Podcasts about CTV

Do you need an expert analysis of your ad account and creative strategy? Talk to us at https://www.tiereleven.com/apply Are your ad campaigns competing against your own business? I'm breaking down why one insurance platform was paying $150 per lead while competitors were paying just $30. The problem wasn't the ads. It was how the ads were structured.We'll analyze an AI-powered insurance SaaS platform with hundreds of agents running fragmented campaigns across Meta, Google, and other channels. I'll walk you through the strategic changes we're implementing, like building a creative strategy around specific customer avatars.I'll also show you why centralized media buying, stronger creative hooks, and smarter lead distribution can transform a scattered advertising system into a scalable growth engine. If you're managing lead generation, paid media, or a multi-location sales organization, this is your blueprint for building campaigns that actually scale. In this episode- Why identical products can have wildly different cost per lead - How agency black boxes increase cost per lead - Why fragmented ad spend triggers Meta auction competition - The minimum ad budget Meta actually needs to learn - How niche avatar targeting can double or triple performance - The Rolex franchise model for consolidating ad accounts - State-level targeting versus city-level Meta Ads - Using round-robin lead distribution to stop agent cannibalization - Why programmatic and CTV are the next layer after MetaMentioned in the Episode: High-End Pet Brand Case Study: https://perpetualtraffic.com/podcast/episode-801-from-2-5m-to-4m-a-month-ad-spend-barely-changed-heres-why/Tier 11's Data Suite: https://www.tiereleven.com/what-we-do/data-suitePartner With Tier 11 Marketing Experts: https://www.tiereleven.com/apply Listen to This Episode on Your Favorite Podcast Channel:Follow and listen on Apple: https://podcasts.apple.com/us/podcast/perpetual-traffic/id1022441491 Follow and listen on Spotify:https://open.spotify.com/show/59lhtIWHw1XXsRmT5HBAuK Subscribe and watch on YouTube: https://www.youtube.com/@perpetual_traffic?sub_confirmation=1We Appreciate Your Support!Visit our website: https://perpetualtraffic.com/ Connect with Ralph Burns: LinkedIn - https://www.linkedin.com/in/ralphburns Instagram - https://www.instagram.com/ralphhburns/ Hire Tier11 - https://www.tiereleven.com/apply-now Mentioned in this episode:https://perpetualtraffic.com/advertise-with-us/https://perpetualtraffic.com/advertise-with-us/https://perpetualtraffic.com/advertise-with-us/https://perpetualtraffic.com/advertise-with-us/

Ask media buyers what quality media means, and answers vary. Reach, brand safety, dwell time, exclusivity: nobody agrees, and that confusion is costing marketers real money.This week, Elena, Angela, and Rob challenge the industry's obsession with premium placements. They argue quality really comes down to effectiveness: reaching real humans, in a context where the ad can do its job, at a price that makes the math work. They also unpack why Marketing Architects built its own DSP instead of relying on industry platforms, what to demand from media partners to protect against fraud, and how AI cuts both ways for junk inventory and creative quality.Topics covered:[01:00] Two studies on the industry's quality confusion and CTV fraud[02:00] A working definition: audience, context, and price[07:00] Whether premium placements really make creative work harder[08:00] The one non-negotiable floor: real humans seeing the ad[11:00] Why "everything works at zero" and cost drives TV performance[13:00] Why Marketing Architects built its own DSP[19:00] Using AI to fight junk inventory without lowering creative quality  To learn more, visit marketingarchitects.com/podcast or subscribe to our newsletter at marketingarchitects.com/newsletter.Resources:2026 eMarketer Article: https://www.emarketer.com/content/media-buyers-struggle-define-quality-inventory--it-s-costing-them2025 AdExchanger Article: https://www.adexchanger.com/on-tv-and-video/new-channel-same-old-tricks-how-legacy-web-tactics-are-undermining-ctv-advertising/Get more research-backed marketing strategies by subscribing to The Marketing Architects on Apple Podcasts, Spotify, or wherever you listen to podcasts.

Francis Mailly, Vice-President of Public Affairs for Quebec at the Retail Council of Canada spoke with Sue Smith, in for Aaron Rand

Sadaf Ahsan, Culture writer and editor and columnist at The Globe & Mail spoke with Sue Smith, in for Aaron Rand

Moshe Lander, Senior Lecturer in Economics at Concordia University spoke with Sue Smith, in for Aaron Rand

Jamil Springer, Head Coach of Flight School Elite Flag Football team spoke with Sue Smith, in for Aaron Rand

Michael McNaught, Co-Founder and CEO of RVezy spoke with Sue Smith, in for Aaron Rand spoke with Sue Smith, in for Aaron Rand

