Podcasts about pacific opera project

Welcome to PART TWO of Episode One of YEAR SIX of The Academy of Esports podcast! I'm your host, James O'Hagan. Thank you for joining me as I welcome back my friend, Amir Satvat, the global head of startup operations at Amazon Web Services. Before stepping into their current role, Amir experience included chapters as a principal publishing producer and key positions in business development and strategy at Amazon Games. They also served as COO for AWS' Inside Sales and Demand Generation Businesses, while spending over a decade in tech and healthcare sectors, working on strategy, operations, and business development. Amir's academic achievements include an MBA and a Master's in Engineering from the University of Pennsylvania, and an MPA in Public Policy from New York University. Their professional journey is a perfect example of one of Amir's career advice tenets: think laterally within a company to gain skills you need for your dream job. As a dedicated gamer, Amir has played over 2,200 titles, cherishing series like Super Mario, The Legend of Zelda, Monkey Island, and The Witcher. Their love for gaming began with Asteroids on the Atari 2600. Their passion for the industry doesn't end there– Amir runs a thriving LinkedIn community of over 33,000 video game followers (and growing daily!), with many working in games. Amir also loves opera, having created his first at age 14. With that in mind, we invited a surprise guest– Josh Shaw, Founding Artistic Director and CEO of Pacific Opera Project– whose blend of video game characters and operas is selling out stages wherever it goes. Named as one of Musical America's Top 30 Innovators in Classical Music, Josh Shaw is the Founding Artistic Director and CEO of Pacific Opera Project (POP), which has been described as "L.A.'s most exciting new opera company." Over the past twelve seasons, Mr. Shaw has directed over 50 productions at POP, including The Rake's Progress, Ariadne auf Naxos, La Calisto, Tosca: A Moving Production; and La Boheme: AKA “The Hipsters”. A frequent librettist for English updates, his Star Trek-inspired Abduction from the Seraglio and Nintendo-inspired Magic Flute (AKA #SuperFlute) have gained national attention and have been produced at multiple companies, shattering attendance records. Enjoy, consider hitting “Subscribe,” and please make time to play in some way this week! -- Subscribe/Connect to Amir: LinkedIn: https://www.linkedin.com/in/amirsatvat/ YouTube: https://www.youtube.com/c/amirsatvat Amir's Games Jobs Workbook: Google Docs: https://docs.google.com/spreadsheets/d/1ORvB63Kq5pvXb8QDbEzGnJa_lFMiZmK2_vjglKgOKcw/edit?usp=sharing Dropbox: https://www.dropbox.com/s/6icqqopmsp39ool/221119%20-%20Games%20Jobs.xlsx?dl=0 Connect to Pacific Opera Project: https://www.pacificoperaproject.com/ POP Curriculum: https://www.pacificoperaproject.com/education Instagram: https://www.instagram.com/pacoperaproj/  FB: https://www.facebook.com/pacificoperaproject/ & https://www.facebook.com/joshshawtenor Josh Shaw: https://joshshaw.org Watch Part One: https://lnkd.in/gjP-Dr9j Listen to Part One: https://lnkd.in/gzfyD7-n The Academy of Esports podcast is powered by LeagueSpot. https://leaguespot.gg/ -- Esports is organized competitive video games allowing schools to redefine their athletic culture, diversify opportunities for student participation, promote physical and mental health, increase collegiate scholarship pathways, and play games!  We cannot forget the importance of play! James O'Hagan (⁠⁠LinkedIn⁠⁠ // ⁠⁠Twitter⁠⁠) is the Founder and Host of The Academy of Esports podcast. The Academy of Esports (⁠⁠Website⁠⁠ // ⁠⁠Twitter⁠⁠) You may email any questions or topic suggestions to ⁠⁠contact@taoesports.com⁠⁠. -- Music provided Royalty Free "8 Bit Adventure!" Querky Fun Game Music by HeatleyBros ⁠⁠iTunes⁠⁠ ⁠⁠Spotify⁠⁠ ⁠⁠License⁠⁠ ⁠⁠Twitter⁠⁠ ⁠⁠Facebook⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/taoesports/message Support this podcast: https://podcasters.spotify.com/pod/show/taoesports/support

Sue Carpenter ran a pirate radio station called KBLT from her Silver Lake apartment in the late 90s. Now it's been reimagined as an interactive experience. The Pacific Opera Project aims to make the arts more affordable and entertaining. Their next show is “Superflute,” a retelling of Mozart's “The Magic Flute” with Nintendo characters. LA vocalist Amanda Achen never thought she would be singing songs written for the “Final Fantasy” video game franchise. But she's embraced the journey it's taken her on.

