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This weeks show starts off with classics from Dennis Brown, Peter Tosh, Daweh Congo, Al Campbell, Burning Spear, Pablo Moses, Dennis Bovell, Midnite, Misty In Roots, Zap Pow, Willi Williams, Tinga Stewart, Barry Brown, The Mighty Diamonds, Michael Dyke, The Wailing Souls, Cornell Campbell, and Noel Campbell with the Gladiators. New music this week comes from Sugar Minott and Bounty Killer, Nattali Rize & Kumar, Lutan Fyah, Clinton Fearon, Jelliss, Perfect Giddimani, The Flying Vipers, Medisun, Shavanique, Brandon Rootz, Soul Shot with Duke Robillard and Andy Bassford, Scientist Meets Blanc Du Blanc, SunDub, Kenya Eugene, Blvk H3ro, Busy Signal, Brother Culture, L'Entourloop & Queen Omega, and King Lorenzo and Russ D. Also this week we feature an oldies set with artists like Ernie Smith, Ken Boothe, The Cables, Phyllis Dillon, Ken Parker, Pat Kelly, and the African Brothers. Enjoy! Dennis Brown & Dillinger - Here I Come/Flat Foot Hustling - Open The Gate: Greatest Hits Vol. 2 - Heartbeat Records Peter Tosh - Downpressor Man - Equal Rights (Legacy Edition) - Columbia Legacy Daweh Congo - Struggle - Ghetto Skyline - Goldheart Music Al Campbell & Tuff Scout All Stars - Push, Push/Push, Push West End Lane Version - Tuff Scout The Georgetown Orbits - New Day - Constellations - Orion Anderson Burning Spear - We Are Going - People Of The World - Blue Moon/Slash Pablo Moses - Where Am I - I Love I Bring - Liberty Dennis Bovell & The 4th Street Orchestra - Za-ion/Half Way To Za-ion (Za-ion Dub) - The Dubmaster: The Essential Anthology - Trojan Records Midnite - Ainshant Maps - Ainshant Maps - TRS Records/RBMG Misty In Roots - Dance Hall Babylon - Roots Controller - Real World Records Zap Pow - This Is Reggae Music - Zap Pow Again - Abengg International Willi Williams - Rock On - Unification: From Channel One To King Tubby's - Shanachie Records Jah Warrior feat. Charlie Nightdoctor - Phebes Rock Part 2 - Jah Warrior 7” Tinga Stewart - Why Can't We Live Together (extended) - Darker Than Blue: Soul From Jamdown 1973-1980 - Blood & Fire Barry Brown - Far East - Let's Go To The Blues - Kingston Sounds Mighty Diamonds - Natural Natty - When The Right Time Comes(I Need A Roof) - Hit Bound Michael Dyke - Rainbow - Stand & Give Praise: Roots Reggae - Trojan Records Winston Heywood w/ The Upsetters & Prince Jazzbo - Long, Long Time/Story Come To Bump - Stand & Give Praise: Roots Reggae - Trojan Records Noel Campbell & The Gladiators Band - Sufferation - Black Man's Pride 3: None Shall Escape The Judgement Of The Almighty - Soul Jazz Records The Wailing Souls w/ Dillinger & The Revolutionaries - Things and Time/Natty BSc/Natty BSc Version - Wailing Souls At Channel One (7's, 12's & Versions - Pressure Sounds Cornel Campbell - Forward Natty Dread (extended) - I Shall Not Remove 1975-1980 - Blood & Fire Sugar Minott - Give The People What They Want - The Crowning Of Prince Jammy - Pressure Sounds Sugar Minott & Bounty Killer - Give The People What They Want - Hits 38 Production/Jammy's Nattali Rize feat. Kumar - Indestructible - Liberate - Rize Nation Lutan Fyah - Drain The Swamp - Strength & Resilience - I Grade Records Clinton Fearon - It Go So - Jah Is Love - Baco Music Jelliss - Medication - Conquering Lion Records Perfect Giddimani - High Grade Mi Love - Sibusiso - Giddimani Records Perfect Giddimani - High Grade Dub - Giddimani Records Flying Vipers - Jackals - Off World - Easy Star Records Shavanique - Baby I - Hits 38 Production/Jammy's Medisun - Rather Lose You - Hits 38 Production/Jammy's Brandon Rootz - Cruising Girl - Hits 38 Production/Jammy's Duke Robillard Meets Soulshot feat. Andy Bassford & Mark Berney - Cornbread - Two Guitars One Sound - Soul Shot Music Ernie Smith feat. Ojay Smith & Ron Muschette - You Are A Lion - Global Digital Ernie Smith - Duppy Gunman - Wild Flower 7” Ken Boothe - Moving Away - Respect To Studio One - Heartbeat Records The Cables - Baby Why - Best Of Studio One - Heartbeat Records Ken Parker & U-Roy - True, True, True/True, True - Version Galore - Trojan Records Phyllis Dillon - Right Track - Hottest Hits From The Vaults Of Treasure Isle - Treasure Isle African Brothers - No Cup No Brock - Black Man's Pride 3: None Shall Escape The Judgement Of The Almighty - Soul Jazz Records Pat Kelly - They Talk About Love - Silver & Gold: The Sunshot Records Collection - 1969-1971 - Doctor Bird Ken Boothe & Lloyd Charmers - Everything I Own/My Own Version - Reggae Anthology: The Definitive Collection Of Federal Records - VP Records Scientist - Taxi To Baltimore - Scientific Dub - Clocktower Records Scientist - Don't Give Up Your Culture Dub - The Dub Album They Didn't Want You To Hear - Jah Life/DKR Barrington Levy - Bounty Hunter - Jah Life Scientist - Bounty Dub - Jah Life In Dub - Jah Life/DKR Scientist Meets Blanc du Blanc - The Army: Infinity's Edge - Before The Beginning - Soul Selects Records Freddie McKay - Another Weekend - Greensleeves 12” Johnny Osbourne & Scientist - Give A Little Love/Dangerous Match 7 - Junjo Presents: Wins The World Cup - Greensleeves Wayne Wade - Poor & Humble - Greensleeves 12” Bunny Lie Lie - Living As A Brother - Trojan Records 12” Hempress Sativa - Fight For Your Rights - Unconquerebel - Conquering Lion Records Scientist & Hempress Sativa - Fight For Your Rights Dub - Scientist Meets Hempress Sativa In Dub - Conquering Lion Records Sly & Robbie feat. Mykal Rose - This Morning - The Final Battle: Sly & Robbie Vs. The Roots Radics - Serious Reggae/DubShot Records Scientist Meets Sly & Robbie feat. Mykal Rose - Dub Morning - Sly & Robbie Vs. Roots Radics: The Dub Battle - Serious Reggae/DubShot Records SunDub - Love and Humanity - Brooklyn Riddim - Easy Star Records Kenya Eugene - Down - Bongo Rockers Riddim - Rebellion City Production Knatch Rychus - Do It With Love - 24/7 Music Production Blvk H3ro feat. Sean Taylor - Push On - Winnah - Delicious Vinyl Island Busy Signal - Roots - Inna Roots Riddim - Kirkledove Records Brother Culture & Derrick Sound - Dubplate King - Evidence Music L'Entourloop and Queen Omega - Haffi Live - Evidence Music King Lorenzo & Russ D - Trod In The Valley/Trod In Dub - Borderline Riddim - Irie Ites Records
Gametime Ticket Offer: $20 off with code "FARZY" at gametime.co The Farzy Show presented by MyBookie Promo: No-strings-attached cash bonus up to $200 Promo Codes: FARZY .. https://mybookie.website/joinwithFARZYManscaped Offer: 20% off AND Free Shipping with code "Farzy20" at Manscaped.comCopyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
Episodes 801-805 With Maria, Eric and New guest host Garentch!Join the Patreon:https://www.patreon.com/c/passionspodcastLeave a tip or follow on social media: https://linktr.ee/PassionspodcastRecap via Soapcentral.com - August 26 to 30, 2002: Before Whitney and Chad had a chance to reveal their relationship, Simone told TC she was dating Chad. TC and Eve gave Chad and Simone their blessing to date, but Eve wondered if Chad and Whitney were really the ones who had a relationship. Theresa demanded a job at Crane Industries as part of her plan to get Ethan back. Tabitha and Julian bonded over losing Timmy. Zombie Charity urged Tabitha to take revenge against the Cranes. However, instead of killing Julian, Tabitha ended up sleeping with him! Luis and Sheridan were torn between their love and protecting Antonio. Antonio received a shock when he sneaked out of the hospital and arrived at Sheridan's cottage, where Luis and Sheridan were making love.
TUESDAY HR 3 Monsters On The Jumbo-Tron at Monster Jam. Mom needs a ride? Monster Sports - Orlando Magic big game vs Cleveland. Tushpush Brew Buss
Overtake available. Push Push
The First Principles of PPH: Join us as we dive into the 4 T's – Tone, Trauma, Tissue, and Thrombin – the key culprits behind excessive bleeding. From uterine atony to clotting issues, we'll walk you through each cause and the life-saving interventions you need to know in managing PPH effectively. === Other Links === Check out our new website 1pm.wiki for the Notion document, free Anki flashcards, and podcast episodes. Check out our Instagram: https://www.instagram.com/firstprinciplesofmedicine/ Recorded 17 July 2023. Host: Jayanth Cheyyur. Guests: Alexandra Cowan, Adian Izwan, & Jason D'Silva. Produced by Pete Magill. If you have any ideas or feedback, comment on this Notion document, or shoot us an email at hello@1pm.wiki *** We're really excited to be collaborating with Becky from Becky's notes, a UK based resource, to produce infographics for our visual learners out there. Becky's notes brings together all the key topics medical students need to know in a readily available place, reviewed by specialists in the field. These visually striking notes are a refreshing change from all the boring textbooks. You can check her out on Instagram at @beckysnotes01 and get her books at https://linktr.ee/Beckysnotes © First Principles of Medicine 2024
Comment sait-on si on est prêt à devenir parent ? C'est un tel chamboulement, à la fois physiologique, émotionnel et identitaire, qu'il est souvent difficile de savoir quel est le bon moment pour se lancer dans l'aventure. Mais parfois, la vie décide pour nous. Et il suffit alors de se laisser porter… ou pas ! Virginia a 30 ans, elle est Sénégalaise d'origine cap-verdienne, mariée et mère de 3 enfants.Elle est née et a grandi à Dakar et elle est aujourd'hui secrétaire de direction dans une école. Virginia est tombée enceinte à 25 ans, alors que - selon la société - ce n'était pas le bon moment. Pourtant, elle s'est sentie mère immédiatement et elle a tout de suite investi sa grossesse, en cherchant à s'informer le plus possible. Mais ce ne fut pas un exercice facile, car elle s'est vite rendu compte qu'il était compliqué de trouver des informations pertinentes et adaptées. Alors avec son 1er bébé, elle s'est plutôt laissée guider. Mais chaque enfant lui a appris et l'a fait grandir. Et parce qu'elle est convaincue que le savoir, c'est le pouvoir, elle a persévéré dans sa quête et dans sa volonté d'être actrice de son accouchement et de sa parentalité. Vous verrez comment, au fil de ses 3 césariennes, elle a pu faire entendre sa voix et faire des choix de plus en plus informés et affirmés. Pour son 2ème enfant, elle s'est assuré que son projet de naissance soit connu et respecté. Et pour son 3ème enfant, elle a carrément débarqué à la clinique avec sa valise un lundi matin, en demandant à accoucher dans la matinée. Et croyez-le ou non, ça a marché ! Depuis 4 ans, Virginia partage toutes les informations qu'elle trouve, ainsi que son expérience avec ses 3 enfants (surnommés CLS, Petite Soeur et Push Push), à travers son compte Yaay.ish, pour aider sa communauté de parents à trouver des réponses à leurs questions. Yaay est un mot wolof qui veut dire mère, maman. .ish est un suffixe anglais, qui sert à nuancer un propos. Une Yaay.ish c'est peut-être une mère pour qui la maternité n'est pas toujours un long fleuve tranquille, mais qui en apprend tous les jours et surtout qui fait de son mieux. Vous vous reconnaissez ? Alors embarquez pour un épisode plein d'informations utiles et de bonne humeur, dont vous ressortirez convaincue qu'être une yaay, même ish c'est avant tout être une femme puissante et capable de tout.▬▬▬▬▬▬Tambali est un podcast créé, écrit et réalisé par Alix Dieng Lerouge. Merci à Sophie le Hire pour l'habillage sonore, à Ibrahima Diouf pour le mixage et à Yemma Studio pour l'identité visuelle. Suivez @Tambali_Podcast sur Instagram, pour découvrir les nouveaux épisodes ainsi que plein d'infos bonus sur la naissance et la parentalité !Vous avez aimé cet épisode ? >> Alors Soutenez Tambali gratuitement :1.Abonnez-vous pour ne rien manquer2.Mettez 5 étoiles au podcast sur votre plateforme d'écoute 3.Laissez un avis sur ma pageHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
L'épisode de cette semaine se penche sur "Twist and Shout" des Isley Brothers et sur les débuts de la carrière de Bert Berns. Si certains d'entre vous se demande qui c'est…. C'est un songwriter et producteur responsable de titre comme Everybody need somebody, "Piece of My Heart", "Brown Eyed Girl" et "Under the Boardwalk". Et….. Twist and shout bien sur….. The Isley Brothers, "Twist and Shout" The Isley Brothers, "Standing on the DanceFloor" The Isley Brothers, "The Snake" Jerry Butler, "Make it Easy on Yourself" The Five Pearls, "Please Let Me Know" Dave "Baby" Cortez, "The Happy Organ" Ray Peterson, "Corrina, Corrina" The Top Notes, "Hearts of Stone" Ersel Hickey, "Bluebirds Over the Mountain" Bert and Bill Giant, “The Gettysburg Address” Bert Berns, "The Legend of the Alamo" LaVern Baker, "A Little Bird Told Me" Austin Taylor, "Push Push" The Top Notes, "Twist and Shout" The Jarmels, "A Little Bit of Soap" Russell Byrd, "You'd Better Come Home" Russell Byrd, "Nights of Mexico" Solomon Burke, "Just Out of Reach" Solomon Burke, "Cry to Me" The Isley Brothers, "Twist and Shout" The Contours, "Do You Love Me" Jan et Dean, "Linda" The Isley Brothers, "Twistin' With Linda" The Isley Brothers, "Nobody But Me" The Isley Brothers, "Surf and Shout" The Isley Brothers, "Who's That Lady ?" The Isley Brothers, "Testify" Don Covay and the Goodtimers, "Mercy, Mercy" Little Richard, "I Don't Know What You've Got But It's Got Me" Les Beatles, "Twist and Shout"
QUESTIONS ASKED ON THE SHOW Have u seen any increase in cheating in the 602 divisions recently? 602 crate with Holley 650 4 barrell. What is your first choice for a carburetor spacer? What is the best carb for a 602? What do u guys think best stock rocker arm is? Is it hard on motors going back n forth from e85 for one series. Then gas series rules for other races? Any advantage with a 4.11 rear end vs a 4.86 in a 604 dirt late model and what lubricant do you recommend for heim ends? Do you think promoters should race at their track? Do you think promoters should race at their track? What are yalls thoughts about a promoter quitting mid season and straight giving the finger to the fans as they are leaving? Can you run the evac kit with reversion muffler? Or is there too much back pressure? Why am I going through so much fuel with my super bowl... alcohol a1 jets 1 click to lean on 604? How often should your carb be torn down and gone through? Running a 602 on E85 with a stealth carb? I know many guys in area running aviation fuel can you help me explain why not to run it other than it's for a airplane than race car?
