Podcasts about Mekas

Tsoom fwv Australia hais tias tej zaum Mekas yuav zam tsis tsub se 25% rau Australia tej hlau thiab aluminium thiab Peter Dutton uas yog tus coj ntawm lwm pab nom teb chaws hais tias yog tseem ua li no ces ''ua yuam kev lawm,''....,

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Jonas Mekas. Nervuoti dienoraščiai „Žmogus be vietos“. Išleido leidykla „baltos lankos“.Šis dienoraštis apima maždaug dešimties metų laikotarpį: nuo 1944 iki 1954 metų, kur svarbiausias dėmesys skiriamas iš gimtojo krašto pasitraukusio žmogaus situacijai. Kaip ir savo filmuose, Mekas sąmoningai naikina ribą tarp fikcijos ir dokumentikos – į asmeninių patyrimų aprašymą įsiterpia eilėraščių, esė gabaliukai. Atskiras šio dienoraščio atkarpas galima laikyti savarankiškais kūriniais. Pasakotojas šioje knygoje beveik nereiškia asmeninių emocijų, yra užėmęs stebėtojo poziciją. Jis kinematografiniu principu fiksuoja kasdienybės detales, pokalbių nuotrupas, šitaip atkurdamas unikalią vadinamųjų DP stovyklų pirmųjų metų emigracijoje atmosferą. Knygos ištraukas skaito aktorius Juozas Gaižauskas.

Raidījumā Diplomātiskās pusdienas dodamies uz kādu siltu un smilšainu vietu, proti, uz Saūda Arābijas Karalisti. Tā ir valsts, kas atrodas Arābijas pussalā un Arābijas tuksnesī. Un tieši tajā ir pasaulē lielākais vienlaidu smilšu tuksnesis Rubelhālī jeb Tukšais kvadrāts. Var vaicāt, kādēļ valstij ir tik savāds nosaukums. Tad nu uzreiz par visām trim iezīmēm – tieši ēģiptieši esot teritorijai savulaik piešķīruši nosaukumu “Ar Rabi”, kas tā arī palikusi. Nosaukuma daļa Saūda ir saistīta ar emīru Ibn Saūdu un Saūdu dinastiju, kurš sākot no mūsdienu galvaspilsētas Rijādas iekaroja un apvienoja Arābijas pussalas teritorijas, 1932. gadā izveidojot karalisti. Karaliste, protams, ir trešais vārds nosaukumā, jo Saūda Arābija vēl jo projām ir viena no septiņām atlikušajām absolūtajām monarhijām pasaulē. Par siltumu un tuksnešiem vēl runājot – Saūda Arābija arī ir lielākā pasaules valsts, kurā nav upju. Taču, ja tā var teikt, ar ūdeni šķiesties šīs valsts pārstāvjiem patīk, jo Sarkanajā jūrā atrodama arī Karaļa Fada strūklaka. Tā ievērojama ar to, ka ir pasaulē visaugstākā strūklaka un tās augstums sasniedz 312 metrus. Ātrums, ar kuru ūdens tiek izšļākts, ir 350 kilometri stundā. Tā tika pabeigta 1985. gadā un izskatās visnotaļ iespaidīgi. Saūda Arābija ir slavena ar dažādiem neparastiem sasniegumiem, rekordiem, īpatnībām un pat galējībām. Divi piemēri: ar kaimiņvalsti Bahreinu Saūda Arābijas zemes robeža ir mākslīgi uzbērts ceļš. Otra lieta – tieši Džedas trase, ko izmanto Formula 1, skaitās otrā ātrākā no visām. Proti, vidējais ātrums, ar kuru brauc formulas ir 252,8 kilometri stundā. Itālijā atrodamā mākslīgi būvētā Monzas trase ir vienīgā, kura pārspēj Džedas trasi. Saūda Arābijas vēsture ir sena.. Arheoloģiskie atradumi apliecina, ka tieši Arābijas pussala ir vieta, kur pirmatnējie cilvēki sākotnēji ieceļoja no Āfrikas. Teritorija sava ekstrēmā klimata dēļ bija vienmēr populāra beduīnu vidū. Bet īpašu nozīmi tā ieguva pateicoties Mekas pilsētai, kurā 570. gadā piedzima islāma reliģijas dibinātājs un pravietis Muhameds. Mekas nozīme ir tik liela, ka 622. gadu, kad Muhameds bija spiests pamest savu dzimto pilsētu un doties uz Medinu, vēl mūsdienās skaita par Hidžras kalendāra pirmo gadu. Respektīvi, mēness ciklos balstītais Islāma kalendārs šobrīd rāda 1445. nevis 2024. gadu. Un jaunais gads iestāsies tikai 7. jūlijā. Muhameds atgriezās Mekā 630. Gadā, un šis arī bija viens no iemesliem, kādēļ notiek Hādža – jeb musulmaņu svētceļojums uz Meku. Muhameds nomira Medīnā 632. gadā, bet Meka skaitās musulmaņu pasaulē vissvētākā vieta. Mekā ir atrodama ne tikai Kaaba – svētnīca, kuras vienā no stūriem ir atrodams slavenais Melnais Akmens, bet to ieskauj Lielā Mošeja, kura mūsdienās var uzņemt 820 tūkstošus cilvēku. Pēc Muhameda nāves islāms izplatījās visnotaļ strauji. Saūda Arābija savu nosaukumu ieguvusi pēc Saūdu dinastijas pārstāvjiem. Bet viņu vēsturiskā loma nesākās 20. gadsimta sākumā, kā raidījuma ievadā aprakstījām. Tā sākās jau ar 1727. gadā, kad pie varas mūsdienu Rijādas teritorijā nāca Muhameds bin Saūds. Apmēram piecpadsmit gadus pēc savas nākšanas pie varas, viņš veiksmīgu politisko sadarbību izveidoja ar Muhamedu ibn Abd al-Vahabu. Tieši šis striktais sunnītu islāma pūrisma sludinātājs arī kļuva par būtisku daļu no Saūdu dinastijas varas arī mūsdienās. Un tieši šis striktais vahābisma novirziens kombinācijā ar islāma izcelšanās svētvietas sargātāju likteni arī ir radījis tik ļoti konservatīvo islāmistu valdību Saūda Arābijā. Teokrātiskā monarhija, kur valda viena ģimene, kur valstī nav politiskās partijas, masu mediji tiek cenzēti, kur valda stingrs Šariāts un atteikšanās no islāma tiek sodīta ar nāvi, ir galvenie raksturlielumi mūsdienu Saūda Arābijas politiskajai sistēmai. Pasaules spiediena rezultātā, gan valdītāju personīgo skatījumu, gan arī vispārējās pasaules ekonomiskās, tehnoloģiskās un politiskās modernizācijas rezultātā, kopš 2005. gada pakāpeniski ir mainījušies daudzi likumi un paražas. Primāri būtiskus uzlabojumus ir piedzīvojusi attieksme pret sieviešu tiesībām. Tagad sievietēm ir daudz lielākas ekonomiskās brīvības iespējas. Tostarp 2017. gada septembrī arī tika atcelts bēdīgi slavenais aizliegums sievietēm vadīt automašīnas.  Kopš 2019. gada decembra Saūda Arābijā precēties drīkst tikai 18 gadus sasniegušas personas, neatkarīgi no dzimuma. Kā esam aplūkojuši ļoti daudzos mūsu raidījumos – bērnu izprecināšana mūsdienās ir izplatīta prakse daudzās pasaules valstīs, ne tikai islāmticīgajās. Un tieši Saūda Arābija par pārsteigumu cenšas rādīt sava veida piemēru šajā jautājumā. Šis piemērs ir tikai viens no daudz lielākām izmaiņām – pakāpenisku atteikšanos no Vali principa – no vīriešu aizbildniecības pār sievietēm. Vali daudzas sieviešu tiesību aizstāves uzskatīja par faktisku verdzību un vīriešu īpašumtiesībām uz sievieti, jo jebkurš ģimenes vīrietis, vai tēvs, vai brālis, vai vīrs, vai tēvocis bija tiesīgi izlemt par sievietes dzīvi. Vēl papildus šim – 2005. gadā arī notika pirmās vēlēšanas, kur pilsoņi izvēlējās pašvaldību padomniekus. Desmit gadus vēlāk vēlēšanās varēja gan balsot, gan kandidēt arī sievietes. Un 19 no tām arī ieguva pārstāvību. Saūda Arābijas ekonomikā principā valda nafta un gāze. Bet primāri nafta. Daudz naftas. Tiek rēķināts, ka Saūda Arābijai pieder 17 procenti no visas pasaules atklātajām naftas rezervēm, kas ir otras lielākās pasaulē pēc Venecuēlas. Un tā arī ir ne tikai viena no naftas karteļa OPEC dibinātājvalstīm, bet arī ir lielākais naftas eksportētājs pasaulē. Nafta Saūda Arābijas Al-Ašas reģionā un citos tika atklāta 1938. gadā, bet ieguves attīstība sākās 1941. gadā sadarbībā ar ASV. Aramco – Arābu-Amerikāņu Naftas Kompānija, kā šis nosaukums atšifrējas, mūsdienās ir otra lielākā kompānija pasaulē pēc ieņēmumu rādītājiem. Četrus gadus pēc tam, kad 1976. gadā Saūda Arābija kļuva par lielāko naftas eksportētāju pasaulē, Aramco amerikāņu daļas atpirka Saūda Arābija valdība. Pasaulē lielākā kompānija pēc ieņēmumiem? Amerikāņu tirdzniecības veikalu tīkls Walmart. Bet, kā daudzi jau zina, amerikāņu intereses un politiskā un ekonomiskā draudzība ar Saūda Arābiju nav mazinājusies. Gluži pretēji – tās tradicionāli ir bijušas visnotaļ ciešas. ASV ir Saūda Arābijas stratēģiskais partneris un valsts tradicionāli tiek uzskatīta par prorietumniecisku. Lai labāk izprastu šīs attiecības no drošības puses, lūdzām skaidrot Tartu Universitātes doktorantam un Baltijas Aizsardzības koledžas lektoram Luisam Vierengam.  

