Podcast appearances and mentions of saint louis symphony

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg

In this episode, hosts Jeff and Ben engage in a captivating conversation with Diana Vuolo, a distinguished musician and the founder of SWAN. Diana's musical journey began with a prestigious full-tuition scholarship to study under the tutelage of the renowned teacher Dorothy DeLay at the Philadelphia College of Performing Arts (PCPA), where she earned her Bachelor of Music Degree in Violin Performance.Diana's professional trajectory has been extraordinary, featuring captivating performances in prestigious venues like Carnegie Hall and collaborations with esteemed orchestras such as The Philly Pops Orchestra and the Saint Louis Symphony. Beyond her performances, Diana has dedicated over four decades to music education, offering private lessons, teaching music theory, and leading ensemble classes.In 2011, Diana embarked on a new endeavor by founding SWAN, a program aimed at providing hope and support to children in crisis through music. SWAN's impact has been profound, with Diana's students gaining recognition on national and regional platforms like Executive Leaders Radio and The Learning Channel. Diana's unwavering commitment to nurturing young talent and fostering personal growth through music continues to drive SWAN's development, making a meaningful difference in countless lives. Join Jeff, Ben, and Diana as they explore her inspiring journey and the transformative power of music through SWAN.

Announcing the re-release of Cor Christmas with an added track, (Arabian Dance from “The Nutcracker”). A collection of sacred and secular carols featuring the soulful sound of the English horn, performed by Saint Louis Symphony Solo English horn player Cally Banham, this album presents a varied journey through popular Christmas tunes, created in a fusion of classical and jazz styles and reimagined in new and sonorous arrangements! Featured on the album are Banham's own ensemble Cortango, Adam Maness Trio, Trombones of the Saint Louis Symphony, harpist Allegra Lilly and percussionist William James.TracksWhite ChristmasCarol of the BellsIn the Bleak MidwinterChristmas Time is HereI've Got My Love to Keep Me WarmSilent NightLittle Drummer BoyDo You Hear What I HearWexford CarolBring a Torch, Jeanette, IsabellaLo, How a Rose E're BloomingIn Dulci JubiloComfort YeClassical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Lee Mills is internationally recognized as a passionate, multifaceted and energetic conductor. In naming Mills as the ‘New Artist of the Month' for March 2022, Musical America praised his ‘omnivorous musical temperament eager to try out highly contrasting musical styles and approaches.'As you'll hear, Lee left his mark wit the Seattle Symphony during the COVID pandemic, stepping in at crucial times. The League of American Orchestras selected Lee Mills for the 2018 Bruno Walter National Conductors Preview where he conducted the Nashville Symphony Orchestra. In 2017 he was selected as a semi-finalist in both the Sir Georg Solti International Conducting Competition and the Opera Royal de Wallonie-Liege International Opera Conducting Competition. In addition, he conducted alongside David Robertson in the highly acclaimed U.S. Premiere of John Cage's Thirty Pieces for Five Orchestras with the Saint Louis Symphony.    At the invitation of the Baltimore Symphony Orchestra Music Director Marin Alsop, he received the prestigious BSO-Peabody Institute Conducting Fellowship in 2011. Under the tutelage of Gustav Meier and Marin Alsop, Mills received his Graduate Performance Diploma and Artist's Diploma in Orchestral Conducting at the Peabody Institute. He was a conducting fellow at the American Academy of Conducting at Aspen during the summers of 2012 and 2013, working closely with Larry Rachleff, Robert Spano and Hugh Wolff. Lee Mills graduated cum laude from Whitman College, where he studied with Robert Bode.

SynopsisOn today's date in 2011, the Saint Louis Symphony under David Robertson premiered a new piano concerto by the American composer Steven Mackey. The soloist was Orli Shaham, Robertson's wife, to whom the new work was dedicated.The new concerto had an odd title, “Stumble to Grace,” which Mackey explained:“There is a narrative running through the piece … the piano is all thumbs … as it stumbles in its first entrance, playing naïve and awkward plinks and plunks. By [the end], the piano plays sophisticated, virtuosic and, at times, graceful contrapuntal music—a fugue, in fact …“The inspiration … came from observing my now two-and-a-half year old toddler learning to become human … I wanted to open my compositional process to incorporate some of the whimsy and exuberance that he brings to his exploration of the world.”Mackey concludes, “A preoccupation with one's children is common among most new parents but this seemed particularly appropriate … for a piece written for Orli Shaham. She and her conductor husband, David Robertson, have twins less than a year older than my son and we've had play dates and shared narrations about new parenthood.”Music Played in Today's ProgramStephen Mackey (b. 1956) Stumble to Grace Orli Shaham, p; Los Angeles Philharmonic; David Robertson, cond. Canary Classics CC-11

Looking for a last minute stocking stuffer? Cally Banham, solo English Horn for the Saint Louis Symphony, has released a new album of Christmas favorites in wonderful arrangements featuring a variety of styles – from Tango to Jazz. Joining Cally are the Adam Maness Trio, the Trombones of the Saint Louis Symphony and her group Cortango (pictured).

