Podcasts about soulseek

This week Jeremy interviews Bo Lueders of Harm's Way and Hardlore Podcast. On this episode Jeremy and Bo talk Chicagoland, Kid Rock, Tower Records, NOFX, the straight edge, youth large shirts, Soulseek, meeting James from Harm's Way, making their record "Isolation",  quality of tour progression, bonding moments with the band Rise & Fall, the Hardlore Podcast, and so much more! SUBSCRIBE TO THE PATREON for a bonus episode where Bo answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER

What is Post-Third Wave you ask? Why it's a subgenre coined by Checkered Rob of course! It's a regional Ska-Punk boom that existed between 1999 and 2005 after the death of mainstream Ska and before the advent of the true Dark Ages. It consisted of bands that were in high school or college, made rough studio recordings and were highly influenced by the Reel Big Fish, Less Than Jake and the Bosstones. This primer is for those that remember the days of Winamp, Limewire, Myspace, Soulseek, Turn Up the Ska Radio and the mammoth Still Standing Compilation.Hosts: Celine, Rob and JoeyEngineer: JoeyEditor: JoeySkassociate Producer: Chris Reeves of Ska Punk InternationalMerch: www.checkeredpast.ca/merchPatreon: www.patreon.com/checkeredpast

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Why you should learn a musical instrument, published by cata on May 16, 2024 on LessWrong. I have liked music very much since I was a teenager. I spent many hours late at night in Soulseek chat rooms talking about and sharing music with my online friends. So, I tend to just have some music floating around in my head on any given day. But, I never learned to play any instrument, or use any digital audio software. It just didn't catch my interest. My wife learned to play piano as a kid, so we happen to have a keyboard sitting around in our apartment. One day I was bored so I decided to just see whether I could figure out how to play some random song that I was thinking about right then. I found I was easily able to reconstitute a piano version of whatever melody I was thinking of, just by brute-forcing which notes were which, given a lot of patience. So that was satisfying enough that I wanted to keep doing it. What I didn't know is how immediately thought-provoking it would be to learn even the most basic things about playing music. Maybe it's like learning to program, if you used a computer all the time but you never had one thought about how it might work. Many of the things I learned immediately that surprised me were about my perception of the music I had listened to for all of my life. In my mind, my subjective experience of remembering music that I am very familiar with seems very vivid. I feel like I can imagine all the instruments and imagine all the sounds, just like they were in the song. But once I had to reconstruct the music myself, it quickly became clear that I was tricking myself in a variety of ways. For example, my memory of the main melody would be very clear. But my memory of any harmony or accompaniment was typically totally vague. I absolutely could not reconstruct something to play with my left hand on the piano, because I wasn't actually remembering it; I was just remembering something more abstract, I guess. Sometimes I would be convinced I would remember a melody and reproduce it on the keyboard, but then I would listen to the real song and be surprised. The most common way I got surprised was that in my memory, I had adjusted it so that I could physically sing or hum it, even though I don't often sing. If there was a big jump up or down the scale, I would do something in my memory that sounded sort of OK instead, like replace it with a repeated note, or the same thing moved an octave, and then forget that it had ever been any other way. I found that if I was remembering something that had fast playing, I often actually could not remember the specific notes in between beats, even though I felt that I could hear it in my head. No matter how hard I "focused" on my memory I couldn't get more detail. Actually, I found that there was some speed such that even listening to the music, I could no longer resolve the individual notes, no matter how hard I paid attention or how many times I replayed it. There have been many more kinds of things I have learned since learning to play a little: Since playing music on a keyboard is a complicated physical task involving complicated coordination, I learned a lot about what both of my hands are naturally good and bad at, and what sort of things they can coordinate easily or poorly.[1] Learning the musical structure of songs that I know and trying to arrange them for piano showed me all kinds of self-similarity and patterns inside the songs that I had never had a clue about before. I could listen to a song hundreds of times and not realize, for example, that two parts of the song were the same phrase being played on two different instruments in a very slightly different way. Often I will be trying to learn to play something using one "technique" for learning and practicing it, and having a hard time, and then I...