If you're enjoying the content, please like, subscribe, and comment! Please consider supporting the show! https://anchor.fm/worldxppodcast/support Peter's YouTube: https://www.youtube.com/c/PeterBarber Peter Barber is a professional opera singer, music producer, and bass vocalist, currently training as a Resident Artist at The Academy of Vocal Arts in Philadelphia. Over the last five years, he has performed over twenty operatic roles, and competed in numerous international vocal competitions. In January of 2020, Peter made his professional operatic debut with Pacific Opera Project in Los Angeles, while completing his master's degree in Vocal Arts and Performance from the University of Southern California. This summer, he will be joining the Santa Fe Opera as an Apprentice Singer, one of the top summer programs in the world for up-and-coming opera singers. Outside of the opera world, Peter is a music producer, and accomplished bass vocalist. Since the start of the pandemic, he has grown his YouTube following from under 100 subscribers to over 44,000 by making musical covers, as well as in-depth “reaction and analysis” videos, breaking down performances in terms of vocal techniques, arrangements, artistic choices, and overall presentation. Peter also started a group of four bass singers called The Bass Gang, who are in the process of making their second album, May the Bass Be With You, Vol. 2, which will be released throughout the month of May on YouTube and all streaming services. ______________________ Follow us! @worldxppodcast Instagram - https://bit.ly/3eoBwyr @worldxppodcast Twitter - https://bit.ly/2Oa7Bzm Spotify - http://spoti.fi/3sZAUTG Apple Podcasts - http://apple.co/30uGTny Google Podcasts - http://bit.ly/3v8CF2U Anchor - http://bit.ly/3qGeaH7 YouTube - http://bit.ly/3rxDvUL #acapella #basssinger #opera #bass #bassacapella #bassgang #geoffcastellucci #avikaplan #vocalart #vocalperformance #youtube #audio #audioengineer #wxpp #podcast #podcastersofinstagram #podcastlife #podcastshow #longformpodcast #longformpodcast #podcasts #podcaster #newpodcast #podcastshow #podcasting #newshow #worldxppodcast --- Support this podcast: https://anchor.fm/worldxppodcast/support

Hannah is the co-founder of corpSonore – sound | body | wellness, a platform, podcast, and newsletter dedicated to the health and wellness of all musicians. She is a certified 200-hour yoga teacher and a level-2 Timani Practitioner. Musicians' health, wellness, and mindful movement have been passions for years and influenced the focus of her doctoral dissertation, titled “Using Iyengar Yoga to Enhance Violin Playing,” published in 2017. Hannah is an active performer and educator currently based in Los Angeles, regularly performing with Opera Santa Barbara, the Pacific Opera Project, the Hollywood Chamber Orchestra, and San Bernardino Symphony, and currently serves as Associate Principal Second of the Tulsa Symphony and Tulsa Ballet. Links and contact information Hannah's personal website: https://www.activeviolinist.comWebsite for corpSonore: https://www.corpsonore.comcorpSonore instagram: @corpsonore

