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In this episode we dive into the atomic elements of composition that we can observe in Raaja's music. How does he use sentence structures and motifs in his compositions? Can we really tell apart where Carnatic ends and Western touches begin in his music. Briefly we also cover one stark difference between MSV and Raaja. Topics Covered: What are sentences and how have they been used by Beethoven and Mozart? How do sentence structures show up in Raaja's music? What is a motif and why does it often form the kernel of the full composition? How has Raaja used various motifs in his film songs? Participants: Mahesh Deepauk Bala Chidambaram Musical References: Subramanyena (Notes) Kaatumalli Sakkarakattikku
Chinna episode, wanted to publish this few days back... I felt this should be dropped today! Kelunga :) --- Support this podcast: https://podcasters.spotify.com/pod/show/pattukkaaran/support
Oru Kadha Sollatuma Makkale's PonniyinSelvan Story Part-4 Chapter-29 is narrated in this episode. --- Send in a voice message: https://podcasters.spotify.com/pod/show/muthukumari-podcast/message
Andariki Namaskaram! Hello Listeners! In this episode, we discuss the 2nd film of director Vamsy gaaru, titled "Sitaara" which we think is a classic for the ages. It marked the debut of #BhanuPriya gaaru. The music is by #Ilaiyaraaja and the film also has Subhalekha Sudhakar, Sharat Babu, Suman, Rallapalli and others. The film is available for free on YouTube. Do watch the film before listening to us speak about it. Raaja's Guitar Thread: https://twitter.com/sai_sandilya/status/1401211347405209603?s=20 Veturi Sunsets: https://www.instagram.com/p/Cmvb-A0JmhR/?utm_source=ig_web_copy_link&igshid=MmJiY2I4NDBkZg== Reel on Jilibili Palukula: https://www.instagram.com/reel/CNCxNsfJIiF/?utm_source=ig_web_copy_link&igshid=MmJiY2I4NDBkZg== ------------------------------------------------------------------------------------------------------------------------
In this episode of #Pattukkaaran podcast, I revisit one of my most favorite albums by Ilaiyaraaja. Description perusa potu bore adikka virumba, Kelunga :) I hope you enjoy this one! Time Stamps: 00:17 - Vanakkam Naan unga Pattukkaaran 00:39 - Inaiku episode enna na... 04:38 - About Vaidhegi Kaathirundhaal 05: 11 - Vanmam on Raaja 11:17 - More about Vaidhegi Kaathirundhal 13:05 - Story and Discography Trivia about Vaidhegi Kaathirundhal 15:07 - Raasaathi Unna 18:00 - Kaathirundhu Kaathirundhu 21:17 - Indraiku En Indha Anandham 21:47 - Raasaave Unna 22:17 - Megham Karukaiyile 23:43 - Azhagu Malaraada 25:43 - Ennoda suggestion vandhu... --- Support this podcast: https://podcasters.spotify.com/pod/show/pattukkaaran/support
Andariki Namaskaram! Hello Listeners! In this episode, we have a guest. He's #SinjithYerramilli. He is an upcoming Musician in TFI. He started off as an Indie Music Composer and Singer. You can listen to his tracks on all major platforms, including YT Music and Spotify. We'll share a few links below. This conversation was us trying to understand a Musician and how the "Indie Music Scene" in Telugu states is developing. Or is it? Listen to find out. Follow Sinjith on Insta: https://www.instagram.com/sinjigram/ Sinjith Yerramilli on YT Music: https://music.youtube.com/channel/UCjySs49s56VtLdWohpetkdA?feature=share ------------------------------------------------------------------------------------------------------------------------
'Sivagaamiyin Sabatham' is a Tamil historical novel written by Kalki Krishnamurthy avargal. It has 4 volumes which is widely regarded as one of the greatest novels ever written in Tamizh, along with Ponniyin Selvan. Here is the audio book of Raaja Hamsam (Chapter23 from Volume1 - Paranjothi Yaathirai). Please send me your comments and feedbacks to nandhinislibrary@gmail.com. Follow me on Instagram: @nandhiniyin_kural
Raaja - Kirtan 50 12.31.22 by Windy City Kirtans
Raaja Nemani, a certified Business Ninja, is a Co-Founder and Chief Revenue Officer of MarketerHire, a talent marketplace with a mission to make expert marketing accessible to everyone. MarketerHire has scaled rapidly with hundreds of clients from early-stage startups to Fortune 100 companies in less than a year and a half. Prior to MarketerHire, Raaja was the Co-Founder and CEO of Bucketfeet, a footwear brand collaborating with a global community of artists to create the most unique shoes in the world. Bucketfeet raised over $20M in venture capital (including from Adidas) and sold ~1 million pairs of shoes in 30+ countries before it was acquired by Threadless in 2017. As a passion project, Raaja co-founded Counterpoint in 2019, a “both sides” political cartoon newsletter with approximately 200,000 subscribers, written and illustrated by Pulitzer Prize-winning cartoonists. He began his career in Private Equity and Investment Banking after he graduated from Northwestern University in 2004. In this episode, he shares how we can easily hire the best marketing talent on demand to drive growth. Insights he shares include: How MarketerHire came to beHow they established trust early in the processDo all hires need to be full-time hiresWhy MarketerHire focuses on marketing talentThe problem with hiring marketing talent on demandThe best way to hire talent on demandIs hiring marketing talent on demand a suitable solution for all industriesHow does MarketerHire workHow to set up hiring for successand much much more ...
