American screenwriter, director, producer, playwright, journalist and novelist
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2 episodes with Ben Hecht
2 episodes with Ben Hecht
2 episodes with Ben Hecht
2 episodes with Ben Hecht
2 episodes with Ben Hecht
2 episodes with Ben Hecht
2 episodes with Ben Hecht
3 episodes with Ben Hecht
2 episodes with Ben Hecht
"Actor's Blood," broadcast on Suspense on August 24, 1944, marks the second appearance of the distinguished actor Fredric March on the program. This gripping play is an adaptation of a short story by the acclaimed writer Ben Hecht, who also serves as the narrator, adding a layer of intrigue to the unfolding events. The narrative centers around a peculiar dinner party meticulously orchestrated as a trap to unmask the individual responsible for the murder of a celebrated actor's daughter. The premise evokes a compelling blend of the supernatural tension found in the tale of Banquo's ghost and the intricate whodunit mysteries characteristic of Agatha Christie's novels, all set against the glamorous backdrop of Tinseltown.Intriguingly, recordings from both the east and west network broadcasts of "Actor's Blood" have been preserved, offering a unique opportunity to compare the two presentations. A subtle difference exists in their closing remarks: the east network recording references "next Thursday," pinpointing a specific date, while the west network recording more generally mentions "next week." While the east recording is considered to have slightly superior audio quality, both versions are reported to be in good condition, allowing listeners to fully appreciate the performances and the atmospheric sound design that was a hallmark of Suspense."Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence.TakeawaysTheater has a rich history of dramatic storytelling.Marsha Tilliou's legacy is intertwined with her father's.The concept of a ghostly banquet serves as a narrative device.Suspense is built through the gathering of suspects.The emotional weight of familial relationships is explored.The play critiques the superficiality of the theater world.Marsha's murder is a catalyst for the unfolding drama.The narrative reveals the complexities of love and betrayal.The ending challenges perceptions of guilt and responsibility.The story emphasizes the impact of unresolved grief.Actors Blood, Ben Hecht, Frederick March, theater, murder mystery, suspense, Marsha Tilliou, ghost, banquet, drama
Chicago crime reporters descended upon Ruth and Carl Wanderer's Chicago home after the war hero's wife was shot dead in a holdup at their front door. Who was the Ragged Stranger who assaulted them? And why did he have Carl Wanderer's service weapon?Sources:Bigge, Lauren. “‘Shell Shock Treatments During World War I: A First Step Towards Modern Military Psychiatry.” National Museum of Health and Medicine. https://medicalmuseum.health.mil/index.cfm?p=media.news.article.2018.shell_shock_treatmentEghigian, Greg. “ The First World War and the Legacy of Shellshock.” Vol. 31, No. 4. Psychiatric Times. 28 February, 2018.Hecht, Ben. Charlie: The improbable Life & Times of Charles MacArthur (New York: Harper & Brothers, 1957).Lesy, Michael. Murder City: The Bloody History of Chicago in the Twenties (New York: W. W. Norton & Company, 2007)Murray, George in The Chicago Crime Book Ed. Albert Halper. (New York: The World Publishing Company, 1967).Nash, Jay Robert. Bloodletters and Badmen: A Narrative Encyclopedia of American Criminals from the Pilgrims to the Present (New York: M. Evans & Company, 1973).Schechter, Harold. Murderabilia: A History of Crime in 100 Objects (New York: Workman Publishing Co., 2023).As well as articles from the Washington Times, The Manning Times, Richmond TImes-dispatch, Chicago Tribune.And the Chicago Homicide database entry https://homicide.northwestern.edu/database/5270/Music: Credits to Holizna, Fesilyan Studios & Virginia Liston. Also featuring “It's a Long Way to Tipperary” by Jack Judge and “Old Pal” by Henry Burr.For more information, visit www.oldbloodpodcast.com
In this episode of 1049 Park Avenue we review two very important documents: 1) Courtesy of the Garry Marshall archives at Northwestern University is the actual pilot testing report for the first episode of The Odd Couple – “The Laundry Orgy”. 2) The script for The Rain In Spain which we compare to the actual filmed episode. Also, Garrett has a new book out about the famous screenwriter and playwright Ben Hecht which can be purchased on Amazon or here
Dana and Tom with returning guest and 5x Club member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast), discuss The Shop Around the Corner (1940) for its 85th anniversary: directed by Ernst Lubitsch, written by Samson Raphaelson and Ben Hecht, music by Werner Heymann, starring James Stewart, Margaret Sullavan, and Frank Morgan.Plot Summary: "The Shop Around the Corner" is a charming romantic comedy set in a Budapest gift shop. The story revolves around the antagonistic relationship between the store's manager, Alfred Kralik (James Stewart), and his co-worker, Klara Novak (Margaret Sullavan).Unbeknownst to each other, they are anonymous pen pals who have fallen in love through their letter exchanges. When they finally meet in person, their identities come to light, leading to a delightful resolution filled with warmth and humor. It's a delightful tale of mistaken identities, charming misunderstandings, and the magic of love letters.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009)Chapters:00:00 Introduction and Welcome to Our Guest04:24 Cast and Recognition for The Shop Around the Corner06:24 Relationship(s) with The Shop Around the Corner12:34 What is The Shop Around the Corner About?17:54 Why Has This Movie Been Remade So Often?19:20 Plot Summary for The Shop Around the Corner20:11 Did You Know?22:24 First Break24:24 What's Up with Peterson W. Hill26:01 GMOAT Hall of Fame29:37 Best Performance(s)39:50 Best/Favorite/Indelible Scene(s)47:13 Second Break48:23 In Memoriam56:39 Best/Funniest Lines58:37 The Stanley Rubric - Legacy01:03:45 The Stanley Rubric - Impact/Significance01:08:17 The Stanley Rubric - Novelty01:14:37 The Stanley Rubric - Classicness01:24:49 The Stanley Rubric - Rewatchability01:26:33 The Stanley Rubric - Audience Score and Final Total01:27:56 Remaining Questions01:34:38 Thank You to Our Guest and Remaining Thoughts01:39:43 CreditsYou can also catch this episode in full video on YouTube.You can now follow us on Instagram, Twitter,
