Podcast appearances and mentions of saul friedl

In this episode we're shaking things up with Bookshelf Roulette! No pre-planned selections—just pure randomness. Using a random number generator, we each pick a few books from our shelves and dive into spontaneous discussions. Did we read them? Do we love them? Do we remember them? From forgotten gems to books we've been meaning to get to, we explore what's lurking in the corners of our collections. Tune in for some unexpected literary discoveries, personal stories, and maybe even a few surprises as we take a fresh, unplanned look at what's on our shelves.What surprises are hiding on your bookshelf? Join in the fun—pull out a random book, whether you follow our rules or come up with your own way to pick, and share what you find with us! From forgotten classics to books you've been meaning to read, we'd love to hear about the unexpected gems in your collection.We've got some fantastic author-focused episodes lined up for the foreseeable future, and we want to give you plenty of time to dive in if you'd like to read along with us. These episodes come around every ten episodes, and with our bi-weekly release schedule, you'll have a few months to get ready for each. Here's what we have in store:* Episode 115: Kazuo Ishiguro* Episode 125: Flannery O'Connor* Episode 135: William Faulkner* Episode 145: Elizabeth Taylor* Episode 155: Naguib MahfouzThere's no rush—take your time, and grab a book (or two, or three) so you're prepared for these as they come!Join the Mookse and the Gripes on DiscordWant to share your thoughts on these upcoming authors or anything else we're discussing? Join us over on Discord! It's the perfect place to dive deeper into the conversation—whether you're reading along with our author-focused episodes or just want to chat about the books that are on your mind.We're also gearing up for our second novella book club, where we'll be reading Giovanni's Room by James Baldwin at the start of July. It's a fantastic book, and we'd love to have you join the discussion. It's a great space to engage with fellow listeners, share your insights, and discover new perspectives on the books you're reading.ShownotesBooks* Lesser Ruins, by Mark Haber* Your Absence Is Darkness, by Jón Kalman Stefánsson, translated by Philip Roughton* Three Summers, by Margarita Liberaki, translated by Karen Van Dyck* Great Granny Webster, by Caroline Blackwood* The Short Stories of Elizabeth Hardwick* Giovanni's Room, by James Baldwin* Gould's Book of Fish, by Richard Flanagan* Question 7, by Richard Flanagan* Quartet in Autumn, by Barbara Pym* Hopscotch, by Julio Cortázar, translated by Gregory Rabassa* The Nose and Other Stories, by Nikolai Gogol, translated by Susanne Fuso* Dead Souls, by Nikolai Gogol* A Swim in the Pond in the Rain: In Which Four Russians Give a Masterclass on Writing, Reading, and Life, by George Saunders* The Namesake, by Jhumpa Lahiri* The Master and Margarita, by Mikhail Bulgakov* First Love, by Ivan Turgenev* The Forgery, by Ave Barrera, translated by Ellen Jones and Robin Myers* Cautery, by Lucía Lijtmaer, translated by Maureen Shaughnessy* On Earth as It Is Beneath, by Ana Paula Maia, translated by Padma Viswanathan* Chilco, by Daniela Catrileo, translated by Jacob Edelstein* The World We Saw Burning, by Renato Cisneros, translated by Fionn Petch* The Oppermanns, by Lion Feuchtwanger, translated by James Cleugh* The Aesthetics of Resistance, by Peter Weiss, translated by Joachim Neugroschel* Hotel du Lac, by Anita Brookner* A Start in Life, by Anita Brookner* Providence, by Anita Brookner* Look at Me, by Anita Brookner* Proustian Uncertainty: On Reading and Rereading In Search of Lost Time, by Saul Friedländer* Paintings in Proust: A Visual Companion to In Search of Lost Time, by Eric Karpeles* Monsieur Proust, by Céleste Albaret, translated by Barbara Bray* Lost Time: Lectures on Proust in a Soviet Prison Camp, by Józef Czapski, translated by Eric Karpeles* Strike Your Heart, by Amélie Nothomb, translated by Alison Anderson* Pétronille, by Amélie Nothomb, translated by Alison Anderson* Life Form, by Amélie Nothomb, translated by Alison Anderson* The Neapolitan Quartet, by Elena Ferrante, translated by Ann Goldstein* H Is for Hawk, by Helen Macdonald* Vesper Flights, by Helen Macdonald* Is a River Alive?, by Robert MacfarlaneOther* The Eclipse Viewer PodcastThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

