Podcasts about Winamp

The Austin FC, or Football Club Soccer Team, Soccer Assist, 4ATX Foundation, and PSCI have teamed up with the Texas School for the Blind and Visually Impaired. They're building the first blind soccer pitch in Texas. To talk about the new pitch is Soccer Assist Founder Dr. Aaron Rochlen and 4ATX Foundation Executive Director Kaitlin Mauro.  For more info related to this week's show, go to:  https://www.austinfc.com/news/4atx-foundation-unveils-soccer-pitch-at-texas-school-for-the-blind-and-visually-impaired Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).  Speaking Out show archive page is at https://speaking-out-for-the-blind.pinecast.co/

Neste episódio do FIAP Decode, André David, Renato Paixão e Tayane Souto decodificam o botão do LinkedIn contra os famigerados posts de AI Slop, o retorno triunfal do Winamp junto à Deezer e como a IA está agilizando as entregas de compras online. Aperte o play e atualize seu sistema! Decodifique novas conexões - André David: Linkedin e Instagram - Tayane Souto: Linkedin e Instagram- Renato Paixão: Linkedin e Instagram   Techstars Startup Weekend Pride São Paulo | 21 de Agosto | CUPOM: FIAP50 Participe do FIAP Meetup: A expansão dos data centers e da infraestrutura digital no Brasil | 12 de Agosto NOTÍCIAS: LinkedIn apresenta botão contra "AI Slop" Microsoft 365 irrita usuários com botão de atualizar plano que não some Winamp prepara relançamento e streaming em parceria com Deezer  Por que a sua encomenda está chegando mais rápido? Uma IA está por trás Em Cannes, tênis da Adidas para atletas com Síndrome de Down reforça real papel da criatividade 

This show has been flagged as Clean by the host. -------------------- 01 Introduction In a response to a post on a previous episode, I said that I would take a look at ID3 tags. ID3 tags are text information that is added to an MP3 audio file, such as the author, date, name, and other information. 02 While I am at it I will also look at Vorbis comments, which perform a similar function for vorbis, the container format for "ogg" audio files. As example audio files, I will use a recent HPR episode, hpr4678 in both mp3 and vorbis formats plus also one from another podcast as well. 03 There is Free Software which you can use to view, edit, or remove both types of tags or comments, and I will describe how to use it in this episode. 04 I will cover how to view tags and extract the text information, as well as how to strip the tags from a file and why you may wish to do so under certain very specific circumstances. I won't cover how to add to or edit tags in an MP3 or OGG file, as that is a more involved subject that I don't have much experience with. 05 I will mainly talk about ID3 MP3 tags rather than vorbis comments for the simple reason that the situation with MP3 files is an utter mess while vorbis comments are very straightforward and so there isn't as much to say about them. 06 As often happens when researching a subject to write a podcast script, I have learned quite a bit that I didn't know previously, and discovered that things that I thought I did know were wrong. I hope that you may learn a few things from this episode that you didn't know previously either. -------------------- 07 Background I won't go over the detailed history of ID3 tags, as I don't have a reliable source for this. Briefly however, so far as I can determine, there is no official independent standard for ID3 tags or vorbis comments. Both seem to be more in the nature of a convention that was created by an unofficial group of contributors rather than something issued by a standards body. 08 However, I don't see the lack of a conventional standards body as necessarily a problem with respect to the use of ID3 tags or vorbis comments. I just am not familiar enough with the industry to know who to regard as being an authoritative source when it comes to the history and development of them Since I am unsure as who to credit with what developments, I will avoid that sort of detail. 09 ID3 Tags There is a web site with the URL of ID3.org that seems to have the best reference material on the topic of ID3 tags. According to this site, the term "ID3" means "IDentify an MP3". 10 Vorbis Comments For vorbis, the reference site seems to be xiph.org. Although the implementation details may differ from ID3, from our perspective as podcast listeners, they can be seen as more or less equivalent in terms of what I am going to address here. -------------------- 11 ID3 Details Versions One of the problems with ID3 is that there are multiple incompatible versions, particularly from the very early days. ID3v1 tags are located at the end of the audio file in the last 128 bytes. This was done for compatibility reasons to allow early MP3 players to simply ignore the tags if they didn't know how to deal with them. The tags would simply appear as a short burst of static from the perspective of these early players. 12 ID3v2 moved the tags to the start of the MP3 file to allow players to scan the tags for information such as titles without having to read to the end of the file to find them. There are far fewer limits on the amount of information that can be placed in ID3v2 tags. 13 ID3v1 is obsolete and only very old players will require it. However, it is still used by some publishers for backward compatibility reasons. ID3v1 included numerical musical "genre" category codes which apparently turned out to be a very bad idea in practice. 14 Furthermore, all genre categories above 70 were defined by an audio software company called Nullsoft who created software such as Winamp. These codes were never actually part of the ID3 standard, although there was never really a standard to begin with. 15 The current ID3 version is 2.3. There is a version 2.4, but apparently it is not actually generally accepted and may be a developmental dead end. 16 The id3.org web site contains a copy of the ID3v2.3 standard, but I am not going to address the technical details here. This would only be of interest to someone who was creating software to read and write ID3 tags. 17 ID3v2 Frames The ID3v2 information is encoded into what are called "frames". The text information is contained in text information frames. 18 Text information frames start with a set of four character identifiers, all starting with the capital letter 'T'. Examples "TALB" is the "Album/Movie/Show title" frame. "TIT2" is the "Title/Songname/Content description" frame. "TYER" is the "Year" frame. There are many more, but I won't go into more detail here. 19 HPR ID3 Tags HPR makes an interesting case study because they use both ID3v1 and ID3v2 in the same file. This can cause some interesting problems with software that tries to read those tags. This is because most software appears to expect one or the other, but not both. However, so long as this does not cause problems with anything that actually plays the files, this is not a problem so far as people who just want to listen to podcasts are concerned. It does mean though that we have more to talk about than we would otherwise would have had. -------------------- 20 Vorbis Comment Fields The situation with Vorbis comments is much simpler, as there seems to be just one standard that was adhered to from the start rather than a succession of hacks. Information is stored in "fields", which xiph describes as being like Unix environment variables. These consist of a field name followed by an equal sign and then the information intended for that field. Field names are case insensitive. 21 The field names are not firmly defined at this stage, but there is a list of recommended names. Examples are "TITLE" is the Track or Work name. "ARTIST" is the person responsible for the work. "LICENSE" is the license information. 22 You can see the complete list for yourself on the comment field and header specification page at xiph.org -------------------- 23 Software for Listing, Adding, and Modifying Tags and Fields There are three software packages that I will now describe which allow you to list, add, modify, and remove tags and fields. There are other packages which can do the same, including some which offer a GUI interface. However, I will limit myself to describing these three. The principles should be the same for others. 24 ffprobe ffprobe is part of the ffmpeg package. If you have listened to my previous episodes on audio, you will have heard me talk about ffmpeg. ffprobe is used to display information about media files rather than for modifying them. ffprobe is licensed under the GPLv2 or later. ffprobe can be used to display information about both MP3 and OGG Vorbis files. 25 ID3v2 The next is the rather aptly named id3v2 and works with MP3 files. On Linux systems, this should be provided by the id3v2 package. On Debian derivatives this can be installed as follows sudo apt install id3v2 26 This also installs a man page which provides a brief list of the options. According to the README file in the source tarball, this is published under the LGPL ID3v2 is particularly useful for displaying ID3v1 tags. 27 vorbiscomment The third is "vorbiscomment" and works with OGG files. On Linux systems this should be provided by the "vorbis-tools" package. On Debian derivatives this can be installed as follows sudo apt install vorbis-tools 28 The vorbiscomment program is used to list or edit comments in Ogg Vorbis files. This also installs a man page which provides a brief list of the options. According to the license.lgpl file in the source tarball, this is published under the LGPL version2. 29 The display format for vorbiscomment follows the data definition format in the vorbis standard, whereas ffprobe re-formats it to match its own preferred appearance. -------------------- 30 Examples from HPR With the background out of the way, I will now give several examples of how to list the tags or fields. 31 Listing ID3v1 Tags As previously mentioned HPR uses both ID3v1 and ID3v2 tags in the same file. However, so far as I can tell, most software seems to look for ID3v2 tags first, and don't display the ID3v1 tags if both are present. 32 The ID3v2 program however seems to do the opposite, at least with HPR podcasts. However, the number of samples that I have which have both are rather limited, so I can't be sure if this is always the case or if this is a side effect of something else. I did mention that ID3 tags were a mess, didn't I? 33 Let's go on to our example however. If we want to see the ID3v1 tags, then using hpr4678 as an example, if we type id3v2 -l hpr4678.mp3 = we get the following result. 34 id3v1 tag info for hpr4678.mp3: Title : High Resolution Elapsed Time i Artist: Whiskeyjack Album : Hacker Public Radio Year: 2026, Genre: Unknown (186) Comment: https://hackerpublicradio.or Track: 0 hpr4678.mp3: No ID3v2 tag 35 The first line tells us that this information is ID3v1 tags. The last line tells us that there are no ID3v2 tags. This last line is incorrect, but we will come back to that later. 36 In between are three lines of text. The first line contains the title and the artist. The title is the name of the HPR episode, or at least part of it. The artist is the HPR contributor who made that episode. 37 The second line contains the album name, the year, and the genre. The album name is this case is simply Hacker Public Radio, as the concept of an album doesn't really fit a podcast. The year is the year that the episode was recorded, or at least the year in which the MP3 file was assembled with the HPR intro and the tags added. 38 The genre is listed as "unknown 186". Recall that with ID3v1 tags there is a one byte numeric genre code, but that no genres above 70 were ever officially assigned. It seems to be a general convention though to use a code 186 for podcasts. 39 The third line contain a comment and track number. The comment in this case is the HPR web site URL. The track is zero. "Track" would appear to serve no useful purpose in this instance. However, it may be there for reasons of compatibility that I am unaware of, so I would be very reluctant to remove that without very good reason. 40 If we look at the above information in detail we can see that two of the tags appear to have cut their text information off short. The title is cut off in mid word after the 30th character. The final "g" in "hackerpublicradio.org" is cut off in the comment. 41 Alternative Method for ID3v1 We can confirm whether the text being cut short is due to a problem with the id3v2 program, or whether it really represents the data in the file by using a rather simple check. 42 Recall that ID3v1 tags are simply the last 128 bytes of the MP3 file. All we need to do is to extract the last 128 bytes of the file. We can do this using the standard tail command. tail -c128 hpr4678.mp3 | tr '' ' ' | tr -c '[:print:]' 'x' 43 The -c128 option used with tail tells it to extract the last 128 bytes of the file. We then pass the result through the "tr" command and tell it to replace null bytes with new line characters. Then we replace any remaining non-printable characters with an 'x'. When we do that we get the following 44 TAGHigh Resolution Elapsed Time iWhiskeyjack Hacker Public Radio 2026https://hackerpublicradio.or x 45 The first three characters are capital TAG. This is a flag which indicates that what follows are ID3 tags. 46 Next, we have 30 characters which specify the title. The next 30 characters specify the artist. The next 30 characters are the album, or in this case just "Hacker Public Radio". The next 4 characters are the year. The next 30 characters are a comment, or in this case the HPR URL, except for the final "g". The last character is the genre code, which we have replaced with an "x" because it is otherwise non-printable. 47 Taken together, these add up to 128 bytes. We can see that the field lengths are of fixed length with pre-defined meanings based on position. -------------------- 48 ID3v2 Using ffprobe Now lets move on to ID3v2 tags, which is probably more useful for most people. For this, we will switch to using ffprobe. The command for this is ffprobe -hide_banner hpr4678.mp3 The -hide_banner option suppresses extra data about the codecs which doesn't interest us much and leaves mainly the tag information plus a few other things. 49 The output gives us the full data that is associated with the podcast episode from the HPR web site. This includes the episode number, year, full title, author, license, and full summary text. You can see a full copy of this in the show notes. Input #0, mp3, from 'hpr4678.mp3': Metadata: track : 4678 year : 2026 title : High Resolution Elapsed Time in Shell Scripts author : Whiskeyjack copyright : CC-BY-SA artist : Whiskeyjack album : Hacker Public Radio comment : https://hackerpublicradio.org Clean; Surprises encountered when measuring elapsed time in shell scripts The license is CC-BY-SA genre : Podcast encoder : Lavf61.7.103 date : 2026 Duration: 00:30:10.18, start: 0.023021, bitrate: 64 kb/s Stream #0:0: Audio: mp3, 48000 Hz, mono, fltp, 64 kb/s 50 The ID3v2 tag version contains all of the information which was provided by the author, including the full title and description without the 30 character limit of ID3V1. If you want any of this information for some reason you should be able to extract it from the MP3 file using a combination of ffprobe, grep, and cut rather than trying to scrape the HPR web site and matching it to the MP3 later. -------------------- 51 ID3v1 Using ffprobe I previously mentioned that HPR MP3 files have both ID3v1 and ID3v2 tags in the same file, and that ffprobe will default to using ID3v2 tags if present. However, what happens if we remove the ID3v2 tags and leave the ID3v1 tags? I will describe how to strip tags later on in this episode, but let's just assume for now that I have done this. If we then use ffprobe to read the ID3 tags using the same command as before, we get the following output. 52 We get a series of lines in the same format as with ID3v2, but with each data element limited to at most 30 bytes. These include title, artist, album, date, comment, and genre. You can see the full output in the show notes. Input #0, mp3, from 'test.mp3': Metadata: title : High Resolution Elapsed Time i artist : Whiskeyjack album : Hacker Public Radio date : 2026 comment : https://hackerpublicradio.or genre : Podcast Duration: 00:30:10.18, start: 0.023021, bitrate: 64 kb/s Stream #0:0: Audio: mp3, 48000 Hz, mono, fltp, 64 kb/s 53 The information is the same as when read by the id3v2 program, but formatted for display in the manner that ffprobe uses. This shows that ffprobe can indeed read ID3v1 tags if they are the only ones present. -------------------- 54 Reading Vorbis Comments Now let us turn our attention to vorbis comments, which are the equivalent to tags for ogg files. We will look at this using two methods. 55 Using vorbiscomment The first method we will look at is using the vorbiscomment package. The command is vorbiscomment -l hpr4678.ogg 56 The output of this is a series of lines with key value pairs separated by equal signs. The output is also exactly the same as the MP3 file, except that there is an additional "language" field, "track" becomes "TRACKNUMBER", and there is no "date" field. You can see the full output in the show notes. encoder=Lavc61.19.101 libvorbis TRACKNUMBER=4678 year=2026 language=English title=High Resolution Elapsed Time in Shell Scripts author=Whiskeyjack copyright=CC-BY-SA artist=Whiskeyjack album=Hacker Public Radio DESCRIPTION=https://hackerpublicradio.org Clean; Surprises encountered when measuring elapsed time in shell scripts The license is CC-BY-SA genre=Podcast 57 Using ffprobe Now lets do the same again using ffprobe. The command for this is ffprobe -hide_banner hpr4678.ogg 58 The output content is the same of course, but the field names have all been forced to lower case, and instead of an equal sign as a separator between the key and value, this has been replaced by a colon and white space has been added to make the output look a bit nicer. You can see the full output in the show notes. Input #0, ogg, from 'hpr4678.ogg': Duration: 00:30:10.14, start: 0.000000, bitrate: 86 kb/s Stream #0:0(English): Audio: vorbis, 192000 Hz, mono, fltp, 4294967 kb/s Metadata: encoder : Lavc61.19.101 libvorbis track : 4678 year : 2026 title : High Resolution Elapsed Time in Shell Scripts author : Whiskeyjack copyright : CC-BY-SA artist : Whiskeyjack album : Hacker Public Radio comment : https://hackerpublicradio.org Clean; Surprises encountered when measuring elapsed time in shell scripts The license is CC-BY-SA genre : Podcast -------------------- 59 Another Example from Another Podcast The above is interesting, but it's a sample of one podcast. Let's look at another different one altogether. For this test I used two episodes of the Linux Matters podcast, episodes 68 and 82. As to why I am using two different episodes I will explain in a moment. 60 Episode 68 We will start with examining episode 68 Using id3v2 The command using id3v2 is id3v2 -l LMP68.mp3 61 This provides output as a series of lines containing the official 4 character identifiers from the standard, a description of the identifiers, and the text provided by the authors. The identifiers include TIT2 indicating title, TALB indicating show title, TRCK indicating track number, and a number of others. You can see the full output in the show notes. id3v2 tag info for LMP68.mp3: TIT2 (Title/songname/content description): 68: Frameworks, Filesystems and Fixes TPE1 (Lead performer(s)/Soloist(s)): Linux Matters TALB (Album/Movie/Show title): Linux Matters TYER (Year): 2025 TRCK (Track number/Position in set): 68 COMM (Comments): ()[]: https://linuxmatters.sh/ APIC (Attached picture): (LMP-3000-moon.jpg)[, 3]: image/jpeg, 554576 bytes LMP68.mp3: No ID3v1 tag 62 From this we can see what the id3v2 program would normally do with ID3v2 tags. Note that it outputs the actual 4 character identifiers, plus a description of what they mean, and then the actual data. This helps when trying to understand the actual encoding of the data. 63 Using ffprobe Now let's try that with ffprobe. The command is ffprobe -hide_banner LMP68.mp3 64 This provides the same publisher provided data as before. However it does not display the 4 character identifiers but instead uses its own format for display. Also note in both cases that there is a picture embedded in the MP3 file which is used to generate an icon for display in your file manager. With ffprobe this results in there being two keys called "title" and two keys called "comment". This makes grepping for the metadata more complicated, but it should still be possible. You can see the full output in the show notes. Input #0, mp3, from 'LMP68.mp3': Metadata: title : 68: Frameworks, Filesystems and Fixes artist : Linux Matters album : Linux Matters comment : https://linuxmatters.sh/ track : 68 date : 2025 Duration: 00:28:12.45, start: 0.025056, bitrate: 114 kb/s Stream #0:0: Audio: mp3, 44100 Hz, mono, fltp, 112 kb/s Metadata: encoder : LAME3.100 Stream #0:1: Video: mjpeg (Progressive), yuvj444p(pc, bt470bg/unknown/unknown), 4166x4166 [SAR 72:72 DAR 1:1], 90k tbr, 90k tbn (attached pic) Metadata: title : LMP-3000-moon.jpg comment : Cover (front) 65 Episode 82 Now lets try that again with a different episode, 82. Using id3v2 The command for id3v2 is id3v2 -l LMP82.mp3 This results in id3v2 saying LMP82.mp3: No ID3 tag What happened here? 66 Using ffprobe Let's try that again with ffprobe. The command ffprobe -hide_banner LMP82.mp3 provides the expected output. Input #0, mp3, from 'LMP82.mp3': Metadata: date : 2026-05 title : 82: Ditching Grammarly for Open Sauce album : Linux Matters track : 82 artist : Linux Matters comment : https://linuxmatters.sh Duration: 00:33:37.83, start: 0.025056, bitrate: 113 kb/s Stream #0:0: Audio: mp3, 44100 Hz, mono, fltp, 112 kb/s Stream #0:1: Video: png, rgb24(pc, gbr/unknown/unknown), 3000x3000, 90k tbr, 90k tbn (attached pic) Metadata: title : Linux Matters Logo comment : Cover (front) 67 This results in a few minor changes from episode 68, but otherwise it looks the same. So there are ID3 tags, but for some reason id3v2 couldn't recognize them. A bit more research and experimentation shows that this change appears to have happened right after episode 68, when they changed hosting and processing arrangements. I suspect that something changed with respect to the ID3v2 tag formatting somewhere along the way in the change over, and this in turn has affected the ability of the id3v2 program to recognize the tags. I will come back to the implications of this later in my conclusions. -------------------- 68 Stripping ID3 Tags Now let's turn to a differen topic. Stripping ID3 tags refers to removing the ID3 tags from the audio file. I will start off by emphasizing that normally, you don't want to do this. You should only be doing it if you suspect the ID3 tags are causing a problem with the playback or ordering of the files. 69 In my case I do it when I have problems with my MP3 player when playing certain podcasts. This MP3 player orders files according to ID3 tags rather than by file name. This can result in the podcasts being played in an unpredictable order which I find undesirable. This is particularly a problem with podcasts from certain publishers where the title data does not follow any consistent pattern, but is whatever someone felt like doing that day. 70 I also often have to normalize the files from the same publishers to get a consistent audio loudness. See my series on Simple Podcasting for information on how to use ffmpeg to normalize the audio loudness. The solution to the inconsistent tag formats in these cases is to simply strip the ID3 tags altogether. The player then falls back on using the file names, and I can readily rename the files to a consistent format. I have never had these sorts of problems with HPR podcasts. If you are not having any problems of this nature, then as I said, don't bother stripping the tags. 71 To strip the ID3 tags from an MP3 file use the following. id3v2 -D hpr4678.mp3 id3v2 will strip the tags and overwrite the existing file. If you wish to keep a copy with the tags, be sure to keep a backup before you try things. 72 When it comes to stripping tags, the options are "-s" deletes ID3v1 tags. "-d" deletes ID3v2 tags. "-D" deletes both v1 and v2 tags. -------------------- 73 Conclusions In this episode we took a very brief look at ID3 tags and vorbis comments and ways of reading them. 74 ID3 tags and Vorbis comments provide a means of allowing information about an MP3 or OGG Vorbis file to be embedded in the file itself. Podcast publishers very often use this to label the file with information such as title, publisher, and author. We can read this information using Fee Software tools such as ffprobe, ID3v2, and vorbiscomment. 75 ID3 tags seem to be a mess with more than one incompatible versions, and difficulties in reading them even within the same version. They are difficult to test for because there is so much hardware out there of varying ages, much of which you will never have heard of let alone had access to. If you are recording episodes for HPR you do not have to worry about this, as HPR will do this behind the scenes for you. However, if you are responsible for producing a podcast or other similar audio and you have a setup that works, it is probably best not to change anything without good reason. 76 Vorbis comments seem to be much less of a problem. However, there are far fewer devices which can play OGG files compared to MP3, so simply switching to OGG may not be a realistic solution to the ID3 tag problem. 77 If you wish to have one tool that can read ID3 tags of all sorts and vorbis comments, then ffprobe is your obvious choice. 78 The ID3v2 program will provide more information about the ID3 tags, including the actual identifiers used. However, it does not work in all cases. 79 The vorbiscomment program will read Vorbis comments from OGG files in a manner which is closer to the actual vorbis format than ffprobe does, which uses its own display format. 80 HPR includes both ID3v1 and ID3v2 tags in its MP3 files. ffprobe can be used to read the ID3v2 tags, and the id3v2 program can be used to read the ID3v1 tags. You can also read the ID3v1 tags using the tail command. 81 I have barely scratched the surface of this subject and have not talked at all about creating tags or comments. If anyone else would like to take up the challenge of providing more detail, or of correcting any mistakes that have made, please send in a podcast episode on the subject. If you have any comments you would like to make, leave them in the comment section below this episode on the HPR web site. 82 I hope to see you all again in future in another episode of HPR. -------------------- References https://id3.org/Introduction https://www.xiph.org/ https://wiki.xiph.org/VorbisComment -------------------- Provide feedback on this episode.

