to david is the day that bob and i hung out we recorded the podcast that day we went and had lunch we had dinner i just hung we just hung out together all day. And then, um, I was going to head home and he's like, ah, just crash, crash in Stephen's basement. There's, there's two couches there. I I'm on one, you can crash on the other. And I was like, yeah, okay, no problem. And so, um, we got back there, I don't know, around midnight, everybody was asleep. We'd go down to the basement and, you know, and then I get up around eight or so to go to leave and um the basement stairs were right at the top uh or the top of the stairs was right at the kitchen and so um i went there was a bathroom in the basement i went and used the bathroom and i was about like putting my shoes on and about to leave and steven's wife jessica comes to the top of the stairs and is like bob's bob and i'm standing there, and I just say like I didn't know what to say of course I'm like uh, Bob's friend and she's like oh Bob had a sleepover and I was like uh yeah hi I'm Mike so um.Track 3:[32:17] So then, and, and so that was sort of a strange little, and then I got, you know, got my shoes and my jacket and I'm like going up the stairs and what at the top of the stairs, it's like you see the full kitchen and, you know, Jessica and Steve's daughters were in the kitchen having breakfast. And I'm like, um, nice to meet you. Thanks for letting me crash here. Even though you didn't know I was crashing here. here um uh you know like hey i'm mike and just like really sheepishly like trying to leave and the back door is right kind of at you go to the top of the stairs and to the right is the kitchen and straight ahead is the the side door um that goes to their their driveway and i'm like trying to open the side door and jessica's like it kind of sticks a little bit do you want me to help and And I'm like, oh, I think I got it. And so I'm like fiddling with the doorknob for like 10 seconds, which felt like two minutes. And then I finally got it opened and it was like, all right, thanks. See you later.Track 3:[33:25] And then later that day, you know, Bob said, come on over. We'll hang out. And so I came over later that day and then met them in earnest. And they were very sweet. She was very sweet. You know, like, I'm really sorry. And I was here and she's like, don't worry about it. And then Steven was there. And he was like, they were just kind of.Track 3:[33:43] Prepping for the show later that evening and um he was very nice he actually gave me he just finished reading lou reed's a biography on lou reed he's like i'm looking for on it and i was like yeah sure so i've got steve's steven's copy of uh the lou reed biography up in my my bedroom.Track 3:[34:01] Somewhere that's spectacular i think that's really cool yeah yeah borrowing books from steven malcolm any other uh chances that you met him or um yeah i mean i've met him briefly a few other times you know bob um would come to town when pavement was rehearsing i think they rehearsed for about almost a month before they did their their first reunion tour in 2022 22 um yeah bob bob stayed here for probably maybe not quite a month maybe three or four weeks two or three weeks and um you know i would not every day but regularly after they were done i would you know hang out with bob a little bit and we'd get some dinner or whatever and one night there was some band playing and um steven and jessica went and we tagged along and so i've met him a number of times we're i would say we're friendly but we're not friends i don't have his number he doesn't have mine you know if if i were to run into him around town which um happens now and then i'd probably feel too shy to say hi but um if i did i think he would know who i was and be okay with it that's that's.Track 3:[35:19] Pretty neat though i would say yeah you know i mean this is one of the things about portland it's like a it's a it's kind of a small town it's a big big enough city but it's also kind of a small town yeah well i want to share something with you because it's kind of funny uh you know it's in the lore of meeting malchmus i reached out to bob when i first conceived of this podcast in the fall of uh 2018 and asked him if he wanted to co-host meeting malchmus and this is the you know this is the premise and blah blah blah and uh i didn't have it all nailed down at that point um but i gave him the i gave him the highlights and he's He's like, he responded back and he's like, sounds fun, but I'm already doing a podcast. And I was like, tell me what it's called. And that's how I found out about your podcast.Track 3:[36:11] But that's also how Bob ended up not on Needy Malcomus, if he would have done it, if he would have done it. Well, so I apologize because I feel like I'm the reason why he said no. Although I would have to check. There were times, and I think that the fall of 2018 was one of those times. There were times, and if you look back through our episodes, you'll see big gaps, and it's often.Track 3:[36:37] Associated with life events. And my, my daughter was born in July of 2018. And I think right after that, we actually did probably a six month pause. Cause I was like, I don't, I'm working. And, uh, you know, I mean, I took a little time off, you know, I'm not sleeping yet. Like, uh, as priorities go, I don't know if I'll have time to talk to you for a little bit. So you, even though Bob, I mean, and I appreciate Bob being loyal to me. It was probably during a pause, and he probably could have said, hey, I've got the time right now. I am doing a podcast, but we're not doing it right away. That's funny. Yeah. So do you have anything you want to plug other than three songs at this point? What's the episode that people should grab of three songs aside from the Berman episode? Episode like what would you say is is a standout episode that gives you a real sense of what the show is well okay so those are almost two questions because.Track 3:[37:41] The standout episode of what the show is this the premise of the show was bob would bring three songs to play to me that he thought i maybe didn't know uh and might like and i would do the same for him um and so those some of those early episodes where we were still finding our footing were a lot of the songs where it was like, Oh my God, I fucking love this song so much. Like the X is state of shock. Um, you know, like some, some of these go between songs or some of these like old blue songs that, that just like really resonated with me in a strong way. I was like, I, you know, I don't know if you know this, but