Podcast appearances and mentions of Barbara Hammer

The joyous and jubilant documentary Sally! - the exclamation mark is deliberate - is a delightful and educational journey through the life and history of Sally Miller Gearhart: a professor of Speech, Theatre, and Women Studies; a fantasy writer; and most known as a lesbian feminist activist who helped transform the world for women and queer people alike. If, like me, you haven't truly heard the name Sally Gearhart before, then you might know of her activist work alongside Harvey Milk, notably from a pointed interview where Sally joined Harvey to debate John Briggs about his noxious and harmful bill dubbed Proposition 6, or the 'Briggs Initiative', which, if passed, would have seen homosexuals from academic positions in public schools. This debate with Briggs is one of the pivotal points in Sally's life, which also included her appearance in notable documentaries like WORD IS OUT: Stories of Some of Our Lives in 1977 and in Barbara Hammer's short film Superdyke.What delights the most about Sally!, the documentary, is that it meets the energy, vibrancy, and advocacy of Sally, the person, and acts as a celebration of activism, queer liberation, queer culture, feminism, and so much more. It is, quite simply, a rapturous delight to watch and spend time with. The film details Sally's life, featuring in depth interviews with those she knew, loved, campaigned with, and built a community alongside. It also features some joyously funny and engaging interviews with Sally herself, recorded in the years before her passing. Sally! is more than just a history lesson, it's a reminder that in a time of great societal upheaval and distress, one of the purest forms of resistance is laughter, community, and joy. They can't take that away from you.I was fortunate enough to talk with two of the co-directors of the film, Ondine Rarey and Jörg Fockele, while they were in Sydney for the Mardi Gras Queer Screen Film Festival screening of the film. Fellow co-director and producer Deborah Craig was unable to attend, but the sense of community and energy around the film and the following discussion carries her energy forward. This interview talks about how Deborah discovered Sally, and why telling Sally's story on screen right now is so deeply important. Ondine and Jörg also talk about the importance of being able to screen a film like Sally! in the world right now, and about the importance of keeping queer activist history alive and relevant. Sally! is a delight of a film, and you can see in person at the Mardi Gras Film Festival on Saturday 15 February. This is a special community screening, where all tickets are just $12. You won't want to miss it. However, if you're unable to attend the screening in person, then Sally! is also screening on demand later in the festival. For all ticketing details, visit QueerScreen.org.au. Hosted on Acast. See acast.com/privacy for more information.

The joyous and jubilant documentary Sally! - the exclamation mark is deliberate - is a delightful and educational journey through the life and history of Sally Miller Gearhart: a professor of Speech, Theatre, and Women Studies; a fantasy writer; and most known as a lesbian feminist activist who helped transform the world for women and queer people alike. If, like me, you haven't truly heard the name Sally Gearhart before, then you might know of her activist work alongside Harvey Milk, notably from a pointed interview where Sally joined Harvey to debate John Briggs about his noxious and harmful bill dubbed Proposition 6, or the 'Briggs Initiative', which, if passed, would have seen homosexuals from academic positions in public schools. This debate with Briggs is one of the pivotal points in Sally's life, which also included her appearance in notable documentaries like WORD IS OUT: Stories of Some of Our Lives in 1977 and in Barbara Hammer's short film Superdyke.What delights the most about Sally!, the documentary, is that it meets the energy, vibrancy, and advocacy of Sally, the person, and acts as a celebration of activism, queer liberation, queer culture, feminism, and so much more. It is, quite simply, a rapturous delight to watch and spend time with. The film details Sally's life, featuring in depth interviews with those she knew, loved, campaigned with, and built a community alongside. It also features some joyously funny and engaging interviews with Sally herself, recorded in the years before her passing. Sally! is more than just a history lesson, it's a reminder that in a time of great societal upheaval and distress, one of the purest forms of resistance is laughter, community, and joy. They can't take that away from you.I was fortunate enough to talk with two of the co-directors of the film, Ondine Rarey and Jörg Fockele, while they were in Sydney for the Mardi Gras Queer Screen Film Festival screening of the film. Fellow co-director and producer Deborah Craig was unable to attend, but the sense of community and energy around the film and the following discussion carries her energy forward. This interview talks about how Deborah discovered Sally, and why telling Sally's story on screen right now is so deeply important. Ondine and Jörg also talk about the importance of being able to screen a film like Sally! in the world right now, and about the importance of keeping queer activist history alive and relevant. Sally! is a delight of a film, and you can see in person at the Mardi Gras Film Festival on Saturday 15 February. This is a special community screening, where all tickets are just $12. You won't want to miss it. However, if you're unable to attend the screening in person, then Sally! is also screening on demand later in the festival. For all ticketing details, visit QueerScreen.org.au. Hosted on Acast. See acast.com/privacy for more information.