Tune into today's episode where we interview the newer teachers of P.E. - Mr Raaja & Ms Espanol. We ask them about their times in high school, their experiences in sporting and potential celebrity crush? Finally, we end off by discussing ways we can improve relationships between students and teachers , boost school spirit as a whole and future goals at Parra High. Hosts: Camisha & Simran Special Guests: Mr Raaja & Ms Espanol
In this episode we dive into Raaja's most ambitious album - Thiruvasagam in Symphony. We discuss the historical origins and similarities between the 2 schools of music that Raaja consciously combines, breakdown elements in each of the songs, and address the need for humility when engaging in the critique of such attempts. Topics Covered: Initial listening experience and how it has evolved over time What is an oratorio and how did the form evolve? What is the form of the Thevaram tradition and what does it bring to the album? How Raaja combines the two forms as part of the album Bouquets, brickbats, and the hollowness of both when it comes to TiS Participants: Mahesh Deepauk Bala Chidambaram Musical References: St.Matthew's Passion Raaja talks about the forms laid out for us by his predecessors and his intent of creating TiS a clip of Hariprasad Chaurasia Handel's Messiah Pannum pathamezhum Thalaye nee vanagaai Insert part about criticisms from Raaja Putril Vaazh
'Ponniyin Selvan' is a Tamil historical novel written by Kalki Krishnamurthy avargal. It has 5 volumes and around 2210 pages, which tells us about the days of Arulmozhi Varmar (Rajaraja Chozhan). Here is the audio book of Raaja Dharisanam (Chapter29 from Volume4 - Manimagudam). Please send me your comments and feedbacks to nandhinislibrary@gmail.com. Please follow our facebook page - https://www.facebook.com/nandhinislibrary Follow me on Instagram: @nandhinislibrary Nandri...!!!
In this episode I give a piece of my criticism surrounding Ilaiyaraaja's recent controversy. --- Send in a voice message: https://anchor.fm/thebiriyaniman/message
Parthiban Kanavu_kalki
Bhajan - Rose Day Special - Phoola Da Raaja
Song –KAHO RAAJA Artist – CHERISH R Executive Producer – CHERISH R MUSIC Produced, Mixed and Mastered by – RISHI MAHATO – MAHA STUDIOS, LTD ALL Rights reserved by Cherish R Music and 3rd Degree Promotions, LLC Copyright © 2022 FOLLOW CHERISH R MUSIC ON ALL MAJOR STREAMING PLATFORMS SPOTIFY: https://open.spotify.com/artist/7LHvadkmP9G4BNaj13r4Ks?si=P13viv0YRQu-Rk8A85FFkQ APPLE MUSIC: https://music.apple.com/us/artist/cherish-r/1549751796 AMAZON MUSIC: https://music.amazon.com/artists/B08TH728MB/cherish-r?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mBXv8zXBMzNHWI2JNx1cUvHZN PLEASE LIKE, SHARE & COMMENT!! DON'T FORGET TO SUBSCRIBE TO THE CHANNEL & CLICK THE
As a child, Rainbow Raaja knew she wanted to be a masseuse and a mother. Along the way that vision expanded as she turned to Spirit and Nature to find her way through a dark night of the soul. She soon realized she was able to channel sacred medicine from masters beyond the veil. Now […]
The silly King relied on his cunning Prime Minister for all the decisions he made...who in turn robbed the royal treasurey for his personal interests..but as they say...What you sow, so shall you reap !!!
