Broad Street Review, The Podcast

Today on the podcast:Director, Amina Robinson drops in to talk about the Interact Theatre Company production in collaboration with Theatre In The X of ON MY DEEN by Antu Yacob, commissioned as part of The Philly Cycle, on stage through June 28th. Here is my interview with Amina Robinson for ON MY DEEN.ON MY DEENby Antu Yacob directed by Amina Robinson (Fat Ham, Once On This Island, Intimate Apparel, The Color Purple)June 6-28, 2025 World premiere, commissioned as part of The Philly Cycle (A new three-part play commission project. Sponsored by THE WILLIAM PENN FOUNDATION)ON MY DEEN was written about and with Philadelphia's Black Muslim Community.West Philly. Spring 1962. Faye Ann has just joined the Nation of Islam, setting her life on a whole new path. Her best friend, Michael, would like to be a lot more than friends, but the two can't seem to agree on religion, politics, or even what makes a good pie. Over the passing decades, personal circumstances and cultural upheavals bring Faye Ann and Michael together as much as they keep them apart. Can these would-be lovers find each other while seeking their own paths to peace?In this engaging podcast episode, host Darnelle Radford speaks with director Amina Robinson about her journey in theater and the world premiere of 'On My Dean.' They explore the themes of the play, which serves as a love letter to Islam, and discuss the importance of authenticity and cultural sensitivity in theater production. Amina shares her personal connection to the story, rooted in her father's experiences, and highlights the dynamic nature of the creative process in theater. In this conversation, Amina Robinson and Darnelle Radford discuss the intricacies of staging a new play that explores Muslim identity and community. They delve into the importance of cultural sensitivity in storytelling, the evolution of the play, the dynamics of the cast, and the challenges faced during the production process. Amina shares her personal connections to the themes of faith and representation, highlighting the significance of portraying authentic narratives in theater. The conversation culminates in an invitation for audiences to experience the play, emphasizing its unique storytelling and cultural relevance.Chapters* 00:00 Introduction to Amina Robinson and On My Dean* 09:03 Exploring the Themes of On My Dean* 12:04 The Writer's Journey and Authentic Representation* 14:58 Cultural Sensitivity in Theater Production* 17:08 Cultural Sensitivity in Storytelling* 18:44 The Evolution of the Play* 20:09 Cast Dynamics and Community Representation* 21:52 Challenges of Last-Minute Casting* 24:21 Personal Connections to Faith* 25:36 The Importance of Faith in Daily Life* 27:27 Representation in Media* 29:00 Memorable Moments in the Play* 31:32 The Structure of the Play* 33:34 The Significance of New Plays* 34:54 Invitation to Experience the PlayFOR TICKETS AND INFORMATION: https://interacttheatre.org and https://theatreinthex.com

Today on the podcast:Co-Director Steve Pacek stop say to talk about the Arden Theatre Company musical production of RENT, by Jonathan Larson. Here is my interview with Steve Pacek for Arden's production of RENT.ABOUT RENTAt the end of the millennium, a group of bohemians in the East Village struggle with love, loss, and gentrification amidst the AIDS crisis. In this exciting new production, Jonathan Larson's Tony Award™ and Pulitzer Prize-winning musical will transform the Haas Stage and shake the rafters with the iconic chords of “Seasons of Love,” “I'll Cover You, ” and the thrilling, soaring score that is RENT!FOR TICKETS AND INFORMATION: https://ardentheatre.org

In this episode, host Darnelle Radford speaks with Ross Beschler about the Wilma Theater's final production of the season, A Summer Day, written by Jan Fosse. They discuss the unique Hothouse ensemble experience, the themes of love, loss, and memory in the play, and the challenges of communication and language in expressing deep emotions. The conversation highlights the importance of ensemble work and the artistic journey of the Hothouse members. In this conversation, Ross Beschler and Darnelle Radford explore the themes of language, memory, identity, and the dynamics of relationships through the lens of the play 'A Summer Day' by Jan Fossa. They discuss how exaggeration in language can shape perceptions, the role of characters in navigating crises, and the importance of introspection versus action in understanding oneself and others. The conversation delves into the complexities of memory and how it influences identity, as well as the societal challenges of understanding and miscommunication. Ultimately, they reflect on the human experience and the significance of connection in the face of life's uncertainties.A SUMMER DAYBY JON FOSSETRANSLATED BY SARAH CAMERON SUNDEDIRECTED BY YURY URNOVJune 10–29, 2025Experience the haunting beauty of Norwegian playwright Jon Fosse's A Summer Day, directed by inventive Co-Artistic Director Yury Urnov (Mr. Burns, Minor Character, 12th Night) in a production that delves into the depths of human connection, memory, and existential longing. Is there one day in your past you keep replaying again and again? When do we start spending more time in the past than in the present? Through Fosse's poetic language and Urnov's innovative direction and immersive visual design, audiences are transported into an epic and intimate world where past and present intertwine, inviting reflection on the fleeting nature of time and the eternal search for meaning. Often referred to as a modern-day Ibsen, Fosse won a Nobel Prize in Literature in 2023 – one of the few playwrights to ever receive that honor – and is rarely produced in the United States.Chapters00:00 Introduction to the Wilma Theater and A Summer Day02:40 The Hothouse Experience and Ensemble Work11:30 Exploring the Play: A Summer Day17:24 Themes of Love, Loss, and Memory20:30 Language and Communication in A Summer Day24:30 The Power of Language and Exaggeration26:41 Character Dynamics and Intrusions29:58 Memory and Identity in Relationships32:00 Understanding and Misunderstanding in Society36:45 Introspection vs. Action39:32 Replaying Moments and Learning from the Past44:53 The Essence of A Summer DayFOR TICKETS AND INFORMATION: https://wilmatheater.org/event/asummerday/

In this engaging conversation, host Darnelle Radford speaks with playwright R. Eric Thomas and director Ontaria Kim Wilson about the regional premiere of 'Glitter in the Glass.' They explore themes of identity, community, and the cultural significance of their work, while reflecting on personal journeys and the importance of storytelling in the Black experience. The discussion also touches on the contrasts within Baltimore and Philadelphia, the impact of generational wisdom, and the ongoing quest for belonging and understanding in a complex world. In this conversation, R. Eric Thomas, Ontaria Kim Wilson and Darnelle Radford explore the significance of monuments, symbols, and storytelling in relation to African American history and culture. They discuss the relevance of historical monuments today, the impact of the National Museum of African American History and Culture, and the importance of empathy in understanding the past. The dialogue also touches on the role of art in reflecting identity and the necessity of continuing to tell stories that resonate with the community.Chapters00:00 Introduction to Glitter in the Glass02:59 The Journey of Ontario Wilson05:59 Eric Thomas: The Playwright's Perspective09:01 Exploring Identity Through Names12:02 Thematic Depth of Glitter in the Glass14:55 Cultural Reflections and Black Utopias17:51 Baltimore: A City of Contrasts21:06 Community and History in Black Spaces24:05 Generational Wisdom and Fear27:01 Conclusion and Future Aspirations29:32 Symbols and Their Meanings32:50 The Impact of the National Museum of African American History35:44 The Importance of Storytelling40:41 Art as a Reflection of Identity44:37 Confronting the Past51:11 The Role of Empathy in Understanding History54:57 The Call to Action for Art and CommunityWritten by R. Eric ThomasMay 29, 2025 — June 22, 2025Directed By: Ontaria Kim WilsonOpening Night: June 5, 2025Theatre Exile, 1340 S. 13th Street, Philadelphia, PA 19147120 minutes including 10 minute intermission THIS SHOW CONTAINS THE USE OF THEATRICAL FOG Chelle, a Black mid-career artist, has written a check that she's not sure her talent can cash. When the city of Baltimore takes down the Confederate monument in the park across the street from her childhood home, she has an idea. She'll apply for a grant to create a piece to replace it. Caught between the past, the present, and the future, Chelle, portrayed by Jennifer Kidwell, is catapulted into a journey that takes her back before the Middle Passage and out beyond the bounds of this planet. “Wildly funny and thought-provoking” (CTX Life Theatre), Glitter in the Glass by multi-award winning playwright, R. Eric Thomas, is about liminal spaces, and a world on the cusp of exploding. FOR TICKETS AND INFORMATION: https://theatreexile.org

In this podcast episode, host Darnelle Radford engages with the director and cast of Inis Nua Theatre Company's production of 'Square Go.' They discuss the play's premise, themes of adolescence, audience engagement, and the rehearsal process. The conversation highlights the importance of vulnerability in performance and the unique dialect work that brings authenticity to the characters. The episode concludes with reflections on the impact of the play on both the cast and the audience, emphasizing the shared experience of theater.Chapters00:00 Introduction to Square Go01:22 Exploring the Premise of the Play03:41 Thematic Depth and Character Exploration10:30 Audience Engagement and Immersive Experience15:49 Reflecting on Adolescence and Vulnerability19:32 Rehearsal Dynamics and Creative Collaboration23:32 Dialect Work and Authenticity29:45 Takeaways and Audience ImpactBy: Kieran Hurley and Gary McNairDirected By: Kathryn MacMillanMAX - Owen CoreySTEVIE - Tyler ElliotBeing a smart arse in class has put daydreamer Max in the crosshairs of the school bully–he's been challenged to his first ‘square go,' or after-school fight. But while hiding out in the school bathrooms with his best mate, Stevie, it's his own demons he must wrestle with first. This high-octane coming of age comedy builds to an emotional conclusion about masculinity, friendship, and fathers and sons.Our all-new Philadelphia premiere follows smash-hit, sold-out runs at the Edinburgh Fringe and across the world. From ScotlandFOR TICKETS AND INFORMATION: https://inisnuatheatre.org/show/square-go

EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.