Programa conducido por Darío Lavia y Chucho Fernández. Ilustración: Fred Salzman. Fotogramas: "The Great Gabbo" (1929) de James Cruze Acto I: "Felipe asesino" por Carlos Belloso 0:02:10 Acto II: "Pocapiola en Nueva York'" de Carlos de la Púa por Darío Lavia 0:10:53 Acto III: "El muñeco rival" de Ben Hecht por Chucho Fernández 0:21:23 Fuentes de los textos: "Mario Franz, el último titiritero", Carlos de la Púa en "Crítica" (05/05/1935) "Pocapiola en Nueva York", Carlos de la Púa en "Crítica" (15/07/1938) "The Rival Dummy", Ben Hecht en "Wolf's Complete Book of Terror", recopilado por Leonard Wolf (Clarkson N. Potter Inc, 1979) Imdb https://www.imdb.com/title/tt34903792/ Web de Cineficción http://www.cinefania.com/cineficcion/ Fan Page de Cineficción https://www.facebook.com/revista.cineficcion/
QUOTES FOR REFLECTION“I am not a greedy man. If I was, why would I donate to charity? I care about others as well.”~John Rockefeller “I know that a man who shows me his wealth is like the beggar who shows me his poverty; they are both looking for alms from me, the rich man for the alms of my envy, the poor man for the alms of my guilt.”~Ben Hecht, American writer “Take care, and be on your guard against all covetousness, for one's life does not consist in the abundance of his possessions.”~Jesus (Luke 12:15) “All treasures will demand that you die for them, but Jesus – the greatest treasure – died for you. He lost everything for you. You are more valuable to Him than the universe — than even His own glory… YOU are His treasure! You are the ultimate treasure of His life.”~Tim Keller “It is more blessed to give than to receive.”~Jesus (as recounted by the Apostle Paul in Acts 20:35) “Why do we not observe how the charity of Christians to strangers… has done the most to advance their cause? For it is disgraceful that… the impious Galileans [aka Christians] support our poor in addition to their own, while everyone is able to see that our coreligionists lack aid from us!”~Roman Emperor Julian, Letter to Arsacius, 360 AD “I do not believe one can settle how much we ought to give. I am afraid the only safe rule is to give more than we can spare.”~C.S. LewisSERMON PASSAGEProverbs 11:24-25, 28, Proverbs 3:9-10, Matthew 6:1-4, 21 (ESV)Proverbs 1124 One gives freely, yet grows all the richer; another withholds what he should give, and only suffers want.25 Whoever brings blessing will be enriched, and one who waters will himself be watered…28 Whoever trusts in his riches will fall, but the righteous will flourish like a green leaf. Proverbs 39 Honor the Lord with your wealth and with the firstfruits of all your produce;10 then your barns will be filled with plenty, and your vats will be bursting with wine. Matthew 6 1 “Beware of practicing your righteousness before other people in order to be seen by them, for then you will have no reward from your Father who is in heaven. 2 “Thus, when you give to the needy, sound no trumpet before you, as the hypocrites do in the synagogues and in the streets, that they may be praised by others. Truly, I say to you, they have received their reward. 3 But when you give to the needy, do not let your left hand know what your right hand is doing, 4 so that your giving may be in secret. And your Father who sees in secret will reward you…. 21 For where your treasure is, there your heart will be also.
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century. It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir. Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Luis Ponce vuelve al podcast para comentar con Villalobos una de las películas más famosas de Brian de Palma. Y en honor a la rigurosidad, hablan también acerca de la Scarface original dirigida por Howard Hawks.
Before I get to Oliver Stone and Brian DePalma's 1983 Miami-set remake of 'Scarface'...here's a background episode about the 1932 'Scarface', written by Ben Hecht and directed by Howard Hawks, the Steven Spielberg of the 1930's and 40's. From that still-vital, seminal gangster film, I also found my way to some others: Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Glenda Farrell, and Douglas Fairbanks Jr. The Public Enemy (Enemies of the Public in the UK)[6] is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. Underworld (also released as Paying the Penalty) is a 1927 American silent crime film directed by Josef von Sternberg[1] and starring Clive Brook, Evelyn Brent and George Bancroft. The film launched Sternberg's eight-year collaboration with Paramount Pictures, with whom he would produce his seven films with actress Marlene Dietrich. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story.[2] Watch Scarface on Amazon Prime. Watch Underworld for free here. Watch The Public Enemy on YouTube. Watch Little Caesar on YouTube. Read about the fascinating life of Ben Hecht. Read the BFI 10 Classic 1930's Gangster Films Article.