Political commentator James Mennie is a reporter, columnist and editor at the Montreal Gazette. He can be heard weekdays at 4:05 p.m. on Montreal Now with Aaron Rand spoke with Sue Smith, in for Aaron Rand

n this special episode, Kristi Lee sits down with survivor and advocate Jessica Baker to chat about their appearance on CTV's The Social earlier this week.Jessica was violently sexually assaulted by former Hedley frontman Jacob Hoggard in 2016. He was found guilty in relation to her charge in 2022, and not guilty in relation to two other victim-complainants. In June, he was granted day parole after serving less than two years of his five-year prison sentence.In November 2025, Jessica publicly revealed her identity in the CBC documentary Breaking Idol, but she has has turned down all media appearance invitations since then.In this special episode, she reflects on why she chose to break that streak on The Social, and how it actually went on the day.Kristi also explains how The Social's thoughtful, trauma-informed approach helped both women feel prepared and supported, and reflects on another TV experience that caused her to avoid media appearances for six years.Thanks to Jessica Baker, Tiffany Hsiung, and everyone at The Social!Next:Our segment on The Social: Jacob Hoggard's Accuser and Survivor Speaks Out [YouTube]Kristi's segment on The Social from Jan 2026 [YouTube]Breaking Idol, directed by Tiffany Hsiung [YouTube - only available in Canada)Our original podcast series The Trial of Hedley's Jacob HoggardBeyond The Verdict advocacy groupKindness CircleTrauma-informed journalism: Tips for telling important stories, better and The Trauma Beat: A Case for Re-Thinking the Business of Bad News by Tamara CherryFor more information:www.canadiantruecrime.ca Hosted on Acast. See acast.com/privacy for more information.

Ben Edelman, independent consultant and longtime ad fraud investigator, joins Ari Paparo and Eric Franchi to discuss the Phia affiliate controversy, the evolution of ad fraud, AppLovin's install practices, and what marketers should know about trust and attribution. They also cover Meta and Microsoft earnings, Google's Buyer Direct, creator marketing trends, FreeWheel's latest CTV update, and more. Takeaways: - Ben Edelman explains how affiliate fraud has evolved and why it remains a major issue. - A deep dive into the Phia browser extension controversy and affiliate attribution. - Lessons from the Blinkx adware scandal and AppLovin's forced install investigation. - Ari and Eric discuss Meta and Microsoft earnings, Google's Buyer Direct, and the future of creator marketing. - The latest updates from FreeWheel, Amazon, X, and the broader ad tech industry. Chapters: 00:00 Introduction 01:12 Podcast updates and industry news preview 02:19 Meet Ben Edelman 03:20 The Blinkx adware investigation 10:04 How Ben investigates ad fraud 13:28 The Phia affiliate controversy explained 19:02 Can affiliate marketing be trusted? 23:50 AppLovin's install practices 27:37 Where to follow Ben Edelman 27:51 Meta and Microsoft earnings 33:37 Amazon becomes the largest Fortune 500 company 36:06 Google's Buyer Direct and antitrust concerns 40:14 The rise of micro and nano creators 42:44 AI-generated content in programmatic advertising 43:59 FreeWheel's new CTV reporting capabilities 45:08 X and the WFA legal settlement 46:25 Final thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim Powers fills in on the Graham Richardson Show - where we talk politics and also have a little bit of fun! You can catch us every single Friday from Noon until 2PM. On today's show: CTV's Kamil Karamali has the latest on a possible strike at WestJet this long weekend. Tim speaks with Retired Major-General Tom Lawson about the latest developments in the Middle East. Independent Senator Danièle Henkel talks about Canada's push to boost the CAF reserve force to 30,000 members. Canada's Chef de Mission for the 2026 Glasgow Commonwealth Games joins Tim to tee up competition ahead of the event's final weekend. Two major American labour unions are calling on U.S. President Trump to reconsider his new tariffs on Canada. Tim is joined by USW International President Roxanne Brown. How did St. John's, Newfoundland become a hub for tech investment in Canada? Tim speaks with The Globe And Mail's Alexandra Posadzki. Remembering the 1976 Montreal Olympics with Walter Sieber, who was the Director of Sports for those games.

Ryan Gray, co-owner of the restaurant Nora Gray spoke with Sue Smith, in for Aaron Rand

John Gradek, Faculty Lecturer of Operations and Integrated Aviation Management at McGill

Political commentator James Mennie is a reporter, columnist and editor at the Montreal Gazette. He can be heard weekdays at 4:05 p.m. on Montreal Now with Aaron Rand.

Dr. Mitch Shulman can be heard every weekday morning at 7:50 on The Andrew Carter Morning Show.