Chapters00:00 Introduction to Obvious Agency and Space Opera10:56 The Development Journey of Space Opera19:58 Understanding Space Opera: Concept and Gameplay30:12 Audience Engagement and Accessibility in Space OperaSpace Opera is an innovative and radical combination of tabletop roleplaying games, democratic organizing practice, and theatrical spectacle, testing your very ability to work together in order to thwart existential consequences. Planets revolt, wonders appear, governments crumble, and you roll the dice. The fate of the universe hangs in the balance!June 14th, 21st, and 28th of 2025 pull up a seat and see how, in adrienne marie brown's words, "science fiction is simply a way to practice the future together."Director - Cat RamirezStage Manager- Kel FlemingGame Designers- John Bezark, Ari Gass, Daniel Park, Dain SaintPerformer/Facilitators- Joseph Ahmed, Matthew Armstead, KC Legacion, Sulu LeoNimm, Anthony Martinez-Briggs, Jackie Soro, Sam RiseProduction Designers- doug greene, Harbour Edney, Evelyn Langley, Taj Rauch, Dain SaintHospitality and Care Coordinators- Karen Orrick, Vanessa Ogbuehi, Uriah BusseyCommunity Partnerships Manager- Marisol Rosa-ShapiroCircles Administrator- Evelyn LangleyABOUT OBVIOUS AGENCYObvious Agency creates interactive, experiential art that ranges from the personal, to the institutional, to the ridiculous. Blending theatrical and digital arts, we create spaces where participants can co-create their own experiences through first-hand exploration of the worlds we create. Always serious, always silly, we believe that by helping create and define culture, we can create systemic and interpersonal change.FOR MORE INFORMATION:https://obvious-agency.com

In this engaging conversation, Darnelle Radford and Susan Chase explore the themes of motherhood, artistic expression, and the challenges of self-producing theatre. Susan shares her personal journey through cancer and how it inspired her work, including her latest play, Mother's Day. They discuss the importance of music in theatre, the fear of performing in New York, and the significance of audience engagement. The conversation also touches on the realities of procrastination in the creative process and the unexpected journey to acceptance in the United Solo Festival. In this conversation, Darnelle Radford and Susan Chase discuss the intricacies of creating and presenting the play 'Mother's Day,' reflecting on the supportive environment of theater festivals, the emotional journey of writing the play after the loss of Chase's mother, and the importance of audience engagement through visual storytelling. They explore the historical significance of Mother's Day, the impact of COVID-19 on artistic expression, and the deep connections that can be fostered through shared experiences in theater.Chapters00:00 Introduction to Mother's Day and Artistic Journey03:00 Susan's Undoing: A Personal Journey Through Cancer06:00 The Role of Music in Theatrical Productions09:00 Performing in New York: Overcoming Fear and Finding Community11:58 Audience Engagement and Relatability in Performance14:56 The Challenges of Self-Producing Theatre17:58 Procrastination and the Creative Process20:47 Unexpected Acceptance: A Journey to the United Solo Festival23:00 Festival Experience and Artist Support25:05 Reflections on Artistic Changes28:06 Engaging the Audience with Visuals30:02 Historical Context of Mother's Day33:56 Thematic Depth of the Play39:01 The Impact of COVID on Creativity40:54 A Call to Action for AudiencesABOUT MOTHER'S DAY - A Theatrical Homage To The Women Who Made UsMother's Day is both a memoir of one mother, and an homage to ALL mothers. Veering from sentimental to skeptical, from harrowing to hilarious, Mother's Day celebrates the women who made us. It is especially dedicated to those mothers who are no longer with us, except in our memories and our dreams."Mother's Day is ultimately passionate and illuminating, inspiring viewers to revisit their own relationships with their mothers." (Lehigh Valley Stage 4/9/25)FOR MORE INFORMATION: https://www.theatreexile.org/renters-in-exile/susan-chase

In this episode, Darnelle Radford interviews Deb Block, the producing artistic director of Theater Exile, discussing the current season's productions, community engagement, and the importance of the arts. They reflect on the success of the play 'Red', the innovative 'Philly Grit' series, and upcoming events like 'Exile a Go Go' and the final show 'Glitter in the Glass'. Deb emphasizes the need for collaboration within the arts community and the significance of bringing new audiences to theater.Chapters00:00 Introduction to Theater Exile and Season Overview01:13 Exploring the Production of 'Red'06:59 Highlighting 'Philly Grit' and Community Engagement11:36 The Importance of Collaboration in the Arts16:10 Upcoming Events: Exile a Go Go22:14 Final Show of the Season: 'Glitter in the Glass'27:22 Navigating Challenges in the Arts CommunityThank you to our guest(s), Deborah Block for joining us on today's podcast. TICKET GIVEAWAY!THEATRE EXILE has provided a pair tickets to their next event GLITTER IN THE GLASS. If you would like a chance to win, visit our website and join our mailing list by MAY 15, it's that simple. On MAY 16th, we will announce the winner on social media. The Broad Street Review Podcast is An Em3ry Production. If you would like to be a guest on the podcast, visit us online at em3ry.com Get involved with Broad Street Review. Head on over to our website at www.broadstreetreview.com to find out how. While you're there, help keep us running and click “Donate” at the top. There, you can also find our social media links. Thank you for your part in keeping the conversation going.

In this engaging podcast episode, host Darnelle Radford speaks with Deanna Wright, an actress involved in the Quintessence Theater's production of Reckless Romance, featuring Midsummer Night's Dream and Antony and Cleopatra. Deanna shares her journey from Florida to Philadelphia, her experiences in the theater, and her reflections on playing the iconic roles of Cleopatra and Oberon. The conversation delves into the challenges and joys of acting, the significance of gender roles in Shakespeare's works, and the personal growth that comes from embodying such powerful characters. In this conversation, DeAnna S. Wright discusses her experiences portraying iconic characters Oberon and Cleopatra, reflecting on the creative process, the importance of costume design, and the power of theatricality. She shares insights on personal growth, audience engagement, and the limitless possibilities that come with embracing one's artistic journey.Chapters* 00:00 Introduction to Reckless Romance* 03:03 Deanna Wright: A Journey to Philadelphia* 05:56 The Road to Reckless Romance* 09:11 Exploring the Characters: Cleopatra and Oberon* 12:01 The Impact of Gender Roles in Shakespeare* 15:09 Creating Oberon: A Personal Journey* 19:50 The Gift of Performance* 22:15 Costume Design and Character Embodiment* 25:40 The Power of Theatricality* 28:45 Engaging the Audience* 30:15 Reflections on Personal Growth* 34:30 Embracing Limitless PossibilitiesFOR MORE INFORMATION: https://quintessencetheatre.org Thank you to our guest(s), DeAnna Wright for joining us on today's podcast. The Broad Street Review Podcast is An Em3ry Production. If you would like to be a guest on the podcast, visit us online at em3ry.com Get involved with Broad Street Review. Head on over to our website at www.broadstreetreview.com and click “Get involved” at the top. While you're there, help keep us running and click “Donate” to find out how. There, you can find our social media links. Thank you for your part in keeping the conversation going.

Today on the podcast:We continue our annual coverage of the Philadelphia Volunteer Lawyers for the Arts and the 2025 The Arts Affair, May 15th at REC Philly. Here is my interview with members of the PVLA for The Arts Affair.In this episode, host Darnelle Radford engages with representatives from the Philadelphia Volunteer Lawyers for the Arts (PVLA) to discuss the upcoming Arts Affair, a significant fundraising event for the organization. The conversation covers the PVLA's recent developments, the challenges faced by artists in the current political climate, and the importance of supporting the arts community. The guests share insights on the evolving landscape for artists, the unique entertainment planned for the Arts Affair, and the organization's commitment to recognizing contributions within the arts community. Listeners are encouraged to engage with PVLA and support emerging artists through attendance and donations.Chapters00:00 Introduction to the Arts Affair02:12 Year in Review: PVLA's Progress and Challenges04:42 Navigating the Current Political Climate09:03 The Evolving Landscape for Artists14:09 The Excitement of the Arts Affair15:01 New Venue and Entertainment Highlights18:25 Curating a Unique Experience21:53 Recognizing Contributions: Awards and Acknowledgments25:01 Engagement Opportunities with PVLA30:00 The Importance of Supporting Emerging ArtistsThank you to our guest(s), THE PHILADELPHIA VOLUNTEER LAWYERS FOR THE ARTS for joining us on today's podcast. TICKET GIVEAWAY!THE PVLA has provided a pair tickets to their next event The Arts Affair. If you would like a chance to win, visit our website em3ry.com and join our mailing list by May 1st, it's that simple. On May 2nd, we will announce the winner on social media. The Broad Street Review Podcast is An Em3ry Production. If you would like to be a guest on the podcast, visit us online at em3ry.com Get involved with Broad Street Review. Head on over to our website at www.broadstreetreview.com to find out how. While you're there, help keep us running and click “Donate” at the top. There, you can also find our social media links. Thank you for your part in keeping the conversation going.

