Podcasts about carl stalling

In today's episode, we discuss the life and career of Carl Stalling. --- Support this podcast: https://podcasters.spotify.com/pod/show/thedecibelsdeeppodcast/support

American musical genius.

Walt Disney recalls the first Silly Symphony – The Skeleton Dance and musician Carl Stalling.

This week on the podcast, Chandni Parekh, the voice of Lola Bunny in 'Bugs Bunny Builders' graces the podcast to bring some insight into the work of show runner Abe Audish and the team do to bring the latest Looney Tunes project to kids and fans alike!  Bugs Bunny Builders is available to watch on Cartoonito, Cartoon Network and stream on MAX! The much beloved film-and-orchestra concert Bugs Bunny at the Symphony is returning to Los Angeles for the first time in eight years, and in a new home . . . the spectacular Microsoft Theater. The gala return performance takes place on Sunday, July 30, 2023, at 6:00 p.m., with 16 classic Looney Tunes shorts projected on the gigantic screen, while a large live symphony orchestra, conducted by Emmy Award winner George Daugherty, plays the iconic original Carl Stalling and Milt Franklyn scores live! In addition, an onslaught of Looney Tunes-themed activities will greet concert goers in the Microsoft's Foyer, creating an unprecedented deluxe experience in Los Angeles for fans of Bugs Bunny, Elmer Fudd, Daffy Duck, Porky Pig, and the rest of the gang. We'd also love to offer a 20% discount on tickets to followers of the Podcast!  it's the "Friends Of Bugs Bunny" Discount https://www.axs.com/events/474254/bugs-bunny-at-the-symphony-tickets/promos/601458   Once there, they can enter the code 'friendsofbugs' (not case sensitive) and buy tickets for 20% off.   (Photo: Eric Bauza (Left) Abe Audish (Center) Chandni Parekh (right)   FOLLOW OUR GUEST: Chandni Parekh INSTAGRAM: https://www.instagram.com/chandniparekh_/   SABINA GRAVES IO9: https://gizmodo.com/author/sabinagraves TWITTER: https://twitter.com/SabinaHasNoR INSTAGRAM: https://www.instagram.com/thatladygraves/?hl=en GOING COOL PLACES: https://www.instagram.com/goingcoolplaces       FOLLOW and SUBSCRIBE TO THE PODCAST: Rate, Subscribe & Like on iTunes, Spotify and more! Instagram: THIS MEANS PODCAST Twitter: @ThisMeansPod      

On this special edition of the Podcast: Composer and Conductor George Daugherty swings by to talk about the Debut of Bugs Bunny at the Symphony opening in Las Vegas this weekend, which will catapult a full world tour of the classic 'Looney Tunes' cartoons alongside a Live Orchestra for fans and families to enjoy! We discuss how Bugs Bunny on Broadway humble beginnings; the legacy of Merrie Melodies and Looney Tunes composers Milt Franklyn & Carl Stalling; with many detours along the way! The chat also features first hand stories between George and the original directors of those classic cartoons! “What's Up, Doc?” A brilliant blend of classical music and classic animation! He also shared with us an exclusive look at the cue sheet written by Chuck Jones for What's Opera Doc! This was written prior to anyone drawing a single frame of animation for the short!!!!! Incredible! Check out website: BugsBunnyattheSymphony.net for FULL TOUR SCHEDULE DATES! Bugs Bunny At The Symphony has toured the world, and now makes its Las Vegas premiere with The Las Vegas Philharmonic. The world's most iconic Looney Tunes — What's Opera, Doc?, The Rabbit of Seville, Corny Concerto, and more than a dozen others— will be projected on the big screen, while their exhilarating original scores are played live by the orchestra. This iconic concert spotlights beloved favorites as well as five brand-new animated shorts, and their classically-infused music. Conducted by George Daugherty. Created by George Daugherty & David Ka Lik Wong.