Link to original articleWelcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Why you should learn a musical instrument, published by cata on May 16, 2024 on LessWrong. I have liked music very much since I was a teenager. I spent many hours late at night in Soulseek chat rooms talking about and sharing music with my online friends. So, I tend to just have some music floating around in my head on any given day. But, I never learned to play any instrument, or use any digital audio software. It just didn't catch my interest. My wife learned to play piano as a kid, so we happen to have a keyboard sitting around in our apartment. One day I was bored so I decided to just see whether I could figure out how to play some random song that I was thinking about right then. I found I was easily able to reconstitute a piano version of whatever melody I was thinking of, just by brute-forcing which notes were which, given a lot of patience. So that was satisfying enough that I wanted to keep doing it. What I didn't know is how immediately thought-provoking it would be to learn even the most basic things about playing music. Maybe it's like learning to program, if you used a computer all the time but you never had one thought about how it might work. Many of the things I learned immediately that surprised me were about my perception of the music I had listened to for all of my life. In my mind, my subjective experience of remembering music that I am very familiar with seems very vivid. I feel like I can imagine all the instruments and imagine all the sounds, just like they were in the song. But once I had to reconstruct the music myself, it quickly became clear that I was tricking myself in a variety of ways. For example, my memory of the main melody would be very clear. But my memory of any harmony or accompaniment was typically totally vague. I absolutely could not reconstruct something to play with my left hand on the piano, because I wasn't actually remembering it; I was just remembering something more abstract, I guess. Sometimes I would be convinced I would remember a melody and reproduce it on the keyboard, but then I would listen to the real song and be surprised. The most common way I got surprised was that in my memory, I had adjusted it so that I could physically sing or hum it, even though I don't often sing. If there was a big jump up or down the scale, I would do something in my memory that sounded sort of OK instead, like replace it with a repeated note, or the same thing moved an octave, and then forget that it had ever been any other way. I found that if I was remembering something that had fast playing, I often actually could not remember the specific notes in between beats, even though I felt that I could hear it in my head. No matter how hard I "focused" on my memory I couldn't get more detail. Actually, I found that there was some speed such that even listening to the music, I could no longer resolve the individual notes, no matter how hard I paid attention or how many times I replayed it. There have been many more kinds of things I have learned since learning to play a little: Since playing music on a keyboard is a complicated physical task involving complicated coordination, I learned a lot about what both of my hands are naturally good and bad at, and what sort of things they can coordinate easily or poorly.[1] Learning the musical structure of songs that I know and trying to arrange them for piano showed me all kinds of self-similarity and patterns inside the songs that I had never had a clue about before. I could listen to a song hundreds of times and not realize, for example, that two parts of the song were the same phrase being played on two different instruments in a very slightly different way. Often I will be trying to learn to play something using one "technique" for learning and practicing it, and having a hard time, and then I...

On this week's episode, the guys discuss Soulseek trolling, erectile dysfunction, and alien documentaries.

We're giving out anime recommendations for the newcomer and the desensitized weirdo in this episode of answering Patreon patron questions. Bonus points if you can guess which host used Napster, Soulseek, or Limewire! RADWIMPS North American Tour Dates/Tickets Find us on Spotify, Apple Podcasts, or by visiting any of these links below. Website: https://otakuhostclub.com Discord: https://discord.gg/qhcvn3e Patreon: https://www.patreon.com/otakuhostclub https://linktr.ee/otakuhostclub #otakuhostclub #otakuhostclubpodcast #ohc #anime #animediscussion #animereivew #animepodcast #myhomehero #ghostintheshell #gots #animebrotherspodcast #japanesehardcore #vinlandsaga #miyazaki #ghibli #spiritedaway #yourname #psychopass #killlakill #mushishi #summetimerender #madeinabyss #samuraichamploo #bocchi #bocchitherock #kaiba #FLCL #naruto #luckystar #orimo #monogatari #cowboybebop #technolyze #patreon #kaiji #kaijiultimatesurvivor #nge --- Support this podcast: https://podcasters.spotify.com/pod/show/the-otaku-host-club/support

