Podcasts about lct3

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

Six Characters is currently running at the Claire Tow Theater at Lincoln Center through August 25th. Find out more information at www.lct.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Peter Filichia, Michael Portantiere, and Matt Tamanini discuss “The Butcher Boy” at Irish Rep, “Audrey: The New Musical” at The Player’s Theatre, Sam Gravitte’s “Songs that Raised Me” at Birdland, “Scott Siegel’s 54 Sings Broadway’s Greatest Hits,” “The Nosebleed” at LCT3, “Company” and “Fat Ham” Closing Performances, “Into the Woods” read more The post This Week on Broadway for August 7, 2022: “The Butcher Boy” appeared first on BroadwayRadio.

On this episode, Matt is in conversation with the star of LCT3’s “At the Wedding” and Paramount+’s “Star Trek: Discovery.”  You’re invited to the best day of somebody else’s life. But what if also it’s the worst day of yours? A comedy about a heartbroken lesbian at her ex’s wedding. read more The post Special Episode: Mary Wiseman on the Heart, Hilarity of ‘At the Wedding’ appeared first on BroadwayRadio.

On this episode Ruibo opens up about moving from Shanghai to the US at a young age and subsequently experiencing the first of what would become regular and powerful metaphysical and out-of-body experiences. She explains how a painful shyness led her to acting as a vehicle for making sense of her interior life, and how that need has shifted as the tools and modalities of her spiritual practice have grown. It's a fascinating and very intimate discussion. Ruibo Qian is an actor, writer, tarot reader, and interdisciplinary artist. Her lifelong passion for spiritual evolution and discovery has led her down varied paths and modalities which she incorporates into her tarot and intuitive practice, marrying philosophies from varied schools of metaphysical thought with intuitive knowledge, energy work, astrological influences, and channeled messages. As an actor, Ruibo has performed in venues across the country including LCT3, the Signature Theatre, Berkeley Repertory Theatre, the Huntington Theatre, American Conservatory Theatre, and more. On screen she has been featured in Black Mirror, Manchester by the Sea, Mozart in The Jungle, Broad City, and others. www.thekingprincess.com Follow her! On IG: @thekingprincess On Twitter: @TheKingPrincess   To download your own noises of all kinds, head to: www.mynoise.net   Support reproductive rights by donating to these or the many other worthy organizations working to keep abortion rights accessible to all women:  NARAL Pro-Choice: https://www.prochoiceamerica.org/ Lilith Fund: https://www.lilithfund.org/ Mississippi Reproductive Freedom Fund: https://www.msreprofreedomfund.org/   Follow us! On IG: @art.fully.grounded On FB: @art.fully.grounded On Twitter: @AFGpod Podcast's website: www.sweptbythewind.com/podcast  

