Podcasts about gran partita

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. De nieuwe cd’s van Nicolas Baldeyrou, Les Kapsber'Girls, Frédérick Haas en Nadja Zwiener & Johannes Lang staan vandaag in het zonnetje. 1. Wolfgang Amadeus Mozart (1756-1791) Uit de serenade in Bes gr. KV 361 ‘Gran Partita': – II. Menuetto. Trio's I […]

Sumérgete en la majestuosidad de "La Gran Partita" de Mozart, una obra maestra que combina elegancia, complejidad y emoción. ¡Déjate envolver por la magia de esta composición sin igual!

Wolfgang Amadeus Mozart - Serenade No. 10 "Gran Partita": Theme and VariationsConsortium ClassicumMore info about today's track: CPO 999822-2Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Vandaag een aflevering in de serie "In Stukken". De Gran Partita van Wolfgang Amadeus Mozart (https://www.nporadio4.nl/componisten/04ba4127-e1af-4d80-9c32-8eb115c62005/mozart-wolfgang-amadeus) wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: hoboïst Ali Groen en fluitist Peter Verduyn Lunel.

Schwärmerische Worte fand ein Zeitgenosse Mozarts: «Hab heut eine Musik gehört mit Blasinstrumenten in vier Sätzen – herrlich und hehr! Sie bestand aus dreizehn Instrumenten, und sass bei jedem Instrument ein Meister». Ob solche Meister*innenschaft auch in den Aufnahmen der Diskothek zu hören ist, wird sich zeigen. Hohe Ansprüche jedenfalls stellt die Serenade. Vom Umfang sprengt sie jeden Rahmen und übertrifft in ihren Dimensionen alles, was Mozart an Instrumentalmusik je geschrieben hat. Bekannt wurde die Gran Partita durch Milos Formans Film «Amadeus» von 1984. Mozarts darin zum Widersacher stilisierter Zeitgenosse Antonio Salieri, beschreibt dieses Adagio so: «Das war keine Komposition eines Zirkusaffen! So eine Musik hatte ich noch nie vernommen. Voll tiefster Sehnsucht; einer so unstillbaren Sehnsucht, dass ich erbebte und es mir schien, als hörte ich die Stimme Gottes.» Gäste von Benjamin Herzog sind die Musikwissenschaftlerin Silke Leopold und Alexandre Zanetta, Dozent für Horn an der Schola Cantorum Basiliensis. Die Diskothek wurde öffentlich aufgezeichnet am 22. Juni 2023 im Auditorium des Radiostudios Basel.

In his Gran Partita for 13 instruments, Mozart achieves a sublime combination of grandeur, complexity and sunny charm. CSO Concertmaster Robert Chen presents the composer's stately and rustic Violin Concerto No. 4, a product of his Salzburg years. Riccardo Muti opens the concert with Cimarosa's overture, which echoes Mozart's comic vein and abounds in freshness and invention. Learn more: cso.org/performances/22-23/cso-classical/muti-chen-and-mozart-gran-partita

本集曲目： 德佛札克: Ｄ小調給木管、大提琴與低音提琴的小夜曲，作品44 A.Dvorak: Serenade for Winds, Cello and Bass in D Minor, Op.44 - 補充曲目： 德佛札克：斯拉夫舞曲第四、八號，作品46 A.Dvorak: Slavonic dances, Op.46, no.4 and 8 莫札特：降B大調第十號小夜曲「大組曲」，作品361 W.A.Mozart: Serenade No. 10 in B-flat major, K. 361 "Gran Partita" - 點一下就可以看到我所有平台的連結

Mozart, Gran Partita, 4th movt Chopin, Ballade #4 in F minor Orr, Along the Field Elgar, Enigma Variations, Finale Debussy, Danses Sacree et Profane Smetana, Vysehrad, 1st movt of Ma Vlast This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