The play-off push continues, plus the man who researches NCFC for Football Manager.
In this episode Chris and Jim are joined by good friend of the program Paul Brownlow. The boys chat the last few Kraken games and talk about some of the teams right behind in the standings. New website www.seattlekrakenfancast.com Music provided by Aurora's Eyes https://open.spotify.com/artist/3s0a0XGWaAOBZe9neYoJeJ Avenue East https://open.spotify.com/artist/5SoHjKsBG5CCrmTrbato10 Trapper Robbins https://open.spotify.com/artist/60WJGTw4Jxox175oDVEm0z
Mitchell Alterman and Sam Lukens, founders of the new dating app “Hatched,” talk with City Lights producer Summer Evans. Plus, Push Push Arts opens their new space in College Park. We hear from the team about this new chapter and about their production of “Antigone.” Nabil Ayers also stops by to talk about his memoir, “My Life in the Sunshine.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Latest episode of the podcast. Please consider sponsoring a class online in someones merit, memory or refuah shelemah. You can donate here in the app or send us an email at info@ejsny.org with the dedication you want to make. Thanks! --- Send in a voice message: https://anchor.fm/rabbifarhi/message Support this podcast: https://anchor.fm/rabbifarhi/support
Another week of above 500 betting for the boys. Weird card this week where we agreed more than we may like but maybe we're just both too sharp. Also got some UFC and NHL picks.
Mikey Havoc was one of the biggest stars in New Zealand entertainment for nearly two decades across music, radio and television. He started out as a singer in the rock band Push Push – a band named Group of the Year at the 1992 New Zealand Music Awards following their smash hit Trippin' – before going on to pump up the volume as a dance DJ and the long-standing voice of alternative radio station bFM, where he made some of the most creative radio of the era. Mikey is also a familiar face on TV, with his former show Havoc which led to the infamous Havoc and Newsboy Sell Out Tour, where the dynamic duo of Mikey and Jeremy Wells took the country by storm and upset the whole of Gore. The juggernaut continued with another two Sell Out Tours and a series of shows including Havoc's Luxury Suites and Conference Facilities and a remake of the Kiwi classic Top Town. His life, career and story is remarkable – and in two hours we only just scratched the surface. But there's some real nuggets of gold in here, some top stories from the glory days and some raw moments of reflection. Show notes | Episode 99 | Mikey Havoc 2:02 Shaggy Sheepdog: Ol' Havo takes us behind the scenes of The Masked Singer 12.10 Back to the start: four kids start a band called Push Push 16:38 Trippin' and the rise to fame 22:10 Push Push push pause 26:14 Havoc hones his creative skills on bFM 35:38 Linking up with Jeremy Wells and the start of the TV journey 45:00 Faces of delight, or if you're in the islands, Kumface 49:23 Gore 1:00:40 Life at the height of popularity and reflections on the TV career 1:11:21 Working with Jeremy Wells 1:17:10 Using his platform to speak to real issues 1:23:47 Havoc's thoughts on his late father and his takes on fatherhood 1:37:18 What's next for Mikey? 1:45:49 Last words from Steven, Seamus and MikeySee omnystudio.com/listener for privacy information.
| Artist | Title | Album Name | Album Copyright | Jeremiah Johnson Band | Everybody Party | Blues Heart Attack | | Big Bill Morganfield | Hold Me Baby | Bloodstains | | Sleepy LaBeef | Labeef's Cajun Boogie | Cajun | | | Trident Waters | Firecracker Master | Demo Sessions | | Stevie Watts Organ Trio Featuring Alice Armstrong | Mission To The Moon | LIve at Peggy's Skylight | Steve Cropper | Out Of Love | Fire It Up | | | The Blues Rebels | 10-Secret Smile | Open Road | | Mitch Woods | 05 Mother In Law Blues | Friends Along The Way | Billy J | Push Push | Rise Above | | Son House | American Defense | | | Chuck Berry | Brown Eyed Handsome Man | The Ultimate Collection cd 1 | Blues Overdrive | 5_Everybody_Was_Rockin | Overdrive Live | | Mick Clarke | Oh Pretty Woman | Blues It Up Vol 2 | | Cass Clayton Band | Play Nice | Play Nice | | | Three Gospel Tones | I Just Can't Keep It To Myself Alone | Black Vocal Groups Vol. 9 (1929-1942)
After almost two weeks of no Push Push, we are back in business baby! We briefly recap the Austrian GP, discuss the upcoming French GP, and try to get to the bottom of who runs the RoscoeLovesCoco Insta act. It's good to be back and so happy you are here with us! Follow us: Instagram || TikTok Email: f1pushpush@gmail.com --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
Hello!Greenia talks to Jeffrey about his origins playing heavy metal with his Mom, his old band Midwives, the Bicycle Eaters era, Compartmentalizationalists, his collaboration with Emily Marie Malmer, PJ Harvey, and rockabilly music on this investigation into one of Atlanta's most ambitious local composersJeffrey is wrote the play Artificial Island, now showing at Push Push theatre in College Park, GAFeatures the songs "Rebekka" and "Rebekka 2"
On the 31st Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & Sonny review the 1986 hair metal debut album "Night Songs" by Cinderella.Cinderella was formed in Philadelphia by lead singer and guitarist Tom Keifer and bassist Eric Brittingham. They were later joined by guitarist Jeff LaBar and drummer Fred Coury who did not play on the debut album. The album made it to #3 on the US Billboard album charts and is certified triple platinum.The album was produced by the legendary Andy Johns and had contributions from Jon Bon Jovi. The singles, Shake Me, Nobody's Fool and Somebody Save Me were in heavy rotation on MTV. Cinderella was a catalyst for the new so-called "hair metal" even though their music had a harder edge to it.This was the 2nd Shout It Out Loudcast Patreon pick and the guys definitely had some fun with this one.As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the cover against the previous 29 albums reviewed on the Album Review Crew.So grab a towel and PUSH PUSH back so you don't get soaked with sweat.For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:SIOL Patreon Shop At Our Amazon Store Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network
On the 31st Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & Sonny review the 1986 hair metal debut album "Night Songs" by Cinderella. Cinderella was formed in Philadelphia by lead singer and guitarist Tom Keifer and bassist Eric Brittingham. They were later joined by guitarist Jeff LaBar and drummer Fred Coury who did not play on the debut album. The album made it to #3 on the US Billboard album charts and is certified triple platinum. The album was produced by the legendary Andy Johns and had contributions from Jon Bon Jovi. The singles, Shake Me, Nobody's Fool and Somebody Save Me were in heavy rotation on MTV. Cinderella was a catalyst for the new so-called "hair metal" even though their music had a harder edge to it. This was the 2nd Shout It Out Loudcast Patreon pick and the guys definitely had some fun with this one. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the cover against the previous 29 albums reviewed on the Album Review Crew. So grab a towel and PUSH PUSH back so you don't get soaked with sweat. For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below: SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
On the 31st Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & Sonny review the 1986 hair metal debut album "Night Songs" by Cinderella.Cinderella was formed in Philadelphia by lead singer and guitarist Tom Keifer and bassist Eric Brittingham. They were later joined by guitarist Jeff LaBar and drummer Fred Coury who did not play on the debut album. The album made it to #3 on the US Billboard album charts and is certified triple platinum.The album was produced by the legendary Andy Johns and had contributions from Jon Bon Jovi. The singles, Shake Me, Nobody's Fool and Somebody Save Me were in heavy rotation on MTV. Cinderella was a catalyst for the new so-called "hair metal" even though their music had a harder edge to it.This was the 2nd Shout It Out Loudcast Patreon pick and the guys definitely had some fun with this one.As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the cover against the previous 29 albums reviewed on the Album Review Crew.So grab a towel and PUSH PUSH back so you don't get soaked with sweat.For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:SIOL Patreon Shop At Our Amazon Store Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network
On the 31st Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus & Sonny review the 1986 hair metal debut album "Night Songs" by Cinderella. Cinderella was formed in Philadelphia by lead singer and guitarist Tom Keifer and bassist Eric Brittingham. They were later joined by guitarist Jeff LaBar and drummer Fred Coury who did not play on the debut album. The album made it to #3 on the US Billboard album charts and is certified triple platinum. The album was produced by the legendary Andy Johns and had contributions from Jon Bon Jovi. The singles, Shake Me, Nobody's Fool and Somebody Save Me were in heavy rotation on MTV. Cinderella was a catalyst for the new so-called "hair metal" even though their music had a harder edge to it. This was the 2nd Shout It Out Loudcast Patreon pick and the guys definitely had some fun with this one. As usual the boys breakdown and dissect the tracks and rank the songs. They then rank the album and the cover against the previous 29 albums reviewed on the Album Review Crew. So grab a towel and PUSH PUSH back so you don't get soaked with sweat. For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below: SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's episode, Queenie and TT answer the ‘paranoia conundrum' and speak with Marcie about her cannabis questions. The conversation winds like a road in the Berkshire Mountains and things get a bit hairy. Listen, learn, and laugh!Cannabasics from CanadahhhhKitty CarpetOur Closet Disco Queen Pot-Cast deals with legal adult cannabis use and is intended for entertainment purposes only for those 21 and older.
#Herbie Mann push push# one of the most distinctive jazz musicians ever, flute and instrumentalist, composer# composed this song# producer Arif Mardin# jazz fusion and incredible # respect and Rip --- Support this podcast: https://anchor.fm/mr-maxxx/support
The class clowns are in the building! Dj Hu sits in with Jeanetta and Pete to talk about the Midnight Island toy release, Push Push, and upcoming creative projects.
On this episode of Push Push, we discuss how the world's current climate is impacting Formula and what that might look like this season. We also chat about the new car designs and how they tested in Barcelona. And you don't want to miss our take on Christian Horner's comment that sent women everywhere sounding off. --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
If there is something you have always wanted to do, May this episode serve as a call to action. This is a sign that you should Go for it !!
No, don't pray until something happens, push!!! Push forth the vision!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/freedomtalk2/message
It's a Push Push milestone, we have our FIRST guest! We are so excited to welcome Mary Krosnjar, the creator and mastermind behind the Seattle fashion blog; Sportsinista. Mary is a Chicago native who is currently living in Seattle. She has worked 10+ years in the sports industry for brands such as; the Chicago Bears and English Premier League team, Manchester United. As the founder of Sportsanista.com, she has found a way to merge her two favorite words of sports and fashion. Sportsanista is a platform that blurs the lines between fashion and sports featuring everyday fashion inspiration, game day apparel, travel, fitness and beauty tips. Mary's favorite F1 driver is Max Verstappen. We think she is the perfect fit to guide us along on our Max journey. She shares some interesting details about the current World Champion and even gets Shannon to keep an open mind about MV33. --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
Ringing in the New Year with lessons from the GOAT! We took Lewis Hamilton's Master Class and feel ready to tackle 2022. He shares valuable lessons that shaped his success both on and off the grid. Come along as we share our take-aways from Formula 1's winningest driver. Buckle up, Season 2 of Push Push starts now. --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
Ringing in the New Year with lessons from the GOAT! We took Lewis Hamilton's Master Class and feel ready to tackle 2022. He shares some valuable lessons that shaped his success both on and off the grid. Come along as we share our takeaways from Formula 1's winningest driver. Buckle up, Season 2 of Push Push starts now. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
Gary Vaynerchuk is all about the hustle. We are told by so many sources to push, push, push. Hustle, hustle, hustle. If you are already a type A personality, is this the advice to follow? Do you need balance between your business, job, and family? Does Balance exist and should it be sought after? In this episode Alan and Andrew start with A/B testing, wind their way through giving tough feedback, and eventually get to finding balance for your side-hustle. Even the term has hustle in it?
Gary Vaynerchuk is all about the hustle. We are told by so many sources to push, push, push. Hustle, hustle, hustle. If you are already a type A personality, is this the advice to follow? Do you need balance between your business, job, and family? Does Balance exist and should it be sought after? In this episode Alan and Andrew start with A/B testing, wind their way through giving tough feedback, and eventually get to finding balance for your side-hustle. Even the term has hustle in it?
