Podcast appearances and mentions of Isaac Julien

Dans cet épisode du podcast Louis Vuitton [EXTENDED], Loïc Prigent accueille Sir Isaac Julien, éminent artiste contemporain et professeur émérite à l'University of California Santa Cruz. Au cours d'une conversation inspirante, il aborde les influences derrière son œuvre prolifique déployée sur quatre décennies, dont l'installation "Ten Thousand Waves" à l'Espace Louis Vuitton Osaka. Dévoué à l'art et à l'activisme, Isaac Julien s'empare de son appareil photo pour capturer les événements qui l'entourent et retranscrire les histoires passées — dans l'espoir de transcender le présent et d'influencer l'avenir.

In this episode of Louis Vuitton [EXTENDED] — The Podcast, host Loïc Prigent welcomes Sir Isaac Julien, esteemed contemporary artist and Distinguished Professor of the Arts at the University of California Santa Cruz. The conversation explores the influences behind his immense body of work spanning four decades, including the "Ten Thousand Waves" installation at the Espace Louis Vuitton Osaka. Dedicated to art and activism, Isaac Julien harnesses the camera as an instrument, capturing the events around us to retell stories taken from the past — in hopes of transcending the present and impacting the future.

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on."I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

For our snap episode on the snap elections in the UK and France, we're joined by eminent decolonial scholar activists, Françoise Vergès in France and Priyamvada Gopal in the UK.  Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures.  Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005),  After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The Indian English Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South. Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien's film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d'études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L'Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l'espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020). 

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Young Soul Rebels - a 1991 British coming-of-age thriller directed by Isaac Julien⁠, starring Mo Sesay, Valentine Nonyela, Sophie Okonedo and Eamonn Walker. Additional topics include: -Katt Williams on Club Shay Shay -The Palm Springs International Film Festival -The deaths Glynis Johns, Cindy Morgan, Christian Oliver, and David Soul -And too many films to mention Join us on Patreon: ⁠https://www.patreon.com/FishJellyFilmReviews⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

Welcome to Wandering. A four part series of immersive podcast gallery walks, brought to you by Shade Podcast and Axel Kacoutié.Today we meet the artist Harold Offeh at the Dulwich Picture Gallery in London as he prepares to present work in their forthcoming exhibition, Soulscapes.Opening on Feb 14th 2024, Soulscapes is a major exhibition of landscape art. Featuring more than 30 contemporary works, it will span painting, photography, film, tapestry and collage from leading artists including Harold Offeh, Hurvin Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia Michael, Mónica de Miranda and Alberta Whittle, as well as some of the most important emerging voices working today.Soulscapes will explore our connection with the world around us through the eyes of artists from the African Diaspora. Discover more episodes in this series as we meet Zakia Sewell, Nabihah Iqbal and Kayo Chingyoni, as they enjoy artworks in the National Portrait Gallery, Sir John Soane's Museum and Graves Gallery. Sponsored by Bloomberg Connects, the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week. To explore the Dulwich Picture Gallery guide, and many more, download the app today from the App Store or Google Play. Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Barry Jenkins and Isaac Julien are two giants of filmmaking, whose creative sensibilities have much in common. Both have produced work that has profoundly shaped contemporary culture: Jenkins's 2016 Academy Award-winning film Moonlight is a sensitive portrayal of Black masculinity, while Julien has been at the forefront of Black British filmmaking for over three decades. In this episode, we bring them together for the very first time, in London, for a conversation about portraying vulnerability, the art of adapting literary texts, and the influence of beauty, music, and memory on their work.

Themen u.a.: Kulturrat NRW fordert Kennzeichnungspflicht für KI-Inhalte; Isaac Julien in der Kunstsammlung NRW; das Künstler-Gefangenen-Camp auf der Isle of Man; Buchtipp: "Bitte lächeln!" von David Sedaris; Moderation: Claudia Dichter Von WDR5.

In der Kunstsammlung NRW in Düsseldorf ist die erste Überblicksausstellung des britischen Künstlers und Filmemachers Isaac Julien zu sehen. Daniel Kothenschulte war dort und hat den Künstler getroffen. Von Daniel Kothenschulte.

Here at Autism Through Cinema we've always been interested in how film stretches beyond the traditional cinematic space, and how cinema appears in other contexts. With this in mind, Lillian asked Georgia and Janet to indulge in a trip to TATE Britain to take in the multi-screen spectacle of 'What Freedom is to Me', a retrospective of the work of New Queer filmmaker Isaac Julien. The trio reflect on the freedoms that are afforded to neurodivergent viewers when not confined by the temporal and spatial limits of the cinema auditorium, as well as the social conventions inscribed in those spaces. Julien's work is considered in relation to its black and queer history, and a critical eye is turned towards the use of beauty to depict difficult subject matter. The use of multiple screens and the freedom to wander in a gallery allow for further reflections on neurodivegent lives; from the 'rules' around how to look at certain things, to the sometimes strained interactions with other gallery visitors. Sadly, the exhibition has now closed, but more on Isaac Julien's work can be found via his website: https://www.isaacjulien.com/ Thanks for listening.   Episode edited by 344 Audio. 

Er schafft politisch-poetische Werke, die zum Eintauchen einladen: Isaac Julien. Der mehrfach ausgezeichnete britische Filmemacher zählt zu den wichtigsten Vertretern des Black British Cinema. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-isaac-julien

Er schafft politisch-poetische Werke, die zum Eintauchen einladen: Isaac Julien. Der mehrfach ausgezeichnete britische Filmemacher zählt zu den wichtigsten Vertretern des Black British Cinema. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-isaac-julien

Er schafft politisch-poetische Werke, die zum Eintauchen einladen: Isaac Julien. Der mehrfach ausgezeichnete britische Filmemacher zählt zu den wichtigsten Vertretern des Black British Cinema. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-isaac-julien

Join Alika and Jaeme for our first “Hopelet”! Hopelets are short, time-sensitive conversations around current events and activities that can create positive change in your life. Today Alika and Jaeme discuss the power of visual art and 2 current artist exhibits: Isaac Julien and Barkley L. Hendricks. --- Support this podcast: https://podcasters.spotify.com/pod/show/alikahope/support

Das neue Monopol-Heft blickt auf die immersive Kunst des Isaac Julien, der mit seinen raffinierten Mehrkanalprojektionen eine ganz eigene Form des Kinos erfunden hat. Und auf Immersion als Ironiebad: Gerne auch in Plastikbananen: so machen es der Künstler Maurizio Cattelan und der Fotograf Pierpaolo Ferrari. Elke Buhr, Chefredakteurin von Monopol nimmt uns mit. Moderation: Yvi Strüwing detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt

