Podcasts about Charles Vidor

durée : 00:03:38 - Le Regard culturel - par : Lucile Commeaux - "Gilda", le célèbre classique hollywoodien de Charles Vidor, sorti en 1946 et restauré il y a quelques semaines, révèle quand on le voit aujourd'hui, des rapports de genre plus compliqués qu'il n'y paraissait.

durée : 00:08:36 - Les Nuits de France Culture - par : Albane Penaranda - En 1952, Roland Petit participe à son premier film pour Hollywood, "Hans Christian Andersen", réalisé par Charles Vidor. C'est le début d'une collaboration de quatre années avec le cinéma américain. Le chorégraphe explique dans ce bref entretien les caractéristiques propres aux danseurs américains. - réalisation : Emily Vallat - invités : Roland Petit Danseur et chorégraphe

Noir. Woman-centered. Cast members names listed on headstones. SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

FILMOTECAMURCIA.es Nueva programación: ciclos dedicados a Pere Portabella, cine de romanos, 100 años de Columbia Pictures, Robert Bresson… UNA FERIA DE PELÍCULALunes 16 de septiembre / 17.45 horas / / Entrada libre hasta completar aforo'Momias' (Juan Jesús García Galocha, 2023) España. 88'. En las entrañas de la tierra, ¡existe una ciudad de momias! Por mandato imperial, la Princesa Nefer debe casarse con Thut, un ex auriga de carros. Ninguno desea el matrimonio; Nefer porque ansía la libertad, y Thut porque es alérgico al matrimonio. Pero los designios de los dioses son irrevocables: Thut deberá desposar a Nefer y custodiar el anillo real que el Faraón le ha otorgado; si algo le ocurriera a este, Thut perdería los ojos y la lengua. Mientras tanto, en nuestro mundo, Lord Carnaby lleva a cabo una excavación arqueológica y encuentra algo único: ¡un anillo de boda real egipcia! Thut debe ir al mundo de los humanos para recuperarlo. Le acompaña Sekhem, su hermano de 12 años, con su mascota cocodrilo, y Nefer. Juntos vivirán una gran aventura en la moderna Londres y descubrirán algo que no entraba en sus planes: enamorarse. (Murcia: plató de cine)Lunes 16 de septiembre / 19.15 horas'Siempre en mi recuerdo' (Silvio F. Balbuena, 1962) España. 93'.Blanca Solís, famosa cantante, regresa a su ciudad natal para actuar en un festival junto con Carlos, su antiguo novio. (con Javier Armet y Mª Paz Condal)(La dama de la antorcha: 100 años de Columbia Pictures)Miércoles 18 de septiembre / 18.45 horas'Gilda' (Charles Vidor, 1946) Estados Unidos. 110'. VOSE.Johnny Farrell (Glenn Ford), un aventurero que vive de hacer trampas en el juego, recala en Buenos Aires. Allí lo saca de un apuro Ballin Mundson, el propietario de un lujoso casino, que acaba haciendo de él su hombre de confianza. Un día, Mundson le presenta a su esposa Gilda. Su sorpresa no tiene límites: fue ella precisamente quien lo convirtió en lo que es: un ser cínico y amargado. ESTRENOS DE LA SEMANA'No hables con extraños' (James Watkins, 109´)James McAvoy, Mackenzie Davis, Scott McNairy, Aisling Franciosi, Dan HoughCuando una familia americana es invitada a pasar el fin de semana en la idílica finca de una encantadora familia británica con la que entablaron amistad durante las vacaciones, lo que comienza como unas vacaciones de ensueño pronto se convierte en una pesadilla psicológica.'Justicia Artificial' (Simon Casal, 98´)Verónica Echegui, Tamar Novas, Alba Galocha, Alberto AmmánEl gobierno español anuncia un referéndum para aprobar un sistema de Inteligencia Artificial en la Administración de Justicia que promete automatizar y despolitizar la justicia sustituyendo, en la práctica, a los jueces y juezas en todos los tribunales del país. Carmen Costa, una reconocida jueza, es invitada a trabajar en el desarrollo del proyecto, pero la repentina desaparición de Alicia Kóvack, creadora del sistema, provoca una gran desconfianza en ella, hasta el punto de entender que está descubriendo la punta del iceberg de una conspiración que pretende controlar, desde la justicia, a todo un país.'Hotel Bitcoin' (Manuel Sanabria, Carlos Villaverde, 101´)Alejo Sauras, Pablo Chiapella, Canco Rodríguez, Marta Hazas, Vanessa Romero4 amigos, 5000 bitcoins y 1 portátil. Entre fiesta, prestamistas, amor, locura y crimen, tendrán que proteger esa pasta hasta un lunes que parece no llegar, encerrados todo un fin de semana en un hotel.'The amazing Spider-Man 2: El poder de Electro' (Marc Webb, 142´)Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Sally FieldPeter Parker lleva una vida muy ocupada, compaginando su tiempo entre su papel como Spider-Man, acabando con los malos, y en el instituto con la persona a la que quiere, Gwen. Peter no ve el momento de graduarse. No ha olvidado la promesa que le hizo al padre de Gwen de protegerla, manteniéndose lejos de ella, pero es una promesa que simplemente no puede cumplir. Las cosas cambiarán para Peter cuando aparece un nuevo villano, Electro, y un viejo amigo, Harry Osborn, regresa, al tiempo que descubre nuevas pistas sobre su pasado.