Collective CIO Natalie Silverstein joins Next In Media to explore how creators are evolving into full-fledged media networks and what it takes for brands to scale authentic partnerships in a hyper-fragmented landscape. Natalie, also breaks down real-time crisis agility, strategies for training AI language models on video content, and how to combat the algorithmic reach recession with targeted paid media. Key Highlights

Lauren Ridgley is the CEO of Left Hand Agency, a boutique independent full-service media agency based in Portland specializing in CPG brands. Her team plans and buys across the full mix, including retail media networks, paid social, OOH, CTV, programmatic, and paid search, spanning both performance and brand investment. Left Hand isn't a performance-only shop or a digital agency; the team's differentiation is knowing how to balance brand and performance investment for long-term growth, not just short-term response.Before founding Left Hand, Lauren spent years as a marketing director in TV and entertainment. She's deeply versed in the Byron Sharp and Ehrenberg-Bass frameworks around mental and physical availability, and Left Hand has been known to send clients copies of How Brands Grow to make the case.Lauren is a regular voice in industry conversations, having appeared on multiple podcasts and panels, including a past panel with Indie Agency News. She's active in the Pacific Northwest marketing and creative community through NextNW (formerly Portland Ad Fed), and writes the CPG-focused High Five newsletter series.

Tech analyst and journalist Carmi Levy can be heard regularly on Montreal Now with Aaron Rand as well as CTV News spoke with Sue Smith, in for Aaron Rand

Graham Richardson fills in for Vassy Kapelos. Flight attendants at WestJet could walk off the job on Sunday if their union and the airline don't reach a settlement agreement, putting long weekend travel plans up in the air for thousands of Canadians. Amra Durakovic from Flight Centre Travel Group Canada outlines what travelers should know. On today's show: CTV's Rachel Aiello has the latest on Canada-USA Trade Minister Dominic LeBlanc's trip to Washington. Graham chats with Shachi Kurl, the President of Angus Reid Institute, about a new poll that shows climate policy is driving voters away from the Carney Liberals. Not only that, those voters are going straight to the Orange Crush. Talk Science To Me with CTV Science and Technology specialist Dan Riskin: The reasons why not having a defined career plan might be a good thing. The Daily Debrief Panel - featuring Marieke Walsh and Rob Benzie. During the 2025 election campaign, the Liberals promised to increase a key tax credit to support the mining sector. The Association for Mineral Exploration say the Carney government has not made good on that promise. Graham speaks with President Todd Stone.

Yanick Roy, President of Royal Pyrotechnie and co-owner of Fusion Drone Shows spoke with Sue Smith, in for Aaron Rand

Dr. Mitch Shulman can be heard every weekday morning at 7:50 on The Andrew Carter Morning Show.

Kevin Desjardins, President of the Canadian Association of Broadcasters

Political commentator James Mennie is a reporter, columnist and editor at the Montreal Gazette. He can be heard weekdays at 4:05 p.m. on Montreal Now with Aaron Rand spoke with Sue Smith, in for Aaron Rand

Nik breaks down what's actually new with GPT-5.6 Sol and why it's a bigger deal for marketers than most people realize. He walks through how he's using it inside his AI agent "Jet", why hyper-realistic product imagery is now table stakes, and how a tool called Jurni is changing the way he builds high-converting landing pages. Nik also gets into the real question every marketer should be asking: what should stay in-house, and what's better handed off to an external vendor or freelancer. --- Tatari helps brands run TV like a modern performance channel. Unlike most platforms that focus only on programmatic CTV, Tatari gives marketers access to all of TV - linear, streaming, programmatic CTV, and direct publisher inventory - in one platform. By combining premium inventory with transparent reporting and outcome-based measurement, Tatari lets growth teams evaluate TV the same way they evaluate paid search or paid social. The result: more control, better reach, and TV spend that can actually be tied back to business results. Learn more at ⁠⁠tatari.tv/limitedsupply⁠⁠. --- Want more DTC advice? Check out the⁠⁠⁠⁠⁠⁠⁠ Limited Supply YouTube page⁠⁠⁠⁠⁠⁠⁠ for more insider tips. And if you're looking for an instant stream of on-demand DTC gold, check out the⁠⁠⁠⁠⁠⁠⁠⁠ Limited Supply Slack Channel⁠⁠⁠⁠⁠⁠⁠⁠ for Nik's most unfiltered, uncensored thoughts. Check out the Nik's ⁠⁠⁠⁠⁠⁠⁠⁠DTC newsletter⁠⁠⁠⁠⁠⁠⁠⁠ Follow Nik on Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.twitter.com/mrsharma