In May 2023, Laura Mulvey and Rod Stoneman returned to Falmouth 45 years following a weekend of Independent Film and Sexual Politics to reconvene a dialogue about politics, experimental film, cinematic form and radicalism. The event, Falmouth Film Weekend [1978 Revisited], was hosted by Falmouth University's Sound/Image Cinema Lab, and was delivered by Neil, in consort with staff and student colleagues. The weekend was a mix of screenings, seminars and talks, the latter by Laura and Rod. Filmmakers whose work was screened included Kenneth Anger, Yvonne Rainer, Stephen Dwoskin, Barbara Hammer and Laura Mulvey and Peter Wollen. The programme reached back to the original line-up as well as updating it with filmmakers from that period whose work has become so important to understanding of the era, such as Carolee Schneeman, and those who followed that radical moment, such as Isaac Julien. This episode collects Laura's incredible talk, both reflective and critical, looking back and forward simultaneously, and shares it for Cinematologists listeners. Dario gets excited by the intellectual questions posed by the talk and he and Neil discuss form and content, ideology, the digital and its radical potentialities. It was an honour to listen to Laura Mulvey and Rod Stoneman, key figures in film theory and history, and it's an honour to share their talks via the podcast. Rod's can be found on our website via this link. The only reason it isn't shared on the main feed is due to the desire to contain the episode to a single release. -----   NB: The ‘Graeme' Laura refers to is Graeme Ewens, a Falmouth based former member of the London Filmmaker's Co-operative, who was in attendance for the weekend. --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing 

Zeinab Badawi speaks to the British artist and filmmaker Sir Isaac Julien, whose forty year career is steeped in powerful cultural and political messages. What is more important to him: Art or activism?

Samira Ahmed speaks to John Cook, Professor of Media at Glasgow Caledonian University about his discovery of a previously unknown early version of the seminal screenplay The Singing Detective by Dennis Potter. Samira is also joined in the studio by Ken Trodd, who co-produced The Singing Detective for television. Music writer Cathi Unsworth discusses her new book, Season of the Witch: The Book of Goth, which explores the enduring influence of Goth counterculture. And the artist and filmmaker Isaac Julien reflects on his major retrospective, What Freedom is to Me, at Tate Britain. Presenter: Samira Ahmed Producer: Olivia Skinner

The collapse of First Republic Bank and its sale to JP Morgan, explained by economist Vicky Pryce. In the studio, Barbara Serra and Ivor Gaber discuss the expat vote in Turkey's May election, an affordable travel scheme for Germans and ask when is ‘art' not art? Plus: a new exhibition of work by acclaimed British artist Isaac Julien.See omnystudio.com/listener for privacy information.

Es geht um Geld. Bei der Ausstellung von Isaac Julien, dem afro-britischen Film- und Video-Künstler. Er zeigt im Palais Populaire der Deutschen Bank in Berlin "Playtime". Eine Auseinandersetzung mit dem Thema "Kapital". Der afro-amerikanische Konzeptkünstler Cameron Rowland sendet starke Signale aus mit seiner Ausstellung "AMT 45 i." im MMK Tower in Frankfurt am Main. Es geht um den gegenwärtigem Wohlstand und rassifizierte Sklaverei. Elke Buhr, Chefredakteurin von Monopol, dem Magazin für Kunst und Leben, spricht darüber. Moderation: Axel Bäumling detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt

This episode, we are honored to be joined by the incredible, Turner Prize-nominated artist and filmmaker, Isaac Julien. Born in 1960 in London, Isaac is one of the leading artists working in film and video today. His 1989 film Looking for Langston garnered a cult following with this poetic exploration of Langston Hughes and the Harlem Renaissance. Over the past three decades he has made work using multi-screen installations to express fractured narratives exploring memory and desire. Earlier this year, he was commissioned by the Barnes Foundation in Philadelphia to create a work to celebrate the museums' centennial. Titled Once Again . . . (Statues Never Die), the immersive five-screen installation b explored the relationship between the museum's founder, Dr. Albert C. Barnes, and the famed philosopher and cultural critic Alain Locke. In even more exciting news, next year, Isaac will be the subject of a solo exhibition at London's Tate Britain in April, presenting a survey of his work from the last 40 years. Isaac was appointed Commander of the Order of the British Empire (CBE) in 2017 and was knighted by the Queenin the 2022 for services to diversity and inclusion in art. Some artists, curators, and actors discussed in this episode: Sankofa Film and Video Collective Maggie Cheung David Bowie and Marc Bolan Barry Jenkins Mark Nash James Franco Tilda Swinton For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy!

Der britische Filmemacher und Künstler Isaac Julien ist von König Charles zum Ritter geschlagen worden. Er wird für seine "Verdienste um Diversity und Inclusion" geehrt. Er ist einer der wenigen schwarzen Briten, der diese Ehrung erhalten hat. Außerdem hat er den renommierten Goslarer Kaiserring für 2022 bekommen. Elke Buhr, Chefredakteurin von Monopol, dem Magazin für Kunst und Leben, spricht über den Künstler, sein besonderes Werk und seine Ehrungen. Moderation: Yvi Strüwing detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt

Content note: this episode describes acts of homophobic violence mentioned in a film and from lived experience. Whilst not discussed in detail, we acknowledge that these instances could be distressing for audiences, and ask that you take care if you choose to engage. If you are in need of support, Qlife offers free and anonymous support via call on 1800 184 527 or online chat.  An introspective episode as Darren and Sara reflect on what compels them to make art or find their "why" in creative processes. Darren reflects on seeing Isaac Julien's 1991 cult classic Young Soul Rebels and the profound impact it had at this moment in his life. Sara shares the vulnerable process of being a writer on the acclaimed Netflix series Heartbreak High and what it is to write Indigeneity on such a mainstream platform.  This episode was hosted by Darren Lesaguis and Sara Khan. It was produced and edited by Shareeka Helaluddin. Cover image: a still from Young Soul Rebels dir. Isaac Julien (1991).   See omnystudio.com/listener for privacy information.

En video av det fladdrande kvinnohåret över Azadi Tower i Teheran har fått stor spridning på sociala medier. Vi pratar om hår, konst, politik och förföljelse med Iranfödda konstnären Mandana Moghaddam. SIR ISAAC JULIEN ÄR I STOCKHOLM FÖR ATT LYFTA ANDRA KONSTNÄREREn av konstvärldens superstjärnor, Isaac Julien, är i Stockholm för att inviga en utställning med konstnärer från världens alla hörn med afrikanska rötter. "Rock my soul" heter den och visas i en lägenhet som tillhör Eva Livijn-Olin. Vi har träffat Isaac Julien."VI SKA INTE VARA LEDSNA - VI KÄMPAR FÖR FRIHET OCH GLÄDJE"Det säger Daniel, en ung ukrainsk kille i Kiev som engagerat sig i frivilligorganisationen "Repair together". Det är en rörelse som vuxit fram bland ungdomar i Kiev som tidigare lade krutet på ravefester, nu jobbar de till technomusik med att reparera hus som förstörts i det pågående kriget. Frilansjournalisten Lennart Gustavsson hängde med "Repair together" under en röj- och ravehelg i Kiev - missa inte hans reportage.ÖDEHUSET EN BERÄTTELSE OM NÄR DET INTE BLEV SOM DET VAR TÄNKTEtt ödehus i landskapet kan vara såväl en viskning om en annan tid, ett monument över en ambition som gick snett, eller en poetisk metafor för tomhet, saknad och frånvaro. Hör författaren Henric Nilsson essä till rucklets ära.Programledare: Cecilia Blomberg Producent: Ulph Nyström