From dinosaurs dancing to The Rite of Spring in Disney's Fantasia to a tuxedoed Bugs Bunny performing Liszt's Second Hungarian Rhapsody, classic cartoons have long been a delightful entry point for kids of all ages to get to know classical music. That's a tradition composer and jazz pianist Joel Pierson is breathing new life into as artistic director of The Queen's Cartoonists. Working at the crossroads of classical music, jazz, and the golden age of animation, The Queen's Cartoonists perform the scores of classic animated films from around the world, perfectly synchronizing their brilliant jazz-band arrangements with the films projected on stage. Winning audiences over with their madcap humor and a musical palette that mixes Rossini and Strauss with Carl Stalling and Raymond Scott, the ensemble has sold out venues from the Blue Note Jazz Club to the Konzerthaus Berlin. For Pierson, the group's mission is simply to show that anyone can discover a love for classical music and jazz, given the right introduction. "I always say we're essentially tricking people into liking classical music and jazz," Pierson says on the latest episode of the Classical Post podcast. "Of course we're playing a lot of [that] music, but that's not really how you get people in. The hook is that this is a bunch of animated films with a highly synchronized live performance by some excellent New York musicians, and people really like that." In this episode, we talk more about Pierson's process for arranging the wide variety of music The Queen's Cartoonists performs, and he gives us a sneak peek at the group's latest project — a wildly inventive reimagining of Mozart's Requiem. Plus, he shares how travel fuels his creativity, his favorite basement beer bar in New York City, and why a bidet attachment is truly, in his words, "a life-changer." — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Synopsis Today's date marks the official birthday of a quintessential American form of 20th century music—for cartoons. It was on November 18, 1928, that the first-ever animated cartoon with its own synchronized soundtrack debuted at the Colony Theater in New York City. This was Walt Disney's Steamboat Willie starring Mickey Mouse, who amazed audiences when he spoke up in a squeaky, falsetto voice provided by none other than Disney himself. Mickey pulled the whistle on his steamboat—a startling sonic effect in those days—and, oblivious of the impending animal rights movement, coaxed music from various squeezed and plucked barnyard colleagues. That music was composed by a quiet, unassuming theater organist out of Kansas City named Carl Stalling, who was soon lured to Hollywood by Disney to work on subsequent Mickey Mouse and Silly Symphony cartoons. In 1936, Stalling joined the Warner Brothers studios, and for the next 22 years was the music director for classic Porky Pig, Bugs Bunny, and Daffy Duck cartoons. Stalling's wonderfully wacky and endlessly inventive music was usually ignored by “serious” music critics as beneath notice. Ironically, his scores feature the same dizzying shifts of mood, tempo and instrumentation as the most complex avant-garde scores of the post-war period: Stockhausen and Boulez meet Tweety and Sylvester? Music Played in Today's Program Carl Stalling (1888-1974) Dinner Music for a Pack of Hungry Cannibals and To Itch his Own Warner Bros. Studio Orchestra Warner Bros. 26027

George Daugherty, conductor and creator of "Bugs Bunny at the Symphony" discusses the world wide phenomenon of the scores of Carl Stalling and others that accompany cartoon classics. How do they do it so precisely? George explains.  He's a ballet conductor too and won an Emmy for a televised "Peter and the Wolf" on ABC. Pittsburgh began it all and Maestro Daugherty is delighted to be back in town sharing the updated version - now revised four times in the place where it began over thirty years ago.    

We’re back! For the most part anyway–Peter’s out, but Ricochet editor Bethany Mandel is a fitting sub for today’s education-oriented podcast. Our guest is Andrew Gutmann, the man who stood up to CRT pushers in his daughter’s school and became last year’s overnight sensation. (He’s also the co-host of Ricochet’s new podcast “Take Back Our Schools!“) We go through the pandemic of cowardice which has infected parents and will leave children with indelible side effects. It might not be a fight they want, but retreat is not an option. Thankfully, Andrew and Bethany are here as backboned examples and to take us through our options. (As promised, treat yourself to Bethany’s County Council smackdown–and here’s the whole meeting, where she enters in at 3:00:52) The hosts also go through yesterday’s dog and pony show; Sotomayor’s staggering misinformation; and they say farewell to Peter Bogdanovich and Sidney Poitier. Music from this week’s podcast: What’s Up Doc? performed by Mel Blanc and Arthur Q. Bryan (Music by Carl Stalling)