Chapters00:00 Introduction to Philly Theatre Week03:01 The Process of Organizing Theatre Week06:00 Participation Trends in Theatre Week09:08 Kickoff Celebration Details11:57 Diverse Offerings in Theatre Week15:11 Workshops and Community Engagement18:01 Memorization Skills and Their Importance22:22 Exploring Philly Theater Week24:17 Highlighting Exciting Events and Shows27:49 Remounts and Fundraisers in Focus30:26 Innovative Productions and New Musicals32:44 Family-Friendly and Community-Oriented Shows35:11 Theater Philadelphia's Ongoing Initiatives39:11 Supporting the Arts and Community EngagementFOR MORE INFORMATION: www.PhillyTheatreWeek.com

In this engaging conversation, Darnelle Radford speaks with John Jarboe, the artistic director of Bearded Ladies Cabaret, about their innovative show 'Beards on Ice.' The discussion explores the origins of the show, its focus on climate justice, and the importance of family-friendly programming. John shares insights into the creative process, the role of humor in addressing serious topics, and the significance of community engagement in climate activism. The conversation highlights the joy and absurdity of the performance, emphasizing the need for collective action and the power of art to inspire hope.What's more impossible: solving the climate crisis or teaching drag queens to ice skate?Watch us do BOTH in Beards On Ice! This hour-long icecapade comes in two dazzling variations: fun for the whole family and PG13 (a little more edge). Featuring resources from Philly's climate justice organizations and a free skate after the show, it's sure to be a “fracking” good time.Produced by The Bearded Ladies Cabaret | In partnership with Philadelphia Parks & Recreation DepartmentMarch 15 & 16, 2025 at Tarken Ice Rink March 22 & 23, 2025 at Laura Sims Skate HouseFOR MORE INFORMATION:https://beardedladiescabaret.com/

Nora: A Doll's House follows Nora, the perfect wife and mother. She is dutiful and beautiful and always has everything in its proper place. But when a secret from her past comes back to haunt her, Nora's life quickly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything.Smith's adaptation takes place in distinct time periods across 100 years of history, highlighting how women's struggles for independence have evolved but remain connected. Each version of Nora faces challenges within her marriage and personal life, confronting the limits imposed by the societal norms in each of the three eras. The overlapping narratives reveal the parallels and contrasts between our collective past and present, illustrating the complex nature of a woman's freedom and choice. As the story unfolds, the audience witnesses how Nora navigates love, power, and identity in her quest for self-discovery and autonomy.Following a recent run in the Broadway production of Susan Stroman's New York, New York, regional actor Angel Sigala (they/he) makes their Hedgerow debut playing Daniel, a family friend of Nora and her husband Thomas.FOR TICKETS AND INFORMATION:https://www.hedgerowtheatre.orgABOUT ANGEL SIGALABorn and raised in Mexico City, Mexico until coming to the United States at age 11, Angel has always had the itch to be a performing artist with his biggest dream to perform on Broadway.Angel always wanted to follow in his father's footsteps (who also shares a love for dance) and began dancing at the age of 6. With training in various dance styles including latin, Mexican folklore, jazz, tap, and ballet, dance has always been one of Angel's first loves. He has performed as a dancer for Grammy and 5-time Latin Grammy winning artist Lila Downs, as well as dancing in the Philadelphia Mexican Independence Day Festival, among various other dance performances. Angel began singing at age 12 in his middle school choir. His love for singing and musicals both blossomed at that age, and Angel continued to perform with theatre camps and school musicals. In 2018, Angel graduated from Temple University's Musical Theatre and Acting programs, and has been professionally performing, choreographing, and teaching since graduation. Angel has worked at various regional theatres including Arden Theatre Company, People's Light, Theatre Exile, and InterAct Theatre Company.FOR MORE ABOUT ANGEL SIGALAhttps://www.angelsigala.com

A ground-breaking ninety-minute new musical, Night Side Songs explores the intimacy of illness, mortality, and the incredible dignity of caregivers through the story of Yasmine Holly, a fictional character informed by interviews with real doctors, hospital staff, and patients, many from right here in Philadelphia. Night Side Songs is a musical convergence which reflects and celebrates Philly's “eds and meds” community with humor, grace, and profound empathy. The production will tour local hospitals, community centers, and places of worship for two weeks before its run at the Suzanne Roberts Theatre. Directed by Artistic Director Taibi Magar. Night Side Songs is supported by The Pew Center for Arts & Heritage.Taibi Magar is an Artistic Director of Philadelphia Theatre Company. As a freelance director, her most recent credits are We Live in Cairo (A.R.T. world premiere, upcoming at New York Theatre Workshop), The Half-God of Rainfall (New York Theatre Workshop and A.R.T.), Macbeth in Stride (co-direction with Tyler Dobrowsky), Help (The Shed), and Twilight: Los Angeles, 1992 (Signature Theatre and A.R.T., Lortel Award Best Revival). Other New York credits include Capsule by Whitney White and Peter Mark Kendall (Under the Radar Festival/The Public Theater, co-directed with Tyler Dobrowsky), Blue Ridge starring Marin Ireland and The Great Leap starring BD Wong (Atlantic Theater Company); Is God Is (Soho Rep, 2018 Obie Award;) Master (The Foundry); and Underground Railroad Game (Ars Nova, Obie Award). Regional: CTG, Woolly Mammoth Theatre, Shakespeare Theatre, Alley Theatre, The Guthrie Theater, and Seattle Repertory Theatre, among others. International: Hamburg Festival, Edinburgh Festival, Malthouse Theatre (Melbourne), and Soho Theatre (London). MFA: Brown University.Daniel and Patrick Lazour are brothers and music theater writers. Projects in development include a musical adaptation of Ritesh Batra's film The Lunchbox (Lincoln Center Theater) and their show with communal singing, Night Side Songs (Under the Radar, A.R.T./PTC co-production). They wrote original music for Caroline Lindy's debut feature Your Monster (Sundance 2024) and their movie musical Challenger: An American Dream is being developed with Bruce Cohen Productions and Spark Features. Their original musical We Live in Cairo makes its off-Broadway premiere this Fall at New York Theater Workshop after a world premiere at the American Repertory Theater in 2019, directed by Taibi Magar. Original songs by the Lazours can be heard on their independently released albums: Freres, Flap My Wings (Songs from We Live in Cairo), Beth's Homemade Cowboy Breakfast and Lullabies. They are Jonathan Larson Grant and Richard Rodgers Award recipients, MacDowell and Yaddo Fellows, and New York Theater Workshop Usual Suspects. They have worked with Noor Theatre Company, Ars Nova and PAC NYC, and are proud teaching artists. Patrick holds a B.A. from Boston College and Daniel holds a B.A. from Columbia University. @frereslazourFOR MORE INFORMATION: https://philadelphiatheatrecompany.org/night-side-songs/

THE HALF-GOD OF RAINFALLBY INUA ELLAMSDIRECTED BY LINDSAY SMILINGFebruary 11 – March 2, 2025Nigerian-born British poet and playwright Inua Ellams blends Yoruba and Greek mythologies into an incredible story of a demigod-turned-NBA superstar in The Half-God of Rainfall. The epic poem follows a half-Nigerian mortal, half-Greek God named Demi, who possesses extraordinary powers yet is burdened by the expectations of his lineage. Demi's powers grow as he leaves his West Nigerian village for the bright lights of the NBA, where he emerges as an all-world talent driven by passion, power, and destiny. Under the directorial vision of Wilma Co-Artistic Director Lindsay Smiling, (recently seen on stage in Fat Ham and My Mama and the Full-Scale Invasion) The Half-God of Rainfall features the HotHouse Acting Company and explores the intersection of patriarchy, imperialism, and American basketball.Suli Holum (she/her) received a Helen Hayes nomination for her role in The Wilma's My Mama and the Full Scale Invasion (co-produced with DC's Woolly Mammoth Theatre Co). Co-Founder Pig Iron Theatre Company and Stein | Holum Projects (SHP). Awards: Drama Desk Award, TCG/Fox Resident Actor Fellowship, Barrymore Award, Independence Fellowship, NEFA Touring Grant. Solo performance: Chimera and The Wholehearted (SHP) presented by FringeArts, HERE/Under the Radar, La Jolla Playhouse, Center Theatre Group (LA), Z Space and The Gate (London). In development: The Woman Question, Pew supported commission for Peoples' Light with HotHouse member Melanye Finister. Wilma: Romeo and Juliet, Dance Nation, Minor Character, Cherry Orchard, Twelfth Night. Off-Broadway: Hot and Throbbing (Signature Theater); Regional: Born Yesterday (Arena Stage); International: A Doll's House (FringeArts/Oslo Opera House); TV/Film: Baby Grief, The Fourth Wall, Ghostlight, Law & Order SVU, Mare of Easttown. FOR TICKETS AND INFORMATION: https://wilmatheater.org/event/thehalfgodofrainfall/

Camden Rep introduces girls of color between the ages of 14 and 18 to behind-the-scenes careers in theater and film with the company's first Hammer and Nails Conference on Monday, Feb. 3 at Creative Arts High School, located on the campus of Camden High. Bringing together industry professionals and mentors with young, future creatives for a day of inspiration, learning and empowerment, the conference aims to create a career pipeline to the design, technical and production sides of theater and film. The three-pronged event will include a panel discussion featuring industry professionals Toni Barton (production designer for film and TV), Pamela Hobson (tour manager and lighting designer), Kathy A. Perkins (lighting designer and professor emerita of Africa/African Diaspora theater) and Marci Rodgers (award-winning costume designer); a 45-minute hands-on session during which attendees can gain practical experience in key areas of the design and production process; and a Meet-and-Greet Lunch, offering the girls a unique opportunity to connect with the panelists and mentors, gaining inspiration and guidance for their own creative paths. WHEN: Monday, Feb. 3 from 10 a.m. to 2 p.m. WHERE: Creative Arts High School on the campus of Camden High 1700 Park Boulevard, Camden, NJ 08103 MORE TICKETS AND INFORMATION:https://www.eventbrite.com/e/hammer-and-nails-tickets-1138645131239 camdenrep.com (856) 438-8430