Eglau, Victoria www.deutschlandfunk.de, Andruck - Das Magazin für Politische Literatur

Der israelische Historiker, einer der wichtigsten Holocaust-Forscher unserer Zeit, schildert die Situation in Israel nach dem Massaker der Hamas am 7. Oktober 2023 - ein Rezensionsgespräch über dieses Zeitdokument (C.H. Beck) / Alexander Schimmelbusch und sein Roman "Karma" (Rowohlt) / "Unten auf der Piazza" - ein großer Roman der italienischen Schriftstellerin Dolores Prato ist erstmals in deutscher Übersetzung erschienen (Hanser) / "Kalte Füße" - Francesca Melandris Roman gibt es ab dieser Woche als Hörbuch-Podcast, gelesen von Nina Kunzendorf, in der ARD-Audiothek / Das literarische Rätsel

Mit einem großen Fest wollten die Israelis heute vor einem Jahr den letzten ihrer jüdischen Feiertage, Simchat Tora, feiern. Nach Rosch Haschana, dem Neujahrsfest, und Jom Kippur, dem Versöhnungstag. Aber es kam anders, wie wir heute wissen. In den frühen Morgenstunden des 7. Oktober 2023 begann der terroristische Angriff der Hamas auf Israel: mit Raketenbeschuss, Überschreiten der Sperranlagen, einem Massaker auf ein Musikfestival im Süden Israels und zahlreichen Verschleppungen und Folter. Der renommierte Historiker und Pulitzer-Preisträger Saul Friedländer, zu diesem Zeitpunkt 90 Jahre alt, wollte nach seinen zahlreichen Bestsellern eigentlich kein neues Buch mehr über Israel schreiben. Nach den Ereignissen dieses Tages nahm er jedoch Stift und Zettel wieder zur Hand und dokumentierte. In dieser Woche, am 10. Oktober, erscheinen seine Aufzeichnungen: “Israel im Krieg. Ein Tagebuch”. Frank Dietschreit hat es gelesen.

Le billet d'humeur d'Annette Levy-Willard. 

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims' provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies.  Featuring a range of contemporary research from emerging scholars in the field, New Microhistorical Approaches to an Integrated History of the Holocaust (de Gruyter, 2023) provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims' provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies.  Featuring a range of contemporary research from emerging scholars in the field, New Microhistorical Approaches to an Integrated History of the Holocaust (de Gruyter, 2023) provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims' provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies.  Featuring a range of contemporary research from emerging scholars in the field, New Microhistorical Approaches to an Integrated History of the Holocaust (de Gruyter, 2023) provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims' provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies.  Featuring a range of contemporary research from emerging scholars in the field, New Microhistorical Approaches to an Integrated History of the Holocaust (de Gruyter, 2023) provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims' provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies.  Featuring a range of contemporary research from emerging scholars in the field, New Microhistorical Approaches to an Integrated History of the Holocaust (de Gruyter, 2023) provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims' provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies.  Featuring a range of contemporary research from emerging scholars in the field, New Microhistorical Approaches to an Integrated History of the Holocaust (de Gruyter, 2023) provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Der Tag des Boykotts ist da. Wie lief die Aktion am 1. April 1933 ab? Wie haben die deutschen Jüdinnen und Juden diesen Gewaltakt erlebt? Wie reagierten die nichtjüdischen Deutschen und die Presse? Kontakt: deutschland33.45pod@gmail.com X: @deutsch33_45pod Instagram: @deutschland33_45pod Blog: https://deutschland3345.podcaster.de/ Patreon: https://patreon.com/user?u=45155460 Ausgewählte Literatur: Sebastian Haffner: Geschichte eines Deutschen, Manuskript 1939, postum veröffentlicht 2000. Wolfgang Benz: Deutsche Juden im 20. Jahrhundert, München 2011. Saul Friedländer / Orna Kenan: Das Dritte Reich und die Juden. 1933-1945, Bonn 2010 (bpb-Lizenzausgabe). Peter Longerich: "Davon haben wir nichts gewusst!". Die Deutschen und die Judenverfolgung 1933-1945, München 2006. Willy Cohn: Kein Recht, nirgends. Tagebuch vom Untergang des Breslauer Judentums 1933-1941, Band 1: 1933-1938, Weimar 2006. Victor Klemperer: Das Tagebuch 1933-1945. Eine Auswahl für junge Leser, Berlin 1997. Ian Kershaw: Hitler Richard Evans: Das Dritte Reich. Bd. 1: Aufstieg