The success and longevity of Looney Tunes and Merrie Melodies was the combination of Mel Blanc's voice acting, great directors, imaginative writers… AND the music talents of composer and musical arranger Carl Stalling. A person that doesn't get a great deal of credit for the cartoons being so memorable with so many fans. But it was his vast knowledge of both classical, contemporary and music made famous from Tin Pan Alley. As well as the musical cues he would add to the characters' actions that would make the cartoons resonate in people's memories. You might not know songs like Power House, A Cup of Coffee, A Sandwich and You or Blues in the Night by name. But you have probably heard these songs in countless Warner Brothers Animations thanks to Carl's amazing ear for music. After he retired in 1954, Carl would pass these skill's to his direct successor Milt Franklyn who would continue to follow this successful formula until his untimely death in 1962. It would not be until the release of Box Office Bunny, Tiny Toon Adventures and Animaniacs in the 1990s that Warner Animation would revisit Carl Stalling's style of composing and arrangement. In this episode Bret, Jamie, Andrew and Wayne discuss and listen to some of the music of Carl Stalling and relive what they loved about the Looney Tunes and Merrie Melodies they watched as they listen to the song cues created by Stalling and his orchestra. Join us as we listen to some truly Looney Tunes and some very Merrie Melodies, won't you?

Welcome to the Paranoid Style Podcast! It's spooooky October! Every episode this month will have a spooky theme and this week we're starting with the scariest thing we could think of… a cease and desist letter from Disney lawyers. That's right, Mouseketeers, this week is Disney and the Occult! We're delving into all the weird, creepy, possibly esoteric stuff that you can find in all Disney movies, TV shows and even in the happiest place on earth, Disneyland! From the walking, talking, singing and dancing dead to the good and bad witches, from magic wielding mice to yellow hounds from the underground. Are you a puppet longing to be a real boy or are you a 33 degree Freemason sitting on top of the world? Either way, this episode is like a spoonful of sugar to help the medicine go down.  Please subscribe where ever you get your podcasts. If you have any topic suggestions for the show or any tales to share, please email us at theparanoidstylepod@gmail.com and follow us on Instagram @theparanoidstylepod or on twitter @style_paranoid.   The Carl Stalling arrangement from Disney's "Skeleton Dance" is still under copyright, so we have used a free version of Edvard Grieg's "March of the Trolls" from Free Piano Tutorials on YouTube - https://www.youtube.com/channel/UCBlE6pjsULp5gA7vl8-4F4A   Opening theme music provided by Tony Molina. You can hear more of his music at https://tonymolina650.bandcamp.com/

Watch Your Step! The future is what our memories are made from, so I'm not laughing too much these days. We're a debtor nation and it can't continue. The restructuring is coming and that's not because Americans love seeing how stupid they can be. Smart people don't like being told how stupid they are cause then they'd be the joke. But the politicians and their propagandists have driven this country into a ditch and that could be: There ain't gonna be no government no more, and that ain't no joke. MUSIC Bill Cosby, Carl Stalling, George Carlin, Kelly Carlin/Jonathan Winters, Thomas Newman, K.S. Rhoads

Known for its innovations, the Disney Studio blazed a trail in animation with help from people like composer, Carl Stalling.  This week, we go back to the early days and Shawn Degenhart takes a close look at the man who helped create the Silly Symphonies.  Side note: We talk about comic book shops in this show and John Alois mentions two local shops. We are based out of Central Illinois. Have a topic for the show?  You can email or send us a recorded audio message at podcast@thehyperionhub.com.  Find us on social media on Facebook, Instagram and Twitter.  The Hyperion Hub is not affiliated with the Walt Disney Company or its subsidiaries.