DeRay, Myles, Kaya and De'Ara  cover the underreported news of the week— including U.S postal workers dying from heat stroke, Minneapolis plan to fire white teachers, Kanye West on Fox News, and artist Isaac Julien breathes new life into the Harlem Rennaisance. DeRay interviews award winning investigative reporter J.David McSwane about his new book Pandemic Inc.: Chasing the Capitalists and Thieves Who Got Rich While We Got Sick.NewsDeRay https://www.nytimes.com/2022/08/20/business/ups-postal-workers-heat-stroke-deaths.htmlKaya https://thegrio.com/2022/08/19/the-whitelash-behind-minneapolis-plan-to-fire-white-teachers-explained/De'Ara https://news.artnet.com/art-world/isaac-julien-barnes-foundation-2160491Myles https://pitchfork.com/news/kanye-west-goes-on-fox-news-to-defend-selling-clothes-in-construction-bags/

I'm in conversation with Rico Norwood, who opens our conversation with a beautiful and important introduction to Isaac Julien's seminal film Looking for Langston. As well as doing more justice to Looking for Langston's importance than I could, we open with this introduction because Rico flags an important word “quare”, which – as some of you already know – I have tattooed right across my throat. “Quare” was put forward by E. Patrick Johnson, the fairy godfather of Black queer studies, in his 2001 essay, “Quare studies, or (almost) everything I know about queer studies I learned from my grandmother”. Part of what animates Johnson's theoretical intervention is an understanding that Black queer people and the non-queer people who birth, nurture and raise us, often have much more to offer the world than we're given credit for.  It is a “quareness” that energises my own cultural and intellectual inquiry and which brings me and Rico together, both as friends and conversation partners. Today we explore Looking for Langston's ongoing importance, the role cultural institutions like the BFI play in either gatekeeping or providing access to our quare cultural canons and how politics of respectability and representation continue to hinder our collective cultural memory. And together we attempt to answer an enduring question, one addressed often on Busy Being Black, how do we ensure that work that could be so important to our liberation isn't so continually withheld from us?  About Rico Norwood Rico Norwood (they/them) is an American Film and Video Game researcher out of the University of Southampton, who currently resides in London and Berlin. They hail from Houston, Texas but received their undergraduate degree in Mass Communications from Xavier University of New Orleans and their M.A. in Media Studies at Long Island University's Brooklyn Campus. Their primary academic concerns are Black Queer Art and historical narratives through films, as well as Video Game studies with regards to race, gender, sexuality, and their development. About Busy Being Black Busy Being Black is the podcast exploring how we live in the fullness of our queer Black lives. Thank you to our partners: UK Black Pride, BlackOut UK, The Tenth, Schools Out and to you the listeners. Remember this, your support doesn't cost any money: retweets, ratings, reviews and shares all help so please keep the support coming.  Thank you to our funding partner, myGwork – the LGBT+ business community. Thank you to Lazarus Lynch – a queer Black musician and culinary extraordinaire based in New York City – for the triumphant and ancestral Busy Being Black theme music. The Busy Being Black theme music was mixed and mastered by Joshua Pleeter. Busy Being Black's artwork was photographed by queer Black photographer and filmmaker Dwayne Black. Join the conversation on Twitter and Instagram #busybeingblack Busy Being Black listeners have an exclusive discount at Pluto Press. Enter BUSY50 at checkout. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Elaine chats with the inspirational Valerie Edmond. We cover so much in today's episode. Everything from the outdated views on the physical appearance of actresses, to knowing your worth in an industry that doesn't always encourage you to value your own time and effort to embracing and loving where you come from. As well as the importance of being an artist and remembering to always say exactly what you are. An uplifting, inspiring beautiful episode from a immensely talented, gifted and giving human. VALERIE EDMOND Valerie is an award-winning actress who began her life in a single end tenement in Springburn, Glasgow before moving to a council estate in Balornock - built in the shadow of The Red Road Flats. To escape break time bullying at her secondary school an English teacher gave Valerie the keys to a long forgotten drama studio and there, using a torch to see, she stepped from darkness into the technicolour world of William Shakespeare, Robert Burns, Christina Rosetti and Edwin Morgan. Valerie became the youngest person to ever attend the Royal Scottish Academy of Music and Drama (now the Conservatoire) set up her own theatre company on leaving, and has gone on to work with Stephen Frears, Gavin Millar, Vadim Jean, Daniel Craig, Greta Scacchi, David Harewood Peter Capaldi and Brian Cox amongst others, winning nominations and awards for her performances on film and television. She also uses her voice - currently narrating a series of award-winning campaigns promoting health throughout Scotland for the Scottish Government, the BBC and remains a key worker throughout COVID-19 for services to broadcasting. In 2020, when Covid prevented the Scottish Legion/Poppy Scotland from collecting funds, Valerie approached the barracks of Edinburgh Castle and the Scottish War Memorial Monument and read the battalion names of those who died for Scotland in WW2 as the sun came up. Remembrance Sunday Like Elaine, Valerie Edmond is a founder member of the Class Network for Equity, a curator of the ‘Who's Afraid of the Working Class” event at the Edinburgh International Book Festival, an award-winning actor, producer, and author currently writing, Working Class Heroes in the Performing Arts - A Handbook. She has appeared in Outlander, Succession and Lessons of the Hour- Fredrick Douglass - a ten screen immersive film installation by artist Isaac Julien currently showing around the world and last month on the giant Piccadilly Circus screens in central London. Still raising her children, Valerie returns to an industry mired in controversy and has switched on her torch once more, campaigning for ERA, speaking in Parliament on behalf of Equity, The Musician's Union and the Writer's Guild to support working class portrayal, content and representation across all platforms in the arts finding ways to shine a light for those who would otherwise stay in the dark. LINKTREE P&N Linktr PayPal https://www.paypal.com/paypalme/persistentandnasty for those who can donate. A million thanks and love. Resources https://www.samaritans.org/?nation=scotland http://www.rapecrisisscotland.org.uk/ https://rapecrisisni.org.uk/ https://rapecrisis.org.uk/ https://www.artsminds.co.uk/ https://www.bapam.org.uk/ https://freelancersmaketheatrework.com/sexual-violence-support-services/ Stonewall UK Trevor Project Mermaids UK Switchboard LGBT+ GATE Join our Zoom Coffee Morning every Friday at 11am GMT, email persistentandnasty@gmail.com WeAudition offer: For 25% off your monthly subscription quote: NASTY25 Backstage Offers: Get a free 12 months Actor Subscription: https://join.backstage.com/persistentnasty-uk-12m-free/ Or if you've got a project to cast, you can Post Castings for free: Apply promo code PERSISTENTANDNASTY at the checkout

British filmmaker and installation artist Isaac Julien on his latest works: a spellbinding interpretation of Brazilian architect Lina Bo Bardi and a portrait of 19th C. abolitionist Fredrick Douglass. Plus, Heather B. Swann's potent retelling of the Greek myth 'Leda and the swan', where Leda is at the centre of the story. And why you should know the name Thanakupi -- the pioneering ceramic artist from the Thaynakwith language group in western Cape York, whose legacy looms large.