When the Royal Academy of Music opened its doors to its first 20 students in 1823, there were equal numbers of boys and girls. In this first episode, Anna Picard traces the stories of some of the women of the Academy including Fanny Dickens, the elder sister of Charles Dickens. We also hear from the participants of a pioneering women-only conducting course and try to unravel what playing in a gendered way might mean. Along the way there is, as always, some glorious music from Academy students. Presenter: Anna PicardProducer: Natalie Steed Contributors: Kathryn Adamson, Briony Cox-Williams, Phyllis Weliver, Jonathan Freeman- Attwood, Hannah Stell, Elizabeth Kenny, Lucy Powell, Sian Edwards, Peggy Wu, Beth Fitzpatrick Voice of Frederick Corder: Michael Bertenshaw Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht All the music in this episode is performed by Royal Academy of Music students: Mozart Serenade in B flat, K 361, ‘Gran Partita', performed by Royal Academy of Music Symphonic WindHaydn String Quartet in G, Op 77 No 1 (second movement), performed by the Echea QuartetFerdinand David Trombone Concertino, Op 4, performed by Hannah StellTchaikovsky The Queen of Spades, Op 68, performed by Hannah StellWagner Ride of the Valkyries performed by Hannah StellRebecca Clarke Ave Maria performed by Milette Gillow and Ivy LiangRebecca Clarke The Cloths of Heaven performed by Lauren Macleod and Stella Marie LorenzSchubert Symphony No 4 in C minor, D 417, 'Tragic', performed by the Academy Chamber Orchestra with Lorenza Borrani See acast.com/privacy for privacy and opt-out information.

85 - Classical Music Variety Rossini, Italian Girl in Algiers, Overture Byrd, Mass for 4 Voices, Gloria Beethoven, Violin Sonata #3, 1st movt Bizet, Carmen Suite, Prelude Suk, Elegie Albeniz, Iberia, Evocation Mozart, Gran Partita, 2nd movt This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

Mozart, Odermatt: Oboe Concerto in F Major (After K. 293) - I. Allegro Mozart: Ave verum corpus, K. 618 (Arr. Spindler for English Horn, Strings and Organ) Mozart: Flute and Harp Concerto, K. 299/297c - I. Allegro (Arr. Spindler for Oboe, Harpsichord and Orchestra) Mozart: Flute and Harp Concerto, K. 299 - II. Andantino (Arr. Spindler for Oboe, Harpsichord and Orchestra) Mozart: Flute and Harp Concerto, K. 299/297c - III. Rondeau. Allegro (Arr. Spindler for Oboe, Harpsichord and Orchestra) Mozart: Ah se in ciel, benigne stelle, K. 538 (Adapt. for Oboe and Orchestra) Mozart: Rondo in C Major, K. 373 (Adapt. for Oboe and Orchestra) Mozart: Ch'io mi scordi di te?, K. 505 - II. Non temer, amato bene (Arr. Spindler for Oboe d'amore, Pianoforte and Orchestra) Mozart: Exsultate, jubilate, K. 165/158a - I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) Mozart: Exsultate, jubilate, K. 165/158a - II. Andante (Arr. Spindler for Oboe d'amore, Orchestra and Organ) Mozart: Exsultate, jubilate, K. 165/158a - III. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) Mozart: Die Zauberflöte, K. 620 - Ach, ich fühl's, es ist verschwunden (Arr. Spindler for Oboe and Piano) Mozart: Die Entführung aus dem Serail, K. 384 - Martern aller Arten (Arr. Spindler for Oboe and Piano) Mozart: Die Zauberflöte, K. 620 - Dies Bildnis ist bezaubernd schön (Arr. Spindler for Oboe and Piano) Mozart: Die Zauberflöte, K. 620 - Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano) Mozart: Davidde Penitente, K. 469 - Lungi le cure ingrate (Arr. Spindler for Oboe d'amore and Piano) Mozart: Gran Adagio (Arr. Spindler for Oboe, Violin, Cello and Orchestra After Adagio from Gran Partita, K. 361/370a) Purchase the music (without talk) at:Mozart: Works for Oboe and Orchestra (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Ein Jahr Philipps Playlist. In dieser Geburtstagsfolge feiert Phillip mit Dir zusammen und sagt: Danke fürs Einschalten. Diese Musikstücke hast Du in der Folge gehört: "Love" - David Foster // "Keep Your Head Up Princess" - Anson Seabra // "Gran Partita" - Mozart // "Windmills" - Toad The Wet Sprocket // "Walton: Two Pieces For Small Orchestra" - English Chamber Orchestra // Und bei Ideen oder Wünschen, zu welchem Thema Philipp unbedingt eine Playlist zusammenschustern muss, schreib ihm gerne eine Mail: playlist@ndr.de.

Join Russell Gant for this Thursday Concert with The Florida Orchestra with a program featuring just one work, Mozart's Gran Partita. The orchestra's phenomenal wind section is taking on this monumental work this week all on their own, with no assistance of a conductor. That's Thursday night at 8:00 on Florida's Classical Music Station, WSMR.