like, I want to play it for you and just get your reaction. Um, so, you know, I don't know. I, don't have the list in front of me and my screen saver went to sleep. So I, you know, I'm not even going to log in to figure out what some of those early episodes were. Um, but, uh, you know, I, what I, what I also tried to do, and it was never a spoken thing between Bob and I, but I, I was inherently conscious of the fact we were two middle-aged white dudes.Track 3:[38:54] Talking music and i wanted to make sure we weren't just talking about white dudes no it is very if you haven't listened to it listen to it but there are there are like i'm just going i'm making this up but like throat singers and or did you have a throat singer uh i don't know if we went quite that wild but we would do yeah it's everywhere though it's like you guys you guys covered the spectrum yes music all kinds of genres all kinds of countries we try we tried to go all around the world you know and we tried to also be very inclusive of all genders and you know because again it's just two white dudes talking we didn't want it to be like very focused on on like western western music you know that said we didn't want to make it so obscure that people would be like, there's not anything here for me, you know, like, we would try to try to walk that line where it would still be fun and worthwhile. And, you know, I think if nothing else, it was just, I hope that people came because they liked Bob, and they liked me, and they felt like they were listening in to friends.Track 3:[40:08] And they felt like they were one of of our friends that were experiencing this music and experiencing this conversation at the same time. Um, I hope it was more that and not like, Oh, I'm going to list, listen because today they're talking about, you know, Sebado or whatever. I'm going to listen because today they're talking about some band I know, and I want to hear what they say.Track 3:[40:30] I, I, I was, I hope we built enough of an audience that liked us and trusted us. So that's it. It's the trust piece. It's like you guys were sort of a modern day equivalent of like the record shop dude, you know, that trusted guy that, you know, Gary Gal.Track 3:[40:51] It's like, hey, I saw you buying these two records. Yeah. You're probably going to totally dig this. Yes. Yes. Tastemakers. I hope, I hope the unjudgmental record shop dude that wasn't like, oh, I can't believe you bought this.Track 3:[41:06] No, I don't mean that. You know some of those types, right? Yeah. We wanted it to be, you know, I also didn't want it to be a situation where I was, you know, ripping on someone's art. Or if I didn't like it, I would just be like, oh, it's maybe not my thing. But most of the time, everything Bob played for me, I was into or found some sort of way to resonate with.Track 3:[41:32] But aside from that, I mean, I'm not doing any podcasts. I don't have anything to plug. I mean, I think those that have listened to the show know that Bob runs a small record label. And back in the 90s, I ran a small record label called Little Brother Records. Records um you know uh i've got a few of the old back stock and maybe i'll send me your address i'll send you a little package of some of the old records i put out um oh wow cool yeah um you know and it's uh so but i wouldn't say i have that to plug it's just part of my it's part of my origin story yeah absolutely well i really want to thank you for taking this time with me today it's been a blast talking to you dude yeah appreciate it thanks for thinking of me thanks for including me no you're you're near top of the list when i started thinking of like people that i solicited to like on my twitter and stuff like that uh i i asked basically anybody and everybody but then i also had like the celebrity wing you know and uh you appeared on that list so i i company you're in.Track 3:[42:42] I don't know if I would even come close to listing me as a celebrity, but I appreciate the thought. In the podcast, in the indie rock podcast world, I would see you. If you want to say our top episode, which is the Berman one, that got maybe 12,000 listens, if that makes me a celebrity. I mean, you know. If you had 12,000 people in your living room listening to you talk, that would be a pretty fucking big deal. That's true. I don't know if I'd have enough food for them.Track 3:[43:14] I had a friend tell me that early on in podcasting. They were, you know, they were like, because I was like, I don't know. I don't want to put myself out there and see the numbers. And they were like, if you have 12 people that listen, like, that's pretty cool. Well, I think more than that, but the sense that you, that I get is that you approach it the way that Bob and I approached it. And, um, you know, I had the advantage of kind of tagging along to a, a, a celebrity.Track 3:[43:43] And so Bob's name helped bring in listeners, but we, we didn't, we didn't do any promotion other than maybe, you know, little like, like Twitter promotion. We didn't, we didn't solicit any, um, sponsors or anything like that. We didn't ever want to try and find a way to monetize it because if we were doing that, it wouldn't be what I wanted. Yeah. And it wouldn't be fun. It wouldn't be, it would be like work, you know, and I wanted it to be my release for like, here's an opportunity to talk to my friend about music. Um, and maybe, you know, maybe we will find an audience you know if you're if you're authentic and you're doing something for the right reasons often the audience finds you it may take a little while um but that's i think that's also about the the way i look at a lot of the music that i like you know bands like sonic youth weren't you know or or the x is another huge band that i just have loved for their whole career they're not worried about is it going to sell or whatever and they just they find the audience eventually.Track 3:[44:52] Yeah i would say i would say authenticity is a is a reasonable place to start from, yeah that's the best i can do yeah yeah hey again thanks so much and uh wash your goddamn hands.Track 1:[45:11] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at Meeting Malcomus dot com.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Album Clubs kick off with an EP that set it all alight with Nine Inch Nails' Broken, Baroness make modern rock's great double album Yellow & Green, The Hotelier hit an emo revival high Home, Like Noplace Is There, and Satyricon take black'n'roll to the mainstream with Now, Diabolical.This episode was originally published May 2023 on patreon.com/thatsnotmetal.