"ich wusste nur, dass sie verhaftet worden waren" - der bedeutende Historiker und Holocaust-Forscher erzählt aus seinem Leben. Lesung mit Christian Baumann

Er gilt als der "Chronist des Holocaust": Saul Friedländer. Mit "Das Dritte Reich und die Juden" hat er eines der grundlegenden Werke über die Schoa vorgelegt. Zu seinem 90. Geburtstag am 11. Oktober wiederholen wir ein Gespräch mit ihm aus dem Jahr 2012. Moderation: Martin Wagner

Volk, Rainerwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Als "feinster Kopf unter den zeitgenössischen Historikern" wurde Saul Friedländer einmal bezeichnet. Für seine Arbeiten über die Verfolgung und Vernichtung der Juden Europas erhielt der Autor zahlreiche renommierte Auszeichnungen. In seinem Hauptwerk "Das Dritte Reich und die Juden" schildert er die historischen Ereignisse anhand zahlreicher Quellen aus der Perspektive aller Beteiligten. Dafür erhielt er 2008 den Pulitzerpreis und 2007 Friedenspreis des Deutschen Buchhandels. Er gebe "den Ermordeten ihre Stimme zurück - und damit die ihnen geraubte Würde", hieß es damals in der Begründung der Jury. Der Historiker wird am 11. Oktober 90 Jahre alt. hr2 gratuliert mit der Wiederholung eines Doppelkopfgespräches aus dem Jahr 2007. (Wdh. vom 24.01.2007)

Wie singulär war der Holocaust in der Geschichte? Lässt er sich mit Genoziden des Kolonialismus vergleichen? Dieser Frage geht die bei C.H. Beck erschienene Essaysammlung „Ein Verbrechen ohne Namen“ nach. Rezension von Jochen Rack. C.H. Beck, 94 Seiten, 12 Euro ISBN 978-3-40678-449-1

Langels, Ottowww.deutschlandfunk.de, Andruck - Das Magazin für Politische LiteraturDirekter Link zur Audiodatei

Zum 150. Geburtstag von Marcel Proust legt der renommierte Holocaust-Historiker Saul Friedländer sein höchstpersönliches "Close Reading" von dessen Hauptwerk vor: Auf der Suche nach den Widersprüchen in "Auf der Suche nach der verlorenen Zeit" lautet die Devise des Bandes, der eine Fülle interessanter Beobachtungen bietet. Rezension von Wolfgang Schneider. C. H. Beck Verlag, 210 Seiten, 22 Euro ISBN 978-3-406-75511-8

Der französische Romancier Marcel Proust wird allseits geschätzt für sein Romanwerk "Auf der Suche nach der verlorenen Zeit". Was aber sagt es aus über die Identität Prousts als Jude und als Homosexueller? Der israelische Historiker und Holocaust-Überlebende Saul Friedländer geht dieser Spur nach. Von Ruthard Stäblein www.deutschlandfunk.de, Büchermarkt Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Der Holocaust-Historiker Saul Friedländer ist auch ein leidenschaftlicher Leser. Sein Essay zu Proust besticht durch Präzision und literarisches Feingefühl. Eine Rezension von Peter Meisenberg.