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖3️⃣1️⃣ | GILDA Dirigida por Charles Vidor, el cineasta húngaro que encontró en esta película su obra clave, cuenta la historia Johnny Farrell, un aventurero que vive de hacer trampas en el juego, recala en Buenos Aires. Allí lo saca de un apuro Ballin Mundson, el propietario de un lujoso casino, que acaba haciendo de él su hombre de confianza. Un día, Mundson le presenta a su esposa Gilda. Su sorpresa no tiene límites: fue ella precisamente quien lo convirtió en lo que es: un ser cínico y amargado. Protagonizada por Rita Hayworth y Glenn Ford, están también acompañados en el reparto de George Macready, Joseph Calleia o Steven Geray entre otros. La música fue trabajo de Hugo Friedhofer, mientras que la fotografía, en blanco y negro, vino de la mano de Rudolph Maté. Obra clásica y fundamental del cine negro, fue un hito de la década de los 40, fue nominada a la Palma de Oro en Cannes, siendo esta de los pocos reconocimientos que obtuvo a nivel de premios, a pesar de que crítica y público sí la recibieron muy bien. ¿Qué sabes del escándalo que supuso la película?. ¿Conoces todos los simbolismos que se ven a lo largo del metraje? ¿Qué legado nos ha dejado Gilda dentro y fuera del mundo del cine?. Y debatimos, ¿Se podría rodar a día de hoy? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Gilda. SECCIONES ▪️ Contexto ▪️ Rita Hayworth, polémica y escándalo ▪️ Amor y odio (simbología de la película) ▪️ El legado ▪️ ¿Se podría rodar a día de hoy? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x31-podcastwood-gilda/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga @Juanlu_Uno INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024

Alright, you scoundrels. March's theme of THE LEFT HAND ENDEAVOR is in full effect. That means all classic film noir, see? That means dangerous dames and Switchblade Sammies out the wazoo, see? We're going a little bit beyond the typical top 10 noir suggestions but we definitely got some heavy hitters out the gate and today is no exception because we're talking about Charles Vidor's iconic and influential film from 1946, “GILDA” starring the bright and shiny Rita Hayworth alongside Glenn Ford. Your grandpa or great grandpa might have busted to this movie back in the day. Perhaps they watched it and then went home to contribute to your lineage while thinking of that hair whip. Them boys up in Shawshank sure got their sheets sticky over it. This influential film has pretty bizarre plot points and plenty of hair whipping going on but it looks sharp as hell and establishes what initially feels like the ultimate femme fatale. It becomes a bit more of a romance than other noir selections this month. You might call it a “Noirmance”. We also talk a little bit about the Hays Code and how that may have effected some classic noir choices. All in glorious black and white. Oh hey, look at what I found: https://archive.org/details/gilda-1946_202106 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

durée : 00:08:34 - Les Nuits de France Culture - par : Albane Penaranda - En 1952, Roland Petit participe à son premier film pour Hollywood, "Hans Christian Andersen", réalisé par Charles Vidor. C'est le début d'une collaboration de quatre années avec le cinéma américain. Le chorégraphe explique dans ce bref entretien les caractéristiques propres aux danseurs américains. - invités : Roland Petit Danseur et chorégraphe