Seitsmendas saates läheme palverännakule Mekasse, kuhu teatavasti mitte-muslimeid ei lubata.

Pour ce nouvel épisode, nous accueillons l'enseignante-chercheuse, critique et programmatrice Alice Leroy, dont la plume est présente sur internet et dans les kiosques, notamment dans les pages des Cahiers du cinéma ou de Panthere Premiere. Du cinéma le plus expérimental de Stan Brakhage, Daïchi Saïto ou Barbara Rubin, aux séries les plus cultes (« The twilight Zone »), Alice Leroy nous emmène au coeur des films qui ont formé sa cinéphilie, avec précision et passion. Elle évoque la filmographie trop méconnue de la cinéaste Angela Schanelec, celle tous azimuts de Peter Watkins, ou encore celle, refuge, de Jonas Mekas - et ce faisant, elle dresse le portrait d'un cinéma en quête d'utopies. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'55 Des corps au cinéma : Fantomas (Louis Feuillade, 1913) Une foule au cinéma : celle de communards dans La commune (Peter Watkins,2000 ) - 9'47 Des territoires de cinéma : Earth Earth Earth (Daïchi Saito, 2021), Dog Star Man (Stan Brakhage, 1961-1964) - 15'41 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 19'24 Des films longtemps fantasmés : Candy Mountain (R. Frank, R. Wurlitzer, 1987), Running on empty (S. Lumet, 1988) III. MEMOIRE & SOMMEIL - 27'22 Un fantôme de cinéma qui hante Alice : Etienne Gaspard Robertson et ses fantasmagorie au 18è siècle CARTE BLANCHE - 32'50Des places dans des villes (Angela Schanelec, 1997) TRANSMISSION - 41'57 Un film à montrer aux Aliens : La série « La quatrième dimension » (Rod Serling, 1959-64) - 41'57 Un film pour « faire corps ensemble » : Christmas on earth (Barbara Rubin, 1963) - 47'50 REFUGES - 54'01Lost lost lost (1976) et Walden (1968) de Jonas Mekas EXTRAITS Candy Mountain (R. Frank, R. Wurlitzer, 1987) California, Joni Mitchell ; WMG (au nom de Warner Rhino Off Roster-Audio) The Twilight Zone : générique Walden (J. Mekas, 1976); éditions Re:voir CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

durée : 00:58:27 - Toute une vie - "Je ne suis pas réalisateur, je ne fais pas des films. Je filme seulement. Je suis un filmeur ! Quelle extase de filmer ! Pourquoi faire des films quand je peux seulement filmer ? Quand je n'ai qu'à filmer ?" - invités : Agnès B Styliste, collectionneuse d'art contemporain; Inesa Brasiske Historienne de l'art; Pip Chodorov Cinéaste, spécialiste de cinéma expérimental; Jean-Jacques Lebel Artiste plasticien, écrivain; Marie Losier Réalisatrice, chef monteur, directeur de la photographie; Patrice Rollet Critique et historien du cinéma, fondateur et membre du comité de rédaction de la revue Trafic; Audrius Stonys Cinéaste lituanien

Following World Cup news of Japan's 1-nil loss to Costa Rica and other news suggesting World Cup frenzy is putting a strain on Qatar's camel industry, the Lithuanian filmmaker Jonas Mekas took place over the weekend with a day of film screenings at the University of Tokyo. However, attention turns to the late Japanese film director Yoichi Sai, best known for his depiction of Koreans living in Japan with his debut “Mosquito on the 10th Floor” (1983) a controversial landmark that describes the fall of a character upholding the law while consumed by vice and the changing face of contemporary Japan. For Sai and Mekas, the exploration of social outcasts were filmed in infinitely different ways, experiences that are thankfully being revisited and remembered. Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio Male Rey y Tamara conversan sobre las nuevas novelas gráficas de Power Paola y Julia Barata, Destellos de belleza de Jonás Mekas, la película Petit Maman y el documental The American War.

Teismelise armastus või pedofiilia? Uus prantsuse menuromaan lahkab. Kas eestlanegi peab tulevikus loobuma oma pühast autost? Tänavakunsti Mekas, Berliinis anti Euroopa avalöök ka tänavakunsti esitlevatele Tartu 2024 Kultuuripealinna üritustele. Ja kuidas siis mõjus John Malkovich Riia laval? Neeme Raud. Siin. Laupäeval 10-12ni.