Join us for this "Sprint" edition of Push Push as we breakdown the Italian Grand Prix. From turn 4 to the elusive "sausage kerb", we share our opinions on the feud that is Max Verstappen and Lewis Hamilton. We also celebrate Shannon's beloved #3 Daniel Ricciardo and is pole position at Monza...you know Danielle will have somethings to say about that! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
Welcome F1 fans old and new! We are two friends sharing our thoughts on the wonder that is Formula 1. In our inaugural episode we share how we came to be enthralled with this sport, the hype around the hit Netflix series 'Drive to Survive', our favorite drivers, and the team drama we LIVE for. If you are new to the sport, you are in the right place. We are still learning the in's and out's so buckle up and Push Push. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pushpush/message Support this podcast: https://anchor.fm/pushpush/support
Some fresh music, just off the press for you today. (Nu)Disco, Deep House, Italo, Minimal, Techno but also Reggae, Downtempo, Roots, and more! Episode 265 Enjoying the show? Please support BFF.FM with a donation. Playlist 0′10″ Marechià (feat. Celia Kameni) by Nu Genea (NG Records)
I talk about how I have a ton of things to do before I go to Michigan -- errands at Joseph Banks, IKEA, and other places. I'm trying to get it all handled so I can leave for Michigan with my to do list checked off, because I move two days after I get back. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Selamat datang di Episode Spesial Yaudah Podcast. Kok spesial? Gimana engga spesial kalau di episode ini Yaudah Podcast ikutan PRAMBORS PODCASTAR, THE BIGGEST PODCAST COMPETITION IN INDONESIA! Di episode ini, gue bakal share momen-momen push dalam hidup. Relate banget sama kehidupan pandemi ini karena dituntut untuk ngepush diri sendiri. Cus yuk dengerin sambil doain gue menang! Ahay!
S1: E1 Catch up with Allison Kugel: YouTube, Instagram and www.allisoninterviews.com Tommy Lee is the iconic drummer for multi-platinum selling heavy metal rock group, Motley Crue, which has sold 100 million albums worldwide. Tommy's latest solo album, ANDRO, featuring collaborations with Post Malone, Push Push, PLYA, King Elle Noir, Killvein, Moon Bounce, Lukas Rossi, PAV4N, Brooke Candy, Shotty Horroh, Tyla Yaweh, Mickey Avalon, and Lukas Rossi is out now. Catch up with Tommy Lee on Instagram @TommyLee and at TommyLee.com. --- Support this podcast: https://anchor.fm/allison-interviews/support
Its week 2 of NZ Music Month and Daryl has a feast of live Kiwi music to feed the soul. His boys PUSH PUSH, Tadpole, Knightshade and Stellar, as well as a number of great NZ tracks are set to play on this podcast, all live!
We celebrate the end of the COVID blockbuster drought by watching GODZILLA VS. KONG
Details on how to dunk in game
The top drawer has been opened and it is overflowing with prime cuts and quality beats. This week stands out for so many reasons, don't miss this opportunity to hear the best. FACEBOOK: facebook.com/ontargetpodcast INSTAGRAM: instagram.com/modmarty TWITTER: twitter.com/modmarty ----------------------------------------------- The Playlist Is: "I Ain't Gonna Cry No More" Timi Yuro - Liberty "Push Push" Austin Taylor - Reo "I'm Gonna Try" Jimmy Clanton - Reo "Never Let You Go" Rufus and Caral - Stax "Baby I Love You" The Ronettes - Philles "Twistin' The Night Away" Sam Cooke - RCA-Victor "Fire Ball" Mercy - Columbia "Who Dat?" The Jury - Quality "Along Came Pride" Pink Plumm - TCP "You'll Soon Be Gone" The Precisions - Stone "Hey Operator" The Kittens - Chess "Now That Ive Found You Baby" The Mirettes - Mirwood "Runnin' Around" Tony Amaro & The Chariots - Loma "Boogaloo (Soul) Party" The Brothers Two - Crimson "Something About You" The Four Tops - Motown "High" Petula Clark - Vogue "Paint It Black" The Rolling Stones - Decca "No Good Without You" The Birds - Decca "You Went Back On What You Said" Huriah Boynton - Lanor "You're My Destination" Edwin Starr - Tamla-Motown "Stoned Love" The Supremes - Tamla-Motown "Coming Home" Southwind Symphony - Glolite
Episode one hundred and two of A History of Rock Music in Five Hundred Songs looks at "Twist and Shout" by the Isley Brothers, and the early career of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "How Do You Do It?" by Gerry and the Pacemakers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources No Mixcloud this week, due to the number of songs by the Isleys. Amazingly, there are no books on the Isley Brothers, unless you count a seventy-two page self-published pamphlet by Rudolph Isley's daughter, so I've had to piece this together from literally dozens of different sources. For information about the Isley Brothers the main source was Icons of R&B and Soul by Bob Gulla. The information about Bert Berns comes from Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues by Joel Selvin. There are many compilations of the public-domain recordings of the Isleys. This one seems the most complete. This three-CD set, though, is the best overview of the group's whole career. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we're going to look at one of the great Brill Building songwriters, and at a song he wrote which became a classic both of soul and of rock music. We're going to look at how a novelty Latin song based around a dance craze was first taken up by one of the greatest soul groups of the sixties, and then reworked by the biggest British rock band of all time. We're going to look at "Twist and Shout" by the Isley Brothers. [Excerpt: The Isley Brothers, "Twist and Shout"] When we left the Isley Brothers, they had just signed to Atlantic, and released several singles with Leiber and Stoller, records like "Standing on the Dance Floor" that were excellent R&B records, but which didn't sell: [Excerpt: The Isley Brothers, "Standing on the Dance Floor"] In 1962 they were dropped by Atlantic and moved on to Wand Records, the third label started by Florence Greenberg, who had already started Tiara and Scepter. As with those labels, Luther Dixon was in charge of the music, and he produced their first single on the label, a relatively catchy dance song called "The Snake", which didn't catch on commercially: [Excerpt: The Isley Brothers, "The Snake"] While "The Snake" didn't sell, the Isley Brothers clearly had some commercial potential -- and indeed their earlier hit "Shout" had just recharted, after Joey Dee and the Starliters had a hit with a cover version of it. All that was needed was the right song, and they could be as big as Luther Dixon's other group, the Shirelles. And Dixon had just the song for them -- a song co-written by Burt Bacharach, and sung on the demo by a young singer called Dionne Warwick. Unfortunately, they spent almost all the session trying and failing to get the song down -- they just couldn't make it work -- and eventually they gave up on it, and Bacharach produced the song for Jerry Butler, the former lead singer of the Impressions, who had a top twenty hit with it: [Excerpt: Jerry Butler, "Make it Easy on Yourself"] So they were stuck without a song to record -- and then Dixon's assistant on the session, Bert Berns, suggested that they record one of his songs -- one that had been a flop for another group the previous year. The story of "Twist and Shout" actually starts with a group called the Five Pearls, who made their first record in 1954: [Excerpt: The Five Pearls, "Please Let Me Know"] The Five Pearls recorded under various different names, and in various different combinations, for several different mid-sized record labels like Aladdin throughout the 1950s, but without much success -- the closest they came was when one of the members, Dave "Baby" Cortez, went solo and had a hit with "The Happy Organ" in 1959: [Excerpt: Dave "Baby" Cortez, "The Happy Organ"] But in 1960 two members of the Pearls -- who used different names at different points of their career, but at this point were calling themselves Derek Ray and Guy Howard, signed to Atlantic as a new duo called The Top Notes. Their first single under this name, "A Wonderful Time", did no better than any of their other records had -- but by their third single, they were being produced by a new staff producer -- Phil Spector, who had started taking on production jobs that Leiber and Stoller weren't interested in doing themselves, like a remake of the old folk song "Corrina, Corrina", which had been an R&B hit for Big Joe Turner and which Spector produced for the country singer Ray Peterson: [Excerpt: Ray Peterson, "Corrina, Corrina"] But soon after that, Spector had broken with Leiber and Stoller. Spector was given the opportunity to co-write songs for the new Elvis film, Blue Hawaii. But he was signed to a publishing contract with Leiber and Stoller's company, Trio Music, and they told Hill & Range that he could only do the songs if Trio got half the publishing, which Hill & Range refused -- there was apparently some talk of them going ahead anyway, but Hill & Range were scared of Trio's lawyer, one of the best in the entertainment industry. This wouldn't be the last time that Phil Spector and Lee Eastman ended up on the opposite sides of a disagreement. Shortly after that, Spector's contract mysteriously went missing from Trio's office. Someone remembered that Spector happened to have a key to the office. But by this point Spector had co-written or co-produced a fair few hits, and so he was taken on by Atlantic on his own merits, and so he and Jerry Wexler co-produced singles for the Top Notes, with arrangements by Teddy Randazzo, who we last heard of singing with accordion accompaniment in The Girl Can't Help It. The first of these Top Notes singles, "Hearts of Stone", was an obvious attempt at a Ray Charles soundalike, with bits directly lifted both from "What'd I Say" and Charles' hit "Sticks and Stones": [Excerpt: The Top Notes, "Hearts of Stone"] But the next Top Notes release was the song that would make them at least a footnote in music history. The writing credit on it was Bert Russell and Phil Medley, and while Medley would have little impact on the music world otherwise, the songwriter credited as Bert Russell is worth us looking at. His actual name was Bertrand Russell Berns -- he had been named after the famous philosopher -- and he was a man on a mission. He was already thirty-one, and he knew he didn't have long to live -- he'd had rheumatic fever as a child and it had given him an incurable heart condition. He had no idea how long he had, but he knew he wasn't going to live to a ripe old age. And he'd wasted his twenties already -- he'd tried various ways to get into showbiz, with no success. He'd tried a comedy double act, and at one point had moved to Cuba, where he'd tried to buy a nightclub but backed out when he'd realised it was actually a brothel. On his return to the US, he'd started working as a songwriter in the Brill Building. In the late fifties he worked for a while with the rockabilly singer Ersel Hickey -- no relation to me -- who had a minor hit with "Bluebirds Over the Mountain": [Excerpt: Ersel Hickey, "Bluebirds Over the Mountain"] Berns was proud just to know Hickey, though, because "Bluebirds Over the Mountain" had been covered by Ritchie Valens, and "La Bamba" was Berns' favourite record -- one he would turn to for inspiration throughout his career. He loved Latin music generally -- it had been one of the reasons he'd moved to Cuba -- but that song in particular was endlessly fascinating to him. He'd written and produced a handful of recordings in the early fifties, before his Cuba trip, but it was on his return that he started to be properly productive. He'd started producing novelty records with a friend called Bill Giant, like a song based on the Gettysburg Address: [Excerpt: Bert and Bill Giant, "The Gettysburg Address"] Or a solo record about the Alamo -- at the time Berns seemed to think that songs about American history were going to be the next big thing: [Excerpt: Bert Berns, "The Legend of the Alamo"] He'd co-written a song called "A Little Bird Told Me" with Ersel Hickey -- not the same as the song of the same name we talked about a year or so ago -- and it was recorded by LaVern Baker: [Excerpt: LaVern Baker, "A Little Bird Told Me"] And he and Medley co-wrote "Push Push" for Austin Taylor: [Excerpt: Austin Taylor, "Push Push"] But he was still basically a nobody in the music industry in 1961. But Jerry Wexler had produced that LaVern Baker record of "A Little Bird Told Me", and he liked Berns, and so he accepted a Berns and Medley cowrite for the next Top Notes session. The song in question had started out as one called "Shake it Up Baby", based very firmly around the chords and melody of "La Bamba", but reimagined with the Afro-Cuban rhythms that Berns loved so much -- and then further reworked to reference the Twist dance craze. Berns was sure it was a hit -- it was as catchy as anything he could write, and full of hooks. Berns was allowed into the studio to watch the recording, which was produced by Wexler and Spector, but he wasn't allowed to get involved -- and he watched with horror as Spector flattened the rhythm and totally rewrote the middle section. Spector also added in backing vocals based on the recent hit "Handy Man" -- a "come-a-come-a" vocal line that didn't really fit the song. The result was actually quite a decent record, but despite being performed by all the usual Atlantic session players like King Curtis, and having the Cookies do their usual sterling job on backing vocals, "Twist and Shout" by the Top Notes was a massive flop, and Berns could tell it would be even during the session: [Excerpt: The Top Notes, "Twist and Shout"] The Top Notes soon split up, making no real further mark on the industry -- when Guy Howard died in 1977, he had reverted to his original name Howard Guyton, and the Top Notes were so obscure that his obituaries focused on his time in one of the later touring versions of the Platters. Berns was furious at the way that Spector had wrecked his song, and decided that he was going to have to start producing his own songs, so they couldn't be messed up. But that was put on the back burner for a while, as he started having success. His first chart success as a songwriter was with a song he wrote for a minor group called the Jarmels. By this time, the Drifters were having a lot of success with their use of the same Latin and Caribbean rhythms that Berns liked, and so he wrote "A Little Bit of Soap" in the Drifters' style, and it made the top twenty: [Excerpt: The Jarmels, "A Little Bit of Soap"] He also started making non-novelty records of his own. Luther Dixon at Wand Records heard one of Berns' demos, and decided he should be singing, not just writing songs. Berns was signed to Wand Records as a solo artist under the name "Russell Byrd", and his first single for the label was produced by Dixon. The song itself is structurally a bit of a mess -- Berns seems to have put together several hooks (including some from other songs) but not thought properly about how to link them together, and so it meanders a bit -- but you can definitely see a family resemblance to "Twist and Shout" in the melody, and in Carole King's string arrangement: [Excerpt: Russell Byrd, "You'd Better Come Home"] That made the top fifty, and got Berns a spot on American Bandstand, but it was still not the breakout success that Berns needed. While Berns had been annoyed at Spector for the way he'd messed up "Twist and Shout", he clearly wasn't so upset with him that they couldn't work together, because the second Russell Byrd session, another Drifters knockoff, was produced by Spector: [Excerpt: Russell Byrd, "Nights of Mexico"] But Berns was still looking to produce his own material. He got the chance when Jerry Wexler called him up. Atlantic were having problems -- while they had big vocal groups like the Drifters and the Coasters, they'd just lost their two biggest male solo vocalists, as Bobby Darin and Ray Charles had moved on to other labels. They had recently signed a gospel singer called Solomon Burke, and he'd had a minor hit with a version of an old country song, "Just Out of Reach": [Excerpt: Solomon Burke, "Just Out of Reach"] Burke was the closest thing to a male solo star they now had, and clearly a major talent, but he was also a very opinionated person, and not easy to get on with. His grandmother had had a dream, twelve years before he was born, in which she believed God had told her of her future grandson's importance. She'd founded a church, Solomon's Temple: The House Of God For All People, in anticipation of his birth, and he'd started preaching there from the age of seven as the church's spiritual leader. Rather unsurprisingly, he had rather a large ego, and that ego wasn't made any smaller by the fact that he was clearly a very talented singer. His strong opinions included things like how his music was to be marketed. He was fine with singing pop songs, rather than the gospel music he'd started out in, as he needed the money -- he had eight kids, and as well as being a singer and priest, he was also a mortician, and had a side job shovelling snow for four dollars an hour -- but he wasn't keen on being marketed as "rhythm and blues" -- rhythm and blues was dirty music, not respectable. His music needed to be called something else. After some discussion with Atlantic, everyone agreed on a new label that would be acceptable to his church, one that had previously been applied to a type of mostly-instrumental jazz influenced by Black gospel music, but from this point on would be applied almost exclusively to Black gospel-influenced pop music in the lineage of Ray Charles and Clyde McPhatter. Burke was not singing rhythm and blues, but soul music. Wexler had produced Burke's first sessions, but he always thought he worked better when he had a co-producer, and he liked a song Berns had written, "Cry to Me", another of his Drifters soundalikes. So he asked Berns into the studio to produce Burke singing that song. The two didn't get on very well at first -- Burke's