In November 1972 as Ms. Magazine hit the newsstands with its inaugural issue, Joan Gelfand left the comforts of Forest Hills, NY and summers in the Catskills for a trip to San Francisco. That vacation became a journey that lasted a lifetime, and a moment in history that is unparalleled. In OUTSIDE VOICES: A Memoir of the Berkeley Revolution (January 28, 2024; Post Hill Press; ISBN: 979-8888450048; $28.99 Hardcover), Joan Gelfand, award-winning author and nationally acclaimed literary citizen, shares her story of awakening-artistically, sexually, and spiritually-during a radical time in a remarkable place. Writing with honesty and lyrical grace, Joan recounts a story of healing from devastating loss while honing her craft as a poet in the midst of cataclysmic social change in which the Beat Generation was born. Finding a 'room of her own' in a quiet, wood shingled house in Berkeley, she finds her tribe: like-minded feminists and artists. Says Joan, "Women are creating safe spaces where they can find their voices in art, books, music, recording, feminist theory, or just plain banging a hammer and competing in a world typically run by men."Bolstered by new friends Cloud, a poet and artist with a tinkling laugh, and Nancy, a working musician, Outside Voices gives a backstage view of artists and thinkers who went on to great things, including a young waitress named Suze (Orman), film maker Barbara Hammer, writers Judy Grahan, Gloria Andaluza, Pat Parker and musicians Mary Watkins, Linda Tillery and more. Hard on the heels of the Free Speech Movement, the Summer of Love and the Beats' disruption of culture and literature, Berkeley was a fertile proving ground. OUTSIDE VOICES tells the coming-of-age story of a damaged teenager putting the pieces back together as she explores independence and self-definition while grappling with sexuality, Jewish identity, and the lingering trauma of her father's death.

In November 1972 as Ms. Magazine hit the newsstands with its inaugural issue, Joan Gelfand left the comforts of Forest Hills, NY and summers in the Catskills for a trip to San Francisco. That vacation became a journey that lasted a lifetime, and a moment in history that is unparalleled.In OUTSIDE VOICES: A Memoir of the Berkeley Revolution (January 28, 2024; Post Hill Press; ISBN: 979-8888450048; $28.99 Hardcover), Joan Gelfand, award-winning author and nationally acclaimed literary citizen, shares her story of awakening-artistically, sexually, and spiritually-during a radical time in a remarkable place. Writing with honesty and lyrical grace, Joan recounts a story of healing from devastating loss while honing her craft as a poet in the midst of cataclysmic social change in which the Beat Generation was born.Finding a 'room of her own' in a quiet, wood shingled house in Berkeley, she finds her tribe: like-minded feminists and artists. Says Joan, "Women are creating safe spaces where they can find their voices in art, books, music, recording, feminist theory, or just plain banging a hammer and competing in a world typically run by men."Bolstered by new friends Cloud, a poet and artist with a tinkling laugh, and Nancy, a working musician, Outside Voices gives a backstage view of artists and thinkers who went on to great things, including a young waitress named Suze (Orman), film maker Barbara Hammer, writers Judy Grahan, Gloria Andaluza, Pat Parker and musicians Mary Watkins, Linda Tillery and more. Hard on the heels of the Free Speech Movement, the Summer of Love and the Beats' disruption of culture and literature, Berkeley was a fertile proving ground. OUTSIDE VOICES tells the coming-of-age story of a damaged teenager putting the pieces back together as she explores independence and self-definition while grappling with sexuality, Jewish identity, and the lingering trauma of her father's death.