The OTRNow Radio Program 2024-001Fibber McGee and Molly. May 19, 1942. NBC net, WMAQ Chicago aircheck. Sponsored by: Johnson's Wax. Fibber has great news! The McGees are going to be rich (again)!. Jim Jordan, Marian Jordan, Harlow Wilcox, Billy Mills and His Orchestra, The King's Men, Bill Thompson, Isabel Randolph, Gale Gordon, Don Quinn (writer).The Lone Ranger. September 19, 1938. Program #881/106. Syndicated. "Dan Latham". Sponsored by: Music fill for local commercial insert. Dan Latham is threatening to "make trouble" for Mary Frisbie. Tonto is shot in Eagle Pass while trying to protect her!. Earle Graser, John Todd, Fran Striker (writer), George W. Trendle (creator, producer). The Lux Radio Theatre. September 18, 1939. CBS net. "Wuthering Heights". Sponsored by: Lux. The classic story of love on the moors of England. The story was heard again on The Lux Radio Theatre on November 4, 1940 (see cat. #8352) and September 14, 1954 (see cat. #10530). Charlie Forsyth (sound effects), Sanford Barnett (director), George Wells (adaptor), Grace Nielson (The Modernettes Trio: commercial spokesman), Charles MacArthur (screenwriter), Ben Hecht (screenwriter), Emily Bronte (author), Sarita Wooten, Douglas Scott, Rex Downing, Clarence Derwent, Reginald Sheffield, Eric Snowdon, Lou Merrill, Lee Millar (doubles, one part is a dog), Barbara Stanwyck, Brian Aherne, Ida Lupino, Cecil B. DeMille, Vivian Edwards (The Modernettes Trio: commercial spokesman), Catherine Carleton (commercial spokesman), Jo Campbell (The Modernettes Trio: commercial spokesman), Kemball Cooper, Marga Ann Deighton, Melville Ruick (announcer), Thomas Freebairn-Smith, Louis Silvers (music director). The Line-Up. October 04, 1951. CBS net. "The Wild, Wild Woman Case". Sustaining. Jewelry stores have been held up around the country by a man and women. John Tynan seems to have been the robber, but the victim fails to identify him. Irene Oldham is the name of Tynan's accomplice. William Johnstone, Wally Maher, Eddie Dunstedter (composer, conductor), Jaime del Valle (producer, director), Dan Cubberly (announcer), Howard McNear, Peter Leeds, Hy Averback, E. Jack Neuman (writer), Ray Hartman, Herb Butterfield, Dan Cubberly (announcer), Jeanette Nolan, Gil StrattonThe Shadow. October 24, 1937. Mutual net. "The Temple Bells Of Neban". Sponsored by: Blue Coal. The Shadow battles a most formidable enemy, the niece of the yogi who taught Cranston the secret of invisibility! She knows the Shadow's secret identity and all of his tricks. A good story!. Orson Welles, Arthur Whiteside (announcer), Agnes Moorehead, Elsie Thompson (organist), Ray Collins, Carl Frank, Jeanette Nolan, Everett Sloane (quadruples), Stefan Schnabel, Mark Smith (doubles), Thomas Coffin Cooke (commercial spokesman).
Campbell Playhouse || (16) Twentieth Century | Broadcast: March 24, 1939Starring: Joan Blondell, Sam LeveneThe classic/frantic comedy by Ben Hecht and Charles MacArthur, set in a cross-country train. A Hollywood producer and a star clash on rails. Guest is Richard Maney, a real-life press agent who was satirized in the story.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
Noel Coward's Design for Living premiered in Cleveland, Ohio -- apparently the world's bastion of progressive and transgressive theater at the time -- on January 2, 1933. By the end of the month it would be on Broadway, by the end of the year Ernst Lubitsch and Ben Hecht would adapt it into the sexiest film of 1933. Meanwhile, Coward wouldn't stage the play in his native England for nearly another decade. Why? Well, one there's the scandal of even portraying a polyamorous relationship, but then Coward's play, like Truffaut's Jules et Jim (1962), portrays polyamory only to show it not working. That's one of the major changes in Lubitsch's version, and the film is all the more scandalous for it: here the relationship is rocky but in the end works out, maybe. No wonder the Production Code Administration hated it.
The tenth episode of our season on the awesome movie year of 1939 features the New York Film Critics Circle Best Film winner, William Wyler's Wuthering Heights. Directed by William Wyler from a screenplay by Charles MacArthur and Ben Hecht and starring Laurence Olivier, Merle Oberon, David Niven, Flora Robson, Geraldine Fitzgerald and Hugh Williams, Wuthering Heights is the earliest surviving film adaptation of Emily Brontë's classic novel.The contemporary reviews quoted in this episode comes from Frank S. Nugent in The New York Times, Variety (https://variety.com/1939/film/reviews/wuthering-heights-2-1200412239/), and Graham Greene in The Spectator (http://archive.spectator.co.uk/article/5th-may-1939/16/the-cinema).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at
Er gilt als "Shakespeare von Hollywood" und rettete "Vom Winde verweht": Ben Hecht ist der wohl berühmteste Drehbuchautor der Traumfabrik. Dabei sieht er die Arbeit kritisch.
Er gilt als "Shakespeare von Hollywood": Ben Hecht (geboren am 28.2.1894) ist der wohl berühmteste Drehbuchautor der Traumfabrik. Dabei sieht er die Arbeit kritisch. Von Christiane Kopka.
Esta semana sin buscarlo nos hemos regalado un pequeño auto homenaje con los contenidos del programa. Por un lado, se cumplen 90 años del estreno de “Sucedió una noche”, la película de Frank Capra que da título a nuestro programa y no nos hemos resistido a recordarla. Por otro, hemos charlado sobre películas con personajes reales con Teresa Bellón y Cesar F. Calvillo, los directores de la recién estrenada “Buscando a Coque”, película en la que la trama gira en torno a Coque Malla, que resulta ser también el autor de la sintonía de nuestro programa. Así que, doble homenaje. También vamos a recordar a Ben Hecht, considerado por algunos el mejor guionista norteamericano de la historia, y en la sección de Jack Bourbon dedicada al cine de ciencia-ficción hablamos de un clásico de la década delos 50: “Planeta prohibido”.