Historian Saul Friedländer speaks at the German Bundestag

Podiumsdiskussion mit dem Historiker und Holocaust-Überlebenden Saul Friedländer

Der Historiker und Holocaust-Überlebende Saul Friedländer spricht im Deutschen Bundestag

Podiumsdiskussion mit dem Historiker und Holocaust-Überlebenden Saul Friedländer

Der Historiker und Holocaust-Überlebende Saul Friedländer spricht im Deutschen Bundestag

Historian Saul Friedländer speaks at the German Bundestag

Podiumsdiskussion mit dem Historiker und Holocaust-Überlebenden Saul Friedländer

Historian Saul Friedländer speaks at the German Bundestag

 Pulitzer Prize–winning historian and UCLA Professor Emeritus Saul Friedländer returns to memoir to recount a tale of intellectual coming-of-age on three continents. In Where Memory Leads: My Life, a sequel to Friedländer’s poignant first memoir, Where Memory Comes, published forty years ago and recently reissued with a new introduction from Claire Messud, he bridges the gap between the ordeals of his childhood during the German Occupation of France and his present-day towering reputation in the field of Holocaust studies. Reflecting on the wrenching events that induced him to devote sixteen years of his life to writing his masterpiece, The Years of Extermination: Nazi Germany and the Jews, 1939-1945, Friedländer discusses this book and his life’s work with historian Steven J. Ross.For photos from the program, click here. 

Professor Saul Friedländer delivers a lecture as the inaugural Humanitas Visiting Professor in Historiography. Saul Friedländer has been Professor of History at Tel Aviv University and the University of California, Los Angeles, where he holds the 1939 Club Chair in Holocaust Studies. Among Friedländer's many books on Nazism and the Holocaust, the most recent are Nazi Germany and the Jews: The Years of Persecution, 1933-1939, (HarperCollins 1997) and The Years of Extermination: Nazi Germany and the Jews, 1939-1945 (HarperCollins 2007). Most recently, he received the Peace Prize of the German Book-Trade Association (2007) and, in 2008, the Pulitzer Prize for non-fiction.

A discussion forum on writing Holocaust history with Prof Jane Caplan (St Antony's College, Oxford), Prof Mark Roseman (Indiana University) and Prof Nicholas Stargardt (Magdalen College, Oxford).

Professor Saul Friedländer delivers a lecture as the inaugural Humanitas Visiting Professor in Historiography. Saul Friedländer has been Professor of History at Tel Aviv University and the University of California, Los Angeles, where he holds the 1939 Club Chair in Holocaust Studies. Among Friedländer's many books on Nazism and the Holocaust, the most recent are Nazi Germany and the Jews: The Years of Persecution, 1933-1939, (HarperCollins 1997) and The Years of Extermination: Nazi Germany and the Jews, 1939-1945 (HarperCollins 2007). Most recently, he received the Peace Prize of the German Book-Trade Association (2007) and, in 2008, the Pulitzer Prize for non-fiction.

A discussion forum on writing Holocaust history with Prof Jane Caplan (St Antony's College, Oxford), Prof Mark Roseman (Indiana University) and Prof Nicholas Stargardt (Magdalen College, Oxford).