Nesse podcast conversamos sobre o filme The Watermelon Woman (1996), considerado o primeiro longa dirigido por uma mulher negra e lésbica a estrear nos cinemas nos Estados Unidos. Nele a cineasta Cheryl Dunye cria um falso documentário para ressaltar o apagamento de mulheres negras e sáficas na Hollywood clássica. Comentamos a proposta ousada e provocativa do filme, o humor da narrativa em meio a um tema sério, bem como a linguagem e as escolhas de direção de arte. O programa é apresentado por Isabel Wittmann e Stephania Amaral, com participação de Yasmine Evaristo. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-203-the-watermelon-woman Pesquisa, pauta, roteiro e apresentação: Isabel Wittmann, Stephania Amaral e Yasmine Evaristo Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Vote no Troféu Alice aqui! https://feitoporelas.us15.list-manage.com/track/click?u=72c5cd4b45b3d483f9aba324a&id=ca03f20065&e=be72a9d2e3 Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] Olhares Negros https://amzn.to/417Djhz Mencionados: [FILME] Born in Flames (1983), dir. Lizzie Borden [FILME] This is Spinal Tap (1984), dir. Rob Reiner [SERIADO] Na Real (The Real World, 1992–), criado por Jonathan Murray, Mary-Ellis Bunim [FILME] The Watermelon Woman (1996), dir. Cheryl Dunye [FILME] Psicopata Americano (American Psycho, 2000), dir. Mary Harron [FILME] Beyoncé: Lemonade (2016), dir. Beyoncé, Kahlil Joseph e Dikayl Rimmasch [FILME] Retrato de uma Jovem em Chamas (Portrait de la jeune fille en feu, 2019), dir. Céline Sciamma [FILME] Brainwashed: Sex-Camera-Power (2022), dir. Nina Menkes [LIVRO] Olhares Negros: raça e representação, de bell hooks Relacionados: [PODCAST] Feito por Elas #73 Barbara Hammer https://feitoporelas.com.br/feito-por-elas-73-barbara-hammer/ [PODCAST] Feito por Elas #91 Retrato de uma Jovem em Chamas https://feitoporelas.com.br/feito-por-elas-91-retrato-de-uma-jovem-em-chamas/ [PODCAST] Feito por Elas #113 Dorothy Arzner https://feitoporelas.com.br/feito-por-elas-113-dorothy-arzner/ [PODCAST] Feito por Elas #198 Born in Flames https://feitoporelas.com.br/feito-por-elas-198-born-in-flames/

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

In May 2023, Laura Mulvey and Rod Stoneman returned to Falmouth 45 years following a weekend of Independent Film and Sexual Politics to reconvene a dialogue about politics, experimental film, cinematic form and radicalism. The event, Falmouth Film Weekend [1978 Revisited], was hosted by Falmouth University's Sound/Image Cinema Lab, and was delivered by Neil, in consort with staff and student colleagues. The weekend was a mix of screenings, seminars and talks, the latter by Laura and Rod. Filmmakers whose work was screened included Kenneth Anger, Yvonne Rainer, Stephen Dwoskin, Barbara Hammer and Laura Mulvey and Peter Wollen. The programme reached back to the original line-up as well as updating it with filmmakers from that period whose work has become so important to understanding of the era, such as Carolee Schneeman, and those who followed that radical moment, such as Isaac Julien. This episode collects Laura's incredible talk, both reflective and critical, looking back and forward simultaneously, and shares it for Cinematologists listeners. Dario gets excited by the intellectual questions posed by the talk and he and Neil discuss form and content, ideology, the digital and its radical potentialities. It was an honour to listen to Laura Mulvey and Rod Stoneman, key figures in film theory and history, and it's an honour to share their talks via the podcast. Rod's can be found on our website via this link. The only reason it isn't shared on the main feed is due to the desire to contain the episode to a single release. -----   NB: The ‘Graeme' Laura refers to is Graeme Ewens, a Falmouth based former member of the London Filmmaker's Co-operative, who was in attendance for the weekend. --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing 

Meno ekspertė, kuratorė ir nuomonės formuotoja Justė Jonutytė pasakoja apie tai, kaip susidomėjo menu, dailės istorijos studijas Škotijoje, praktiką „Tate“ muziejuje Londone ir darbą su filmininkais Jonu Meku bei Barbara Hammer. O taip pat savo kuratorinę ir projektinę patirtį vadovaujant meno, rezidencijų ir edukacijos centrui„Rupert“. Kartu tai pokalbis apie meno pasaulio iššūkius, psichinę sveikatą ir kaip, būnant įvykių centre, nepamesti savo kelio.Vedėja menotyrininkė Laima Kreivytė.