We're back for our annual report from Bloodstock Festival where Opeth, Architects, & Amon Amarth headlined atop Malevolence, Clutch, Satyricon, Whitechapel, Hatebreed, Green Lung, & plenty more.

W 115 odcinku podcastu w pierwszej części prowadzący komentują: Zwycięstwo Gojiry podczas inauguracji Igrzysk Olimpijskich, wsparcie Joego Duplantiera dla aktywisty Paula Watsona, powrót Marilyna Mansona, koniec kariery Aerosmith, umorzenie (kolejnej) sprawy Nergala po 8 latach, dużą trasę Behemoth, Satyricon i Rotting Christ oraz okradzenie zespołu Akhlys w Szwecji.Wśród recenzowanych albumów są płyty od: A Night in Texas, Akhlys, Orange Goblin i Jar.Punktem głównym odcinka jest rozmowa z muzykami Pale Path – Kamilem i Chrisem.

ABOUT THIS EPISODE:  During the month of July we are featuring some of our previous episodes. This episode with co-host, Dagmar from The Netherlands originally aired in April 2021. Pastor Josh White from Portland, OR, addressed some of Dagmar's questions about the gospel.   To hear more episodes with Dagmar and hear more of her story, please visit: https://www.janellmwood.com/search?q=dagmar       ABOUT JOSH WHITE: Josh White is a speaker, recording artist, author of ‘Stumbling Toward Eternity', and founding pastor of Door of Hope, a thriving church community in the heart of Portland, OR. Josh is a self-proclaimed ‘amateur', a lover of learning and though everything interests him, above all he is serious about Jesus, obsessed with grace, and holds tenaciously to the centrality of the cross. In May of 1996, Josh met his wife Darcy at the now-defunct Satyricon nightclub in Portland. They have two beautiful children and have been back in the city where they fell in love since 2007.   To find out more about Josh, please visit joshawhite.com.

Beverly Johnson was not the world's first black supermodel. Donyale Luna was.Dive in with Jolie about  this seminal model-actress life, who was ahead of her time, extremely unique, and the definition behind the different struts on runways, and “The Stare”Peggy Ann Freeman, also known professionally as Donyale Luna, achieved renown as an African American model and actress in the late 1960s, particularly in Western Europe. Often hailed as "the first Black supermodel," Luna broke barriers by gracing the cover of the British edition of Vogue in March 1966, marking a historic moment. She collaborated with Andy Warhol on several avant-garde films starting from 1965, and her notable appearances include roles in Otto Preminger's Skidoo (1968) and Federico Fellini's Satyricon (1969) following her role in the experimental film Qui êtes-vous, Polly Maggoo? (1966).DOWNLOAD and SUBSCRIBE to Generation Mixed, on Apple, Spotify, IHeart, or Spreaker!FOLLOW US: Instagram: @generationmixedpodcast | https://www.instagram.com/generationmixedpodcast/Subscribe to our newsletter at www.nuwavemedia.orgE-mail us with any questions, comments, or suggestions for future episodes: Generationmixedpodcast@gmail.comWanna be on the show? Text or call 510-852-9550! What it means to be multiracial in America, one story at a time, from the studio to the streets. Become a supporter of this podcast: https://www.spreaker.com/podcast/generation-mixed--5176197/support.