Victims, survivors, and their descendants transmit the power of moral remainders. This intuition echoes in unison Václav Havel’s 1978 dissident statement from behind the former Iron Curtain and Herebert Marcuse’s appeal to Walter Benjamin’s postsecular faith that the dominance of one-dimensional thinking can be resisted: The moral power of the powerless resides in those without hope and power for whose sake hope is given to us. I wish to meditate on memory and hope as transgenerational moral remainders. Home Page at http://www.public.asu.edu/~mmatusti/index.htm In a book chapter on “Redemption in an Antiredemptory Age” (Radical Evil and the Scarcity of Hope, 2008), I examined two contrary types of museums, the Nazi project in 1942-45 to convert Prague Central Jewish Museum into a pan-European showpiece for the extermination of the Jewish race and Daniel Libeskind’s counter-monumental museums in Berlin and Copenhagen. The Nazi museum project endeavored to rewrite the past through celebrating the annihilating deed. A memorial dedicated to spiritual genocide would actively block hope across future generations. This intangible dimension of genocide is appropriately described by Saul Friedländer’s notion of “redemptive anti-Semitism.” This brand of racial hatred can be characterized as “redemptive” in the contrarian and theologically perverse sense evoked by designing a museum dedicated to an anti-resurrection (or inverse redemptive beliefs that would serve the annihilation of the future. In this presentation, I will consider two sets of counter-factual yet real life difficulties that illustrate, one, the dynamic of a conscience which forgives itself without shame and, two, the fabrication of historical evidence against future forgiveness. The first set of difficulties arises in “The Conscience Of Nhem En” (Okazaki 2008), the story of a photographer who at 16 recorded faces of prisoners who came through Tuol Sleng Prison during the reign of Khmer Rouge. The second set of difficulties steps out of the frame of the documentary montage, “A Film Unfinished” (2010), called by the Nazis “The Ghetto,” that the propagandist filmmakers shot and cut in 1942 as their testimony about Jewish life in Warsaw. The Nazi Ghetto film and the Prague Jewish museum project (1942-45) represent inverted uses of cultural studies and critical theory that are deployed to manipulate memory and the future. The desire to take the holy out of the holy while retaining shells of the holy mark the most overt strategies of spiritual or “redemptive” hatred. The complaint against critical theory that dominates some 1,500 pages of the recent Norwegian manifesto of Anders Breivik should be addressed to these abuses of memory and culture; indeed, that text’s collage of moral and pious verbiage is underwritten by the rhetoric of hate. In my conclusion, I will pose for a moment of silence at the postmemorials that blush whenever futures forget moral remainders. Un/forgiving memory and counter/redemptive hope practice mindfulness against human temptations to underwrite heavens and last judgments with a theodicy. The Conscience of Nhem En (2008) & A Film Unfinished (2010) will be shown in conjunction with Matuštík’s Monday seminar on Memory and this symposium presentation

Historiens värsta trauma, så benämns ofta Förintelsen. Hur ska minnet av Förintelsen bevaras när dess offer dör ut? Och hur präglar Förintelsen staten Israels självbild? Förintelsen är över och vi måste resa oss ur askan. Så lyder den uppmanande titeln på den israeliske författaren och före detta politikern Avraham Burgs bok. Boken väckte stor debatt i Israel när den kom ut år 2007 och nu finns den också på svenska. Han beskskriver hur förhållandet till Förintelsen skapat en belägringsmentalitet i landet där man ser sig omringade av fiender och fortfarande hatat av alla. Sharon Jåma har träffat Avraham Burg i Tel Aviv. Dessutom möter vi historikern Saul Friedländer, som själv överlevde Förintelsen genom att han gömdes undan i Frankrike. Han har utbildat sig i Israel och är numera verksam vid UCLA i Kalifornien. Friedländers stora produktion innefattar bland annat verket Tredje riket och judarna vars andra del, Utrotningens år 1939-1945 nu kommit på svenska. I böckerna gör han en grundlig dokumentation av händelseutvecklingen före och under andra världskriget och kartlägger genom bland annat dagböcker, dokument och brev skrivna av både offer och förövare hur Förintelsen var möjlig. Anneli Dufva har träffat honom i Stockholm. Dessutom letar Gunnar Bolin i sitt filmminne och upptäcker hur TV-serien Holocaust från 1978 banade vägen för en hel Förintelsengenre på spelfilm. Och så talar Cecilia Blomberg med konstnären Esther Shalev-Gerz, själv uppvuxen i Israel, om ett av de verk hon gjort med utgångspunkt i Förintelsen. Hennes konst kretsar ofta kring minnet av det förflutna och hur det kan användas för att utforma nya sätt att förhålla sig till nuet och det kommande. Programledare: Anneli Dufva Producent: Marie Liljedahl