Cannes debuted a new award for creative consistency this year. 73 brands entered. Just two won.This week, Elena, Angela, Rob, Catherine, and Nikki unpack what actually happened at Cannes versus what just made headlines. The team shares why intelligence-gathering, not glamour, is the real reason to attend, and how AI is quietly reshaping ad tech products behind the scenes. They also weigh in on where live sports, retail media, and creator marketing genuinely fit into an effectiveness-driven strategy versus where they're overhyped. Marketers will walk away knowing which Cannes trends deserve real budget attention and which are just award-show noise. Topics covered:[02:00] Why Marketing Architects decided to start attending Cannes[04:00] The real gap between Cannes glamour and the actual work[13:00] How AI is quietly reshaping ad tech products[14:00] Live sports as a growth opportunity, not a silver bullet[17:00] Why competing streaming platforms are all facing the same challenges[21:00] Retail media and creator marketing: tools, not full strategies[24:00] Cannes' new award for long-term creative consistencyTo learn more, visit marketingarchitects.com/podcast or subscribe to our newsletter at marketingarchitects.com/newsletter.  Resources:2026 The Drum Article: https://www.thedrum.com/opinion/andrew-tindall-what-ritson-and-sharp-got-right-and-wrong-at-cannesGet more research-backed marketing strategies by subscribing to The Marketing Architects on Apple Podcasts, Spotify, or wherever you listen to podcasts.

On this week's episode of the podcast, I am joined by Michael Kaminsky, co-founder and co-CEO of Recast. We explore the rise of open-source Marketing Mix Modeling (MMM) tools and the challenges of measuring modern ad spend. Among other things, we discuss:Whether open-source MMM libraries like Robyn and Meridian are truly unbiased tools or subtle instruments for big tech self-gradingHow marketers can effectively evaluate the accuracy of MMM outputs through techniques like parameter recovery and predictive forecastingWhy smaller, performance-driven brands might actually find more value in last-touch attribution than in complex econometric modelingIf the inherent uncertainty in MMM estimates makes them fundamentally incompatible with the fast-paced feedback loops of digital advertisingWhat role generative AI and large language models play in democratizing access to sophisticated marketing data science analysisWhen a brand should transition from simple attribution methods to a multi-layered approach involving incrementality and econometric modelingHow the shift toward CTV and non-trackable channels is forcing a resurgence in probabilistic measurement frameworks like MMMThanks to the sponsors of this week's episode of the Mobile Dev Memo podcast:⁠⁠INCRMNTAL⁠⁠⁠. True attribution measures incrementality, always on.Xsolla⁠. With the Xsolla Web Shop, you can create a direct storefront, cut fees down to as low as 5%, and keep players engaged with bundles, rewards, and analytics.⁠Branch⁠. Branch is an AI-powered MMP, connecting every paid, owned, and organic touchpoint so growth teams can see exactly where to put their dollars to bring users in the door and keep them coming backInterested in sponsoring the Mobile Dev Memo podcast? Contact Mobile Dev Memo advertising.The Mobile Dev Memo podcast is available on:SpotifyYouTubeApple Podcasts

Connected TV is becoming a performance marketing channel. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, breaks down why CTV is merging with digital advertising. She explains how video fits inside a unified digital strategy, why omnichannel buys across TV, display, and social work as one plan, and how brand perception now feeds AI-driven marketing outcomes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Connected TV is becoming a performance marketing channel. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, breaks down why CTV is merging with digital advertising. She explains how video fits inside a unified digital strategy, why omnichannel buys across TV, display, and social work as one plan, and how brand perception now feeds AI-driven marketing outcomes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Connected TV is becoming a performance channel, not just a brand play. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, explains how video fits inside a unified digital strategy. She breaks down why marketers should stop separating CTV from digital advertising, how omnichannel buying across television, display, and social works as one strategy, and why brand perception now shapes AI-driven discovery.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Connected TV is becoming a performance channel, not just a brand play. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, explains how video fits inside a unified digital strategy. She breaks down why marketers should stop separating CTV from digital advertising, how omnichannel buying across television, display, and social works as one strategy, and why brand perception now shapes AI-driven discovery.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week in the business of podcasting:Tom Webster's fourth Podcast Atlas installment argues social platforms are the denominator of podcast advertising, with YouTube reaching 82% of monthly podcast listeners and Facebook 80%, and makes the case that audio and social should be planned together rather than pitted against each other.New research from Sound Insights and Sounds Profitable finds UK podcast advertising priced at roughly £0.18 per listener-hour versus £0.94 in the US, a 5.2x gap, even as podcast ad recall among 18 to 34 year olds hits 86% and outpaces broadcast TV.Comscore expanded its Proximic contextual targeting to Spotify, SiriusXM, Triton Digital, Acast, and Libsyn, enabling episode-level targeting so buyers can purchase podcast ads through the same programmatic tools they use for CTV and display.Steve Raizes warns that brands copying employee creator programs like Starbucks' Green Apron Creators are taking on unpriced obligations, from unsettled copyright ownership and overtime exposure to likeness rights that outlast employment.Podcast advertisers are increasingly valuing a creator's cross-platform reach across YouTube, social, video, and live events over raw download counts, with Acast's Ricardo Neto noting mid-tier creators at 50,000 weekly downloads now drawing buyer attention.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