This epic interview with NOCTURNO CULTO is best experienced with the visual aid of our smiling faces (on YouTube): https://youtu.be/C-jgVTTxOyw Talking BIG RIFFS with the man himself, Ted Skjellum/ Nocturno Culto from Darkthrone. We discuss the new album "It Beckons Us All,” (out now on Peaceville Records), the steady evolution and thrillingly diverse eras of Darkthrone, how to conjure riffs from the depths of our souls with no regard for rules or expectations, the key to writing music that lasts for decades, breaking the chains of genre constraints and studio rental rates, developing an evolved black metal vocal style in order to withstand the cruel force of physical aging, hiking as a fuel source for riffs, the first-ever FOUR-PART Darkthrone guitar harmony, the subliminal power and mysticism of Fenriz lyrics, and MORE... Album(s) of discussion: A Blaze In The Northern Sky (1992) Transilvanian Hunger (1994) Sardonic Wrath (2004) The Cult Is Alive (2006) The Underground Resistance (2013) Old Star (2019) Eternal Hails (2021) It Beckons Us All (2024) __________________________________________ To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to https://paypal.me/BigRiffEnergy. Include your question in the message, or send an e-mail to BIGRIFFENERGY@gmail.com. Thanks for supporting the podcast! __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate __________________________________________ Find Spirit Adrift:   https://spiritadrift.bandcamp.com https://spiritadrift.com __________________________________________

(NOTE: this episode was recorded at the end of Summer 2021 and was lost to the annals (read: anals) of Butt Blast history as editing other, more timely episodes took priority. Enjoy!) The Buddhist Blatt Boizst™ pontificate over the influence of Kyuss, especially the butt rock vocal stylings of John Garcia. They play a true or false quiz game based on an absurd, but somewhat typical, self-serious black metal elitist interview with Satyr from Satyricon. They also touch upon the ethics of lucid dreaming of a fan fiction world in which fictional characters are murdered. Finally, they hypothesize that the counter-serve restaurant by the name of Twisted Fresh (aka Twiztid Fresh) is just a chaotic, Insane Clown Posse-inspired restaurant whose tagline is “We're REALLY fucked up”. WHOOP WHOOOOOP!!! How does Wulf actually eat his pizza? Will the Inverted Cross-Examiner puke by the end of the episode? Will Professor Grindstein finally watch the videos of David Ellefson masturbating? Find out on this previously LOST episode of the Butt Metal Blast Cast!  