Escape with your part-time friends Gemini, Brian, Burrito, and Arthur as they discuss “pumping”, a parking lot staredown, calling dibs at a long pig feast, downloading music, a mystery lottery winner, harem anime, odd news, Nippon news, and what The Burrito Bandito had for lunch. Double X Quantimino Pump Us Versus Youts, a Target parking lot staredown A Long Pig Feast - Which piece(s) are you calling dibs? Napster, Morpheus, Kazaa, Soulseek, et al: the pirated music downloaded services that left us with different impressions of albums that shaped us Wishful thinking - lottery winnings windfall and how it would affect you - commentary on news story: Mystery lottery winner in cartoon costume: Chinese man who won US$30.6 million jackpot keeps windfall secret so family won't become conceited “A man in southern China who won just under 220 million yuan (US$30.6 million) in the lottery said he had not told his wife and child because he was worried the money could make them arrogant and lazy.” Harem This Is The Newz NASCAR racer stuns crowd, uses video game-inspired technique to qualify for championship 1959 Chevy Corvette Seized by Police Returned to Owner After 5 Years With $28K in Damage We're naming our baby after a restaurant chain - people say he'll be bullied Ex-Heavyweight Boxer Charged After $1B Cocaine Haul Seized Scientists Finally Learned More About the Clitoris Food that looks like family: Michigan mom makes hilarious meatloaf resembling her son 484 pounds of bologna and 285 pounds of cheese seized at the Texas border, feds say Convicted USF medical services accountant claims nearly half of stolen $12.8M went to ‘webcam' girlfriend Coal spills along Kansas highway after semi rollover Burrrito's Nippon Newz Personal information of everyone in Amagasaki City lost by person who passed out drunk on street Ruling reached in lawsuit between 7-Eleven Japan, rogue owner who didn't stay open 24 hours a day Burger King Japan offering all-you-can-eat quadruple cheeseburgers What The Burrito Bandito Had For Lunch Deepfake Sponsors: Julio Tejas, Booba Gettz The Crazy One, Thicccum Farmz Slam City Radio 24/7 x https://slamcity.co/scr247/

Chewing Gum for the Ears Show Notes - Show 28 Steve Litchfield and Ted Salmon Join Us at MeWe Chewing Gum for the Ears - Steve - Ted We chat about Ted's hobby of digitising old LPs, the irony (sometimes, and the pleasures... Thanks Links Amazon Steve - Amazon Ted - PayPal Me Ted - PayPal Steve Links of Interest PodHubUK - Steve on Twitter - Ted on Twitter - Ted on Mastodon - Steve on Mastodon - MeWe PSC Group - PSC Photos - PSC Videos - PSC Classifieds - WhateverWorks - Camera Creations - TechAddictsUK - The TechBox - Chewing Gum for the Ears - Projector Room - Coffee Time - Ted's Salmagundi - Steve's Rants'n'Raves - Steve's YouTube Shorts

This week we have Chris Cote, the bassist of Kut U Up, star of Riding In Vans With Boys, and SoCal legend on to talk about Shellac's debut At Action Park. We chat about smart financial decisions, Encinitas hot spots, Cardiff Crack, waves and babes, The Shins scene report, local indie artist Bruce Springsteen, how we got here, Kut U Up's origin story, opening for Weezer for your first show, relearning old songs, The Pop Disaster Tour, guitar tabs, finding new music in skate videos, film photographer influencers, unboxing records, ANGULAR GUITARS, Dave Leto on my couch, Soulseek in 2022, real squirrels, anxious sweating, and Lil Bub's posthumous record. // Follow us at @danbassini, @mysprocalledlife, @chriscote and @runintotheground. Listen to our RITG Mixtape Vol. 7 here and our Best of RITG playlist here.