Welcome to a special presentation by Vintage Classic Radio on our "Sunday Night Playhouse." This week, we bring you a captivating radio play titled "Notorious," originally broadcasted by Lux Radio Theatre on January 26th, 1948. Starring the legendary Ingrid Bergman and Joseph Cotten, this thrilling adaptation is based on the screenplay by Ben Hecht, inspired by the 1946 Alfred Hitchcock film of the same name. In "Notorious," Ingrid Bergman portrays Alicia Huberman, the daughter of a convicted Nazi spy. Recruited by the American government, she embarks on a perilous mission to infiltrate a group of Nazis in post-World War II Brazil. Joseph Cotten takes on the role of Devlin, an American agent assigned to work alongside her. As their mission unfolds, they find themselves entangled in a web of espionage, deceit, and forbidden love. The suspense builds as they must navigate their emotions while striving to ensure the success of their mission. Will their feelings jeopardize the entire operation, or will they emerge victorious in their dangerous endeavor? Join us as we revisit this iconic tale in audio format, masterfully adapted by Ben Hecht and performed by Ingrid Bergman and Joseph Cotten. This radio play captures all the suspense and romance of the original story, offering a unique and immersive experience for listeners. "Notorious" is a timeless classic that continues to captivate audiences, and we are delighted to bring it to you this week on our "Sunday Night Playhouse" podcast. Experience the intrigue and drama of "Notorious" as we transport you back to a bygone era of radio theater. Tune in for a night of espionage, passion, and suspense, and don't miss this opportunity to enjoy the artistry of two legendary actors in a radio adaptation of a Hitchcock classic.
Join Dom Cruze and Toni Bankz as they dive into the iconic world of the 1983 film "Scarface." In this exclusive review, we explore the timeless tale of power, crime, and redemption. From Al Pacino's unforgettable performance to the film's impact on pop culture, this discussion takes you on a journey through the cinematic masterpiece. Don't miss our unique insights, anecdotes, and the duo's dynamic chemistry as they revisit and dissect the classic that is "Scarface." Subscribe, like, and hit the bell to stay updated on The Revisit's captivating reviews.Scarface is a 1983 American epic crime drama film directed by Brian De Palma and written by Oliver Stone.[6] Loosely based on the 1930 novel of the same name and serving as a loose remake of the 1932 film,[7][8][9] it tells the story of Cuban refugee Tony Montana (Al Pacino), who arrives penniless in Miami during the Mariel boatlift and becomes a powerful drug lord. The film co-stars Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio and Robert Loggia.[6] De Palma dedicated this version of Scarface to the memories of Howard Hawks and Ben Hecht, the writers of the original filmDon't GET LEFT BEHIND! Make sure to check out the previous video! - https://bit.ly/3MgguSO Bored? Check out this AWESOME video! - https://bit.ly/3Kd721x Enjoying the channel & want to support more? SUBSCRIBE - https://bit.ly/43mI4DkFind the RMHP Crew!RMHProductions Socials - https://linktr.ee/rmhproductionsDOM CRUZE Instagram: https://www.instagram.com/itzdomw/Q Twitter: https://twitter.com/King_QuisemoeInstagram: https://www.instagram.com/king_quisemoe/iLL - https://twitter.com/illest_thrillerToniiBankz - https://linktr.ee/ToniiBankzCorry - https://linktr.ee/corrysawakeWe hope you enjoyed the video and the content we put out here Rebel Media House Productions! Thank you for watching!Melodic Therapy Business inquires: domcruzem
A podcast miniseries devoted to celebrating the 1988 contemporary classic, action buddy comedy MIDNIGHT RUN, written by George Gallo & directed by Martin Brest. Hosted by Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, respectively, each week, we'll explore the film we first bonded over when we became friends in 2019 by surfing through an incredible roster of guests from journalists to novelists & beyond who love it as much as we do.In episode three, we discuss seeing Midnight Run in theatres then and now, Grodin being annoying as superpower and crying every time you watch one of the funniest movies ever made.BEN MANKIEWICZBen Mankiewicz is the primetime host of Turner Classic Movies. When he made his TCM debut in September 2003, he became only the second host hired in the network's history.During his career at TCM, he has introduced thousands of movies on the air. Additionally, he's become one of the best interviewers in the business, leading thoughtful and entertaining long-form conversations with more than two hundred of the industry's top talents, including Mel Brooks, Bruce Springsteen, Sophia Loren, Martin Scorsese, Warren Beatty, Ava DuVernay, Annette Bening, Robert Redford, Quentin Tarantino, Jodie Foster, Brad Bird, Faye Dunaway, Lou Gossett, Jr., and Michael Douglas.Beginning in April 2020, Mankiewcz hosted TCM's first podcast, The Plot Thickens: I'm Still Peter Bogdanovich, to outstanding reviews. The podcast delivered to listeners the arc of Peter's epic story, through triumph and unspeakable tragedy, through historic success and public failure.Since 2019, Mankiewicz has served as a contributor to the Peabody and Emmy-winning news magazine, CBS News Sunday Morning, and has hosted the American Society of Cinematographers Awards since 2018. In 2019, he was awarded the Luminary Award for Career Achievement by the Los Angeles Press Club.Prior to TCM, Mankiewicz worked as a reporter and anchor in Charleston, SC, and Miami, FL, twice being named Best Anchor in South Florida by The New Times. Additionally, he contributes to The Young Turks, an online political show he co-founded with