This week, Desmond and Duane dig the 2018 film that might be considered a Weird Western: The Wind. Then, Desmond goes solo on the 1928 silent film that inspired that movie: The Wind. Batten down the hatches and drown out the wind with these tunes: "Alone in the Wind" by Andrew WK, "It Must Be the Wind" by The Darkest of the Hillside Thickets, "The Wind and More" by Roky Erickson and the Explosives, and "Walker Upon the Wind" by Satyricon. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Duane dig the 2018 film that might be considered a Weird Western: The Wind. Then, Desmond goes solo on the 1928 silent film that inspired that movie: The Wind. Batten down the hatches and drown out the wind with these tunes: "Alone in the Wind" by Andrew WK, "It Must Be the Wind" by The Darkest of the Hillside Thickets, "The Wind and More" by Roky Erickson and the Explosives, and "Walker Upon the Wind" by Satyricon. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Mal Evans was the Beatles' right-hand man, their bouncer, bodyguard, gofer, chauffeur, drug-runner, roadie, fellow party animal, confidante and friend. Along with Neil Aspinall he was the man who allowed the band to function daily and catered to their every need. He was such a central cog in the machine that Ringo declared, “now Mal's left, the Beatles are really over.” Mal's son delivered his archive of photos, manuscripts and memorabilia to the author, lecturer and world-renowned Beatles authority Kenneth Womack and asked him to write his father's memoir, and the result – ‘Living The Beatles Legend: On the Road with the Fab Four – the Mal Evans Story' – has just been published. It sees the whole story through a completely different lens. Among the highlights in this illuminating conversation with Ken you'll find … ... Mal's delicate relationships with the band and role as a peace-keeper.   … further proof that Allen Klein “caused despair”. … why Lennon said life on the road “was like Satyricon”. … Mal's brief tenure as Apple's MD. … how Cynthia Lennon unknowingly shopped him to his wife. … the internal world of “the eight outsiders” (the Fabs, Brian, George M, Neil and Mal). … the reunion with John and Paul at a Harry Nilsson session and the Jesse Ed Davis incident on the Lost Weekend. … echoes of Mal in John Junkin's character in A Hard Day's Night. … and the tragic and complex circumstances of his death at the hands of the police in 1976. Order Ken's book here: https://www.waterstones.com/book/living-the-beatles-legend/kenneth-womack//9780008551216?awaid=3787&utm_source=redbrain&utm_medium=shopping&utm_campaign=css&sv1=affiliate&sv_campaign_id=176013&awc=3787_1701449123_6949508e18ba11ed742bd07b0529cc8eSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mal Evans was the Beatles' right-hand man, their bouncer, bodyguard, gofer, chauffeur, drug-runner, roadie, fellow party animal, confidante and friend. Along with Neil Aspinall he was the man who allowed the band to function daily and catered to their every need. He was such a central cog in the machine that Ringo declared, “now Mal's left, the Beatles are really over.” Mal's son delivered his archive of photos, manuscripts and memorabilia to the author, lecturer and world-renowned Beatles authority Kenneth Womack and asked him to write his father's memoir, and the result – ‘Living The Beatles Legend: On the Road with the Fab Four – the Mal Evans Story' – has just been published. It sees the whole story through a completely different lens. Among the highlights in this illuminating conversation with Ken you'll find … ... Mal's delicate relationships with the band and role as a peace-keeper.   … further proof that Allen Klein “caused despair”. … why Lennon said life on the road “was like Satyricon”. … Mal's brief tenure as Apple's MD. … how Cynthia Lennon unknowingly shopped him to his wife. … the internal world of “the eight outsiders” (the Fabs, Brian, George M, Neil and Mal). … the reunion with John and Paul at a Harry Nilsson session and the Jesse Ed Davis incident on the Lost Weekend. … echoes of Mal in John Junkin's character in A Hard Day's Night. … and the tragic and complex circumstances of his death at the hands of the police in 1976. Order Ken's book here: https://www.waterstones.com/book/living-the-beatles-legend/kenneth-womack//9780008551216?awaid=3787&utm_source=redbrain&utm_medium=shopping&utm_campaign=css&sv1=affiliate&sv_campaign_id=176013&awc=3787_1701449123_6949508e18ba11ed742bd07b0529cc8eSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mal Evans was the Beatles' right-hand man, their bouncer, bodyguard, gofer, chauffeur, drug-runner, roadie, fellow party animal, confidante and friend. Along with Neil Aspinall he was the man who allowed the band to function daily and catered to their every need. He was such a central cog in the machine that Ringo declared, “now Mal's left, the Beatles are really over.” Mal's son delivered his archive of photos, manuscripts and memorabilia to the author, lecturer and world-renowned Beatles authority Kenneth Womack and asked him to write his father's memoir, and the result – ‘Living The Beatles Legend: On the Road with the Fab Four – the Mal Evans Story' – has just been published. It sees the whole story through a completely different lens. Among the highlights in this illuminating conversation with Ken you'll find … ... Mal's delicate relationships with the band and role as a peace-keeper.   … further proof that Allen Klein “caused despair”. … why Lennon said life on the road “was like Satyricon”. … Mal's brief tenure as Apple's MD. … how Cynthia Lennon unknowingly shopped him to his wife. … the internal world of “the eight outsiders” (the Fabs, Brian, George M, Neil and Mal). … the reunion with John and Paul at a Harry Nilsson session and the Jesse Ed Davis incident on the Lost Weekend. … echoes of Mal in John Junkin's character in A Hard Day's Night. … and the tragic and complex circumstances of his death at the hands of the police in 1976. Order Ken's book here: https://www.waterstones.com/book/living-the-beatles-legend/kenneth-womack//9780008551216?awaid=3787&utm_source=redbrain&utm_medium=shopping&utm_campaign=css&sv1=affiliate&sv_campaign_id=176013&awc=3787_1701449123_6949508e18ba11ed742bd07b0529cc8eSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Årets siste episode av Viaplay Motor Pod. Atle Gulbrandsen, Stein Pettersen og Henning Isdal oppsummerer sesongene i Formel 1 og Formel 2, og vi får besøk av Satyricon-vokalist Sigurd Wongraven. Episoden kan inneholde målrettet reklame, basert på din IP-adresse, enhet og posisjon. Se smartpod.no/personvern for informasjon og dine valg om deling av data.

Dolce and Gabbana by Dolce and Gabbana (1992) + Federico Fellini's Nights of Cabiria (1957) + La Dolce Vita (1960) + Fellini Satyricon (1969)  with Monica S4E47 9/15/22 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

IrinaThe world of Irina Maleeva jettisoned into the cinematic spotlight when she was discovered by the legendary Federico Fellini at age 15 and would go on to perform in three of his highly-acclaimed movies: Satyricon; Spirits of the Dead; and Roma. Later Maleeva was chosen for the lead part of Jessica in the film, “The Merchant of Venice” playing opposite Orson Welles's Schylock. The film was also directed by Orson Welles “This was the best time of my life”, remembers Irina. For many years part of the film was lost. When finally recovered, it premiered in Los Angeles at the Egyptian Theater in 2017.CarlyleCarlyle King is an actress and voice artist who worked on Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise and on the feature film Star Trek V: The Final Frontier. As an actress, King appeared in an episode of Seinfeld (1991, with Jason Alexander and Tucker Smallwood), the television drama Grass Roots (1992, with Corbin Bernsen, Joanna Cassidy, John Glover, Tim O'Connor, and L. Sidney), the television drama Tonya & Nancy: The Inside Story (1994, with Michael Cavanaugh, Robert Pine, Ellen Geer, Peggy Roeder, Lilyan Chauvin, and Jack Shearer), and the short drama The Son (2007).