Glenn Ford is in Gilda more than Rita Hayworth is and the story is more about his character than hers, but the film still belongs to the gorgeous redhead. She was a true movie star, who had sass, brains, marvelous screen presence and remarkable sex appeal. It's easy to see why the prisoners in The Shawshank Redemption loved watching Charles Vidor's movie over and over again. It isn't a perfect '40s noir though. It has terrific dialogue, but the story is overstuffed. The happy ending isn't really earned either, especially since this has subplots like Germans trying to cash in down in post-WWII Argentina. The 546th hair flip of Have You Ever Seen also features a Ryan rant about the AFI's highly questionable Top 50 Stars list. Value added! So dial up this one-man yammer about Gilda, especially if you want to hear a lot of raves about Rita. Not only will you score some outstanding coffee by going to "sparkplug.coffee/hyes", but you'll save 20% by using our "HYES" promo code. Contact us by email (haveyoueverseenpodcast@gmail.com) or via Twitt-ex (@moviefiend51 and @bevellisellis). Also, hunt down our YouTube page (@hyesellis) and like, share, comment, rate, review and subscribe through your podcast app and/or on the 'Tube.

It's a juicy monster of an episode this week on Monster Kid Radio! In addition to Mark Matzke's Beta Capsule Review (for all your Ultraman needs) and Kenny's Look at Famous Monsters of Filmland, Derek is joined by Willow Polson to discuss , a series following up one of Derek's favorite films. There's an active push to build up their , and Willow tells us why. Plus, horror host Lord Blood-Rah returns to the podcast for a high-level history of horror hosting - the traditions, the icons, and why we're living in a new golden age of horror hosting. Team Deth YouTube Channel -  Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Lord Blood-Rah Lord Blood-Rah - Lord Blood-Rah on YouTube - Follow Willow Polson and The Manos ChroniclesThe Manos Chronicles on Patreon - The Manos Chronicles on Facebook - Follow Mark MatzkeMonster Fest 2024 - Monsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist -     Monster Kid Radio on TeePublic -  Next time on Monster Kid Radio: 1932's The Mask of Fu Manchu (dir. Charles Brabin, Charles Vidor) with Scott Glancy The opening and closing song Tope Suicida () provided courtesy of  - All original content of Monster Kid Radio by is licensed under a .

This week on Remainders, we watch the 1946 noir classic Gilda. An iconic role for Rita Hayworth, she plays the femme fatale shrouded in secrets. Set against the backdrop of a post-World War II casino in Buenos Aires, Gilda's past collides with her present as Johnny Farrell (Glenn Ford) steps back into her life. An all-time great in the noir genre.Other topics include Oppenheimer, favorite Christopher Nolan movies, movie commentaries, Mission: Impossible directors, and the greatest femme fatales in cinema.WebsiteFacebookInstagramYouTubeTwitter

"Put the blame on Mame, boys". Front Row Classics welcomes Ben Burke of The Hollywood Babylonians podcast. Brandon and Ben discuss Gilda from 1946. This film noir classic cemented Rita Hayworth as one of the true icons of the 1940s. The movie, directed by Charles Vidor, was a rarity that gave depth to femme fatale leading lady. We discuss the incredible love/hate chemistry between Hayworth and Glenn Ford. The hosts also dissect the insane plot and naughty subtext that somehow got past Hollywood censors.

Put the Blame on Mame, boys! “Put the blame on Mame, boys”. Front Row Classics welcomes Ben Burke of The Hollywood Babylonians podcast. Brandon and Ben discuss Gilda from 1946. This film noir classic cemented Rita Hayworth as one of the true icons of the 1940s. The movie, directed by Charles Vidor, was a rarity … Continue reading Ep. 157- Gilda →

All That Jazz continue de se plonger dans l'âge d'or hollywoodien avec aujourd'hui un film de 1944, La Reine de Broadway (Cover Girl) de Charles Vidor. On revient sur le tournage du film, ses numéros musicaux, son intrigue backstage et romantique et ses stars, Rita Hayworth et Gene Kelly.

On this episode of the Capital Games Movie Club, Wiz talks about the movie that made Rita Hayworth a bombshell in film: "Gilda" costarring Glenn Ford and George Macready.

Un grande noir, un grande classico, un grande mito. Insieme a Massimiliano Bolcioni parliamo del film "Gilda" e di Rita Hayworth un icona del cinema rimasta per sempre nella storia, ma anche dei suo interpreti maschili (Glenn Ford e George Mcready) e di una trama che offre svariate interpretazioni.