Cherish R - Meri Raaja Aao [Raaja Riddim] Artiste: Cherish R. Title: Meri Raaja Aao (Raaja Riddim) Written By: Cherish R. Production: Maha Productions, MBM Prod. Int'l, Icy Cold Ent, Artical Don Media, Cherish R. Music Digital Artwork: Karif Mohammed Song License To: CHERISH R MUSIC / 3RD DEGREE PRODUCTIONS, LLC Follow Cherish R: SPOTIFY|: https://open.spotify.com/artist/7LHvadkmP9G4BNaj13r4Ks?si=YInn0gFPQ9ism8Azwzu5qA&dl_branch=1&nd=1 APPLE MUSIC: https://music.apple.com/tt/artist/cherish-r/1549751796 AMAZON MUSIC: https://music.amazon.com/artists/B08TH728MB/cherish-r?ref=dm_sh_UjaSbFX0R3gsOtau4pd08FABy https://www.youtube.com/watch?v=jCNeUpwMCUo NO COPYRIGHT INFRINGEMENTS INTENDED! Facebook: www.facebook.com/tropicflava Instagram: www.instagram.com/tropicflava/ SoundCloud: soundcloud.com/tropic-flava Join DJ Navin LIVE TO AIR EVERY SUNDAY @6PM for #PrimeTimeSundays Live on Abee Chunes Radio #ACR Livestreaming on | YouTube | Twitch.tv | Facebook Live
The proud King hated it when the tiny squirrel made fun of him and then the anger in the king's mind kept on growing, till he found out a brutal solution to this problem...
Humare app ko install karne ke liye iss link par click kare: https://bit.ly/3zDVXic Doston, pauraanik grantho mein dharm aur nitigat baato ke saath hi kai prem kathaao ka bhi zikr milta hai. In mei hi ek kahani haii shakuntala-Dushyant ki. Raja dushyant jungle mein bhatakte hue ek aashram mein ek bahut hi sundar kanya se milte hai pehli hi nazar mein vah uss kanya par mohit ho jaate hai, vah ussi dam usse gandarbh vivah kar lete hai, kuch dino baad raja dushyant patni shakuntala ko chorr kar sehar laut aate hai. Jab Shaakuntala, Raaja se mil kar apni shaadi ke baare mein batati hai toh raaja Dushyant ko kuch bhi yaad nahi reh jaata hai. Toh chaliye sunte hai yeh dilchasp prem katha. Kahani ko sunne ke baad aapko sukhad anubhooti hogi aur aap dheere dheere neend ki aagosh mein samate jaayenge. #insomniacure #neendnaaayetokyakare #insomniatreatment #neendaanekailaj #sleepdisorder #nindaanekeupay #sleepproblems#bedtimestoriesforadults #sleepstoriesforadults #AcchiNeendlaanekeliyekyakare #Acchineend #Insomniacure #neend #sleep #kahani --- Send in a voice message: https://anchor.fm/neend/message
In this episode we dive into one of the first true fusions of Carnatic and western classical music to come out of India - Ilaiyaraaja's 1986 independent album How To Name It. We discuss the context for the album and what may have been Raaja's artistic intent in attempting this album. Additionally we dive deep in to 2-3 specific pieces and what Raaja has been able to achieve in terms of composition there. Topics Covered: What was perceived as fusion at the time How To Name It was released? A detailed breakdown of the title track and what it achieves in terms of melding the Carnatic and Western classical forms What is fugue and why did Raaja choose this form for a piece in the album? What was Raaja's artistic intent in pursuing this effort? How has the album panned out in an overall evaluation and would it be different if done now? Participants: Mahesh Deepauk Bala Chidambaram Musical References East meets West Veedu BGM Simhendra Madhyamam Shanmugapriya Marainthirunthu Paarkum Raajathi Raaja Kaathal Kasakkuthayya Art of fugue The How To Name It Album Image courtesy Karthik Srinivasan for Vijay TV
तु राजा की राजदुलारी (Tu Raaja Kee Raaj Dulaaree Mai Sirf Langote Aala Su) Hindi Lyrics: https://anjuthakur.com/lyrics/tu-raaja-kee-raaj-dulaaree-mai-sirf-langote-aala-su-lyrics-in-hindi/ English Lyrics: https://anjuthakur.com/lyrics/tu-raaja-kee-raaj-dulaaree-mai-sirf-langote-aala-su-bhajan-lyrics-in-english/ --- Send in a voice message: https://anchor.fm/devotional-lovers/message
Reflecting on the loss of my grandmother last month, and opening the door to do some ancestral healing this month to honor her journey and my own. Reacquaint yourself with your ancestors and harness hidden magic in your family line.ENJOYING THE PODCAST?Subscribe and write a review to let listeners know what you think! Email me to let me know you reviewed me (rainbowraaja@gmail.com) As a thank you for your feedback, you will get a free 15 minute virtual session!Connect to Rainbow Raaja:
I Love ARR Podcast with the Anchor / VJ / RJ & above all a KM Convervatory student.