DBL#24 '90s HARDCORE MIXTAPE side A' - PETE vs PEET (Narcosis, Hard to Swallow, Red Right Hand, Underclass, Burst of Silence). This episode is a slighly different one in that it's half conversation and half music. The focus being on the type of 90s U.S. hardcore that we both loved so much. It was a nice way for both of us to find a common bond and also talk about the bands he did vocals in like NARCOSIS, HARD TO SWALLOW, RED RIGHT HAND, UNDERCLASS, BURST OF SILENCE etc. Some big names weren't included but it goes without saying no 45 minutes would be complete if it didn't include the essentials like LOS CRUDOS, DROPDEAD or BORN AGAINST. There will be a follow on episode dedicated to 90s Euro hardcore which is equally as important but less talked about nowadays. You can most likely find any of these bands on Discogs or YouTube, Soulseek file sharing or via bandcamp in some cases... all of the original physical releases are worth picking up if you find anything interesting? Tracks played here: MEN'S RECOVERY PROJECT normal man HAIL MARY crashing down CITIZENS ARREST through the mist MAN IS THE BASTARD snake apartment RORSCHACH brainhandle ASSFACTOR 4 I reckon IN/HUMANITY let there never be another song ever wrote (sic) HEROIN moving parts MOHINDER the mission UOA painfully obvious CLIKITAT IKATOWI the feeding of the birds SWING KIDS intro to photography SIDE CONCLUDES in DBL#24.5 @destroybeforelistening

On ne présente plus Mehdi Maïzi, le A$AP Nagui de Rap Jeu, qui a aiguisé son expertise du hip-hop au travers d'une foule de projets tous aussi brillants les uns que les autres, des chroniques de l'abcdr du Son aux interviews du Code pour Apple Music, en passant par La Sauce sur OKLM radio ou NoFun chez Binge Audio. Rien que ça. Et quand on lui a demandé quel était son disque "Game Changer", cet académicien des lettres scandées a convoqué sans détour le classique de Doc Gynéco, Première Consultation, moins pour disséquer les qualités de ce grand album aux sonorités G-Funk que pour aborder les difficultés du temps qui passe, la fuite de l'enfance et les traces parfois émues du passé. Mais surtout, Mehdi nous a rappelé que le rap était un sport, avec ses exigences, ses équipes et ses alliances, comme ses stades et ses terrains de références.  En plus de citer ainsi quelques blazes importants des anciennes et nouvelles écoles, ou ceux de certains utilisateurs de Soulseek, on a également parlé de presse spécialisée, de culture-concert, d'un besoin d'effort critique, et de bien d'autres choses que le rap.  Bonne écoute les goûteurs. Animation : Jeff Lemaire & Amaury Rauter Visuel : Gwen Pitseys Habillage : Nico Grombeer Mehdi Maïzi : youtube / twitter  / instagram Goûte mes disques : facebook  / twitter / instagram Ah oui, et pour nous soutenir : cliquez sur le mot amour.Réalisé avec le soutien de la Fédération Wallonie-Bruxelles.www.goutemesdisques.com