BTS desafía a los Grammys, la preocupación por Ariana Grande, la polémica de la música hecha con IA, el regreso de Winamp, Katy Perry atrapada en una botella gigante y las noticias más importantes del mundo musical. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

KOLD-TV reports that a new school for the blind is coming to downtown Tucson, Arizona. It is called the Tucson School for the Blind. Here to talk about the school are Araceli (Nani) Peach, her father Derrall, and School Director Kate Scally.  For more info related to this week's show, go to:  KOLD-TV story on Tucson School for the Blind: https://www.kold.com/2026/06/06/new-school-visually-impaired-students-opening-tucson/   The Tucson School for the Blind: https://tucsonschoolfortheblind.org   Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

Emlékszel még a floppylemezre? Egy dél-koreai fejlesztői verseny most pont ennyit ad: 1 474 560 bájt, és ebbe bele kell férnie a kódnak, a grafikának, a zenének, mindennek. Nulla felhő, nulla utólagos letöltés. Ezzel indítunk, mert a hét legjobb kérdését teszi fel: tényleg a korlátok szülik a legkreatívabb dolgokat? Aztán jön a nosztalgia második rétege – a Winamp visszatér, méghozzá saját, Deezer-alapú streamingszolgáltatással –, meg egy örök klasszikus: miért eszik a Windows 11 felülete annyi memóriát, hogy a Microsoftnak külön projektet kell indítania rá.Utána komolyra fordul. Az Anthropic másfél milliárd dollárt fizet könyvszerzőknek, és a bíróság döntése pont ott húzza meg a vonalat, ahol a legtöbben nem várnák – nem a tréning volt a baj, hanem az, honnan jöttek a könyvek. Közben Elon Musk AI-jal forgatna egész estés Odüsszeiát még idén, az Nvidia állítólag titokban optikai szálakat vásárol fel Amerika-szerte, a Tesla Cybercab pedig már Starlink-antennával jár. Pekingben eközben olyan 5G-hálózat épült, ahol nem a letöltés, hanem a feltöltés a sztori – mert az AI-korszakban már mi küldünk fel adatot, nem csak fogyasztunk.A végén jön a mobilpiac: a Nothing több piacról is visszavonulhat, az Apple újabb országokban indítja a műholdas segélyhívást, a Samsung pedig kettéválasztotta a Foldot – megnézzük a teljes Unpackedet, Fold8-tól az AI-szemüvegig. Zárásként pedig egy apróság, ami nagyobb, mint amilyennek látszik: a ChatGPT-ből már taxit is rendelhetsz. Az appok korszaka most kezd csendben véget érni.