In this episode Jes shares about programs and films they are interested in seeing at the Minneapolis-St Paul International Film Festival, presenting live and virtually May 5 - 19. Show links: In The Frame: The Art of Personal Documentary, Saturday, May 14 For this special live event (to be featured in a future episode of the podcast Top Docs: Award-Winning Documentary Filmmakers), MSPIFF documentary programmer and podcast host Ken Jacobson will be joined by filmmakers Ahsen Nadeem (Crows Are White), Kelsey Peterson and Daniel Klein (Move Me), Katya Soldak (The Long Breakup), and Chezik Tsunoda (Drowning in Silence) to discuss the diverse range of topics covered in these powerfully evocative films and to explore the artistic and emotional challenges of putting themselves in the frame. Link: https://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=733452~36893ed1-b0b9-423c-bbab-90f22d0aeafe&epguid=0ffa8e2b-cf8b-43f3-983c-81aa5ce078de& Keyframe: A Look into Indigenous Cinema, Saturday, May 7 Join moderator Leya Hale (Bring Her Home, MSPIFF41) and panelists Elizabeth Day (Blood Memory, MSPIFF38) and Rhiana Yazzie (A Winter Love, MSPIFF41) for this illuminating exploration of contemporary Indigenous filmmaking, along with their individual and collective approaches to the art form. Link: https://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=733457~36893ed1-b0b9-423c-bbab-90f22d0aeafe&epguid=0ffa8e2b-cf8b-43f3-983c-81aa5ce078de& Anita Rocha da Silveira film Medusa screens May 6 & 9: Mariana is a singer who performs with a choir for a radical, misogynist Christian sect during the day… but at night, she and her devoted sisters don white masks and carry out vicious attacks on women the vigilantes deem “promiscuous.” Link: https://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=731729~36893ed1-b0b9-423c-bbab-90f22d0aeafe&epguid=6afead16-021b-4b88-b338-6a4b642c57cf& Experimental Curator: The Sally Dixon Story, May 15 & 16 (Director Brigid Maher Attending) Fifty years ago, Sally Dixon, was inspired to seek out these films after reading Mekas's work in the Village Voice. Her vision resulted in the Film Section at Pittsburgh's Carnegie Museum of Art (CMoA). In the tradition of groundbreaking curators like Helene Kröller-Müller, Dixon was a tireless champion for experimental film artists. Link: https://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=730705~36893ed1-b0b9-423c-bbab-90f22d0aeafe&epguid=6afead16-021b-4b88-b338-6a4b642c57cf& Kena Rose, A short film by Maribeth Romslo, May 8, and virtual May 6 - 19 A mother's support makes all the difference, empowering a teen drag queen to perform and be seen. Link: https://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=733325~36893ed1-b0b9-423c-bbab-90f22d0aeafe&epguid=3afd26d4-be2d-473d-ad76-fafd3da02616& World Collage Day, May 14, Community Collage Gathering at Fresh Eye Gallery https://www.instagram.com/p/Cc29yIjr7tA/

The work and legacy of the late Jonas Mekas have been on our minds even more than usual, with a recent retrospective of his films at Film at Lincoln Center and an ongoing exhibit at the Jewish Museum. So, for today's podcast, Film Comment Editors Clinton Krute and Devika Girish wanted to discuss a form of which Mekas was a true master: the Diary Film. Devika and Clint welcomed Anthology Film Archives Archivist John Klaccsman and critic and FC–contributor Gina Telaroli for a conversation about films that document their makers' intimate lives. They discussed Mekas's kaleidoscopic As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty, Ed Pincus's influential Diaries, films by Anne Charlotte Robertson and Jim McBride, as well as a the work of a more contemporary diarist: John Wilson, of the critically acclaimed HBO show.

In this week's episode the junkies talk Mekas, mice and more. Then professional baseball player Tommy Wilson enters the J-hole to cover art, athlete life and whether we're legally allowed to monetize Honus Wagner's image or likeness. 26:45 Interview start Welcome to JPG Junkies. Your 1/1 source for NFT content. Follow us on twitter twitter.com/JPGJunkies and check out our website jpgjunkies.com. Social's Tommy: twitter.com/tommy_wilson_ DJ: twitter.com/DJNFT101 Frank: twitter.com/0xFrankWhite

Today, Ian and Sujewa get personal with a look at Jonas Mekas' 2012 film, Out-Takes from the Life of a Happy Man. The hour-plus assemblage of footage from the prototypical film diarist's life paints a portrait of a well-traveled creative person. But is there something deeper, even contradictory, in Mekas' visually cheerful account of artistic pursuits?The guys talk about Mekas as a director; his influence on arthouse cinema; and what young filmmakers can learn from the old master, who passed away in 2019 at the age of 96.Also, Sujewa gives an update on his forthcoming movie, The Secret Society for Slow Romance!"The Slowdown" is Kicking the Seat's monthly exploration of the world of Slow Cinema with filmmaker Sujewa Ekanayake. Catch up on previous episodes on our "The Slowdown" Playlist.Show Links:Watch the Out-Takes from the Life of a Happy Man trailer.Check out the Re: Voir page on Vimeo, where you can find more Jonas Mekas films.Learn more about New York's Anthology Film Archive, which Mekas co-founded in 1970.Find clips, making-of videos, and other cool info about Sujewa's upcoming film, The Secret Society for Slow Romance.Keep up with all of Sujewa's projects.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Annemieke Bosman spreekt schrijver Peter Delpeut over zijn boek 'Het vergeten kwaad'. Peter Delpeut duikt in het verleden van Jonas Mekas in ‘Het vergeten kwaad’. Al jarenlang heeft Delpeut op grijpafstand naast zijn bureau Mekas’ ‘Movie Journal’ staan. Sinds zijn studententijd is hij een groot bewonderaar van de Litouws-Amerikaanse cineast. Totdat hij in juni 2018 werd opgeschrikt door een artikel in ‘The New York Review of Books’. Historicus Michael Casper beweerde dat Mekas bepaalde gebeurtenissen in het Litouwen van de Tweede Wereldoorlog bewust is vergeten of verkeerd heeft voorgesteld. Van de ene dag op de andere werd Mekas de zoveelste gevallen engel in een lange rij van culturele beroemdheden die door hun ‘oorlogsverleden’ werden achtervolgd. Het overkwam Günter Grass, Paul de Man, Emil Nolde en in Nederland de dichter Lucebert. Wat te doen? Het artikel voor waar aannemen en overgaan tot de orde van de dag? Of de beschuldigingen terzijde schuiven – een al even gemakkelijke vluchtweg. Delpeut koos voor onderzoek. Een onderzoek dat resulteerde in een persoonlijk essay over geschiedschrijving versus individuele herinnering waarin hij Mekas, Casper noch zichzelf heeft willen ontzien.

Peter Delpeut is filmmaker, romanschrijver en essayist. Hij was adjunct-directeur van het Nederlands Filmmuseum en ontving voor drie van zijn films een gouden Kalf. Hij publiceerde verschillende romans. Nu is er Het vergeten kwaad, een boek over filmmaker Jonas Mekas (1922-2019). Mekas schreef ooit het standaardwerk Movie Journal, maar werd er in 2018 door historicus Michael Casper van beticht dat hij verschillende zaken over de Tweede Wereldoorlog in Litouwen verkeerd zou hebben voorgesteld. Delpeut onderzocht het voorval, wat resulteerde in dit essay over geschiedschrijving versus individuele herinnering waarin hij Mekas, Casper, noch zichzelf ontziet. Pieter van der Wielen spreekt met Peter Delpeut.

durée : 01:24:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Atelier de Création Radiophonique - A Pétrarque (qui traversa les collines de Provence à pied), journal sonore de Jonas Mekas (1ère diffusion : 29/06/2003) - réalisation : Virginie Mourthé

Pasauliui tebeieškant, kaip nugalėti naująjį virusą, farmacijos istorikas Tauras Mekas sako, kad skeptiškai į naujus gydymo būdus žmonės žiūrėjo visada. Laidoje apie didžiausius farmacijos laimėjimus ir skaudžiausias pamokas.Ved. Guoda Pečiulytė