If you're enjoying the content please subscribe, like, and comment! Peter's YouTube: https://www.youtube.com/c/PeterBarber Peter Barber is a professional opera singer, music producer, and bass vocalist, currently training as a Resident Artist at The Academy of Vocal Arts in Philadelphia. Over the last five years, he has performed over twenty operatic roles, and competed in numerous international vocal competitions. In January of 2020, Peter made his professional operatic debut with Pacific Opera Project in Los Angeles, while completing his master's degree in Vocal Arts and Performance from the University of Southern California. This summer, he will be joining the Santa Fe Opera as an Apprentice Singer, one of the top summer programs in the world for up-and-coming opera singers. Outside of the opera world, Peter is a music producer, and accomplished bass vocalist. Since the start of the pandemic, he has grown his YouTube following from under 100 subscribers to over 44,000 by making musical covers, as well as in-depth “reaction and analysis” videos, breaking down performances in terms of vocal techniques, arrangements, artistic choices, and overall presentation. Peter also started a group of four bass singers called The Bass Gang, who are in the process of making their second album, May the Bass Be With You, Vol. 2, which will be released throughout the month of May on YouTube and all streaming services. Peter's career is currently a direct split between these two radically different worlds of operatic performance and online content creation, and he hopes to continue pursuing these passions to higher and higher levels in the years to come. @worldxppodcast Instagram - https://bit.ly/3eoBwyr @worldxppodcast Twitter - https://bit.ly/2Oa7Bzm Spotify - http://spoti.fi/3sZAUTG Apple Podcasts - http://apple.co/30uGTny Google Podcasts - http://bit.ly/3v8CF2U Anchor - http://bit.ly/3qGeaH7 YouTube - http://bit.ly/3rxD #acapella #basssinger #opera #bass #bassacapella #bassgang #geoffcastellucci #avikaplan #vocalart #vocalperformance #worldxppodcast #wxpp #podcast #podcastersofinstagram #podcastlife --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/worldxppodcast/support

This month's episode marks a first for Scene Change: For the first time, we're collaborating with another podcast! Join Lizzy as she partners with the host of Poppercast, a production of the Pacific Opera Project, as they interview 3 people who are deeply involved in the wonderful world of opera. Spoiler alert: One of the guests (and a leading lady in a Pacific Opera Project production) is Cristina Jones, who also happens to be the Secretary of the NFB Performing Arts Division! So we believe we can claim some bragging rights. Connect with the National Federation of the Blind Performing Arts Division! Website: www.nfb-pad.org Facebook: facebook.com/performingartsdivision