Opening Song:  “Breathe” by The Brilliance Lyrics: Breathe, breathe on me now Open your mouth And speak the word that heals this broken ground Say, say what you will As we are still And we breathe in the very breath of God   [Chorus] Oh, Spirit of God Here with us now Giving us life again Breathe, breathe on us now Fill us with your love Send us with Your power Spirit of God   [Verse] Breathe, breathe on me now Open your mouth And speak the word that heals this broken ground Say, say what you will As we are still And we breathe in the very breath of God   [Chorus] Oh, Spirit of God Here with us now Giving us life again Breathe, breathe on us now Fill us with Your love Send us with Your power Spirit of God Oh, Spirit of God Here with us now Giving us life again Breathe, breathe on us now Fill us with Your love Send us with Your power Spirit of God Passage:  Jesus Heals a Woman and Jairus's Daughter 21 And when Jesus had crossed again in the boat to the other side, a great crowd gathered about him, and he was beside the sea. 22 Then came one of the rulers of the synagogue, Jairus by name, and seeing him, he fell at his feet 23 and implored him earnestly, saying, “My little daughter is at the point of death. Come and lay your hands on her, so that she may be made well and live.” 24 And he went with him. And a great crowd followed him and thronged about him. 25 And there was a woman who had had a discharge of blood for twelve years, 26 and who had suffered much under many physicians, and had spent all that she had, and was no better but rather grew worse. 27 She had heard the reports about Jesus and came up behind him in the crowd and touched his garment. 28 For she said, “If I touch even his garments, I will be made well.” 29 And immediately the flow of blood dried up, and she felt in her body that she was healed of her disease. 30 And Jesus, perceiving in himself that power had gone out from him, immediately turned about in the crowd and said, “Who touched my garments?” 31 And his disciples said to him, “You see the crowd pressing around you, and yet you say, ‘Who touched me?'” 32 And he looked around to see who had done it. 33 But the woman, knowing what had happened to her, came in fear and trembling and fell down before him and told him the whole truth. 34 And he said to her, “Daughter, your faith has made you well; go in peace, and be healed of your disease.” 35 While he was still speaking, there came from the ruler's house some who said, “Your daughter is dead. Why trouble the Teacher any further?” 36 But overhearing[a] what they said, Jesus said to the ruler of the synagogue, “Do not fear, only believe.” 37 And he allowed no one to follow him except Peter and James and John the brother of James. 38 They came to the house of the ruler of the synagogue, and Jesus[b] saw a commotion, people weeping and wailing loudly. 39 And when he had entered, he said to them, “Why are you making a commotion and weeping? The child is not dead but sleeping.” 40 And they laughed at him. But he put them all outside and took the child's father and mother and those who were with him and went in where the child was. 41 Taking her by the hand he said to her, “Talitha cumi,” which means, “Little girl, I say to you, arise.” 42 And immediately the girl got up and began walking (for she was twelve years of age), and they were immediately overcome with amazement. 43 And he strictly charged them that no one should know this, and told them to give her something to eat. (Mark 5:21-43) Musical Reflection:  Serenade No. 10 in B-flat Major, K. 361, “Gran Partita,” III. Adagio by W.A. Mozart Reflection Notes:  Mozart's “Gran Partita” from his Serenade No. 10 for winds is particularly famous. The soft, opening winds ascend slowly and then move into a steady pulse, a gentle heartbeat. The opening oboe melody soars above it all and creates a tableau reminiscent of a sunrise.  Prayer: Most loving Father, whose will it is for us to give thanks for all things, to fear nothing but the loss of you, and to cast all our care on you who care for us: Preserve us from faithless fears and worldly anxieties, that no clouds of this mortal life may hide from us the light of that love which is immortal, and which you have manifested to us in your Son Jesus Christ our Lord; who lives and reigns with you, in the unity of the Holy Spirit, one God, now and forever. Amen.

Originalklang im satten Bläsersound. Bei dieser Gran Partita-Einspielung kommen die Mozart-Fans unter den Originalklang-Jüngern auf ihre Kosten!