What everyone agreed on: Two cars collided. One, driven by a Hasidic Jew, veered off the road and critically injured two Black children, one of whom ultimately died. A crowd formed. Police arrived.What no one agreed on: Anything else.In the summer of 1991, Crown Heights, NY exploded into three days of violence fed by rumors and competing narratives formed from incomplete facts. In the chaos, some saw anti-Black police bias. Others saw violent anti-Semitism. But playwright Anna Deavere Smith heard the honest voices of a divided national narrative. Join us for this remarkable play that features the real words of more than 20 people, interviewed immediately after the events, speaking honestly, the way we do in private. Let's listen.Run time: 2 hours, plus a 15-minute intermissionContent Warning: Fires In The Mirror catalogs reflections of the Crown Heights Riots, a racially-charged conflict that engulfed the New York neighborhood in 1991. This play contains strong language and references to racism, slavery, lynching, antisemitism, sexual violence, and the Holocaust.Phyllis Johnson (all roles) works in Theater, Film, TV, & Voice Over. Nominated for two NY Innovative Theatre Awards, Phyllis understudied A Naked Girl on the Appian Way/Doug Hughes, Director (Broadway). Recent TV projects include Zero Day (Netflix) starring Robert DeNiro, Equalizer (NBC), Uncoupled (Netflix), Law & Order: Season 22 (NBC), Blue Bloods (CBS), and Pose (FX). Phyllis is a voice actor and has leant her voice to 400+ film/TV episodes including Oscar winners and favorites such as Black Swan, American Gangster, and The Devil Wears Prada. She executive produced the award-winning film I'm Through with White Girls. Phyllis is a graduate of the David Geffen Yale School of Drama where she won the Fox Family Foundation Grant and The Oliver Thorndike Prize. FOR TICKETS AND INFORMATION: https://brtstage.org/shows/fires-in-the-mirror/

This conversation explores the reworking of Mae West's play 'The Drag' by a collaborative team of playwrights and directors. They discuss the origins of the play, the process of adapting it for contemporary audiences, and the importance of incorporating diverse voices and experiences in the rehearsal room. The conversation also highlights the role of choreography and movement in the production, the star-studded cast, and the audience's expected experience. The participants reflect on the political implications of the play and the importance of fostering conversations about queer identity and history.About EgoPo's 2024-25 Queer RevolutionsEgoPo's 2024-2025 season celebrates some of the century's most influential Queer plays and theater artists that have had a lasting impact on our culture. EgoPo's first mainstage production is a new version of The Drag by Mae West, directed by Rebecca Wright, devised and developed with AZ Espinoza and Thomas Choinacky. EgoPo's next mainstage production will be Turds in Hell by the Ridiculous Theatrical Company's Charles Ludlam and Bill Vehr, directed by Dane Eissler. The Drag will open on January 31, 2025 with Turds in Hell opening on April 11, 2025. We end the season celebrating the queer nightlife community with Philly is Burning: A Pride Gala. June 8th, enjoy an exquisite chinese banquet by the fabulous Jane Guo, a silent auction and performances from top Philly drag, ballroom and burlesque performers.TakeawaysMae West wrote 'The Drag' in response to negative portrayals of gay people in other plays.The collaborative process involved discussions about contemporary queer experiences.The rehearsal room is a space for diverse voices and feedback.Choreography plays a crucial role in expressing queerness in the production.The production aims to create a party-like atmosphere for the audience.The cast is composed of talented queer and trans individuals.The play engages with both historical and contemporary queer narratives.The production seeks to inspire empathy and understanding in the audience.The design elements will evoke a vibrant and colorful aesthetic.The conversation around the play includes reflections on politics and identity. Chapters00:00 The Origins of Mae West's 'The Drag'06:02 The Ensemble Experience: Voices in the Room11:57 Visual and Thematic Elements of the Production18:03 Audience Expectations and Experience24:01 Future Conversations and Audience TakeawaysFOR TICKETS AND INFORMATION: https://egopo.org/thedrag

One-Man Nutcrackerwritten & performed by Chris Davisdirected by MK Tuomanenchoreography by Campbell Tosneysound design by Adriano Shaplinlighting design by Krista Smithnarrated by Severin BlakeYou know the Nutcracker the ballet, but what if the ballet was performed by only one man? If the daughter Marie, little boy Fritz, creepy uncle Drosselmeyer, the mice, the Sugar Plum fairy, were all channeled through one actor. Chris Davis is proud to bring you One-Man Nutcracker, a re-telling of the original E.T.A. Hoffman Nutcracker Story and the Ballet.One-Man Nutcracker returns to Philadelphia after a sold-out run in Germany in the Thespis Festival 2024.FOR TICKETS AND INFORMATION: https://www.realchrisdavis.com/

It's a Wonderful Life: A Live Radio Play Frank Capra's beloved holiday classic comes to life as a live 1940s radio broadcast. Capturing the charm and warmth of the original story, actors portray multiple roles and create live sound effects to bring George Bailey's uplifting journey to life. This production - featuring Christopher Patrick Mullen and Brian Anthony Wilson; and directed by Pete Pryor (the team behind A Christmas Carol Comedy) - offers a unique, immersive experience that celebrates the enduring message of hope and community.FOR TICKETS AND INFORMATION: https://www.hedgerowtheatre.org

A world-premiere hilarious and heartfelt solo-romp through Christmas classics.Starring Barrymore Award Winner Amanda Schoonover*Created by Brenna GeffersRun time - 60 minutes with no intermissionDecember 12-19, 2024She'll be home for Christmas --- home alone that is. It's Christmas Eve and after a tough year one lady is determined to get into the holiday spirits. Armed with eggnog, she's going to binge drink and binge watch every Christmas story available. Elf-help be damned! Who needs loved ones when you have the Hallmark Channel?FOR MORE INFORMATION: https://www.shakespeareinclarkpark.org/christmasAmanda Schoonover is thrilled to be making her Shakespeare in Clark Park debut with her long time collaborator Brenna Geffers. Amanda is best known as the sassy eavesdropping Waitress on the GLAAD nominated Dispatches From Elsewhere on AMC where she co-starred opposite Jason Segel, Sally Field, and Andre (3000) Benjamin. She is a two-time Barrymore Award recipient and 9-time nominee, as well as being a Jilline Ringle Solo Performance Program Artist in Residence at 1812 Productions for our show The It Girl and an F. Otto Haas Emerging Artist Finalist. Film/Television: Candy Cane Lane with Eddie Murphy, NBC's Do No Harm opposite Phylicia Rashad and HBO's Perry Mason. Regional Theatre: Arden Theater Company; Theatre Exile; Pig Iron; Lantern Theater; Azuka; Simpatico; Hedgerow; People's Light. Brenna Geffers (she/her) is a theatre-maker and director based in Philadelphia. She is the co-founder of Die-Cast, along with Thom Weaver. Die-Cast is an artist collective that creates new, immersive, and site-specific work. She has created over two dozen pieces around the country with Die-Cast. She serves as the literary and casting director for PlayPenn's 2025 New Play Development Conference. She has created work and directed for local companies, including the Wilma, Theatre Exile, Revolution Shakespeare, EgoPo, Philadelphia Artist Collective, and Tribe Of Fools, to name a few. Regional credits include Spectrum Theater Ensemble, Troy Foundry Theatre, Winnipesaukee Playhouse, and Provincetown's international Tennesee Williams Festival. She has been nominated for Outstanding Direction, Outstanding Choreography, and Outstanding New Play, as well as the Harney Award for Best Adaptation of a graphic novel. She earned her MFA at Temple U. @diecast.philly

THE COMEUPPANCEBY BRANDEN JACOBS-JENKINS DIRECTED BY MORGAN GREEN A CO-PRODUCTION WITH WOOLLY MAMMOTH THEATRE COMPANYSet in 2023, Jacobs-Jenkins' witty and moving dark comedy focuses on five friends who reunite 20 years after graduating from a high school in Prince George's County, outside of Washington, D.C. Known as the "Multi-Ethnic Reject Group," the group was once bonded by their outsider status and the traumas of their teenage years. Gathered on a porch ahead of their high school reunion, they reminisce about their younger selves over adult jungle juice and pot as they each reveal how their lives have unfolded since graduation. As the evening continues, they drink, fight, play a truth game, and lament the disappointments of their adult lives. Throughout the evening, they are haunted by a mysterious otherworldly figure that inhabits each character, forcing them to confront the possibility that their past actions may have sealed their present fates irrevocably.Jordan Bellow - EmilioSarah Gliko - KatelynAlana Raquel Bowers - UrsulaTaysha Marie Canales - KristinaJaime Meseda - Francisco/SimonIn this episode, host Darnelle Radford engages with Taysha Canales to discuss the Wilma Theatre's production of 'The Comeuppance' by Branden Jacobs-Jenkins. They explore themes of parenting, community support, character dynamics, and the importance of kindness in the context of the play. Taysha shares her experiences balancing motherhood with her acting career, the significance of the theater community, and the unique challenges of performing in different cities. The conversation delves into the play's exploration of human connections and the impact of the pandemic on personal relationships. In this conversation, Darnelle Radford and Taysha Canales explore the intersection of theater and politics, audience engagement, and the impact of uninterrupted storytelling. They reflect on personal connections to high school, the importance of streaming options for accessibility, and the profound themes of life and death presented in the current production. The discussion concludes with thoughts on the future of theater and the joy of sharing experiences with others.Thank you to our guest(s), Taysha Marie Canales for joining us on today's podcast. The Broad Street Review Podcast is An Em3ry Production. If you would like to be a guest on the podcast, visit us online at em3ry.com Get involved with Broad Street Review. Head on over to our website at www.broadstreetreview.com and click “Get involved” at the top. While you're there, help keep us running and click “Donate” to find out how. There, you can find our social media links. Thank you for your part in keeping the conversation going.

