Podcast appearances and mentions of louis symphony orchestra

In this episode, Cherise is joined by Takeshi Tornier, AIA, Architect and Director of Snohetta's New York Studio. Snohetta has offices worldwide. They discuss St. Louis Symphony Orchestra's Powell Hall in St. Louis, Missouri. You can see the project here as you listen along.Snøhetta's design for the St. Louis Symphony Orchestra's Powell Hall expansion reinterprets a century-old landmark through an architectural language of continuity and contrast. A series of canted masonry shells define the addition, their inclined planes and arched apertures referencing the rhythm and proportion of the existing structure without direct imitation.If you enjoy this episode, visit arcat.com/podcast for more. If you're a frequent listener of Detailed, you might enjoy similar content at Gābl Media. Mentioned in this episode:Social Channel Pre-rollPromotes the YouTube channel, ARACTemy, and social handle.

Cally Banham, Oboe and English Horn player with the St. Louis Symphony Orchestra and founder of Cortango, joins the show in-studio to talk about her career, the prestige of SLSO, and the newly renovated Powell Hall which can be viewed at an open house this Saturday!

Chuck Berry famously sung for Beethoven to roll over and make way for rock and roll. But coming up on the 100th anniversary of his birth, the SLSO will pay tribute to the St. Louis musical icon in a pair of concerts this weekend. STLPR's Jeremy Goodwin talks to some of the rockers who will be playing with the orchestra.

In this segment, Tim Ries, a Saxaphonist and Former Rolling Stones Musician. He's in town for the St. Louis Symphony Orchestra's salute to Chuck Berry.

In hour 3, Mark is joined by Monica Adams, a former anchor at KSDK and Fox 2 and a Talk Show Host of The Real Monica Adams Show. She discusses Rene Knott parting ways from KSDK as well as the current state of the local broadcast industry. Mark is then joined by Tim Ries, a Saxaphonist and Former Rolling Stones Musician. He's in town for the St. Louis Symphony Orchestra's salute to Chuck Berry. They wrap up the show with the Audio Cut of the Day.

In hour 1 of The Mark Reardon Show, Mark is joined by Salena Zito, a Columnist for the Pittsburgh Post Gazette and the Washington Examiner. Her new book is titled "Butler: The Untold Story of the Near Assassination of Donald Trump and the Fight for America's Heartland." She discusses trending political news including John Fetterman's reaction to the Government Shutdown, interacting with political opponents and more. He's later joined by Curtis Houck, the Managing Editor of News Busters at the Media Research Center. He reacts to last night's CNN Government Shutdown Town Hall with Alexandria Ocasio Cortez and Bernie Sanders. In hour 2, Sue hosts, "Sue's News" where she discusses the latest trending entertainment news, this day in history, the random fact of the day, and much more. Mark is later joined by Catherine Hanaway, the Missouri Attorney General. She discusses her new lawsuit which targets out-of-state dark money groups trying to hijack Missouri's constitutional redistricting process, as well as her reaction to Sheriff Montgomery now being in jail. In hour 3, Mark is joined by Monica Adams, a former anchor at KSDK and Fox 2 and a Talk Show Host of The Real Monica Adams Show. She discusses Rene Knott parting ways from KSDK as well as the current state of the local broadcast industry. Mark is then joined by Tim Ries, a Saxaphonist and Former Rolling Stones Musician. He's in town for the St. Louis Symphony Orchestra's salute to Chuck Berry. They wrap up the show with the Audio Cut of the Day.