NGOZI ANYANWU is a playwright, storyteller, and most recently a 2020 Steinberg Playwright Award winner. Previous productions include Good Grief (Vineyard Theatre in NYC / Center Theatre Group in LA) and The Homecoming Queen (sold-out world premiere run at Atlantic Theater Company). Good Grief was on the Kilroys List 2016 and a semifinalist for the Princess Grace Award, and won the Humanitas Award. The Homecoming Queen was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play Nike… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. Ngozi also has commissions with NYU, The Old Globe, Two Rivers Theatre, Atlantic Theater, and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film, and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego. DANIEL J. WATTS is an NYC-based multidisciplinary artist. For acting, Watts is a 2020 Tony Award nominee and Outer Critics Circle Award winner for his portrayal of Ike Turner in the hit Broadway musical TINA. He has appeared in nine Broadway shows including Hamilton, Memphis, and After Midnight. He received the Barrymore Award (People's Light) and the LA Ovation Award (Geffen Playhouse) for Best Featured Actor for his portrayal of Sammy Davis, Jr. in Lights Out: Nat King Cole opposite Dulé Hill. TV credits include Season 3 of “The Marvelous Mrs. Maisel,” Seasons 1 & 2 of “The Last OG,” “Blindspot,” and “Vinyl.” Off-Broadway he has starred as the title character in Suzan-Lori Parks' Death of the Last Black Man in the Entire World AKA The Negro Book of the Dead (Signature Theatre) and Whorl Inside a Loop (Second Stage Theater). A play-on-words, Daniel J. Watts' The Jam pays homage to Watts' great-grandmother who, after making jam from scratch, would share with others what she was unable to consume herself. The Jam is Watts' continuation of that legacy, blending elements of stand-up comedy and compelling storytelling with his original spoken word, often set to music and/or dance. The Jam: Only Child was a wide success at the 2020 Public Theater Under the Radar Festival and has also streamed as part of the Signature Theater (DC) 2020-2021 season. Inaugural (2020) ANTONYO Award Winner for Best Quarantine Content. His original work and musical collaborations are featured on Raphael Saadiq's newest album “Jimmy Lee,” Tituss Burgess' “Saint Tituss,” Divinity Roxx's “ImPossible,” Nick Blaemire's “Ampersand;” as a contributing artist for Armstrong Now in conjunction with The Louis Armstrong House Museum; and featured in the young adult anthology "How I Resist" edited by The New York Times Best Seller Maureen Johnson for Wednesday Books/Macmillan. His TED talk “To Accomplish Great Things, You Need to Let Paint Dry” appears at go.Ted.com/danieljwatts. Watts is an artist in residence at ASU Gammage and also serves as an adjunct professor of NYU's Tisch New Studio. BFA, Elon University Music Theatre Program. 2021 Commencement SpDaniel J. Watts has appeared in eight Broadway shows including Tina : The Tina Turner Musical, Hamilton, In The Heights and Memphis. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you read Annabelle’s op-ed in the New York Times about being diagnosed with lung cancer, you might be able to infer this year has been a bit much. So why would a friend recommend Annabelle watch the play We’re Gonna Die by Young Jean Lee, in which the playwright talks about her father dying…of lung cancer?With her band, Future Wife, playwright Young Jean Lee takes the stage at Lincoln Center’s LCT3 in a life-affirming show that anyone could perform, about the thing everyone has in common: WE’RE GONNA DIE. You may be miserable, but you won’t be alone.The friend knows Annabelle very wellScience A study from the University of Limerick sheds some light on why sad songs make us happy. In this week’s episode we’ll hear the sad songs that get Laura and Annabelle weepy–in a good way–and a listener tells us why Edelweiss is her go-to sad song. We received lots of responses from listeners on Twitter, and since we don’t have time to squeeze them all into a 15 minute show, we created a Spotify playlist with everyone’s favorites:Tiny Victories Sad Song PlaylistDo YOU have a tiny victory to share?Call the Tiny Victories Hotline: (323) 285-1675We want folks to share their tiny victories on our hotline because, frankly, we’ll assume we’re just talking into the void every week and nothing matters. Prove us wrong. Did you finally do that thing you were putting off? Tiny victory! Reconnect with someone you haven’t been in touch with for ages? Victory! We only ask that you try to keep messages to under a minute so we’re able to play it on the show.If you prefer, you can record a tiny victory on your phone and then email us the audio.Email: TinyVictories@maximumfun.orgHOW TO @ US Twitter@GetTinyPod@LAGurwitch@ImLauraHouse@Swish (producer Laura Swisher)