MORENOby Pravin WilkinsNovember 1-24American Premiere!When Kaepernick kneels, will he?
2016. The NFL has been shaken by Colin Kaepernick's controversial decision to take a knee during the national anthem to protest against police brutality. Superstar running back Luis Moreno, who is all about his game – and his paycheck -- has joined a new team with championship aspirations. But America's leadership is changing, and when a painful new reality hits close to home, Luis is forced to ask whether politics have a place on the field, and if he is willing to risk his career to take a stand for his own community.CastFrank Jimenez* - LUIS MORENOCharvez Grant* - EZEKIEL WILLIAMSAbdul Sesay* - CRE'VON GARCONGabriel Elmore* - DANNY LOMBARDO* appearing courtesy of a contract agreement with Actor's Equity AssociationIn this podcast episode, host Darnelle Radford engages with directors Seth Rozin and J. Paul Nicholas to discuss the Interact Theater Company's production of 'Moreno' by Praveen Wilkins. The conversation explores the play's timely themes surrounding social change, the complexities of its characters, and the dynamics of influence within the context of sports and politics. The directors share insights into the character development, the authenticity of the dialogue, and the audience's reception of the play, particularly in relation to current events. In this conversation, the speakers discuss the vital role of theater in promoting social change, fostering empathy, and building community. They emphasize the importance of understanding diverse perspectives through performance and the value of audience engagement, particularly through talkbacks. The discussion highlights how theater can reflect societal issues and encourage critical thinking among citizens. The speakers also share insights on the current state of theater and its relevance in today's world, concluding with a call to action for audiences to participate in the ongoing conversation.FOR MORE INFORMATION: https://interacttheatre.org

On Saturday, Nov. 16, Prism Arts Philadelphia will host the event, which features fine art, highlights Black excellence, and showcases the diversity of Black drag kings. It will feature drag performers from Philadelphia Black Drag Kings Cyrus K. Stratton, Manny Lovett, Mo Betta, Mister Right, Gemini Mxr, Sir Suavey, Mr. Tee, Deej Nutz, Kyng Dom, and Reese the Beast. The event will also feature a gallery viewing of fine art, including original acrylic paintings by Cyrus K. Stratton and photographs by Gemini Mxr.CYRUS K. STRATTONFrom the Haus of Stratton's, this King is known for his 80s & 90s excellancé and showing us the moves needed to win your hearts all over the dance floor. Cyrus comes clutch from hosting and having involvement in multiple amateur drag shows and Drag King events in Philadelphia.https://mulletcreativeservices.com/products/the-coronation-show-tickethttps://metrophiladelphia.com/the-coronation-all-black-drag-king-philly/

A NEW PERFORMANCE BY MORGAN BASSICHISWITH ORIGINAL MATERIAL BY FRANK MAYADIRECTED BY SAM PINKLETONMUSICAL RECREATIONS BY NATASHA JACOBSSCENIC RECREATION BY ELI WOODS HARRISONOctober 25–26, 2024In a desperate attempt to prove they can think about someone other than themself, Morgan Bassichis revisits queer comedian, musician, and performance artist Frank Maya's 1987 show, Frank Maya Talks. Maya was among the “first out gay comedians on network television” and on the precipice of mainstream success before his death from AIDS-related complications in 1995. This new “solo” performance humbly attempts to ensure Maya's legacy is no longer overlooked while also resolving the bottomless queer search for laughter in times of crisis and for fame and father figures and intense attachment dynamics no matter how fleeting.https://www.morganbassichis.com/ MORGAN BASSICHIS (They/Them) is a comedian, musician, and writer who has been called “a tall child or, well, a big bird” by The Nation and “fiercely hilarious” by The New Yorker. Their past performances include A Crowded Field (Abrons Arts Center, 2023), Questions to Ask Beforehand (Bridget Donahue, 2022), Don't Rain On My Bat Mitzvah (co-created with Ira Khonen Temple, Creative Time, 2021), Nibbling the Hand that Feeds Me (Whitney Museum, NYC, 2019), Klezmer for Beginners (co-created with Ethan Philbrick, Abrons Arts Center, NYC, 2019), Damned If You Duet (The Kitchen, NYC, 2018), More Protest Songs! (Danspace Project, NYC, 2018), and The Faggots & Their Friends Between Revolutions: The Musical (co-created with TM Davy, DonChristian Jones, Michi Ilona Osato, and Una Aya Osato, New Museum, NYC, 2017).

A contemporary and surprising adaptation of Mary Shelley's classic tale of horror FRANKENSTEIN, adapted and directed by Dave Ebersole. This fresh re-imagination will be staged in the historic Lathem Hall on Widener University's campus for a limited engagement from October 10-20.Lightbooth Blackout is partnering with The Lone Brick Theatre Company at Widener University to produce an original adaptation of Frankenstein this October.This fresh re-imagination will be staged in the historic Lathem Hall on Widener University's campus. Our production fuses Mary Shelly's text and early stage adaptations with modern dialogue, an amazing cast, and an original score that will be played live throughout the show.FOR MORE INFROMATION: FRANKENSTEINhttps://daveebersole.com/ https://lightboothblackout.com/The Lone Brick Theatre Companyhttps://lonebricktheatre.weebly.com/ https://www.facebook.com/lonebricktheatreco/?checkpoint_src=any

October 4 - 20, 2024Written by Erlina OrtizDirected by Tatyana-Marie CarloIn association with Edgewood EntertainmentA Philadelphia PremiereJosefina is a stand-up comic from Philadelphia coming to terms with the recent death of her mother, as well as her sister's sudden illness, just as her comedy career is taking off. Written by Philadelphia's own Erlina Ortiz, Co-Artistic Director of Power Street Theatre, this funny and touching new play features sidesplitting stand-up as it explores sisterhood, caregiving, and the search for balance between career and family. La Egoísta is a comedy about being selfish in pursuit of your dreams but selfless with the people you love. Winner of the National Latine Playwrights Award. A Philadelphia premiere.FOR MORE INFROMATION: https://philadelphiatheatrecompany.org LINKS: ARTICLE: https://splashmags.com/index.php/2023/03/la-egoista-review-sisters-forever/#gsc.tab=0 ACTORS THEATRE of LOUISVILLE - https://www.actorstheatre.org/shows/2022-2023/la-egoista/ Erlina Ortiz Wins ATC's 2022 National Latine Playwrights Award - https://www.prweb.com/releases/Erlina_Ortiz_Wins_ATC_s_2022_National_Latine_Playwrights_Award/prweb18860394.htm

AngelPirate Productions presents:the Are We Free Yet? projectbased on the book by Tina Strawncurated, written & directed by TS HawkinsThrough sound and verse, we sojourn in an afro-future encapsulated within a Sunday dinner unpacking decades and dynasties of epigenetic memories. Will the future ever progress against the past? Sauté and serenade with ANTIQUITY and DESTINEÉ as they prepare a table of life, love, and a longing to still be free.COMMUNITY EVENTS130PM: Creative Chatback after the matinee reading7PM: Champagne Celebration to follow the evening readingCAST/CREW/CREATIVESCynda Purnell as ANTIQUITYMaria Genao Beltre as DESTINEÉJordan Simone reading stage directionsTina Strawn - author of Are We Free Yet? The Black Queer Guide to Divorcing America (Row House Publishing)TS Hawkins - playwright, director, curator & dramaturg, marketing manager, and stage managerAngelPirate Productions - producerGabrielle Corsaro - assistant stage managerElla Namour - light & sound operatorNaBrayah Jones - still photographyPrime Act Media LLC - videographerABOUT THE PLAYThrough sound and verse, we sojourn in an afro-future encapsulated within a Sunday dinner unpacking decades and dynasties of epigenetic memories. Will the future ever progress against the past? Sauté and serenade with ANTIQUITY and DESTINEÉ as they prepare a table of life, love, and a longing to still be free.ABOUT THE PLAYWRIGHT & DIRECTORTS HAWKINS (they/them) is an international author, performance poet, art activist, playwright, trauma-informed & award-winning educator, and member of the Dramatists Guild. Plays, short works, and books include Seeking Silence, sweet bread peaches (formerly, Cartons of Ultrasounds), Too Late to Apologize, In Their Silence (formerly, They'll Neglect to Tell You), #RM2B, The Secret Life of Wonder: a prologue in G, AGAIN, #SuiteReality, “don't wanna dance with ghosts...”, #SuiteTea, the Are We Free Yet? project, Sugar Lumps & Black Eye Blues, Confectionately Yours, Mahogany Nectar, Lil Blaek Book: all the long stories short, The Hotel Haikus, and Becoming Saturn: a collection of rhymes, roses, and resistance. Hawkins' works and powerful performances have been praised by the Barrymore Awards - Victory Foundation for Excellence in Theatre Education recipient, Philadelphia Magazine - Best of Philly, BroadwayWorld, Philly Voice, NPR, WHYY, WURD Radio, Philadelphia Weekly, Chicago Tribune, The Dramatist, and dosageMagazine. Featured playwriting opportunities include the Frank Moffett Mosier Fellowship for Works in Heightened Language Semifinalist & Dramatists Guild Foundation National Fellowship Finalist for 2024-25. Ongoing interactive projects: TrailOff, Community Capital: an Afrofuturism South Philly Walking Experience, and Becoming Saturn; Hawkins's first studio poetry album with HawkHatt Music.ABOUT THE AUTHORTINA STRAWN (she/they) is a joy and liberation advocate, activist, author of Are We Free Yet? The Black Queer Guide to Divorcing America, and the owner and host of the Speaking of Racism podcast. The heart of her work is leading Legacy Trips, immersive antiracism experiences where participants visit historical locations such as Montgomery and Selma, AL, and utilize spiritual practices as tools to affect personal and collective change. Tina has three adult children, an ex-husband, an ex-wife, and an ex-country. She has been a full-time minimalist nomad since February 2020. Tina travels the globe speaking, writing, teaching, and exploring where on the planet she can feel safe and free in her/their queer, Black, woman-identifying body.FOR MORE INFORMATION: https://www.tspoetics.com/2024/07/event-are-we-free-yet-project-by-ts.html

The Philadelphia Bookstore Crawl is an annual event that brings together book lovers and supports independent bookstores in the city. The idea for the crawl came from the organizer's experiences with similar events in other cities. Last year, the crawl had over 100,000 people access the Google map created for the event. This year, there are 34 participating bookstores. The crawl not only promotes bookstores but also creates a sense of community and discovery as participants explore different neighborhoods and find new books and recommendations. The conversation explores the Philadelphia Bookstore Crawl and the importance of supporting local bookstores. The guests discuss their own bookstores, Multiverse Philly and Binding Agents, and the unique experiences they offer. They also share their love for books and the joy of reading. The conversation highlights the value of book clubs and the sense of community they provide. The guests discuss the upcoming Philadelphia Bookstore Crawl and the special events and discounts that will be available. Overall, the conversation emphasizes the importance of supporting independent bookstores and the role they play in fostering a love of reading and building community.