Diana Vuolo is the Founder/Executive Director of SWAN4kids. She received a full-tuition scholarship to study violin with world-renowned teacher Dorothy DeLay at The Philadelphia College of Performing Arts (PCPA). She earned a Bachelor of Music Degree in Violin Performance and was a masterclass performer for Miss DeLay at PCPA and the Aspen Music Festival. Her performance career began with a chamber music concert in Carnegie Hall, NY, and as co-concertmaster for the International Lyric Festival Opera Orchestra, Barga, Italy. Diana was a member of the Concerto Soloists of Philadelphia, Philly Pops Orchestra, Canton Symphony. She served as a substitute for the Saint Louis Symphony under the direction of Leonard Slatkin. In addition to performing, Diana has taught violin, music theory, and ensemble classes over the past 45 years and served as an adjunct violin professor at Lancaster Bible College. Volante, one of her high school student groups, was featured on CBS, “The Early Show.” Her SWAN students have been featured on national and local television and radio broadcasts.Mission: To be dedicated advocates for children affected by parental incarceration by providing life-changing intervention through music and mentoring. SWAN provides free music lessons, ensemble training, and performance opportunities as an after-school program within the School Districts of Lancaster, Red Lion, and Lancaster's Youth Intervention Center.

I can't wait for you to hear this week's conversation with the inspiring  Jennifer Montone. Jennifer is the Grammy-Award-Winning Principal Horn of the Philadelphia Orchestra, and a world acclaimed soloist, chamber musician and teacher. She's been on the faculty at the Curtis Institute of Music and the Juilliard School since joining the orchestra in 2006.      She regularly performs as a soloist with orchestras such as the Philadelphia Orchestra, the Saint Louis Symphony, the Dallas Symphony, the National Symphony, the Polish National Radio Symphony, the Warsaw National Philharmonic, among others.  She's an active recording artist with several albums under her belt and she performs as a chamber musician in festivals and on stages across the world.  In May 2006 Jennifer was awarded the prestigious Avery Fisher Career Grant. She is also the winner of the 1996 Paxman Young Horn Player of the Year Award in London, England.    Jennifer shares fantastic insight in our conversation, including: How Jennifer's artistic path has unfolded throughout her career (4:10) The importance of music in conjunction with education, and the education that can be taken from attending orchestral concerts (7:42) What her life looks like as a musician in a professional orchestra, and how it differs from her early expectations (11:07) How negative mindsets and nerves prevent us from improving, how to find a balance with your own mindset, and how she settles into her own (14:26) Particular steps Jennifer takes when she knows she will be in a potentially stressful situation or performance to help tap into a “flow state” (21:35) Why preparation for major repertoire (especially for the first time) should include learning the history and context surrounding its composition as well as studying the score  (29:16) The balance Jennifer has found between her work and personal lives and how she achieved it (33:26) What surprises her the most about professional orchestra life (spoiler alert: it's the camaraderie of fellow musicians!) (39:45) And finally Jennifer answers some rapid-fire questions, sharing the resistance she's faced along her journey, advice for young musicians, her favorite warm-ups, advice she'd like to pass on to all the listeners, and an actionable tip you can try today (44:30) LINKS: Website: https://www.jenmontone.com/ PRACTICING FOR PEAK PERFORMANCE: I'm excited to tell you that Practicing for Peak Performance, my transformative workshop, is now available for download! Go to MindOverFinger.com for access to all the tools that will help you transform your practice, gain confidence in your process, and start performing at your best.  With the purchase of PPP, you gain: Access to all recorded content - over 7 hours of instruction Guidance in effective high-performance systems Detailed handouts For a limited time only, a free 30-minute consultation with me. MIND OVER FINGER: As we head into this new season, I encourage you to visit MindOverFinger.com for a plethora of resources on mindful practice and information on how to work with me. Sign up for my newsletter and receive your free guide to a highly productive mindful practice using a metronome! www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to pianist-singer-song-writer Louise Kelly for the introduction!  You can find out more about Kelly and her creative work by visiting louisekelly.com.   