From the dangerous part of the city of Montevideo, Uruguay in the late ’90s, William started his journey in music at the early age of 11 helping programming music and DJing for a pirate radio station. Since that moment, he never stopped to define his own style and taste of music while improving his technical skills. In 2009 he started to release his own productions under different monikers, releasing several works in digital and physical format. In 2017 things changed when the decision was made to focus exclusively on his new project called William Arist and also the launch of his own record label Perseverancia Records. Since then, he has played with artists such as Anastasia Kristensen, CTRLS, Adriana Lopez, Aleja Sanchez, Dax J, DVS1, Eduardo De La Calle, Ellen Allien, Kolpos, Mekas, Pfirter, P.E.A.R.L., Setaoc Mass, Vinicius Honorio and many more. His eclectic productions have seen his music land on a variety of labels such as Animal Farm (UK), DEAD CERT. Records (UK), Tauten (SRB), Abstraction (CUB), Liberta (UK), Knowledge Imprint (ZA) amongst others. His music has been supported by artists like Richie Hawtin, Charlotte de Witte, Joris Voorn, Truncate, Ben Sims, Cari Lekebusch, Tensal, Dave Clarke, Drumcomplex etc etc… -- 007: William Arist from Montevideo, Uruguay William Arist @ SoundCloud: https://soundcloud.com/williamarist William Arist @ Facebook: https://www.facebook.com/williamaristofficial

durée : 01:24:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Atelier de Création Radiophonique - A Pétrarque (qui traversa les collines de Provence à pied), journal sonore de Jonas Mekas (1ère diffusion : 29/06/2003) - réalisation : Virginie Mourthé

English: Sebastian Iral is a young DJ born and musically trained in the eastern part of the Department of Antioquia. With more than 6 years on the scene and being one of the founders of the Oriente’s Crowd Community (OCC) collective, Sebastian now stands out as one of the main components when one takes a look at the Techno movement in Oriente Antioqueño. Has shared the stage with characters such as Raffaele Attanasio, Developer, Dax J, Adriana Lopez, Joton, Reeko, Julixo, Mekas or Ricardo Garduno, who consider part of their great influences alongside names such as Oscar Mulero, Jeff Mills, Regal , Jeroen Search. ---------------------------------------------------------------------------------------------------------------------------------------- Español: Sebastian Iral es un joven DJ nacido y formado musicalmente en el este del Departamento de Antioquia. Con más de 6 años en escena y siendo uno de los fundadores del colectivo Oriente’s Crowd Community (OCC), Sebastian se destaca ahora como uno de los componentes principales cuando se le da una mirada a la movida Techno en el Oriente Antioqueño. Ha compartido tarima con personajes como Raffaele Attanasio, Developer, Dax J, Adriana Lopez, Joton, Reeko, Julixo, Mekas o Ricardo Garduno, quienes considera parte de sus grandes influencias al lado de nombres de la talla de Oscar Mulero, Jeff Mills, Regal, Jeroen Search. Profile: FB: https://www.facebook.com/orientescrowd SC: https://soundcloud.com/orientes-crowd-podcast IG: https://www.instagram.com/sebasiral/?hl=es-la Available in: sptfy.com/medellinstyle youtube.com/medellinstyle apple.co/2NirUXY soundcloud.com/medellinstyledj/sets/podcast www.mixcloud.com/MedellinStyle/ www.deezer.com/es/show/657932 tun.in/pjCgO medellinstyle.com/category/podcast/

California huab cua sov txog li 50 degree Celcius, cov kev tawm tsam racial injustice ntawm Portland Oregon, Meskas cov neeg nruab nrab yog cov yuav txiav txim seb leej twg yeej los ua tus coj tshiab, Meskas tej tuam txab lagluam uas ua luam ntawm Suav yuav tsis tau federal government cov contract, Suav hawv tias yuav muab Mekas cov bonds thiab nyiaj dollars muag ces ua rau Meskas tej shares poob nqe, thiab tej zaum nyiaj yuav tsis muaj nqes, muaj neeg tib Nruas Muas kom mus dai tuag, EU tseem yuav nrog Turkey sab laj txog nws cov kev mus txheeb cov qhov roj ntawm hiav txwv Mediterranean sab hnub tuaj, Afghanistan cov kev sablaj Intra-Afghanistan ntawm Qatar, cov neeg los sib tw ua Japanese tus thawj pwm tsav tshiab, tej teeb meem cuam tshuaj txog Nplog cov kev xav ras los ua Asia lub battery, Myanmar tej hau rog hais kom tub rog ''tua txhua tus neeg Rohingya Muslim uas lawv pom thiab hnov'', tej teeb meem cuam tshuam rau cov kev sim tshuaj coronavirus vaccine.

Pokalbis su fotomenininku Rimantu Dichavičiumi, apie kurio garsųjį albumą „Žiedai tarp žiedų“ iki šiol netyla kalbos.Kultūros ir meno žurnalo „Nemunas“ apžvalga.Jono Meko kūryba pirmą kartą pristatoma Izraelyje. Ar įdomus Mekas ir Fluxus judėjimas Izraelio gyventojams, pasakoja Lietuvos kultūros atašė Izraelyje Elena Keidošiūtė. Su rubrika „Kalbos rytas“ - užsienio baltistikos centrų dėstytojų kvalifikacijos kėlimo kursų dalyviai pasakoja apie lietuvių kalbos mokymą užsienyje ir priežastis, kodėl užsieniečiai nori išmokti šią archajišką kalbą.Penkioliktą kartą prasideda prancūzų kino festivalis „Žiemos ekranai“. Kur slypi prancūziško kino fenomenas? Ir ar vis dar galime kalbėti apie ryškius nacionalinio kino bruožus globalizacijos ir koprodukcijų kontekste? Apie tai kalbamės su festivalio organizatorėmis Ramune Vrubliauskiene, Egle Čepaite ir Juste Litinskaite. Kodėl muzikiniai vaizdo klipai verti parodos galerijoje? Lankomės Rimo Sakalausko parodoje „Dispozicija“.„Klasikos enciklopedija“ – apie Neroną.Ved. Birutė Rutkauskaitė.

Underground filmmaker Barbara Rubin’s 1964 art-porn masterpiece “Christmas on Earth”, made when she was only 18 years old, shattered creative and sexist boundaries and shocked NYC's experimental film scene. Working with Jonas Mekas at the Filmmaker’s Coop, Rubin was instrumental in creating NYC's thriving underground film community and a rare female voice in a world of powerful men. A rebellious Zelig of the Sixties, she introduced Andy Warhol to the Velvet Underground and Bob Dylan to the Kabbalah. But beyond shaping the spirit of the Sixties, Barbara was seeking the deeper meaning of life. After retiring to a farm with Allen Ginsberg, she shocked everyone by becoming a Hasidic Jew. How and why did one of the 1960’s freest spirits submit to a religious life? For years, 94-year-old filmmaker Jonas Mekas has saved all of Barbara’s letters and cherished her memory. Working with Mekas’ footage and rare clips from the Andy Warhol archives, the film takes us inside the world and mind of Barbara Rubin; a woman who truly believed that film could change the world and then vanished into obscurity. Director Chuck Smith joins us for a conversation on the life and times of a gifted artistic protégé and the impact she had on the people who loved her. For news and updates go to: barbararubinmovie.com

Dave and Alonso are joined by Manohla Dargis of The New York Times for this special episode to discuss some legends of "off-Hollywood" cinema we have lost in recent months. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Twitter, Facebook and Instagram, your face so pretty. Join our club, won't you?