We begin with a famous (and very beautiful) aria from the Abduction from the Seraglio K. 384 by Wolfgang Amadé Mozart (Mozart nerd alert: he never called himself “Amadeus,” ever, and we aren't going to either). It's from the beginning of Act 3, as the tenor hero, Belmonte, prepares to rescue his kidnapped bride Konstanze and her companion Blöndchen from the palace of Basha Selim. We are in an obviously sticky–and potentially deadly–situation. The music, beginning with a serene yet at times painfully dissonant introduction in the winds, takes listeners to a different place, where, although time moves at different speed, things sound absolutely familiar.Much ink has been spilled on Mozart's relationship to the music of his native Austria's near neighbours, the Turks. Tom suggests here that, in the late eighteenth century, the sound of the Islamic world was not far away at all, especially not from Vienna, the city in and for which Mozart wrote the Abduction. In fact, while writing the opera Mozart was living right in the middle of an unstable and fluid borderland between the “West” and its Ismamic “others.” The Ottoman Empire was only a few days' journey away. Today you could cover the distance in a matter of hours. In fact if you map the performances of the Abduction in its early years, you see the routes of the traveling troupes who made the opera a hit across Europe heading closer and closer to the Islamic world that lay on Mozart's doorstep. Thinking about Belmonte's aria as a musical sign of the “in-between” opens up new historical perspectives on a beloved opera and, potentially, on how sound divides (or links) people who share the occupation of geographical spaces.The theme of shared space takes us East for our second postcard, to contemporary Singapore. Drawing on recent fieldwork by the Singapore musicologist Tong Soon Lee, Chris explores how the Islamic call to prayer, repeated five times daily across the Muslim world, delineates sonic space in the city-state, which, like the borderlands of Austria two centuries previously, has a long history complicated by empire, commerce, migration and ethnic/religious diversity. The difference is that cities are smaller, tighter, and sonically far more dense than are the sprawling pastures, fields, and forests of agriculture. In the urban cityscape, borders can be perceived between neighborhoods, streets, or even individual people in their houses. Since independence, Singapore's semi-democratic/semi-authoritarian government has found itself playing the role of sonic referee, seeking to leave room for the city's Islamic majority population to live their beliefs in public via the Call to Prayer, while preserving a soundscape with uninvaded spaces for everyone. Referencing Lee, Chris talks us through how the Call to Prayer itself has implicated contested claims to  public religious sound in Singapore's multi-ethnic environment, and the ways that new conceptions of “space,” technology, and privacy yield renewed modes of religious expression. In Singapore, via the direction/redirection of the Call's loudspeakers (first outward toward the city, and then later inward toward the mosque), and subsequently via the broadcast of the Call, on its five-times-daily schedule, on radio and then television, Muslims can enter shared sonic space–a “virtual mosque” whose religious community is real and renewed. When competing imperial, democratic, or authoritarian soundscapes collide, as Tom suggested and Chris elaborates, there are no easy answers. But some of the solutions, both past and present, offer fascinating clues to how sound makes, unmakes, and reinvents community.In a fascinating preview of an upcoming episode, Chris and Tom pivot to a related discussion of the power of electronic media–and specifically of radio–to create not only a shared “virtual” environment (for Muslim worship, for example) but even a new national identity. Colonial and postcolonial sounds are a key theme in the podcast, so we chat briefly about the great singer Umm Kulthum (1898-1975), an icon of modernizing Egypt who used powerful Cairo-based radio, and then television and film, to forward a vision of the nation whose political power its second president, Gamal Abdel Nasser (1918-70) himself recognized and exploited. On Thursday nights during her broadcasts, traffic would halt in the streets, and shops would open their doors, as the broadcast voice of Umm Kulthum poured forth across the Arab world, literally sounding a new Egyptian nation into being.When competing imperial, democratic, or authoritarian soundscapes collide, as Tom suggested and Chris elaborates, the sonic consequences can be complex. But listening carefully to sound as history, both past and present, can offer fascinating clues to how what we can hear makes, unmakes, and reinvents community.Key PointsIt is easy to fall into overly black-and-white categories when thinking about how people define themselves in sound. If you take a closer look, mapping soundworlds across political spaces, sometimes you can come to surprising and historically enlightening conclusions.Mozart's Abduction from the Seraglio K. 384 (1782) is sometimes thought of as an “East vs. West” kind of piece. We argue that the opera can also be understood to reveal how much the European and Islamic worlds had in common, and–even more significantly–how much they saw themselves as sharing a common geography.Contemporary cities yield complex soundscapes. Attempts to regulate public religious sound, for example the Islamic call to prayer in Singapore, indicate how delicate the politics of a shared soundscape can be.Electronic media has a huge power to make new identities across borders, and disrupt older ones. One great example is the Arab-language singer Umm Kulthum, whose special brand of song and music played an enormous role in the birth of Egypt as a nation after decolonization.ResourcesIf you are interested in mapping eighteenth century music, run, don't walk, to the Twitter feed of the music historian Austin Glatthorn (@AJGlatthorn).The work of Tong Soon Lee, who teaches at Lehigh University, is indispensable to understanding the soundscapes of contemporary Singapore.The Guardian UK has a good retrospective biography of Umm Kulthumm, and of her continuing symbolic impact across the East.Charles Hirschkind's The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics presents a complementary and sophisticated “take” on the use of another modern technology, the audio cassette, as a means of virtual community in the modern world.The go-to book on Mozart's use of Turkish musical materials is Matthew Head's, Orientalism, Masquerade and Mozart's Turkish Music.You can't go wrong with the classic 1987 recording of the Abduction from the Seraglio conducted by Georg Solti and featuring stars such as Editha Gruberová, Kathleen Battle, and Hans Zednik. Available on Apple Music and many other services.Speaking of strange and wonderful productions of the Abduction, we highly recommend the Pacific Opera Project's 2016 Star Trek (!) version.All of the books mentioned in the episode can be found in our Sounding History Goodreads discussion group. Join the conversation!