original comment on meeting Berns was "Who is this Paddy mother--" except he included the expletive that my general audience content rating prevents me from saying there -- but it's hard to argue with the results, one of the great soul records of all time: [Excerpt: Solomon Burke, "Cry to Me"] That made the top five on the R&B chart, and started a run of hits for Burke, whose records would continue to be produced by the team of Berns and Wexler for the next several years. After this initial production success, Berns started producing many other records, most of them again unsuccessful, like a cheap Twist album to cash in on the resurgent Twist craze. And he was still working with Wand records, which is what led to him being invited to assist Dixon with the Isley Brothers session for "Make it Easy on Yourself". When they couldn't get a take done for that track, Berns suggested that they make an attempt at "Twist and Shout", which he still thought had the potential to be a hit, and which would be perfectly suited to the Isley Brothers -- after all, their one hit was "Shout!", so "Twist and Shout" would be the perfect way for them to get some relevance. The brothers hated the song, and they didn't want to record any Twist material at all -- apparently they were so vehemently against recording the song that furniture got smashed in the argument over it. But Luther Dixon insisted that they do it, and so they reluctantly recorded "Twist and Shout", and did it the way Bert Berns had originally envisioned it, Latin feel and all: [Excerpt: The Isley Brothers, "Twist and Shout"] It's a testament to Ronald Isley's talent, in particular, that he sounds utterly committed on the record despite it being something he had no wish to take part in at all. The record made the top twenty on the pop chart and number two in R&B, becoming the Isleys' first real mainstream hit. It might have even done better, but for an unfortunate coincidence -- "Do You Love Me" by the Contours, a song written by Berry Gordy, was released on one of the Motown labels a couple of weeks later, and had a very similar rising vocal hook: [Excerpt: The Contours, "Do You Love Me"] "Do You Love Me" was a bigger hit, making number three in the pop charts and number one R&B, but it's hard not to think that the two records being so similar must have eaten into the market for both records. But either way, "Twist and Shout" was a proper big hit for the Isleys, and one that established them as real stars, and Berns became their regular producer for a while. Unfortunately, both they and Berns floundered about what to do for a follow-up. The first attempt was one of those strange records that tries to mash up bits of as many recent hits as possible, and seems to have been inspired by Jan & Dean's then-recent hit with a revival of the 1946 song "Linda": [Excerpt: Jan and Dean, "Linda"] That song was, coincidentally, written about the daughter of Lee Eastman, the lawyer we mentioned earlier. "Twistin' With Linda", the brothers' response, took the character from that song, and added the melody to the recent novelty hit "Hully Gully", lyrical references to "Twist and Shout" and Chubby Checker's Twist hits, and in the tag Ronald Isley sings bits of "Shout", "Don't You Just Know It", "Duke of Earl", and for some reason "I'm Popeye the Sailor Man": [Excerpt: The Isley Brothers, "Twistin' With Linda"] That only made the lower reaches of the charts. Their next single was "Nobody But Me", which didn't make the hot one hundred, but would later be covered by the Human Beinz, making the top ten in their version in 1968: [Excerpt: The Isley Brothers, "Nobody But Me"] With Berns still producing, the Isleys moved over to United Artists records, but within a year of "Twist and Shout", they were reduced to remaking it as "Surf and Shout", with lyrics referencing another Jan and Dean hit, "Surf City": [Excerpt: The Isley Brothers, "Surf and Shout"] Oddly, while they were doing this, Berns was producing them on much more interesting material for album tracks, but for some reason, even as Berns was also by now producing regular hits for Solomon Burke, Ben E King and the Drifters, the Isleys were stuck trying to jump on whatever the latest bandwagon was in an attempt at commercial success. Even when they were writing songs that would become hits, they were having no success. The last of the songs that Berns produced for them was another Isleys original, "Who's That Lady?": [Excerpt: The Isley Brothers, "Who's That Lady?"] That would become one of the group's biggest hits, but not until they remade it nine years later. It was only two years since "Twist and Shout", but the Isley Brothers were commercially dead. But the success of "Twist and Shout" -- and their songwriting royalties from "Shout" -- gave them the financial cushion to move to comparatively better surroundings -- and to start their own record label. They moved to Teaneck, New Jersey, and named their new label T-Neck in its honour. They also had one of the best live bands in the US at the time, and the first single on T-Neck, "Testify", produced by the brothers themselves, highlighted their new guitar player, Jimmy James: [Excerpt: The Isley Brothers, "Testify"] But even while he was employed by the Isleys, Jimmy James was playing on other records that were doing better, like Don Covay's big hit "Mercy, Mercy": [Excerpt: Don Covay and the Goodtimers, "Mercy, Mercy"] And he soon left the Isleys, going on first to tour with a minor soul artist supporting Sam Cooke and Jackie Wilson, and then to join Little Richard's band, playing on Richard's classic soul ballad "I Don't Know What You've Got But It's Got Me", also written by Don Covay: [Excerpt: Little Richard, "I Don't Know What You've Got But It's Got Me"] We'll be picking up the story of Jimmy James in a couple of months' time, by which point he will have reverted to his birth name and started performing as Jimi Hendrix. But for the moment, this is where we leave Hendrix and the Isley Brothers, but they will both, of course, be turning up again in the story. But of course, that isn't all there is to say about "Twist and Shout", because the most famous version of the song isn't the Isleys'. While the Beatles' first single had been only a minor hit, their second, "Please Please Me", went to number one or two in the UK charts, depending on which chart you look at, and they quickly recorded a follow-up album, cutting ten songs in one day to add to their singles to make a fourteen-track album. Most of the songs they performed that day were cover versions that were part of their live act -- versions of songs by Arthur Alexander, the Cookies, and the Shirelles, among others. John Lennon had a bad cold that day, and so they saved the band's live showstopper til last, because they knew that it would tear his throat up. Their version of "Twist and Shout" was only recorded in one take -- Lennon's voice didn't hold up enough for a second -- but is an undoubted highlight of the album: [Excerpt: The Beatles, "Twist and Shout"] Suddenly Bert Berns had a whole new market to work in. And so when we next look at Bert Berns, he will be working with British beat groups, and starting some of the longest-lasting careers in British R&B.
Episode one hundred and two of A History of Rock Music in Five Hundred Songs looks at “Twist and Shout” by the Isley Brothers, and the early career of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “How Do You Do It?” by Gerry and the Pacemakers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Resources No Mixcloud this week, due to the number of songs by the Isleys. Amazingly, there are no books on the Isley Brothers, unless you count a seventy-two page self-published pamphlet by Rudolph Isley’s daughter, so I’ve had to piece this together from literally dozens of different sources. For information about the Isley Brothers the main source was Icons of R&B and Soul by Bob Gulla. The information about Bert Berns comes from Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues by Joel Selvin. There are many compilations of the public-domain recordings of the Isleys. This one seems the most complete. This three-CD set, though, is the best overview of the group’s whole career. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we’re going to look at one of the great Brill Building songwriters, and at a song he wrote which became a classic both of soul and of rock music. We’re going to look at how a novelty Latin song based around a dance craze was first taken up by one of the greatest soul groups of the sixties, and then reworked by the biggest British rock band of all time. We’re going to look at “Twist and Shout” by the Isley Brothers. [Excerpt: The Isley Brothers, “Twist and Shout”] When we left the Isley Brothers, they had just signed to Atlantic, and released several singles with Leiber and Stoller, records like “Standing on the Dance Floor” that were excellent R&B records, but which didn’t sell: [Excerpt: The Isley Brothers, “Standing on the Dance Floor”] In 1962 they were dropped by Atlantic and moved on to Wand Records, the third label started by Florence Greenberg, who had already started Tiara and Scepter. As with those labels, Luther Dixon was in charge of the music, and he produced their first single on the label, a relatively catchy dance song called “The Snake”, which didn’t catch on commercially: [Excerpt: The Isley Brothers, “The Snake”] While “The Snake” didn’t sell, the Isley Brothers clearly had some commercial potential — and indeed their earlier hit “Shout” had just recharted, after Joey Dee and the Starliters had a hit with a cover version of it. All that was needed was the right song, and they could be as big as Luther Dixon’s other group, the Shirelles. And Dixon had just the song for them — a song co-written by Burt Bacharach, and sung on the demo by a young singer called Dionne Warwick. Unfortunately, they spent almost all the session trying and failing to get the song down — they just couldn’t make it work — and eventually they gave up on it, and Bacharach produced the song for Jerry Butler, the former lead singer of the Impressions, who had a top twenty hit with it: [Excerpt: Jerry Butler, “Make it Easy on Yourself”] So they were stuck without a song to record — and then Dixon’s assistant on the session, Bert Berns, suggested that they record one of his songs — one that had been a flop for another group the previous year. The story of “Twist and Shout” actually starts with a group called the Five Pearls, who made their first record in 1954: [Excerpt: The Five Pearls, “Please Let Me Know”] The Five Pearls recorded under various different names, and in various different combinations, for several different mid-sized record labels like Aladdin throughout the 1950s, but without much success — the closest they came was when one of the members, Dave “Baby” Cortez, went solo and had a hit with “The Happy Organ” in 1959: [Excerpt: Dave “Baby” Cortez, “The Happy Organ”] But in 1960 two members of the Pearls — who used different names at different points of their career, but at this point were calling themselves Derek Ray and Guy Howard, signed to Atlantic as a new duo called The Top Notes. Their first single under this name, “A Wonderful Time”, did no better than any of their other records had — but by their third single, they were being produced by a new staff producer — Phil Spector, who had started taking on production jobs that Leiber and Stoller weren’t interested in doing themselves, like a remake of the old folk song “Corrina, Corrina”, which had been an R&B hit for Big Joe Turner and which Spector produced for the country singer Ray Peterson: [Excerpt: Ray Peterson, “Corrina, Corrina”] But soon after that, Spector had broken with Leiber and Stoller. Spector was given the opportunity to co-write songs for the new Elvis film, Blue Hawaii. But he was signed to a publishing contract with Leiber and Stoller’s company, Trio Music, and they told Hill & Range that he could only do the songs if Trio got half the publishing, which Hill & Range refused — there was apparently some talk of them going ahead anyway, but Hill & Range were scared of Trio’s lawyer, one of the best in the entertainment industry. This wouldn’t be the last time that Phil Spector and Lee Eastman ended up on the opposite sides of a disagreement. Shortly after that, Spector’s contract mysteriously went missing from Trio’s office. Someone remembered that Spector happened to have a key to the office. But by this point Spector had co-written or co-produced a fair few hits, and so he was taken on by Atlantic on his own merits, and so he and Jerry Wexler co-produced singles for the Top Notes, with arrangements by Teddy Randazzo, who we last heard of singing with accordion accompaniment in The Girl Can’t Help It. The first of these Top Notes singles, “Hearts of Stone”, was an obvious attempt at a Ray Charles soundalike, with bits directly lifted both from “What’d I Say” and Charles’ hit “Sticks and Stones”: [Excerpt: The Top Notes, “Hearts of Stone”] But the next Top Notes release was the song that would make them at least a footnote in music history. The writing credit on it was Bert Russell and Phil Medley, and while Medley would have little impact on the music world otherwise, the songwriter credited as Bert Russell is worth us looking at. His actual name was Bertrand Russell Berns — he had been named after the famous philosopher — and he was a man on a mission. He was already thirty-one, and he knew he didn’t have long to live — he’d had rheumatic fever as a child and it had given him an incurable heart condition. He had no idea how long he had, but he knew he wasn’t going to live to a ripe old age. And he’d wasted his twenties already — he’d tried various ways to get into showbiz, with no success. He’d tried a comedy double act, and at one point had moved to Cuba, where he’d tried to buy a nightclub but backed out when he’d realised it was actually a brothel. On his return to the US, he’d started working as a songwriter in the Brill Building. In the late fifties he worked for a while with the rockabilly singer Ersel Hickey — no relation to me — who had a minor hit with “Bluebirds Over the Mountain”: [Excerpt: Ersel Hickey, “Bluebirds Over the Mountain”] Berns was proud just to know Hickey, though, because “Bluebirds Over the Mountain” had been covered by Ritchie Valens, and “La Bamba” was Berns’ favourite record — one he would turn to for inspiration throughout his career. He loved Latin music generally — it had been one of the reasons he’d moved to Cuba — but that song in particular was endlessly fascinating to him. He’d written and produced a handful of recordings in the early fifties, before his Cuba trip, but it was on his return that he started to be properly productive. He’d started producing novelty records with a friend called Bill Giant, like a song based on the Gettysburg Address: [Excerpt: Bert and Bill Giant, “The Gettysburg Address”] Or a solo record about the Alamo — at the time Berns seemed to think that songs about American history were going to be the next big thing: [Excerpt: Bert Berns, “The Legend of the Alamo”] He’d co-written a song called “A Little Bird Told Me” with Ersel Hickey — not the same as the song of the same name we talked about a year or so ago — and it was recorded by LaVern Baker: [Excerpt: LaVern Baker, “A Little Bird Told Me”] And he and Medley co-wrote “Push Push” for Austin Taylor: [Excerpt: Austin Taylor, “Push Push”] But he was still basically a nobody in the music industry in 1961. But Jerry Wexler had produced that LaVern Baker record of “A Little Bird Told Me”, and he liked Berns, and so he accepted a Berns and Medley cowrite for the next Top Notes session. The song in question had started out as one called “Shake it Up Baby”, based very firmly around the chords and melody of “La Bamba”, but reimagined with the Afro-Cuban rhythms that Berns loved so much — and then further reworked to reference the Twist dance craze. Berns was sure it was a hit — it was as catchy as anything he could write, and full of hooks. Berns was allowed into the studio to watch the recording, which was produced by Wexler and Spector, but he wasn’t allowed to get involved — and he watched with horror as Spector flattened the rhythm and totally rewrote the middle section. Spector also added in backing vocals based on the recent hit “Handy Man” — a “come-a-come-a” vocal line that didn’t really fit the song. The result was actually quite a decent record, but despite being performed by all the usual Atlantic session players like King Curtis, and having the Cookies do their usual sterling job on backing vocals, “Twist and Shout” by the Top Notes was a massive flop, and Berns could tell it would be even during the session: [Excerpt: The Top Notes, “Twist and Shout”] The Top Notes soon split up, making no real further mark on the industry — when Guy Howard died in 1977, he had reverted to his original name Howard Guyton, and the Top Notes were so obscure that his obituaries focused on his time in one of the later touring versions of the Platters. Berns was furious at the way that Spector had wrecked his song, and decided that he was going to have to start producing his own songs, so they couldn’t be messed up. But that was put on the back burner for a while, as he started having success. His first chart success as a songwriter was with a song he wrote for a minor group called the Jarmels. By this time, the Drifters were having a lot of success with their use of the same Latin and Caribbean rhythms that Berns liked, and so he wrote “A Little Bit of Soap” in the Drifters’ style, and it made the top twenty: [Excerpt: The Jarmels, “A Little Bit of Soap”] He also started making non-novelty records of his own. Luther Dixon at Wand Records heard one of Berns’ demos, and decided he should be singing, not just writing songs. Berns was signed to Wand Records as a solo artist under the name “Russell Byrd”, and his first single for the label was produced by Dixon. The song itself is structurally a bit of a mess — Berns seems to have put together several