In this episode, we dive deep into Carl Stalling’s methodology of composition and compare it to musical quotation and variation, the bizarre art form of musique concrete, and the innovative creativity of hip hop.

When you think of cartoon music, you probably think of the work done by one man: Carl Stalling. In this episode, we take a sweeping look at his life and legacy…and endure a little of his madcap looniness in the process. 

This week has more songs from the records of the series The Uncollected. Today I am featuring The Uncollected Raymond Scott 1944 and The Uncollected Skinnay Ennis 1946-1948. Raymond Scott's music is some of the most heard in the world after he sold his catalog to Warner Bros. and Carl Stalling used it in his cartoons. Skinnay Ennis was a popular vocalist who after launching his career in the Hal Kemp orchestra went on to lead a band of his own. There are some nice arrangements in this set. I hope you enjoy the music from the mid 1940's of Raymond Scott and Skinnay Ennis. Please visit this podcast at http://bigbandbashfm.blogspot.com

Welcome to a new episode of the Geektown Behind The Scenes podcast. This week, I’m chatting with Carl Johnson, the composer behind the music for a brand new set of Looney Tunes Cartoons airing on HBO Max in the US. No news on where they may pop up in the UK at the moment, but you can watch some of them via the HBO Max YouTube channelCarl Johnson is an Emmy-winning composer known for his work on ‘Animaniacs', ‘Gargoyles’, ‘Pinky and the Brain', 'Piglet's Big Movie’ among many others. He is one of two composers who scored the ‘Looney Tunes Cartoons’, which includes 80 eleven-minute episodes made up of animated shorts, each varying in length. In addition to composing, Carl is a highly sort after orchestrator, and has worked on films such as 'Skyfall', 'The Amazing Spider-man', 'WALL·E' and 'Finding Dory'.In the interview, we discuss how it felt following in the footsteps of the legendary originator of the Looney Tunes sound, Carl Stalling, and reworking some of the classic compositions such as 'What's Up Doc'. We also chat about how critical the music is to these brilliant animated shorts, and about his rather unique approach (for today's composers) towards starting the composition process... with pencil and paper. Support this show http://supporter.acast.com/geektown. See acast.com/privacy for privacy and opt-out information.

a cura di Alessandro Achilli. Musiche di Richard Thompson, David Thomas, Todd Rundgren, Gary Windo, Musica Elettronica Viva, Carl Stalling, Allen Ginsberg, Richard Teitelbaum & Anthony Braxton, John Zorn, Alvin Curran & Jon Rose, Brecht-Weill

a cura di Alessandro Achilli. Musiche di Richard Thompson, David Thomas, Todd Rundgren, Gary Windo, Musica Elettronica Viva, Carl Stalling, Allen Ginsberg, Richard Teitelbaum & Anthony Braxton, John Zorn, Alvin Curran & Jon Rose, Brecht-Weill (seconda parte)

a cura di Alessandro Achilli. Musiche di Richard Thompson, David Thomas, Todd Rundgren, Gary Windo, Musica Elettronica Viva, Carl Stalling, Allen Ginsberg, Richard Teitelbaum & Anthony Braxton, John Zorn, Alvin Curran & Jon Rose, Brecht-Weill (seconda parte)

After an overlong break, we're happy to be back on air with possibly our most joyful episode. Today's Reel Change is devoted to the phenomenal tradition of Cartoon Music. We trace the roots of this great art to the historic partnership of Walt Disney & Carl Stalling and the earliest days of recorded music for film. We chronicle the evolution of score for animation and the transformational techniques pioneered by the CartoonMusic masters. Many of films' greatest composers have added to the Cartoon corpus - today is also a tasting tour of some delightful cues from Williams, Broughton, Goldsmith, Silvestri and more. Enjoy!Listen to Reel Change: Cartoon Music For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

Today in 1929 Walt Disney Productions released the first of 75 short films from its “Silly Symphony” series.  Titled, “Skeleton Dance,” this first  short black and white animated film begins with two cats fighting on top of a gravestone.  Soon skeletons emerge from the graves and start to dance around.  On today's "A Day in the Life" we meet the man responsible for the music, Carl Stalling.