Plus - A new AI startup co-founded by Martha Stewart offers an AI assistant for homeowners; Winamp aims for a comeback with a new music player powered by Deezer Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

เคยสงสัยไหมว่า โปรแกรมเล่นเพลงที่มีกราฟิกสีเขียวขยับขึ้นลง ที่เรายอมนั่งเปลี่ยน Skin ทั้งวัน กลับทำเงินให้เด็กหนุ่มสองคนได้ถึงเดือนละแสนดอลลาร์สหรัฐ ในยุค 90s ทุกคนเชื่อว่าอนาคตของวงการเพลงดิจิทัลจะต้องขับเคลื่อนผ่านหน้าต่างบานเล็กๆ ที่ชื่อว่า Winamp แน่นอน แต่วันนี้มันหายไปไหน เรื่องที่ตลกร้ายที่สุดก็คือ สิ่งที่ฆ่าอดีตราชาแห่งวงการดนตรีตัวนี้ ไม่ใช่เทคโนโลยีสตรีมมิ่ง ไม่ใช่ Spotify และไม่ใช่คู่แข่งอย่าง iTunes (ไอทูนส์) แต่จุดจบทั้งหมดมันเริ่มต้นขึ้นจากดีลเทคโอเวอร์มูลค่า 80 ล้านดอลลาร์สหรัฐต่างหาก มหากาพย์การพุ่งทะยานสู่จุดสูงสุดและร่วงหล่นของตำนานบทนี้เป็นอย่างไร ========================= 

Jacob Ward from The Rip Current joins the show this week! Looking into the fallout from an OpenAI model breaching Hugging Face. Winamp returns with a Deezer-powered streaming relaunch. Breaking down the math behind Apple's new leasing program. And shared Claude chats are turning up in Google search results. Last week, an OpenAI Model autonomously hacked into Hugging Face while performing a cybersecurity task. Jacob breaks down the fallout from the incident and how it is fueling questions about whether AI labs have crossed into "critical risk" territory. Winamp is getting a new lease on life through a partnership with Deezer, bringing a Winamp-branded music subscription alongside local files, internet radio, and podcasts, set to launch in the first half of 2027. D. Griffin Jones joins to explain how Apple Upgrade replaces the iPhone Upgrade Program and expands leasing, via Klarna, across iPhone, Apple Watch, iPad, and Mac. And a report from 404 Media's Joseph Cox looks into publicly published Claude conversations and artifacts being indexed by Google, exposing sensitive material like crypto wallet keys and personal data, and why understanding what "public" really means before sharing matters. Hosts: Mikah Sargent and Jacob Ward Guest: D. Griffin Jones Download or subscribe to Tech News Weekly at https://twit.tv/shows/tech-news-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free audio and video feeds, a members-only Discord, and exclusive content. Join today: https://twit.tv/clubtwit Sponsors: cirasync.com/TNW rippling.ai/tnw

Chris hat sich ins Homeserver-Rabbit-Hole gestürzt: drei Rechner, alte SATA-Platten vom Schwager und inzwischen schon ernsthaft über Serverschränke nachgedacht.

Jeudi 25 juin, François Sorel a reçu Julien Villeret, directeur de l'innovation chez EDF ; Yves Maître, operating partner chez Jolt Capital et cofondateur de Xunos ; Didier Sanz, journaliste Tech ; Léa Benaim, journaliste BFM Business ; Florent Van Calster, PDG de Whispeak ; Salomé Ferraris, journaliste BFM Tech et Alexandre Saboundjian, CEO de Winamp, dans l'émission Tech & Co, la quotidienne sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

Alexandre Saboundjian, CEO de Winamp, était l'invité de François Sorel dans Tech & Co, la quotidienne, ce jeudi 25 juin. Il s'est penché sur l''attaque en justice de Winamp contre Nvidia pour l'entraînement de l'IA sur son catalogue musical, sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez-la en podcast.

CBS Minnesota reports that Twin Cities Blind Sailing is making sailing dreams come true for the blind and visually impaired living in the Minneapolis area. Twin Cities Blind Sailing founder Katy Boyd is here to talk about her sailing pursuit.  More info related to this week's show:  Twin Cities Blind Sailing- https://twincitiesblindsailing.org Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

Mardi 23 juin, François Sorel a reçu André Loesekrug-Pietri, président de JEDI (Joint European Disruptive Initiative), Frédéric Krebs, président de Krebs & Partners, et Lucas Perraudin, président de AI to Market. Ils se sont penchés sur la plainte portée par l'ex-roi du MP3, Winamp, contre Nvidia, le changement des règles des rachats dans le secteur des logiciels par l'IA, ainsi que sur la mise en place d'un enseignement à l'IA dans les lycées français dès 2027, dans l'émission Tech & Co, la quotidienne, sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez-la en podcast.

La mise en vente d’une partie de Belfius est officiellement lancée. L’opération pourrait rapporter près de deux milliards d’euros à l’État belge. Par ailleurs, le MR plaide également pour un rapprochement entre Belfius et Ethias afin de créer un champion belge de la banque et de l’assurance. Et puis, un peu d’oxygène pour le secteur de la construction. Après quatre années difficiles, l’activité repart légèrement à la hausse. De quoi nourrir un certain optimisme, même si les professionnels du secteur restent prudents pour les mois à venir. Enfin, la société belge Winamp poursuit Nvidia en justice. Elle accuse le géant américain d’avoir utilisé, sans autorisation, des milliers d’œuvres musicales pour entraîner ses modèles d’intelligence artificielle. Présentation: Ondine Werres Le Brief, le podcast matinal de L'Echo Ce que vous devez savoir avant de démarrer la journée, on vous le sert au creux de l’oreille, chaque matin, en 7 infos, dès 7h. Le Brief, un podcast éclairant, avec l’essentiel de l’info business, entreprendre, investir et politique. Signé L’Echo. Abonnez-vous sur votre plateforme d'écoute favorite Apple Podcast | Spotify | Podcast Addict l Castbox | Deezer | Google PodcastsSee omnystudio.com/listener for privacy information.

We're talking with one outstanding blind woman. She's worn multiple hats and achieved a lot. She is a teacher, writer, athlete, motivational speaker, and recipient of the prestigious Helen Keller Achievement Award. And Kathy is here to talk about her great life.  More info related to this week's show:  Kathy Nimmer's website- https://kathynimmer.com Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

Vinyls, CDs, WinAmp, oh my!! Today's set is all-naturale, organic, and right from the CJSW music library!Playlist: Flaco Jimenez - Ay The Dejo En San AntonioMary Youngblood - Cold WindJulio Pane Trio - ResponsoThe Bremen Town Musicians - Answer The SilenceDavid Occhipinti - Sonyshnyky (Sunflowers - Dedicated to Ukraine)Mike Bruzzese - GeneralifeDuchess - Ain't That A Kick In The HeadVladimir Redzic - Bishop's GambitMilt Jackson, Count Basie - Shiny StockingsAhmad Jamal - DynamoMidnight Channel - Goose