On this episode of The Snub Club, our brave trio watches Hans Christian Anderson. Directed by Charles Vidor and starring Danny Kaye, Hans Christian Anderson was nominated for six Academy Awards but won nothing. In this episode, Danny, Sarah, and Caleb discuss Sarah's history with this film, ballet, and Singin' In The Rain. The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: That's All Right by Arthur Crudup

On this episode of The Snub Club, the party is recalling 1945's A Song to Remember. Directed by Charles Vidor and starring Paul Muni, A Song to Remember was nominated for six Academy Awards but won nothing. In this episode, Danny, Sarah and Caleb discuss our first color film, Chopin vs. Jonathan Larosn, and Paul Walter Hauser. The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Ragtop by Bee Yan-Key

durée : 01:24:57 - Les Nuits de France Culture - Par Michel Cazenave - Avec Jacques Siclier - Avec en archive, la voix de Rita Hayworth, extraits de la bande son de "La Reine de Broadway, Gilda" (de Charles Vidor), "La Dame de Shangai" (d'Orson Welles) - Lecture d'extraits de " Blason du corps aimé" d'André Breton, et de journaux de l'époque - Réalisation Christine Berlamont

Are you decent, noir-o? The lads are off to the illegal casino to meet up with our special guest Film Noir Confidential for an episode dedicated to 1946's unforgettable Gilda! Directed by Charles Vidor and starring Rita Hayworth and Glenn Ford, this one has it all: singing, dancing, uncles and enough classic lines to put on a Valentine. This is an episode NOT to be missed! (Note: for those who want to get straight to the business, the movie talk starts at 10:18) Questions, comments or hair tips? therealoutofthepodcast@gmail.com

durée : 00:58:43 - « Long Ago (and Far Away) » (Jerome Kern / Ira Gershwin) (1944) - par : Laurent Valero - "Ira Gershwin signe les paroles en 1944 pour le film Cover Girl, en français La Reine de Broadway de Charles Vidor. Dans cette comédie musicale "Long Ago and Far Away" est interprété par les acteurs Rita Hayworth & Gene Kelly, un couple d'artistes séparés par les aléas de la vie ..." Laurent Valero - réalisé par : Fanny Constans

Insieme a Massimiliano Bolcioni parliamo dell'arte e della cultura "Camp" nel cinema ovvero quella forma di ribellione sotterranea alla repressione sociale e culturale e lo facciamo attraverso l'analisi di alcuni grandi classici: GILDA di Charles Vidor (1946) BEN HUR di William Wyler (1959) VIA COL VENTO di Victor Fleming (1939) ROCKY HORROR PICTURE SHOW di Jim Sharman (1975)

Gilda, de Charles Vidor, sorti en 1946, va propulser Rita Hayworth dans les mythes du Septième art, qui va lʹinscrire comme Sex-Symbol, et la rendre éternelle. Elle y interprète une femme fatale, tiraillée entre deux hommes. Inoubliable.

DANCE, DOROTHY, DANCE, the Dorothy Arzner podcast, has arrived at its penultimate episode as Marc and B discuss Arzner's final film, the 1943 dramatic war thriller FIRST COMES COURAGE (1943). Finished by Charles Vidor after Arzner fell ill during production, the film stars Merle Oberon as a British spy undercover in Nazi Europe as the girlfriend of a Nazi officer. We hope you enjoy, and thank you for your time. NOTE: This podcast was recorded on June 8th, 2021.

This month on Extra Milestone, we jump back in time 75 years to discuss Gilda, a cult classic film noir starring Rita Hayworth, Glenn Ford, and George Macready. Directed by Charles Vidor and co-written by Jo Eisinger and Marion Parsonnet (with an uncredited contribution from Ben Hecht), the story is adapted from the work of E.A. Ellington, and it centers around gambling con man Johnny Farrell (Ford), whose amoral casino boss Ballin (Macready) surprises him with the revelation of his new, striking wife Gilda (Hayworth). We discuss the film’s resonant themes all these years later, its impact on the noir genre, and how the film relates to other iconic dramas from the era. MUSIC IN THIS EPISODE: The opening theme of Gilda. LINKS Follow us on Twitter: Jon Negroni, Julia Teti Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter.   Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

This month on Extra Milestone, we jump back in time 75 years to discuss Gilda, a cult classic film noir starring Rita Hayworth, Glenn Ford, and George Macready. Directed by Charles Vidor and co-written by Jo Eisinger and Marion Parsonnet (with an uncredited contribution from Ben Hecht), the story is adapted from the work of E.A. Ellington, and it centers around gambling con man Johnny Farrell (Ford), whose amoral casino boss Ballin (Macready) surprises him with the revelation of his new, striking wife Gilda (Hayworth). We discuss the film’s resonant themes all these years later, its impact on the noir genre, and how the film relates to other iconic dramas from the era. MUSIC IN THIS EPISODE: The opening theme of Gilda. LINKS Follow us on Twitter: Jon Negroni, Julia Teti Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter.   Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