In this episode of House of Lou, Veronica welcomes Kate Pollmann and Jessica Conway, owners of Sugarcoat Home, to talk about shopping estates sales, finding treasures where (and when!) you least expect them, and how we can all create beautiful, unique spaces when we follow our heart’s desire. Kate and Jessica also share Sugarcoat’s origin story, insights about working together, and their hopes and dreams for the future of their business. Hint: There’s more travel ahead for them—and, possibly, the chance for us to join them on one of their adventures! These women are passionate about the home, antiques, and living life to the fullest. So, get ready for a lively conversation with two of St. Louis’ most exciting retail owners. This episode is sponsored by NCJWSTL The Resale Shop and supported by St. Louis Symphony Orchestra. Don’t miss Couturier, October 22–25 at The Resale Shop. For over 60 years, this premier resale event has featured high-quality designer clothing and accessories for women, men, and children, plus unique home décor—all at a fraction of the cost. Proceeds support programs that improve the lives of women, children, and families. New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing! Mentioned in this episode: Sugarcoat Home Ambacht Marci Marsh Abode by Parklyn Interiors Candice Wideman Miriam Switching Post St. Louis Magazine‘s Dream Kitchens Architect & Designer Awards ModernSTL: Ridgewood Home Tour Landmarks Association: Cathedral Basilica: An Illustrated Timeline Persimmon Festival & Tree Giveaway You may also enjoy these articles from SLM: The inventory at Sugarcoat Home in St. Louis is curated by two friends Where to shop for vintage, resale, and consignment fashion in St. Louis A guide to vintage shopping in St. Louis More episodes of House of Lou See omnystudio.com/listener for privacy information.

Powell Hall, the century-old home of the St. Louis Symphony Orchestra, has reopened after a two-year, $140 million expansion and renovation. STLPR arts and culture senior reporter Jeremy D. Goodwin talks about the hall's transformation. Then, newly appointed composer-in-residence Kevin Puts, a St. Louis native and Pulitzer Prize- and Grammy Award-winning composer, discusses the world premiere of his song cycle "House of Tomorrow" and what he's looking forward to with the orchestra's opening concert of the 2025-26 season.

Friday marks the reopening of Powell Hall after a two-year, $140-million dollar renovation and expansion. The St. Louis Symphony Orchestra will mark the occasion with three concerts this weekend. As St. Louis Public Radio's Jeremy Goodwin reports, a recent sneak preview offered a taste of the changes.

Powell Hall is reopening this weekend after a two-year, $140 million renovation project. KMOX's Stuart McMillian was on hand for rehearsal, as the St. Louis Symphony Orchestra was tuning up for its first performance back home, and gives us an idea of what it was like.