To help continue the much-needed support for the people of Ukraine, we have produced a compilation from one of our favorite Ukrainian-based netlabels, Energostatic Records. Released as part of our Portals deep dive series, the feature includes a remaster of specifically curated tracks, in both individual and mix form. These tracks are available on the ASIP Bandcamp page as Name Your Price, with all proceeds going to Save The Children and their specific activities supporting Ukraine at this time. A big thank you to label owner Marian for allowing this project to happen as he deals with life in Kyiv right now, the artists for their participation, and Rafael Anton Irisarri for kindly providing his mastering services. Also, an advanced thank you to all those who listen and support at this very important time. ~‘Netlabels' are essentially extinct in today's music landscape by definition. Of course, there are still labels that just focus on digital releases, but Netlabels came about during a time when there were little to no platforms monetizing digital releases. Digital distributors were reserved for big or established labels as the streaming era ramped up. And Bandcamp didn't exist. Netlabels were the next logical step after the file-sharing era (Soulseek et al), where instead of P2P servers and software, artists and label began to push their own agendas online, making files available freely on the internet, often under a Creative Commons license and many through a myriad of MP3 blogs that powered this exciting period. It was also, somewhere at this point in time, coincidentally, that the very first iteration of ASIP was also born, diving deep into MP3 blogs and following various Netlabels religiously. Finding a Netlabel's basic website or archive.org page was the Bandcamp profile of its day. Energostatic was pretty late to the ‘Netlabel game'. Their first release didn't arrive until 2010 when many Netlabels were either fizzing out already or converting to more modern release methods. But Energostatic's ethos and approach to providing music against a strict aesthetic, for free, made them a torchbearer for the dying art of sharing music online through small yet beloved corners of the internet. As ASIP began in 2008, Energostatic was one of the many Netlabels I followed, and as curators of dub techno in various forms, they operated within another small yet burgeoning scene it seems, given dub-techno as a genre also seems to have dwindled in popularity in recent years. The writing was perhaps, on the cards for Energostatic, as Marian ceased operations of the label in 2017. But with 49 releases, there was (and still is) a big chunk of music to dig into, which for anybody new to the label, could become a little overwhelming to discover, especially since that number includes several compilations with 20+ tracks each, and many of the artists don't seem to be very active anymore. To help support the people of Ukraine during this time in a small way, I reached out to label founder Marian to see if he would like to raise money through a compilation that spotlighted some of my favorite music from the label's era. Marian had previously released as part of our early Places Series, as Marc Atmost, where he created a track based on some of his early memories in Ukraine (an unsettling and poignant listen under today's circumstances). Today, Marian is on the ground in Kyiv, doing what he can to survive and support his community.The majority of the Energostatic catalog is still available for free on Bandcamp, should you wish to explore it yourself. Ranging from Space Ambient to drone; dub-techno and DnB; it became a bittersweet task to sift through the hundreds of tracks and pull together this compilation for a good cause. With the owner and label based in Ukraine (if Netlabels were to even have a ‘base' of course), the majority of the artists on the label were friends of Marian, so a good majority were Ukraine and Russia-based and a part of local music scenes in each country. The compilation begins with one of the most gentle tracks you will find across the entire Energostatic catalog. Russian artist KaLGaN made a few appearances over the years, but was better known for his work as 110ml - responsible for the very first artist release on the label (Scratch me / Scratch you) and also included further on in the compilation with his 110ml track, Lights In Window. Stellardrone (Lithuania), is one of the more well-known artists to be supported by Energostatic, and even made an appearance on the ASIP Full Circle compilation/LP a few years back, highlighting his importance in the evolution of my own musical journey. Edgaras' music has always remained free on the internet and encaptures some of the finest Space ambient music in recent years. The piece included in the compilation, ‘Light Years' is perhaps one of his darker, more sincere pieces amongst a stand-out catalog which has unfortunately not seen much activity in recent years Textural Being (USA) (see isolatedmix29 also) is another artist who I have admired for a long time, and related to the above compilation was in my shortlist for inclusion on Full Circle. The track I had in mind at the time, however, didn't quite fit the rest of the compilation. Serendipitously, Sept is my all-time favorite track by Sage Taylor / Textural Being, (amongst yet another expansive artist output) so it feels great to present this to a wider audience today. Marc Atmost (Ukraine), as mentioned above, is the founder of Energostatic, and appears consistently across the label over the years through various guises and musical styles ranging from straight-up dub techno to DnB. This track, Deity is one of my favorites from his consistent output, capturing the very essence of spacious, melodic dub techno. Olexa, (Ukraine) was a less prolific artist over the years with just one EP and several compilation appearances on Energostatic, but captured the deep dub techno sound aesthetic of the label to perfection. Gapfield (USA), is a project from US-based Devin Underwood and Jacob Newman. Devin creates some amazing music across a variety of styles and aliases (such as Drexon Field - another fun project I love) and has made several appearances on the Energostatic label, most notably with a solid, straight-up dub-techno album as Specta Ciera (see isolatedmix19). Between Devin and Jacob, they can be found on some amazing ambient labels over the years, such as Carpe Sonum, Neotantra, dataObscura and Bludhoney Records. Their Gapfield project, is definitely one that may have flown under the radar amongst their solid output. Technicolour's (UK) ‘Permafrost', has always been a stand-out track for me on Energostatic and his only appearance on the label. I included it in many of my DJ mixes years ago, and it broke the mold in the label's beginnings with its Autonomic sound and rampant amen breaks, whilst remaining true to the deep and introspective atmosphere the label ended up pushing. But it wasn't until seeking permission to include this track did I come to realize that Technicolour, aka Peter Rogers, was in fact, Wardown, who released one of my favorite Drum'n bass albums of 2020 on Blu Mar Ten's label. Permafrost could be the apex of compilation, but the journey needed a minute to breathe after that kind of energy, which is where Ayqix's (Argentina) Raymi (Coldest Version) came into play. The Buenos Aires musician provides an airy respite towards the end of the compilation before the energetic finale, very much reminiscent of the early minimal techno days of Traum Schallplatten. Closing out the compilation, Enformig, was a Ukrainian Techno producer based in Kharkov who unfortunately died in 2019. His appearances on the label were always met with such high praise and support on social media from Marc, especially for his hardware-driven live sets. This track is perhaps, one of his finest moments from the Energostatic catalog and provides a momentous, energetic and liberating closing chapter to the compilation. Energostatic's label motto was "Reach, resist, research”. Label owner Marian didn't have the time or capacity to answer any of my questions related to its meaning on top of his urgent life on the ground in Kyiv, but I couldn't help relate this motto to a higher meaning and reminder as I thought about his and many other people's lives in Ukraine. Thank you for reading, listening and reflecting. Support the compilation on Bandcamp with all proceeds going to Save The Children and their Ukraine efforts. Portals: Energostatic (For Ukraine) by A Strangely Isolated Place~Podcast link.