British filmmaker and installation artist Isaac Julien on his latest works: a spellbinding interpretation of Brazilian architect Lina Bo Bardi and a portrait of 19th C. abolitionist Fredrick Douglass. Plus, Heather B. Swann's potent retelling of the Greek myth 'Leda and the swan', where Leda is at the centre of the story. And why you should know the name Thanakupi -- the pioneering ceramic artist from the Thaynakwith language group in western Cape York, whose legacy looms large.

British filmmaker and installation artist Isaac Julien on his latest works: a spellbinding interpretation of Brazilian architect Lina Bo Bardi and a portrait of 19th C. abolitionist Fredrick Douglass. Plus, Heather B. Swann's potent retelling of the Greek myth 'Leda and the swan', where Leda is at the centre of the story. And why you should know the name Thanakupi -- the pioneering ceramic artist from the Thaynakwith language group in western Cape York, whose legacy looms large.

British filmmaker and installation artist Isaac Julien on his latest works: a spellbinding interpretation of Brazilian architect Lina Bo Bardi and a portrait of 19th C. abolitionist Fredrick Douglass. Plus, Heather B. Swann's potent retelling of the Greek myth 'Leda and the swan', where Leda is at the centre of the story.And why you should know the name Thanakupi -- the pioneering ceramic artist from the Thaynakwith language group in western Cape York, whose legacy looms large.

Inland Empire + Family: Visions of a Shared Humanity To belatedly celebrate the release of another exciting book by our heroes at Fireflies press we are reviewing one of our all time favourite films David Lynch and Laura Dern's Inland Empire and Melissa Anderson's monograph about the film. We also spotlight the generous video art curation on offer at AGNSW Family: Visions of a Shared Humanity featuring work by John Akomfrah, Garrett Bradley, Stan Douglas, Theaster Gates, Arthur Jafa, Kahlil Joseph, Isaac Julien, Steve McQueen and Carrie Mae Weems. It's so fun being back in the studio getting corrected on our botched (Łódź) Polish pronunciation by Maia. Do widzenia i dziękuję! See omnystudio.com/listener for privacy information.

On January 25, thirty years ago, artists and journalists collaborated to host the Barbed-Wire Kisses panel at the 1992 Sundance Film Festival, which helped spur a new LGBTQ+ film movement, New Queer Cinema. Amongst the panel members were filmmakers like Derek Jarman and Todd Haynes, artists Sadie Benning and Isaac Julien, and critic B. Ruby Rich. Journalist Erik Piepenburg joins us to discuss the panel and its legacy, which he looks at in his new piece "The Day New Queer Cinema Said: Let's Do This," which also features discussion with some of the original panel members.  

Isaac Julien talks to Ben Luke about his influences, from art to literature, music and film, and the cultural experiences that have shaped his life and work.Julien's films and video installations are often swooningly beautiful, and always deeply engaged in diverse cultural histories, reflecting on, among other things, diaspora and Blackness, queer identity and the movement of people. His work actively involves other art forms, and is often produced from collaborations with choreographers and actors. He responds repeatedly to the art, literature and cinema of the past, but is also pushing video installation into new territory, using multiple screens—sometimes as many as ten—to create fractured narratives which envelop the viewer, encouraging distinctive readings of the complex stories he tells, and constantly expanding the frames through which we see his subject matter.He discusses the epiphany of seeing Max Beckmann at the Whitechapel Gallery, his admiration for Peter Doig, Stan Douglas and Glenn Ligon, the influence of poets including Aimé Césaire and Derek Walcott, the architect Lina Bo Bardi, the cultural scene in London when he began his film-making journey in the 1980s, and discovering, in his archive, his student photographs of early 1980s protests against police brutality—images that he had forgotten he had even taken. Plus, he answers our familiar questions, including the ultimate one: what is art for? This episode is sponsored by Bloomberg Connects. See acast.com/privacy for privacy and opt-out information.

This year's Edinburgh Festival is a smaller affair than normal but it's packed full of delicious cultural goodness. We speak with film director Isaac Julien about Lessons of The Hour- a 10-screen film about the former slave and emancipationist Frederick Douglass who visited Edinburgh many times. Just These Please is a four-piece comedy group who have had more than 6m views on YouTube for their sketches and whose Edinburgh Fringe show has sold out. Poet and playwright Hannah Lavery has many works at the festival - Lament for Sheku Bayoh is a play about a young black Scottish man who died in police custody in 2015. She has also co-written Eavesdropping, a guided audio walk around Edinburgh. Siobhan Miller won her first singing prize at the age of 13 and is the only three-times winner of Scots Singer of the Year. She's playing a gig at the festival with her band and has a new album All Is Not Forgotten, and she plays live for us at The BBC site in Infirmary Street, Edinburgh. Presenter: Kirsty Lang Producer: Oliver Jones

Artists Sonia Boyce, Isaac Julien, Eddie Chambers and Harold Offeh talk to Anne McElvoy about their art and the influence of the British black arts movement - which began around the time of the First National Black Art Convention in 1982 organised by the Blk Art Group and held at Wolverhampton Polytechnic. Eddie Chambers has written Roots and Culture: Cultural Politics in the Making of Black Britain and Black Artists in British Art: A History since the 1950s. He teaches at the University of Texas, Austin. Sonia Boyce is Professor at Middlesex University, a Royal Academician and the Principal-Investigator of the Black Artists & Modernism project. She will show work in the British Pavilion at the Venice Biennale in 2022. Isaac Julien shows at the Victoria Miro Gallery. His work is on display at the Museum of Modern Art in Scotland until August 31st. Lessons of the Hour is a ten-screen film installation looking at the life and times of Frederick Douglass who, from 1845-7, made repeated visits to Edinburgh, while campaigning across the UK and Ireland against US slavery. Harold Offeh is an artist, curator and senior lecturer in Fine Art at Leeds Beckett University. His work Covers features in Untitled: art on the conditions of our time which runs in a newly curated display at Kettle's Yard, Cambridge 10 July 2021 – 3 October 2021 following its opening at the New Art Exchange in Nottingham. You can also see his work in the Wellcome Collection exhibition Joy which runs until February 2022. Nottingham Contemporary's The Place Is Here brought together around 100 works by over 30 artists and collectives in 2017 when this episode first aired. Producer: Karl Bos Editor: Robyn Read You might be interested in our playlist on the Free Thinking programme website Exploring Black History https://www.bbc.co.uk/programmes/p08t2qbp