This episode is also available as a blog post: https://thecitylife.org/2022/08/08/queerart-announces-the-winner-of-this-years-barbara-hammer-lesbian-experimental-filmmaking-grant/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Happy Pride Month! In honor of LGBTQ+ Pride, we're focusing on queer creators. This week we speak with Louky Keijsers Koning (@loukykk),  director of the estate of Barbara Hammer (@barbarahammer1). Barbara is a feminist filmmaker and pioneer of queer cinema who made over 90 moving image works as well as performances, installations, photographs, collages and drawings over a 45-year career. Regarded as the first lesbian art filmmaker, her works playfully and relentlessly challenged accepted norms and taboos of queerness, blazing the trail for generations of lesbian and queer artists.We hope you enjoy this episode celebrating Barbara's life and multifaceted work. You can learn more about her work and grant program sponsored by her estate at BarbaraHammer.com and see her work on view at AMP Gallery in Provincetown (@amp_artmktptown).

Barbara Hammer (1939-2019) was a prolific director. She created some of the first films to explore lesbian identity and love.Special thanks to our exclusive Pride Month sponsor, Mercedes-Benz! Mercedes-Benz continues to support and stand with the LGBTQIA+ community. Listen all month long as we celebrate women whose authentic expression in their lives and bodies of work have expanded the norms of gender and sexuality in the performing arts.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

Wishing you a happy PRIDE month! In celebration of LGBTQ Pride, we're dedicating the next two episodes to two leaders in the field of LGBTQ film and photography. First we speak with Louky Keijsers Koning (@loukykk), the director of the estate of Barbara Hammer (@barbarahammer1) a Feminist filmmaker and pioneer of queer cinema, who made over 90 moving image works as well as performances, installations, photographs, collages and drawings over a 45-year career. Regarded as the first lesbian art filmmaker, her works playfully and relentlessly challenged accepted norms and taboos of queerness blazing the trail for generations of lesbian and queer artists.Next we speak with Ghislain Pascal (@ghislain.pascal), co-founder and director of London's Little Black Gallery (@tlbgallery) and publisher of BOYS! BOYS! BOYS! (@boysfineart) A bi-annual print publication and online platform that promotes queer and gay photography. BOYS! BOYS! BOYS! represents over 65 photographers from 30 countries - including China, India, Iran, Poland, Russia and Turkey where gay rights are repressed and queer lives under constant threat.We're so excited to feature these pioneers in and supporters of LGBTQ artists and look forward to sharing our insightful conversations about their work. Stay tuned for the premiere!

This week we're looking at the various ways late bloomers experience Queerphobia (homophobia and transphobia)  and contemplating how we can combat the potential impacts of Queerphobia over time. Send your Queery submissions (how your life has changed for the better after coming out) to our email @ Latebloomersclvb@gmail.com Follow us on Instagram hereLearn more about Queer Feminist Pioneer Filmmaker, Barbara Hammer, hereCheck out the Barbara Hammer Grant here

Award winning poet Eileen Myles (they/them) talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about their work and appearing in the new documentary “Queer Genius” distributed by Frameline. Directed by award winning filmmaker Chet Pancake “Queer Genius” chronicles five visionary queer artists including the late iconic lesbian filmmaker and producer Barbara Hammer, performance artist and actor Jibz Cameron, Black Quantum Futurism (Rasheedah Phillips and Camae Ayewa A.K.A. Moor Mother, literary and artistic creatives) and Myles who unapologetically break down barriers in their creative fields outside of mainstream culture. These intimate portraits resonate across generations as critically acclaimed and notoriously radical queer artists who have overcome personal and political obstacles to find new ways to live and share their visionary creative practices. In the lens of queer women and our LGBTQ culture the film confronts fame, failure, censorship, family, gender and sexuality. The documentary explores each artist's “Genius” sharing their thought process, creativity and experiences as expressed through their art and embraces communal possibilities of “Genius” from a queer and generational perspective. “Queer Genius” won the Boundary Breaker Award at Buffalo International Film Festival (2020) and the Audience Award-Best Picture at Q-Fest Houston (2020). “Queer Genius” is currently available virtually at San Francisco's Roxie Theatre nationwide. We talked to Eileen about their involvement with “Queer Genius” and spin on our LGBTQ issues.  Eileen Myles came to NYC from Boston in 1974 to be a poet. Their books include “I Must Be Living Twice: New and Selected Poems” and “Chelsea Girls”. Myles is the recipient of four Lambda Literary Awards and was honored with Lambda's Pioneer Award in 2016. Recently Eileen edited “Pathetic Literature” an anthology which includes the work of over 100 writers that will be released from Grove Press in November 2022. Eileen has received a Guggenheim Fellowship and in 2021 was elected a member of the American Academy of Arts & Letters. They live in New York and Marfa, TX. (Photo credit: Peggy O'Brien) For More Info… LISTEN: 500+ LGBTQ Chats @OUTTAKE VOICES