Post-synchro #36 :  Carl StallingMickey Mouse, les Silly Symphonies, Bugs Bunny, Daffy Duck ou Wile E. Coyote, tout cela n'existerait pas, ou pas de la même manière, sans l'écriture complètement débridée de Carl Stalling.Jeune et talentueux accompagnateur de films muets dans les années 20, il est repéré par Walt Disney qui lui demande de composer les bandes sonores de ses cartoons. Miracle : le musicien virtuose est aussi un génie comique !C'est le début d'une longue carrière,  des studios Disney à ceux de la Warner, durant laquelle Stalling établira les principes – frappadingues - de l'écriture musicale au service du dessin animé. Playlist:-       Rabbit of Seville-       The Skeleton Dance-       Minnie's Yoo Hoo: Mickey Mouse Theme Song -       Stage Fright-       Variation on Johann Strauss-       Anxiety Montage-       Rabbit Season or Duck Season ? -       Flea-Ridden Sheep Dog -       Porky In Wackyland -       Dough For The Do Do-       The Slap Hoppy Mouse-       Zoom and Bored

Post-synchro #36 :  Carl Stalling Mickey Mouse, les Silly Symphonies, Bugs Bunny, Daffy Duck ou Wile E. Coyote, tout cela n’existerait pas, ou pas de la même manière, sans l’écriture complètement débridée de Carl Stalling. Jeune et talentueux accompagnateur de films muets dans les années 20, il est repéré par Walt Disney qui lui demande de composer les bandes sonores de ses cartoons. Miracle : le musicien virtuose est aussi un génie comique ! C’est le début d’une longue carrière,  des studios Disney à ceux de la Warner, durant laquelle Stalling établira les principes – frappadingues - de l’écriture musicale au service du dessin animé.  Playlist: -       Rabbit of Seville -       The Skeleton Dance -       Minnie's Yoo Hoo: Mickey Mouse Theme Song -       Stage Fright -       Variation on Johann Strauss -       Anxiety Montage -       Rabbit Season or Duck Season ? -       Flea-Ridden Sheep Dog -       Porky In Wackyland -       Dough For The Do Do -       The Slap Hoppy Mouse -       Zoom and Bored