hooks (including some from other songs) but not thought properly about how to link them together, and so it meanders a bit — but you can definitely see a family resemblance to “Twist and Shout” in the melody, and in Carole King’s string arrangement: [Excerpt: Russell Byrd, “You’d Better Come Home”] That made the top fifty, and got Berns a spot on American Bandstand, but it was still not the breakout success that Berns needed. While Berns had been annoyed at Spector for the way he’d messed up “Twist and Shout”, he clearly wasn’t so upset with him that they couldn’t work together, because the second Russell Byrd session, another Drifters knockoff, was produced by Spector: [Excerpt: Russell Byrd, “Nights of Mexico”] But Berns was still looking to produce his own material. He got the chance when Jerry Wexler called him up. Atlantic were having problems — while they had big vocal groups like the Drifters and the Coasters, they’d just lost their two biggest male solo vocalists, as Bobby Darin and Ray Charles had moved on to other labels. They had recently signed a gospel singer called Solomon Burke, and he’d had a minor hit with a version of an old country song, “Just Out of Reach”: [Excerpt: Solomon Burke, “Just Out of Reach”] Burke was the closest thing to a male solo star they now had, and clearly a major talent, but he was also a very opinionated person, and not easy to get on with. His grandmother had had a dream, twelve years before he was born, in which she believed God had told her of her future grandson’s importance. She’d founded a church, Solomon’s Temple: The House Of God For All People, in anticipation of his birth, and he’d started preaching there from the age of seven as the church’s spiritual leader. Rather unsurprisingly, he had rather a large ego, and that ego wasn’t made any smaller by the fact that he was clearly a very talented singer. His strong opinions included things like how his music was to be marketed. He was fine with singing pop songs, rather than the gospel music he’d started out in, as he needed the money — he had eight kids, and as well as being a singer and priest, he was also a mortician, and had a side job shovelling snow for four dollars an hour — but he wasn’t keen on being marketed as “rhythm and blues” — rhythm and blues was dirty music, not respectable. His music needed to be called something else. After some discussion with Atlantic, everyone agreed on a new label that would be acceptable to his church, one that had previously been applied to a type of mostly-instrumental jazz influenced by Black gospel music, but from this point on would be applied almost exclusively to Black gospel-influenced pop music in the lineage of Ray Charles and Clyde McPhatter. Burke was not singing rhythm and blues, but soul music. Wexler had produced Burke’s first sessions, but he always thought he worked better when he had a co-producer, and he liked a song Berns had written, “Cry to Me”, another of his Drifters soundalikes. So he asked Berns into the studio to produce Burke singing that song. The two didn’t get on very well at first — Burke’s original comment on meeting Berns was “Who is this Paddy mother–” except he included the expletive that my general audience content rating prevents me from saying there — but it’s hard to argue with the results, one of the great soul records of all time: [Excerpt: Solomon Burke, “Cry to Me”] That made the top five on the R&B chart, and started a run of hits for Burke, whose records would continue to be produced by the team of Berns and Wexler for the next several years. After this initial production success, Berns started producing many other records, most of them again unsuccessful, like a cheap Twist album to cash in on the resurgent Twist craze. And he was still working with Wand records, which is what led to him being invited to assist Dixon with the Isley Brothers session for “Make it Easy on Yourself”. When they couldn’t get a take done for that track, Berns suggested that they make an attempt at “Twist and Shout”, which he still thought had the potential to be a hit, and which would be perfectly suited to the Isley Brothers — after all, their one hit was “Shout!”, so “Twist and Shout” would be the perfect way for them to get some relevance. The brothers hated the song, and they didn’t want to record any Twist material at all — apparently they were so vehemently against recording the song that furniture got smashed in the argument over it. But Luther Dixon insisted that they do it, and so they reluctantly recorded “Twist and Shout”, and did it the way Bert Berns had originally envisioned it, Latin feel and all: [Excerpt: The Isley Brothers, “Twist and Shout”] It’s a testament to Ronald Isley’s talent, in particular, that he sounds utterly committed on the record despite it being something he had no wish to take part in at all. The record made the top twenty on the pop chart and number two in R&B, becoming the Isleys’ first real mainstream hit. It might have even done better, but for an unfortunate coincidence — “Do You Love Me” by the Contours, a song written by Berry Gordy, was released on one of the Motown labels a couple of weeks later, and had a very similar rising vocal hook: [Excerpt: The Contours, “Do You Love Me”] “Do You Love Me” was a bigger hit, making number three in the pop charts and number one R&B, but it’s hard not to think that the two records being so similar must have eaten into the market for both records. But either way, “Twist and Shout” was a proper big hit for the Isleys, and one that established them as real stars, and Berns became their regular producer for a while. Unfortunately, both they and Berns floundered about what to do for a follow-up. The first attempt was one of those strange records that tries to mash up bits of as many recent hits as possible, and seems to have been inspired by Jan & Dean’s then-recent hit with a revival of the 1946 song “Linda”: [Excerpt: Jan and Dean, “Linda”] That song was, coincidentally, written about the daughter of Lee Eastman, the lawyer we mentioned earlier. “Twistin’ With Linda”, the brothers’ response, took the character from that song, and added the melody to the recent novelty hit “Hully Gully”, lyrical references to “Twist and Shout” and Chubby Checker’s Twist hits, and in the tag Ronald Isley sings bits of “Shout”, “Don’t You Just Know It”, “Duke of Earl”, and for some reason “I’m Popeye the Sailor Man”: [Excerpt: The Isley Brothers, “Twistin’ With Linda”] That only made the lower reaches of the charts. Their next single was “Nobody But Me”, which didn’t make the hot one hundred, but would later be covered by the Human Beinz, making the top ten in their version in 1968: [Excerpt: The Isley Brothers, “Nobody But Me”] With Berns still producing, the Isleys moved over to United Artists records, but within a year of “Twist and Shout”, they were reduced to remaking it as “Surf and Shout”, with lyrics referencing another Jan and Dean hit, “Surf City”: [Excerpt: The Isley Brothers, “Surf and Shout”] Oddly, while they were doing this, Berns was producing them on much more interesting material for album tracks, but for some reason, even as Berns was also by now producing regular hits for Solomon Burke, Ben E King and the Drifters, the Isleys were stuck trying to jump on whatever the latest bandwagon was in an attempt at commercial success. Even when they were writing songs that would become hits, they were having no success. The last of the songs that Berns produced for them was another Isleys original, “Who’s That Lady?”: [Excerpt: The Isley Brothers, “Who’s That Lady?”] That would become one of the group’s biggest hits, but not until they remade it nine years later. It was only two years since “Twist and Shout”, but the Isley Brothers were commercially dead. But the success of “Twist and Shout” — and their songwriting royalties from “Shout” — gave them the financial cushion to move to comparatively better surroundings — and to start their own record label. They moved to Teaneck, New Jersey, and named their new label T-Neck in its honour. They also had one of the best live bands in the US at the time, and the first single on T-Neck, “Testify”, produced by the brothers themselves, highlighted their new guitar player, Jimmy James: [Excerpt: The Isley Brothers, “Testify”] But even while he was employed by the Isleys, Jimmy James was playing on other records that were doing better, like Don Covay’s big hit “Mercy, Mercy”: [Excerpt: Don Covay and the Goodtimers, “Mercy, Mercy”] And he soon left the Isleys, going on first to tour with a minor soul artist supporting Sam Cooke and Jackie Wilson, and then to join Little Richard’s band, playing on Richard’s classic soul ballad “I Don’t Know What You’ve Got But It’s Got Me”, also written by Don Covay: [Excerpt: Little Richard, “I Don’t Know What You’ve Got But It’s Got Me”] We’ll be picking up the story of Jimmy James in a couple of months’ time, by which point he will have reverted to his birth name and started performing as Jimi Hendrix. But for the moment, this is where we leave Hendrix and the Isley Brothers, but they will both, of course, be turning up again in the story. But of course, that isn’t all there is to say about “Twist and Shout”, because the most famous version of the song isn’t the Isleys’. While the Beatles’ first single had been only a minor hit, their second, “Please Please Me”, went to number one or two in the UK charts, depending on which chart you look at, and they quickly recorded a follow-up album, cutting ten songs in one day to add to their singles to make a fourteen-track album. Most of the songs they performed that day were cover versions that were part of their live act — versions of songs by Arthur Alexander, the Cookies, and the Shirelles, among others. John Lennon had a bad cold that day, and so they saved the band’s live showstopper til last, because they knew that it would tear his throat up. Their version of “Twist and Shout” was only recorded in one take — Lennon’s voice didn’t hold up enough for a second — but is an undoubted highlight of the album: [Excerpt: The Beatles, “Twist and Shout”] Suddenly Bert Berns had a whole new market to work in. And so when we next look at Bert Berns, he will be working with British beat groups, and starting some of the longest-lasting careers in British R&B.
Fifteen years after his last solo release, Tommyland: The Ride, back in 2005, Motley Crue drummer Tommy Lee is unleashing his latest blending of rap, hip hop and R & B, Andro, on October 16.Never one to conform to life's - let alone musical - expectations, Lee has spent the last couple of years crafting a body of work that highlights perfectly the musical enigma that gives him voice."I would assume people would expect this record from me," he laughed, "because I'm always coming at things at such a fucken crazy... genre-wise it's all over the place, that's just who I am. I don't just do one thing so I think - more so with this record than any of the past Methods Of Mayhem stuff - this one has two distinct sides to it. There's the all-female side to the record and an all-male side and when I say side I mean energy-wise. I feel like there's... I dunno... I just feel like there's something for everybody on the tracks no matter what your thing is. Unless you're a country music fan, then don't get my record (laughs)."To date Lee has released two singles from Andro, 'Knock Me Down' and 'Tops', both of which he feels epitomise the overall feel of the album as a whole."They are a very good representation," he nodded. "It's right down the middle and it goes bonkers from there. If you love that, boy, there's all kinds of that stuff on there. It's insane. I can't wait. I've been working on this thing for two years and it's really rare that when you work on something that long and you've heard it that many times and you've recorded it and all those times that you've been in it and around it and on top of it. Typically, I would probably be over it by now but I still listen to it and I still love it which is rare. I'm very proud of it and I'm excited for everybody to hear it because I've worked my friggin ass off on it (laughs)."Both of the film clips to the singles were directed by none other than Limp Bizkit's Fred Durst, with Lee admitting Durst was his first, second and last choice."The songs were already done but as far as the influence on the videos goes, when it was time to find a director my manager and I were talking and thinking 'who can we get to do these that gets it'?" Lee mused. "These are two very different singles and Fred Durst came into the conversation and I was like 'that's it, we don't even need to talk to anybody else' because of all people on the planet I don't know anyone else that gets it more than Fred. Fred gets the heavy shit and he also gets the funky shit so he was the guy. We didn't even consider another director. He heard both songs and said 'oh man, let me at this shit dude' and that was all I needed to hear."Andro is a beast of a record, utilising a slew of guest artists such as Killvein, Push Push, Lukas Rossi and Brooke Candy on vocals, which begs the question of what Lee's actual role was in bringing this solo project to life."First of all, thank you for calling it a beast of a record," he smiled. "My role in the whole thing is pretty much writing, producing, recording, mixing - I do everything - and in the process, I don't really have a go-to way that I go about things every time. Usually, the music is written first and then I'll sit around and it will either take a second or it will come to me right away like 'oh my God, this person will murder that track' and I will reach out to them and within a couple of days we're in the studio cutting vocals. I guess... I dunno what role you would call that... the fucken Master of Ceremonies?" (laughs)One single that grabbed my attention was 'Hot Fudge Sundae', a short but sweet vocal interlude that seems to be discussing the virtues of the aforementioned sundae. It stands out from the other 12 songs not only for it's short running time but also for the vocalist performing the song.(laughing) "That's just a fucked up...," Lee began. "My friend Josh (Todd) is the singer from Buck Cherry and we have this thing that we do and it's gone on for years where we are constantly leaving each other ridiculously fucked up voice messages or voice mails back and forth. He left that one for me one day and I was like 'dude, can I use that on the album because it's fucken hilarious' and he said Hell Yeah! That's just a voice message he left me, we do that shit all the time (laughs). There's some fucked up ones."Lee, of course, is better known as the drummer for metal outfit Motley Crue, a band that has dominated the world metal scene for nearly four decades. While the music put out by Motley Crue and Lee's solo project is worlds apart to the ear, Lee argues that in a strange and almost subliminal way one outlet complements the other."Of course, I've been playing heavy metal for nearly my whole life," he agreed, "so that's gonna come into play at all times. If anything, even though it's wonderful, there are also times when it wants to jump up and come in and it's like 'no, no, no, I'm not working on that kind of track right now', you know what I mean? 'You just go and sit over there for a minute and I'll be right back' (laughs). There's so many styles that I love but metal is one that's always there; always in the room, pounding on the door and going 'let's do some heavy shit'. Always. What I do though, if you think about it, and if you listen to the beats, a lot of the sounds on the record are not your typical fucken electronic sounds. There are some pretty beasty, gnarly sounds from the dirty ass bass to the drum beats to the hyperness of them. My background and my influences are constantly sneaking out in all sorts of ways and all over the place, just in different forms." It wasn't until after being incarcerated for six months in 1998 that Lee branched out from his metal roots in Motley Crue and embarked on a separate career with Methods of Mayhem. It was a period of his life that was shrouded in darkness, but also one which gave him the motivation and means with which to follow a parallel dream."If I'm not mistaken that Mayhem record came out in 2000," Lee recalled, "but nonetheless that was a crazy, cool, exploratory time for me. I left Motley and creatively I was on my own pretty much doing whatever I wanted to do. When you're in a band you've got three, four, or five other band members and you're always... there's compromises; there's all kinds of things that go on in a unit and everyone has to work together for it to work. When you're on your own and you don't have anybody to steer the ship in different directions you just go and do whatever the fuck you want. That's a real fun place to be also - not taking anything away from being in a band - but when you get to create whatever it is that you want and not have to have other people approve of it or follow you along one direction where you might not necessarily like that direction... it's really liberating. Creative freedom is something that is amazing and I never really experienced that until around the 2000's when I did Method. That was kind of a creative free for all."While professing his undying love for playing behind the kit of a heavy metal band, Lee also admits the general sounds that combine when creating music and listening to bass and drums are the driving force behind his differing passions."Yeah, for sure man, bass and drums definitely," he nodded of what compels him towards electronica, rap and hip hop. "I've always gravitated towards the bass and that edge. Back before hip hop, I was listening to funk - everything from George Clinton to the Gap Band - I was really into that shit. Prince, you name it, I was listening to that stuff pre hip hop and rap, and then Beastie Boys came around and all these other things started bubbling up so I've been a big funk fan and I think that's because I'm a drummer. I'm always gonna gravitate towards something funky for sure. That's the drummer in me."