Synopsis In 1935, when he was 25 years old, the American composer Samuel Barber was awarded the prestigious Prix de Rome. This meant that Barber could study at the American Academy in Rome for two years, with free lodgings and an annual stipend of $1,400 – a considerable sum of money in the 1930s. Barber found his Italian studio, a little yellow house approached through a garden, to be a good place to work. While in Italy, Barber finished his Symphony No. 1. The premiere took place in Rome on today's date in 1936, with an Italian conductor and orchestra. Years later, Barber recalled that the orchestra played well, but also that the Italian audience members were “not shy about expressing their feelings... 50% applauded and 50% were hissing.” In Barber's opinion, the Italians found the new work “too dark-toned, too Nordic.” The Cleveland Orchestra gave the Symphony's American premiere early the next year, followed by a New York performance under the direction of Arthur Rodzinski, who was so impressed he conducted the work with the Vienna Philharmonic at the opening concert of the 1937 Salzburg Music Festival in Austria. That performance was more warmly received, and Barber was called back to the stage three times. Music Played in Today's Program Samuel Barber (1910–1981) — Symphony No. 1 (Saint Louis Symphony; Leonard Slatkin, cond.) RCA/BMG 60732

Synopsis The American composer Joan Tower says that explaining her own music is (quote) “sheer torture for me.” Understandably, she prefers to let her music speak for itself, and many of her works have simple generic titles like: “Piano Concerto” or “Concerto for Orchestra.” But audiences generally prefer more evocative titles, and on more than one occasion Tower has provided them.  On today's date in 1985, the Florida Orchestra premiered a piece by Tower entitled “Island Rhythms,” a celebratory work commissioned for the opening of Tampa's Harbour Island. Tower suggested that Caribbean music influenced the livelier outer sections of her new piece, and its central, slower section evoked the  image of an underwater swimmer rising slowly, but steadily towards the light. And for the St. Louis Symphony's oboist, Peter Bowman, Tower composed in 1989 an “Island Prelude,” for solo oboe and orchestra. When pressed to describe what sort of “island” she had in mind, Tower replied with (her) usual poetic eloquence: “The island is remote, lush and tropical with stretches of white beach interspersed with thick green jungle. Above is a large, powerful and brightly colored bird which soars and glides, … in complete harmony with its island home.” Music Played in Today's Program Joan Tower (b. 1938) — Island Rhythms (Louisville Orchestra; Lawrence Leighton Smith, cond.) Louisville 6 Joan Tower (b. 1938) — Island Prelude (Peter Bowman, oboe; Saint Louis Symphony; Leonard Slatkin, cond.) Nonesuch 79245

Synopsis The American composer Joan Tower says that explaining her own music is (quote) “sheer torture for me.” Understandably, she prefers to let her music speak for itself, and many of her works have simple generic titles like: “Piano Concerto” or “Concerto for Orchestra.” But audiences generally prefer more evocative titles, and on more than one occasion Tower has provided them.  On today's date in 1985, the Florida Orchestra premiered a piece by Tower entitled “Island Rhythms,” a celebratory work commissioned for the opening of Tampa's Harbour Island. Tower suggested that Caribbean music influenced the livelier outer sections of her new piece, and its central, slower section evoked the  image of an underwater swimmer rising slowly, but steadily towards the light. And for the St. Louis Symphony's oboist, Peter Bowman, Tower composed in 1989 an “Island Prelude,” for solo oboe and orchestra. When pressed to describe what sort of “island” she had in mind, Tower replied with (her) usual poetic eloquence: “The island is remote, lush and tropical with stretches of white beach interspersed with thick green jungle. Above is a large, powerful and brightly colored bird which soars and glides, … in complete harmony with its island home.” Music Played in Today's Program Joan Tower (b. 1938) — Island Rhythms (Louisville Orchestra; Lawrence Leighton Smith, cond.) Louisville 6 Joan Tower (b. 1938) — Island Prelude (Peter Bowman, oboe; Saint Louis Symphony; Leonard Slatkin, cond.) Nonesuch 79245

Gerry Pagano, Saint Louis Symphony tormbone player, on seeing an audience once again, plus their upcoming events! Check out their site: https://www.slso.org/