How do you improve mental performance in sports and the performing arts? Is mental performance and mental illness along the same spectrum? How do you stay healthy in the face of failure and rejection? We talk to a doctor and a performer to find out how. Listen to Yasi and Steven talk with Dr. Stephen Gonzales of the Association of Applied Sports Psychology (AASP) and Brooke DeRosa, film composer and singer with the L.A. Opera. Learn more at the AASP conference October 6-9, 2021 at https://www.appliedsportpsych.org For more information about the Athletes and the Arts coalition, go to https://www.athletesandthearts.com About our guests: Stephen Gonzales, PhD, CMPC: Dr Gonzales is the scientific program division head at AASP and CMPC is the Assistant Athletic Director for Leadership and Mental Performance at Dartmouth College, where he works with 35 NCAA Division I athletic programs competing in the Ivy League. Dr. Gonzalez has extensive experience working with elite athletes, military populations, and with performers, including concert symphony musicians. Dr. Gonzalez received his PhD at the University of Utah, and was an NCAA Division I runner at the University of Pittsburgh. He plays piano and is a huge fan of his dad's hometown band, Flood City Brass in Johnstown, PA. https://www.stephen-gonzalez.com Brooke DeRosa: Originally from New York, Brooke deRosa has performed opera and musical theater nationally and internationally.  She currently resides in Los Angeles, having performed locally with LA Opera, Long Beach Opera, Pacific Opera Project, The Pacific Symphony, Redlands Symphony and the San Bernardino Symphony Orchestra. Most recently she originated the role of "Nicely" in a new musical entitled "Witch's Night Out" which was workshopped for Stephen Schwartz as part of the ASCAP/Dreamworks Musical Theater Workshop at the Annenberg Center for the Performing Arts.   Brooke has been a featured vocal soloist on Late Night with Jimmy Fallon, on the Jimmy Kimmel stage, albums with Ghostface Killah and Snoop Dogg, and the scores of Kingsman: The Golden Circle, Luke Cage and A Series of Unfortunate Events on Netflix.  In addition to performing she is also a composer. Her first opera “The Monkey's Paw” premiered with Pacific Opera Project in 2017.  Her musical "Gunfight at the Not-So-OK Saloon" premiered in 2019 as part of the Hollywood Fringe Festival and won "The Pick of the Fringe", "The Encore Producer's Award" and "The John Raitt Award for Best Music and Lyrics." She has composed film scores for over twenty feature films. Instagram: @brookederosa https://l.instagram.com/?u=https%3A%2F%2Flinktr.ee%2Fbrookederosa&e=ATMhbcpUIwO9ALNSdcEp7jXJR7VQVDQqrv94pzU7erCDKT0i6UJLtKsZ0wq4xFvm7xka36Ii7c-E1IwWNdWcmnmQnYcpO5oJZOf3mg&s=1 (linktr.ee/brookederosa) http://www.brookederosa.com/ (www.brookederosa.com)

Sitting down with Babatunde Akinboboye, Operatic Baritone & creator of the musical genre #hiphopera was like a masterclass in technical imagination. The analogies and sensations Babatunde expresses to explain vocal events is worth the watch. A singer of diverse talents, Nigerian American Baritone, Babatunde Akinboboye is known for his enthralling stage presence. He has performed with the Los Angeles Opera, Opera San Jose, Opera Santa Barbara, Long Beach Opera, and Utah Opera. Babatunde has also debuted the roles of Drew in the Opera Works'Arts for Social Awareness Project's world premiere production of The Discord Opera, and Zanni in the world premiere of Gloria Coates' Stolen Identity. His most recent performances include Daggoo in LA Opera's Moby Dick, Escamillo in Pacific Opera Project's production of Carmen, and Lucha's Father in The Industry's production of Hopscotch. As an advocate for the performance of art song and operatic works written by African, and African American composers, Mr. Akinboboye has headlined the Lagos Chamber of Commerce & Industry awards in Lagos, Nigeria performing a fusion of opera and traditional African music and has been a featured performer at both the National Association of Negro Musicians Annual Conference, as well as the African American Art Song Alliance Conference. Babatunde's honors include Regional Finalist of the Metropolitan Opera National Council Audition, and finalist in the International Eisteddfod Vocal Solo Competition in Llangollen, Wales. In December of 2018, Babatunde combined his love of classical opera and hip hop and created the new genre Hip Hopera in a viral video that gained over 10 million views and was featured on Time.com, Classic FM, MSN.com and more. His debut EP “Della Citta” is now available. Babatunde can be found at https://www.hiphoperaworld.com and https://www.babatundebaritone.com Voice with Julia's #techniquetalks is where we demystify conversations surrounding vocal technique with behind-the-scenes access to great singers of today. Forget what you thought you knew about singing from your pedagogy textbook. In this series, singers get real about what works, and what doesn't. Get inspired. Try these tips. Use your judgement. Show Notes: 00:00 Babatunde Akinboboye's Bio 03:45 The vocal journey 09:02 How to think as a creative singer 12:12 How to work on technique 16:19 How different languages affect vocal positions 19:51 How to turn the baritone voice 24:11 How to tilt the larynx 26:19 How to breathe as a singer 35:00 How to feel intention 38:18 How to sing baritone high notes 43:48 How to have good singing posture 48:32 How to sing falsetto 50:30 Babatunde talks about #hiphopera 57:22 What is your desert island vocalise _________________________________________ ❤️ Free content is my passion! Want to show your appreciation? Venmo: Julia-Radosz PayPal: https://www.paypal.com/donate/?hosted_button_id=7GXEDFC3PN2T2 ❤️JOIN my FB Group: https://www.facebook.com/groups/techniquetalksforsingers/ ❤️Subscribe to my #techniquetalks mailing list to catch all the latest Vocal Technique Info: https://www.voicewithjulia.com ❤️Visit my Artist site at https://www.juliaradosz.com