I talk about coping with a loss, what caused the loss, and how I can move forward. Head to suicidepreventionlifeline . org if you or someone you know is dealing with this. The Lifeline provides 24/7, free and confidential support for people in distress, prevention and crisis resources for you or your loved ones, and best practices for professionals. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/uglybynaturepod/support
Ahead of the release of his new album ‘Andro' Tommy Lee tells Jason Rockman in our feature interview how a ‘Tommy Lee' song gets made in 2020. Tommy tells us a story about ‘Make it Back' off of his new album - how Julia from Plya, who sings vocals on the track seemingly read his mind to sing the exact same melody that he'd thought of without ever hearing the instrumentation! Tommy Lee tells us about how much he hated piano lessons as a kid - but how he thanks his parents now because it's so important to his creative process! Tommy dishes on the Dirt - and how the Los Angeles experience has changed since the 80s and 90s. Tommy tells us about his childlike curiosity around all music, and how music is limitless with all of today's technology. Tommy explains how he's really concentrated on making new music with fresh sounds, and always looking for the ‘next thing'. Tommy and Jason reminisce about Tommy's outlandish performance while playing drums with Motley Crüe, and how he revolutionized the way drummers are thought of in Rock performances. Tommy remains secretive around what the Motley Crüe tour would have looked like if not for the global health crisis and talks a bit about what his quarantine has been, and how he's been more introspective since things have been locked down. Tommy tells us about collaborating with Push Push for his song ‘Tops'. Tommy talks about his relationship with Post Malone and their collaborations, and how their friendship has allowed them to create organically on his record. Finally Tommy and Rockman share some thoughts on the current state of US Politics! Andro is out October 16!
After enduring a football hit that left him with a spinal cord injury and in a wheel chair Sterling had a decision to make. He decided to take his injury and athletic background to continue to push towards achieving his goal of recovering to the best of his ability and changing peoples lives while doing it. He even started his own foundation called "Push, Push, Pray" which is dedicated to inspiring hope, and empowering the life of individuals living with spinal cord injuries. You can check out the foundation at the link below. https://www.pushpushpray.org/
Daryl treats you to some Balinese Glam Rock with a band you possibly have never heard of - "Mission Motherland", these guys rock! So there's a double shot from Mission Motherland. Also, music from Kiwi favs PUSH PUSH, Irish lads U2 make an appearance, along with live tracks from Europe and Asking Alexandria - get your live music fix here!
Featured - TOOL, Push Push, Fur Patrol, Warlock, Van Halen
MORIVATION MONDAY!! Tune into another episode of TB&J where we handle all things motivation and inspiration!
In this episode of The NXTLVL Show we talk about the most important exercises you should be doing in the gym. We lost these exercises off as the most beneficial, and with the most progression or applicability to them. Which of these exercises do you like the most? Did we miss your favorite? Message our Instagram page and let us know! Day 1 Lower 1.Goblet Squat (Dumbbells) 3 x 12-15 2. Body Weight Back Step Lunges (weighted if easy) 3 x 10 per side 3. Dumbbell Romanian Deadlifts 3 x 12-15 Day 2 Upper 1. Dumbbell Incline Chest Press 3 x 12-15 2. Single Arm DB Row 3 x 12-15 3. Dumbbell Standing Shoulder Press 3 x 12-15 Day 3 Full Body 1.Bulgarian Split Squat 3 x 12-15 2.Body Weight Push ups 3 x Reps until Fatigue 3.Cable Rows 3 x 12-15 Follow us on Instagram: @thenxtlvlshow @jonalva7 @primeandglory @mikenillespt Timestamps: (Intro) Back in the gym, Jonathan sacrifices his body for the team, and a quick dive into nerd culture (15:55) Some guidance for your workouts (18:01) Knee dominant - Goblet squat (22:26) - Knee dominant - Stationary Lunge (24:41) - Knee dominant - Bulgarian split-stance squat (28:50) Hip hinge - Single leg deadlift (30:34) Hip hinge - Romanian deadlift (34:05) The tip so nice we say it twice! (41:21) - Back - Rows (45:43) - Back - Lat-Pulldowns (51:05) - Push - Push-up (54:59) - Push - Shoulder Press (57:51) - Push - Incline Bench Press (1:05:26) A 30-45 minute 3 day routine (1:09:06) Outro
It's NZ Music Month... Daryl has some choice tunes for you! Its gonna be sick... with live tracks from PUSH PUSH, Split Enz, Blindspott, Villainy, Like A Storm and Devilskin - just to name a few!
Push Push aka Nicci St Bruce is a musician and one of my favourite human beings on planet earth. Although sometimes I wonder if she even is human and from this planet at all. Nicci is a phenom and someone who has lived a rather eventful life already, so she has a lot to share whilst things aren't all that eventful for most of us. I initially thought we were going to have a fun chat about wrestling and rap music but due to current circumstances, instead, we discuss the current stresses of Corona both in the USA and SA. From how the fuck we're meant to pay rent to the effects on mental health, things get rather political and somewhat philosophical before we get nostalgic for days gone past and regretful of the people we used to be. Oh, and Animal Crossing. We briefly chat about Animal Crossing- the prime source of joy for many atm. This is one of the more candid and open episodes of TAPP and it truly goes all over the place but there are plenty of nuggets of wisdom amongst the chaos. https://almostperfect.co.za/ep-61-push-push/
South African rapper Push Push joins Brittany to talk about the culture shock of moving to the US, mainly that the GEICO lizard is British, and tell the story of her Tinder date with a mystical healer that unexpectedly gave her a yoni massage. Plus, Brittany and Push Push finally discuss the internet drama between Brittany, Tommy Lee and Trisha Paytas. Listen to Push Push's music here! Learn more about your ad choices. Visit megaphone.fm/adchoices
Push, push, push I'm 15 years old, cycling across England with two school friends. We get lost and end up on the summit of Great Gable (the 10th highest peak in England: stupid lost!). I wipe away tears and carry my heavy bike down what feels like an eternity of scree slopes. It's hard, we're lost, and I'm much slower than the others. I don't think I can do it.I'm 18 years old, driving into a place unlike anything I've seen in all my life. A rough town of shabby homes, bullet holes in the walls and people staring at me. It's my first day in Africa. I cannot imagine living here for an entire year.I'm outside my Mum and Dad's house on a beautiful summer day. I say goodbye, then climb onto my bike. I've told everyone I'm going to cycle around the world. Can I really do this? Absolutely no chance.I'm at the front of the living room facing three rows of people, maybe 30 in all. They have come to hear me give a talk about my travels. I feel sweat trickling from my armpits. Not only do I have to remember what to say, I now need to remember to keep my arms clamped to my side as well! Speaking in public is terrifying. I vow never to do this again.I sit down at my laptop. Open a blank document. Stare at it. It is time to begin writing a book. But how do I turn this blank page into a finished book? I walk to the kitchen to make a cup of tea while I mull over the enormity. The enormity of the blank page has overwhelmed me. I'm about to quit my job. Jack in the salary and the pension and the sensible working hours. 'You're going to do what?' asks my boss.'I'm going to be an adventurer.'No, I'm not. Unless I can earn some money, I'm going to be unemployed.I'm at the cinema. Beer and popcorn. Lights off, film about to start. Comfy chairs. I'm anonymous and surrounded by darkness and people. Strangers who are about to watch my first ever film. What if nobody laughs? What if they laugh in the wrong bits? What if they just fidget, a bit bored? I ought to be happy that my first expedition film has even made it this far. But instead, as always, I'm afraid and out of my depth.At least this time there is beer and popcorn. So perhaps I am making progress, after all…***Living adventurously is about cajoling ourselves to venture beyond what we initially think possible. At each stage in the narrative here, I did not imagine that I would attempt what came next, nor did I give much thought to how many different 'comfort zones' we reside within. There are so many ways to scare ourselves. But each time we dare ourselves to try, we are making progress in the right direction.Time and again, the questions we ask of ourselves come back with positive replies. I have learned, over and over, that I am capable of more than I realised. We all are. This growth mindset is one of the most precious gifts that living adventurously has given me.OVER TO YOU: How has your comfort zone grown over the years? Has it begun to contract with age?★ Support this podcast ★
Edward McNally interviews Bart Hansard and Tim Habeger from Push Push Theatre.
Keep on pushing past the aches and pain of the cruelty of what the World gives you! I open up my heart and soul to YOU!
Wide ranging conversation with Emma Bent about everything from Rugby to tattoos and how hitting a golf ball makes you tingle.
Fosse (Chris) and Alex in honor of the Jurassic World release talk about dinosaurs and what animals would win in a fight. And Chris gives Alex an anatomy lesson.
Special guests Moon Bounce + Push Push came through and we talked about cool stuff. Follow : @itfastronald @moonbounce_ @niccisaintbruce @djtwostacks
Two posts from Derek Sivers on personal growth and improvement. Episode 838: Push, Push, Push. Expanding Your Comfort Zone And After 15 Years of Practice by Derek Sivers (Personal Growth). Originally a professional musician and circus clown, Derek Sivers created CD Baby in 1998. It became the largest seller of independent music online, with $100M in sales for 150,000 musicians. In 2008, Derek sold CD Baby for $22M, giving the proceeds to a charitable trust for music education. He is a frequent speaker at the TED Conference, with over 5 million views of his talks. Since 2011 he has published 34 books, including “Anything You Want” which shot to #1 on all of its Amazon categories. The original posts are located here: https://sivers.org/comfort https://sivers.org/15-years Visit Me Online at OLDPodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Two posts from Derek Sivers on personal growth and improvement. Episode 838: Push, Push, Push. Expanding Your Comfort Zone And After 15 Years of Practice by Derek Sivers (Personal Growth). Originally a professional musician and circus clown, Derek Sivers created CD Baby in 1998. It became the largest seller of independent music online, with $100M in sales for 150,000 musicians. In 2008, Derek sold CD Baby for $22M, giving the proceeds to a charitable trust for music education. He is a frequent speaker at the TED Conference, with over 5 million views of his talks. Since 2011 he has published 34 books, including “Anything You Want” which shot to #1 on all of its Amazon categories. The original posts are located here: https://sivers.org/comfort https://sivers.org/15-years Visit Me Online at OLDPodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Two posts from Derek Sivers on personal growth and improvement. Episode 838: Push, Push, Push. Expanding Your Comfort Zone And After 15 Years of Practice by Derek Sivers (Personal Growth). Originally a professional musician and circus clown, Derek Sivers created CD Baby in 1998. It became the largest seller of independent music online, with $100M in sales for 150,000 musicians. In 2008, Derek sold CD Baby for $22M, giving the proceeds to a charitable trust for music education. He is a frequent speaker at the TED Conference, with over 5 million views of his talks. Since 2011 he has published 34 books, including “Anything You Want” which shot to #1 on all of its Amazon categories. The original posts are located here: https://sivers.org/comfort https://sivers.org/15-years Please Rate & Review the Show! Visit Me Online at OLDPodcast.com and in The O.L.D. Facebook Group and Join the Ol' Family to get your Free Gifts! Blue Apron is treating Optimal Living Daily listeners to $30 off your first order! Visit: BlueApron.com/OLD --- Support this podcast: https://anchor.fm/optimal-living-daily/support
Today w/ 'Tom & Kerri' - Were you a vehicle 'pusher' or a 'pushie' in Winnipeg? / Why would these Lawyers send that kind of email / Hatrik Laine! / Imagine going to this smokefest of a wedding (involves a Cougar) / No bucks, no 'Casting Call'! / How do you get your kids to sleep? / The Bachelor on TV, pfft, listen to THIS real life Bach story (heartbreak) / Are you THE snowblower guy on your block? / And, the 'Drive 5'!!!