Taking its title from the mythical Egyptian afterlife, The Duat is a psychological portrait of Cornelius Johnson, a FBI counterintelligence officer played by Philadelphia favorite Frank X, in a battle for his very soul. Using spoken word, North African drumming, and gorgeous choreography, this thrilling world premiere is a poetic and virtuosic story of redemption.Roger Q. Mason (they/them) is a writer and performer who uses the lens of history to disrupt the biases that divide rather than unite us. Their playwriting has been seen on Broadway (Circle in the Square Reading Series); Off and Off-Off-Broadway; and regionally. Mason's World Premiere of Lavender Men was lauded by the Los Angeles Times as “evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris and Michael R. Jackson.” They are a recipient of the inaugural Catalyst Fellowship, awarded by the Dramatists Guild Foundation, in celebrations of theatre makers whose work impacts social justice and civic change through art. FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/the-duat

In The Rose Garden, Jarboe seeks new ways of empowering museum visitors with agency that allows for a sense of narrative surprise, vulnerability, and catharsis.The inspiration for the work came in 2018 when Jarboe, at age 33, came out as trans to her family back home in Michigan, saying she uses she/her pronouns. What happened next would trigger a new gender journey for the artist: John's aunt revealed that John not only had a twin sister in the womb, but that John consumed her: “You ate her. That's why you are the way you are.” She began constructing a musical shrine to the consumed twin, named Rose, in both a stage performance and museum exhibition that welcomes audiences into a “feast of gender” through song, storytelling, and a full plate of wordplay.John's autobiographical museum exhibition "The Rose Garden" is now on view at the Fabric Workshop + Museum through Sept. 29. https://fabricworkshopandmuseum.org/pressreleases/fwm-presents-john-jarboe-the-rose-garden/The stage version, "Rose: You Are Who You Eat," makes its DC debut June 5-23 at Wooly Mammoth. https://www.woollymammoth.net/productions/rose-you-are-who-you-eat/

HILMAA WORLD PREMIERE PRODUCED IN PARTNERSHIP WITH NEW GEORGESWORDS BY KATE SCELSAMUSIC BY ROBERT M. JOHANSONDIRECTED BY MORGAN GREENJune 4–23, 2024The early 20th century queer mystic and artist Hilma af Klint channeled hundreds of paintings through messages from otherworldly forces, hoping to communicate the mysteries of the universe. Only recently rediscovered and hailed as one of the first-ever abstract artists, she worked in obscurity during a time that was not yet ready to receive her message. This contemporary opera – with a score that mixes genres including opera, rock, pop, and musical theater– wrestles with the hubris and humility that fueled one woman's spiritual quest.Kate Scelsa – BOOKS: “Fans of the Impossible Life” (HarperCollins, 2015 Indie Next and Junior Library Guild pick), “Improbable Magic for Cynical Witches”(HarperCollins), “Luminary” (Simon&Schuster), “The Mortal Year” (forthcoming from Abrons). THEATER: “Everyone's Fine With Virginia Woolf” (published by Dramatists Play Service, produced by Elevator Repair Service), New Georges 2017 Audrey Resident, Virginia B. Toulmin Foundation grant recipient for playwriting, performing member of Elevator Repair Service Theater since 2002 (“Gatz,” “The Sound and the Fury,” “The Select”). MUSIC: The Witch Ones (eponymous album) in collab with Robert M. Johanson and Gavin Price. For Mom.LEARN MORE ABOUT HILMA AF KLINT: https://wilmatheater.org/blog/dramaturgy-hilma/FOR TICKETS AND INFORMATION: https://wilmatheater.org/event/hilma/

Lyrics and Book by Lynn AhrensMusic by Stephen FlahertyDirected By: Amina RobinsonAssistant DirectorMariah GhantChoreographerDevon SinclairMusic DirectorGina GiacheroCastChabrelle Williams (Mama Euralie)Christopher Faison (Tonton Julian/Servant)Nadia Ra'Shaun (Ti Moune)Ethan B. Walker (Daniel)Sydney Banks (Andrea)Tiara Greene (Asaka)Ryane Nicole Studivant (Erzulie)Jessica Johnson (Papa Ge)Curtis Wiley (Agwe)Olivia Fowler (Little Girl)Miles Davis Tillman (Armand/Chorus)Taylor J. Mitchell (Storyteller/Chorus)Jamie Powell (Storyteller/Chorus)Eliana Pinckney (Storyteller/Chorus)In search of her place in the world with guidance from the island gods, Ti Moune, a fearless young woman of the French Antilles, risks it all on a remarkable journey to reunite with the one who has captured her heart. Exhilarating and irresistible, Once on This Island is a radiant musical reminding audiences that a beautiful story simply told has the power to help us weather the storm and allow our spirits to sing.The conversation covers the themes of resilience, culture, community, love, and the haves and have-nots. It also delves into the journey of bringing the production to the stage, the impact on the audience, and the specific details and themes within the show. FOR TICKETS AND INFORMATION: https://ardentheatre.org

The conversation revolves around the Philadelphia Volunteer Lawyers for the Arts (PVLA) and their upcoming event, “The Arts Affair”. The guests discuss the importance of PVLA in providing legal services to artists and small arts organizations. They highlight the need for artists to understand the business side of their craft and the role PVLA plays in bridging the gap between art and commerce. The event is not just a fundraiser but a celebration of Philadelphia's arts community, featuring various artists and performers. The pressing requests from the community include legal representation, contractual understanding, and enforcement. The conversation explores the challenges and opportunities artists face when navigating contracts and legal agreements. It emphasizes the importance of understanding contracts, negotiating terms, and protecting one's rights. The speakers discuss the fear of missing opportunities, the tension between getting work out and protecting it, and the need for artists to value their own worth. They also highlight the role of lawyers in demystifying legal language and advocating for artists. The conversation concludes with a discussion about the upcoming Philadelphia Volunteer Lawyers for the Arts Annual Arts Affair event.

The BSR podcast hosts, Alaina Johns and Josh Herron, discuss their experience attending three solo shows in Philadelphia: 'Johnny Depp: A Retrospective on Late Stage Capitalism' by Jenna Kuerzi and Val Dunn, 'Catholic Guilt' by Kelly McCaughan, and 'Good Person' by Brett Ashley Robinson. They provide their thoughts on each show, highlighting the themes, performances, and audience interactions. They also reflect on the progression of the shows from a focus on a famous person to a specific individual to a more introspective exploration. The hosts commend Theater Exile for supporting local artists and recommend attending the shows.

In this conversation, Darnelle Radford interviews Sabriaya Shipley, the executive director of Theater Philadelphia, about the seventh annual Philly Theatre Week. They discuss the importance of digital media in promoting the theater community, the value of long-form conversations, and the need for inclusivity and accessibility in theater. They also highlight some of the events and productions happening during Philly Theatre Week, including comedy shows, devised theater, and community-centered initiatives. The conversation between Darnelle Radford and Sabriaya Shipley explores the importance of community and transparency in the Philadelphia theater scene. They discuss the need for theaters to adapt and evolve to meet the changing needs of the community. They also highlight the work of Beacon Theater, which brings theater to different locations in Philadelphia to make it more accessible. The conversation touches on the challenges of being in a leadership position in the theater industry and the importance of self-care and setting boundaries. Theater Philadelphia's future plans include creating an archive of the city's theater scene and continuing to support and promote local theaters.FOR MORE INFORMATION: https://phillytheatreweek.com

In this conversation, Darnelle Radford interviews artistic director Alex Burns about Quintessence Theater Group's love and war season, with a focus on the production of Macbeth. The conversation covers various topics, including the themes of love and war in the season, the exploration of villain stories, the expectations of theater, and the approach to an all-male production of Macbeth. Burns discusses the use of artifice in theater and the transformative power of storytelling. In this conversation, Alexander Burns discusses the production of Macbeth at Quintessence Theatre Group. He emphasizes the power of theater artists to transcend identity and become anyone on stage. Burns also talks about his role as both director and designer for the production, balancing minimalism with the stagecraft required for Macbeth. He highlights the integration of sound design and electronic music to enhance the experience. The conversation explores the bridging of traditional and contemporary elements in the production, including costume design and mask-making. Burns shares his hopes for the audience to be exhilarated and emotionally moved by the performance. The conversation also touches on the challenges faced by the theater community and the importance of supporting and promoting the arts.