The Roddenberry Foundation announces a new award aimed at promoting diversity in television storytelling, Pacific Opera Project is hosting a livestream of their Star Trek-themed adaptation of Mozart’s Abduction from the Seraglio, and I’m taking a look back at this week in Trek history. Support Daily Star Trek News on Patreon: https://patreon.com/dailystartreknews Subscribe on Apple Podcasts or Google Podcasts For more great Star Trek podcasts: https://podcasts.roddenberry.com Website: https://www.dailystartreknews.com Email: info@dailystartreknews.com Facebook, Twitter and Instagram: @dailytreknews

The Roddenberry Foundation announces a new award aimed at promoting diversity in television storytelling, Pacific Opera Project is hosting a livestream of their Star Trek-themed adaptation of Mozart's Abduction from the Seraglio, and I'm taking a look back at this week in Trek history. Support Daily Star Trek News on Patreon: https://patreon.com/dailystartreknews Subscribe on Apple Podcasts or Google Podcasts For more great Star Trek podcasts: https://podcasts.roddenberry.com Website: https://www.dailystartreknews.com Email: info@dailystartreknews.com Facebook, Twitter and Instagram: @dailytreknews

If you are a contemporary opera fan, or a fan of Star Trek or Super Mario Bros., you probably have heard of Josh Shaw's opera company, Pacific Opera Project.  Josh started the company 9 years ago to produce adorable and high quality opera for the masses.  Slowly it has grown to be well know for its modern mash ups that excite both opera lovers and newbies.  Such as his recent "The Magic Flute" set in the Super Mario Bros and Zelda world, sung in English.  Or the ever popular "Abduction From The Seraglio" set in the original Star Trek episodes. You can learn more about Josh at www.joshshaw.org   And more about POP at www.pacificoperaproject.com     Attribution: ----more---- Logo: Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html Music and Soundcello_tuning by flcellogrl / Licence: CC BY 3.0freesound.org/people/flcellogrl/sounds/195138/ Flute Play C - 08 by cms4f / Licence: CC0 1.0freesound.org/people/cms4f/sounds/159123/ "Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0 LicensesCC BY 3.0 - creativecommons.org/licenses/by/3.0/CC0 1.0 - http://creativecommons.org/publicdomain/zero/1.0/

Strength Level: Ebineezer Scrooge This week, EVIE BAÑUELOS is here!!! Evie is a flautist, orchestra manager, dog lover, wonderful lady, and so much dang more. Every year around this time I TRY to have someone on the show that can talk to my listeners about being charitable in some way, and then hyping specific charities, and Evie is THAT person this year! I hope you will listen to this episode and feel encouraged to jump into some type of action!! Evie is incredibly strong and inspirational (much like this here dang show), and I’m proud to hype not only her amazing personality, but also her love and passion for being charitable. No Scrooges allowed! :) On an entertainment specific note, if you get a chance to check out the Pacific Opera Project in LA (of which she is the principle flautist and orchestra manager/contractor), GO DO IT IMMEDIATELY!!!!!! And as promised, here’s a link so you can go give yo money to a great cause right now! :) https://www.stmartinsrescue.org/donate
 OUR PERSONAL THOUGHTS FOR YOU TODAY: Charity doesn’t just mean money! It can be time, food, listening, helping out, smiling, making someone laugh, anything that can help someone out.
So if your funds are tight, don’t get discouraged!!! Sometimes just YOU are what someone needs.