This Week On America's Podcast James West Joins Us. In our latest episode, we dive headfirst into the world of Down and their album "Down II: A Bustle in Your Hedgerow". Will we like it or not? Well, you'll have to tune in and listen to find out! It's a suspenseful journey filled with heavy riffs, thunderous drums, and mind-blowing melodies. So grab your headphones, get ready to rock, and discover if this album leaves us buzzing with excitement or searching for the nearest exit. Don't miss out on the verdict—we won't spoil it for you! Tracks of the Week: Charles, "Revolve" by Melvins. James, "Now Diabolical" by Satyricon. Jerry, "Jealous Again' by The Black Crowes and we End it with Marc, "Heartbreak Station" by Cinderella. Until Next Week Free Form Nation Make Sure and Fly High and watch out for Michelle..  #down #DownIIABustleinYourHedgerow #metal #doommetal #podcast #musicpodcast #freeformrockpodcast  

On this week's episode, we give some updates on what's going on with the show before checking out this week's Unsigned Band Of The Week in the Ukraine's own Prevent The Ruin. We start off rock and metal news telling a story of how I met Evan Seinfeld of Biohazard, Diecast, and Fred Durst all in the same night tying into some news on Biohazard before checking out our first bands you should know artist in Rage Is My Rival. We check out more rock and metal news with stories on whether metal can ruin a relationship, Primordial, Dio, Ministry, Metalocalypse, Satyricon, and more before checking out our last bands you should know artist in Eternal Drak. Follow us on Twitter.com/pedal_radio, Facebook.com/eddiespedaltothemetalradioshow, Instagram.com/pedaltothemetalradioshow, and pedaltothemetalradioshow.blogspot.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/edward-gato/support

Unveiling the truth behind Cadaver's highly anticipated album, "The Age Of The Offended"!

In this episode, Josh White and I have a conversation about the foolishness of the cross. About our need to be confronted with the end of ourselves, so we can be dependent on Christ. We talk about how confession can drive our communities, being a witness to Jesus in the world, and radical grace and vulnerability. Josh White is a speaker, recording artist, writer and founding pastor of Door of Hope, a family of church's in the urban core of Portland Oregon. Josh lives with his wife Darcy, son Henry, daughter Hattie. Portland is the city where he and his wife Darcy met 23 years ago while Josh was playing a show with his then Seattle glam rock band, Man Ray, at the now defunct Satyricon night club. Little did they know that their lives within a few years would be turned upside down and revolutionized by the gospel of Jesus. When not traveling, preaching and leading Door of Hope, Josh is enjoying his family, obsessively reading — he actually is just obsessive — writing, producing and designing spaces. He just released his first book ‘Stumbling Toward Eternity' for Penguin imprint, Multnomah press. Josh often refers to himself as the amateur pastor — for in the words of Robert Farrar Capon, ‘The amateur—the lover, the man who thinks heedlessness a sin and boredom a heresy—is just the man you need. More than that, whether you think you need him or not, he is a man who is bound, by his love, to speak. The role of the amateur: to look the world back to grace.'Josh's book:Stumbling Toward EternityJosh's Recommendations:The Rise and Triumph of the Modern Self by Carl TruemanI Saw Satan Fall Like Lightening by Rene GirardPresence in the Modern World by Jacques EllulThe Passenger by Cormac McCarthyWhen We Cease to Understand the World by Benjamin LabatutConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook or Instagram at www.facebook.com/shiftingculturepodcasthttps://www.instagram.com/shiftingculturepodcast/Consider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on tSupport the show

We sit down with Sean Zimmerman and Garrett Garvey of Sacramento, California black/thrash metal act Sarcoptes and discuss their new album Prayers To Oblivion, out now on Transcending Obscurity Records. We talk about the band's journey and sonic evolution over the years, working as a studio only two piece and black metal as a genre. We also discuss bands changing and adapting their sound over time, looking at Satyricon, Metallica, Dimmu Borgir, Morbid Angel and others. We also talk about the importance of also being able to enjoy fun, simple, well done music, rather than always having to listen to big brain music, the local Sacramento scene and more. Listen to and order Prayers To Oblivion: https://sarcoptes.bandcamp.com/album/prayers-to-oblivion Follow Sarcoptes: Facebook: https://www.facebook.com/SarcoptesOfficial/ Instagram: https://www.instagram.com/sarcoptesofficial/