Radio. What is it? Is it some kind of podcast, maybe? Or possibly a Winamp skin? If you find out, let the producers of 2012 DCOM Radio Rebel know, because I think they'd really appreciate it.Radio Rebel tells the story of Tara, a shy teen with a secret double life as Radio Rebel, an inexplicably popular Seattle-wide radio host whose entire shtick appears to be telling people to be their real selves, talking about things happening in one specific high school, and then playing Peter Gabriel records. But when her enraged principal threatens to cancel prom unless Radio Rebel's identity is revealed, Tara's house of lies threatens to come crashing down, to the presumed bemusement of everyone in Seattle who doesn't go to her school. Can Tara and Radio Rebel coexist? How do you expose Banksy? And what the hell is a morp? Listen and find out!If you crave bonus episodes of Mom Can't Cook!, monthly livestream watchalongs, or a shoutout at the end of the show, remember to check out our Patreon at Patreon.com/extrahelpings.If you've watched Radio Rebel and have your own thoughts, email them to us at momcantcookpod@gmail.com for a chance to have them read out on the show. Next time on Mom Can't Cook! we'll be watching 2008's High School Musical 3: Senior Year. See you then!This episode is sponsored by NordVPN! Upgrade your online protection with an all-in-one security app! Get an exclusive NordVPN deal + 4 months extra here ➼ https://nordvpn.com/momcantcook. Itʼs risk free with NordVPNʼs 30-day money-back guarantee!This episode is also sponsored by Saily. Get an exclusive 15% discount on Saily data plans! Use code momcantcook at checkout. Download Saily app or go to saily.com/momcantcookThanks to sponsor Green Chef! Head to greenchef.com/50momcantcook and use code 50momcantcook to get fifty percent off your first month, then twenty percent off for two months.Contact Multitude for Advertising Inquiries: multitude.productions/adsCheck out the official Mom Can't Cook! store for sweet merch and check out Mom Can't Cook! Extra Helpings for bonus episodes, ad free episodes, monthly watchalongs and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Introducing Russell Aaron I didn't learn WordPress at a fancy college or career academy. I graduated from the University of YouTube. My internship was the Las Vegas WordPress Meetup and WordCamp Vegas. The rest I learned building mortgage company platforms, working for casinos, inside managed WordPress hosts, and at some of the best WordPress development and support shops on the planet. Show Notes For more on Russell, check out his website: https://russellenvy.com Transcript: Topher DeRosia: All right. Here we go. Hey folks. Russell Aaron: And three, two, one. Topher DeRosia: Hey folks. Welcome to Hallway Chats. I’m Topher, and I’m here with Russell Aaron. I assume I pronounced that right, because it’s not that hard, but you never know. Russell Aaron: You know, so many people call me Aaron. They’ll tag me and they go, “Thanks, Aaron.” And I’m like, “You know, it’s Russell, but it’s cool.” Topher DeRosia: Yeah, nice. All right. Well, I saw a post on LinkedIn the other day from you talking about podcasts having the same people on episodes all the time. I thought, “Oh, I gotta have that guy on my podcast.” Because then you can’t go on any other ever again, because then you’ll be that guy. Russell Aaron: Maybe. Topher DeRosia: So, I snooped a little. You live much closer to me than I expected. Have we met? Did we meet at a WordCamp? Russell Aaron: I think we met at WordCamp Ann Arbor one year. Topher DeRosia: Oh, okay. I went to a whole bunch of those. Russell Aaron: Yeah. I think I spoke 2018, something like that. Topher DeRosia: Yeah. I was probably there. Russell Aaron: Yeah. Topher DeRosia: All right. So tell me where you live, what you do, all that kind of stuff. Russell Aaron: I currently reside in Indianapolis, Indiana, and I am just freelancing as of right now. You know, I live in a pretty small town where it’s kind of old school WordPress, if you will. Anyone who is worth their salt keys will remember a day when websites were not responsive or a business has a cousin of a friend of a brother who builds websites and, “Hey, he’s working on it,” and three years later, there’s still no new website. I kind of live in a town where I’m kind of getting back to my grassroots, where I stay up late at night with my insomnia, and I will roll up to a business and I will say, “Your new website can look like this today. If you pay me this much money, I will install it today, and this is your new website.” And it’s got your updated menu, and it’s responsive, and it works on mobile, and we can connect it to AppPresser and make it an app and stuff like that. So I’m kind of reliving the glory days of what I remember WordPress to be. Topher DeRosia: I’m also freelancing right now, sort of by choice, sort of not by choice. Somebody I’m married to would rather I had regular pay and insurance. Russell Aaron: Heard that. Topher DeRosia: Are you in the same boat, or did you do this on purpose? Russell Aaron: I did this on purpose. I was not working for the man, but I was working with some people. I’m over the tiny little granular things that somebody can fire you over. Like they’re watching if your mouse moves or they’re watching if you haven’t logged in. There’s just no more trust, I feel like, in so many cases. And so I know that I can do things better on my own, and I’m going to. Topher DeRosia: I have to admit, I love the freelance life. It is pretty special. Russell Aaron: Right. It’s almost like… what’s that movie? The 40-Year-Old Virgin, where they are making a website and they’re like, “Hey, Spider-Man 3’s on in five minutes. Let’s go watch it.” Like they totally ignore their job and they just go watch this movie now. It’s kind of like that. Topher DeRosia: Yeah. Yeah. For me, it’s doing stuff with my wife. She has a day job, but it has kind of chaotic hours and not specific days of the week. And so I work when she does, which sometimes is Saturday and Sunday, and then I just don’t on Tuesday and Thursday. That’s pretty great. Russell Aaron: I’m kind of in the same boat. My wife has a wonderful job, and she is with a great group, and she does global advocacy. I mean, she just deals with people that are happy with the product, and she keeps them happy. She does lots of stuff like that. I’m kind of the same thing, where their company is now starting to get into AI, and they have so many questions, and I’m over here building things with AI and doing things like that. So I’m not exactly consulting, but my ideas are going into their company through my wife. Topher DeRosia: My wife works at a grocery store, and they have a cash machine they use in the back office that runs Linux. Russell Aaron: Oh, wow Topher DeRosia: And the IT guys had to come in and do some work on it, and she saw the screen and she’s like, “Oh, is that Linux?” And I’m like, “Who are you, and what do you know?” Super nerd. So what’s your company name? Do you have one, or is it just WP Pro Support? Russell Aaron: WP Pro Support. Topher DeRosia: WP Pro Support. Okay. Do you concentrate more on support, or do you build more? Russell Aaron: I have been doing support since 2011. I formed my very first support company, and I launched it the same day that Shane Sanderson launched Maintainn. My buddy, who you might know, John Hawkins, I was at the Vegas WordPress Meetup Group, and I had the idea in Vegas WordPress Meetup Group where there’s 70 people sitting right here behind me and they all want help. And I was like, “How do I do this?” So I built my first thing where I gave everybody free-for-life support, and they were my test group, if you will. And they helped me work out my bugs and tickets, and they helped me work out how I actually operate and do stuff like that. Then when I launched it, literally that day, John goes, “Wait, have you seen this?” And we had no idea about each other, but we literally launched them the same day. Fast forward three years down the road, I ended up working for Maintainn when it was owned by WebDevStudios. But everything I’ve done in WordPress has been support, whether I’ve worked for a mortgage company, a casino in Vegas, hosting with Liquid Web, doing stuff with NerdPress or AppPresser. Everything I’ve done is support. That’s really where my passion is because I remember what it’s like being a first timer. I think that there is a huge market potential here of people are always going to be new. I don’t care who you are. There’s always somebody new walking in the door, and there has to be a person who will sit down and say, “Come here, I’ll hold your hand.” And I am that person. I always try to look at WordPress from that lens is if a new person is looking at this today, are they going to be happy? Are they going to be confused? And I go from there. So currently today I’m transitioning away from support as we know it, where you write a ticket and then somebody on the other end is like, “Hey, I fixed your site,” or whatever. And I’m transitioning to a new product that I’m working on. So I’m going to be getting away from traditional support, but I’m still going to be doing things in the support space, if that makes sense. Topher DeRosia: Yeah, that makes sense. When I first got into WordPress, it was 2010, and custom post types were brand new. Russell Aaron: Right? Topher DeRosia: And I was out of my element with WordPress. I did not know what I was doing, but I did know PHP, and no one else knew post types yet. So when it comes to that, I was on an equal footing, and that was my way in. That was my leverage. I made a lot of money in the early days just building custom post types. Russell Aaron: Custom post types and single-posttype.php or whatever. Yeah. Topher DeRosia: So I was a competent PHP guy who didn’t know WordPress. And I feel like we’re in kind of the same transition space right now with AI, where we have tons of competent WordPressers who don’t really know AI yet. I think there’s a great space for that, teaching our friends, teaching everybody we’ve known for 10 years in WordPress. You know what I mean? Russell Aaron: I do. That’s one of the things that I really love about WordPress is that… let’s take the new 7.0 that just came out, I think it re-leveled the playing field. Before this came out, there were people that were ahead of others when it comes to patterns or blocks or the command palette and stuff like that. But now I think with this, we’re back to an even playing field because every… I mean, not exactly. There’s still some people who know AI a lot better than others, but you’re always five minutes ahead of somebody and five minutes behind somebody else. Topher DeRosia: Oh, yeah. Russell Aaron: But I do think that with 7.0, a new level playing field has come out. And now is the time to start learning, or you got to wait until 7.1 comes out where that new level playing field comes out. But that’s what I love about WordPress is that it continues to happen. Like you said, CPTs. I still love CPTs. I think they’re one of my favorite things. I look at all of these features, you know, page builders, another time when the playing field was leveled again. Now you learn page builders and then shortcodes and then this and then that. I think that’s the one gift that WordPress keeps giving is that you might be out of date six months from now, but then 7.1 comes out and you’re caught right back up. Topher DeRosia: Right. Yeah. And while you’re five minutes ahead, you quick do a WordCamp talk. Russell Aaron: Yes. Yeah. Topher DeRosia: For that long, you know more than other people, right? Russell Aaron: At least it’s on video, right? Topher DeRosia: Right. I was an expert for a minute and a half. Russell Aaron: That was my 15 minutes of fame. Topher DeRosia: What is your WordCamp life like these days? When was the last one you went to? Russell Aaron: The last one I went to was in Vegas, 2018. It was at the Plaza Hotel, which I worked at. When John was putting that together, in Vegas we had a wonderful space, and it was called The Innevation Center, and it was at a data facility called Switch. And they donated so much to us, and we are so grateful to them. And then they kind of had a change in their policy where they weren’t doing things, and then they overpriced how much it would cost to hold events and stuff like that. I was working at a hotel, and so we had this giant convention space, if you will. And so because I was able to pull some strings, we got a great, great discount, all food paid for. I mean, all of it. So that was my last WordCamp. The after party was on top of a pool deck, and there was pickleball courts, and there was a pool, and there was an open bar. I mean, it was rad. That was my last one. I have kids now. My kids are seven and eight and so my WordPress travels have slowed. No, I’m sorry. I take it back. WordCamp US last year was my last one, where we went scorched earth. That’s what I call it. I call it WordCamp scorched earth. Topher DeRosia: I was there for that one. I used to go to a lot every year. Go to- Russell Aaron: Five, six? Topher DeRosia: Five and 10. But since COVID, I think maybe just US every year. It’s weird to just go to one. Russell Aaron: It is. And just US, it’s almost like we used to have what I used to call regional events, where I lived in Vegas, I would hit up WordCamp Orange County, then I’d hit up San Diego, then we’d hit up LA, and then we’d make our way up to Portland, and then maybe if San Francisco did one, and then Phoenix. I did all my regional stuff. And then every once in a while I would venture… I mean, I love WordCamp Minneapolis. Love the people up there. Love so much about that event. Used to do that a lot. What’s the one in Ohio that I used to go to? Topher DeRosia: In the teens, there were five in Ohio. And being in Michigan, I used to just cruise down there. Russell Aaron: It’s a three-hour, three-and-a-half-hour drive, huh? Topher DeRosia: Yeah. Russell Aaron: About that. Yeah. Topher DeRosia: At the time, I was working for a company that was paying me to go to WordCamps. I had to make the case for each one, but it was a really simple case for all the Ohio ones because I didn’t need a plane ticket. I just drive over there. It’s like five in Ohio. There was Ann Arbor, there was Detroit, there was Grand Rapids, there was Chicago. I mean, there was almost 10 WordCamps within a three-hour drive of me. Russell Aaron: That’s beautiful. Topher DeRosia: It’s just not there anymore. Russell Aaron: I was very fortunate to work for companies like WebDevStudios, where I could tell them, “Hey, I got into WordCamp Minneapolis. I’m going to speak there.” And because I’m speaking there, they would reimburse me X amount of dollars for something, and then they would sponsor the WordCamp, and then they would make a thing out of it. I mean, I was very fortunate in being able to do that. Then I worked with a really great company called NerdPress, and they are a fantastic group of people that do the same thing. And then I ventured out into different straits, and it was very much different. I’ll say that much. Topher DeRosia: Yeah. Those are good times. Russell Aaron: It’s almost like… the way that I put it is it’s like we all graduated. We all did our four years of college, we all graduated, and now we went to our temp jobs or we went to our internships. Like the band broke up. Topher DeRosia: Yep. Yeah, it is a lot like that. I have seen generations of WordPressers. There was all the crew before 2010 that were downloading zip files and hacking themes to even get them to run. Then there was after 2010, and custom post types were new and stuff. And then there’s the whole Gutenberg generation that never experienced all that crazy theme stuff. Russell Aaron: I mean, you tell people that child themes were so new that people didn’t even grasp the concept of a child theme, and today it’s so baked in. It’s not even something that people think about. It’s just you install this and the child theme, and it’s a thing. But I remember writing those by hand. Topher DeRosia: Yeah. No kidding. Then to a certain extent, not even having child themes anymore because nothing is stored on the file system. Russell Aaron: I love it. I love it. In my very first WordCamp talk in Vegas 2012, I made a prediction that everything was powered by the theme. Everything used to… I mean, that’s as far as I go back is every template was the same. It was left column, right sidebar, header, and every page, whether you liked it or not, looked like a blog post. And it wasn’t full-width, responsive. I remember a lot of that. And then corporate themes came out, and then cupcake themes came out, then lawn company themes came out, and then the rise of Envato and stuff like that. That’s a good name for a band, The Rise of Envato. Topher DeRosia: I’d go see them. Russell Aaron: But all that stuff comes out. And then you look at it now and it’s like, that seems so far away. I still remember the day that I learned about child themes, and I’ve never forgotten that. And I think, coming back full circle, that’s why I stay in this beginner support space because I’m kind of keeping that nostalgia around, I guess. Topher DeRosia: Yeah. There’s a lot of joy in watching people’s eyes light up when they get it. Russell Aaron: That’s the best part is just telling people what’s possible. When they’re frustrated with something and you go, “Oh, hey, Gravity Forms can do that.” And they’re like, “Wait, what?” And I’m like, “Yeah.” And they can also do… And I just start naming stuff. And I show all 50 extensions that they have and they’re just like, “Wait, what?” And I’m like, “Yeah.” I’m like, “This starts getting radical when you’re into it.” Topher DeRosia: There’s something I miss from old WordPress that I don’t see in modern WordPress. It might not be a thing. And that is dramatic new styling with a theme the instant you install it. My wife is not a computer person and does not care about computers. She loves design stuff. There was a time we used Winamp. Russell Aaron: Wow. Topher DeRosia: And she loved getting skins for Winamp. And she would download 30 in a day and try them all out. And then when I set her up for the blog the first time and showed her the theme repo on .org, this is in 2011, she would literally spend a day just downloading theme after theme after theme. Russell Aaron: Same way. Topher DeRosia: And you just install it and poof, your site looks amazingly different. These days, I mean, you install something like Kadence or GeneratePress or Ollie or any of them, really, and it’s kind of a blank