This episode we are thrilled to be joined by an amazing gallerist - and friend - Jessica Silverman. Jessica founded her namesake gallery in 2008 in San Francisco’s Tenderloin district; after completing a Bachelor of Fine Arts in Studio Art at Otis College in Los Angeles and a Master of Arts in Curatorial Practice at the California College of the Arts in San Francisco. Since then, the gallery has moved to a newly renovated space in the city’s Chinatown neighborhood, with an impressive roster of artists such as: Judy Chicago, Hugh Scott-Douglas, Isaac Julien, Andrea Bowers, and (one of our personal favorites) Hayal Pozanti - just to name a few. Renowned for punching above its weight, the gallery has an international reputation for curating compelling exhibitions and building artists’ careers. Works by the gallery’s artists have been acquired by leading museums all over the world including: Tate (London), Centre Pompidou (Paris), MoMA (New York), MCA Chicago, and Los Angeles County Museum of Art - among many others. Visit the gallery's website here. Some artists discussed in this episode: Yoko Ono Ay-O Soo Kim Woody De Othello Dashiell (Dash) Manley Isaac Julien Judy Chicago Andrea Bowers Clare Rojas Catherine Wagner Sadie Barnette La Monte Young Robert Smithson Rose B. Simpson Howardena Pindell Joan Jonas Jackson Pollock Clyfford Still Barnett Newman For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

To celebrate LGBTQ+ History Month 2021, Russell & Robert select their highlights from the National Portrait Gallery’s collection in London. We discuss David Hockney, Maggi Hambling, Isaac Julien and Howard Hodgkin to discover how artists were able to share their personal stories and passions to give permission to future generations to live freely and be themselves!Throughout LGBTQ+ History Month, and beyond, the National Portrait Gallery will be sharing the stories and portraits of those that have helped shape Britain. Stay connected with the Gallery by following them on social media (Instagram & Facebook @NationalPortraitGallery; @NPGLondon on Twitter), and head to the NPG website to explore their vast online Collection - https://bit.ly/3uaBX4DTake a closer look at the works discussed in today’s podcast, via the links below.Maggi HamblingSelf-portrait by Maggi Hambling - https://www.npg.org.uk/collections/search/portrait/mw07447Maggi Hambling by Liam Woon - https://www.npg.org.uk/collections/search/portrait/mw80867Stephen Fry by Maggi Hambling - https://www.npg.org.uk/collections/search/portrait/mw09544https://www.npg.org.uk/collections/search/portrait/mw07497 Howard HodgkinHoward Hodgkin by Edward Lucie-Smith https://www.npg.org.uk/collections/search/portrait/mw84467(John) Peter Warren Cochrane by Howard Hodgkin- https://www.npg.org.uk/collections/search/portrait/mw127232Isaac Julienby Robert Taylor NPG x45784; Isaac Julien - Portrait - National Portrait Galleryby Sal Idriss NPG x125664; Isaac Julien - Portrait - National Portrait Galleryby Horace Ové NPG x126727; Isaac Julien - Portrait - National Portrait GalleryDavid Hockneyby Bern Schwartz - https://www.npg.org.uk/collections/search/portrait/mw128048by Godfrey Argent- https://www.npg.org.uk/collections/search/portrait/mw65944by Cecil Beaton - https://www.npg.org.uk/collections/search/portrait/mw65316by Cecil Beaton - NPG x40200; David Hockney - Portrait - National... See acast.com/privacy for privacy and opt-out information.

Dr. Ellen-Andrea Seehusen formerly managed international events, sponsoring and brand centers at BMW and Lufthansa. In 2007 she founded IAM to deliver bespoke concepts to business leaders and companies.Since then, she has initiated the Rolls-Royce Art Program, working directly with artists such as Isaac Julien, Yang Fudong and Angela Bulloch as well as with designers like Karl Lagerfeld and Charles Kaisin.

Can punk and funk go together? The answer to that question is answered in our final episode of the season. Listen in as LINNA and Nic discuss “Young Soul Rebels”. Isaac Julien’s film follows two disc jockeys, Chris and Caz (Valentine Nonyela and Mo Sesay), as they try to break into mainstream London radio, as well as solve the murder of one of their friends, TJ. We discuss all things British in 1977, the power of tender male friendships, gatekeeping, and the importance of representation in New Queer Cinema. As we near Election Day here in the United States, we urge our listeners to use their voice to vote and create positive change in the world. Thank you for tuning in, and stay tuned for more!

Talk Art Season 7 continues!! For episode 6, Russell and Robert meet the creative power couple of singer/songwriter DENAI MOORE & film director NADIRA AMRANI!!!!Denai's new album 'Modern Dread', with sleeve art by Nadira, is Talk Art's FAVOURITE album of 2020!!!We discuss the influence of art on both of their creative disciplines and their favourite contemporary artists including Joy Yamusangie, Isaac Julien, Sarah Lucas, Elmgreen & Dragset and the architect Zaha Hadid. We explore colour theory, the importance of silence and how art galleries help us to slow down, their passion for decorating their Margate home with bright contrasting colours, their admiration for film makers such as Iggy London, and the artworks Denai's father made and introduced her to during her childhood in Jamaica. We learn about the influence of Stanley Kubrick's 'The Shining' 1980 movie on Denai's music videos for Modern Dread as well as a blue room installation by the artist Adrián Villar Rojas, as well as Sci Fi and a dystopian modern aesthetic that runs throughout her album campaign.Plus we learn about Denai's forthcoming live concert film, shot & directed by Nadira at Carl Freedman Gallery, Margate. Their inspiring new film will be available to stream via Denai Moore's YouTube channel from the end of October 2020, and will include exclusive live performances of recent standout singles 'Cascades' and 'To The Brink'.Denai Moore is a British-Jamaican artist and singer. Her most recent album Modern Dread was released in July 2020. Moore's musical style is a mix of soul, folk, electronic, and other styles, and she has said she takes influence from Paramore, Lauryn Hill, Kanye West and Bon Iver. She refers to her own music as "genre free".Nadira Amrani is a British Algerian Director interested in directing diverse and innovating commercials and music videos. Having directed and created films for the Tate, as well as the V&A, Nadira’s work has been shown in art Galleries and functioned in the art world and the film industry. Nadira is the founder of the collective POC, The People of Colours and is passionate about diversity in directing and curates regular events showcasing VR and work by queers artists and film directors of colour. This special episode was recorded at Carl Freedman Gallery, Margate on 13th September 2020. Denai Moore's new album Modern Dread is OUT NOW!!! Stream it at Apple Music, Spotify or buy the vinyl from Rough Trade. Follow Denai & Nadira on Instagram @DenaiMoore and @NadiraAmrani, visit Denai's website www.denaimoore.com... See acast.com/privacy for privacy and opt-out information.

Internationally renowned filmmaker and installation artist, Isaac Julien , Distinguished Professor, talks with guest host Lyle Troxell about his multi-screen film installations and photographs and how he incorporates different artistic disciplines to create poetic and unique visual language. His 1989 documentary-drama exploring author Langston Hughes and the Harlem Renaissance titled "Looking for Langston" garnered Julien a cult following while his 1991 debut feature "Young Soul Rebels" won the Semaine de la Critique prize at the Cannes Film Festival.Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen's birthday honours, 2017.