Cenk Uygur in 2002.Mankiewicz moved to Los Angeles nearly 75 years after his grandfather, screenwriter Herman Mankiewicz (“Mank” to his all his friends), headed west to work in the movie business. Soon after arriving, Herman cabled his friend Ben Hecht in New York, "There are millions to be grabbed out here and your only competition is idiots. Don't let this get around." His grandson is now proudly one of those idiots.He's a graduate of the Columbia University Graduate School of Journalism, Tufts University, and Georgetown Day High School in Washington, DC, the school with the worst mascot in recorded history: the Grasshoppers.Mankiewicz lives in Santa Monica with his beautiful wife, their beautiful daughter, one perfect dog, and one other dog, who's available for adoption at any time. Seriously, please take him.ALAN SEPINWALLAlan Sepinwall is Rolling Stone's chief TV critic. He's been covering this new golden age of TV from the beginning, first as a reviewer for Tony Soprano's favorite newspaper, 'The Star-Ledger,' and is the author of the books 'The Revolution Was Televised,' 'TV (THE BOOK),' 'Breaking Bad 101,' and 'The Sopranos Sessions.'Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The Czar of Noir Eddie Muller joins us for our epic SEASON 2 FINALE. Eddie takes time out of his busy #Noirvember to chat about his new book NOIR BAR: COCKTAILS INSPIRED BY THE WORLD OF FILM NOIR and his even newer hardboiled kid's book, KITTY FERAL AND THE CASE OF THE MARSHMALLOW MONKEY. He also tells an amazing story about ELLIOT GOULD from the just-concluded TCM Cruise that you won't want to miss + insights into Kim Novak and Ernest Dickerson (DP of DO THE RIGHT THING, MALCOLM X) from the Cruise. We also talk about the history of child endangerment in noir and how you can't do a lot of this stuff today. If that wasn't enough, Eddie sticks around to pair cocktails while we pair cannabis with a pair of movies from his NOIR BAR book. First, Edmond O'Brien has been slipped a Mickey full of luminescent poison and only has a few days to find out who murdered him and why in D.O.A., a frantic, sometimes comical, and essential noir from 1949. And then, Golden Age of Hollywood screenwriting giant Ben Hecht writes, directs and produces SPECTER OF THE ROSE, a bizarre ballet noir with a wealth of dialog that will bring you to the brink of madness! No need to write a lot about these movies here because we go long in this episode, but it's our last one for a while (kinda). Big thanks to Eddie and apologies to Kathleen for keeping him so long. Eddie's NOIR BAR is available from Larry Edmund's Bookshop in Hollywood, CA: https://www.larryedmunds.com/product-page/eddie-muller-s-noir-bar-cocktails-inspired-by-the-world-of-film-noir As are signed copies of KITTY FERAL: https://www.larryedmunds.com/product-page/kid-noir-kitty-feral-and-the-case-of-the-marshmallow-monkey We won't be doing a HOLIDAY SPECIAL this year but there will be a Barbie under your Christmas tree next month, so please subscribe so you don't miss the LOST BARBIE EPISODE. We can finally post it now that the SAG AFTRA strike is finally over. (Thank God!) MUSIC Theme song & Christmas Funk: Chaki the Funk Wizard "Rinse Repeat" by DivKid via YouTube Audio Library Movie audio courtesy of Archive.org Check out our new website: www.oldmoviesforyoungstoners.com Thanks Rosie! Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com
Steven gives a summary of the situation in Israel and the Middle East. He has many contacts, eye-opening stories. We are on the brink of the culmination of prophecy when, soon, Yeshua will raise up His army to harvest the fields. Hold fast for the end to sin and everlasting righteousness are on the horizon. Klaus Schwab more important than Jesus: https://thepeoplesvoice.tv/pope-francis-declares-klaus-schwab-is-more-important-than-jesus-christ/ Former CIA chief says conservative Congressman should be “removed from human race”: http://click1.mail.wnd.com/ddpctlnlzgdfzwzbfrmkgfsnzjfrswrmshzgmprthhsjhc_wgnzdvvfbdsjnldzlzd.html?a=07c1abc41c9515c2e507c1fe9dbefdb0&b=e01220aa0fb5a6190f307b28672f591ccf5bcb690b8514c1a524d68458916713 US draft coming: https://email.redvoicemedia.com/t/c/983da63c-d929-4a10-9cf7-db308069d67e/0183a4da-f3b8-5593-6541-4989a0e24aca PCR process no longer regarded by CDC as a” test “: https://www.theburningplatform.com/2021/12/27/cdc-admits-that-the-covid-pandemic-was-the-product-of-an-inappropriate-test PCR not reliable: https://www.globalresearch.ca/bombshell-cdc-no-longer-recognizes-the-pcr-test-as-a-valid-method-for-detecting-confirmed-covid-19-cases/5765179 Netanyahu ordered Israeli military to stand down during initial Hamas invasion: https://thepeoplesvoice.tv/netanyahu-ordered-israeli-military-to-stand-down-during-hamas-assault/ Biden admin gave Hamas $75 million just days before attack: https://newsaddicts.com/biden-admin-gave-hamas-75-million-days-before-attack/ This is not Brother Judah: https://odysee.com/@FLOOD:3/The-GDL-Q:7 Klaus Schwab signed WEF Executive Order that Americans be drafted for globalist wars: https://rumble.com/v3qbtis-klaus-schwab-signs-order-drafting-us-men-and-women-to-fight-for-globalists-.html Link to “The Holocaust Victims Accuse,” pdf download: https://aaargh.vho.org/fran/livres7/shonfeld.pdf (A collection of reports first published in 1977 regarding how Brother Judah was used and abused by his own people in WWII for political power.) Buy “Perfidy,” by Ben Hecht, caveat – hard to find: https://www.abebooks.com/servlet/BookDetailsPL?bi=31644578681&searchurl=an%3Dhecht%2Bben%26sortby%3D17%26tn%3Dperfidy&cm_sp=snippet-_-srp1-_-title1 (Based upon transcript from the trial of Rudolf Kastner following WWII. Twisting, harrowing tale of betrayal and intrigue by those who would sell their souls for power.)