This week in the business of podcasting:Tom Webster's fourth Podcast Atlas installment argues social platforms are the denominator of podcast advertising, with YouTube reaching 82% of monthly podcast listeners and Facebook 80%, and makes the case that audio and social should be planned together rather than pitted against each other.New research from Sound Insights and Sounds Profitable finds UK podcast advertising priced at roughly £0.18 per listener-hour versus £0.94 in the US, a 5.2x gap, even as podcast ad recall among 18 to 34 year olds hits 86% and outpaces broadcast TV.Comscore expanded its Proximic contextual targeting to Spotify, SiriusXM, Triton Digital, Acast, and Libsyn, enabling episode-level targeting so buyers can purchase podcast ads through the same programmatic tools they use for CTV and display.Steve Raizes warns that brands copying employee creator programs like Starbucks' Green Apron Creators are taking on unpriced obligations, from unsettled copyright ownership and overtime exposure to likeness rights that outlast employment.Podcast advertisers are increasingly valuing a creator's cross-platform reach across YouTube, social, video, and live events over raw download counts, with Acast's Ricardo Neto noting mid-tier creators at 50,000 weekly downloads now drawing buyer attention.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Connected TV is becoming a performance marketing channel. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, brings 20 years of media experience across programmatic, CTV, digital, and linear. She explains why video will fold into digital strategy rather than stay siloed, how omnichannel buying spans television, display, and social in a single plan, and why brand perception now shapes performance in an AI-first world.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ten years to the day. Three fans who were in the building for opening night in Victoria tell the story - the tickets, the silver suit, and the night the Man Machine Poem Tour began.Episode SummaryFirst stop. July 22nd, 2016. The Save-On-Foods Memorial Centre in Victoria, where The Tragically Hip opened the Man Machine Poem Tour and, as jD puts it, tore the place up. Ten years later, Yer Hipstories: Reflections From The Final Tour gathers three fans who were there - Chris from Kelowna, Dave from Campbell River, and Jay from Edmonton - to take it from soup to nuts: hearing the news, chasing the tickets, and living the night.The ticket stories alone are worth the price of admission. Dave had seen The Hip 19 times and never sweated a ticket - until dynamic pricing and the bots turned this on-sale into the most stressful of his life. Chris dumb-lucked into fabulous seats through a venue voucher he had to drive to Victoria to redeem - and ended up on CBC, Global, CTV, and CNNalong the way, posting his mileage in a very Canadian unit: 12 Tragically Hip songs per hundred kilometres. Jay stared down 45 minutes of "sold out" on Ticketmaster before row four on the floor appeared for him, his wife, and his two-year-old daughter - then did it again and landed row two for Vancouver.Then the lights went down and 'Boots or Hearts' opened the night. The panel remembers the acoustic-style start, the deep cuts up front, Gord Downie's glittering silver suit and feather - and Chris's reading of it all: this was the band flipping the bird at cancer and controlling the narrative. Jay's daughter got a wave from Gord during 'Blow at High Dough' - a moment you can spot in the documentary. Dave got 'The Luxury', played for the first time since 2000, at his 20th show.There's real talk about the four "Man Machine Poem" songs played each night - 'In a World Possessed by the Human Mind', 'Machine', 'What Blew', and one more with a title we can't print here - plus where everyone was on August 20th, 2016, from inside the Kingston barn to packed small-town bars in Dorintosh, Saskatchewan, and Vanderhoof, BC. The word the panel lands on: gratitude.The PanelChris from Kelowna - longtime search and rescue volunteer, then living in Vanderhoof. Drove 1,000 kilometres to the show with his brother and an iPod co-pilot, and became the national media's favourite Hip fan for a week.Dave from Campbell River - joining from Halifax on the other end of the country. Victoria was his 20th Hip show; he carried on to Ottawa and Kingston, and he has never said goodbye.Jay from Edmonton - then in Calgary, tent trailer in tow for a family vacation on the island. His two-year-old daughter is the little girl in the headphones in the documentary. Victoria was show 39 of 40.Timestamps00:00 - Welcome and panel introductions02:01 - Ticket stress: bots, dynamic pricing, and pure persistence08:27 - Chris's media tour: CBC, Global, CTV, and CNN11:16 - The opener: 'Boots or Hearts' hits different13:51 - 'Blow at High Dough' and a wave from Gord16:29 - The silver suit, the feather, and flipping the bird at cancer22:14 - The "Man Machine Poem" songs live28:09 - A farewell party and the beginning of a goodbye35:47 - August 20th, 2016: Kingston, and the bars that held the rest of us41:34 - News: the live record and the National Celebration rebroadcast42:46 - Final thoughts on Victoria50:42 - Gratitude and what comes nextResources & ReferencesSetlist and play-count data: hat tip to Hipbase and setlist.fmThe documentary moments discussed come from Long Time RunningNational Celebration returns: a live record on August 21st, and the CBC rebroadcast on August 22ndRelated listening: The Tragically Hip On Shuffle - Live Stream: The Darkest OneJoin InThis series is a living audio time capsule, and it only works if the community brings the goods. Were you at a stop on the Man Machine Poem Tour? Share your Hipstory and be part of the record. Want more from the network between episodes? Subscribe to Yer Letter, the monthly newsletter from jD.ClosingHuge thanks to Chris from Kelowna, Dave from Campbell River, and Jay from Edmonton for opening the vault on opening night - the nerves, the tears, the feather, and the wave. The takeaway this week is the word Chris found and everyone kept: gratitude. They chose the stage. We got to be there. So there's that.In two days, the series crosses the Strait to the mainland: Vancouver, July 24th, 2016. Get after it.ConnectFacebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com#TheTragicallyHip #TheHip #GordDownie #ManMachinePoem #InGordWeTrust #YerFavouritesSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Cadent President Doug Rozen unpacks the hidden organizational silos and ad frequency nightmares plaguing modern video advertising at Cannes. Discover why shifting from audience persistence to contextual TV and total video planning is the ultimate fix for bruised brand performance. Key Highlights