canvas. Russell Aaron: It’s very minimalist. It’s very minimalist. Topher DeRosia: I miss the ability to say, “I feel like making a change today,” and two minutes later, your site looks completely different because you’re using… Russell Aaron: Couldn’t agree more. Couldn’t agree more. I mean, I look back at old pictures from when I would host the meetup group in Vegas, and there’s pictures of me talking, and then on the screen behind me is my old site, and it was this old layout. I bought the theme from Envato because I was just fascinated with it. It was everything that I wanted it to look like. But same thing is now when you change your theme from this one to that one, that dark grunge kind of thing is gone, and now you’ve got this bootstrap-looking thing or whatever. I agree with you. I think that comes from my days of being in MySpace. That’s how I got started with all this. So you could change your MySpace template like that, and I think that’s where it comes from, at least for me. Topher DeRosia: I haven’t even looked into it. Can you make a Gutenberg-based blog theme that has a very striking look and just release it? And then, I don’t know, just release a whole bunch of them like in the old days? Theme shops had 35 themes for sale, and they all looked different because they were all totally different themes. Russell Aaron: I remember there was a day on Envato where it was the same theme, it was just rebranded. So it was like theme name 1.0, and it was called Atlas. And then it’s the same theme but in orange, and now it’s 1.2, and it’s called Dungeon or something. And then we have 1.3 again. Same theme, same framework, but each version was named something different. It made that developer look like they had five different products instead of just one over and over. Now you look at something like a page builder, and it’s like, “We’ve got 500 different templates in one thing.” I can’t do that. I think that’s too much for me. Topher DeRosia: It’s like the days of the CSS Zen Garden. Russell Aaron: Right. Topher DeRosia: HTML is the same, CSS changes. Before I used WordPress, I built my own blog system. Russell Aaron: Oh, wow. Topher DeRosia: It never got super advanced, but I used it for 10 years. One of the things you can do in your HTML is register alternate stylesheets. It’s the same tag, it’s just an alternate word in there. And then in Firefox, at least, you can go under “view Page Style”, and they would all be listed there, and you can just choose different themes. I figured out the JavaScript, even though I didn’t know JavaScript. I figured out the JavaScript to make a little dropdown box in my sidebar so my visitors could say, “Oh, I want to change my theme here.” I never figured out how to do that in WordPress because everything was so tied to style.css. I didn’t know how to make a different one be the main one. But that’s something else I miss in WordPress is the ability to just so dramatically and dynamically change your design because your content is structured so well. Russell Aaron: You know, not only that, but I really liked the websites where there was a demo, and then it gave you a basic username. The username was demo, the password was demo. But then the one thing I never figured out was how every 24 hours the site would just reset. So somebody can go in there and they could do whatever they wanted to do. They could create their own pages. They could create their own blog posts. And for 24 hours, there was a page called Russell’s Awesome. But then after 24 hours, it would just reset. I always thought that was so cool, but I could never figure out how to do that. Topher DeRosia: Oh, yeah. And everybody was editing all at the same time, within that 24-hour period. Russell Aaron: I have since restructured my website. I use the block theme from WebDevStudios. I kind of feel like that’s where I got my education from. I was somebody who kind of dabbled around in WordPress, and then when I went to go work with them for three years, they had a set of standards that I couldn’t even fathom to begin with. But then as we built things and I saw how their machine works, how their business revolves, I was like, “You know, for me, this is the way that I like to do things, is the way that they like to do things.” And so my new website… I mean, not new website, but it’s my new theme, I actually had AI build it for me. I had Claude. I was using… It’s by ThemeIsle. Neve. I was using Neve, one of my favorite themes. Love them. So I was using that, and then my site was kind of all over the place. It was an “I’ll teach you how to do this”. That’s kind of the main focus of my site is I will jump on a call with you, and whatever questions you have, I’ll sit here for five hours with you if you want. I will teach you and until you get it. But then I also had this section about band names that were just… earlier when we were talking about the rise of Envato, you know, like I would have a section on my blog where you could create a new band name and then I had all these random blog posts. And so my website was kind of like this potluck, if you will, just like this random stuff. And I was like, you know, I want to be doing something else. I think my website needs to change. And I have those old blog posts still, but they’re hidden. So now with my new theme, I had AI look at my old site and say, this is what I think we should do. I picked out some colors and over like five days, I had it build me five different HTML pages, like completely different, you know? And then I started giving AI and I said like, “Okay, I want to look like this.” And then I was like, well, okay, I like this and I like this, but I also like this from this other site.” So I started feeding it information and like when the HTML came out, I had 12 different templates. I had my blog posts, I had my archive, but I had everything built in HTML. And the cool thing about the WDS block theme is that it serves everything as an HTML page. So I literally just took AI and said, “Take these HTML pages, bake them into how this theme does it,” and bam, my site came up. I had it done in maybe two days. Topher DeRosia: Wow. Russell Aaron: And then after that, I had it take all of those HTML pages and create me patterns. So now I can go in, and when I go into my full site editor, I can go to patterns, I have all my homepage patterns, my blog patterns, I sliced everything up, and they’re all WordPress native blocks. So I can literally go in and change the coloring on any page I want instead of having to edit the HTML or anything. And now that I have that, I feel this sense of freedom where I’m not worrying about an update coming tomorrow, if my update is gonna break or I don’t have to read a changelog that is not specific anymore. I can’t stress how much I love not having to read changelogs or the lack of changelogs. I mean, I’m fully happy with how things have come out. And over time, I’m gonna keep fine-tuning it, but I’m pretty much where I’m at right now. With all of this new technology that’s come out, I’ve really kind of found my love again for WordPress. I was kind of in a slump where I just wasn’t really doing anything. Now I take my son and we’ll drive down to Louisville, Kentucky. He rides BMX. So while he’s racing, I will literally have Claude Code open on my computer and I will log into the Claude app on my phone and I can keep sitting there having the same conversation. So this new thing that I’m building, I can still do it while I’m sitting there watching him race or while I’m doing something else. I was just like, this is fantastic. And then my wife will drive home and I’ll just sit there and I talk into my phone, I literally put the microphone on and I’ll be like, “You know, I don’t like that. And here’s my thoughts about this.” And you know, my phone dictates all of that and then I send it to my computer through the app and it just keeps spinning things up. Then by the time I get home, I have a new version that I can demo or I have a new version that I can test. I mean, I am just so fascinated by it. Topher DeRosia: That’s cool. Were we at WebDev at the same time? Russel Aaron: I don’t think so. Topher DeRosia: I was there just over three years ago. Russel Aaron: I was there 2015 through 2018. Topher DeRosia: Oh, yeah. I came much later. I was only there for like two months. Russell Aaron: Oh, wow. Sometimes that’s the way it goes. Topher DeRosia: Yeah. They were gonna get a big contract that hired a bunch of people and two months later didn’t get the contract and let us all go. Russell Aaron: As much as I hate that, that also taught me that the people that do great work or the people that show up every day and are putting in more than they’re getting out, those are usually the people that stay in companies like that. That really changed my work ethic. I used to be somebody who wanted to be not lazy, but I didn’t wanna be pressed for time or having to go, go, go and having to be on all the time. Now, I’m the opposite. Now, I’m like, now that I’ve done that, I kind of earn for that stretch for a little bit. I mean, you were just saying that how you’ve transitioned to where you are. I was watching a Barstool Sports interview with a guy who runs a pizza shop in… it’s either New Jersey or New York. The guy’s only open Wednesday, Thursday, Friday, Saturday. And he’s only open nine to six or something like that. And he built that business… well, it’s been in his family for like 60 years or something. He has one of the last original pizza ovens ever. But anyways, the point is, is that he lives at the pizza place, that’s where his entire life is, but he built the business around his life. I’m doing the same thing where if I wanna literally go jump on my bike right now and go for a two-mile ride, I’m gonna go do that. And I don’t have to feel like, hey, you’re not logged in and we’re not tracking your mouse. Like what’s happening? How come you’re not on Slack? You know what I mean? I’m not tied down to that. And I can’t stress that enough of like, that is where I wanna be. Topher DeRosia: Yeah. Yeah, it is a good life. We are at about the time to wrap it up. Okay. So I’m gonna do that. Where do you hang out online? Russel Aaron: Where do I hang out online? Topher DeRosia: Are you in any common WordPress Slacks? Russel Aaron: I’m on the main WordPress Slack sometimes. I tend to watch more than I do involve anymore. A long time ago, I used to be very vocal and I used to be not afraid to walk in to a room guns blazing. With the big cultural shift that happened in WordPress, I tend to just sit back now and be more self-reserved. So I post on my website, russellenvy.com. I’m on LinkedIn. I’ve been utilizing Reddit a lot too. I think for me, Reddit is a place where I kind of disagree with the fact that you can hide behind a pseudonym, but I do like the brutal honesty that people will have because they are hiding behind something and they will say, dude, this flat out sucks. Or they’ll be like, Hey, this is great, but it would be cool if, or somebody can be like, “Hey, that already exists. You’re not doing anything new.” I do like that. Because it kind of not puts me in my place, but it shows me either how connected or disconnected I am to what I think I’m doing. And so Reddit is a very great place. I mean, everything is russellenvy.com except for Twitter or X, whatever you want to call it. Topher DeRosia: All right, cool. Russel Aaron: Where do you hang out at? Topher DeRosia: I am in probably 40 slacks, but the vast majority of them, I don’t look at. I’m there so that someone can ping me. I’m in a couple of slacks in India. Okay. I’m in the WordPress Italian community Slack. Russel Aaron: That’s interesting. Topher DeRosia: Post status make, of course there’s a hero press Slack. I have my own company Slack, my local meetup has a Slack. There’s just a lot of them. I wouldn’t say I’m super active on any of them. I just occasionally interact with somebody. I use my own company Slack to invite my clients in when we talk there. Russel Aaron: Right. Do you find yourself reading things more than, you know… from the outsider looking in, I post a lot and it looks like I post a lot… I mean, especially on LinkedIn, but I’m always consuming more than I’m posting. Do you find yourself doing that? Like where you’re… maybe not keeping up with the trades anymore, but like, you know… I used to read maybe 1,500 blog posts a week and then… what was that service where you could like save…? I used to have a service where you could save articles and then that way, late at night, I would just read, you know, maybe 10 or 15 of them a night. But now I look at things like Reddit where I see… I just look at somebody who’s going on there and asking for help. Again, it’s a standard WordPress person that, hey, I’m new to this, I don’t know how, and I’m looking at it and I’m just like, how can we make that better? That’s kind of where I’m at these days. Topher DeRosia: I don’t read a whole lot in Slack. It really is for my convenience. I’m pretty active with my RSS reader. I follow a lot of stuff. Russell Aaron: Oh, wow. Topher DeRosia: Because I don’t wanna go chase it all down all over the internet. So, you know, there’s that. I’m on LinkedIn a fair amount, Facebook a little bit. I’m on Mastodon and Blue Sky mostly just to post stuff. It’s funny, I have more followers… No, let me say it this way. Mastodon, I have the fewest followers, but the most engagement from those followers. Russell Aaron: Isn’t that interesting? Topher DeRosia: Yeah, I’ll post something and I’ll get some favorites or reposts or whatever. Blue Sky, I get almost nothing at all, despite the fact that I have like a thousand followers there. Russell Aaron: But Blue Sky is a community that is fast-moving. I almost compare it to anything Meta has, which is you can post today right now and in three minutes you’re 785 posts down. That’s what I really love about Reddit is that I posted something about this AI team that I’m building that I give away for free on GitHub, and so for like five days, I was the number two post on that subreddit. And the volume that I saw from that. I mean, Reddit really loves human writing. If you go in there, you post something that somewhat seemingly might suggest that you had AI do anything with it, they will just downvote it. But if you write original and you write from the heart and stuff, like your stuff skyrockets there. I’ve learned a lot from Reddit because of that. Topher DeRosia: That’s really cool. Russell Aaron: It’s interesting. Topher DeRosia: Yeah. All right, well, thanks for chatting with me. Russell Aaron: Thank you for the time. Topher DeRosia: And now you can’t be on anybody else’s podcast. Russell Aaron: I’m actually starting my own, sir. Topher DeRosia: Are you? All right. Russell Aaron: I have, like you said, the reason why we started this is because you saw something from me that says, “I’m tired of the indie circuit,” if you will. I put out a LinkedIn post, I don’t know, maybe a month ago at this point and I asked people if they wanted to be on a show. So I have WP Roundtable. I got that from Kyle Mahler, a person who I love in WordPress more than I can express. One of the best people on the planet, I feel like. I was thinking about starting that up again, because we don’t have WP Watercooler anymore. We don’t have anything like that. That’s kind of where I got my start from. But again, I also identify that that’s kind of the problem is that every Monday or Friday I was on a show and I was one of the people that you would see constantly. And so I was sitting there thinking and I was like, what doesn’t the space have? What kind of show do I wanna watch? Because I don’t watch shows when they come out, do you? Topher DeRosia: No. Russell Aaron: I always watch them maybe four weeks down the road at like 2:30 in the morning when I have nothing going on. And by that point, the information is almost stale. I mean, the way that anything works these days. And there’s a few that I might watch maybe within 48 hours of coming out, but at this point, there is something… a new idea that myself and… the guy’s actually an automatician. And so it’s actually kind of interesting because we don’t wanna say anything that would put him in a position to where he’s saying something bad about the company he works for, but I’m also the person where I get to say something to the person who works at Automattic to maybe incite some change. So we are working on something like that, but it’s not going to be an interview show. It is not going to be something where you tune it out or you put it on a 2.5 playback speed just to get through it. You know what I mean? And that’s really what the emphasis of my post was about is that so many of the interviews go that way. Topher DeRosia: Yeah. Are you familiar with wppodcasts.com? Russell Aaron: Yes. Topher DeRosia: Okay, good. So when you get it started up, submit it there. Russell Aaron: That’s a place. I’m very fascinated by Gary Vaynerchuk. Are you familiar with Gary V? Topher DeRosia: No. Russell Aaron: I watch something Gary V every day. That guy makes me feel like I’m lazy every single day, but he is also one of the people that says like, “Hey, you’re 40, you’re still just a baby.” A lot of people feel like I should be two kids, a house, marriage, this, that, and because I’m not, I’m behind the ball. And he’s one person that’s like, “Listen, you’re still a kid.” And he’s like, “You’re 40, I’m 40, and you have 10 years until you’re 50.” And even then you’re still so young to where you can generate something again and from 50 to 60, you can now do. That kind of mentality really moved me around. Why I bring that up is, I’m trying not to post on the same places that everybody else is. I wanna find that new venture. Substack is a great one. And they also have a way to release podcast episodes through them. So they can actually be your entire engine. So like you don’t have to host them on different places and stuff like that. So I’m looking for different plays like that. Topher DeRosia: All right, cool. Well, I look forward to hearing about it when it comes out. I’m sure you’ll post on LinkedIn. Russell Aaron: Yes, yeah. Topher DeRosia: All right. All right then, well, I will maybe find you on Slack or Reddit or someplace. Russell Aaron: Slack, Reddit, LinkedIn. Either way, please keep in touch. First of all, it’s great to see somebody familiar in the space. It’s great. I mean, just talking about the old days, I could sit here and do it forever. Topher DeRosia: All right, I’ll see ya. Russell Aaron: Have a good one. Topher DeRosia: All right, so that was the