Thoreau dijo que el mundo es un lienzo que llenamos en nuestra imaginación. Jonas Mekas y José Luis Guerín intercambian correspondencias filmadas, expresan experiencias a través de la cámara, sensaciones, pulsiones, pensamientos, fragmentos de realidad. Diálogos visuales entre dos trovadores del cine, dos creadores alejados de la industria y de lo convencional. Guerín profesa su admiración por el artista lituano en cada carta y cada comentario, Jonas le responde con su bonhomía y vitalidad, filma el metro, los tejados, la fina nieve cayendo sobre Brooklyn, los libros en una estantería, el tronco del gran árbol que ve cada día desde su ventana enlaza con las ramas enredadas contra un cielo nublado que filma su colega de profesión. Los gatos somnolientos de Mekas, los desarraigados en Venecia de Guerín, las fachadas con fechas grabadas de principios del siglo que inauguró el cine, Guerín reflexiona en voz alta, camina entre sombras y destellos, agradece al maestro que cogió el testigo de los operadores de los Lumière, el emigrante que necesita filmar como quien respira, buscar retazos de belleza en la sencillez de un atardecer en Central Park. Mekas celebra la vida y se celebra a sí mismo como Walt Whitman, imágenes desenfocadas, luces movidas, el artista toma vino y come ante su cámara, un Guerín más metódico y reflexivo le contesta con la tumba del Ozu y unas mujeres ríen nerviosas junto a las lápidas del cementerio. Esta noche En Radiopolis intentamos descifrar la verdad tras los collages de dos artistas de la imagen... José Miguel Moreno, Gervi Navío, Manuel Broullón y Raúl Gallego.

Jonas Mekas died at 96 last week after a distinguished, anti-conventional life in movies that began many decades ago in New York. In this archival Fishko Files, Mekas considers for a very short time his work with Andy Warhol on a very long film - Empire. Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann

Žinios iš Lietuvos ir pasaulio. Tarptautinei holokausto aukų atminimo dienai. Pro memoria: J.Mekas. Vilniaus paveikslų galerijoje unikalaus žemėlapio paroda. Žiemos pramogos.

Í Lestinni í dag verður meðal annars fjallað um litáíska kvikmyndaleikstjórann og ljóðskáldið Jonas Mekas, sem andaðist í New York í gær, 96 ára að aldri. Mekas var oft kallaður guðfaðir bandarískrar framúrstefnukvikmyndagerðar en hann flutti ungur til New york og varð mikilvægur þátttakandi í listasenu borgarinnar á sjöunda áratugnum. Mekas var meðal annars þekktur fyrir ,,dagbókarmyndir sínar," og starfaði með fjölda heimsþekktra listamanna á borð við Salvador Dali, Andy Warhol, John Lennon, og Allen Ginsberg. Lestin minnist þessa merka listamanns í dag, gestur þáttarins verður Helga Rakel Rafnsdóttir, kvikmyndaleikstjóri. Ritföng hafa ekki verið jafn vinsæl á síðustu árum og þau voru hér áður fyrr. Blað og penni hafa lotið í lægra haldi fyrir tölvuskjá og lyklaborði enda hefur bróðurpartur daglegra skrifa færst yfir á stafrænt form. New York Times greindi hins vegar nýlega frá því að sala og vinsældir blekpenna hefðu færst í aukana á síðustu árum og ýjað er að eins konar endurkomu sjálfblekunganna. Fyrirbærið verður skoðað nánar í þætti dagins og rætt verður við Árna Sigurðsson, sérlegum áhugamann um blekpenna. Og tónlist kemur við sögu í Lestinni í dag. Platan Hive Mind eftir RogB hljómsveitina The Internet erfist í beinan svartan karl- og kvennlegg frá fönk- og sálarhetjum fortíðarinnar, og svo er sáldrað veglega yfir með tilraunakenndari nútímakryddum. Davíð Roach Gunnarsson segir hlustendum upp og ofan af Internetinu, The Internet, í þættinum í dag. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson

Õhtulehe jalgpallisaates "Kolmas poolaeg" külastas ajakirjanikke Siim Kera ning Karl Juhkamit endine jalgpallur Bert Klemmer. 2012. aasta suvel U19 vanuseklassi Euroopa meistrivõistlustel Eestit esindanud Klemmer jutustas oma elust Inglismaal. Nimelt omandab ta doktorikraadi mainekas Loughborough'i ülikoolis, kus õpivad nii mitmedki olümpiavõitjad. Leicesteri lähedal asuvat kooli hinnatakse sporditeaduste osas üheks maailma parimaks. (Harrastus)spordi ja vaimse tervise seoseid uuriv mees rääkis ka Inglismaa jalgpallikultuurist ning Eesti vuti hetkeseisust. Saatest ei puudunud ka Coolbeti panustamisrubriik.

Based in Buenos Aires, @AulaMagnaRecords label releases an EP from the label manager @Mekas. Monument premieres the name track Neon Forest from the EP that will be out on December 17th.

Balandį Londone susitikome su Jonu Meku, menininku, kurio gyvenimo kelias iš 10-ies namų kaimo greta Biržų jį atvedė į pačią Niujorko meno scenos širdį. Nuo nacių okupacijos pabėgęs Mekas padėjo Andy Warholui ir Yoko Ono filmuoti jų pirmuosius filmus, bekompromisiškai populiarino avangardinį kiną ir, "po daugelio nervinių priepuolių", išmoko svarbiausio – būti čia ir dabar. "Kaip kameros objektyvas. Jis fiksuoja tik tai, kas yra šią sekundę", – sako Mekas išsitraukdamas mažytę kamerą, su kuria nufilmuoja ir mus. Prisidėkite prie NYLA kūrimo: https://www.patreon.com/NanookMultimedia

Over the course of a couple of tweets, Michael Chu, Lead Story Developer for Overwatch,  has confused most of Overwatch's fanbase due to a lore discrepancy. According to him, D.Va isn't specifically a StarCraft pro gamer, only a pro gamer in general. This clashes with what literally everyone who pays attention to the lore has known from day one, but Chu waves it away as "a common misconception." Yeah, common. Common among the whole world, including Jeff Kaplan. In a recent Forbes interview, the creator of Overwatch himself stated that, "We have D.Va as a StarCraft pro." In case you're not caught up on Overwatch lore, here's the rundown: In the near future, humanity succeeded in creating sentient robots called Omnics. Unfortunately for them, Omnics immediately turned around and rose up against the humans that couldn't decide whether they were tools or people. In a move reminiscent of Pacific Rim, a kaiju-like Omnic emerged from the depths of the ocean off the coast of South Korea and began attacking. The military managed to repel the gigantic Omnic, but unfortunately it wasn't destroyed, merely forced back into the depths. After analyzing the battles it'd been in, it adapted to the techniques and strategies the military used and rose once again a few years later, ready to fight again. Up until one of those battles, the South Korean military had been using remote-controlled battle robots called MEKAs to combat the threat. However, one of the Omnic's adaptations was a signal jammer, rendering the 'remote' part of that useless. The military was forced to use piloted MEKAs, but they didn't have anybody within their ranks with the needed reflexes. So they turned to the pro gamers. D.Va was specifically stated to be the most elite StarCraft player in the world, rising to the top spot at the age of 16 and remaining undefeated in all competitions for the next three years. No other games are ever mentioned, and so it was assumed that StarCraft was her specialty. In fact, her "Raising my APM!" voice-line is a reference to the 'actions per minute' mechanic of the StarCraft series, basically determining how many actions a person can take per turn. Until recently, D.Va even had a page on StarCraft's World Championship Series website. The WCS is a place where bios of all the top players for StarCraft can be found, so the fact that D.Va's page specifically stated that "at the age of 16, [she] became the #1 ranked player in the world and proceeded to go undefeated for the next three years in all competitions," is a pretty clear indication that she was a pro StarCraft gamer. It also stated that she toured around the world for exhibitions and competitions, as using the Wayback machine to view the page can show. Unfortunately, that page has now been deleted. Now, since this issue has been brought to people's attention, Michael Chu has taken to the Blizzard forums to clarify further. "Misconception probably wasn't the right way to describe it," he said, "more like something that we haven't clarified properly. I think the best I can do here is give the backstory (har har) on how we got here: Going back to when we announced D.Va as a hero, we had been experimenting with using different methods of teasing new characters. We thought it'd be fun to use the StarCraft WCS site and slip D.Va in as she had a background as a pro gamer (this all happened before she was officially announced). At the time, I actually worried that it would be taken as canon, but I was hoping elements like the fact her preferred race was listed as "random" and the fact she couldn't have competed in the current series would help defray that. In hindsight, yeah... pretty confusing. D.Va is absolutely a world champion professional gamer which was what got her recruited into MEKA in the first place. However her best game wasn't StarCraft (which was what I was attempting to clarify). We imagined that she was most known and specialized in a game ...