Connected TV is becoming a performance marketing channel. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, brings 20 years of media experience across programmatic, CTV, digital, and linear. She explains why video will fold into digital strategy rather than stay siloed, how omnichannel buying spans television, display, and social in a single plan, and why brand perception now shapes performance in an AI-first world.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Thought processThought processToday in the business of podcasting:Tom Webster's fourth Podcast Atlas installment frames social platforms as the denominator of podcast advertising, with YouTube reaching 82% of monthly podcast listeners and Facebook 80%, and argues audio builds trust while social delivers the frequency and retargeting every campaign multiplies against.New research from Sound Insights and Sounds Profitable finds UK podcast advertising priced at £0.18 per listener-hour versus £0.94 in the US, a 5.2x gap despite comparable reach, with podcast ad recall among 18 to 34 year olds hitting 86% and outpacing broadcast TV.Acast reported Q2 2026 net sales of SEK 775.6m, up 28% year over year and 29% organically, with adjusted EBITDA margin expanding to 7% from 3% as CEO Greg Glenday says the strategy of scaling revenue ahead of costs is working as intended.Comscore expanded its Proximic contextual targeting to Spotify, SiriusXM, Triton Digital, Acast, and Libsyn, enabling episode-level targeting so buyers can purchase podcast ads through the same programmatic tools they use for CTV and display.New Edison Research data finds 65% of US fiction audiobook listeners would be likely to try an AI-narrated title and 61% could not distinguish the AI voice from a human, even as trust concerns and informed wariness about AI-voiced podcasts persist among college educated listeners.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Thought processThought processToday in the business of podcasting:Tom Webster's fourth Podcast Atlas installment frames social platforms as the denominator of podcast advertising, with YouTube reaching 82% of monthly podcast listeners and Facebook 80%, and argues audio builds trust while social delivers the frequency and retargeting every campaign multiplies against.New research from Sound Insights and Sounds Profitable finds UK podcast advertising priced at £0.18 per listener-hour versus £0.94 in the US, a 5.2x gap despite comparable reach, with podcast ad recall among 18 to 34 year olds hitting 86% and outpacing broadcast TV.Acast reported Q2 2026 net sales of SEK 775.6m, up 28% year over year and 29% organically, with adjusted EBITDA margin expanding to 7% from 3% as CEO Greg Glenday says the strategy of scaling revenue ahead of costs is working as intended.Comscore expanded its Proximic contextual targeting to Spotify, SiriusXM, Triton Digital, Acast, and Libsyn, enabling episode-level targeting so buyers can purchase podcast ads through the same programmatic tools they use for CTV and display.New Edison Research data finds 65% of US fiction audiobook listeners would be likely to try an AI-narrated title and 61% could not distinguish the AI voice from a human, even as trust concerns and informed wariness about AI-voiced podcasts persist among college educated listeners.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Most marketers still treat CTV as separate from digital. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, brings 20 years of programmatic, CTV, and digital media experience to make the case for CTV's performance era. She explains why video belongs inside your digital strategy, not beside it, and how omnichannel buying across television, display, and social works as one strategy. She also covers why brand perception now shapes AI-driven discovery and outcomes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Most brands are still buying ad space…the smartest ones are building an army instead. In this episode, Nik shares his recent conversation from the Social Commerce Summit in NYC, where he and Heatmap.com's Dylan Ander dig into exactly what's working in social commerce and creator marketing right now. Nik breaks down why the best brands have stopped treating creators like a media buy and started industrializing them, building real, commission-based "creator armies" the same way Comfort scaled with the now-famous Hudson Method. He unpacks his concept of persona mapping and persona maxing, why YouTubers and vloggers specifically outperform every other creator type on paid, and gets brutally honest about his own celebrity brand flops to explain why most celebrity brands don't survive past day three. For brands doing $3–10M a year without a nine-figure budget, Nik lays out a practical playbook: parallel-path your creator and paid funnel strategy, feed winning ad angles back to creators (and vice versa), and find your product's exact price "sweet spot" for TikTok Shop before you scale spend. If you're trying to figure out where your next dollar of creator marketing budget should actually go, this episode is as tactical as it gets. --- Tatari helps brands run TV like a modern performance channel. Unlike most platforms that focus only on programmatic CTV, Tatari gives marketers access to all of TV - linear, streaming, programmatic CTV, and direct publisher inventory - in one platform. By combining premium inventory with transparent reporting and outcome-based measurement, Tatari lets growth teams evaluate TV the same way they evaluate paid search or paid social. The result: more control, better reach, and TV spend that can actually be tied back to business results. Learn more at ⁠tatari.tv/limitedsupply⁠. --- Want more DTC advice? Check out the⁠⁠⁠⁠⁠⁠ Limited Supply YouTube page⁠⁠⁠⁠⁠⁠ for more insider tips. And if you're looking for an instant stream of on-demand DTC gold, check out the⁠⁠⁠⁠⁠⁠⁠ Limited Supply Slack Channel⁠⁠⁠⁠⁠⁠⁠ for Nik's most unfiltered, uncensored thoughts. Check out the Nik's ⁠⁠⁠⁠⁠⁠⁠DTC newsletter⁠⁠⁠⁠⁠⁠⁠ Follow Nik on Twitter:⁠⁠⁠⁠⁠⁠⁠⁠ https://www.twitter.com/mrsharma