For this episode, I'm really excited to bring you and extremely knowledgeable, thoughtful , and inspiring musician: horn player, pedagogue, and author Eli Epstein. I'm particularly excited about this episode because Eli's philosophy and approach to practicing and music making embody so much of what mind over finger is about. Eli elaborates on: His inspiring journey from picking up the horn to teaching at NEC and Berklee, via a 16- year tenure with the Cleveland Orchestra The importance of listening to music in order to ignite our interest, refine our ears, and improve our playing The process of myelination and how it affects our work Ways to deal with our negative inner voice Ways to express authentic emotions through sounds The “Magic If” … and so much more! I I know you're going to love this conversation!     Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be!   THE MUSIC MASTERY EXPERIENCE will be back in June 2021!  This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses!     MORE ABOUT Eli Epstein Website: https://eliepstein.com/ YouTube channel: https://www.youtube.com/channel/UCabKpW2k2vQDAkpmI4H2D7w Facebook: https://www.facebook.com/eliepsteinproductions/   Eli Epstein enjoys a multi-faceted career as performer, educator, conductor and author. Epstein was second horn of the Cleveland Orchestra (1987-2005), and horn professor at the Cleveland Institute of Music (1989-2005). He has appeared several times as soloist with the Philadelphia Orchestra and Cleveland Orchestra. Epstein left Cleveland in 2005, and moved to Boston to devote more time and energy toward educational and creative endeavors. He is currently on faculty of New England Conservatory and Boston Conservatory at Berklee. At NEC, Epstein is on the college faculty, NEC at Walnut Hill, and Brass Chair of the Preparatory School. Epstein's students hold positions as chamber musicians and teachers, and have won posts in more than 30 major orchestras in North America. An active performer, Epstein has appeared on chamber programs at Jordan Hall, Severance Hall, Tanglewood, Philadelphia's Academy of Music, Kennedy Center, Music Academy of the West, where he was on faculty (2005-2013), and the Aspen Music Festival, where he served as principal horn of the Aspen Chamber Symphony (2000-2012). Epstein has collaborated with the Borromeo and Brentano String Quartets, and has been guest principal horn for the Rhode Island Philharmonic, Orpheus Chamber Orchestra and the Saint Louis Symphony. Epstein performs with the Boston Symphony Orchestra from time to time and has played on the BSO Community Chamber Concerts series. Director of the NEC Youth Brass Ensemble since 2009, Epstein has conducted college ensembles at Boston Conservatory at Berklee, Cleveland Institute of Music, Longy School of Music, Music Academy of the West, NEC, and El Sistema in Venezuela. Advocating the idea that music can be a meaningful and uplifting force in society, in 2009 Epstein won Grand Prize in the Entrepreneur the Arts Contest for his Inside Out Concerts, and appeared on Heartbeat of America with William Shatner. Drawing on years of experience as a performer, educator and entrepreneur, in 2013 Epstein joined the NEC Entrepreneurial Musicianship faculty to teach their survey course The Entrepreneurial Musician. Epstein's book, Horn Playing from the Inside Out, A Method for All Brass Musicians (Third Edition) was celebrated in Horn Matters: "Without a doubt the most physiologically correct book ever published on horn playing. Epstein presents a pedagogy that is truly informed by science, with new insights that should not be ignored." Orchestral Excerpts for Low Horn, Epstein's album released in 2014, was acclaimed in HornWorld as "a perfect sequel to (Krebiehl's) original horn excerpts CD...you would be hard pressed to find more nuanced, musically substantial performances anywhere."   Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.   If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider!  I genuinely appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

The celebrated Maestro Roger Nierenberg joins us to share about what it’s like to conduct appearances for the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, and many other great American orchestras.

Ep. 137: Joseph Young, conductor. "Don't wait for people to open doors for you." Let's Talk Off The Podium with Tigran Arakelyan. In this episode Joseph talks about his early career as a high school band conductor, studying with Marin Alsop at the the Cabrillo Festival, attending the Peabody Conservatory and working as an assistant at the Baltimore Symphony. He also speaks about New Music USA, Amplifying Voices, conducting competitions, running, yoga, working with Robert Spano, stepping in to conduct at last minute, life changing moments (one of which is becoming an uncle) and much more. Praised for his suavely adventurous programing, Joseph Young is increasingly recognized as “one of the most gifted conductors of his generation.” Joseph is Music Director of the Berkeley Symphony, Artistic Director of Ensembles for the Peabody Conservatory, and Resident Conductor of the National Youth Orchestra–USA at Carnegie Hall. In recent years, he has made appearances with the Saint Louis Symphony, Buffalo Philharmonic, Colorado Symphony, Detroit Symphony, Phoenix Symphony, Bamberger Symphoniker, New World Symphony Orchestra, Spoleto Festival Orchestra, Orquestra Sinfónica do Porto Casa da Música, and the Orquesta Sinfonica y Coro de RTVE (Madrid); among others in the U.S. and Europe. © Let's Talk Off The Podium, 2020

On today’s date in 2011, the Saint Louis Symphony under David Robertson premiered a new piano concerto by the American composer Steven Mackey. The soloist was Orli Shaham, Robertson’s wife, to whom the new work was dedicated. The new concerto had an odd title, “Stumble to Grace,” which Mackey explained: “There is a narrative running through the piece … the piano is all thumbs … as it stumbles in its first entrance, playing naïve and awkward plinks and plunks. By [the end], the piano plays sophisticated, virtuosic and, at times, graceful contrapuntal music—a fugue, in fact … “The inspiration … came from observing my now two-and-a-half year old toddler learning to become human … I wanted to open my compositional process to incorporate some of the whimsy and exuberance that he brings to his exploration of the world.” Mackey concludes, “A preoccupation with one’s children is common among most new parents but this seemed particularly appropriate … for a piece written for Orli Shaham. She and her conductor husband, David Robertson, have twins less than a year older than my son and we’ve had play dates and shared narrations about new parenthood.”