Le Catalyste #62 avec Mekas, The Plant Worker / Głós, Natural Flow, Onyx Collective, Austen/Scott, Outlander, Extrawelt, Rone, Keith Carnal, SW, Anome, CMD, Mathew Jonson, Cubenx, www.facebook.com/lecatalyste/ 1 - 172 Forsyth St. - Onyx Collective - Lower East Suite Part One - Big Dada @onyxcollective 2 - DJ Sling - I Feel Weak - DJ Sling - The Secret - born free records @dj_sling 3 - Mirapolis - Rone - Mirapolis - @infine-music 4 - Market St. - Onyx Collective - Lower East Suite Part One - Big Dada 5 - Quantified - Cubenx - Fractal City - infinie @cubenx 6 - Caravan - Brendon Moeller - Magic City EP - Echocord Colour @brendonmoeller 7 - Somewhere In His Heart - Austen/Scott - Somewhere In His Heart - Danse club records @austenscottdj 8 - Gott Ist Schrott - Extrawelt - Fear Of An Extra Planet - Cocoon @extrawelt4real 9 - Gentle Venom - Extrawelt - Fear Of An Extra Planet - Cocoon 10 - Cant Change Weapons While In Combat - Outlander - Cluster node @clusternode 11 - Quimper - Anome - @low-noise-productions @anome-one 12 - Numerous - Keith Carnal - Sawmill - Artscore @artsltd @keithcarnal 13 - Spaceshift (Pfirter Remix) - The Plant Worker / Głós - More Cuts On Hurting - @ressortimprint @the-plant-worker @glosofficial 14 - Clark Nova - @Mekas - Atmen EP - @aulamagnarecords 15 - Graviton Cloud - CMD - Wavecraft - Low Noise Production @c-m-d 16 - Agatha (Roman Poncet Remix) - Natural Flow - Sagittarius EP - Oddity @natural-flow-3 17 - Untitled C2 - SW - Sued Records 18 - Tempelhof - Mathew Jonson & Ryan Crosson - @visionquest-records

Topics: The Town, camera, writing, ready at hand, wishes coming true, editing, cataloging, finality, photo video film, Nouvelle Vague, beginnings, nostalgia, 60s 70s 2117, seagull eggs, working archive, „greatest poet", fire, the background, YouTube, documenta 14, cockroaches, access, meaning over time, reflexive watching, installation, misconceptions, Mekas, tools, photo = video, Rooftops Links: [1] http://www.michelauder.com/ [2] http://www.contemporaryartdaily.com/2014/11/michel-auder-at-de-hallen-haarlem/

Jonas and I talked about refugees and memory, about ambient noise, poetry, the new film I Had Nowhere To Go, and why he's spent a lifetime ignoring Hollywood. For more information on I Had Nowhere To Go (IMDB) and TIFF. Synopsis Internationally acclaimed multimedia artist Douglas Gordon (24 Hour Psycho, Zidane: A 21st Century Portrait) returns to the Festival with this intimate portrait of avant-garde cinema legend Jonas Mekas. "An adventurer can always return home; an exile cannot. So I decided that culture would be my home." Jonas Mekas Internationally acclaimed multimedia artist Douglas Gordon returns to the Festival with an intimate portrait of Jonas Mekas, the legendary poet, film critic, risk-taking curator, "the godfather of the American avant-garde cinema" -- and, at 93 years old, among the remaining few to have escaped and survived Nazi persecution. I Had Nowhere to Go plunges us into both a collective and individual space of memory via long, imageless stretches over which Mekas narrates, in his inimitable voice, excerpts from his memoir (which lends the film its title). An extraordinary life story emerges as the film zigzags between Mekas' early years in a forced labour camp and a Displaced Person centre during WWII and his arrival in New York as a young Lithuanian émigré. With an immersive sound environment and intermittent, fleeting images that stand in evocative juxtaposition to Mekas' anecdotes, Gordon's film reveals in its subject a puckish humour that outweighs despair, and an unabated zest for life that both illuminates and softens the sadness. A deeply moving tribute from one great artist to another and a singular work in its own right, I Had Nowhere to Go has timely resonance today as mass migratory movements are displacing millions of people throughout the world as refugees, exiles, and stateless persons. While Mekas is certainly no ordinary person, the story he tells is a profoundly humble one, as much about daily survival as it is about aspiring to accomplish so much more. Gordon, who is ingenious at activating memory and the cinematic imaginary, compellingly presents quotidian moments outside of Mekas' famous film-related activities in order to reveal the desires, impulses, melancholy, and perseverance that inform Mekas' filmmaking and infectious love of cinema. Even when truly having nowhere to go, Mekas always saw brief glimpses of beauty as he was moving ahead. Biography Jonas Mekas - Writer Jonas Mekas born December 24, 1922, is a Lithuanian-born American filmmaker, writer, and curator who has often been called "the godfather of American avant-garde cinema." His work has been exhibited in museums and festivals across Europe and America. In 1944, Mekas left Lithuania because of war. En route, his train was stopped in Germany and he and his brother, Adolfas Mekas, were imprisoned in a labor camp in Elmshorn, a suburb of Hamburg, for eight months. The brothers escaped and were detained near the Danish border where they hid on a farm for two months until the end of the war. After the war, Mekas lived in displaced person camps in Wiesbaden and Kassel. From 1946-48, he studied philosophy at the University of Mainz and at the end of 1949, he emigrated with his brother to the U.S., settling in Williamsburg, Brooklyn, New York. After his arrival, he borrowed the money to buy his first Bolex 16-mm camera and began to record moments of his life. He discovered avant-garde film at venues such as Amos Vogel's pioneering Cinema 16, and he began screening his own films in 1953 at Gallery East on Avenue A and Houston Street, and a Film Forum series at Carl Fisher Auditorium on 57th Street. In 1954, he became editor of Film Culture, and in 1958, began writing his "Movie Journal" column for The Village Voice. In 1962, he co-founded Film-Makers' Cooperative (FMC) and the Filmmaker's Cinematheque in 1964, which eventually grew into Anthology Film Archives, one of the world’s largest and most important repositories of avant-garde films. The films and the voluminous collection of photographs and paper documents (mostly from or about avant garde film makers of the 1950-1980 period) were moved from time to time based on Mekas' ability to raise grant money to pay to house the massive collection. He was part of the New American Cinema, with, in particular, fellow film-maker Lionel Rogosin. He was heavily involved with artists such as Andy Warhol, Nico, Allen Ginsberg, Yoko Ono, John Lennon, Salvador Dalí, and fellow Lithuanian George Maciunas. In 1970, Anthology Film Archives opened on 425 Lafayette Street as a film museum, screening space, and a library, with Mekas as its director. Mekas, along with Stan Brakhage, Ken Kelman, Peter Kubelka, James Broughton, and P. Adams Sitney, begin the ambitious Essential Cinema project at Anthology Film Archives to establish a canon of important cinematic works. Mekas' own output ranging from narrative films (Guns of the Trees, 1961) to documentaries (The Brig, 1963) and to "diaries" such as Walden (1969); Lost, Lost, Lost (1975);Reminiscences of a Voyage to Lithuania (1972) and Zefiro torna (1992) have been screened extensively at festivals and museums around the world. In 2001, he released a five-hour long diary film entitled As I Was Moving Ahead. Martin Scorsese said once: "Jonas Mekas is the one that gave me the desire and strength to be a director." Douglas Gordon - Director Douglas Gordon's practice encompasses video and film, installation, sculpture, photography, and text. Through his work, Gordon investigates human conditions like memory and the passage of time, as well as universal dualities such as life and death, good and evil, right and wrong. Gordon's oeuvre has been exhibited globally and his film works have been presented at many competitions, including the Festival de Cannes, the Toronto International Film Festival, and the International Venice Film Festival. Gordon received the 1996 Turner Prize, the Premio 2000 prize for best young artist at the 1997 Venice Biennale, and the 1998 Hugo Boss Prize. Most recently, in May 2008 he was awarded the Roswitha Haftmann Prize by the Kunsthaus Zurich and, in 2012 the KätheKollwitz Prize from the Akademie der Künste, Berlin. Gordon was the International Juror at the 65th International Venice Film Festival, and in 2012 he was the Jury president of CinemaXXI at the 7th International Rome Film Festival. In December 2014 Douglas Gordon and pianist Hélène Grimaud have joined forces to explore the beauty of water in an extraordinary performance at Armory on Park, New York. The collaboration continued when Gordon directed the theatre performance Neck of the Woods starring Charlotte Rampling and Hélène Grimuaud at the 2015 MIF - Manchester International Festival, Manchester. Born in Scotland, Gordon lives and works in Berlin and Glasgow and teaches film at the Städelschule in Frankfurt am Main. He is represented internationally by Gagosian Gallery, as well as Untilthen in Paris, Galerie Eva Presenhuber in Zürich, and Dvir Gallery in Tel Aviv See acast.com/privacy for privacy and opt-out information.