This week on Radio Tuaz is all about sunset vibes and late night vibes with Soulseek and Phat Jazz!!! Stay tuned because next week is our 50TH EPISODE!!! 

Episode 068 - This week Len & Gary are joined by longtime friend and pro wrestler Steve Huey. These three amigos ramble in many different directions (as you would expect from The Upgrade)…. pro wrestling, tv & movies, hardcore shows, the Warped Tour, Soulseek & Kazaa, Hellfest 2004, pandemic hardcore politics, pro wrestling during the pandemic, the current state of pro wrestling and the competition for your entertainment dollar, day job people & family coming to see your “side gig” (wrestler or musician), Xmas movies, horror movies, Steve's roots in wrestling, his career path & his disrespect for his body, donuts, pizza & other arguments about food, and more.Steve on Instagram: https://www.instagram.com/stevexhuey/Steve on Facebook: https://www.facebook.com/stevehuey631http://www.theupgradepodcast.net#theupgrade #theupgradepodcast #podcast #landminestudios #billyclubsandwich #hardcoremusic #nyhc #newyorkhardcore #nyhardcore #prowrestling #independentwrestling #indiewrestling #vxswrestling #napoleondynamite #warpedtour #hellfest2004 #pizza #donuts------------------------     http://www.facebook.com/theupgradepodcast      ------------------------     http://www.instagram.com/theupgradepodcast      ------------------------     

Making his label debut, Luigi Rocca comes with a heavily nuanced and full-bodied two-track EP that will drop jaws as much as it raises hands, bringing us well and truly into Techno territory. ------------------------ Early Support from: Piem, Kryder, Miguel Bastida, Cassimm, Paco Osuna, Oscar L and many more! ------------------------ Spotify Release: 4th June 2021 Beatport Release: 18th June 2021 General Release: 2nd July 2021 Cat. Code: SS012

An episode where a ramble about how I honestly got into music in the first place from some embarrassing beginnings to cool early music ventures on up through high school and early 20s leaving out huge chunks in retrospect like Prodigy's Fat of the Land.Support the show (https://www.paypal.com/donate/?token=FSWVIQieDKGHssziAb8D9lL8lv5mmdHF8m2xr-u9WJbXQPHEXbGcV-v_f9Pl9IWh2UqlBG&fromUL=true&country.x=US&locale.x=en_US)