On today’s date in 2011, the Saint Louis Symphony under David Robertson premiered a new piano concerto by the American composer Steven Mackey. The soloist was Orli Shaham, Robertson’s wife, to whom the new work was dedicated. The new concerto had an odd title, “Stumble to Grace,” which Mackey explained: “There is a narrative running through the piece … the piano is all thumbs … as it stumbles in its first entrance, playing naïve and awkward plinks and plunks. By [the end], the piano plays sophisticated, virtuosic and, at times, graceful contrapuntal music—a fugue, in fact … “The inspiration … came from observing my now two-and-a-half year old toddler learning to become human … I wanted to open my compositional process to incorporate some of the whimsy and exuberance that he brings to his exploration of the world.” Mackey concludes, “A preoccupation with one’s children is common among most new parents but this seemed particularly appropriate … for a piece written for Orli Shaham. She and her conductor husband, David Robertson, have twins less than a year older than my son and we’ve had play dates and shared narrations about new parenthood.”

Maestro Roger Nierenberg made his New York conducting debut at Avery Fisher with the Pro Arte Chorale and Orchestra. He was soon invited to conduct operas in two successive seasons at the Mostly Mozart Festival at New York’s Lincoln Center. Thereafter followed long, successful tenures as Music Director of both the Stamford Symphony in Connecticut and the Jacksonville Symphony in Florida. Guest conducting invitations came from the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, the Indianapolis Symphony, the San Diego Symphony, and many other great American orchestras. Abroad he has recorded with the London Philharmonic and conducted at both the Prague Spring Festival and the Beijing Festival. He has collaborated with many of the most renowned solo artists and composers of our time.  During his tenure with the Jacksonville Symphony, the seeds were planted that would lead Maestro Nierenberg to a startling departure from the conventional, through the unparalleled creation of The Music Paradigm. Through his experiences engaging with community businesses and civic leaders, he became curious about the challenges and opportunities faced by organizations in times of rapid change. He quickly realized how crucial issues of organizational development could be powerfully brought to life within an orchestra. Thus was born The Music Paradigm, which has taken Mr. Nierenberg to the podium of over ninety different orchestras, before hundreds of different organizations in twenty-three different countries. Many of the lessons learned on this journey are presented in his book Maestro: A Surprising Story About Leading by Listening which was honored in 2009 as the Best Leadership Book from 800-CEO-READ.  Roger Nierenberg makes his home in New York City and has two children, a son who is a professional pilot and a daughter who is studying French horn. Connect with Roger Nierenberg Website: https://www.musicparadigm.com/ Twitter: https://twitter.com/rogernierenberg Facebook: https://www.facebook.com/themusicparadigm LinkedIn: https://www.linkedin.com/in/rogernierenberg/   Connect with Jon Dwoskin: Website: http://jondwoskin.com/ Twitter: @jdwoskin Facebook: https://www.facebook.com/jonathan.dwoskin Instagram: https://www.instagram.com/Thejondwoskinexperience/ LinkedIn: https://www.linkedin.com/in/jondwoskin/ Email: jon@jondwoskin.com  

Chuck Vuolo has been married to Diana for 36 years and they have three grown children. He was a pastor in north Philadelphia for 8 years, which included ministry to Cambodian refugees. For 19 years he served as a pastor in Downingtown, PA. Since 2005 he has ministered among the Old Order Amish here in Lancaster County. Since that time he has also helped to plant a church in Kingsville, MD.Diana Vuolo Diana Vuolo was awarded a full-tuition scholarship to study with the world-renowned teacher, Dorothy DeLay, at the Philadelphia College of Performing Arts (PCPA) where she earned a Bachelor of Music Degree in Violin Performance. She was featured as a masterclass performer for Miss DeLay at PCPA and the Aspen Music Festival. Her professional career began in Carnegie Hall when she performed with a Chamber Orchestra in partnership with Isaac Stern followed by an international concert tour with the Concerto Soloists of Philadelphia. She has performed with The Philly Pops Orchestra, the Saint Louis Symphony and served as concertmaster for Musica Sacra Chamber Orchestra. She was co-concertmaster for Opera Barga in Lucca, Italy and a principal player in the Canton Symphony. In addition to performing, Diana has taught private violin lessons, music theory and ensemble classes over the past 40 years. One of her student ensembles, Volante, was featured on CBS, “The Early Show”. She founded Avalare Strings, a classical crossover string quartet that currently performs in the Philadelphia region. In 2011 Diana founded SWAN. Her SWAN students were featured on an episode of TLC’s “Counting On” in August of 2018.For more information on SWAN click hereIntro created and performed by Isaac Johnson