After hearing some thoughts about trans people from an actual trans person (refreshing & rare, indeed), co-hosts Corinne Fisher and Krystyna Hutchinson sit down with sex educators REID MIHALKO & ALLISON MOON to discuss the delicate nature of telling two women you're in love with them at the same time, queer feelings, being comfortable with gender presentation, how to navigate a complex poly relationship, being a [male] slut, and how it's possible to end up madly in love with someone you initially thought was a bit of cheese dick. PLUS: YOUR DAD SAYS THANKS! IF YOU ARE INTERESTED IN BEING PART OF THE GUYS WE FUCKED EXPERIENCE TAPING IN NYC on JAN 12, PLEASE EMAIL YOUR NAME, AGE & LOCATION to ADAMLOYDWORK@GMAIL.COM HOLIDAY GIFT IDEA: "FUCKED: Being Sexually Explorative and Self-Confident in a World That's Screwed" in Hard Copy / Audiobook / eBook: www.sorryaboutlastnightcomedy.com/book Want more episodes of #GuysWeFucked in you life? Subscribe to our Stitcher Premium bonus episodes using this link --- stitcherpremium.com/gwf FOLLOW REID MIHALKO: twitter.com/ReidAboutSex FOLLOW ALLISON MOON: twitter.com/HeyAllieMoon Email us: SorryAboutLastNightShow@gmail.com Tweet the ladies: twitter.com/SryAboutLastNyt Tweet Corinne: twitter.com/PhilanthropyGal Tweet Krystyna: twitter.com/KrystynaHutch Follow us on Instagram: SorryAboutLastNight YouTube: www.youtube.com/sryaboutlastnyt Facebook: www.facebook.com/sorryaboutlastnight LINK TO OUR TEDx Talk "How Much?": youtu.be/M2-K7VkXGXE COME SEE US LIVE! For full touring schedule, please visit www.sorryaboutlastnightcomedy.com/tours **NEW YORK CITY**TONIGHT!! NACHO BITCHES hosted by CORINNE FISHER & special guest host ROSEBUD BAKER Friday, December 22nd @ 11:15pm New York Comedy Club 241 E. 24th Street @ 2nd Ave. Tix are $12 with code 'NACHO' TICKET LINK: https://newyorkcomedyclub.com/events/nacho-bitches-2017-12-22 **SEATTLE, WA** NEW YEAR'S EVE WITH CORINNE FISHER & STEVE BYRNE Sunday, December 31st at 7:30pm & 10pm Parlor Live 3rd Floor of Lincoln Square 700 Bellevue Way NE - Suite 300 Bellevue, WA 98004 Tix are $50-60 and can be purchased here: https://tickets.vendini.com/ticket-software.html?t=tix&e=8a1b9117fd194b1bd7248ad248ecbdfe&vqitq=c0b07322-1859-4aa7-964e-bbd73de7d1ff&vqitp=d07970e9-949c-45f4-b9bf-b79610915a35&vqitts=1500224239&vqitc=vendini&vqite=itl&vqitrt=Safetynet&vqith=3f03a7c1a0aa69d5177594c9db153d1d **NYC** FRIDAY, JANUARY 19TH @ 7:30pm GLAMOURPUSS with Krystyna Hutchinson & Wendi Starling Zinc Bar 82 W. 3rd Street NYC Tix are $15 https://glamourpuss28.brownpapertickets.com MUSIC FEATURED THIS WEEK: 1.Amy Ayanda - "Mama (feat. Push Push)" https://www.facebook.com/amyayanda 2. Honors - "Valleys" https://www.facebook.com/honorsmusic FIND ALL THE TUNES FROM GUYS WE FUCKED HERE: GUYS WE FUCKED: THE ANTI-SLUTSHAMING PLAYLIST https://goo.gl/ZaJKNd Do you think your music should be featured on an episode of GWF? E-mail Stephen a streaming link to: GWFPodcastMusic@gmail.com
n 2017 th"Slave to the Rythym" was the first single from Grace Jones' album of the same name, which was released in 1985. The song and the album were written by Bruce Woolley, Simon Darlow, Stephen Lipson and Trevor Horn and produced by Horn."Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart. The track has been remixed and released many times since its original release, both legitimately and in bootlegToronto rock and roll quartet, The Beaches, released their much anticipated full-length debut album, "Late Show" this is the title track.Rockers Hi-Fi were an electronic dub/dance outfit formed in Birmingham, England in 1991 as Original Rockers. In 1994 they changed their name to Rockers Hi-Fi. Their first success came with a few tracks on the Beyond Records Ambient Dub series of compilations, and "Push Push" became a dancefloor hit at the beginning of the 90s. See acast.com/privacy for privacy and opt-out information.
show#708 09.10.17 More Great Music For Y'All 1. Trevor Sewell - Tear It Down from Calling Nashville 2017 Independent (5:05) 2. Rob Lutes - I Am the Blues from Walk in the Dark 2017 Full Zoo Records (2:47) 3. Dennis Johnson - Southbound Train from Rhythmland 2017 Root Tone Records (3:13) 4. Wee Willie Walker & The Anthony Paule Soul Orchestra - Your Good Thing (Is About To End) from After A While 2017 Blue Dot Records (5:52) 5. The Kentucky Headhunters - King Rooster from Meet Me In Bluesland 2015 Alligator (4:31) 6. Arthur 'Big Boy' Crudup - Dig Myself A Hole [1962] from The Sky Is Crying-The Fire Records Story 2014 One Day Music (2:27) 7. Eliza Neals - Another Lifetime from 10,000 Feet Below 2017 E-H Records (4:53) 8. Taj Mahal - Squat That Rabbit from Like Never Before 1991 Private Music (4:41) 9. Johnny Rawls - Blackjack Was A Gambler from Waiting For The Train 2017 Catfood Records (5:01) 10. Andrew Carter - Tear This Mutha' Down from Andrew Carter 2017 Dog Song Records (4:26) 11. B.B. & The Blues Shacks - My Time Ain't Long from Reservation Blues 2017 Rhythm Bomb Records (5:27) 12. Joel DaSilva - Cadillac Mama from Everywhere From Here 2017 self-release (4:25) 13. Bobby Messano - The Girl That Got Away from Bad Movie 2017 The Prince Frog Record Company (3:39) 14. Fred Neil & Vince Martin - I Got 'em from Tear Down The Walls 1964 Elektra (3:09) 15. Otis Rush - Homework [1962] from I Pity The Fool-The Duke Records Story 1952-1962 2013 One Day Music (2:37) 16. Arno - Now she likes boys from Human Incognito 2015 Pias (3:06) 17. The Wildcat OHalloran Band - Prison Blues from Hot Pulldown 2017 Dove Nest Records (7:10) 18. Guy Davis & Fabrizio Poggi - Evil Hearted Me from Sonny & Brownie’s Last Train 2017 MC Records (4:14) 19. Altered Five Blues Band - If Your Heart Went Public from Charmed & Dangerous 2017 The Orchard (4:30) 20. Johnny Ray Jones - In The Heart Of The City from Feet Back In The Door 2017 Moondoog Records (4:40) 21. Laura Tate - Nobody Gets Hurt from Let's Just Be Real 2017 811 Gold Records (4:38) 22. Sonny Landreth - Deep South from Levee Town 2000 Sugar Hill (6:26) 23. Willie Mae "Big Mama" Thornton - Cotton Picking Blues [1951] from Boogie Uproar-Gems from the Peacock Vaults 2014 One Day Music (2:48) 24. Blues Burglars - Spaced Out from Breaking In 1986 Red Lightnin (2:19) 25. Herbie Mann - Push Push from Push Push 1971 Atlantic (10:07) 26. Yellow Matter Custard - While My Guitar Gently Weeps from One Night in New York City 2003 Radiant Records (7:21)
Welcome everyone to the "After Show Show" for episode one hundred and fifteen of "This Week in Kpop". In this episode, Josh and Stephen reminisce about Sistar and talk about going to their last concert together as a group. There's also a little bit of TOP's marijuana controversy at the end. Consider donating to us on Patreon (http://www.patreon.com/thisweekinkpop) or Paypal (http://paypal.me/thisweekinkpop). Songs of the Episode: (04:25) Push Push (09:45) Shady Girl (13:05) How Dare You (17:15) Ma Boy (22:45) So Cool (28:20) Alone (32:35) Loving U (40:05) Gone Not Around Any Longer (45:45) Give It To Me (55:45) Touch My Body (1:01:45) I Swear (1:07:50) Shake It (1:11:45) I Like That (1:15:45) Lonely (1:24:25) Sistar & Mamamoo Concert (1:45:15) Top 5 Sistar Songs (1:51:55) Very Early Discussion About T.O.P's Marijuana Controversy Consider Donating: Patreon (http://www.patreon.com/thisweekinkpop) Paypal (http://paypal.me/thisweekinkpop) Audible (http://www.audibletrial.com/twik) Fun Stuff: Youtube (http://www.youtube.com/thisweekinkpop) Twitter (@thisweekinkpop, @twikstephen, @twikjosh) Instagram (@thisweekinkpop) Soundcloud (http://www.soundcloud.com/thisweekinkpop) Email (thisweekinkpop@gmail.com) Our Website (http://www.thisweekinkpop.com) Essential Kpop (http://www.essentialkpop.com)
Es hat so viele Vorteile die Komfortzone zu verlassen: - Dein Selbstvertrauen steigt enorm - Du weisst, dass du Jetzt mit Herausforderungen umgehen kannst und nicht erst später - Du wirst besser, stärker, schneller - Du kommst mehr zu deiner Mitte - Du erreichst deine Ziele schneller - Ausserhalb der Komfortzone ist, wo Magie entsteht. Empfehlungen aus der Episode: "Mach es einfach!" von Grzeskowitz Hole dir das Buch “Mach es einfach” für 0,00€ bei Audible
instagram.com/kmusiceveryday kmusiceveryday.tumblr.com Subscribe on itunes: apple.co/2gOchE7 KMEWM 019 Tracklist: 1. Sik-K feat. Crush - Party (SHUT DOWN) 2. Suran feat. Dean - 1+1=0 3. Risso x Ban:jax - 010 4. Triple H - Sunflower 5. Yaeji - Full Of It 6. CIFIKA - Cali Vibe 7. Jaeney - Lemonade 8. Laybacksound - Where 9. Y O N - Pray 10. Beenzino - So What 11. Yeseo - Fxxx with Kiss (skit) 12. khundipanda - Crank Ofean 13. Cloud Boy feat. Rheehab - Oh My God 14. Soo While!ght feat. OLNL & 하태린 - iceice 15. Suran - Walking 16. Baek A Yeon feat. The Barberettes - Sweet Lies 17. IU feat. Oh Hyuk - Can't Love You Anymore 18. Yerin B feat Car, The Garden - 내가 날 모르는 것처럼- 백예린 19. Sugarbowl - Second Date 20. Twice - Three Times A Day 21. PRISTIN - Running 22. ELRIS - WE, first 23. Kriesha Chu - Trouble 24. APRIL - MAYDAY 25. Highlight - Plz Don't Be Sad 26. SISTAR Medley - Miss Sistar - 끈 - Good Time - One More Day - So Cool - Ma Boy (Special Version) - Hold On Tight - If U Want - Touch My Body - I Like That - Loving U - Give It To Me - Alone - I Swear - Shake It - Push Push - Lonely
STOMPLAND: a podcast hosted by Reuben Bonner and his mum, Steph (formerly known as The Morning Stomper, and best known for her work in Lasting Impressions, the ultimate garden landscape design company). On Stompland episode 2, we talk with broadcasting powerhouse Mikey Havoc, the man who gave us the Havoc TV series, has been a New Zealand radio household voice since the 1990s and is the frontman for hard rock group Push Push. 00:00 Reuben and Steph pre-chat 05:11 Interview with Mikey Reuben and Steph chat to Mikey about getting the band back together, why you should never let on too much about Santa Claus, and what it was like to have the ear of the Prime Minister.