Locarno giorno 2 :J. Mekas e D. Gordon

Avant-garde cinema pioneer Jonas Mekas joins us for one of our Free Talks, which are sponsored by HBO. Jonas Mekas is a name synonymous with alternative film culture in New York City. In addition to his prolific work as a director, Mekas has also been an integral figure in the exhibition and promotion of experimental film. He founded "Film Culture" magazine in 1954, the "Film-Makers Cooperative" in 1962, and the "Filmmakers Cinematheque" in 1964, which went on to become Anthology Film Archives. Two of his pivotal works, LOST LOST LOST and WALDEN were recently released on Blu-ray by Kino Lorber. Our evening with Jonas Mekas was moderated by programmer Dan Sullivan. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here. www.filmlinc.org

Producer and DJ born in 1991 in Buenos Aires, living in Neuquén since 2000. Bruno started doing music at age 17, in 2010 he's started selling its first releases on Beatport with his cousin Lucas Ezequiel, after that, he started to play format duo in the underground movement on his city, playing at small private parties, also in clubs, bars and radios. Parallel from 2010-2012 produced many tracks and remixes for various labels of international stature as Shout Records (Italy), NuLabel (Spain), Lethal Dose (Russia), Freitag Limited (Amsterdam), giving to him an interesting and unexpected recognition around world. After a temporary separation with Lucas, seeking to define their own sound and identity (in April 2012) decided to open his own digital label called Concepto Hipnotico. After the success of the first releases and support of great artists, Concepto it grows and establishes (inside and outside Argentina) as a potential record label. From the beginning until today have released their music over 80 different artists, among them are: Dandi & Ugo, Ixel, Re: Axis, Splatter, Felix Lorusso, Antonio Ruscito, Sebastian Cohen, among many others. Returning to the local reality, during the middle to the end of 2012, Bruno was part of the cycle of techno parties Puntoclub, where he appeared repeatedly with long and intense mixes for a large and demanding public, which allowed him to perfect his technique and management of dance floor quickly. 2013 and 2014 were also very positive years, he made his first long trips away from his hometown, one of them gave was to play at Osa Club (recognized point of Mendoza) and Mas Bass (Olivos, Buenos Aires). He also joined with Axel Apolonio, as resident of the renowned techno party Bing Bang Groove where he shared booth with artists like: Tommy Four Seven, Alex Bau, Splatter, Mekas, Jorge Ciccioli, Mariano DC, Udolph, Rodrigo DP, XHEI, Margot, between many others. Currently it organizes the events of Concepto Hipnotico, presenting live to the audience of Neuquen, musical and artistic proposal from the label with local and national artists. Bruno’s style (both live and in their productions) is characterized by combining abstract textures and atmospheres, usually on a strong bass line, generating a deep and hypnotic atmosphere and intense at the same time. In the stage, Bruno is spacious and versatile, adapting him to the place and time, he can play from slow and groovy sounds to pass through an intermediate term, but mostly its goal is create moments of great musical intensity generating with the public a very strong connection. TRACKLIST 01. Florian Msk - Passerelle 77 (Original Mix) [D.M.T Records] 02. Damon - Majestic (Joerg Coon Remix) [Twisted Recordings] 03. Advanced Human - 1st Perception (Original Mix) [Gynoid Audio] 04. YYYY - Invite (Original Mix) [Unreleased promo] 05. Ascion - Mind Mapping (Original Mix) [Labrynth] 06. JC Laurent - 1 Weapons (Mattias Fridell Remix) [Rohmaterial Digital] 07. Nina Kraviz - Prozimokampleme (Original Mix) [Trip] 08. Julixo - Grey Planet (Original Mix) [Subosc] 09. Pfirter - Universe (Original Mix) [Stroboscopic Artefacts] 10. Unidivixion - Monologo (Original Mix) [Parallel Thoughts] 11. Roberto Clementi - THD (Original Mix) [Hypercolour] 12. Twan Thijssen - Pick Up (Original Mix) [Twisted Recordings] 13. H. Paul - Candela (Bruno Ledesma Remix) [ALSS] 14. Ledd, Bruno Ledesma - Signal (Original Mix) [Dystopian Rhythm] 15. Bruno Ledesma - Djonc (Original Mix) [Dark and Sonorous Recordings] https://soundcloud.com/brunoledesma http://www.residentadvisor.net/dj/brunoledesma https://www.facebook.com/brunoledesmamusic/ https://pro.beatport.com/artist/bruno-ledesma/139300

Vidurnakčio lyrikoje Jono Meko eiles skaito Vincas Aleknavičius.