SUR LE DISQUE L'Orchestre Philharmonique de Radio France et Mikko Franck poursuivent leur collaboration avec Alpha et invitent un pianiste phare du label : Nelson Goerner. Ce programme est consacré à Richard Strauss et réunit plusieurs œuvres de jeunesse du compositeur allemand. Burleske pour piano et orchestre, écrite à l'âge de 20 ans, est pleine de lyrisme et de fougue romantique, ses couleurs annoncent les opéras de Strauss, tandis que son orchestration anticipe ses poèmes symphoniques. La partie de piano est particulièrement virtuose : Bülow, pour qui Strauss l'avait écrite, l'avait qualifiée d'injouable ! La Sérénade pour 13 instruments à vent, elle, se souvient de la Gran Partita pour instruments à vent K 361 de Mozart. Cette brève page, conçue d'un seul tenant, est d'abord d'une couleur nocturne, comme il sied à une sérénade et s'anime pour revenir à l'ambiance contemplative du début. Enfin, Tod und Verklärung, poème symphonique pour grand orchestre décrit la dernière heure d'un artiste : on est saisi dès les premières mesures, qui évoquent la respiration d'un mourant et ses battements de cœur. Strauss nous fait vivre ses derniers instants et la transfiguration de son âme, dans l'un des moments les plus glorieux du répertoire symphonique.

SUR LE DISQUE L'Orchestre Philharmonique de Radio France et Mikko Franck poursuivent leur collaboration avec Alpha et invitent un pianiste phare du label : Nelson Goerner. Ce programme est consacré à Richard Strauss et réunit plusieurs œuvres de jeunesse du compositeur allemand. Burleske pour piano et orchestre, écrite à l'âge de 20 ans, est pleine de lyrisme et de fougue romantique, ses couleurs annoncent les opéras de Strauss, tandis que son orchestration anticipe ses poèmes symphoniques. La partie de piano est particulièrement virtuose : Bülow, pour qui Strauss l'avait écrite, l'avait qualifiée d'injouable ! La Sérénade pour 13 instruments à vent, elle, se souvient de la Gran Partita pour instruments à vent K 361 de Mozart. Cette brève page, conçue d'un seul tenant, est d'abord d'une couleur nocturne, comme il sied à une sérénade et s'anime pour revenir à l'ambiance contemplative du début. Enfin, Tod und Verklärung, poème symphonique pour grand orchestre décrit la dernière heure d'un artiste : on est saisi dès les premières mesures, qui évoquent la respiration d'un mourant et ses battements de cœur. Strauss nous fait vivre ses derniers instants et la transfiguration de son âme, dans l'un des moments les plus glorieux du répertoire symphonique.

durée : 01:57:40 - En pistes ! du jeudi 27 mai 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une anthologie éditée par le label Frémeaux et associés autour de la musique espagnole; une intégrale de la musique pour piano de Rachmaninov; le quintette Moraguès fête son 40ème anniversaire avec la musique de chambre de Schumann et Dvorák ; la Gran Partita de Mozart... - réalisé par : Gilles Blanchard

Was Mozart seiner Frau Constanze zur Hochzeit schenkte? Man weiß es nicht. Vieles spricht aber für eine "große blasende Musik ganz besonderer Art": seine Bläser-Serenade mit der Köchelverzeichnis-Nummer 361. Wiebke Matyschok stellt das Starke Stück zusammen mit dem Oboisten Albrecht Mayer vor.

durée : 00:05:42 - Classic & Co - par : Anna Sigalevitch - C’est un ballet réunissant les danseurs-chorégraphes du ballet de l’Opéra National du Rhin et les musiciens de l’Orchestre Philharmonique de Strasbourg autour de la Sérénade n°10 « Gran partita » de Mozart. le spectacle ne pouvant se jouer comme prévu à Mulhouse, a fait l’objet d’une captation disponible sur YouTube.

Serenade No. 10 for winds in B-flat major, K. 361 "Gran Partita" Serenade No. 13 for strings in G major, K. 525 "Eine kleine Nachtmusik" Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1260/Mozart%3A_2_Serenades.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

durée : 01:57:33 - En pistes ! du mardi 19 janvier 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : le premier album de l'Ensemble K sous la direction de Simone Menezes ; le 25ème volume de l'intégrale des sonates de Scarlatti par le pianiste Pascal Pascaleff ; la "Gran Partita" de Mozart et le concerto pour harpe d'Alexander Mosolov... - réalisé par : Emmanuel Benito