Disney is reinventing advertising across its streaming ecosystem. On this edition of The Big Impression, Disney's SVP, Addressable Sales, Jamie Power explains how advertisers can now buy audiences seamlessly across Disney+, Hulu, ESPN and more — and why more brands are choosing biddable to transact their upfront commitments. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Most marketers still treat CTV as separate from digital. Alison Clark, CTV and Go-to-Market Strategy Lead at AdRoll, brings 20 years of programmatic, CTV, and digital media experience to make the case for CTV's performance era. She explains why video belongs inside your digital strategy, not beside it, and how omnichannel buying across television, display, and social works as one strategy. She also covers why brand perception now shapes AI-driven discovery and outcomes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Connected TV is becoming a performance marketing channel. Alison Clark, CTV Go-to-Market Strategy Lead at AdRoll, brings 20 years of media experience across programmatic, CTV, digital, and linear. She explains why video strategy is merging into digital strategy instead of standing apart. Learn how omnichannel buying across television, display, and social works as one campaign, and why brand matters as much as tracking in an AI-first world.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Everyone's plugging Meta, Google, and LinkedIn straight into AI via MCP and asking it where to spend their next ad dollar. Matt Chanella breaks down why that's exactly backwards — and why AI is going to make your ads more expensive, not more effective.In this episode of B2B Reality Check, Matt unpacks the two traps every B2B ad team falls into when they outsource strategy to AI:→ AI generates infinite creative variations — far more than you could ever run to statistical significance→ AI ad reporting always defaults to raw conversion volume, with zero context on campaign goals, funnel stage, or lead qualityMatt walks through why offline conversion tracking is the bare minimum, how to structure your AI context (project files, skills, clean conversion hierarchy) before you ever ask it to analyze spend, and why AI should be a thinking partner — not the decision-maker — for your ad strategy.In this episode:Why lower barriers to entry for AI-generated ads don't mean better ad performanceThe statistical significance problem with AI-generated creative testingWhy AI ad reporting can't distinguish high-intent conversions from low-intent ones (scroll depth, newsletter signups vs. booked meetings)How to give AI the right context before letting it touch your ad reportingWhy not every campaign (YouTube pre-roll, CTV, LinkedIn thought leadership) is designed for direct responseFAQQ: Can AI accurately tell me where to spend my next ad dollar?A: No — AI tools connected to your ad platforms track conversion volume and signal, but they can't tell you conversion quality: how many conversions become booked meetings, opportunities, or closed deals.Q: Why shouldn't I let AI generate all my ad creative variations?A: AI can produce far more creative iterations than you could ever run to statistical significance. Without a proper testing ramp and enough audience/budget to reach significance, you can't actually determine a winning message.Q: What's the minimum conversion tracking needed before using AI for ad strategy?A: Offline conversion tracking is the minimally viable setup — and even then, it should only be used for reporting, not for AI to dictate strategy.Q: Why does AI ad reporting always favor lead-gen campaigns?A: AI has no context on campaign objectives, measurement methodology (multi-touch, influenced, incrementality), or whether a campaign was designed for direct response versus brand consideration (the 95-5 principle). It defaults to whichever campaign produced the most raw conversions.Q: How do I set AI up correctly before using it for ad reporting?A: Build a project or skill collection with full context on your ad goals, objectives, segmentation, targeting, and measurement approach — before you ever ask it to analyze performance.