Show business wiz Ben Hecht took a shot in the dark one night and expressed the deep need and desire for a Jewish state to a room full of wise guys, which unexpectedly led to a chance encounter with Hillel Kook, the nephew of Rav Kook, the first Chief Rabbi of British Mandatory Palestine. Taking lessons from the legacy of this unlikely couple and Yom Kippur, Rabbi Zuckerman investigates whether we are asking God to write out our lives like a movie script, or to help us write our own stories with the wisdom of God guiding our hands.
In Daniel Gumbiner's latest novel, “Fire in the Canyon,” wildfire acts as a plot catalyst and a character. The story follows Ben Hecht, a former pot farmer turned grape grower in California's Gold Country, who is just getting by when wildfire sweeps through. Both the Hecht family and the land they live on exist in a “state of fragile equilibrium,” in which security is both hard-earned and precarious. We'll talk to Gumbiner about the emotional costs of climate change and wildfire in California. Guests: Daniel Gumbiner, author, "Fire in the Canyon"
Brandon is heading to the TCM Classic Film Festival! Earlier this week, he sat down with TCM Host Ben Mankiewicz for a preview of what is to come.Topics include the opening night presentation of Rio Bravo, Warner Brothers' 100th anniversary celebration and some of Ben's favorite aspects of the festival. Ben Mankiewicz is the primetime host of Turner Classic Movies. When he made his TCM debut in September 2003, he became only the second host hired in the network's history. During his career at TCM, he has introduced thousands of movies on the air. Additionally, he's become one of the best interviewers in the business, leading thoughtful and entertaining long-form conversations with more than two hundred of the industry's top talents, including Mel Brooks, Bruce Springsteen, Sophia Loren, Martin Scorsese, Warren Beatty, Ava DuVernay, Annette Bening, Robert Redford, Quentin Tarantino, Jodie Foster, Brad Bird, Faye Dunaway, Lou Gossett, Jr., and Michael Douglas. Mankiewicz is the host of TCM's first podcast, The Plot Thickens. Each of the four seasons, I'm Still Peter Bogdanovich, The Devil's Candy, Lucy and Here Comes Pam were met with outstanding reviews and industry awards. Since 2019, Mankiewicz has served as a contributor to the Peabody and Emmy-winning news magazine, CBS News Sunday Morning, and has hosted the American Society of Cinematographers Awards since 2018. Prior to TCM, Mankiewicz worked as a reporter and anchor in Charleston, SC, and Miami, FL, twice being named Best Anchor in South Florida by The New Times. Additionally, he contributes to The Young Turks, an online political show he co-founded with Cenk Uygur in 2002. Mankiewicz moved to Los Angeles nearly 75 years after his grandfather, screenwriter Herman Mankiewicz (“Mank” to his all his friends), headed west to work in the movie business. Soon after arriving, Herman cabled his friend Ben Hecht in New York, "There are millions to be grabbed out here and your only competition is idiots. Don't let this get around." His grandson is now proudly one of those idiots. He's a graduate of the Columbia University Graduate School of Journalism, Tufts University, and Georgetown Day High School in Washington, DC, the school with the worst mascot in recorded history: the Grasshoppers. Mankiewicz lives in Santa Monica with his beautiful wife, their beautiful daughter, one perfect dog, and one other dog, who's available for adoption at any time. Seriously, please take him
A Star Is Born is a 1954 American musical drama film directed by George Cukor, written by Moss Hart, and starring Judy Garland and James Mason. Hart's screenplay is an adaptation of the original 1937 film, based on the original screenplay by Robert Carson, Dorothy Parker and Alan Campbell, and from the same story by William A. Wellman and Carson, with uncredited input from six additional writers—David O. Selznick, Ben Hecht, Ring Lardner Jr., John Lee Mahin, Budd Schulberg and Adela Rogers St. Johns. https://en.wikipedia.org/wiki/A_Star_Is_Born_(1954_film)
Chinatown, secret societies, gentlemen's clubs, California, Los Angeles, making of Hollywood, California water wars, William Mulholland, Frederick Eaton, Mulholland Drive, Henry E. Huntington, Huntington family, Society of Cincinnati, Skull & Bones, Bohemian Club, Los Angeles Suburban Home Company, Robert Towne, Roger Corman, money laundering, George Soros, Edward Taylor, Julia Payne, Ben Hecht, Robert Evans, Paramount Pictures, Woodlands Estate, drug trafficking, Roy Radin, William Mentzer, Son of Sam cult, Cotton Club murder, Thomas Corbally, Profumo, Melonie Haller, S & M, sex tapes, Henry Kissinger, Roman Polanski, Cold War intrigues, Sharon Tate, Tate murders, Manson family, kiddie porn, Mammas and Pappas, Cass Elliot, John & Michelle Phillips, Laurel Canyon, Lookout Mountain Air Force Base, Air Force, John Huston, Angelica Huston, George Hodel, Tamar Hodel, Black Dahlia murder, Forteanism, incest, surrealism, Banning family, The Most Dangerous Game, Natalie WoodMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
This week we have “Actor's Blood,” an episode of Suspense, one of the most popular shows of the old-time radio era. Suspense aired over CBS from 1942 to 1962. This episode first aired on August 24, 1944. It is based on a short story of the same name by Ben Hecht, and stars the writer as well. For more from Brick Pickle Media, visit BrickPickleMedia.com.