Maestro Roger Nierenberg enjoyed long, successful tenures as Music Director of both the Stamford Symphony in Connecticut and the Jacksonville Symphony in Florida. Guest conducting invitations came from the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, the Indianapolis Symphony, the San Diego Symphony, and many other great American orchestras. Abroad he has recorded with the London Philharmonic and conducted at both the Prague Spring Festival and the Beijing Festival. He has collaborated with many of the most renowned solo artists and composers of our time. During his tenure with the Jacksonville Symphony, the seeds were planted that would lead Maestro Nierenberg to a startling departure from the conventional, through the unparalleled creation of The Music Paradigm. Through his experiences engaging with community businesses and civic leaders, he became curious about the challenges and opportunities faced by organizations in times of rapid change. He quickly realized how crucial issues of organizational development could be powerfully brought to life within an orchestra. Thus was born The Music Paradigm, which has taken Mr. Nierenberg to the podium of over ninety different orchestras, before hundreds of different organizations in twenty-three different countries. Many of the lessons learned on this journey are presented in his book Maestro: A Surprising Story About Leading by Listening which was honored in 2009 as the Best Leadership Book from 800-CEO-READ.

Maestro Roger Nierenberg enjoyed long, successful tenures as Music Director of both the Stamford Symphony in Connecticut and the Jacksonville Symphony in Florida. Guest conducting invitations came from the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, the Indianapolis Symphony, the San Diego Symphony, and many other great American orchestras. Abroad he has recorded with the London Philharmonic and conducted at both the Prague Spring Festival and the Beijing Festival. He has collaborated with many of the most renowned solo artists and composers of our time. During his tenure with the Jacksonville Symphony, the seeds were planted that would lead Maestro Nierenberg to a startling departure from the conventional, through the unparalleled creation of The Music Paradigm. Through his experiences engaging with community businesses and civic leaders, he became curious about the challenges and opportunities faced by organizations in times of rapid change. He quickly realized how crucial issues of organizational development could be powerfully brought to life within an orchestra. Thus was born The Music Paradigm, which has taken Mr. Nierenberg to the podium of over ninety different orchestras, before hundreds of different organizations in twenty-three different countries. Many of the lessons learned on this journey are presented in his book Maestro: A Surprising Story About Leading by Listening which was honored in 2009 as the Best Leadership Book from 800-CEO-READ.

Maestro Roger Nierenberg is an orchestral conductor, leadership consultant, and founder of The Music Paradigm. He made his New York conducting debut at Avery Fisher with the Pro Arte Chorale and Orchestra. He was soon invited to conduct operas in two successive seasons at the Mostly Mozart Festival at New York’s Lincoln Center, followed by long, successful tenures as Music Director of both the Stamford Symphony in Connecticut and the Jacksonville Symphony in Florida. Guest conducting invitations came from the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, the Indianapolis Symphony, the San Diego Symphony, and many other great American orchestras. Abroad Roger has recorded with the London Philharmonic and conducted at both the Prague Spring Festival and the Beijing Festival. He has collaborated with many of the most renowned solo artists and composers of our time. During his tenure with the Jacksonville Symphony, the seeds were planted that would lead Maestro Nierenberg to a startling departure from the conventional, through the unparalleled creation of The Music Paradigm. Through his experiences engaging with community businesses and civic leaders, he became curious about the challenges and opportunities faced by organizations in times of rapid change. He quickly realized how crucial issues of organizational development could be powerfully brought to life within an orchestra. Thus was born The Music Paradigm, which has taken Mr. Nierenberg to the podium of over ninety different orchestras, before hundreds of different organizations in twenty-three different countries. Many of the lessons learned on this journey are presented in his book Maestro: A Surprising Story About Leading by Listening which was honored in 2009 as the Best Leadership Book from 800-CEO-READ. In today’s conversation, Maestro Roger Nierenberg, guides us on a tour of the Music Paradigm; how he is able to reveal valuable insights to business leaders through music. It’s a different kind of learning that is not only highly effective, but also almost instantaneous, such that participants are able to recognize distinctions in leadership and self-awareness within minutes. He is passionate about helping leaders see the impact they have on people without judgment or being singled out. The music paradigm is truly a revolutionary way to empower leaders and their teams to greatness. Key Takeaways Music converts behavior into results almost instantaneously. So you can try on one behavior and immediately you hear the result. As a leader, if you feel like your job is to fix things when they go wrong or solve problems when they come up, you will never draw out the best in your people. Only a leader that sees what the potential could be and drives the organization towards that success will bring that about. Really deep insights about organizational leadership in a way transcend the ability to ‘talk’ about it. Even ‘real life’ unfolds too slowly, whereas music allows one to experience it almost instantaneously. The more the musicians in the orchestra gain insights about themselves, the better they play. The business leaders get to see it first hand and then relate it to their own organization. It’s not that people in organizations don’t want to change; they can’t visualize it or imagine what that is like. Similarly, often the state that we’re trying to move to, we just can’t imagine it yet. Skepticism is often unconscious – that you could actually create something that you’ve never experienced or visualized before. Business organizations don’t routinely practice the way athletes or musicians do. Leadership is hard to practice and therefore hard to learn as a skill. So leaders are often completely unaware of the effect they’re having on their people. Resources Book: Maestro: A Surprising Story About Leading by Listening Blogs, Videos & Event Calendar: http://www.musicparadigm.com Connect With Roger Nierenberg Website: http://www.musicparadigm.com Linkedin: https://www.linkedin.com/in/rogernierenberg