It was my encounter with Hello Mr in 2016, the magazine about men who date men, that inspired me to throw my hat into the LGBTQ media ring; for the first time, I saw what was possible and I was hooked. I turned to the masthead, saw Fran Tirado’s name and emailed him. We connected, we bonded and he’s since become one of my friends and queeroes. In this conversation, Fran and I discuss the ever-evolving landscape of LGBTQ media, the end of white twink idolatry, enjoying your own company, working in service of a greater purpose and extending and expanding the modern queer cultural canon.We recorded this conversation in New York City during World Pride 2019. Thank you to the team at Acast NYC for all your help.— —Fran Tirado is the former executive editor of Hello Mr and the former deputy editor of Out. He’s the co-creator of Food4Thot, co-host of Queerly Beloved and has recently started his new role at Netflix where he leads the brand’s editorial and engagement strategy for LGBTQ content.— —Authors, works and poets named in this episode include:How to Write an Autobiographical Novel, Alexander Chee https://www.alexanderchee.net/autobiographical-novelLooking for Langston, Isaac Julien https://www.tate.org.uk/visit/tate-britain/display/spotlights/isaac-julien-looking-langstonNature Poem, Tommy Pico https://tinhouse.com/product/nature-poem-by-tommy-pico/Night Sky with Exit Wounds, Ocean Vuong https://www.coppercanyonpress.org/pages/browse/book.asp?bg=%7B22111C10-96F9-4D24-AD78-EF8192FDFBE4%7DTrap Door, Reina Gossett https://mitpress.mit.edu/books/trap-doorDanez Smith http://www.danezsmithpoet.com/bio-encoreAngel Nafis https://www.poetryfoundation.org/poets/angel-nafis— —@_busybeingblack is the podcast exploring how we live in the fullness of our queer Black lives. If you like what you hear, please take a moment to rate, review and subscribe; doing so lets other like us hear the voices amplified here.Thank you to our partners, UK Black Pride and BlackOut UK.

In our final show of 2018, co-hosts Juliet and Tom discuss literature, films, theatre and exhibitions that made an impact on them throughout the year, as well as what they anticipate in 2019. SELECTED REFERENCES 120 BPM (dir. Robin Campillo, 2017) - https://www.imdb.com/title/tt6135348/ John Ash - https://en.wikipedia.org/wiki/John_Ash_(writer) KEVIN BREATHNACH, Tunnel Vision (2019) - http://kbreathnach.tumblr.com/post/162864960815/tunnel-vision SAM BYERS, Perfidious Albion (2018) - https://www.3ammagazine.com/3am/hysterical-realism-a-review-of-perfidious-albion-by-sam-byers/ Cold War (dir. Pawel Pawlikowski, 2018) - https://www.imdb.com/title/tt6543652/ Jean-Baptiste Del Amo The Encounter (Complicité) - http://www.complicite.org/productions/theencounter ANNIE ERNAUX, The Years (2018) - https://www.theguardian.com/books/2018/jun/22/the-years-annie-ernaux-review Faces, Places (dir. Agnès Varda & J.R., 2018) - https://www.theguardian.com/film/2018/sep/20/faces-places-review-agnes-varda-jr-road-movie-documentary Zoya Falkova - http://romovayababa.com/en/ The Film of Kyiv (dir. Oleksiy Radynski, 2017-18) - https://www.ica.art/on/learning/oleksiy-radynski-film-kyiv Gare St. Lazare Players - http://garestlazareireland.com/home/ HEIKE GEISSLER, Seasonal Associate (2018) - https://mitpress.mit.edu/books/seasonal-associate Gran Fury - https://tankmagazine.com/tank/2018/10/gran-fury/ In the Intense Now (dir. João Moreira Salles, 2017) Joan Jonas - https://www.theguardian.com/artanddesign/2018/mar/13/joan-jonas-review-tate-modern JOE KENNEDY, Authentocrats (2018) ANDREA LAWLER, Paul Takes the Form of a Mortal Girl (2017) - https://lareviewofbooks.org/article/gender-bending-the-body-on-andrea-lawlors-paul-takes-the-form-of-a-mortal-girl/ Fernand Léger - https://www.theguardian.com/artanddesign/2018/nov/25/fernand-leger-new-times-new-pleasures-tate-liverpool-adrian-searle VICTORIA LOMASKO, Other Russias (2017) - https://www.newyorker.com/books/page-turner/listening-to-ordinary-russians-by-drawing-them-one-by-one Daria Martin - https://vimeo.com/287699189 Raymond Mason - https://www.studiointernational.com/index.php/obituary-raymond-mason McDermott & McGough, Oscar Wilde Temple - https://www.oscarwildetemple.org/ Metahaven - https://www.itsnicethat.com/features/metahaven-version-history-exhibition-world-mental-health-day-101018 Jean Mohr - https://www.theguardian.com/artanddesign/2018/nov/15/jean-mohr-obituary More of an Avalanche (Wysing) - http://www.wysingartscentre.org/archive/exhibitions/more_of_an_avalanche/2018 NADA: Act 3 - The Exhibition (dir. Jasmina Cibic, 2017) - http://jasminacibic.org/projects/nada-act-iii-the-exhibition/ Penalty (dir. Kiriil Protsenko, 2005) - https://www.youtube.com/watch?v=ZpZxjXU5taE Phantom Thread (dir. Paul Thomas Anderson, 2017) - https://www.lrb.co.uk/v40/n04/michael-wood/at-the-movies Sophie Podolski - https://frieze.com/article/everything-permitted-sophie-podolskis-poetic-exuberance RICHARD POWER SAYEED, 1997: The Future That Never Happened (2017) - https://novaramedia.com/2017/11/03/the-future-that-never-was-1997-and-after/ Primas (dir. Laura Bari, 2017) - https://womenandhollywood.com/hot-docs-2018-women-directors-meet-laura-bari-primas-c62bc551f3f/ Charlotte Prodger - https://www.theguardian.com/artanddesign/2018/dec/04/iphone-film-maker-charlotte-prodger-wins-2018-turner-prize Ann Quin JORDY ROSENBERG, Confessions of the Fox (2018) - https://lithub.com/confessions-of-the-fox/ Oxana Shachko ADELLE STRIPE, Black Teeth and a Brilliant Smile (2017) - https://www.theguardian.com/books/2017/aug/18/black-teeth-brilliant-smile-adelle-stripe-review That Rush! (dir. Isaac Julien, 1995) Anne-Mie van Kerckhoven - http://www.amvk.be/ The Work (dir. Gethin Aldous & Jairus McLeary, 2017) - https://www.theguardian.com/film/2017/sep/10/the-work-review-folsom-prison Hamlet Zinkovsky - https://tinyletter.com/zinovievletter/letters/what-are-we-looking-for-here-or-an-afternoon-in-pripyat

NIC FORREST - PODCAST: NIC FORREST INTERVIEWS BRITISH ARTIST ISAAC JULIEN CBE ON "LOOKING FOR LANGSTON" AT ROSLYN OXLEY9 GALLERY IN SYDNEY

We catch up with the latest arts news with producer Edwina Stott, Isaac Julien's film Looking for Langston will be exhibited as part of the official program of Sydney's 40th Mardi Gras Festival and this week's in studio artist is medical illustrator Madeleine Kersting Flynn.