Award-winning playwright, actor, writer and first-gen badass femme Ngozi Anyanwu (IG: @gozeface) joins Chisara for a Joy+Well Conversation you do not want to miss. Like what you heard in this episode? Leave us a review, rating, or comment. Or visit us on Instagram— @livejoywell — and drop us a note. Thanks for listening!Here's some more about Ngozi Anyanwu (Playwright) Education: University of California, San Diego (MFA in Acting), Point Park University (BA). Acting: The Pittsburgh Public Theatre, The City Theatre, Barrington Stage, Rattlestick Playwrights Theater, and The Mark Taper Forum. Television credits include “Limitless,” “Deadbeat,” “The Affair,” “Law & Order: SVU,” “The Mysteries of Laura,” and “The Deuce.” Good Grief, Victory Is Ours, The Homecoming Queen, and Nike or We Don't Need Another Hero. Film credits include Split and Women Who Kill. Good Grief(kilroys list 2016, semi finalist Princess Grace, Humanitas Award) was produced at Center Theatre Group in Los Angeles in Spring 2017 which Anyanwu also starred in. NIKE(kilroys list 2017) was recently workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. The Homecoming Queen(kilroys list 2017, Leah Ryan Finalist) recently had its  world premiere at The Atlantic theater which also had a sold out run. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, and the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film and Page 73. Anyanwu is developing a pilot with Juvee Productions and Abc Signature. She is also commissioned with NYU, The Old Globe and The Atlantic Theatre.Intro Music:Too Cool by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4534-too-coolLicense: http://creativecommons.org/licenses/by/4.0/

Welcome to the fall 2020 season of SolTalk! In this episode, Sol Project Associate Artistic Director David Mendizábal and Associate Producer Joey Reyes chat with director Lileana Blain-Cruz about some of her most recent projects, being a theatre artist in the time of sheltering-in-place, and what it means to create a safe rehearsal space.  Lileana Blain-Cruz (she/her) is a director from New York City and Miami and was recently announced as resident director at Lincoln Center Theater. She is a recipient of a Lincoln Center Emerging Artist Award and an Obie Award for Marys Seacole at LCT3. Recent projects include Anatomy of a Suicide at The Atlantic Theater Company, Fefu and Her Friends at Theater For a New Audience, Girls at Yale Repertory Theater, Faust at Opera Omaha, and The House That Will Not Stand at New York Theater Workshop.  She was a member of the Lincoln Center Director’s Lab, an Allen Lee Hughes Directing Fellow at Arena Stage, and a Usual Suspect of New York Theater Workshop. She was awarded a 2018 United States Artist Fellowship and the Josephine Abady Award from the League of Professional Theater Women.   She received her BA from Princeton and her MFA in directing from the Yale School of Drama, where she received both the Julian Milton Kaufman Memorial Prize and the Pierre-Andre Salim Prize for her leadership and directing. Upcoming projects include Dreaming Zenzille at St. Louis Repertory Theater and McCarter, and The Listeners, a new opera by Missy Mazzoli which will premiere at Opera Norway and Opera Philadelphia. Learn more at www.lileanablaincruz.com.  David Mendizábal (he/him) is an NYC based director, designer, one of the Producing Artistic Leaders of The Movement Theatre Company, and Associate Artistic Director of The Sol Project. Learn more about David and his work at www.davidmendizabal.com.   Joey Reyes (they/them) is a queer and non-binary grandchild of a Mexican immigrant, born and raised in Southern California with six younger siblings. In addition to being The Sol Project's Associate Producer, they also serve as the Executive Assistant and Line Producer at Long Wharf Theatre in New Haven, CT. Follow them on IG & Twitter at @mxjoeyreyes. Follow us on Facebook at The Sol Project and Instagram and Twitter at @solprojectnyc!

Sarah DeLappe interviewed by Amelia Bethel (SLC21) Karen Loewy Movilla (SLC21) Sarah DeLappe's play The Wolves premiered Off-Broadway at The Playwrights Realm, following an engagement at New York Stage and Film, and development at Clubbed Thumb and Great Plains Theatre Conference. The Wolves received the American Playwriting Foundation's inaugural Relentless Award, and was a finalist for the Susan Smith Blackburn Prize and the Yale Drama Series Prize. DeLappe is the Page One Playwright for The Playwrights Realm and has been a resident artist at the Sitka Fellows Program and SPACE on Ryder Farm. Past affiliations: Clubbed Thumb's Early Career Writers' Group, New Georges Audrey Residency. Current: Ars Nova's Play Group, Resident Playwright at LCT3. MFA in process at Brooklyn College.