Multifaceted international sensation Irina Maleeva talks about her latest in her recurring role on Peacock's “Paul T. Goldman” and the upcoming “Sunny's Closet”! Irina has been an international star of the stage, screen, TV, cabaret and the world of music beginning as a child performer in Bulgaria and later discovered at 15 by legendary director Federico Fellini as she appeared in “Satyricon”, “Spirits of the Dead”, and “Roma” plus working with Orson Welles on “The Merchant of Venice”, and has made numerous appearances including “Bold and the Beautiful”, “The Meddler”, “Days of Our Lives”, “Gilmour Girls” and Union City with Blondie's Deborah Harry! Check out the amazing Irina Maleeva on all streaming platforms and ⁠www.irinamaleeva.com⁠ today! #irinamaleeva #actress #theater #bulgaria #paultgoldman #peacock #sunnyscloset #federicofellini #orsonwelles #satyricon #spiritsofthedead #roma #themerchantofvenice #themeddler #unioncity #deborahharry #iheartradio#spreaker #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagneririnamaleeva #themikewagnershowirinamaleeva --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support

Multifaceted international sensation Irina Maleeva talks about her latest in her recurring role on Peacock's “Paul T. Goldman” and the upcoming “Sunny's Closet”! Irina has been an international star of the stage, screen, TV, cabaret and the world of music beginning as a child performer in Bulgaria and later discovered at 15 by legendary director Federico Fellini as she appeared in “Satyricon”, “Spirits of the Dead”, and “Roma” plus working with Orson Welles on “The Merchant of Venice”, and has made numerous appearances including “Bold and the Beautiful”, “The Meddler”, “Days of Our Lives”, “Gilmour Girls” and Union City with Blondie's Deborah Harry! Check out the amazing Irina Maleeva on all streaming platforms and www.irinamaleeva.com today! #irinamaleeva #actress #theater #bulgaria #paultgoldman #peacock #sunnyscloset #federicofellini #orsonwelles #satyricon #spiritsofthedead #roma #themerchantofvenice #themeddler #unioncity #deborahharry #iheartradio#spreaker #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagneririnamaleeva #themikewagnershowirinamaleeva --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support

In this shortcast of the Podcast for Social Research, recorded live before a screening of Fellini Satyricon as part of our Occasional Evenings series, BISR classicist Bruce King and fellow faculty Isi Litke take up the ancient past and its (cinematic) reconstruction in the present. How did ancient Romans imagine, and then parody, a “good” death—or the staging of one? How do we come to grips with the fragmentary nature of our knowledge of antiquity? What imaginaries emerge (including 20th century fascist ones) in the fissures between what remains and what's been lost? What do out-of-sync dubbing, nonsense language, dream logics, and incongruous gestures have to do with the postmodern dismantling of grand narratives of the ancient past and its putative “simplicity and grandeur”? Quick LinksGet Embed PlayerDownload Audio File  

The Satyricon — Volume 02: Dinner of Trimalchio

The Satyricon — Volume 01: Introduction

Heyd and Erin couldn't resist PROBING this pre-Christian, ancient Roman text adapted by Federico Fellini with Richard Saja, an artist who's whimsical alterations of French toile patterns reveal subversions of an alternative reality that feeds into the Felliniesque style. Originally written during the time of Nero, its no surprise that Satyricon embraces chaos, lust and debauchery, with dream-like erotically charged imagery that follows scantily clad "blonde hottie" and brunette hottie" through a chaotic story. We loved every juicy, outrageous minute! Tangents: Lauren Boebert, Marylin Minter, Jeff Goldblum, Fight Club, Wari funerals, Mad Cow Disease, Goya, war on drag For more information about Noah's practice, check out his Instagram ⁠@richardsaja Follow us on Instagram ⁠@artists.talk.movies⁠ ⁠Help support the podcast by purchasing t-shirts, totes, mugs, hats, etc!!!! ⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/erin-stafford/support

SATYRICON frontman Satyr Wongraven returns to No-Prize From God. The Norwegian black metal musician talks about the spiritual and creative connections between nature, music, and visual arts, anchored specifically around the Satyricon & Munch - Munchmuseet exhibition, which ran for several months in 2022. Handpicked works of Norway's most famous artist, Edvard Munch, inspired new Satyricon music drawing on existential themes, rhythms, and waves. (Read more about the exhibition here.) Follow No-Prize From God, Ryan J. Downey, and check out Downey's other podcasts: PopCurse (Musicians Talking Movies) and Speak N' Destroy (Interviews About Metallica). Listen to No-Prize From God: Playlist For the Podcast.

Ray Mullin who is an OG of running Portland venues including Davy Jones' Locker, Solid State, Satyricon, Mississippi Studios, Revolution Hall and more! Talks about Acid Perdiems, Macaulay Culkin's rider, and what causes "venue paste".... This is Venue Punisher!

This short off-format episode is intended as a sort of fireside reading to be enjoyed by our overfull American listeners as they struggle to digest their Thanksgiving dinners.  It's from the late 1st-century novel, Satyricon by Petronius and describes what is quite likely Western literature's most decadent description of a feast. The post An After-Dinner Reading: Decadent Dining in the Satyricon appeared first on Bone and Sickle.