Looking for a last minute stocking stuffer? Cally Banham, solo English Horn for the Saint Louis Symphony, has released a new album of Christmas favorites in wonderful arrangements featuring a variety of styles – from Tango to Jazz. Joining Cally are the Adam Maness Trio, the Trombones of the Saint Louis Symphony and her group Cortango (pictured).

Looking for a last minute stocking stuffer? Cally Banham, solo English Horn for the Saint Louis Symphony, has released a new album of Christmas favorites in wonderful arrangements featuring a variety of styles – from Tango to Jazz. Joining Cally are the Adam Maness Trio, the Trombones of the Saint Louis Symphony and her group Cortango (pictured).

Maestro Roger Nierenberg made his New York conducting debut at Avery Fisher with the Pro Arte Chorale and Orchestra. He was soon invited to conduct operas in two successive seasons at the Mostly Mozart Festival at New York's Lincoln Center. Thereafter followed long, successful tenures as Music Director of both the Stamford Symphony in Connecticut and the Jacksonville Symphony in Florida. Guest conducting invitations came from the National Symphony, the Opera Theatre of Saint Louis, the Detroit Symphony, the Saint Louis Symphony, the Baltimore Symphony, the Indianapolis Symphony, the San Diego Symphony, and many other great American orchestras. Abroad he has recorded with the London Philharmonic and conducted at both the Prague Spring Festival and the Beijing Festival. He has collaborated with many of the most renowned solo artists and composers of our time. During his tenure with the Jacksonville Symphony, the seeds were planted that would lead Maestro Nierenberg to a startling departure from the conventional, through the unparalleled creation of The Music Paradigm. Through his experiences engaging with community businesses and civic leaders, he became curious about the challenges and opportunities faced by organizations in times of rapid change. He quickly realized how crucial issues of organizational development could be powerfully brought to life within an orchestra. Thus was born The Music Paradigm, which has taken Mr. Nierenberg to the podium of over ninety different orchestras, before hundreds of different organizations in twenty-three different countries. Many of the lessons learned on this journey are presented in his book Maestro: A Surprising Story About Leading by Listening which was honored in 2009 as the Best Leadership Book from 800-CEO-READ. Roger Nierenberg makes his home in New York City and has two children, a son who is a professional pilot and a daughter who is studying French horn. Learn more about your ad choices. Visit https://megaphone.fm/adchoices (megaphone.fm/adchoices)

A reminder that if you don't yet have our free guide to evaluating and upgrading your violin, make sure to click this link to download it. Even if you're not in the market, you never know when you'll be called upon to help a friend pick a new instrument…so be prepared! For the first time, we've got a special guest here on Stand Partners for Life. Akiko is still alive and well, but her voice needed a break after some extra parenting this week! So I'm thrilled to have our great friend and former colleague Brant Taylor here with me. Brant is a cellist in the Chicago Symphony, and before that he was (very briefly) a member of the Saint Louis Symphony and the New World Symphony. You'll hear why those stays were brief here in the episode! You'll also hear why he decided to take a break from the CSO recently, or as it's technically known, a sabbatical. The fact is that Brant was a professional quartet player before he ever played in a professional orchestra, so (like me and Akiko) the symphony has never defined his entire scope musically. That's one of the things that gave us an instant connection when I joined the CSO back in 2002. Over the years, Akiko and I, along with Brant and his partner, have traveled the world, with the symphony and without it. But since we've moved out to LA, our visits are far too infrequent, so I really enjoyed getting to sit down for an in-depth conversation with Brant. He's a tremendous teacher as well, so we get into a variety of great topics this episode. We start by talking about the intense bond that develops among the members of a string quartet. It's often been compared to a marriage, and for good reason! That made Brant's quartet's decision to break up that much more painful, even if it was necessary. Next Brant reveals why his quartet background put him in perfect position to win an orchestra audition. How should you approach a new piece before getting together with your chamber group or orchestra to rehearse it for the first time? How much of yourself should you bring to the piece, and how do you learn what that means for you? We talk about the New World Symphony, and how it helped Brant transition to a full-time professional orchestral career. We also get into what a sabbatical is all about. For Brant, it was a magnification of all the musical activities he loves best, and it made his return to orchestra that much sweeter. But it also included some surprising pursuits, all of which eventually relate to his passion as a cellist and musician. We close with some thoughts on how to accentuate the positive in what can be a demanding, and at times, demeaning job!