Adam Szymkowicz, playwright, stopped by to talk with Padraic at the SETC. Adam's work has been presented or developed at such places as Portland Center Stage, MCC Theater, Ars Nova, South Coast Rep, Playwrights Horizons, LCT3, LAByrinth Theater Company, The Lark, Rattlestick Playwrights Theater, Primary Stages and The New Group, among others. Published plays include Deflowering Waldo, Pretty Theft, Food For Fish, Hearts Like Fists, Incendiary, Clown Bar, The Why Overhead, Adventures of Super Margaret, 7 Ways To Say I Love You, Rare Birds, Marian Or The True Tale of Robin Hood, Kodachrome, Mercy and Nerve. His plays are published by Dramatists Play Service, Samuel French, Playscripts, Broadway Play Publishing, Original Works Publishing, and featured in New York Theatre Review, the Dionysian, NYTE's Cino Nights, Geek Theater, and numerous Smith and Kraus books. He's the Playwrights Program Manager at The Juilliard School. Adam has interviewed over 1000 playwrights on his blog.

  Aurin, David, and Diep share what they’re excited about for July, 2019, including (when available) how to get discounted tickets. Introductions (0:00) In The Green (0:41) presnted by LCT3 at the Claire Tow Theater Promenade (4:50) presented by Encores! Off-Center at New York City Center The Hot! Festival at[...]

CARRY THE ZERO "gets the awkwardness of teenage hookup culture squeamishly right" (NY Times).  Mark and Nicole just had sex for the first time, and now they're facing the long, embarrassing drive back to Nicole's house. Directed by John Giampietro, Christopher Sullivan's short play stars David Gelles (Graceland at LCT3, NBC's "Deception") and Arielle Goldman ("The Knick," "The Marvelous Ms. Maisel") in an intimate and brutally funny look back at sexual awakening in the age of instant messenger and indie rock.  This episode contains adult themes that may not be suitable for some younger listeners. 

New month, new shows! Aurin, Ben, and Lindsay discuss what we’re looking forward to at the theater this month and the controversy surrounding The Flea’s resident acting program known as The Bats. Syncing Inc by NSangou Njikam at The Flea (1:08) After The Blast by Zoe Kazan at LCT3 (17:42) Animal Wisdom[...]

Liz, Jose, and Lindsay discuss five new productions beyond Broadway in New York City: Say Something Bunny! by Alison S.M. Kobayashi at UNDO Project Space (00:36) Ghost Light by Zach Morris from Third Rail Projects at LCT3 (08:53) Sweetee by Gail Kriegel at Ford Foundation Studio Theatre at the Pershing Square Signature[...]

Diep, David, and Lindsay discuss and dissect the latest in NYC theater. But first, a big thank you for Liz Richards for creating these gorgeous and hilarious pieces of Maxamoo swag. Get your favorite Maxamooism at our store. We discuss:  War by Branden Jacobs-Jenkins at LCT3 (2:28) The Taming of[...]

The playwright Ayad Akhtar won the Pulitzer Prize last year for his breakthrough play Disgraced, about the clash between traditional Islamic beliefs and contemporary American culture. He returns to similar themes in his new play The Who & the What, which is being presented by Lincoln Center Theater as part of its LCT3 series at the Claire Tow Theater. New York Times theater critic Charles Isherwood offers up his review of the play, which follows the conflicts that erupt in a Pakistani-American family living in Atlanta.

The task of getting your child into the best possible preschool is a gauntlet run by a particular stratum of Manhattan parent. Daniel Pearle’s new play A Kid Like Jake, examines that famously difficult process with a dramatic twist or two. Directed by Evan Cabnet and starring Carla Gugino and Peter Grosz as Jake’s parents (the child is unseen in the play), A Kid Like Jake closes the season at Lincoln Center Theater’s LCT3 program, which is dedicated to developing both new artists and new audiences for New York theater.  New York Times theater critic Charles Isherwood lets us know a little more about Jake’s parents, the actors who play them, and the lessons offered to the audiences who see the show, which runs through July 14 at the Clair Tow Theater at Lincoln Center.