In the fifth episode of our 2017 series we go behind the scenes at this year's BFI London Film Festival launch. First Joe catches up with Larushka Ivan-Zadeh, film critic for the Metro on what makes an adaptation successful, and why Man Booker books lend themselves to the silver screen. Next Joe speaks to director Isaac Julien and producer Mark Nash about their docudrama Franz Fannon: Black Skin White Mask which delves into the life of the ground-breaking Afro-Caribbean psychiatrist. Then he talks to Tupaq Felber, director and producer of Tides which was made for just £3,000 in 3 days. Last but certainly not least, Joe is joined by CEO of the BFI and self-confessed bookworm Amanda Nevill.

Isaac Julien (artist) will be in conversation with Nicholas Cullinan (National Portrait Gallery, London)

Isaac Julien: 'I'm interested in poetry'

Actor Henry Goodman talks about his latest stage role as the celebrated portrait painter Lucian Freud in Looking at Lucian, a new play by Alan Franks.The number of published British black and minority ethnic authors writing for young adults is lamentably low. A new collection of short stories and poetry, A Change is Gonna Come, is setting out to change that - the collection includes work by established YA writers like Tanya Byrne and Patrice Lawrence but also introduces four new unpublished BAME writers. The writer Nikesh Shukla and The Bookseller's Online Editor Sarah Shaffi discuss who are the rising stars in diversity in British YA fiction and look at the publishing industry's attempts to improve their representation.British-born, Bangkok-based best-selling author Lawrence Osborne's novels often focus on travellers coming unstuck in foreign lands, and his new book Beautiful Animals, is no exception. A thriller set amongst the tourists and wealthy expats on a Greek Island, it explores what happens when two young women stumble upon a Syrian immigrant washed up on the shore.For our Queer Icons series, Isaac Julien champions Derek Jarman's film about the Renaissance artist Caravaggio.Presenter: Kirsty Lang Producer: Hilary Dunn.

Issac Julien and Dr. Diamond and Face2Face host David Peck talk about nurturing different artistic experiences, invisibility of issues and race and complex new media projects and porous institutions.   Issac’s latest RoM installation.   Global Experience Project   OCAD University (OCAD U) is launching a trailblazing international initiative, bent on elevating Canada’s prominence in the global communities of art and culture. The Jack Weinbaum Family Foundation Global Experience Project (GEP) will bring four leading international artists to Toronto for a significant residency at OCAD U over the next five years. The GEP will connect selected students with the visiting artists and notable scholars, on campus and abroad.   “We are thrilled beyond words to realize the launch of the Jack Weinbaum Family Foundation Global Experience Project,” said Dr. Sara Diamond, President and Vice-Chancellor, OCAD University. “The opportunity to interact closely with ground-breaking international artists will shape the learning experience for OCAD U students in a way that no classroom ever could, and heighten international awareness of Toronto as a vibrant contemporary art community.” For GEP’s inaugural year, OCAD U is hosting the renowned Isaac Julien as its artist-in-residence. A London-based filmmaker and video installation artist, Julien is working with five students who have access to the behind-the-scenes installation of his current show at the Royal Ontario Museum (Isaac Julien: Other Destinies, now on until April 23, 2017) and will participate in events involving the artist and his work, including the upcoming Images Festival, which will screen Who Killed Colin Roach? andTerritories.   As part of his residency, which extends until the end of March, Julien will engage with students and the arts community through lectures, screenings and discussions. In May, GEP students will travel to London, England to spend time with Julien in his studio and learn about his process. The students will continue to develop their own projects with Julien’s feedback and critical perspective on their work, while immersed in London’s arts community.   Biography Isaac Julien is a Turner prize nominated artist, photographer and filmmaker. He was born in London in 1960, where he currently lives and works. Earlier films and photographic works include “Young Soul Rebels” (1991), which was awarded the Semaine de la Critique Prize at the Cannes Film Festival; the acclaimed poetic film-essay and photographic series “Looking for Langston” (1989); and “Frantz Fanon: Black Skin, White Mask” (1996). Julien has pioneered a form of multi-screen installations, including light-boxes and photographic works with “Western Union: Small Boats” (2007), “Ten Thousand Waves” (2010) and “Playtime: Kapital” (2014). Julien participated in the 56th Biennale di Venezia and worked closely with its curator Okwui Enwezor (2015). He has exhibited his work in major museums and institutions across the world including “Ten Thousand Waves” at Museum of Modern Art, New York (2013-2014), which is currently exhibited at Fondation Louis Vuitton in Paris (2016). In 2015, Julien had a retrospective at the Depont Museum (Tilburg, the Netherlands). In 2016, he showed “Playtime” and “Kapital” at El Museo Universitario Arte Contemporáneo in Mexico City and recently had a solo photographic exhibition titled "Vintage" (Jessica Silverman Gallery, San Francisco) displaying his photographic oeuvre from the 1980's and his seminal "Looking for Langston" series, which is also included in “Made You Look”, at The Photographers' Gallery. Julien’s work is included in the collections of institutions around the globe. In 2013 MoMA published RIOT, a monographic survey of his career to date, featuring his films, photographic and installation works over the period. Julien is currently producing a new work that is a poetic meditation on aspects of the life and architecture of Lina Bo Bardi. The first chapter of this work, “Stones Against Diamonds”, was shown during 2015's La Biennale di Venezia, Art Basel and Art Basel Miami Beach. Amongst forthcoming exhibitions, “Western Union: Small Boats” will be part of “Protest” exhibition at Victoria Miro Gallery (fall 2016). After teaching at Harvard University (1998-2002), Julien was Professor of Media Art at the Staatliche Hochschule für Gestaltung in Karlsruhe (2009-2015) and Chair of Global Art at University of Arts London (2014-2016). ---------- Dr. Sara Diamond is the President of OCAD University, Canada's university of the imagination. She holds a PhD in Computing, Information Technology and Engineering from the University of East London, a Master’s in Digital Media theory from the University of the Arts London and an Honour’s Bachelor of Arts in History and Communications from Simon Fraser University. She is an appointee of the Order of Ontario and the Royal Canadian Society of Artists, and a recipient of the Queen’s Diamond Jubilee Medal and the Digital Pioneer Award from the GRAND Networks of Centres of Excellence. She is also a Senior Fellow at Massey College, University of Toronto. In 2014, Toronto Life described her as one of “Toronto’s 50 Most Influential People.”   While retaining OCAD University's traditional strengths in art and design, Diamond has guided the university in becoming a leader in digital media, design research and curriculum through the Digital Futures Initiative, new research in inclusive design, health and design, and sustainable technologies and design. She also played a leading role in OCAD University's establishment of the unique Indigenous Visual Culture program. These initiatives have built strong partnerships for OCAD University with science, business and communities in Ontario and abroad. Currently, Diamond serves on the boards of Baycrest, ORION (Ontario's high-speed network), Women in Communications and Technology; and i-Canada; and is Chair of the Scotiabank Nuit Blanche Toronto Advisory Committee. She has served the larger university community through: her membership on the Standing Advisory Committee on University Research (SACUR); as a current member of the Standing Advisory Committee on International Relations (SACIR) of Universities Canada; as Chair of the Standing Committee on Relationships with other Postsecondary Institutions for the Council of Ontario Universities (COU); and as a member of the Council of Ontario Universities executive. She was also a member of the 2011-2012 Council of the Canadian Academies' expert panel on the State of Science & Technology in Canada.   Diamond founded the Banff New media Institute in 1995-2005. Diamond is a data visualization, wearable technology and mobile media researcher, artist, designer and scientist. She is founding Chair of the Mobile Experience Innovation Centre (2007-2014) and was co-Chair of Mobile HCI (ACM) in 2014. She is co-principal investigator in the Centre for Innovation in Information Visualization and Data-Driven Design, an OCAD U/York University initiative, and theme leader on the ORF-E funded iCity project as well as a member of the BRAIN alliance. She holds funding from the Social Science and Humanities Research Council and the National Sciences and Engineering Research Council.   Diamond continues to write and lecture on the subjects of digital media history and practice, visual analytics, mobility and design strategy for peer-reviewed journals, and acts as a reviewer and evaluator for IEEE and ACM conferences and journals; SSHRC, CFI and the Canada Research Chair programs. Her artwork is held by prestigious collections such as the Museum of Modern Art, NYC and the National Gallery of Canada. See acast.com/privacy for privacy and opt-out information.