Fred Locks & Brigadaire Jerry - Love & Harmony Cornell Campbell at King Tubby's - Rastaman Dub Rod Taylor - Sun Moon & Stars - Black Huru- Happiness,World is Africa,Push Push,There's Fire - Culture & Buju Banton - Can't get Weary - The Gladiators - Peace Truce Special Selection Interview Manny Ledesma & MadMuasel - DirtyDansall Crew Chronic Ting Records Trevor-Deadly Hunta-Samuels Lova Lova Music Lorea Argarate Las Tea Party Dj's - Junior Jux Delgado - Time to Work - Irie Nanara Dubplate King Burning Sound System - Ken Boothe Anthony B Mr Vegas - Fall in Love - Eljai - Together Forever - Tuff Gong Worldwide - Roots Medication Sound - i often feel me final master - Errol Bellot King Shiloh Majestic Music - Ancient Warrior - SkipMarley - ISLAND RECORDS Island Records UK
Cinderella - Live At The Mohegan Sun Треклист: 1. Intro 1:36 2. Night Songs 3:16 3. The Last Mile 3:16 4. Somebody Save Me 3:40 5. Heartbreak Station 5:18 6. Coming Home 5:29 7. Shelter Me 5:42 8. Nobodys Fool 6:35 9. Gypsy Road 4:31 10. Dont Know What You Got (Till Its Gone) 6:14 11. Shake Me 6:25 12. Falling Apart At The Seams 5:10 13. Push Push 2:51 14. Still Climbing 4:27 15. Drum Solo 3:41
En 1966, el año de Un Hombre y Una Mujer, la compañía Tico Records, propiedad del controvertido empresario Morris Levy, tenía en su plantilla una buena cantidad de estrellas latinas. Sin embargo, había una que brillaba con especial luminosidad porque sonaba con la misma fuerza que una gran orquesta a pesar de ser un grupo reducido de músicos. Quizás por eso o a lo mejor por la facilidad de este grupo para tocar en cualquier lugar de Nueva York, frente a cualquier público, el Sexteto de Joe Cuba escribió su nombre en la historia de la música latina. Este es el relato de una de sus grabaciones más populares, Bang! Bang! Push, Push, Push.PLAYLIST:1. Joe Cuba – Que Son Uno2. Joe Cuba – Mujer3. Joe Cuba – La Malanga Brava4. Entrevista: Cheo Feliciano – Joe Cuba 5. Joe Cuba – Quinto Sabroso6. Entrevista: Joe Cuba – Willie Torres 7. Joe Cuba – Alafía 8. Joe Cuba – Así Soy9. Entrevista: Joe Cuba – Éxito Bang Bang 10. Joe Cuba – Oh Yeah11. Joe Cuba – Bang Bang12. Entrevista: Joe Cuba – Ventas Bang Bang 13. Joe Cuba – Push Push Push14. Joe Cuba – Cocinando15. Entrevista: Willie Torres - Triste 16. Joe Cuba – Triste17. Joe Cuba – Mujer Divina18. Joe Cuba – Sock it to Me
Track Jacket Mafia have put together this Slinky 16 Promo Mix in anticipation of their first appearance as TJM at the upcoming Slinky Family Gathering #16. So says the mafia: "We wanted to create a mix that best represents what we think the Track Jacket Mafia 'Track Jack Your Body' vibe is all about. That meant slow build ups were out. Weak tracks were out. Playing attention to the speed limit was out. It's House House, it's Tech House, A kaleidoscope of sound, it is truly underground. Our mix is perfect for morning commutes, messy raves, house cleaning, cleaning house, cribbage games, dark warehouses, 12am, 12pm, earbuds at work chair dancing, hands-in-the-air saying 'OMG I LOVE THIS TRACK'. Features a rare edit from Slinky staple Zack Hill called Push Push, as well as a killer unreleased version of classic "Love is Not a Game" by 3AM Devices's Techncn. Track Jacket attire encouraged. Track Jack Your Body mandatory." Bio Below: Track Jacket Mafia (aka Darrell Tenaglia & Andy Ke...
Groupies, drunk DJing, and the difference between lamas and alpacas. This is BLOUNCE. The first episode. The pilot. Multiplier and Oberon. The start of something special.
Al Vince Official Radioshow-Podcast presents : Guest #188 - Elio Riso "LA PASSIONE FR PROMO MIX" (Blackflag Recordings / Rebel Butterfly Agency / Intec Digital / Push Push Music... - ARGENTINA) SUBSCRIBE ON : http://itunes.apple.com/fr/podcast/alessandro-vince-official/id333254380 SEND YOUR PROMOS : info@alessandrovince.com JOIN US ON : https://www.facebook.com/alessandrovinceofficialpodcast https://www.facebook.com/alvincemusic
Gina and Randy set you up for a nice weekend with some hot news!
Presented by ObsessedWithFilm.com -On hand again to help Steve Head and John Black consider the merits of Zach Snyder's Sucker Punch is Bob Chipman, a.k.a. MovieBob and The Game Overthinker, and contributor to Escapist Magazine. They go to town on Sucker Punch with a 70-minute episode in which they agree, disagree, laugh, cry, chide, and fall in love all over again.For picks of the week, they discuss the films of Andy Sidaris, as featured in Mill Creek Entertainment's new 12-movie set Girls, Guns and G-strings. And then Warner Bros.' newly announced Blu-ray edition of Brian DiPalma's Scarface takes center stage.Spoiler Alert: In the discussion of Sucker Punch, spoiler material abounds between 30:30 and 32:30.Editors note: In the discussion of Scarface, the Debbie Harry song we can't recall is "Push Push."This episode was recorded at Panera Bread, next to the Regal Fenway 13 Theater in Boston. So as always, the conversation is spurred by coffee, muffins and sandwiches - which helps. And that's why there's the clickity-clacking of plates and silverware you're hearing at times in the background. Our apologies for that.Visit the Post-Movie Podcast online at Post-Movie.netIntro music by Stereo Soul Future (stereosoulfuture.com) Questions? Email us at contact@post-movie.net
Dance with the ocean breeze.Play in the warmth of the sun.Dive into the indigo depths.Sail toward the shining horizon.Don't stop til it's over. Songs:"Summer Sutra" (Gomi Extended House Mix) ~ CyberSutra ft. Tiff Lacey"Perfect Love" (Love to Infinity Sunset Mix) ~ Simply Red ""Acapella" (Doman and Gooding Remix) ~ Kelis"Smile" (ULTI-reMIX by DJ Volume) ~ Uncle Kracker"Happiness" (Dave Aude Club Mix) ~ Alexis Jordan"Naturally" (Jim Thias Mix) ~ Selena Gomez & The Scene"Push Push" (DJ Skillz Mix) ~ Kat DeLuna ft. Akon"Superstar" (Mark Roberts Edit) ~ David May ft. Moises Modesto"Sirens of the Sea" (Above and Beyond Club Mix) ~ OceanLab "Crimson Sun" (Club Mix) ~ Sultan & Ned Shepard ft. Dirty Vegas"On You" (Johnny Vicious Remix) ~ Jessi May"For An Angel" (Spence & Hill Remix) ~ Paul van Dyk"Shine 4 U" (DJ Ronnie Maze Remix) ~ Carmen & Camille"Sweet Disposition" (Mogan Page Remix) ~ The Temper Trap
The New "Push Push Vol.8" is now online for free ! This is a fidgety/wonky mix. 1 - Blatta & Inesha - Raw Power [Calvertron Rip Up Remix] 2 - Deadmau5 & Melleefresh - Attention Whore [Mr. Wonks Green Mask Mix] 3 - TJR - Good Evening Chicago [Hijack Remix] 4 - Sawgood - Ctrl Ur Brain [Calvertron Remix] 5 - Hatiras - 6 Million Ways [Rave Mix] 6 - Young Nutz - Jack Got Nutz Booty 7 - Mic Perri - Got Me Freakin' Out [Defunct! Remix] 8 - Calvertron Vs. Itchy Feet - Grifta 9 - Stama - Drunky Kitty [Electric Soulside Remix] 10- Pu5her - Hungry Monkey
Pu5her's playlist : 1 - Pete Tong & Dave Spoon - Gas Face [Lee Mortimer Remix] 2 - Pu5her - Chocobo Blaster 3 - Chaka khan - Feel For You [Calvertron Remix] 4 - Santiago & Bushido - Make Me Feal 5 - Blatta & Inesha feat. Gigi Barocco - Where is it? [Calvertron Remix] 6 - Wonk - Jump [Bass Weazal's Feed The Weazal Remix] 7 - Stupid Fresh - Who R Ya? 8 - Peter Bjorn & John - Young Folks [Dimitry Bamboviy Filthy Remix] 9 - 2 Bit Thugs - Tearing Up The Club [Kelevra'S Pink But Perky Remix] 10- T.DLXX - GhettoBlaster [Stupid Fresh Remix]
Pu5her's playlist : 1 - Peter Gelderblom "Lost" [David Penn Remix] 2 - Noir "Ragnarok" [Beatport Edit] 3 - Joey Seminara & Danny Nagels "200 Milligrams" 4 - David Penn & Rober Gaez "Our Darkness" 5 - Mastiksoul "Bofe De Elite" 6 - John Dahlback "Everywhere" [SKJG Project Remix]
The new "PusH_PusH Vol.5" mix is now online for free !! This is a mix with some of my favourite fidgety fucking sounds ! Pu5her's playlist : 1 - Sebastien Leger "Bad Clock" [Deadmau5 Remix] 2 - Stupid Fresh "Spam Javelin" 3 - Calvertron & Kieran Brindley "Stumble" [Jakinoni Remix] 4 - Bass Kleph & Paul Anthony "Helium" [Adam Bozzetto Remix] 5 - Stupid Fresh "Get The Fuck Up" [Bass Kleph Remix] 6 - Lee Mortimer & MC Flipside "That Thing" [Instrumental Version] 7 - Electro F "Superstar Breaks" [Twocker Remix] 8 - Matt Rock "What U Fell ?" [Deadmau5 Remix] 9 - Static Revenger "Ooh La La" [BSOD REMIX] Thanks to download and support me. Pu5her =)
Mike and Billy interview Peter Croker, PGA Victorian Professional of the year during the Jan. 24th, 2009 show's 2nd hour.Peter Croker is an Austrailan Golf Professional and the 2008 Victorian Teaching Pro of the Year . The 59 year old professional was an Austrailan tour player for 10 years, who then shifted his interests to teaching in 1981 and has since written numerous articles, features and books on the subject of golf instruction. His unique instruction system features the PUSH - PUSH method called the Croker Golf System. This method has graced the cover of Golf Digest and been featured in numerous golfing publications worldwide.The Croker Golf System that has been adapted as a method of choice by countless amateurs, professional players and teachers is now available to US golf enthusiasts via online and web discussionsIn addition to founding and directing the CROKER GOLF SYSTEM - Path To Better Golf Program, Peter is the former Director of Education from Henry-Griffitts, Australia, and currently has his home bases in Australia at The Dunes Golf Links, Rye, Victoria and the Golf Science Center, Melbourne, Victoria and in Europe at Achensee Golf Club, Austria and Sotogrande, Spain. www.crokergolfsystem.comAvila Beach Golf Resort - www.avilabeachresort.com Blacklake Golf Resort - www.blacklake.comInn at Avila Beach - www.avilabeachca.comAvila LaFonda Hotel - www.avilalafondahotel.comGolfland Warehouse - www.golflandwarehouse.comSlickstix - www.slickstix.comFor more information on Golf Talk Radio with Mike & Billy visit www.golftalkradio.com and visit www.centralcoasttoday.com for Golf Talk TV with Mike & Billy.
This is the first hour LIVE @ AZULI (Bordeaux, FRANCE) Played this saturday by Pu5her! Pu5her's playlist : 1 - 3Shift "Hey Bitch" 2 - Eric Entrena & D Unity "Drugs & Stuff " [D Nox And Becker Remix] 3 - Alex Kenji "A Lot Of" 4 - Sebastien Leger "Majuro" 5 - Chris Reece & Dinka "Autumn Leaves" [Stanley Ross Mental Remix] 6 - Underworld "Born Slippy" [Manuel De La Mare Remix] 7 - Patric La Funk "Restless" [Tim Weeks Remix] 8 - Passenger 10 "Mirage" [EDX's 5un5hine Remix] 9 - Sydney Blu "Give It Up For Me" 10- J.Seminara & D.Nagels "Just The Tip" [MC Flipside & Hatiras Rework] 11- Sydney Blu "Senses And The Mind [Olivier Giacomotto Remix] 12- Robot Needs Oil "Defected" [Olivier Giacomotto Remix] 13- BSOD "Game Over" 14- Olivier Giacomotto & Dj Tonio "Eat What You Kill" [Part.1] Visit me @ myspace.com/pu5her
fifty million birds in the trees push push they’re impatient to get on with spring and all together chatter and sing fifty million specks in the trees push push bold and lean bellies eager for seeds from trees still to leaf in greens for the last time this year the moon collapses in on itself fifty million screams of joy and release push push swirling around me as the sun holds out just a little longer each day for the last time this year the moon collapses in on itself epw 3.26.08 perrysburg, oh
This week on Push Push, Danielle Davis and Shannon Kessler recap the incredible Azerbaijan Grand Prix and dive into the following! Did Lando Norris get screwed in qualifying?Is Red Bull failing Max Verstappen?A Checo Perez appearance! Sir Lewis Hamilton is back to hating his carSurprise performances from Williams and HaasAND MORE!!!The NEWEST podcast to the State of Louisville Podcast network is officially here. Subscribe for more Formula One and Push Push ContentFollow Push Push on Instagram for more Formula 1 content!https://www.instagram.com/f1pushpush/Kern's Korner - Powering The State of Louisville Podcast NetworkVisit Kern's Korner in The Highlands for the cities best burger & chili! Follow them on Facebook! https://www.facebook.com/kernskorner/Visit a Louisville Hidden Gem - Frankfort Avenue Liquors & WineFeaturing a full bar with award winning mixologists along with a packaged store featuring over 600 whiskeys, some of the best local brews, and much more. Visit them today at 2115 Frankfort Ave, Louisville, KY 40206 - Right next to Manhattan Project or visit https://louisvilledrinks.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
This week on Push Push, Danielle Davis and Shannon Kessler recap the Singapore GP, including Lando's domination, the end of an era for Danny Ricciardo, plus much more.The NEWEST podcast to the State of Louisville Podcast network is officially here. Subscribe for more Formula One and Push Push ContentFollow Push Push on Instagram for more Formula 1 content!https://www.instagram.com/f1pushpush/Kern's Korner - Powering The State of Louisville Podcast NetworkVisit Kern's Korner in The Highlands for the cities best burger & chili! Follow them on Facebook! https://www.facebook.com/kernskorner/Visit a Louisville Hidden Gem - Frankfort Avenue Liquors & WineFeaturing a full bar with award winning mixologists along with a packaged store featuring over 600 whiskeys, some of the best local brews, and much more. Visit them today at 2115 Frankfort Ave, Louisville, KY 40206 - Right next to Manhattan Project or visit https://louisvilledrinks.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Shannon Kessler and Danielle Davis return to Push Push to preview the upcoming United States Grand Prix, break down an interesting list, plus talk all things F1 on and off the track.The NEWEST podcast to the State of Louisville Podcast network is officially here. Subscribe for more Formula One and Push Push ContentFull video episodes available on YouTube! YouTube (@TheStateofLou)Connect with Push Push on Instagram! Instagram (@f1pushpush)Linktree: https://linktr.ee/f1pushpushKern's Korner - Powering The State of Louisville Podcast NetworkVisit Kern's Korner in The Highlands for the cities best burger & chili! Follow them on Facebook! https://www.facebook.com/kernskorner/Drink Mr. & Mrs. Bourbon - It's What Louisville Fans DoFormer Louisville Cardinal basketball star Russ Smith is changing the bourbon game with Mr. & Mrs. Bourbon Company. Skip the cold and hassle and have Mr & Mrs delivered to your front door! Visit https://store.mrandmrsbourbon.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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