end of the podcast. If you could send me a headshot. And yep, that’s the one. Cool. And any links you want in the liner notes. Russell Aaron: Cool. Topher DeRosia: And two or three sentences about you and what you do and whatnot. Russell Aaron: Cool. I noticed that you… are you trying to revive Hallway Chats? Or is it something that when you just find something interesting, you’re like, hey, I’ll go do that. Topher DeRosia: That’s it right there. Russell Aaron: Okay. Sure, sure. Topher DeRosia: There was a time when it was a weekly podcast and now it’s a whenever I feel like it podcast. Russell Aaron: I love it. I think that’s the biggest reason why I’m trying to do something different is I really dislike watching a podcast. The first thing they do is they come on and they go, “Hey, welcome to WP whatever. Hey, sorry we didn’t post this week. I was bit…” If you are gonna say you’re gonna post every Wednesday at one, that’s on you. But I do not like when things start off with an apology. Like just get to it. Because I’m not watching it Wednesday at one. I mean, unless you’re Joe Rogan, or unless you are somebody who has a huge following that people will watch you live because it’s important. Otherwise, it’s just consumable stuff, you know? Topher DeRosia: Yeah. For years, I posted it Heropress weekly on Wednesday without fail. I would ignore my family to go get it done. Then I was talking to Morton Rand Hendrickson. You know him? Russell Aaron: Uh-huh. Topher DeRosia: Yeah, he’s a huge fan of Heropress. And I said to him, “Do you read every week?” He’s like, “Oh no, not at all.” He’s like, “Oh, I thought you really liked it.” And he said, “Oh, I love it. But I don’t have time to read every week.” Every few months I’ll get depressed about the WordPress community and I’ll go read 10 essays. And then one time I was at WordCamp Ann Arbor, probably the same one you were at and Josepha came to me and said that… she was kind of a sounding board for employees that come to her and said, “Listen, I’ve been working support all day and people suck and I’m depressed and I hate life.” And she would just listen for a while and then at the end they would say, “Okay, I’m gonna go read a bunch of Heropress and I’ll feel better.” And it really changed my perspective of what I was making. I wasn’t making a weekly publication. I was making an archive, a collection to be used as a tool, a library. Russell Aaron: I’m gonna say this poorly, but it’s almost like you are creating a support help hotline where it’s like, if you’re on the verge of blowing up your website, please call this number. We’ll talk you down from it. It’s almost like you’re building that. Topher DeRosia: That’s funny. Russell Aaron: That’s interesting. And then now you’re just selective about it or you’re so far- Topher DeRosia: I’m less aggressive about finding essayists and less insistent that they get it to me by a certain time. Like I would find somebody and say, listen, I need it by Sunday on this date. And they were like, “Okay.” And that worked for a while. Russell Aaron: Oh, before, before. Okay. Topher DeRosia: Yeah. But now I’ll find somebody… No, I don’t go looking as often. Russell Aaron: You’ll maybe find something that somebody wrote and you’ll be like, “Hey, are you interested in doing this?” Topher DeRosia: Yes. And I don’t find people as often. I used to find my people on Twitter and I’m not on there anymore. Russell Aaron: Like by personal choice? Topher DeRosia: Yeah. Russell Aaron: Okay. Topher DeRosia: I just left Twitter. Russell Aaron: Oh, wow. You feel like your life improved? Topher DeRosia: Yes and no. Russell Aaron: Okay. Topher DeRosia: I feel the loss of what Twitter was. And it’s not there anymore. It’s just gone. Russell Aaron: Especially around WordCamp and stuff like that. That used to have to be the place that you’d be on, you know? Topher DeRosia: The Twitter I loved doesn’t exist anymore. And so, yeah, I feel that loss. Russell Aaron: I need a t-shirt that says that. Topher DeRosia: Yeah. Wow. I’m in the process of making a printable store. Printable? Printful. Printful store. Russell Aaron: Cool. Topher DeRosia: With Woo, to make a video with. I need to make a bunch of products. Maybe I’ll make one of those. Russell Aaron: It’s interesting. Wow. You just flat-out left X. Do you feel like with Heropress, it was… and again, this is why I made that post, is that people almost see it like they can make the rounds. And it’s like, well, I haven’t gone there yet. And so they’re gonna submit something to you because they’re gonna get some press out of it. And it’s not so much what’s best for your brand or it’s not best for your website. They just see it as, well, I’m gonna get some exposure there. Do you feel like it used to be that? Topher DeRosia: No. I’ve gotten maybe two or three submissions ever like that. And a couple of them, I was able to say, “No, that’s not what we’re about. It’s this other thing, what Heropress is actually about.” And they’re like, “Oh, well, okay, that’d be great.” And they do that. And maybe one or two people have said, “I built this great company and everyone should come use my company.” Like, no, not so much. Russell Aaron: Interesting. Topher DeRosia: And that’s the end of it. Russell Aaron: I remember back in, I wanna say like 2013, people used to call each other out and be like, why are you giving the same speech at WordCamp Miami, WordCamp Minneapolis, WordCamp San Diego. And that’s kind of where I was at with that same LinkedIn post. It’s like, I really, really enjoy watching Matt Cromwell’s show, but the guy that he just had on also was on Jonathan Denwood and was also on this one. It was also on, I was like, I’ve already seen this. Maybe I get three more percent information that wasn’t in that last, or because Matt knows a little bit more about personal stuff in WordPress or building a business, he might have some more insight there, but it’s like, I’ve already heard this and I’m kind of already over it. And that’s kind of where I was at is you don’t have to just say, I’m gonna do this one and that’s it. But it’s almost like, you’re making yourself not… what’s the word. Not credible because you’re going around and saying the same thing and it’s just, you’re not doing anything different than a blog post could have done. Topher DeRosia: You know what I mean? I don’t feel too bad about repeating WordCamp talks because, especially at small camps, because a lot of people are just gonna go to their local camp and never go to another one. And unless they cruise.tv, they’re not gonna see it. I struggle a little bit with podcasts because I’ve been asked a lot over the last 10 years to come on a podcast and talk about the story of WordPress. And it’s the same story every time, you know? And so, I’ll try to mix it up a little bit, give different information that I’ve never given before, that sort of thing. But it is something I think about and struggle with a little bit. Russell Aaron: What do you struggle with about it? Topher DeRosia: I don’t wanna just say the same thing over and over again. You know, I don’t want people to go, oh, Topher’s on another podcast episode. Oh, I’ve heard this story. I don’t need to be on this episode. Fortunately, it’s been around long enough that I can give a brief synopsis of the beginning and talk about stuff that’s happened in the last couple of years. Russell Aaron: Right. Topher DeRosia: Which is gonna be really different from the podcast episode I was on in 2020. Russell Aaron: You know? Right. Topher DeRosia: It’s an interesting dilemma when you have one story to tell and everybody wants you to tell it. How do you deal with that? Russell Aaron: Well, I’ve noticed that too. It is like, you know, I’ll watch [Insert Famous Name Here], and they have a podcast, and they’re interviewing, again, [Insert Famous Name Here], and that person was also just on That Famous Name and That Famous Name. I actually saw somebody, it’s like almost a year ago, and they were just like, “Do you want me just to say this so your show has this speech in it or are you genuinely asking me?” Because, you know, like you want this story so you can post it on your social media. But I’ve already given that story 15 different times because they wanted it for their own, you know? And it’s almost going that way where I kind of respect it in a way because you don’t want to post other people’s content. But I also feel like I’m tired of saying the same shit over and over again. It’s interesting, man. Topher DeRosia: Yeah, that’s a dilemma. Russell Aaron: So you’re just like kicking back and… are you building something for you that you think is gonna scale or are you trying to get away from WordPress? That’s kind of where I’m at right now. Topher DeRosia: Yes and no. I have always wanted to… I’ve always been better with people than code. I’m a life coach. Russell Aaron: Yeah. I did not know that about you. Topher DeRosia: I love talking to the client more than coding. I love helping people learn things. And so those skills could be anywhere in WordPress, but also could be anywhere outside of WordPress. So I’m looking for those jobs and they are not out there. Russell Aaron: Right. Topher DeRosia: So here we are. Russell Aaron: I’m to the point now where my son, he’s eight, but he races BMX, like actual bikes and stuff. And so there’s a college here in Indianapolis and it’s one of the best cycling schools in the country. And there’s like five Olympians that practice every Tuesday and Thursday and they’re right in our back door. These are people that have a great social following, but they don’t post very well. They have a brand name, but they don’t have a website. So I’m noticing that every new space that I go into, it’s kind of like I get to jump back into WordPress again, where it’s like, hey, I just built a website for this BMX track in Louisville, Kentucky. It’s one of the best tracks in the country by everybody that has ever raced in a sport, they all vote that it’s one of the best, but they don’t have a website period. I just went through this where they have a guy, he’s their treasurer and he’s like, “Well, I’m an AI software guy.” And I’m like, “Well, how come you don’t have a website?” And he’s like, “Well…” And I’m like, “Listen, I submitted a new version of a we… literally, I uploaded it to my Russell website or to my Russell Envy site and I just put it in a sub-folder and I was like, “Your website could look like this today.” I was like, “For free. I don’t want anything from you. No free anything.” I was like, “I want to donate this to you because I want to grow the sport.” And the guy’s like, “I wanted to build it and React.” And I’m like, “Well, why didn’t you?” And the guy’s like, “Uh.” And I’m like, “I have free hosting for life from WPEngine.” And I was like, “I won’t charge you guys ever. I will host a site. I have free with AppPresser. I’ll build you guys an app where you guys can send push notifications.” And the guy’s like, “Well, I want to have a lot of control and say over it.” And I was just like, “All right, you know what?” And then I built my own. Now I own a domain all about their BMX track and now they’re calling me going, “We should have went with you.” I’m to the point now where I’m nice. And then it’s just like, “Dude, I’m 10,000 miles over you and I’m going to go this way.” Liquid Web did that to me. Liquid Web brought me in and they were like, “We’re going to…” I was supposed to be the OG stellar WP. They brought me in, I was hiring all my friends and I was bringing in people and we were building something. And then they called me and they were like, “Well, you can either be a level two support person or you could just not work here.” And I was like, “Well, I don’t work here anymore.” And they were like, “Well, wait, hang on.” And I literally hit “click” and I have never logged on since. Topher DeRosia: That’s funny. Russell Aaron: I’m in that same boat where, you know, I don’t have to work for you. You know what I mean? Like, fuck, I’m 40. I should be doing something on my own anyway. I kind of wish I had… what was WP 101? Sean did that for all those years. I wish I would have done that. Or every week, I should have had some YouTube about talking about something and maybe I could have monetized that, but I’m not behind the ball. I let the ball slip is what I feel like. Topher DeRosia: It’s not too late to start. I picked that up when Sean, quit and I’ve got a YouTube channel with a bunch of stuff on it. I published one today. Russell Aaron: Oh wow. It’s just interesting things that you think about, or is it like educational, like tutorials? Topher DeRosia: It’s educational tutorials, but stuff that I find interesting. Like today I made a desktop wallpaper for WordCamp Europe. Russell Aaron: Nice. Topher DeRosia: And I did it by going to their webpage in my browser and using the console to hack the HTML and CSS until it looked like a screen, a wallpaper. Russell Aaron: That’s fucking cool. Topher DeRosia: So I published it right before I’d started talking to you, like minutes before that. And it has three views. Russell Aaron: Woohoo. Topher DeRosia: But a couple of weeks ago I did one called fun and games in the terminal. And it’s how to play Tetris in the terminal and how to make a choo-choo train go across your screen when you type LS wrong. And it has 784 views right now. Russell Aaron: That’s awesome. Topher DeRosia: I did one on how to brighten a photo. I did a series. I’m working on a series called Topher learns how, or I talk to people who know how to do things that I really should know how to do, but don’t. I talked to Scott Kingsley Clark about pods, which has been around forever, but I’ve never used. I talked to Donata about Termageddon, because I know it’s important, but I have stayed away because I don’t understand and it’s scary. Russell Aaron: Termageddon. I’ve never heard that. Topher DeRosia: Oh. You know the little cookie consent things, privacy policies and whatnot? Russell Aaron: Yeah. Topher DeRosia: So when you sign up with term again, you pay a surprisingly low monthly fee and they have a human get on the phone with you and talk through your requirements of where you live, your legal stuff. Like, are you in Europe? Are you in California? Where are you? Where are your customers, your viewers? Then you drop in a short code for your privacy code and for the cookies and they keep them up to date based on how the laws change. So you don’t have to pay attention to, Oh, did California make some crazy new law about cookies? What do I need to do to update my site? It’s really, really great. So I did an interview with her. Russell Aaron: $12 a month or $119 a year. Topher DeRosia: Yeah. Russell Aaron: What is the point of having a privacy policy if you don’t pay extra for limiting your liability? Wow. That’s amazing. Topher DeRosia: It is. Russell Aaron: That’s someone just thinking outside the box. Topher DeRosia: Yeah. I have a couple of videos where I was given an account at a hosting company that I’ve never used and videoed logging in for the first time and getting to a website. Russell Aaron: Oh, wow. Just from first login to setting everything up to now you have something production. Wow. Topher DeRosia: Yeah. Specifically not reading the docs. Russell Aaron: Oh, just trying to brute force your way through it. Topher DeRosia: Yeah. Russell Aaron: That’s smart, dude. Topher DeRosia: It’s partly about… well, they may have wonderful docs. It may be super easy to do if you read all the docs. I don’t want to read the docs. Russell Aaron: Me neither. Topher DeRosia: Clickety clickety click, I have a website. So I did GreenGeeks. I did honesthosting.io. I did X cloud. So that’s the kind of stuff I’m doing. Russell Aaron: That’s interesting. That is something that, that Gary V talks about a lot is that it used to have to be where you are this WordPress brand and you do just this and all your videos could only be about that. Anytime you stepped outside the box, people were like, “Why am I watching this?” And today now we’re to finally to where my website would probably actually thrive is it’s so random. It’s just something out of my head and one thing can skyrocket and it’s like hitting the jackpot, you know? That’s interesting. Topher DeRosia: Another thing I did is I made a site called topher.how and because I realized I had never really made stuff in my own channel. I’ve been blogging for decades, making videos, WinningWP. I have over a hundred videos on WinningWP. Russell Aaron: WinningWP? Topher DeRosia: Yeah. Russell Aaron: Did you start that when Charlie Sheen started doing Winning? Topher DeRosia: No, no, no, no. But I was thinking, boy, I’d love to have all this stuff on my own website, but I don’t want to go find it all and copy paste posts. And then I realized nearly every place I’ve ever made content has RSS for their authors. Russell Aaron: Yeah. Topher DeRosia: And so I found the sites, found my author RSS feed and started piping them into WP all import. And now topher.how has all my content from the last 15 years on a dozen different sites, doesn’t more than a dozen different sites, all my videos, all my posts, everything on wordpress.tv, all that stuff. So it’s kind of a portfolio. Yeah, so you can go to topher.how and see all my stuff. Russell Aaron: That was actually one thing that I was really proud of was that my entire WordPress journey is documented on somebody else’s project. So, like you go to WPwatercooler and my resume, what is great about it is that it is not me who can edit those videos, it is not me who can master them. Those words are there. Those words are me. You want to know my qualifications in WordPress, there’s all my shit. For me, I was like, “That’s actually pretty sick. You know what I mean?” Topher DeRosia: Yeah. Russell Aaron: Wow. Topher.how. Oh, dude, do you know who Jeffrey Zinn is? Topher DeRosia: No. Russell Aaron: Oh God. Him and Brandon Dove they have Pixel Jar. Have you ever heard of Pixel Jar? Topher DeRosia: Maybe. Russell Aaron: They’re big West coasters. I’ll tell you that much. He just wrote me, “He literally just said, dude, how do you find the time to write so much on LinkedIn? I enjoy all your stuff, but mostly I’m blown away by the volume.” Topher DeRosia: Nice. Russell Aaron: I’m going to write him back and just tell him the truth. But you know, it’s all thought man. Interesting. Topher, I’ve had a lot of fun. Am I taking up your time? Topher DeRosia: I should get back to work. Russell Aaron: All right, sir. Have a good one. Topher DeRosia: All right. I’ll see ya. Russell Aaron: Bye. Topher DeRosia: Bye.