Joaquin Cotler (@ShinyIslands) is a musician based in Brooklyn, NY. In the ten years since finished his degree in music, he's discovered the many strange sides of being a working musician, from recording and gigging with bands, to writing and performing solo, to teaching and conducting workshops. This conversation covers the music industry, the struggle of working musicians, how YouTube is changing the game, and how musicians across the spectrum learn, perform, and produce music. Catch up with Joaquin via his website, JoaquinCotler.com Check out our episode below, as well as some of his tracks embedded after the jump.   Show Notes & Links The Busy Creator is recorded at a standing desk BBC Radio mounts their microphones in the ceiling BBC Radio 1 Shure SM7B mic Blake Stratton, [now retired] singer-songwriter, appeared previously on The Busy Creator Podcast “Musician” is an all-encompassing trade, according to Joaquin Joaquin and The Hot Knives on Facebook “Creative-class Hustler” who is part of “The Portfolio Generation” Squarespace can be frustrating Disney used to have working musicians, so did Warner Bros. Not so much anymore. Carl Stalling, composer for Warner Brothers The Red Hot Chili Peppers needed a guitar player for their tour Mark Wahlberg, played the lead in the film Rock Star Sir George Martin CBE, legendary producer for The Beatles  Ringo got sick, and was briefly replaced by Jimmie Nicol “Ringo isn't the best drummer in the world. He isn't even the best drummer in the Beatles.” —John Lennon Jasper Carrott “Baby Blue” by Badfinger Cher Steely Dan Michael McDonald, legendary studio musician Sound City, documentary by Dave Grohl 20 Feet From Stardom, documentary about backup singers WTF with Marc Maron Podcast The Beach Boys The Laurel Canyon Sound Bob Marley Burning Spear Stax Records Motown Records Muscle Shoals Sound Studio Gold Records & Platinum Records Spotify Pharrell not happy with his $3000 check from Spotify Gain Slapback Demo Tapes Casio Keyboard Sly Stone Rhythm Ace or Rhythm King drum machine Charles Penn's previous appearances on The Busy Creator Podcast — episodes 1 and 17 Ian Anderson of Jethro Tull Auto-Tune Anthony Kiedis Ke$ha Dr. Luke Max Martin, Swedish songwriter who dominates the pop charts “If it's annoying enough, it'll be a huge hit.” ← Click to Tweet Performance Art All the songs from 70s sound alike Girl Talk Pitch Perfect Anna Kendrick, my crush Anna Kendrick Taylor Swift, “Shake It Off” Toni Basil, “Hey Mickey” Bulldog Pitbull, a singer, apparently Accounts Payable Dribbble, and how designers just flood it with junk Vine, not just for twerking videos “toiling away in obscurity” “Wake up early and work hard all day” —Philip Glass ← Click to Tweet Benjamin Franklin Amelia Earhart Johnny & June Carter Cash Da Sweet Blood of Jesus, forthcoming Spike Lee Joint, out Feb. 10 (Soundtrack on Epic Records) “Space Patrol” by Illegalize : song on iTunes “Doggies Don't Ride The Train” by Chickentown : album on iTunes Joaquin and the Hot Knives on SoundCloud Ratfink on SoundCloud Chickentown on SoundCloud Illegalize on SoundCloud Joaquin plays at The Manhattan Inn, in Greenpoint, Brooklyn Tools Pro Tools YouTube iPhone, or handheld recording device Techniques Diversify as much as possible; don't rely on one source of income or type of practice (gigging vs. recording) Learn to speak “Pro Toolsese” with the studio engineers; acquire as much technical prowess as possible Best way to record drums is in a natural room sound. Create a room-within-a-room, and them mic that Connect your social media accounts  DON'T conduct your job interviews by asking candidates to record themselves on YouTube Change your routine and creative Habits Be reliable. Deliver the goods, consistently. Practice on your own. All the time. Wake up early. Drink coffee. Backup your phone; download your recordings and whatnot Get The Episode Download The Busy Creator Podcast, episode 41(MP3, 1:00:59, 29.4 MB) Download The Busy Creator Podcast, episode 41(OGG, 1:00:59, 52.7 MB) Subscribe to The Busy Creator Podcast on iTunes

Closet Radio Episode 153: Six Six Six Sister – Rikki Horror Picture Show 2014 Part 1 (10-11-14) https://ia601508.us.archive.org/26/items/ClosetRadio153/ClosetRadio153.mp3 Carl Stalling -“Satan’s Waiting” **** Steve King – “Satan Is Her Name” Jean Knight – “I’m Evil Tonight” Regurgitator – “Devil Spell” Tom Waits – “Hell Broke Luce” Carole Bennett – “Haunted Lover” **** THAT Damned Band – … Continue reading Closet Radio Episode 153: Six Six Six Sister – Rikki Horror Picture Show 2014 Part 1