Singen, tanzen, Gemeinschaft erleben. Raaja Fischer ist Chorleiter, Pianist und Musiker. Und ein Botschafter des Friedens. Er begrüßt uns mit einer Komposition am Klavier. “Dolphins and Birds”. 1998 war Raaja auf seinem 1. Unicorn Voice Camp in England. Tief berührt von dieser Erfahrung hat er das Camp nach Deutschland gebracht. Inzwischen hat das deutsche Unicorn Voice Camp im Wendland sein 20jähriges Jubiläum gefeiert. 10 Tage gemeinsam singen und tanzen für den Frieden. Durch das viele gemeinsame Singen geschieht ganz viel Herzöffnung, die Menschen werden jeden Tag strahlender, leuchtender und schöner. Tränen fließen, es wird singend gebetet, getanzt und meditiert. Für mich war das Camp ein ganz tiefes nach Hause kommen. So schön. Hab ganz viel Freude und lass Dich inspirieren von meinem lieben Freund Raaja aus dem Wendland. Von Herzen Deine Annika
In 2007 this selection of Gorakh Pandey's poems was brought (a an audio CD) by Jan Sanskriti Manch under initiative of Sanjay Joshi. Poems were read and sung by various artistes and the music was designed by the renowned FM Radio Jockey Rajiv Saxena (Died in 2008) This poem Ek din raaja marlein is sung by Master Raju Produced by Irfan --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message
During Raaja Nemani's backpacking trip to the Himalayas, his guide made a simple comment about luck. It would take months for Raaja, the CRO of MarketerHire, avid traveler, and lifelong learner, to truly grasp the meaning of the comment, but that understanding would have a profound effect on his worldview.
Cart Overflow: Where eCommerce Marketing Playbooks Are Written & Shared
Raaja on Twitter: https://twitter.com/raajanemani MarketerHire: Hire great marketers. With pre-vetted talent and expert hand-matching, you can add a proven marketer to your team in less than a week.Bucketfeet/Threadless HIGHLIGHTS: 2:40 - The launch of Bucketfeet9:15 - The biggest takeaways from having great mentors16:03 - On retail vs. Direct To Consumer, and how the metrics are measured differently25:32 - The importance of hiring the right people, and the launch of MarketerHire32:25 - Where companies go wrong in their marketing hires40:34 - Where Raaja sees marketing opportunities today
This episode continues to explore how Raaja uses frameworks from western classical music - particularly harmony. We discuss the form and function of harmony and explore, through varied examples and genres, how Raaja deploys them to create his musical experiences. Topics Covered: What is harmony? What do we mean when we talk about tone, note, and timbre? Using Harmony to set the tonal center, create tension, dissonance, and resolution Examples of the usage in Ilaiyaraaja's music Participants: Deepauk Bala Chidambaram Musical References: Vanthaal Vanthaal (Opening) Mandolin Srinivas: Maha Ganapathim Shenbagame Opening Unna Nenachu (Psycho) Vellai Pura Ondru Vaanaththu Thaaragaiyo (Closing)
This episode begins to pull back the curtain on how Raaja uses his training in Western Classical Music. What do the frameworks he learnt there provide him? How does he employ them in his music? We go western classical in this episode! Topics covered: Melody and its key structural features Why grasp of melodic structure is critical to constructing a countrapuntal texture Contrapuntal theory and use in Ilaiyaraaja's music Instrumentation and the classical guitar What it means to really use classical guitar (Tremolo/Arpeggio/Polyphonic Texture) and manifestations in Ilaiyaraaja songs Participants: Deepauk Bala Chidambaram Video Clippings: Violin Prabhakar Raaja explains Counterpoint Poonthalirada by Rohan Skanda Ilaiyaraaja Musical References: Poonkattinodum prelude Poove Ilaya Poove Poonthaliraada Valaiyosai Mugilo Megamo Poomalaiye Paadavanthathor Nilave Vaa Siriya Paravai Ninaivo oru paravai Vaa Vaa Manjal Malare Devanin Kovil En Kanmani Intha Maan Appa Theme Poove Sempoove Malliga Mottu Manasa Azhagarsamiyin Kuthirai Ennulle Ennulle Unna Nenachu (Psycho) Vetri Vizha Other Musical References: Brandeburg concerto 5