Waymo is bringing their self-driving cars to Washington, DC. The National Council on Independent Living is celebrating the important moment. The organization says that it's a significant opportunity in advancing accessible transportation for all people with disabilities. The Council's Executive Director, Theo Braddy, is here to explain how Waymo will help the blind and visually impaired travel around their communities.  For more info related to this week's show, go to: https://speakingoutfortheblind.weebly.com/list-of-episodes-and-show-news/for-more-information-episode-387-waymo-comes-to-washington-for-the-blind Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

We're welcoming Dan Kysor back to the program. You may remember when I interviewed Dan on a previous episode back in the early 2010's. Dan's here to talk about a brand-new book he just wrote and published. The book covers the diverse landscape of accessible fitness and leisure for the blind and visually impaired.  For more info related to this week's show, go to: https://speakingoutfortheblind.weebly.com/list-of-episodes-and-show-news/for-more-information-episode-386-recreate-yourself Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

The Same-Day Paratransit Innovation Act, or H.R. 8128, was just introduced in the House of Representatives. The Act plans to remove the rule of scheduling paratransit rides more than twenty-four hours in advance. Scheduling rides twenty-four hours in advance makes it difficult to take care of last-minute needs. The last-minute needs might include work meetings and unexpected doctor visits. H.R. 8128 would call for same day paratransit services. The same-day services would give riders greater control, flexibility, and independence over their schedules. ACB's Director of Advocacy and Governmental Affairs Claire Stanley is here to talk about the Same-Day Paratransit Innovation Act.  For more info related to this week's show, go to: https://speakingoutfortheblind.weebly.com/list-of-episodes-and-show-news/for-more-information-episode-385-same-day-paratransit-innovation-act Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

More video games are being released with audio description. How does audio description help blind players win the games and reach all their levels? Aaron Spelker, the Cahir of ACB's Audio Description Project Gaming Committee, joins us to answer this question. For more info related to this week's show, go to: https://speakingoutfortheblind.weebly.com/list-of-episodes-and-show-news/for-more-information-episode-384-accessible-video-games-for-the-blind Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

Eure beiden Lieblingstimelords, haben sich in die Tardis geschmissen und nehmen euch mit auf einen Kurztrip in eine Zeit von Winamp, Warcraft 3 und vergessenswerten Comicverfilmungen. Im noch frischen Jahrtausend gab es wegweisende Filme und Spiele, direkt neben jenen, für die das Wort "Cringe" erfunden wurde. Wie war euer 2004? Was waren die High- und Lowlights und worüber möchtet ihr lieber kein Wort mehr verlieren?

Was waren das für Zeiten, als man sich ganz genau überlegt hat, welche 15 Songs man auf seinen 256MB-MP3-Player geladen hat, um den Alltag zu überstehen. Damals, als Streaming-Plattformen wie Spotify, Tidal und Co. noch absolute Zukunftsmusik und gerippte Songs das wahre Gold auf dem Schulhof waren. In dieser Folge nehmen wir euch mit in die Pre-Streaming-Ära und schwelgen in Erinnerungen, um aber auch der aktuellen Retro-Welle auf den Grund zu gehen und zu checken, ob iPods und Co. wirklich wieder ein Ding oder nur eine kurze Modeerscheinung sind. Winamp, eMule und Web-Radios. Napster, Myspace und 128 kBit/s-Dateien. Eine Folge für alle, die sich mal wieder so richtig alt fühlen wollen oder einfach Bock auf die ultimative 2000er-Nostalgie haben. Dazu aber auch neue Releases von The Last Ten Seconds Of Life, Wage War und The Warning, sowie Lifehacks für Leute mit zu vielen oder zu wenigen alten Bandshirts.

KOB-TV in Albuquerque is reporting that the New Mexico School for the Blind and Visually Impaired is getting $6 million for upgrades. The upgrades will enhance accessibility for wheelchair-bound kids. Here to talk about the upgrades is Pual Kilman. Mr. Kilman is the New Mexico School for the Blind's Early Childhood Program Principal.  For more info related to this week's show, go to: https://speakingoutfortheblind.weebly.com/list-of-episodes-and-show-news/for-more-information-episode-383-new-mexico-school-for-the-blind-and-visually-impaireds-accessiblity-improvements Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

The American Council of the Blind is launching STEP. STEP stands for Strengthen Teens, Elevate Potential. Strengthen Teens, Elevate Potential is a new youth program launching at ACB's 2026 Convention. STEP is for blind and visually impaired high school students and their families to explore independence, identity, advocacy, and life beyond high school. We welcome back ACB's very own Cindy Holis to talk about the program.  For more info related to this week's show, go to: https://speakingoutfortheblind.weebly.com/list-of-episodes-and-show-news/for-more-information-episode-382-acb-step-program Ways to Connect to Speaking Out for the Blind  Amazon Alexa enabled device (RECOMMENDED) “Alexa, Ask ACB Media to play Media 1”. (1 = stream number). PC / browser access (RECOMMENDED):  Visit acbmedia.org at http://www.acbmedia.org/1 (1 = stream number). The site has a built-in media player and there is no need to install or use a media player on your device. Hit the play button and the stream will begin playing immediately. Smart device Access (RECOMMENDED):  Download “ACB Link” from your app store. Find “Radio” along the bottom of the screen, then “Menu” in the top left corner. Select “Live Streams” and then choose “ACB Media 1 - Mainstream.” Double tap the play button. Victor Reader Stream Access: Navigate to “Internet radio library” in the “online bookshelf”. Locate the Humanware playlist. From the playlist, select ACB Media 1 (1 = stream number) and hit play. Alternate Dial-In access  Dial 1 (518) 906-1820. Listen to the menu prompts and press 1.  IMPORTANT NOTE The ACB Radio Tuner is no longer supported. If you used the tuner in the past, you may access all ACB Media streams from acbmedia.org (see above) If you are using alternate ways to access ACB Media streams than those above (such as Tune In or Winamp using acbradio.org URL's, we kindly ask that you use one of the methods above.   Facebook page is at Speaking Out for the Blind and X (formerly Twitter) page is at SpeakOutfortheBlind (you may also access this at SpeakOutBlind).

ลองจินตนาการถึงเสียงแพะร้อง และประโยคสุดคลาสสิกที่ว่า “Winamp, it really whips the llama's ass.” หากคุณคุ้นเคยกับเสียงนี้ แสดงว่าคุณคือหนึ่งในพยานปากเอกของยุคสมัยที่อินเทอร์เน็ตยังต้องเชื่อมต่อผ่านสายโทรศัพท์ และการฟังเพลงสักเพลงบนคอมพิวเตอร์คือเรื่องที่น่าตื่นเต้นที่สุด ย้อนกลับไปในช่วงปลายทศวรรษ 1990 ก่อนที่โลกจะรู้จักกับ iPod ก่อนที่ Steve Jobs จะเปลี่ยนโลกด้วย iTunes และนานมากก่อนที่เราจะมีแอปพลิเคชัน Streaming อย่าง Spotifyหรือ YouTube Music อยู่ในมือถือ ในยุคนั้น มีซอฟต์แวร์ขนาดเล็กตัวหนึ่งที่ชื่อว่า Winamp มันไม่ใช่แค่โปรแกรมเล่นเพลง แต่มันคือวัฒนธรรม คือสัญลักษณ์ของอิสรภาพ และเป็นจุดเริ่มต้นของยุค MP3 ที่สั่นสะเทือนอุตสาหกรรมดนตรีทั่วโลก แต่คำถามที่น่าสนใจคือ ทำไมซอฟต์แวร์ที่มีผู้ใช้งานเกือบ 100 ล้านคน และครองตลาดเบ็ดเสร็จ ถึงได้พ่ายแพ้และเกือบจะหายสาบสูญไปจากหน้าประวัติศาสตร์ วันนี้เราจะมาถอดบทเรียนธุรกิจและย้อนรอยตำนานของ Winamp ว่าเกิดอะไรขึ้นเมื่อ “นวัตกรรมจากเด็กอัจฉริยะ” ต้องมาปะทะกับ “ทุนนิยมขององค์กรยักษ์ใหญ่” เรื่องราวนี้มีจุดเริ่มต้น จุดเปลี่ยน และบทสรุปอย่างไร ไปติดตามกันครับ เลือกฟังกันได้เลยนะครับ อย่าลืมกด Follow ติดตาม PodCast ช่อง Geek Forever's Podcast ของผมกันด้วยนะครับ #Winamp #ประวัติWinamp #ธุรกิจ #เทคโนโลยี #ยุค90 #MP3 #Startup #บทเรียนธุรกิจ #ความรู้ธุรกิจ #TechHistory #iTunes #AOL #ย้อนอดีต #โปรแกรมคอมพิวเตอร์ #เด็กยุค90 #GeekStory #กรณีศึกษา #geekstory #geekforeverpodcast

I am really proud that this is my 200th mix release over the past 20 years or so of mixing dnb harmonically using software. Despite now being a little longer in tooth, I hope I have inspired others to give it a try and leave vinyl/decks in the 20th century (or to those that just like the smell). The technology has advanced in many ways since I started off using 2 instances of Winamp and a cross-fader plugin...not least the tools to help the DJ mix harmonically and other automations like beatmatching to free them up to focus on higher value input tasks. I expect to see AI being used to this end soon and am always looking for innovative ways to make a better sounding mix. I've been experimenting with generated cover art by crafting a prompt which includes the playlist metadata and expect it won't be long before specialist models can help suggest > mix > dynamically remix > even generate next tracks based not only on analysed key and BPM but on facets like playlist history, vocal themes, arrangement structure and phrasing. This special milestone release is a thank you to everyone that listens in to or comments on the mixes, to the clever software engineers at Native Instruments (and Google) and to the amazing *real* artists making the music that inspires it all - THANK YOU! Modest Intentions - Don't Matter Dimension - Guardian Angel Nelver - Flash Royal Mystical Sound - Hearts Hold Tight - Lounge (DC Breaks Remix) Intelligent Manners - I Lost You Baby James Hiraeth - Back Around VIP Komatic - Lucid Silence Groove - On The Way James Rowe, Resound feat. Stapleton MC - Shady (Heist Remix) Green Vibes - Take Me Out James Hiraeth - back 2 u Disco lines - Babygirl (SAV Remix) (Free Download) Whytwo - Memories Hypershell - Badejo Ben Rolo - Netrunner Andromedik - Elevate 1991 - Get A Good Feeling Download MP3 apple-podcasts-claim ef987c80-b357-11f0-88a0-75e794ef5444

We're still under the Evil Eye's spell this week, as we continue watching DanDaDan S2, episodes 7 and 8. We also talk about Lauryn Hill, TV shows on the CW, working tech support, Winamp, and replacements for the US national anthem. | Follow us on Apple Podcasts | Support us on Patreon | Follow us on BlueSky | We're on Threads/Instagram | Subscribe to us on YouTube | Join the fan Discord