Gargoyles by Ben Hecht audiobook. The author, Ben Hecht, was a prolific writer as well as a renowned screenwriter, producer, and director of films. His screenwriting skills include some of the most popular films of Hollywood's golden era, including "Gone With the Wind", "Wuthering Heights", "Spellbound", and "Scarface", to name but a few. Hecht had already established himself as a novelist and an author of short stories when "Gargoyles" was published. "Gargoyles" delves deep into the psyches of individuals and of their relationships within social classes, revealing both the darker sides and the sentimental sides. Sometimes the characteristics, values and ethics of his characters are altered over time, as they (sometimes unwittingly) look within themselves and acknowledge what they valued most, how their egos affect their decisions and ethics, yet not always understanding the reasons those values are so crucial to them. What we learn is the results of these changes, as we center on the lives of George Basine, his friends, and his family, and most importantly, the masks that each wore.
Dana and Tom discuss the second movie in their month of Journalism movies with, His Girl Friday (1940): directed by Howard Hawks, written by Ben Hecht and Charles Lederer, starring Cary Grant, Rosalind Russell, and Ralph Bellamy.Plot Summary: New York newspaper editor Walter Burns (Cary Grant) runs his paper with pluck and on an ethical edge. When he discovers that his ex-wife, investigative reporter Hildy Johnson (Rosalind Russell), has gotten engaged to milquetoast insurance agent Bruce Baldwin (Ralph Bellamy), he tries to lure her away from her impending wedding with a story about the imminent execution of convicted murderer. With tactics to both entice Hildy to cover the story and to neutralize Bruce, Burns has the story, the pressroom, and the City government buzzing. Will Hildy adopt domestic bliss or will the lure of the newsroom pull her back?You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/his-girl-friday-1940For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list
A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Stagecoach - Movie Review - Ray Taylor Show Subscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process.Director: John Ford Writers: Ernest Haycox (original story), Dudley Nichols (screen play), Ben Hecht (uncredited) JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links
Stagecoach - Movie Review - Ray Taylor Show Subscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process.Director: John Ford Writers: Ernest Haycox (original story), Dudley Nichols (screen play), Ben Hecht (uncredited) JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links
Front Row Classics is thrilled to welcome Turner Classic Movies' host, Ben Mankiewicz. Ben has been an on-air host for the channel since 2003. Our interview covers his background in both film and politics. You'll also learn about some of his most memorable interviews during his tenure with TCM. Brandon and Ben also have fun discussing the pros and cons of classic film fandom. Ben Mankiewicz is the primetime host of Turner Classic Movies. When he made his TCM debut in September 2003, he became only the second host hired in the network's history. During his career at TCM, he has introduced thousands of movies on the air. Additionally, he's become one of the best interviewers in the business, leading thoughtful and entertaining long-form conversations with more than two hundred of the industry's top talents, including Mel Brooks, Bruce Springsteen, Sophia Loren, Martin Scorsese, Warren Beatty, Ava DuVernay, Annette Bening, Robert Redford, Quentin Tarantino, Jodie Foster, Brad Bird, Faye Dunaway, Lou Gossett, Jr., and Michael Douglas. Mankiewicz is the host of TCM's first podcast, The Plot Thickens. Each of the three seasons, I'm Still Peter Bogdanovich, The Devil's Candy, and Lucy, were met with outstanding reviews and industry awards. Since 2019, Mankiewicz has served as a contributor to the Peabody and Emmy-winning news magazine, CBS News Sunday Morning, and has hosted the American Society of Cinematographers Awards since 2018. Prior to TCM, Mankiewicz worked as a reporter and anchor in Charleston, SC, and Miami, FL, twice being named Best Anchor in South Florida by The New Times. Additionally, he contributes to The Young Turks, an online political show he co-founded with Cenk Uygur in 2002. Mankiewicz moved to Los Angeles nearly 75 years after his grandfather, screenwriter Herman Mankiewicz (“Mank” to his all his friends), headed west to work in the movie business. Soon after arriving, Herman cabled his friend Ben Hecht in New York, "There are millions to be grabbed out here and your only competition is idiots. Don't let this get around." His grandson is now proudly one of those idiots. He's a graduate of the Columbia University Graduate School of Journalism, Tufts University, and Georgetown Day High School in Washington, DC, the school with the worst mascot in recorded history: the Grasshoppers. Mankiewicz lives in Santa Monica with his beautiful wife, their beautiful daughter, one perfect dog, and one other dog, who's available for adoption at any time. Seriously, please take him.