Listen[audio:http://media.rvanews.com/wp-content/uploads/2012/10/The-Bopst-Show-Tobias-Sportswear-Episode-215.mp3|titles=The Bopst Show -- Tobias Sportswear -- Episode 215]SubscribeiTunes: The Bopst show podcastEverything else: The Bopst show podcastDownloadThe Bopst Show -- Tobias Sportswear -- Episode 215— ∮∮∮ —Title: The Bopst Show: "Tobias Sportswear (Episode 215)"Rating: PG-13 (Adult Situations & Language)Intent: To leave this place better than the way I found that it was…Random Richmond Diversion: He started making the extract himself and selling it to housewivesRandom USA Diversion: They just don’t have the slightest interest in doing soRandom World Diversion: We were the first mere mortals to see these thingsRandom Image: Love, Joan CollinsRandom Music Blog: Last Gas StationRandom Bopst Show: The Bopst Show: "The Numbers (Episode 76)"Mainstream Bopst Fluff: Just thinking about that show brings a smile to my faceSnakes on a plane:http://www.youtube.com/watch?v=FTtS17xcr-UConstruction Date: Friday & Saturday October 5th & 6th, 2012Equipment: Mac G5, Free Audio Editor & Recorder Software from Audacity, Frontier US-122 USB Audio/MIDI Interface, Shure SM57 MicrophonePosted: October 8th, 2012Artists and Groups in order of appearance: John Lennon, The Tape-Beatles, Flick Wilson, Nina Simone, Cameo, Bowed Piano Ensemble, Skeeter Davis, Sammy Davis Jr., The Brooklyn Express, The Flesh Eaters, Mickey Hawks, Carl Stalling, The J’s with Jamie, Paul DesmondLiner Notes I'm not really conservative. I'm conservative on certain things. I believe in less government. I believe in fiscal responsibility and all those things that maybe Republicans used to believe in but don't any more. Clint EastwoodHere are some shows I’m hustling at Balliceaux this week...NEXT NEW SHOW: 10/15/12 New show times. The Bopst Show airs Sundays, 11PM and Tuesdays, 6PM (EST-USA) on KAOS Radio Austin.Until Next Time:Stay clean,BOPSTHo there, reader of RSS feeds! Do you ever want to support RVANews in a real and tangible way? Or at least pay a small penance for reading ad-free content? If so, support us on Patreon for a couple bucks a month!

(((HEADPHONES STRONGLY RECOMMENDED))) This episode, the Mouse Lounge gets electrified! I recently announced that I will be blogging for The Disney Driven Life.  The focus of my articles will be on Disney music, from the films, parks, Walt Disney Records, and even those great 78s that preceded the formation of Disneyland records in 1955. Of course I began planning my articles right away, and in doing so remembered I had produced a gem of a mini documentary nearly five years ago when I was living in Colorado.  I looked up the show it came from and dragged it out of digital mothballs.  Back then I believe the Mouse Lounge had two listeners, and I was one of them. So, it pleases me greatly, now that the show has grown and matured to at least a half dozen DFs with positively nothing else better to do, to bring you, The Musical History of the Main Street Electrical Parade.  You’ll learn the evolution of electronic music and along the way meet such luminaries as Bob Moog, Don Dorsey, Rick Wakeman, and Jean-Jacque Perrey (composer of the familiar Baroque Hoedown) and hear the brilliant music of Raymond Scott, Wendy Carlos, Yes, The Beau Hunks, Carl Stalling. I’ll close the show with what is arguably the best iteration, and certainly most difficult to find of the parade, Tokyo Disneyland’s, “Dreamlights.”  This track does not contain character voices, to better be able to take in the marvelous music! Gary Chambers (805) 270-5785 The Mouse Lounge http://www.mouselounge.com Subscribe to our write a review about the Mouse Lounge Podcast: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=180696323   The Mouse Lounge is a fan-based podcast and is not affiliated with the Walt Disney Company or its subsidiaries.  Non factual statements made by the Mouse Lounge hosts, Gary Chambers and his guests are their current opinions only and are subject to change without notice.  All copyrighted material used with permission or under the Fair Use Doctrine in Section 107 of the United States Copyright Act.  Although the information in this program is believed to be reliable, Mr. Chambers, and Mouselounge.com do not make any representations or warranties as to its accuracy or completeness, nor do they assess, verify or guarantee the suitability of information.

The music of Raymond Scott is hard to define. A graduate of the Juilliard School of Music, Scott’s music incorporates elements of classical music and klezmer while emphasizing a reduced reliance on improvisation. While most of his melodies were based on improvisations, rather than strict compositions, once these melodies were set, they could never be changed. In the late 1930s, Raymond Scott’s music was exposed to a whole new world when it was licensed by Carl Stalling and used in over 120 Looney Tunes and Merrie Melodies cartoons.

The music of Carl Stalling from Warner Brothers Cartoons (1940-1957)

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