Chegamos em 2022 em grande estilo! No episódio 19 do Fala Potcha conversamos um pouco sobre duas obras da fantástica Barbara Hammer. Sua obra inclui performance, instalação e fotografia digital. Nas suas próprias palavras: “Tematicamente, meu trabalho desconstrói um cinema que muitas vezes objetifica ou limita as mulheres. Meu trabalho torna visíveis esses corpos e histórias invisíveis. Como artista lésbica, encontrei pouca representação existente, por isso coloquei a vida lésbica nesta tela em branco, deixando um registro cultural para as gerações futuras”. Quem quiser conhecer mais sobre a obra de Barbara Hammer só entrar no site: https://barbarahammer.com/ #falapotcha #podcaster #visibilidadelesbica #sapatao #lesbianpride #barbarahammer

Vocês querem ver e ouvir lésbicas? Vieram ao Podcast certo hehehe temos convidadas especialissimas, nesse mês da visibilidade trocamos idéias, experiências, histórias e dicas. E no nosso último episódio da série especial de entrevistas a maravilhosa @debozanatta Débora Zanatta é diretora do curta Aonde vão os pés, que estreou no Festival Olhar de Cinema 2020 @olhardecinema, seleção oficial do MIX Brasil @festivalmixbrasil e do Festival de Gramado @festivaldecinemadegramado. Ela defendeu a dissertação de mestrado “Das existências às resistências: o pensamento criativo de Barbara Hammer” e pesquisa o cinema lésbico. Ficha técnica: Roteiro, Produção e apresentação @milaapedroza @araujojessicamaria Montagem e finalização @adamvianaeffects #falapotcha #podcast #cinemalesbico #mesdavisibilidadelesbica #barbarahammer #lgbtpodcasters #aondevãoospes

Ben Reiser and Pauline Lampert talk to Mark Street. So Many Ideas Impossible To Do All Mark Street’s mixed media experimental short meditates on the relationship between filmmaker Barbara Hammer and Jane Brakhage. Street combines footage shot by Hammer of an encounter she had with Brakhage along with excerpts from letters Hammer wrote to Brakhage. (PL)

We discussed: Artist residencies, How to write a good residency application, Alternative Education program, How a curator creates an exhibition, Support for the arts in Lithuania, The issue of the same vocabulary interpreted differently in different regions, Artist fees, Sensitive topics in the art field, Your name is your reputation in the art world, The important relationship between concept and aesthetics, How to acquire work, The value of meeting the artists, How an artist can connect with a curator, Cold emails do not work, The need to be more proactive these days   People + Places mentioned: Rupert - https://rupert.lt Lina Lapelytė - http://www.linalapelyte.com/ Jonas Mekas - http://jonasmekas.com/diary/ Barbara Hammer - https://barbarahammer.com/   https://www.instagram.com/jonutyte   Hosted by Matthew Dols http://www.matthewdols.com

We discussed: Artist residencies, How to write a good residency application, Alternative Education program, How a curator creates an exhibition, Support for the arts in Lithuania, The issue of the same vocabulary interpreted differently in different regions, Artist fees, Sensitive topics in the art field, Your name is your reputation in the art world, The important relationship between concept and aesthetics, How to acquire work, The value of meeting the artists, How an artist can connect with a curator, Cold emails do not work, The need to be more proactive these days   People + Places mentioned: Rupert - https://rupert.lt Lina Lapelytė - http://www.linalapelyte.com/ Jonas Mekas - http://jonasmekas.com/diary/ Barbara Hammer - https://barbarahammer.com/   https://www.instagram.com/jonutyte   Hosted by Matthew Dols http://www.matthewdols.com