Tech Support flips Paddy and Popka's brand collaboration, "Soul Seek" into a italo fueled remix, primed for dance floor use. Read more: https://fourfourmag.com/four-four-premiere-paddy-x-popka-soul-seek-tech-support-remix-my-name-is-records/ Tech Support --------------------------- SC: @ FB: www.facebook.com/ IG: www.instagram.com/ PADDY --------------------------- SC: @paddyholly FB: www.facebook.com/PaddyhollyDJ/ IG: www.instagram.com/paddyholly/ Popka --------------------------- FB: www.facebook.com/p0pka/ SC: @popk4 My Name Is Records --------------------------- FB: www.facebook.com/MyNameIsLabel/ Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

This episode we interview electronic music producer and soulseek legend Producer Snafu. We talk about a lot of stuff. Kroq, California Raves, Dave Mustaine’s Cousin, Making music on a computer, Speedcore, Soulseek, Korn, Much Music, Kennedy, MTV, Myspace, Net Labels, FlStudio, Making Tutorial Videos, Typing out beats, chiptune, mental health issues, djing, name dropping producers, drum and bass, Envy, Ego, Therapy and spreading love   It’s another “the podcast host says ‘yeah man’ 40 times” episode you don’t want to miss!   https://twitter.com/ProducerSnafu https://www.instagram.com/producer_snafu/ https://linktr.ee/producer_snafu https://soundcloud.com/producersnafu https://producersnafu.bandcamp.com/ https://www.20k.org/ https://www.pbs.org/wgbh/pages/frontline/shows/cool/

This episode is a bit of a free for all. We talk about all sorts of stuff from Elon Musk to Chiptune.   It's a weird one!

WELCOME TO THE BASSFUG PODCAST. In todays episode we talk to Mobcore Records Tooth_Eye from Chicago. We talk about promoting breakcore shows, Dtrash Records, Staring at your phone, politics in music, social media, net labels, soulseek, mushrooms and acid It is another "I'm a little under the weather" episode that you don't want to miss!   https://www.facebook.com/mobcorechicagorecords/ https://mobcorechicagorecords.bandcamp.com/ https://tootheye.bandcamp.com/

Neste episódio, Matheus Krempel e João Pedro Ramos recebem o convidado Dija Dijones (Howlin' Records, Loyal Gun, O Apátrida, Odair José e mais um monte de bandas e projetos) e eles conversam sobre o que andaram ouvindo nos últimos tempos e sobre como os serviços de streaming como o Spotify reembolsam seus artistas e ajudam a divulgá-los. Será que é uma boa? Confira também papos sobre Alice in Chains, discos raros, SoulSeek, Odair José, casas de shows, edições de luxo, mp3 raras, a rua Augusta de antigamente e muito mais.

Sujet sensible mais très représentatif de l'évolution du web, alors  forcément on a envie d'en parler ! :) FTP, IRC, P2P, eMule, Soulseek,  Napster, Bittorrent... Et aujourd'hui Spotify, Netflix, Deezer...

The long haired founder of Red Light Radio, frontman of Stallion Stud and all-round Amsterdam legend is the first one to treat us to an hour of weirdness in 2019. DJ Soulseek takes over the wheel. Happy new year and embrace the weirdness! X r. @redlightradio @artificialdance