Winner of the Pulitzer Prize and just recently on Broadway, Cost of Living traces two relationships: one between a wealthy graduate student with cerebral palsy and his female caregiver, the other between a woman recovering from a terrible accident being tended to by her ex-husband. Heartfelt, funny, and deeply moving, this exquisitely written play examines the fiscal and emotional cost of human connection.Ross Beschler - EddieGianna Castro - JessRachel Handler - AniChristian Prentice - JohnJeffrey L. Page (director), an Emmy-nominated director and choreographer celebrated for his dynamic theater and dance direction, earned the Douglas and Ethel Watt Critics' Choice Award for his vibrant choreography in the 1776 Broadway Revival. Collaborating with icons like Beyoncé and influencing productions from Memphis to Ain't Misbehavin', Page's work resonates globally. His film credits include Making Micheaux (director) and Freedom(choreographer). Academically distinguished as the first African American to receive The Juilliard School's Marcus Institute Fellowship, Jeffrey also imparts knowledge at Harvard and The New School. As the leader of Movin' Legacy, Page's artistry continues to innovate with projects like The Trojan Women, solidifying his stature in modern performing arts. | @jeffreylpage | www.jeffreylpage.comMartyna Majok (playwright) was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama and received a nomination for Best Play at the 2023 Tony Awards for Cost of Living. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Other awards include the Obie Award for Playwriting, the Hull-Warriner Award, the Academy of Arts and Letters' Benjamin Hadley Danks Award for Exceptional Playwriting, the Off-Broadway Alliance Best New Play Award, the Lucille Lortel Award for Outstanding New Play, the Hermitage Greenfield Prize as the first female recipient in drama, the Champions of Change Award from the NYC Mayor's Office, the Francesca Primus Prize, two Jane Chambers Playwriting Awards, the Lanford Wilson Prize, the Lilly Award's Stacey Mindich Prize, the Helen Merrill Emerging Playwright Award, the Charles MacArthur Award for Outstanding Original New Play, the Jean Kennedy Smith Playwriting Award, the ANPF Women's Invitational Prize, the David Calicchio Prize, the Global Age Project Prize, the NYTW 2050 Fellowship, the NNPN Smith Prize for Political Playwriting, and the Merage Foundation Fellowship for The American Dream. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for Plan B, Pastel, and MRC.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/cost-of-living/

September 21 – October 1, 2023PAPER DOLL ENSEMBLE creates devised absurdist tragicomedies that redefine traditional stories of feminine experiences.THE PECKING ORDER is born out of grief and disbelief after the 2022 decision to overturn Roe v. Wade, and inspired by the wife and daughters of the supreme court judge who penned the original opinion, Justice Harry Blackmun. This 70s-inspired tragicomedy highlights the absurdity of women's rights being thrust back in time in typically unpredictable Paper Dolls fashion, and asks provocative questions about unplanned pregnancy, family dynamics, and women's rights.Links:https://paperdollensemble.com/https://www.patreon.com/ThePaperDollEnsemblehttps://phillyfringe.org/events/the-pecking-order/Recommended:https://phillyfringe.org/events/citrus-andronicus/https://phillyfringe.org/events/vile/https://phillyfringe.org/events/she-was-a-conquistawhore/

IN THEIR SILENCE(formerly, They'll Neglect to Tell You)by TS Hawkinsdirected by Reva StoverSeptember 15-October 1 *limited engagementClick here for Sept. 15th - 24th; tickets available at FringeArts!Click here for Sept. 29th - Oct 1st; tickets available at Allens Lane!ABOUT THE PLAYGrace is a burgeoning therapist. Merci dangles for freedom at the bottom of a bourbon glass. College sweethearts and newlyweds, they elope to Philadelphia for a fresh beginning. Stumbling into polarizing landscapes, they struggle in the margins of heart and home.Listen to the Moodlist on Spotify!Read about Grace & Merci's journey!CAST(She/They) Sabriaya Shipley as GRACEJaylyn Anderson as MERCIJameka Monet Wilson as THE CITYCREATIVE & CREW(They/Them) TS Hawkins - Playwright, Dramaturg, & Marketing CoordinatorReva Stover - Director(He/Him) Josh Hitchens - Allens Lane Art Center Artistic Director, Stage Manager, Sound Designer, & Costume ManagerCJ Higgins - Intimacy DirectorSabrena Wishart - Set DesignerSiobhan Ehresmann - Lighting DesignerMegan Edelman - Prop ManagementSPONSORSDorothy Lewis-Hawkins, Black Theatre Alliance of Philadelphia, and Prime Act Media LLCFRINGE RECOMMENDS:Cannonball - https://www.cannonballfestival.orgHum N' Bards - http://www.humnbards.comMind The Gap - https://fringearts.my.salesforce-sites.com/ticket/#/events/a0S6e00000h3ZATEA2Links:TS POETICS: https://www.tspoetics.com/2022/09/events-in-their-silence-by-ts-hawkins.htmlALLENS LANE ART CENTER: https://allenslane.org/theater/TIX at Allens Lane: https://allenslane.org/theater/TIX at FRINGE ARTS: https://phillyfringe.org/events/in-their-silence/

The Wilma Theater and TCG Books present: Fat Ham (James Ijames in conversation with Amina Robinson, featuring a performance by Anthony Martinez-Briggs).In this special in-person and live-streamed book launch event, James Ijames will discuss his Pulitzer-winning play Fat Ham, which premiered in a digital production at The Wilma and will return to the Wilma for a live production in the Fall of 2023. Mr. Ijames will be in conversation with Amina Robinson, director of The Wilma's upcoming production. Anthony Martinez-Briggs, who played Tio in the original production and will reprise the role this Fall, will perform a monologue from the play.Live-streaming provided by the event's Media Sponsor, Broad Street Review.LINKS: The Wilma Theater - https://wilmatheater.org Theater Communications Group - https://tcg.org Broad Street Review - https://broadstreetreview.com Get a copy of Fat Ham: https://indiepubs.com/products/fat-ham/ To watch the Live-Stream on TCG's Youtube Channel: https://www.youtube.com/live/eXIOJOk7zC0

Why? Because Kae Lani Palmisano is approaching food journalism in the same way BSR approaches arts journalism: food and the arts (and media about them) are gateways for new voices and conversations, not an elitist checkpoint. Sometimes people push back on this work: see Palmisano's recent Bon Appétit piece about the eight best cheesesteaks in Philly—she got “so much flack” for highlighting local Lebanese, Mexican, Korean, and Ethiopian chefs' offerings alongside the better-known favorites. But this is the kind of inclusive, curious, and future-facing coverage we love at BSR.Our own Kyle V. Hiller moderated this conversation with Palmisano, journalist and digital producer Alisha Miranda (The Inquirer, Eater, Billy Penn, Philly Mag, Edible Philly, and more) and Inquirer deputy food editor Margaret Eby.We're excited to welcome Palmisano as she launches Power Dining, a podcast and newsletter exploring the power structures, power moves, and power DINE-amics of the world of food.Links:https://www.kaelanisays.com/https://www.bonappetit.com/story/best-cheesesteaks-philadelphiahttps://www.alishainthe.biz/https://twitter.com/margaretebyhttps://powerdining.substack.com/

(PVLA) will celebrate a milestone 45th anniversary during this year's annual benefit celebration The Arts Affair 2023 on Wednesday, June 7th from 6-9pm at University of the Arts' Hamilton Hall. Featuring live performances by local artists, visual art, and awards for both Volunteer Attorney and Law Firms of the Year, the event will highlight PVLA's deep dedication to Philadelphia's arts & cultural community.LOCATION: Dorrance Hamilton Hall, University of the Arts, 320 South Broad Street, PhiladelphiaDATE: Wednesday, June 7, 6-9pmTICKETS: $45 (artists, students, nonprofit and public interest employees), $125 (general admission), $200 (general admission x 2), or tickets can be purchased to sponsor artists; ie. Sponsor 1 Artist ($45), Sponsor 2 Artists ($90), Sponsor 4 Artists ($180)Ticket link: https://www.eventbrite.com/e/the-arts-affair-2023-tickets-522560531617 More about PVLA: https://PVLA.org _______________________________________IG: @PhillyVLATwitter: @PhillyVLAFB: @phillyvolunteerlawyersfortheartsLinkedIn: @Philadelphia Volunteer Lawyers for the ArtsBlackStar Film Festival: https://www.blackstarfest.org/festival/ August 2-6, 2023Kimmel CenterThe Women's Coalition for Empowerment, Inc. https://www.TheWCE.org, and our upcoming event:Philadelphia Juneteenth Wine & Arts Festival - https://Juneteenth-Wine-Art.eventbrite.com Saturday, June 17, 2023, | 1pm - 6pm | Cherry Street Pier

ABOUT ABANDONLuella is alone – haunted by the ghost of her son. Joshua is alone – kicked out of his house by his brother. One winter night these two people collide. Luella is looking for redemption; Joshua is looking for family. By the next morning, these two lonely souls are meshed together into an American Family in its truest sense. A world premiere by Pulitzer Prize winning playwright James Ijames, Abandon is sometimes violent, sometimes healing; with a gossamer veil that separates the worlds of the living and the dead, and shame and acceptance.Melanye Finister (Luella, she/her) is an artist and resident company member at People's Light, a member of Wilma Hothouse, and an artistic advisory board member at PlayPenn. People's Light: The Diary of Anne Frank, The Matchmaker, All My Sons, Fences, The Winter's Tale, Seven Guitars, The Return of Don Quixote, Six Characters in Search of an Author, Something You Did, Fabulation, and The Member of the Wedding. Theatre Includes: Wilma Theater, Arden Theatre Company, Flashpoint Theatre Company, InterAct Theatre Company, Philadelphia Theatre Company, Venture Theatre, Temple Theaters and Walnut Street Theatre. Training: BFA, Carnegie Mellon University.Brenson Thomas (Gabriel, he/him) is a Black and queer writer, actor, and theatre-maker. A graduate of Sarah Lawrence College's MFA Theatre program, his plays include how i got over, or…red Kool-Aid stains on bubblegum lips; What We Lost & Never Knew; and How We Return, an upcoming commission for Constellation Stage & Screen in Bloomington, IN. Brenson also writes for TV/Film, most recently on Emmy Award winner Lena Waithe's Twenties on BET. As a performer, Brenson has collaborated with Tony Award Winner Stew, Raja Feather Kelly, Lightning Rod Special in The Appointment (FringeArts/Next Door at NYTW; Barrymore Nominee for Outstanding Ensemble in a Musical), Arden Theatre Company in the world premiere of R. Eric Thomas' Backing Track, and Into the Woods, and with 1812 Productions for This is the Week That Is: 2020, and the Wilma Theater. When he's not hunched over his laptop crying about blank Google docs, Brenson enjoys long walks around his beloved Philly, doing bad accents, smashing patriarchal white supremacist structures, and Beyoncé.FOR TICKETS AND INFORMATION: https://theatreexile.org/shows/abandon/