With the macro context set in the first three episodes of the series we shift focus into musical details - specifically Raaja's use of folk music. This episode focuses on Raaja's use of folk rhythms, the forms he employs, and touches briefly upon what Carnatic music provides to a composer like him. Topics covered: The need for analysis beyond personal aesthetic preferences Folk rhythms and their use in everyday life vs. in celebration Formalized folk elements and their impact in Raaja's compositions Santham and the use / placement of lyrics The personality of a Carnatic Raga and what it provides a composer Participants: Deepauk Mahesh Bala Chidambaram Speech Clippings Music academy speech Sundari kannal oru sethi (3:50) Gundello Godari clip ARR Oscar Felicitation Speech Musical References: Chiththirai Sevvaanam Nethiyila Pottu vai Vanthathe kungumam Etham ayya etham Poovil vaNdu kizhakkala suvathu pakkam Aayiram thamarai mottukale Naanoru sinthu Aila Re (for Yelae Nee Yettipo) Ending clip from Naatupurappaattu
Raaja Nemani , a certified Business Ninja, is Co-Founder and Chief Revenue Officer of MarketerHire, a talent marketplace with a mission to make expert marketing accessible to everyone. MarketerHire has scaled rapidly with hundreds of clients from early stage startups to Fortune 100 companies in less than a year and a half. Prior to MarketerHire, he was the Co-Founder and CEO of Bucketfeet, a footwear brand collaborating with a global community of artists to create the most unique shoes in the world. Bucketfeet raised over $20M in venture capital (including from adidas) and sold ~1 million pairs of shoes shoes in 30+ countries, before it was acquired by Threadless in 2017. As a passion project, Raaja co-founded Counterpoint in 2019, a “both-sides” political cartoon newsletter with approximately 200,000 subscribers, written and illustrated by Pulitzer Prize winning cartoonists. He began his career in Private Equity and Investment Banking and he graduated from Northwestern University in 2004. On the personal front, Raaja is an avid traveler, and from 2008-2009 backpacked around the world by himself for a year and a half, traveling to over thirty-five countries on every continent. --- Send in a voice message: https://anchor.fm/andreas-penna/message Support this podcast: https://anchor.fm/andreas-penna/support
Where the entire pod covers only three or four things (not that focus means better or anything) like the new season of Comicstaan Tamil, some crocodiles / alligators and a bit of Christopher Nalan. One of the panelists happened to see the Will I Am - ARR conversation and so, the end credits song is this version of that Raaja song (still the best part of the pod, of course).
Abishek Raaja, Film enthusiast & Journalist. In discussion with our hosts Vijayavarthan and Jayesh on cinema, criticism through a critic's perspective. --- Send in a voice message: https://anchor.fm/butterbiscuit/message
Online reviewer Abhishek Raaja, aka cinemapayyan, talks about his new channel (in collaboration with Potential Studios). What is the vision? What is going to be different from the work he did at Fully Filmy and Behindwoods? What did the "Dark Video" mean? He talks about reaching and audience beyond the click-baiting Ajith/Vijay videos, and reviewing films of industry people he is friends with. What is the difference in the film industry's views about the online space today? He addresses the criticism he got for the Andrea Jeremiah interview, how he found his voice, and what reviews mean to him.