"Hate is the only thing that has ever warmed me." Gilda (1946) directed by Charles Vidor and starring Rita Hayworth, Glenn Ford, George Macready and Steven Geray.   Next Time: Mother (2009)

In this episode, Jake gives Sydney some of the historical backstory to one his all time favorites and last week's pick, "Heat" (1995). Sydney gives Jake some of the historical backstory of Orson Welles' time at RKO studios. Then they discuss "Gilda" (1946), the picture that made Rita Hayworth an iconic sex symbol. Directed by Charles Vidor, the film is an interesting exploration of the destructive power of hate and obsessions with some nazi's and tungsten cartels thrown in for seasoning.  Possible Spoilers for: The Umbrella Academy, The Boys, Song to Song (2017), The Other Guys (2010), Junior (1994) and Top Gun (1986).

Dolly Alderton's love of Doris Day began when she watched Calamity Jane as a young child. And for Dolly, the incandescent film star was as much of a poster girl as The Spice Girls. But Dolly's view of the legendary actress and singer has changed as she's matured. Dolly joins Matthew Parris and Dr Tamar Jeffers McDonald, Reader in Film and Head of the School of Arts at the University of Kent, to discuss dancing, divorces and dogs. Together they explore whether the image of Doris Day as a happy-go-lucky girl-next-door is a true reflection of the life and character of one of the twentieth century's most famous stars. Producer: Camellia Sinclair Credit: Love Me or Leave Me (dir. Charles Vidor, MGM); Pillow Talk (dir. Michael Gordon, Arwin Productions).

On this week’s episode of Black Girl Film Club, Ashley and Britney discuss Strangers On a Train (1951) directed by Alfred Hitchcock and starring Farley Granger, Ruth Roman and Robert Walker. Your favorite podcast hosts learn more about the noir genre and a valuable lesson about “crisscross” stranger danger while taking public transportation. They also discuss one of the most harrowing scenes involving a carousel committed to film. This week’s recommendations are Gilda (1946) directed by Charles Vidor and Double Indemnity (1944) directed by Billy Wilder. Follow us on Twitter @ blkgirlfilmclub. Check us out on Instagram @ blackgirlfilmclub. Visit us at http://blackgirlfilmclub.com. Email us at blackgirlfilmclub@gmail.com.

In this episode, we discuss a film suggested and selected by our Patreon community, Gilda (1946), directed by Charles Vidor and starring Rita Hayworth and Glenn Ford.  Join us we breakdown the constant sexual tension in this film noir musical romance.

Neste episódio regressamos ao film noir com a mais icónica femme fatale que o género ofereceu, Rita Hayworth em Gilda, filme de 1946 realizado por Charles Vidor, e com o apaixonado casal de foras-da-lei de Mortalmente Perigosa, título de 1950 com Joseph H. Lewis atrás das câmaras.

Critic Darren Mooney (The m0vie blog) joins Carl to discuss Charles Vidor's Gilda. They talk about Rita Hayworth's iconic performance, Glenn Ford as a noir protagonist, tungsten monopolies and much more. Once you've listened, find The Movie Palace on social media:Twitter - @MoviePalacePodFacebook - facebook.com/moviepalacepod

Sync up your Blurays and join hosts Kari Bible, Lex Michael and Byron Thompson in watching Gilda! Gilda is a 1946 American black-and-white film noir directed by Charles Vidor and starring Rita Hayworth in her signature role as the ultimate femme fatale and Glenn Ford as a young thug. The film was noted for cinematographer Rudolph Mate's lush photography, costume designer Jean Louis' wardrobe for Hayworth (particularly for the dance numbers), and choreographer Jack Cole's staging of "Put the Blame on Mame" and "Amado Mio", sung by Anita Ellis. In 2013, the film was selected for preservation in the United StatesNational Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Download, Rate and Review the Audio Version on iTunes! https://itunes.apple.com/us/podcast/watchalong!/id1050050922?mt=2