It's January of 1954 and the Attorney General v. Gruenwald case AKA the Kastner trial has begun. This was seemingly an open and shut libel case between an elderly Hungarian Jew and Israeli government official, Israel Rudolph Kastner. Yet somehow the trial caused a government fallout, brought David Ben-Gurion out of retirement and led to Israel's first political assassination. In this episode, Noam explores what exactly Kastner was guilty of and how to grapple with the impossible choices he faced at the hands of the Nazis. ~~~~ This season of Unpacking Israeli History is generously sponsored by Barbara Sommer & Alan Fisher, and Marci & Andrew Spitzer, and this episode is generously sponsored by the Jewish Federation of Northeastern New York, and the Tampa Jewish Federation. ~~~~ Learn more about Unpacked: https://jewishunpacked.com/about/ Visit Unpacked on YouTube: https://www.youtube.com/unpacked Unpacking Israeli History about Black Saturday: https://jewishunpacked.com/black-saturday-how-far-would-you-go-for-a-homeland/ ~~~~ Tom Segev. The Seventh Million. Ben Hecht. Perfidy. Leora Bilsky (2001). Judging Evil in the Trial of Kastner. Law and History Review, 19(1), 117–160. URL: https://www.jstor.org/stable/744213 Hanna Yablonka and Moshe Tlamim (2003). The Development of Holocaust Consciousness in Israel: The Nuremberg, Kapos, Kastner, and Eichmann Trials. Israel Studies, 8(3), Israel and the Holocaust, 1-24. URL: https://www.jstor.org/stable/30245616 Yechiam Weitz (1996). The Holocaust on Trial: The Impact of the Kasztner and Eichmann Trials on Israeli Society. Israel Studies, 1(2), 1-26. David Luban (2001). A Man Lost in the Gray Zone. Law and History Review, 19(1). 161-17. “Joel Brand, 58, Hungarian Jew in Eichmann's Truck Deal, Dies.” The New York Times, The New York Times, https://timesmachine.nytimes.com/timesmachine/1964/07/15/97339949.html?pageNumber=35. Laor, Dan. “Israel Kastner vs. Hannah Szenes: Who Was Really the Hero during the Holocaust?” Haaretz.com, Haaretz, 9 Nov. 2013, https://www.haaretz.com/.premium-who-was-the-real-holocaust-hero-1.5287614. Pnina Lahav (2001). A "Jewish State... to Be Known as the State of Israel": Notes on Israeli Legal Historiography. Law and History Review, 19(2), 387–433. doi:10.2307/744134 United States Holocaust Memorial Museum. “Rudolf (Rezso) Kastner.” Holocaust Encyclopedia. https://encyclopedia.ushmm.org/content/en/article/rudolf-rezsoe-kasztner. Accessed on March 20,2022. Hannah Szenes. "A Walk to Caesarea (Eli, Eli)." Perf. Ofra Haza. YouTube. November 26, 2020. Web. Accessed on March 20, 2022. https://www.youtube.com/watch?v=0jMQq0jYzbw&ab_channel=AntonioSalbertrand Yad Vashem: https://www.yadvashem.org/odot_pdf/microsoft%20word%20-%205978.pdf Israeli Govt: https://www.mfa.gov.il/mfa/mfa-archive/1950-1959/pages/nazis%20and%20nazi%20collaborators%20-punishment-%20law-%20571.aspx Asher Maoz (2000). Historical Adjudication: Courts of Law, Commissions of Inquiry, and "Historical Truth.” Law and History Review (18)3. URL: https://archive.ph/W2cAj#selection-471.1-426.8 USHMM: https://encyclopedia.ushmm.org/content/en/gallery/jewish-population-of-europe Times of Israel: https://www.timesofisrael.com/israel-says-worlds-jewry-still-2-million-shy-of-1939-numbers/ https://www.haaretz.com/jewish/holocaust-remembrance-day/the-holocaust-facts-and-figures-1.5298803?lts=1647822682931 https://content.time.com/time/subscriber/article/0,33009,864174,00.html https://www.commentary.org/articles/w-laqueur/the-kastner-caseaftermath-of-the-catastrophe/ https://m.knesset.gov.il/EN/About/Lexicon/Pages/NoConfidence.aspx https://main.knesset.gov.il/EN/About/History/Pages/KnessetHistory.aspx?kns=2 https://www.mfa.gov.il/mfa/mfa-archive/1950-1959/pages/nazis%20and%20nazi%20collaborators%20-punishment-%20law-%20571.aspx Primo Levi, The Drowned and the Saved Lucy Davidowicz, The War Against the Jews https://encyclopedia.ushmm.org/content/en/article/jewish-uprisings-in-ghettos-and-camps-1941-44#:~:text=Resistance%20in%20Ghettos&text=Their%20main%20goals%20were%20to,escaping%20to%20join%20the%20partisans.https://www.youtube.com/watch?v=tB4pU6JKsfQ&list=PLVV0r6CmEsFw4EQRLZvAoreWVLWLJDNaI&index=95&ab_channel=WebofStories-LifeStoriesofRemarkablePeople https://www.jewishvirtuallibrary.org/the-quot-blood-for-goods-quot-deal-april-1944
In this week's experimental episode expect funky musical interludes, and ads no one paid me for...2:45 - 29:00 I sit down with Ben Hecht as he discusses how he converted an interest in photography into a career working with cameras, and the process of forming a band. 29:00 - FinWe dive into the deep end with topics ranging from the "Polarity Problem" to "What ever happened to having heroes?" Say that ten time fast. Guest Links:Ben Hecht - @benhechtMusic by @karatebaseballband
Author, journalist, and espionage writer Jeremy Duns joins The James Bond A-Z Podcast hosts Tom Butler, Brendan Duffy and Tom Wheatley to talk about his research into the many unmade versions of 'Casino Royale' that preceded the 1967 and 2006 adaptations. The first film adaptation of Ian Fleming's debut James Bond novel is an anomaly in the history of the 007 films, as it was developed in isolation outside of the Eon Productions hit factory. Duns explains how he discovered early drafts of the film, written for producer Charles K Feldman, by Oscar-winner Ben Hecht ('Angels Over Broadway', 'Scarface', 'Notorious'), what they entail and how they could have turned the Bond franchise upside down. The author also discusses the unproduced 'Casino Royale' screenplays written by 'Catch-22' author Joseph Heller - and others - that finally led to Feldman's disastrous 1967 film. And he discusses the incredible true WW2 spy caper that helped inspire one of the most iconic moments of 'Goldfinger'. You can find Jeremy Duns' work on Ian Fleming and James Bond on www.jeremy-duns.com. Please rate this podcast and leave a review wherever you listen. James Bond will return... in next week's James Bond's A-Z Podcast. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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