Connected TV is becoming a performance marketing channel. Alison Clark, CTV Go-to-Market Strategy Lead at AdRoll, brings 20 years of media experience across programmatic, CTV, digital, and linear. She explains why video strategy is merging into digital strategy instead of standing apart. Learn how omnichannel buying across television, display, and social works as one campaign, and why brand matters as much as tracking in an AI-first world.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Connected TV is shifting from a brand awareness play to a performance channel. Alison Clark, CTV Go-to-Market Strategy Lead at AdRoll, brings 20+ years across programmatic, CTV, digital, and linear media. She explains why video belongs inside your digital strategy instead of being managed separately, how omnichannel media buying works across TV, display, and social as one strategy, and why brand perception now feeds AI-driven performance.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NOTES Join the LinkedIn Ads Fanatics and get access to our 4 courses to take you from beginner to expert.  Subscribe/Rate/Review Contact us with any questions, suggestions, or corrections! SUMMARY Does the LinkedIn Brand Awareness objective actually build brand awareness—or just increase your ad costs? In this episode of The LinkedIn Ads Show, AJ Wilcox explains why the Brand Awareness objective is one of the most misunderstood features in LinkedIn Campaign Manager. You'll learn why it often costs significantly more than alternative objectives, when it actually makes sense to use it (hint: CTV ads), and which objectives can deliver better awareness and engagement at a lower cost. AJ also covers the latest LinkedIn Ads updates, including campaign naming changes, new thought leader ad capabilities, personalized lead gen forms, and dynamic UTM parameters. If you're running LinkedIn ads and want to make every dollar work harder, this is an episode you won't want to miss. TRANSCRIPT For the full show transcript, see the show notes page here: Episode 170

Connected TV is shifting from a brand awareness play to a performance channel. Alison Clark, CTV Go-to-Market Strategy Lead at AdRoll, brings 20+ years across programmatic, CTV, digital, and linear media. She explains why video belongs inside your digital strategy instead of being managed separately, how omnichannel media buying works across TV, display, and social as one strategy, and why brand perception now feeds AI-driven performance.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Recorded live at Cannes, this episode explores the shift from surface-level ad efficiency to true business effectiveness in a hyper-fragmented media landscape. VaynerX's Jon Morgenstern delivers a masterclass on navigating the creator economy, leveraging YouTube's cross-screen dominance, and using common-sense attribution to cut wasteful ad spend without harming the bottom line. Key Highlights

A billion-dollar ad budget sounds like it solves everything. It doesn't. Nik shares a recent experience he had sitting in on a CMO offsite for one of the largest consumer brands in the world, expecting the conversation to be light-years beyond anything a $10M or $50M brand deals with. Instead, he found the exact same problems: slow creative production, personalization that doesn't scale, and attribution that never tells the full story. In this solo episode, Nik breaks down why more resources at a big company often means more dependencies, not more speed, and uses the "telephone game" as the perfect analogy for what happens when a single test has to pass through strategy, brand, legal, and five other teams before it ever runs. He also gets into: Why lean, scrappy brands often move faster than teams with 10x the budget The real cost of approval bottlenecks on how fast you can learn Why deliberate angle testing beats "spray and pray" every time A first look at the "creative supply chain," the framework Nik's been using with clients to source, produce, and test content on repeat If you've ever wondered why growth feels harder the bigger your team gets, this episode is for you! --- Tatari helps brands run TV like a modern performance channel. Unlike most platforms that focus only on programmatic CTV, Tatari gives marketers access to all of TV - linear, streaming, programmatic CTV, and direct publisher inventory - in one platform. By combining premium inventory with transparent reporting and outcome-based measurement, Tatari lets growth teams evaluate TV the same way they evaluate paid search or paid social. The result: more control, better reach, and TV spend that can actually be tied back to business results. Learn more at tatari.tv/limitedsupply. Want more DTC advice? Check out the⁠⁠⁠⁠⁠ Limited Supply YouTube page⁠⁠⁠⁠⁠ for more insider tips. And if you're looking for an instant stream of on-demand DTC gold, check out the⁠⁠⁠⁠⁠⁠ Limited Supply Slack Channel⁠⁠⁠⁠⁠⁠ for Nik's most unfiltered, uncensored thoughts. Check out the Nik's ⁠⁠⁠⁠⁠⁠DTC newsletter⁠⁠⁠⁠⁠⁠ Follow Nik on Twitter:⁠⁠⁠⁠⁠⁠⁠ https://www.twitter.com/mrsharma