"Das war ein Augenblick der Freude auf die Bühne zu gehen bei der Premiere" – Siegfried Arno über die Premiere der "Drei Musketiere" im Großen Schauspielhaus Berlin Etwa zwölf Dutzend Filmrollen, davon knapp 60 in amerikanischen Produktionen, unzählige Theaterrollen auf Theaterbühnen in Deutschland und im Ausland – dies ist die Bilanz der schauspielerischen Karriere von Siegfried Arno, der aus dem Berliner Theaterleben nicht weg zu denken war. Keine "dramatische" Figur Zur Welt kam Siegfried Arno am 27.12.1895 in Hamburg. Zunächst besuchte er die Hamburger Talmud Tora Schule und anschließend eine Realschule. Danach absolvierte er eine dreijährige Ausbildung an der Kunstgewerbeschule. Zwar arbeitete er anschließend als Modezeichner, fühlte sich jedoch zum Theater hingezogen. In Harburg erhielt er die Chance, beim dortigen Theaterdirektor Friedrich Otto Fischer vorzusprechen. Mit einem Ausschnitt aus "Maria Stuart" von Friedrich Schiller stellte der junge Aspirant sein dramatisches Talent unter Beweis und wurde auch engagiert – allerdings als Komiker. Seine weiteren Engagements führten Siegfried Arno nach Hamburg, Prag und schließlich nach Berlin. Hier sollte die Popularität des Schauspielers bald enorm steigen. So spielte er am Thalia Theater, am Metropoltheater, am Berliner Theater und schließlich am Großen Schauspielhaus. Seine letzte Station war das Kabarett der Komiker. Und auch der Film wurde rasch auf Siegfried Arno aufmerksam. Das erste Mal stand er 1921 vor der Kamera, in dem Stummfilm "Die rote Katze" von Erich Schönfelder. Es folgten bald weitere unzählige Rollenangebote aus den Filmstudios. Bis 1932 wirkte Siegfried Arno in über sechs Dutzend Filmen mit. Doch nach der Machtergreifung durch die Nazis wurde die steile Karriere von Siegfried Arno unterbrochen, denn als Jude musste er Deutschland verlassen. Bald Hollywoodstar Im europäischen Ausland spielte Siegfried Arno an verschiedenen Bühnen und gelangte schließlich in die USA. Vor allem in Hollywood fasste er schnell Fuß und spielte bald in amerikanischen Produktionen mit. Es waren unter anderem solche Streifen wie die Komödie "The Palm Beach Story" von Preston Sturges, in der er die Rolle des Toto übernahm, "This Thing Called Love" von Alexander Hall, der biografische Film über den polnischen Komponisten Frédéric Chopin "A Song to Remember" von Charles Vidor, in dem er den Henri Dupont mimte, ferner der Musicalfilm "The Toast of New Orleans" von Norman Taurog, in dem Siegfried Arno mit der Rolle des Bürgermeisters betraut wurde, oder auch der Musicalfilm "Bring on the Girls" von Sidney Lanfield, in dem er den Joseph spielte. Insgesamt wirkte Siegfried Arno in knapp fünf Dutzend amerikanischen Filmen mit. Doch es sollte noch ein weiterer Zweig in der Karriere von Siegfried Arno enstehen. Bei der "leichten Muse" Außer der Tätigkeit in Hollywood wurde der Schauspieler bald auch am Broadway in New York populär. So trat er unter anderem über drei Spielzeiten in dem Musical "Song of Norway" auf, mit dem er anschließend für zwei Jahre auf Tournee ging. Von dem Musical zur Operette war es nur ein kleiner Sprung. Die damalige Galionsfigur der Unterhaltungsbranche, Edwin Lester, holte Siegfried Arno für seine weiteren Produktionen. So war der Schauspieler in den Inszenierungen von solchen Operetten wie "Rosalinda", "My Friend Irma", "Gipsy Baron" oder auch "The Front Man" zu sehen. Siegfried Arno unternahm mit seiner Frau Kitty Mattern auch eine erfolgreiche Tournee nach Südamerika. Im Jahre 1955 kam er auch nach Deutschland und gab einige Gastspiele an verschiedenen Bühnen. 1958 wurde der Schauspieler mit dem Tony Award, dem wichtigsten US-amerikanischen Theater- und Musicalpreis ausgezeichnet. Nach einer Reihe weiterer Bühnenerfolge starb Siegfried Arno am 17.8.1975 in Hollywood. Im Juli 1966 sprach für die DW Cornelius Kornfeld mit Siegfried Arno über seine Arbeit. Autor: Andreas Zemke Redaktion: Diana Redlich

Back at Los Angeles' Cinefamily, Greg screens and discusses the 1946 Charles Vidor classic "Gilda." Originally released 2/4/2013.

Back at Los Angeles' Cinefamily, Greg screens and discusses the 1946 Charles Vidor classic "Gilda."