In conversation with Baradwaj Rangan on Mani Ratnam's modern classic, Nayakan (1987).We chat about the landmark film's craft, including Kamal Haasan's departure from star signature for the role of Velu, DoP P. C. Sreeram's groundbreaking work, Raaja's legendary score — and Mani Ratnam, the formalist filmmaker. Rangan shared his experience of watching Nayakan in the theaters at the time of its release, and we discussed the film's legacy, the film's influence on several popular films, as well as influences on Nayakan.I also asked Rangan if we will ever get to watch an out-and-out action movie by Mani Ratnam.Credits:Concept: Himanshu (@loveofcinemasf8)Host: Himanshu Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2020
We like to call this episode "A Brief History of Music." To understand where both music and its listenership stood at the beginning of he 20th century we trace the origins of music - with a specific focus on European and Indian music - across 4 key stages of evolution. We believe this fact base is critical to understand why film music and Raaja have the impact that they do on us today. Also here's Part 1 of this series you might want to check out. Key eras/aspects of music covered: The stone age (musical cue: Dr. Jean-Louis Ringot on the lithophone) Higher Civilizations - primarily the Greek and Indian eras The B.C. to medieval ages of music (musical cues: Gregorian and Rig Veda chants) The classical era of music (musical cues: Handel's Messiah and Raga Behag by Charumathi Raghuraman) Participants: Deepauk Mahesh Bala Chidambaram Related books, links and references: Raaja opening clip: Podhigai Interview with T.V.G Opening Music: Sangeethame from Kovil Pura Closing Music: Uliyin Osai A short history of music by Curt Sachs Shape of Ancient thought by Thomas Mcevilley Bala's blog post on musical history
Happy Birthday Raaja! Today we kickstart a new series on Raaja through which we attempt to construct a framework to approach, understand, and appreciate the phenomenon of Ilaiyaraaja. We dig deeper into his colossal career and try to make sense of how a composer with a classical approach achieved such immense admiration from the mainstream public. Through these discussions we ponder over how his staggering achievements could guide us in creating a better musical culture paving the way for a future where good music and hit music aren't parallel ideas, where classical music can once again attain its peak state as people's music. With such modest ambitions, do we start.... Participants: Deepauk Mahesh Bala Chidambaram Related links: Raaja's interview sections. The Guitar Prasanna article. Bala's blog series on Ilaiyaraaja.
Fabian Geyrhalter talks to Raaja Nemani on this inaugural episode of Hitting The Mark. Raaja is the Co-Founder of Rogue Trading Company (the parent company to Rogue Advising, MarketerHire, and Rogue Brands). Previously, he was the Co-Founder and CEO of Bucketfeet (a D2C, artist-designed footwear brand). Bucketfeet was acquired in 2017 by Threadless. We dive into Raaja's factory-direct platform and discuss how brand strategy has affected his recent company launches as well as when he was scaling the successful footwear marketplace Bucketfeet. Branding went far beyond the image and was tremendously important to Bucketfeets' positioning, sales as well as company culture. Select companies Raaja co-founded that are being discussed in this episode: Rogue Brands Bucketfeet You can connect with Raaja via LinkedIn.
Hafte Bhar Ka Hisab Kitaab Lata Hai RJ Ravi Jab Bhalta Raja Ban Jata Hai Sonam ki Shadi se lekar Supreme Court Ke Orders Tak Sab Suno
It is a short fun hindi story about a king who in his anger gives cruel punishments and one day learns a lesson from his clever secretary. The story is in hindi with english translations to hard words in between. Find more at Prachi Gangwal
Raaja Nemani is a Co-Founder and CEO of Bucketfeet, a footwear startup that collaborates with a global community of artists to design limited-edition shoes. The idea began in Argentina when Aaron Firestein gave Raaja a pair of hand-designed canvas sneakers inspired by the city blocks of Buenos Aires. On the rest of Raaja's journey, these unique looking shoes sparked non-stop conversations across six continents with people of all races, religions, genders, and cultures. Upon returning home, he decided to start Bucketfeet with Aaron. In This Episode You Will Learn: The founding story What the first shoes looked like Where the name Bucketfeet comes from How they sold their first shoes How a party at Brian Splay's house jump started sales Why Bucketfeet walked away from a Nordstrom deal What is next for Bucketfeet Selected Links From The Episode: Aaron Firestein, Co-Founder of Bucketfeet Brian Spaly, Co-Founder of Bonobos and Trunk Club Context Media Luxury Garage Sale Threadless Favorite Book: The Road to Character by David Brooks
Julia Fisher talks to Raaja Grimberg at the YMCA in West Jerusalem. She was born into an Arab family living in the north of Israel. As Raaja was growing up, her parents, who are Christians, were very involved leading an organisation called Kings Kids which brings Arab and Jewish children together in a spirit of reconciliation. And so it was against this back drop that Raaja developed her thinking as she explains. Our aim is to build bridges... To build bridges of understanding and support, in a spirit of reconciliation, between believers (both Jewish and Arab) in the Holy Land (Israel and the Palestinian Areas) and Christians worldwide. olivetreefund.org