All 40 works by Mozart at 24 years of age. Over 7 hours(!) of beautiful music by the world's greatest composer. Missa solemnis in C, K 337 Symphony No. 34 in C Major, K 338 Vesperae solennes de confessore in C, K 339 Kyrie in D minor, K 341 O Gottes Lamm, K 343a Als aus Agypten K 343b Zaide, K 344 Thamos, King in Egypt, K 345 Luci care, Lucibelle, notturno, K 346 Wo der per lende Wein im Glase blinkt, K 347 Vamo di core teneramente, K 348 Was frag ich viel, K 349 Wiegenlied, K 350 Komm, liebe zither, komm, K 351 8 Variations in F Major on "Dieu d'amour" by AE Gretry, K. 352 12 Variations in E-flat Major on "Je suis Lindor" by AL Baudron, K 354 Minuet in D, K 355 Adagio in C Major, K 356 Sonata for Piano Duet in G, K 357 Sonata for Piano duet in B-flat, K 358 12 Variations for Piano and Violin in G on "Labersee Celimere", K 359 6 Variations in G minor for Piano and Violin, K 360 Serenade in B-flat for Winds "Gran Partita", K 361 3 Minuets, K 363 Sinfonia concertante, K 364 Concerto for 2 Pianos and Orchestra in E-flat, K 365 Performances by the entire staff, orchestras and opera companies of Classical Music Discoveries. Purchase the music (without talk) at: http://www.classicalsavings.com/store/p678/Mozart_at_24.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Mozart: Serenade in B-flat, K. 361 "Gran Partita" Mozart: Serenade in E-flat, K. 375 Mozart: Serenade in C minor, K. 388 "Nacht Musik" Mozart: Divertimento in B-flat, K. 240 Mozart: Divertimento in E-flat, K. 252 Mozart: Divertimento in F, K. 253 Mozart: Divertimento in B-flat, K. 270 2018 Winter European Tour CMD Paris Philharmonic in Orleans Woodwinds Conducted by Dominique Beaulieu Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p855/Mozart_Wind_Serenades_-_2018_Winter_European_Tour_%28digital_download%29.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

To mark the release of his new album on Orchid Classics, composer and clarinettist Mark Simpson joins the Gramophone podcast to explore its captivating - and interlinked - mixture of old and new repertoire. Opening with a wonderfully textured work by Simpson himself, Geysir, it then continues with Mozart's Gran Partita.

Jon Jacob talks to composer and clarinettist Mark Simpson about a new release on the Orchid Classics label pairing Simpson's Geysir with Mozart's Gran Partita. Full credits via the Orchid Classics website. https://www.orchidclassics.com/releases/orc100150-mark-simpson/

Episode 6, 2020: Dvořák’s Serenade for winds Wednesday 8 July 2020 Antonin Dvořák’s road to success was long and hard. But like many successful composers of his time, his perseverance enabled him to create masterpieces that endured time and space. In December 1877, he travelled to Vienna to meet Johannes Brahms, the first great composer to truly appreciate his work. It was on this trip that he was able to watch a performance of Mozart’s Gran Partita for twelve winds and double bass or contrabassoon. Inspired by what he heard, he began working on his own Serenade for winds the following month, completing it in two weeks. Of this composition, Brahms wrote to his friend, violinist Joseph Joachim, “Take a look at Dvořák's Serenade for wind instruments. I hope you will enjoy it as much as I do... It would be difficult to discover a finer, more refreshing impression of really abundant and charming creative talent. Have it played to you; I feel sure the players will enjoy doing it!" ANAM oboist Noah Rudd can relate to the way Dvořák was able to persevere through the inspiration and encouragement from other artists. Having moved from New Zealand to Australia to attend ANAM, and discovering different aesthetics and depth of sound, Noah is as inspired by being around his fellow ANAM musicians and playing alongside ANAM Artistic Director and internationally acclaimed oboist Nick Deutsch. In this episode of ANAM Radio, Noah chats with Phil Lambert about his experience in performing Dvořák’s Serenade for winds and the prominence of the second oboe in the lower registers of the composition. The performance featured in this episode is from the Homage to Gideon Klein concert at ANAM in 2019. Watch the full recording of the performance at https://www.youtube.com/watch?v=Cy77gUCLFck&feature=youtu.be

durée : 00:12:48 - Disques de légende du lundi 01 juin 2020 - avec des musiciens de l'Orchestre du 18ème siècle, un enregistrement qui a marqué un tournant dans la manière d'interpréter la musique sur instruments anciens, c'était en 1989 ches Philips.