This week I'm joined by the legendary Svartalv Halvorsen, aka S.A. Destroyer of Nocturnal Breed for the longest and most in-depth conversation I have ever recorded for Into The Necrosphere. We discuss Svartalv's formative years, playing in bands like Gehenna and Satyricon, his memories of growing up in the Norwegian Black Metal scene and his thoughts on the genre's evolution. He also gives an update on his current musical endeavors, including the low-down on the next Nocturnal Breed record.▶️SUBSCRIBE TO THE PODCAST https://youtube.com/c/IntoTheNecrosphere ▶️INTO THE NECROSPHERE MERCH:https://into-the-necrosphere.creator-spring.com ▶️LISTEN ON:Amazon Musichttps://amzn.to/3epNJ4K Spotifyhttps://spoti.fi/3iKqbIP Apple Podcastshttps://apple.co/38wDYhi ▶️SUPPORT THE BANDS FEATURED ON THIS PODCAST:Nocturnal Breedhttps://www.facebook.com/Thrashiac777NocturnalBreed Ekromhttps://ekrom.bandcamp.com/ ▶️SOCIAL MEDIAFacebookhttps://www.facebook.com/intothenecrosphere Instagramhttps://www.instagram.com/intothenecrosphere Twitterhttps://twitter.com/inecrosphere #nocturnalbreed #blackmetal #deathmetal #intothenecrosphere #metalpodcast

Today Leslie sits down with Irina Maleeva to discuss her fascinating career in TV and Film, what it was like to be discovered by Fellini and much more.More about Irina:Star of stage, screen, television, cabaret and the world of music, Irina Maleeva is a true multifaceted international sensation. The daughter of a famed Bulgarian stage actress and an aristocratic Italian statesman, Maleeva first established herself as a child performer in her native Bulgaria -- and from there her career and talents would bring her to the glittering global stage.The world of Irina Maleeva jettisoned into the cinematic spotlight when she was discovered by the legendary Federico Fellini at age 15 and would go on to perform in three of his highly-acclaimed movies: Satyricon; Spirits of the Dead; and Roma. Later Maleeva was chosen for the lead part of Jessica in the film, "The Merchant of Venice" playing opposite Orson Welles's Schylock. The film was also directed by Orson Welles.Included in her motion picture accomplishments: studying and working with iconic Italian directors Luchino Visconti and Roberto Rossellini and starring in more than 30 leading roles in European and American films opposite such luminaries as James Mason, Valentina Cortese and Terence Stamp, plus notable actors Susan Sarandon, Charles Grodin, David Duchovny, Anthony Franciosa and Klaus Kinski, to name a few.For her portrayal as a demented countess in the cult crime mystery film Union City, Maleeva appeared opposite rockers Debbie Harry and Pat Benatar and for her memorable role in this film she was awarded at the Toronto Film Festival. Later she would play the part of Mrs. Hasadan in the screwball comedy of errors Wasabi Tuna.Among her other acting achievements are the lead in the Italian-French television series Poly in Venice and The Girl without Identity. American television roles include appearing as a guest star on Days of our Lives, The Gilmore Girls, Pensacola, Just Shoot Me, Six Feet Under, Angel and Threshold. Maleeva was a principal recurring actress on the television series Cracking Up and the award-winning soap opera The Bold and the Beautiful. She has also guest starred on American Body Shop and the critically acclaimed science fiction drama series Heroes, not to mention appearing in the role of Ruba in the HBO-produced show Twelve Miles of Bad Road. Maleeva has co-starred opposite Susan Sarandon in the comedy-drama film The Meddler and guest-starred in the television crime drama series Aquarius with David Duchovny.

Dolce & Gabbana by Dolce & Gabbana (1992) + Federico Fellini's Nights of Cabiria (1957) + La Dolce Vita (1960) + Fellini Satyricon (1969)  with Monica  To hear the remainder of this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.  09/15/22 S04.180

Film composer Tyler Bates is back on the show! We discuss his involvement in producing new music and touring with Jerry Cantrell, how performing again after the pandemic was a almost spiritual connection with the fanbase, recruiting the band that would perform on Jerry's new album Brighten, producing the major label debut for Starcrawler, all the details in composing the music for the Guardians of the Galaxy roller coasters, on collaborating with Chelsea Wolfe on the soundtrack to the film X, and his latest soundtrack works including Dayshift starring Jamie Foxx. Petar and Jozalyn we discuss our plans for the Psycho Las Vegas Festival this upcoming weekend, how we navigate so many bands playing on six stages, Satyr from Satyricon unwilling to apologize for Black Metal, and Max Cavalera possibly plotting an original Soulfully reunion to celebrate the debut album. Song: Tyler Bates and Chelsea Wolfe “Dolls” X Original Motion Picture Soundtrack Song: Tyler Bates “Big John's Sacrifice” Dayshift Original Motion Picture Soundtrack Song: Jerry Cantrell “Brighten” Song: Starcrawler “Stranded” Learn more about your ad choices. Visit megaphone.fm/adchoices