We're already here, the point where we whine about tenderqueers for 30 minutes. In today's episode of For A Good Time..., Isabelle (she/her) and Juan (they/them) tackle Barbara Hammer's experimental documentary Nitrate Kisses, a film about history and remembrance that gives us time to reflect on why those things are important to homos like us. We discuss the queer gaze, the ways we discover ourselves through seeing others, and how many modern queer communities seem eager to forget the past. A heavier episode, but one we're proud of. Buy a DVD of Nitrate Kisses here: http://barbarahammer.com/films/nitrate-kisses/ Links: The podcast can be followed @foragoodtimepod and you can send any questions or comments to foragoodtimepod@gmail.com. Isabelle can be found at @spacejamfan (her sfw main twitter) and @enionsgirldick (her nsfw personal twitter). Her writing can be found at dimthehouselights.com. Juan can be found at @woahitsjuanito. Information about their film series is at flamingclassics.com, and their writing can be found at dimthehouselights.com, Miami New Times, Hyperallergic, and more.

Corinne Carey is the NYS Campaign Director for Compassion & Choices, an organization dedicated to advocating for end-of-life care and medical aid in dying. The organization recently won an award for its short video featuring Barbara Hammer, who was a feminist and experimental film director, producer, writer, and cinematographer, as well as a pioneer of the lesbian film genre. Hammer was a NYS resident who sought medical aid in dying, but she passed away of ovarian cancer with the option still not available in NYS. Corinne joins HMM hosts Alexis and Spencer to discuss the film and the New York's Medical Aid in Dying Act (AB2694 in the state assembly and SB3947 in the state senate). The bill would allow terminally ill patients who meet certain requirements to request life-ending medication as an option to die with dignity, compassion, and comfort. The bill has support from both New Yorkers and New York Doctors by a more than 2-1 margin, according to a Quinnipiac University Poll. The bill has yet to be brought to a vote. To watch the short video, click here: bit.ly/BarbHammerAIDvideo

In this episode, we feature a two-part conversation with the remarkable and highly acclaimed feminist, experimental filmmaker and poet Lynne Sachs. Lynne Sachs is a Memphis-born, Brooklyn-based artist who has made over 35 films. Her work explores the intricate relationship between personal observations and broader historical experiences by weaving together text, collage, painting, politics, and layered sound design. Lynne Sachs is currently one of the artists in focus at Sheffield Doc Fest where her most recent feature documentary film, FILM ABOUT A FATHER WHO is presented alongside a curated selection of five of her earlier films.We caught up with Sachs recently to discuss the many aspects of her work, including feminist film theory, experimental filmmaking, and her collaborative approach. We also discuss her short film, A MONTH OF SINGLE FRAMES (FOR BARBARA HAMMER). https://www.docsinorbit.com/masters-edition-in-conversation-with-lynne-sachs

Caroline Berler is a filmmaker who has worked as a producer, editor and researcher. Her debut as director is the feature documentary Dykes, Camera, Action! which examines the history of lesbian cinema from its underground origins in the 60s and 70s, all the way to the Oscars with The Kids Are Alright, through the people that make them including Barbara Hammer, Cheryl Dunye, Rose Troche, Desiree Akhavan, and critic B. Ruby Rich. The film is out now. Subscribe to Endeavours Radio on Spotify, Apple, Google, or wherever you get your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dan-mcpeake/message

Paul B. Preciado est le nouvel invité du podcast Le Goût de M proposé par « M Le magazine du Monde ». Le philosophe et essayiste a répondu à distance depuis son appartement du XXe arrondissement parisien aux questions de la journaliste et productrice Géraldine Sarratia, à l'occasion de la sortie prochaine de son livre Je suis un monstre qui vous parle. Paul B. Preciado y évoque son enfance à Burgos, dans l'Espagne franquiste, entre un père garagiste et une mère couturière. Il revient sur son éducation catholique et son initiation à la philosophie, sa filiation avec les écrits de Jean Genet et Michel Foucault, sa libération à Madrid puis à New York à l'occasion de la découverte de la culture queer et d'identités dissidentes, sa transition de femme à homme trans, son admiration pour Annie Sprinkle, Leslie Feinberg et Barbara Hammer qui l'ont aidé à devenir l'homme qu'il est aujourd'hui, la révélation qu'a représenté pour lui le cinéma d'Antonioni et de Pasolini, deux réalisateurs qui ont bouleversé son rapport à l'espace et au corps. Il déconstruit la notion de genre et de bon goût pour appeler à l'invention d'autres esthétiques de vie moins normées.Toutes les deux semaines, une personnalité issue du monde de la culture, de la mode, du design ou de la cuisine racontera son histoire personnelle du goût. Mais aussi ses dégoûts. Comment elle s'est façonné un art de vivre, en continuité ou au contraire en rupture avec son milieu d'origine. Comment celui-ci a évolué au cours de sa vie, de ses rencontres, de ses expériences. Un podcast produit par Géraldine Sarratia (Genre idéal)Réalisation : Sulivan ClabautMusique : Gotan Project Retrouvez tous les podcasts du Monde sur https://www.lemonde.fr/podcasts See acast.com/privacy for privacy and opt-out information.