PMS11 | All I Want For Christmas Is Worldwide Anarchist Communism | Attentat When looking for a picture to use for my Photographic Memories Series submission this seemed the most appropriate for obvious reasons. It's almost Christmas; a time of year so easy to love and hate with equal passion. Easy to love because, it’s nice to spend time with friends and family, and easy to hate because, well, it’s Christmas. By the look on my face it appears I embraced distaste for the celebration of baby Jesus. This is insightful because I remember myself being a greedy little bastard at that age. I remember, once, my selfishness got the best of me, and I attempted to clandestinely open a gift while hiding behind a rocking chair in my parent’s living room, only to be caught by one of my siblings with a handful of brand new LEGO pieces in my sticky paws. I used to beg to open gifts before Christmas day, and sometimes my parents would give in, mostly because I wouldn't leave them alone until I got my way. When I found this photo it gave me hope I wasnäó»t always a greedy little tub of fat; a pushy whiner that pressured people until they gave in to his demands. If only I knew why I was wearing a look of disgust and disappointment? Is my grimace a sign of my future attitude towards Christmas and popular culture? An attitude containing heavy doses of cynicism and disgust aimed at the obsession capitalist society places on the accumulation of material goods? Maybe, it’s a look saying, I'm just freaked out by the fact I'm sitting on a creepy guy's lap hoping for toys? Perhaps, an early awareness of the humiliating nature of this degrading system of bondage, and wage slavery humans have so happily embraced? I’m not a fan of Christmas because it perpetuates the hyper-individualism, greed, and selfishness inherent in the capitalist system. This year however, I would like three things for Christmas, (1) worldwide anarchist communism, (2) looting and redistribution of the Christmas stockings of the rich (3) a good rave to keep the people moving through the night. Please Santa! I promise I was good this year! 1. Claudio PRC äóñ Clear Depths 2. Function äóñ Variance 3 (Marcel Dettmann Edit) 3. Ryan Elliot äóñ Abatis 4. Obtane äóñ Thrilling Love 5. Cio D’or äóñ Wasserkraft 6. Steffi äóñ Tank (Beat Version) 7. Nick Chacona äóñ Be Like Olive (Levon Vincent Remix) 8. Abstract Division - Deformation (Norman Nodge Remix) 9. Kangding Ray äóñ Oise 10. Troy Pierce äóñ Go Without Me (Stay Away) 11. Little Nobody äóñ Metropolis How (James Ruskin Remix) 12. Modern Heads & Dino Sabatini äóñ Dry Bleep 13. Claudio PRC & Obtane äóñ Antykithera Mechanism 14. Pablo Denegri & Mekas äóñ Chakal äóñ (Jonas Kopp Blue Book Remix) 15. James Ruskin Regis & O/V/R äóñ Post-Traumtic Son (Marcel Dettman Constructon 2) 16. Valmay - Old Dog 17. Mathias Schaffhauser äóñ Utopia (Krause Duo remix Nr. 1) 18. dOP äóñ Progagande Americaine

Since his debut “Luciernagas” EP in 2007 on Igloo-rec he has released and collaborated with labels like Woods N Bass, Wall Music, Par Wax, Labrynth, Silent Steps, Translucent among others.  His latest tracks has been played and supported by Surgeon, Chris Liebing, Rebekah, Monoloc, Mattias Fridell, Uzb, Flug, Advance Human, Jeroen Search, Patrick Krieger, Miss [...]

A DJ-set mixed by Argentinian Gonzalo MD (@exe-88). A sound designer based in Buenos Aires. For the next hour and fifty minutes we will hear a set mixed with “real hands, vinyls and cdjs” with tracks from: Philippe Petit, Paul Mac, Mekas, Nihad Tule, Myk Derill, Tom Diccico, Emmanuel, Glos, Stefan Vincent, The Plant Worker, Divvorce, A&S. Also tracks from his three latest vinyls, releases on Knotweed Records, Ressort Imprint and DMT. Gonzalo MD presents an energetic set, almost reminiscent to the fraze “Jackin”. Just in terms of great techno music. We hope to see more of this talented producer and dj in the near future. We hope you enjoy this weeks podcast, and don't forget to follow Monument for more techno, art, and upcoming events! Q&A: ----------------- You have released on Knotweed and DMT. Tell us about the concepts that lay behind these labels? ----------------- Knotweed was the first label that really I trusted with my productions, so I released on vinyl with them. The opportunity to release on DMT (a label which I respect so much) was thanks to Philippe Petit; Decision Making Theory was a label that grew a lot in a short time. That was because of the quality the label presents through their releases. The label is focused on a Detroit, raw, acid sound with a minimalist concept. ----------------- You refer to yourself as a sound designer. What is the difference in being a sound designer, a producer and a DJ. Give us your opinion ----------------- A sound designer isn't just composing music. A sound designer even has to adapt to an environment, plan, create and make that piece/production count in history. The most important part is that the designer has to figure out a way to make a track work according to how the idea of the track. ----------------- We are under the impression that you some how are infatuated by the city of Detroit, explain why. ----------------- I always felt chemistry with that city. The culture, the history,people, architecture,music, were a huge inspiration to achieve a sound which it is like a tribute to that great city. ----------------- What does techno music mean to you? ----------------- I learned to produce in one of worst moments of my life. I needed to find something to amuse myself and made me forget everything. With techno, I found myself with my feet planted on the ground. When I am in the moment in my studio, everything else disappears. It is only me, my machines and Techno! ----------------- Finally, what are your plans for future releases, gigs etc? ----------------- At the end of this year i'm going to do a release for Plector Records. A Belgian label with great artist as Stanislav Tolkachev, Charlton, Sleeparchive and a few more. Also, i'm going to release in a new label with various artist from Malta, Italia. I can’t give so much more information about this. My next performances will be all in Capital Federal(Buenos Aires), 21st of june and 18th of july and a few more still to confirm. https://soundcloud.com/exe-88 https://www.facebook.com/GonzaloMD?fref=ts https://www.facebook.com/MonuMnt Artwork: deadsuperhero - Atomic Dandy

Track List: 1. Seeder-Mutagen(Gruener Starr•s Mutant dog Remix) 2. Dadive-Ying or Young (Juan Baeza Remix) 3. Whitelie-Mutant(Original Mix) 4. Timmy Mendeljejev-Pleased Nada(Ian Cris Remix) 5. Hanchi-Corbaic (Original Mix) 6. Splatter-Woodland Ceremony(Original Mix) 7. Fracktion-Bubbles(Original Mix) 8. Moloc-I Belong To The Darkness(Greg Grajek Remix) 9. Craft-Basement Outside(Bruno Ledesma Remix) 10. Kubark-Necrophilliac(Original Mix) 11. The Noisemaker-Call(Daegon Remix) 12. Hans Bouffmyhre-Dying Breed (Rene Walther Remix) 13. Martin White-Dark Form (JosephZohlo Remix) 14. Joseph Zohlo-Devils (Original Mix) 15. Soundmanipulator-Kukui(Original Mix) Bio: Joseph Zohlo Dj producer, born in Mexico in 1988, his career as a DJ starts at 18 where his friends started playing at private parties and clubs after, always sounds Underground, then decide to create your own tracks with atmospheric sounds and Dark vocal always TechnoMinimal driving Experimental bases, his greatest influences as DamianLazarus, Marc Ashken, Dilo, Seph, Omar Salgado, Mekas, LineasdeNazca among others has led to sharing the stage with artists like Memnok, David Dk, Ochgalen, Victor Snap, among others. FB: http://www.facebook.com/pages/Joseph-Zohlo/158590874235422?fref=ts SC: http://soundcloud.com/joseph-zohlo BP: http://www.beatport.com/artist/joseph-zohlo/313224 Listen to us on Web Player: stromkraftradio.com/techno/ NEW - iPhone App: itunes.apple.com/de/app/strom-kra…id725059261?mt=8 Media / Mobile Phone: stream.stromkraftradio.fm:8012/listen.pls Radio.de / App: stromkraftradio.rad.io/ TuneIn: tunein.com/radio/StromKraft-Radio-s179423/ MACHWERK [Ger] Stromkraftradio - short4u.de/525885402ed56 Facebook - www.facebook.com/machwerk.se Soundcloud - @machwerk

Vidurnakčio lyrikoje Jono Meko eiles skaito Vincas Aleknavičius.

Existe-t-il une manière naturelle d’être au monde ? Pouvons-nous, au cinéma, faire l’expérience, non d’un retour à la nature, mais de la nature ? Munis de telles questions, nous pourrions approcher du traitement de la forêt dans Sombre et Un lac. Philippe Grandrieux y révèle, avec force et humilité, ce qu’a à voir le cinéma avec la poésie, le conte et la vie. Charlotte Mariel Charlotte Mariel prépare une thèse de doctorat en cinéma, sous la direction de Nicole Brenez, sur l’appréhension de la nature où s’entrelacent science, cinéma et poésie. Elle écrit parallèlement un mémoire de philosophie sur H.D. Thoreau et J. Mekas.