The by now standard homebrew of mangled earscapes, big switches and bass belters. Expect a wonky trip-hop selection on this one, mutant dancehall for the sufferahs and more for the first hour before things fall apart as we lose the run of ourselves with some hot off Soulseek 128kbs 2step selections and rave. Tune in for the good stuff from folks like Andy Mac & Ossia, Mosca, Ital Tek, Lemonick, Wagaon Christ, Simo Cell, Lone, Luke Vibert, TSVI, Laurel Halo, Rufige Kru, Manni Dee and Sophua Loiziou. Tracklisting: Cado - Andy Mac & Ossia Fever Version - Mosca Broken Glass Arch - Djrum The Circle Is Complete - Ital Tek The Premise - Wagon Christ We're Gettina Down - Tek 9 Divide And Rule (feat Lee "Scratch" Perry, Junior Reid & Elan - dub) - Coldcut & On-u Sound Nammi - Lemonick Libido - Mistareez Never Leave You (Uh Oooh, Uh Oooh) - Lumidee Sufferah -Bounty Killer Ruffest & Tuffest - Assassin Xm24 -Lenky Fractions Of The Absolute - Primitive World Blue Scene (Laurel Halo remix) - Helm Stop The Killing - Simo Cell Pull Up - Tsvi Twisted Blood - Lukid Bongo (Impey's Text 66668 Bar remix) - Youngstar Bongo (Hi5Ghost remix) - Youngstar This Is England (Pypz UKG mix) - Animal Man Backtail Was Heavy - Lone Unity - Time Base aka Krome & Time Memories Of Angels - Sophia Loizou Heard It All B4 - Luke Vibert VIP Riders Ghost - Rufige Kru

Nesse programa: Mais jogos amedrontadores! Um podcast lotado de informações bacanas e várias dicas sobre games imperdíveis e assustadores. (cliquem, curtam, compartilhem, ouçam, divirtam-se!)     Download alta qualidade (clique com o direito e vá em “Salvar Como…”) Se quiser participar dos Podcasts AWP, que possuem temas pré agendados, mande-nos uma MP ou email em podcast@forumawp.com.br que […] O post Programa 38 – Jogos de Terror II apareceu primeiro em Podcast AWP.

唱片产业和高度发达的音乐媒介令更多人接触到了音乐，但音乐实践的仪式感也被慢慢削弱。音乐的黄金时代是否已经过去？李如一和初洋在本期中讨论了一首神秘的 Kool & the Gang 的单曲、Soulseek、反智与媚俗、以及「谁有权力决定未来的人类能听到哪些音乐」等问题。 相关链接 Kool & the Gang 大友良英 Ground Zero:《革命京剧》 《铃木先生》 《小海女》 梁翘柏 《追忆逝水年华》 坂本龙一《未来派野郎》 坂本龙一《NEO GEO》 灰野敬二 Helmut Schäfer 李如一在 Quora 上关于 Kool & the Gang 的 Power of the Dollar 的问题 万能青年旅店 Simon Reynolds: Retromania Paul Lansky Paul Lansky 谈他和 Radiohead 的合作 King Crimson King Crimson 的《Discipline》 Chapman Stick Oculus VR 人物简介 李如一：字节社创始人。 初洋：骨科主治医生。

唱片产业和高度发达的音乐媒介令更多人接触到了音乐，但音乐实践的仪式感也被慢慢削弱。音乐的黄金时代是否已经过去？李如一和初洋在本期中讨论了一首神秘的 Kool & the Gang 的单曲、Soulseek、反智与媚俗、以及「谁有权力决定未来的人类能听到哪些音乐」等问题。 相关链接 Kool & the Gang 大友良英 Ground Zero:《革命京剧》 《铃木先生》 《小海女》 梁翘柏 《追忆逝水年华》 坂本龙一《未来派野郎》 坂本龙一《NEO GEO》 灰野敬二 Helmut Schäfer 李如一在 Quora 上关于 Kool & the Gang 的 Power of the Dollar 的问题 万能青年旅店 Simon Reynolds: Retromania Paul Lansky Paul Lansky 谈他和 Radiohead 的合作 King Crimson King Crimson 的《Discipline》 Chapman Stick Oculus VR 人物简介 李如一：字节社创始人。 初洋：骨科主治医生。

Nesse programa: Uma trupe de corajosos resolve desvendar e comentar sobre os jogos mais amedrontadores de todos os tempos! Um podcast lotado de informações bacanas e várias dicas sobre games imperdíveis e assustadores. (cliquem, curtam, compartilhem, ouçam, divirtam-se!)     Download alta qualidade (clique com o direito e vá em “Salvar Como…”) Se quiser participar dos […] O post Programa 37 – Jogos de Terror apareceu primeiro em Podcast AWP.