It was my pleasure to interview experimental filmmaker Lynne Sachs. Her body of work is not only vast, but her depth of knowledge of filmmaking and filmmakers is nothing short of phenomenal. Lynne is one of those rare filmmakers who you wish you could have known and worked with for the past 20 years. I love her films, her energy, and her enthusiasm for experimental film. Her work has screened at major museums. She has taught film at NYU. And her list of accolades, fellowships, collaborations, and experience rivals that of any of the now classic experimental filmmakers. You can see more of her work at lynnesachs.com. In this episode, Lynne and I talk about several of her films, her work with Barbara Hammer, Carolee Schneemann, and Gunvor Nelson. We talk about her process, her cameras, and some specifics in her work. Once you listen to the podcast and check out her films, you'll find out why I'm her newest (and perhaps biggest) fan. --- Support this podcast: https://podcasters.spotify.com/pod/show/experimentalfilmpodcast/support

We weigh the new Disney+ re-imagining of Lady and the Tramp against the 1955 original before embarking on an exhaustive analysis of Agnès Varda's masterful Vagabond. Bonus features: Barbara Hammer's shorts, Dolemite Is My Name and no more!

durée : 00:54:56 - LSD, La série documentaire - par : Perrine Kervran, Clémence Allezard - "On peut dire que la culture occidentale a occulté les lesbiennes. On a nié leur existence" Terry Castle, dans The Female closet de Barbara Hammer - réalisation : Somany Na

O programa de hoje é sobre cineasta estadunidense feminista e pioneira do cinema queer e experimental Barbara Hammer, que teria completado 80 anos no dia 15 de maio. Conversamos sobre Dyketactics (1974), Nitrate Kisses (1992) e History Lessons (2000). O programa é apresentado por Isabel Wittmann do Estante da Sala e Camila Vieira da Revista Sobrecinema, com participação da convidada crítica de cinema e pesquisadora Carol Almeida. Mais informações: https://feitoporelas.com.br/feito-por-elas-#73-barbara-hammer/ Feedback: contato@feitoporelas.com.br Edição: Felipe Ayres e Isabel Wittmann Pesquisa e pauta: Isabel Wittmann Arte da capa: Isabel Wittmann Vinheta: Felipe Ayres Locução: Deborah Garcia (deh.gbf@gmail.com) Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas

Dave and Alonso are joined by Manohla Dargis of The New York Times for this special episode to discuss some legends of "off-Hollywood" cinema we have lost in recent months. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Twitter, Facebook and Instagram, your face so pretty. Join our club, won't you?

Katherine MacBride about composer Pauline Oliveros. Richard John Jones about filmmaker Barbara Hammer and with a reading of John Giorno's "It Doesn't Get Better". References:Read about filmmaker Barbara Hammer, composer Pauline Oliveros and poet John Giorno Listen to our Minimal Music Festival shows Visit Auto Italia South East in London and Tender Center in Rotterdam Contributors: Katherine MacBride Richard John Jones