Josh Shaw is the Artistic Director of the Pacific Opera Project, right here, in sunny Los Angeles. He's a singer turned director and opera company owner. We talk the ins and outs of running a company, the motivation for undertaking such a crazy idea, and his take on how to be successful at it. Thanks for listening- Enjoy! See acast.com/privacy for privacy and opt-out information.

本期继续了前面讨论过的话题——星际迷航中的音乐。 前一期见第 22期《 22 看星际迷航也是要听音乐的》。 我们相信本期节目中的音乐片段都仅仅是用作批评、评论、教学或研究为目的，是属于合理使用（Fair use）的范畴，如有纰漏还请谅解，请联系我们删除。音乐版权归各自版权方所有。提醒大家从正规途径欣赏音乐和电视剧。 本期节目录制于20170411，主播：深思|CrazyEMH ———— 00:36 What We Left Behind: Looking Back at Star Trek: Deep Space Nine 01:47 片段出自"Tinker Tenor Doctor Spy", VOY 6x04. 原作为 意大利歌剧 Rigoletto。Data 为学习歌剧之美曾学习过它(TNG: "A Matter of Time") 。 06:04 EMH&7/9, you are my sunshine. 08:21 My Darling Clementine, 出自VOY 6x01 " Equinox Pt II". 10:46 VOY 6x12 "Blink of an Eye" 中描述了一个时间流逝很快的星球，EMH 在这个星球呆了3年 11:21 完全不懂音乐艺术的星球，其居民（ Qomar）人自认为自己非常高等，看不起人类，直到听闻 EMH 唱歌，惊为天人。出自 "Virtuoso" VOY 6x13，除本集中歌剧外，VOY 剧中出现 EMH 唱歌的片段均为 EMH 扮演者 Robert Picardo 本人所唱。 12:47 Robert Picardo 个人网站，EMH 的 爱情生活 13:40 Uhura 唱的关于 Spock 的歌 " Oh, On the Starship Enterprise"，出自 "Charlie X" TOS 1x07 15:38 Uhura 的唱段，出自 "The Conscience of the King" TOS 1x12 20:00 在 TOS " Elaan of Troyius"的删减片段中，Spock 透露他在全瓦肯音乐赛（All-Vulcan Music Competition）中拿到了第二名，第一名是他父亲。 21:04 Ballad of Bilbo Baggins 22:55 Mr. Spock 唱 "Maiden Wine"，出自 "Plato's Stepchildren" TOS 3x12， 这首歌是 Leonard Nimoy 原创！ 23:20 Spock 抚琴，Kirk起舞。出自"Requiem for Methuselah" TOS 3x21 26:16 " Space Oddity", 歌手 William Shatner，专辑 Seeking Major Tom 27:13 " Twinkle Twinkle Little Earth"，歌手 Leonard Nimoy 28:59 "Space Oddity"原版，歌手 David Bowie 31:01 "Blue Skies". 34:07 Data 的" 扫描生命体之歌"，出自电影7 Star Trek Generations 39:46 克林贡歌剧 "Aktuh and Meylota" ，出自 TNG " Unification II") 41:06 克林贡祝酒歌部分歌词 Klingonese 'ej HumtaH 'ej DechtaH 'Iw 'ej Doq SoDtaH ghoSpa' Sqral bIQtIq 'e' pa' jaj law' mo' jaj puS jaj qeylIS molar mIgh HoHchu'qu' English And the blood was ankle deep. And the River Skral ran crimson red. On the day above all days. When Kahless slew evil Molor dead. 更多可前往 http://www.klingonmusic.net 44:30 CrazyEMH 对于作者想表达的意思非常有疑惑的一集是 "Barge of the Dead" VOY 6x03，讲了很多克林贡信仰的东西，Torres 死了，去了克林贡人认为是不光荣的人才会取得死后世界，云云。 45:40 查证后，这是 VOY 的 1x09 "Emanations" 45:50 星际迷航歌剧 Pacific Opera Project's Abduction from the Seraglio(《后宫诱逃》)，莫扎特。 46:54 星联国歌， 在线收听， 无掌声欢呼声的版本。 ●本台反馈● Email: subspacesignal@qq.com, all frequencies open. 官网： http://trekin.space，官网包含完整且富文本格式的 shownotes 听众交流群：QQ群号 591546843 新浪微博： @迷于星际迷航播客