I'm so pleased to introduce my guest today Harpsichordist, Improviser and Conductor, Professor Ewald Demeyere. Professor Demeyere studied at the Royal Conservatoire of Antwerp obtaining his master's degree for harpsichord in Jos van Immerseel's class. On completion of his studies in 1997 he was engaged as a teacher of harmony, counterpoint and fugue by the Royal Conservatoire of Antwerp. In 2002 he succeeded Jos van Immerseel as Professor of Harpsichord and he is also a professor at IMEP in Belgium. A specialist in Early Music, Partimento and counterpoint, he was the winner of the CPE Bach Counterpoint Contest. As a recording artist he has recorded many albums including Tears, Harpsichord Laments of the 17th century, 18th century flemish harpsichord music, Telemann Les nations - Overture & Oboe concertos, Mozart's Gran Partita and many more. ----- 1:11 How old were you, when you started music? 2:22 Did you start piano or harpsichord lessons really young? 3:05 Do you have perfect pitch? 4:00 Does it bother you to keep playing in different frequencies? 5:05 Did you improvise as a child? 7:13 How did the people around you react to your improvisation growing up? 8:59 Did you read CPE Bach's treatise on improvisation? 11:00 How did you learn counterpoint? 12:47 Can you describe how you came to partimento? 15:20 How did you begin to develop your partimento skills? 18:21 Did you use Fenaroli's partimenti? 24:43 Is there information missing in Fenaroli's rules? 28:31 How would you make a study plan for a new, young student in partimento? 31:05 Tackling Fenaroli's partimento Book 1, Number 1 35:18 Playing partimenti in the minor mode 37:43 Does it feel natural after doing it for awhile? 40:49 What's a good way to learn the dissonances? 43:55 How do you learn dissonances in the right hand? 46:05 What are some common mistakes or challenges for new students? 50:22 Can you comment on Fenaroli Book 2 53:14 Did Imbimbo mess up the order of the Fenaroli books? 56:46 Teaching improvisation and your work on Tonal Tools 1:01:00 Upcoming projects in 2020 1:02:07 What kind of non-18th century music do you enjoy? 1:03:05 How would you reform music education for young children 1:05:58 Wrapping Up

This broadcast has been archived to YouTube and is now available at: https://youtu.be/tDEmRTcbza4 All 40 works by Mozart at 24 years of age. Over 7 hours(!) of beautiful music by the world's greatest composer. Missa solemnis in C, K 337 Symphony No. 34 in C Major, K 338 Vesperae solennes de confessore in C, K 339 Kyrie in D minor, K 341 O Gottes Lamm, K 343a Als aus Agypten K 343b Zaide, K 344 Thamos, King in Egypt, K 345 Luci care, Lucibelle, notturno, K 346 Wo der per lende Wein im Glase blinkt, K 347 Vamo di core teneramente, K 348 Was frag ich viel, K 349 Wiegenlied, K 350 Komm, liebe zither, komm, K 351 8 Variations in F Major on "Dieu d'amour" by AE Gretry, K. 352 12 Variations in E-flat Major on "Je suis Lindor" by AL Baudron, K 354 Minuet in D, K 355 Adagio in C Major, K 356 Sonata for Piano Duet in G, K 357 Sonata for Piano duet in B-flat, K 358 12 Variations for Piano and Violin in G on "Labersee Celimere", K 359 6 Variations in G minor for Piano and Violin, K 360 Serenade in B-flat for Winds "Gran Partita", K 361 3 Minuets, K 363 Sinfonia concertante, K 364 Concerto for 2 Pianos and Orchestra in E-flat, K 365 Performances by the entire staff, orchestras and opera companies of Classical Music Discoveries.

GIRD YOUR LITERAL AND PROVERBIAL LOINS PEOPLE, 'CAUSE IT'S TIME TO TALK ABOUT SOME TUBES WITH HOLES IN THEM AND ALSO WIND. AND ALSO KENNY G. Yes you heard me right, in this episode we shoot the woodwindy breeze, and that breeze is FUUUUH-RESH!?! Enjoy!Music Featured in this Episode:"Serenade in B Flat K, 361. "Gran Partita": 3. Adagio" - Wolfgang Amadeus Mozart"Prélude à l'après-midi d'un faune, L.86" - Claude Debussy"Fantasia for Soprano Saxaphone, 3 Horns and String Orchestra: 3. Très Animé" - Heitor Villa-Lobos"Peer Gynt, Op. 23 - Incidental Music: No. 8. In the Hall of the Mountain King" - Edvard Grieg See acast.com/privacy for privacy and opt-out information.

"Gran Partita", das bedeutendste Werk, das für diese Besetzung von acht Bläsern, ergänzt um vier weitere Stimmen und einen obligaten Kontrabass, jemals geschrieben wurde.