Today, on the April edition of Midday at the Movies, Tom puts the spotlight on director Jordan Peele's new horror-suspense flick, Us. Joining him in the studio are movie mavens Jed Dietz, the founding director of the Maryland Film Festival and Parkway Theater, and Elissa Blount Moorhead, a Baltimore filmmaker and creative partner at TGEN Film Studios. They discuss the cinematic structures and social themes of Us, a record-breaking box-office hit that's building on the success of Peele's 2017 Oscar-winning (Best Original Screenplay) debut film, Get Out. They also discuss other notable new films -- including Apollo 11, the powerful documentary of NASA's historic manned mission to the moon in 1969, and The Burial of Kojo, a breakthrough debut film now being distributed on Netflix that was written and directed by Ghanaian-born hip-hop artist Blitz ----the Ambassador---- Bazawule. They note, too, the recent passing of two pioneers in the world of independent and unconventional cinema: French filmmaker Agnes Varda, often called the Mother of the French ----New Wave---- that produced directors such as Jean Luc Godard and Francois Truffaut, died in Paris March 29 at the age of 90; and Barbara Hammer, an experimental filmmaker who began celebrating lesbian sexuality and history in her work in the 1970s. Hammer turned her personal battle against cancer into the focus of her cinematic art. She died on Saturday in Manhattan at the age of 79.Today's conversation was livestreamed on WYPR's Facebook page, and you can watch the video here.

In another dispatch from the Fortress of Proopitude, Greg and Jennifer banter on Bettye Lavette, Barbara Hammer and Birch Bayh.

Captain Marvel + The House that Jack Built, the Filmlordes pretty much break down how the world is wild and rough. Jack and André review two emotional films that are riding the wave of New Wave. We remember seminal filmmaker Barbara Hammer, pipe the release of Nicole Kidman's Destroyer, breakdown Felicity Huffman's ugly lawsuit, and little did we know Cate Blanchett does the best impersonation of Marina Abramović. Talk about it. 

The one where we talk about the art of dying in the Netflix movie Paddleton and Masha Gessen's exit interview with Barbara Hammer. Also millennial presidential candidate Pete Buttigieg and as always our recs. Special ending message to the Bernie crew!

Barbara Hammer has been making films for over 40 years but it is highly unlikely that you’ve ever seen them and are now asking “Who”? Born in 1939 in Hollywood, California, a kind of cosmic irony, Barbara Hammer is an American feminist filmmaker known for being one of the pioneers of lesbian film. Hammer is …

Filmmaker Alyssa Bolsey didn’t discover until she was in film school herself that her great-grandfather had invented the iconic Bolex 16mm camera. She spent the next decade-plus researching her enigmatic ancestor and interviewing several influential filmmakers who used his cameras, including Barbara Hammer, Wim Wenders, and Jonas Mekas, for a film called BEYOND THE BOLEX. Bolsey and the film’s producer and DP, Camilo Lara Jr., join No Film School’s Liz Nord to discuss why the Bolex is such an enduring and beloved camera that is still used today.

http://www.andystreasuretrove.com/andystreasuretrove.com/Media/ATTSF%20Episode%20%233%20Levelated.mp3.mp3 ()Prepared in Santa Cruz, California while Andy is on a “working vacation” there, Episode #3 starts with a visit to the opening night party of the San Francisco International LGBT Film Festival and an amusing encounter with filmmaker Harjant Gill, then to the Roxie Theater and a chat with Barbara Hammer at the premier of her new film “A Horse Is Not A Metaphor” about her recovery from cancer and how guided imagery of horses helped her recover. Next, we'll talk to Stephen Kent Jusick about the plight of short experimental films, go on a Karaoke adventure with Jack, Valerie and Frank, and close with some ‘deep thoughts' about responsibility. This episode is 22 minutes long. Please view the photos and video below, under the keywords for this episode. Enjoy! Keywords for this episode: Santa Cruz, California, http://www.frameline.org/ (San Francisco International LGBT Film Festival), http://www.frameline.org/festival/ (Frameline32), http://en.wikipedia.org/wiki/Harjant_Gill (Harjant Gill), Washington, DC, “Lot's Wife,” http://www.barbarahammerfilms.com/ (Barbara Hammer), “A Horse Is Not A Metaphor,” wrinkles, alluvial fans, “Mommie Dearest,” Faye Dunaway, ovarian cancer, guided imagery, horse, Georgia O'Keefe, http://www.imdb.com/name/nm0433072/ (Stephen Kent Jusick), http://www.mixnyc.org/ (MIX: The New York Lesbian and Gay Experimental Film/Video Festival), Rotterdam Film Festival, https://www.artsy.net/artist/michael-snow (Michael Snow), http://www.imdb.com/name/nm0909196/ (Michael Wallin), Karaoke, responsibility, Apple.