Miniball is a micro-version of Cannonball Festival featuring encores of previous Cannonball shows, as well as other works not featured in the festival before, to keep the spirit of Cannonball sailing strong throughout the year. Make sure to follow @cannonballfest on Instagram and turn on notifications to be the first to hear about upcoming festivals, show announcements, pop-up programming, and more! THE OTHER GARDENERS by Very Good Dance TheatreWhat happens to (y)our gardens when we can no longer tend to them? When do the things and thoughts we leave behind become burdens, and when are they gifts? Can we both be refreshing fountains of reprieve for others, while we remember to pour into ourselves? What to do when our cup runneth over, and what to do when she's dryyyyyy ... we don't know, will you help us find out?"The Other Gardeners" is a new project created collaboratively by Very Good Dance Theatre by and for Black artists and/or those from African lineage. "Gardeners" playfully (re)imagines what remains of Eden after its more popular residents (Adam & Eve) have moved on, and reminds us that paradise cannot be destroyed, only lost. This project explores questions around lineage, diaspora(s), liberation, and asks all those in its midst to grapple with which burdens have been placed on them, by who, and how we can shoulder them (together). This is a Black queering of our origin stories, both a prequel and a sequel, and a conjuring of all the auto-biographies that never came to be ... or at least not yet?Expect sobbing and laughing, remembering and visioning, dreaming and forgetting, and loving and loving and loving.Come to learn, come to share, come to mourn, come alone (or not), leave together - connected - nurtured, just as gardens should be.ABOUT THE EVENT:Cannonball Festival is an independently produced performing arts festival, concurrent with the Philadelphia Fringe, that presents risk-taking independent artists in back-to-back performances next to delicious lounge spaces, fostering creative collisions and community conversation. Learn more at cannonballfestival.org Miniball Spring keeps the spirit of Fringe rolling April 6-8, 2023, with back to back performances of new works from some of Philly's best independent artists. Learn more at cannonballfestival.org/miniballLINKS:Philly Theatre Week - Theatre Philadelphiahttps://theatrephiladelphia.org/whats-on-stage/2023-philly-theatre-week Support Theatre Philadelphiahttps://theatrephiladelphia.org/make-a-donationSupport Cannonball Festival | Miniballhttps://www.cannonballfestival.org/donateRECOMMENDEDPaige Phillips - The Tale of The Slaughtered Hoghttps://theatrephiladelphia.org/whats-on-stage/the-tale-of-the-slaughtered-hog Your Sunday Best https://theatrephiladelphia.org/whats-on-stage/your-sunday-best The Worldhttps://theatrephiladelphia.org/whats-on-stage/the-world Annie Wilson - Always The Hourhttp://www.theanniewilson.com/always-the-hour-copy

This year, experience over 50 unique events with hundreds of shows during Philly Theatre Week! Plus, join the 2023 Philly Theatre Week Kick-Off Celebration on March 20th at the Kimmel Cultural Campus. See preview scenes, songs, and interactive performances from participating Philly Theatre Week companies.Johnny Depp! (A Retrospective on Late-Stage Capitalism)FERGIE'S PUB - Second FloorJoin “Johnny Depp”, preteen heart-throb turned wino forever, for a retrospective on every film in his entire career, even the ones we didn't watch, in order to ask… what happened?Fresh off an international tour and a lot of rewrites because of a trial, comes a satirical “press tour” that is part ritual and part drunken singalong. Johnny Depp! (A Retrospective on Late-Stage Capitalism) features throwing things at random intervals, “fabulous” prizes, and a celebrity circus we keep tuning in to.“To watch a show like this recalls the sense of imagination that the Fringe is really all about.” – Broadway Baby“Johnny Depp: A Retrospective on Late Stage Capitalism is both exactly what you'd expect it to be and also something else entirely.” – Deadline, UK“We're all f*cked, enjoy the show.”- Phindie, USA9 collective international stars! ★★★★★★★★★Starring Jenna Kuerzi as Johnny Depp as Jack Sparrow as Johnny Depp as Late-Stage Capitalism.LINKS:Philly Theatre Week - Theatre Philadelphiahttps://theatrephiladelphia.org/whats-on-stage/2023-philly-theatre-week Jenna Kuerzihttp://www.jennakuerzi.com/ Bonnie & Clyde - Media Theatrehttps://www.mediatheatre.org/shows-tickets Support Theatre Philadelphiahttps://theatrephiladelphia.org/make-a-donation

The LightWritten by Loy A. Webb Directed by J. Paul NicholasFeaturing: Ang(ela) Bey and Abdul SesayFebruary 2, 2023 — February 26, 2023“Explosive and Exquisite” – Stage LeftNot every marriage proposal goes as planned. What started as the happiest day of a loving couple's lives quickly unravels when ground-shifting accusations from the past surface. What The New York Times calls “compelling” and “visceral”, The Light by Loy A. Webb is a real-time rollercoaster ride of laughter, romance, and despair that uncovers how the power of love can be a healing beacon of light.ABOUTDr. Kimmika L. H. Williams-Witherspoon (Dramaturg) PhD (Cultural Anthropology), M.A. (Anthropology), MFA (Theater), Graduate Certificate) Women's Studies, B.A. (Journalism); is an Associate Professor of Urban Theater and Community Engagement and President of the Faculty Senate at Temple University. Author of Through Smiles and Tears: The History of African American Theater (From Kemet to the Americas) (Lambert Academic Publishing, 2011); The Secret Messages in African American Theater: Hidden Meaning Embedded in Public Discourse” (Edwin Mellen Publishing, 2006), she has had over 34 productions of her plays, her stage credits include over 20 productions, 8 one-woman shows and she has performed poetry in over 120 national and international venues. A contributing poet to 44 anthologies, 11 books of poetry, 9 book chapters, 10 journal articles and 2 books on African American Theater.FOR TICKETS AND INFORMATION: https://theatreexile.org

Some of BSR's Media Recommendations:BOOKSMerlin Sheldrake - Entangled Lifehttps://www.merlinsheldrake.com/entangled-life Adrienne Maree Brown - Pleasure Activismhttps://www.akpress.org/pleasure-activism.html You Have A Match - Emma Lordhttps://us.macmillan.com/books/9781250237309/youhaveamatch TELEVISIONSeverance - AppleTVhttps://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx Derry Girls - Netflixhttps://www.netflix.com/title/80238565 Power Rangershttps://powerrangers.hasbro.com/en-us Midnight Diner - Netflixhttps://www.netflix.com/title/80113541 Support Broad Street Review: https://www.broadstreetreview.com/donate-to-bsr

Odd Man Out | Part of the America Rising Series A LIVE Immersive Experience In Complete DarknessPara ver el sitio web en español, haga click aquíNovember 30 – December 18, 2022Odd Man Out is a captivating play that takes place in complete darkness. Created by Teatro Ciego (an Argentinian company founded by blind artists) and Theatre C (a groundbreaking immersive theatre company in NYC), this story is told unlike any you've ever experienced before. You'll be led into a pitch-black room by ushers. Inside, you'll immerse yourself in the life story of Alberto, a blind musician returning to Argentina after years of self-exile. It is, at once, a love story, a musical journey, and a multi-sensory immersion into theatre of the blind.Performances will be in Spanish on Friday, Dec 2 at 6pm | Sunday, Dec 4 at 6pm Thursday Dec 8 at 7pm | Saturday, Dec 10 at 8:30pm | Wednesday, Dec 14 at 7pm Sunday, Dec 18 at 3pm.This play takes place at 201 Cedar Street, Bristol, PA 19007.General Admission. Tickets start at $35.https://www.brtstage.org/shows/odd-man-out/

This Is My Brave, Inc. (TIMB), the national nonprofit organization dedicated to ending thestigma surrounding mental illness through storytelling, comes to Philadelphia this fall. The show will be held at the Ambler Theater on October 9, 2022. Performances will feature area community members who live with – or have loved ones living with - mental health challenges or substance use disorders, telling their stories through personal essay, spoken word, poetry, comedy, original music, and dance.One in five American adults face mental health issues (National Institute of Mental Health), yet the topic continues to carry shame. This Is My Brave aims to end this stigma and silence by celebrating the stories of real people living successful lives with mental health challenges. Since its first show in 2014 in Arlington, VA, This Is My Brave - The Show has featured more than 900 people sharing their stories in over 80 performances across the United States and in Australia.Philadelphia Show Information:Ambler Theater108 E Butler Ave.Ambler, PA 19002Sunday, October 9 at 5:00 PMTickets are $25 per person and can be purchased on This Is My Brave - The Show in Philadelphia's Eventbrite page.All ticket proceeds will go to the Montgomery County Suicide Prevention Taskforce whose mission is to decrease suicides in Montgomery County by increasing suicide prevention awareness, education, training, outreach efforts, and reducing stigma.It will also be live-streamed and a link will be available. Visit www.facebook.com/timbphilly for more information.