A reminder that if you don’t yet have our free guide to evaluating and upgrading your violin, make sure to click this link to download it. Even if you’re not in the market, you never know when you’ll be called upon to help a friend pick a new instrument…so be prepared! For the first time, we’ve got a special guest here on Stand Partners for Life. Akiko is still alive and well, but her voice needed a break after some extra parenting this week! So I’m thrilled to have our great friend and former colleague Brant Taylor here with me. Brant is a cellist in the Chicago Symphony, and before that he was (very briefly) a member of the Saint Louis Symphony and the New World Symphony. You’ll hear why those stays were brief here in the episode! You’ll also hear why he decided to take a break from the CSO recently, or as it’s technically known, a sabbatical. The fact is that Brant was a professional quartet player before he ever played in a professional orchestra, so (like me and Akiko) the symphony has never defined his entire scope musically. That’s one of the things that gave us an instant connection when I joined the CSO back in 2002. Over the years, Akiko and I, along with Brant and his partner, have traveled the world, with the symphony and without it. But since we’ve moved out to LA, our visits are far too infrequent, so I really enjoyed getting to sit down for an in-depth conversation with Brant. He’s a tremendous teacher as well, so we get into a variety of great topics this episode. We start by talking about the intense bond that develops among the members of a string quartet. It’s often been compared to a marriage, and for good reason! That made Brant’s quartet’s decision to break up that much more painful, even if it was necessary. Next Brant reveals why his quartet background put him in perfect position to win an orchestra audition. How should you approach a new piece before getting together with your chamber group or orchestra to rehearse it for the first time? How much of yourself should you bring to the piece, and how do you learn what that means for you? We talk about the New World Symphony, and how it helped Brant transition to a full-time professional orchestral career. We also get into what a sabbatical is all about. For Brant, it was a magnification of all the musical activities he loves best, and it made his return to orchestra that much sweeter. But it also included some surprising pursuits, all of which eventually relate to his passion as a cellist and musician. We close with some thoughts on how to accentuate the positive in what can be a demanding, and at times, demeaning job!

St. Louis Symphony President/CEO Fred Bronstein and Music Director David Robertson discuss the current state of the Symphony and the 2011-2012 season during a special town Hall Meeting, held at Powell Hall.

The title of this piece is not the composer's only reference to the music of Aaron Copland, but also uses the same instrumentation as one of Copland's fanfares, and quotes some of Copland's music too. The composer's first manifestation of this fanfare was performed while serving as the composer-in-residence for the Saint Louis Symphony.

The title of this piece is not the composer's only reference to the music of Aaron Copland, but also uses the same instrumentation as one of Copland’s fanfares, and quotes some of Copland’s music too. The composer's first manifestation of this fanfare was performed while serving as the composer-in-residence for the Saint Louis Symphony.

THE CHRIS ROHN PROGRAMIssue #091 | aired 02 28 2008SAINT LOUIS SYMPHONY | samuel barber's overture to the school for scandal.LONDON PHILHARMONIC | pink floyd's comfortably numb.JONATHAN ELIAS | halo from the prayer cycle featuring alanis morissette.---BJORK | gloomy sunday.GREGORIAN | losing my religion.ARCANTA | awake as if from slumber.---CRAIG ARMSTRONG | hymn 2.BOARDS OF CANADA | sunshine recorder.BJORK | all is full of love. funkstorung remix.---MOCEAN WORKER | counts dukes and strays.NOUVELLE VAGUE | ever fallen in love. Subscribe to The Chris Rohn Program Listen to the 24/7 audio streamThe Chris Rohn Program airs weekly on SanctuaryRadio.com. Missed the broadcast? Listen to the archives using the player on ChrisRohn.com or with your portable audio player by subscribing with the link above.CHRIS ROHN @ http://www.chrisrohn.com