Now that we're officially in the 2026 Eurovision season, it's time to revisit the last time Austria hosted the contest: 2015. But we couldn't do it alone - Ross Bryant of Dropout & Push the Roll joins us to cover the show from Aminata to Zelmerlow. Jeremy dreams of Winamp, Dimitry's ears always perk up at good Adio, Ross is tormented by electro-swing, and Oscar thinks we ought to do Tonight Again.Watch Eurovision 2015 here: https://www.youtube.com/watch?v=44t24wGdlA0Listen to Ross's new Call of Cthulhu RPG podcast, Push the Roll, here: https://pushtheroll.com/This week's companion playlist: https://open.spotify.com/playlist/1Z3Za7oxN398hDn23tjHvz The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Ian Rogers is the Chief Experience Officer at Ledger, leading the consumer-facing arm of the business. Ian was previously the Chief Digital Officer at LVMH, working with a portfolio of nearly one hundred brands across luxury, including Louis Vuitton, Dior, Sephora, and Hennessy. He also sits on the boards of Dr Martens and Lyst. Ian has a background in music and culture, having spent twenty years bringing digital music to the mainstream, first with Winamp then Yahoo!, Beats, and Apple. He contributed to the 2015 launch of Apple Music, including Beats 1, their digital streaming channel. Ian built some of the earliest music-related websites in the early 90s and has been working with the Beastie Boys since 1993.Ian collaborated closely with Tony Fadell (Godfather of the iPod) to launch Ledger's latest hardware, Ledger Stax and Ledger Flex. These devices represent the fusion of cutting-edge security technology with an intuitive design that bridges cultural adoption.In this conversation, we discuss:- Crypto is legal now and we have clear rules - Present day crypto market - Permissionless payment rails have proven to be useful - Luxury brands buy solutions to make the consumer exp more seamless - Corporate-issued stablecoins - Ledger Recovery Key - Hardware wallet evolution - The growing importance of user-friendly security infrastructure - The merger of crypto & tradfi - Living in the future is the best form of cheating- Value, Identity and AI = the future LedgerWebsite: ledger.comX: @LedgerLinkedIn: LedgerIan Rogers X: @iancrLinkedIn: ian rogers---------------------------------------------------------------------------------This episode is brought to you by PrimeXBT.PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers.  PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions. Code: CRYPTONEWS50 This promotion is available for a month after activation. Click the link below: PrimeXBT x CRYPTONEWS50FollowApple PodcastsSpotifyAmazon MusicRSS FeedSee All

Justin Frankel is a programmer, musician, and human being. In this conversation, Justin, the creator of Winamp and Reaper, shares his journey through programming, the evolution of his software, and the philosophy behind his work. He discusses the challenges of working under AOL, the artistry involved in software development, and the unique pricing model of Reaper. Justin also reflects on the future of AI in music and the importance of human connection in art. Justin Frankel Links   Mr. Bill Links

Obsidian is a note-taking and productivity app that occupies the same "second brain" space as competitors like Notion — but in a lot of ways, it's also startlingly different. Obsidian's files are Markdown-based, stored locally on your own devices, and completely free to use. Steph Ango, the CEO, is also different in a lot of ways: He's not an Obsidian founder, but instead came to the role from being basically a member of the fan development community. His take on software, productivity, and business is refreshingly old-fashioned in a lot of good ways, while he's also leading a very 21st century startup.  Read the full transcript on The Verge. Links:  I'm joining Obsidian as CEO | Obsidian Blog About Obsidian (Manifesto) | Obsidian Narvar acquires Lumi (2021) | Narvar  After 15 years whipping the llama's ass, Winamp shuts down | TechCrunch Notion's Ivan Zhao wants you to demand better from your tools | Decoder Book Review: “What I Talk About When I Talk About Running” | National Geographic Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt; our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The video of Charles Martinet puppeteering Mario around the screen: * https://www.youtube.com/watch?v=VyezQsI-v-s Lords: * John * Esper Topics: * Chess, the Musical: a show that is universally acclaimed but no longer performed because it consistently loses money * I believe live television to be the most exciting thing humans have invented * Blaseball had $3 million in VC funding * Pad, Pad by Stevie Smith * https://allpoetry.com/Pad,-Pad * Why not RSS for text? * Officiating weddings for your friends Microtopics: * The video of Charles Martinet puppeteering the Mario head. * Who gets to say "roll theme song!" * A community where the chances of someone acting in bad faith is negligible. * DC Action News. * All human communication is technicallt advertising. * The generous Haste demo. * A skipping stones on water kind of game. * Sonic/Klonoa/late 90s/early 00s aesthetics. * A karaoke favorite that is not very reasonably sensitive. * All the Tims who did not work on Chess the Musical. * The guy from Rent whose name you can't remember. * Breakdancing while arbitrating a chess match. * Internet radio stations. * A Windows 95 theme of Chess the Musical. * Installing Windows 95 themes on your Picotron desktop. * Sex, Death and Live Television! * Live TV mishaps that ruin entirely the wrong career. * HQ. * At five o'clock, there's gonna be a guy. * The sense of spectacle you get from a live broadcast with a big audience. * The time one of the leads forgot his entire monologue. * The thrill of being part of a live performance as it's going wrong. * Listening to Shoutcast channels on Winamp. * Winamp's Shoutcast station registry. * The childhood dream of owning a TV station and getting to make all the little station IDs. * Netflix's abandoned "just fuck me up" button. * Six episodes of Deep Space 9 on a single VHS tape. * Drop 7 vs. Dropout TV. * Getting entirely the wrong information from your survey about what people like about your product. * Trying to sign up for Blaseball and failing. * Funny names such as Dominic Marijuana. * Jumping in and forcing some actions to happen. * Needing your game to break so that you can write the way it breaks into the narrative of the story. * Blaseball-likes. * Terrorball. (Short for Territory Ball.) * A list of all locations. * The Scarborough Fairies. * Resurrecting Jaylen Hotdogfingers. * An online text mode football manager with a live chat. * Fish Center. * Determining which fish is best. * Bringing a little bit of the live frisson to a fake live broadcast. * Whether it's okay to read a poem more than once. * Softly I go now, pad pad. * Cats you had together. * The cat that Hatricia Hop-Meow is based on. * Blogs: do they exist? * Making a point of finding an open source way to do your shit. * A 24 hour cycle of live podcasts. * TiVo for podcasts. * Edging the feeling of whether you're watching live TV or not in a slip slidey timestream. * Asking chat a question and then waiting 15 to 20 seconds for the response to come back. * Bringing back RSS readers. * The New Old Reader. * Opening with the mawwige joke. * Wanting people to want things. * Going back to your old life except now your friends are married. * Protecting The Lord from unauthorized clergymen. * Paying $20 to the Universal Life Church so you can perform weddings in most states. * Keeping the card in your wallet in case anyone tries to claim that you're not really an ordained minister.

Thierry Ascarez is a seasoned music industry executive with nearly two decades of experience across major labels, music-tech startups, and AI innovation. He began his career at EMI Music before launching his own company in San Francisco, where he spent six years driving music and technology initiatives. Now based in Belgium, Thierry leads Business & Corporate Development at Winamp, where he's helping shape the future of digital music.In this episode, Thierry dives into how artists can thrive in the modern music landscape by embracing technology, community, and innovative monetization models.Key Takeaways:Why relying solely on streaming isn't sustainable—and how to unlock new revenue streams.How Winamp is empowering artists to own their audience and monetize through digital collectibles and NFTs.What the future holds for AI in music and how it can enhance, not replace, creativity.---→ Learn more about Thierry and Winamp at https://www.winamp.comBook an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Invité, fonction, était l'invité de François Sorel dans Tech & Co, la quotidienne, ce jeudi 24 septembre. Il/Elle [est revenu(e) / a abordé / s'est penché(e) sur] [SUJET] sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

Ep 251Siri Is Super Dumb and Getting DumberLukasz Olejnik:Cyberattack on the Slovak cadastral system (ÚGKK). Critical property data is inaccessible; some may be recoverable from paper records, but some could be irreversibly lost. No proper backups available. Hackers demand a 7-figure ransom in USD.Do You Use It? Backup Strategies Span the Gamut - TidBITSReview: BenQ's Affordable MA270U 4K Monitor Is Made for MacBooksAsus ProArt Display 5K display review for Mac users - 9to5MacGet a stunningly high PPI on a 32-inch screen with the ProArt Display 6K PA32QCV - Edge UpViewSonic VP2788-5K specifications unveiled in fullCene u EU vs SrbijaiPhone 16 pro SSD upgrade storage 128GB to 1TBHow to put your iPhone in diagnostics mode - Apple SupportGitHub - kartik-venugopal/aural-player: An audio file player for macOS, inspired by Winamp.TabFS — A browser extension that mounts your browser tabs as a filesystem on your computerTwenty years of the Mac mini, the little Mac that couldLumon Industries Macrodata Refinement TerminalKB Parallels: Run Intel-based virtual machines on Apple silicon Macs using Parallels Desktop x86 emulatorGitHub - ading2210/doompdf: A port of Doom (1993) that runs inside a PDF fileNokia's Next-Day Internal Competitive Analysis of the Original iPhone Largely Got It RightZahvalniceSnimano 25.1.2025.Uvodna muzika by Vladimir Tošić, stari sajt je ovde.Logotip by Aleksandra Ilić.Artwork epizode by Saša Montiljo, njegov kutak na Devianartu

Google must crack open Android for third-party stores, rules Epic judge Google asks 9th Circuit for emergency stay, says Epic ruling 'is dangerous' Canceling subscriptions is about to get easier The FCC is looking into the impact of broadband data caps and why they still exist Wyden: CALEA Hack Proves Dangers Of Government-Mandated Backdoors Elon Musk's X is changing its privacy policy to allow third parties to train AI on your posts X Will Soon Let Users See Tweets From People Who Block Them People are flocking to Bluesky as X makes more unwanted changes US probes Tesla's Full Self-Driving software in 2.4 mln cars after fatal crash French court orders blanket blocks of porn sites Sam Altman's identity and cryptocurrency venture Worldcoin has a rebrand Winamp deletes entire GitHub source code repo after a rocky few weeks Amazon debuts next-gen family of Kindle devices: First color model, fastest and lightest Paperwhite ever Amazon goes nuclear, to invest more than $500 million to develop small modular reactors Netflix third-quarter subscribers barely beat estimates as ad-tier members jump 35% Host: Leo Laporte Guests: Brian McCullough, Cory Doctorow, and Jason Hiner Download or subscribe to this show at https://twit.tv/shows/this-week-in-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: bitwarden.com/twit flashpoint.io canary.tools/twit - use code: TWIT NetSuite.com/TWIT Fundrise.com/TWIT

Google must crack open Android for third-party stores, rules Epic judge Google asks 9th Circuit for emergency stay, says Epic ruling 'is dangerous' Canceling subscriptions is about to get easier The FCC is looking into the impact of broadband data caps and why they still exist Wyden: CALEA Hack Proves Dangers Of Government-Mandated Backdoors Elon Musk's X is changing its privacy policy to allow third parties to train AI on your posts X Will Soon Let Users See Tweets From People Who Block Them People are flocking to Bluesky as X makes more unwanted changes US probes Tesla's Full Self-Driving software in 2.4 mln cars after fatal crash French court orders blanket blocks of porn sites Sam Altman's identity and cryptocurrency venture Worldcoin has a rebrand Winamp deletes entire GitHub source code repo after a rocky few weeks Amazon debuts next-gen family of Kindle devices: First color model, fastest and lightest Paperwhite ever Amazon goes nuclear, to invest more than $500 million to develop small modular reactors Netflix third-quarter subscribers barely beat estimates as ad-tier members jump 35% Host: Leo Laporte Guests: Brian McCullough, Cory Doctorow, and Jason Hiner Download or subscribe to this show at https://twit.tv/shows/this-week-in-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: bitwarden.com/twit flashpoint.io canary.tools/twit - use code: TWIT NetSuite.com/TWIT Fundrise.com/TWIT

Google must crack open Android for third-party stores, rules Epic judge Google asks 9th Circuit for emergency stay, says Epic ruling 'is dangerous' Canceling subscriptions is about to get easier The FCC is looking into the impact of broadband data caps and why they still exist Wyden: CALEA Hack Proves Dangers Of Government-Mandated Backdoors Elon Musk's X is changing its privacy policy to allow third parties to train AI on your posts X Will Soon Let Users See Tweets From People Who Block Them People are flocking to Bluesky as X makes more unwanted changes US probes Tesla's Full Self-Driving software in 2.4 mln cars after fatal crash French court orders blanket blocks of porn sites Sam Altman's identity and cryptocurrency venture Worldcoin has a rebrand Winamp deletes entire GitHub source code repo after a rocky few weeks Amazon debuts next-gen family of Kindle devices: First color model, fastest and lightest Paperwhite ever Amazon goes nuclear, to invest more than $500 million to develop small modular reactors Netflix third-quarter subscribers barely beat estimates as ad-tier members jump 35% Host: Leo Laporte Guests: Brian McCullough, Cory Doctorow, and Jason Hiner Download or subscribe to this show at https://twit.tv/shows/this-week-in-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: bitwarden.com/twit flashpoint.io canary.tools/twit - use code: TWIT NetSuite.com/TWIT Fundrise.com/TWIT

Burnie and Ashley discuss British strawberries, WinAmp, pager explosions, stolen valor, vibing, doing drugs in our old age, making donuts, Skyrim grandma, mpox updates, and the classic philosophical question of which came first: the music file format or the music player?Today's music by The Krayolas: https://open.spotify.com/track/2NZoJTbIzPOezDiB7xGxflSupport our podcast at: https://www.patreon.com/morningsomewhere

Spencer isn't the first one to do a terrible British accent this weekDee-yawn?Eat shit, RonSCHEDULE PEEPIN' TIMEWho said it: "In August, every team is September Maryland"This week's theme song arranged and performed by Wes HuntOn sale now: tickets for our show at Furnace Fest in Birmingham! https://www.seetickets.us/event/shutdown-fullcast-live/603983Jason's book stuff, other stuff, and college football stuff in a free newsletter: https://www.jasonkirk.fyiFind Holly and Spencer writing and chirping at channel-6.ghost.ioListen to Ryan's other, less harrowing podcasts, We're Not All Like This and Buried Treasure, and check out his new project at assigned.substack.comPurchase only the finest Fullcast gear at sunny preownedairboats.com