Artists Sonia Boyce, Isaac Julien, Eddie Chambers and Harold Offeh talk to Anne McElvoy about their art and the influence of the British Black Art movement - which began around the time of the First National Black Art Convention in 1982 organised by the Blk Art Group and held at Wolverhampton Polytechnic.Eddie Chambers has written Roots and Culture: Cultural Politics in the Making of Black Britain and Black Artists in British Art: A History Since the 1950s. He teaches at the University of Texas, Austin. Sonia Boyce is Professor at Middlesex University, a Royal Academician and will also have a solo show at the ICA later this year. She is one of the recipients of a Paul Hamlyn Foundation Award. She is also the Principal-Investigator of the Black Artists & Modernism project. Isaac Julien is showing Other Destinies at the Royal Ontario Museum from January and shows at Victoria Miro Gallery. Harold Offeh is an artist, curator and senior lecturer in Fine Art at Leeds Beckett University. His work Covers will feature in Untitled: art on the conditions of our time.Nottingham Contemporary's The Place Is Here brings together around 100 works by over 30 artists and collectives spanning painting, sculpture, installation, photography, video and archival displays from the 1980s. It runs from 04 Feb - 30 Apr 2017New Art Exchange's exhibition, Untitled: art on the conditions of our time, runs from 14 Jan - 19 Mar 2017 and features 12 British artists each with ties to Africa.Producer: Karl Bos Editor: Robyn Read

Isaac Julien, fine artist and filmmaker came over from London to visit with curator Jonathan Binstock and John Hanhardt, the director of Rochester's Memorial Art Gallery (MAG) to discuss an upcoming project that they are commissioning Issac for. We were able to sit down with all three of them at the MAG to discuss how Isaac uses film, the progression of his career and all of their insight into the importance of art preservation. Be sure to listen in! http://www.isaacjulien.com/ http://mag.rochester.edu/

Hjärtat bultar för världen på konstbiennalen i Venedig. Samtidigt byter konstverk ägare för miljonbelopp i kulisserna. Går ekvationen ihop? Varför är det så viktigt för konsten att vara världssamvete? Curator för årets Venedigbiennal är Okwui Enwezor. Han slog igenom med Documenta 2002 då världen tog ett kliv in i samtidskonsten. Nu tar han åter igen  pulsen på samtiden och lyfter in världens stora frågor i sin utställning som handlar om All världens framtider. Och som en bakgrundston ljuder en maratonuppläsning av samtliga tre volymer av Karl Marx Das Kapital. Dessutom visas konst i 89 paviljonger och mer än 40 sidoutställningar. Cecilia Blomberg rör sig bland nationer och globala krishärdar och träffar utställningsmakarna  Okwui Enwezor, Katerina Gregos, Philippe van Cauteren och Tamara Chalabi,  samt konstnärerna Isaac Julien, Lina Selander, Salam Atta Sabri och Petra Bauer.

Leading sociologist of art [Sarah Thornton][1] goes behind the scenes with 33 living artists including Ai Weiwei, Maurizio Cattelan, Cindy Sherman and Isaac Julien to ask the apparently simple but vexing question, ‘What is an artist?' Thornton joined us at the Bookshop to talk about her new book, *[33 Artists in 3 Acts][2]* (Granta), with the celebrated artist Isaac Julien. See acast.com/privacy for privacy and opt-out information.

Isaac Julien discusses his work, from Vagabondia to his new exhibition PLAYTIME at Victoria Miro, together with Dr. Sarah Thornton, author of Seven Days in the Art World.

Trend On Milwaukee Art Mueseum. Tamara Leigh and Heidi Feemster talk with Kristin Settle. Kristin is the spokes person for the Milwaukee Art Museum (MAM). Kristin Settle, Public Relations Manager of the Milwaukee Art Museum brings over 10 years media relations experience in press releases, fund-raising, project and budget management, strategic planning and social media outreach to her current position. In the spirit of St.Patrick's Day, the MAM "After Dark" events along with the Northwestern Mutual Foundation present "Get Lucky" this Friday night (March 16) featuring an Irish themed night of Music, Beer tasting and Art exhibits. Proud to sponsor not only "After Dark" events, Kristin highlights the MAM's upcoming "ART in BLOOM" event to be held March 29-April 1,2012 and their current exhibit: "Accidental Genius: Art from the Anthony Petullo Collection" in addition to the Museum's acquisition of work by artist Isaac Julien.

Robert Cahen: Das Unsichtbare erzählen | Discussion Robert Cahen in discussion with Isaac Julien Released May 26, 2011 In conjunction with the exhibition Robert Cahen. Narrating the Invisible the internationally renowned French video artist Robert Cahen will be appearing in conversation with the acclaimed British film-maker Isaac Julien. Isaac Julien, who has also gained recognition for his curatorial work and who is Professor at the Karlsruhe University of Arts and Design, will lead the conversation and, complementing the exhibition of video installations, he will present a selection of single channel video art works by Robert Cahen. /// Im Rahmen der Ausstellung »Robert Cahen. Das Unsichtbare erzählen« fand im ZKM_Vortragssaal ein Gespräch zwischen dem international renommierten französischen Videokünstler Robert Cahen und dem britischen Videokünstler und Filmemacher Isaac Julien statt. Isaac Julien, der in den letzten Jahren auch als Kurator bekannt wurde und an der Staatlichen Hochschule für Gestaltung eine Professur innehat, führte das Gespräch und ergänzend zur Ausstellung wurden eine Auswahl von Einkanal-Videoarbeiten Cahens präsentieren.