Cannabis-friendly restaurants. Ozempic menus. Dirty sodas and focaccia sandwiches. These are just a few of the trends George and Cheryl picked up on in St. Louis Magazine’s annual A-List, a celebration of the best of all that the region has to offer. Using this year’s A-List as a jumping off point, the co-hosts shine a light on what they anticipate will come to define eating and drinking in St. Louis in the coming year. Tune in for their insights and see what’s in store for the area’s food scene. This episode is sponsored by St. Louis Symphony Orchestra. The new season kicks off its first Young Friends Night with Harry Potter and the Sorcerer’s Stone in Concert. Friday, October 3 at Powell Hall. Get tickets. New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing! Have an idea for a future Arch Eats episode? Send your thoughts or feedback by emailing podcasts@stlmag.com. Hungry for more? Subscribe to our Dining newsletters for the freshest coverage on the local restaurant and culinary scene. And follow George (@georgemahe) and SLM on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Made. By Lia, 610 Rue St. Francois, Florissant, 314-551-2383.dohmo, 9538 Olive, Olivette, 314-222-3518.Vampire Penguin, 12 S. Euclid, CWE, 706-294-5600.Twisted Rolls Chimney Cakes, 14640 Manchester, Ballwin, 636-386-5025.Melt ‘n’ Dip, 11575 Manchester, Ballwin, 636-220-1168.Café Ganadara, 6413 Hampton, Saint Louis Hills. 314-802-7044.Spoonful Dessert Cafe, 12943 Olive, Creve Coeur, 314-485-1757.The Moniker, 1000 Washington, Downtown, 314-932-5602.Aperi, 4317 Manchester, The Grove, 314-405-8333.Big Chief Roadhouse, 17352 Manchester, Wildwood, 636-458-3200.Off Elm, 8709 Big Bend, Webster Groves, 314-502-9272.Dirty Pop, Mobile pop-upCrispy Sips, Mobile pop-upSodie, Mobile pop-up, 573-450-7162.Pop n Sons, Mobile pop-upChicken n Pickle, 1500 S. Main, St. Charles, 636-229-9700.Puttshack – St. Louis, 3730 Foundry Way, Midtown; 314-887-7888.Topgolf – St. Louis (Chesterfield & Midtown), Multiple locationsFive Iron Golf, 8015 Forsyth, Clayton, 314-608-9089.Flight Club, 7710 Forsyth, Clayton, 314-887-7020.The Hub at the District, 17057 N. Outer 40, Chesterfield, 636-812-0580.Cottle Village Farmstead + Distillery, 6470 State Rte N, Cottleville, 636-268-2123.Katie’s (Crestwood location), 9635 Watson, Crestwood (opens late fall 2025)The Mexican STL, 9615 Watson, Crestwood, 314-525-5025. (opens September 2025)4 Hands + Peacemaker – Kirkwood, 150 W. Argonne, Kirkwood, 314-287-6688.Noto/Bormio, 5105 Westwood, St. Peters, 636-317-1743.Cibo, 7489 Delmar, U CityMarconi Mercato, 2030 Marconi, The Hill, 314-380-9003.Neon Greens, 4176 Manchester, The Grove, 314-899-0400.Expat BBQ, 3730 Foundry Way, Midtown, 314-924-9728.Union Loafers, 1629 Tower Grove, Botanical Heights, 314-833-6111.Sakatanoya Revolving Sushi Bar & Ramen Bar, 6683 Delmar. U City.Big Mouth Sandwich Co. (inside Perennial Artisan Ales and The Mack), Multiple locationsGarden Variety Deli, 3131 Morganford, Tower Grove South, no phoneEuphoria Kitchen + Kocktails, 5916 Delmar, East Loop, 314-256-1045. You may also enjoy these SLM articles: St. Louis Magazine’s A-List Awards 2025 Editors’ Favorites: Food, Drink & Nightlife Readers’ Choice: Food & Drink See omnystudio.com/listener for privacy information.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Amanda Stewart, of the St. Louis Symphony Orchestra. About Amanda: Amanda Stewart is currently the Associate Principal Trombonist of the St. Louis Symphony Orchestra, a position she began in the Fall of 2014. Born in Oakland, Maryland, she began playing the trombone at the age of six. Her studies started with Harold Hudnall and continued with Dr. H. Keith Jackson, current Dean of the College of Creative Arts of West Virginia University. She received her bachelor of music degree from The Juilliard School, studying with Joseph Alessi. As an orchestral musician, Ms. Stewart has played with numerous orchestras. She was Principal trombonist of the San Antonio Symphony for eight seasons, Assistant Principal trombonist of the Lyric Opera of San Antonio for four seasons, and Associate Principal trombonist of the New York Philharmonic for two seasons. Ms. Stewart has also been a regular substitute and extra player with the Boston Symphony and has toured with them internationally. She has also performed with the Baltimore, Cincinnati, Cleveland, Dallas, Houston, Kansas City, National, North Carolina, Philadelphia, Pittsburgh, and Toronto Symphonies. Ms. Stewart has also spent several summers performing in the Colorado Music Festival Orchestra. In other performing capacities, Ms. Stewart is a current member of the trombone ensemble, STL Trombones. She has also performed as a member of the Burning River Brass and the San Antonio Brass. During her tenure as a member, Ms. Stewart performed twice as a soloist with the San Antonio Symphony. She has also appeared as a guest artist at the International Trombone Festival and the International Women's Brass Conference. As an educator, Ms. Stewart currently teaches at Washington University in St. Louis, and has taught privately at several other universities, namely Our Lady of the Lake University, St. Mary's University, Rutgers University, Trinity University, and McKendree University. For part of the 2025 Spring Semester, she served as an adjunct Assistant Professor of Music at Indiana University's Jacobs School of Music. Also, Ms. Stewart has also given masterclasses at many national universities and conservatories, including the New England Conservatory, Rice University, and The Juilliard School. Ms. Stewart is an Edwards artist, performing on Edwards trombones and Griego Mouthpieces.

Damon has had series regular roles in The Big Door Prize, The Last Days of Ptolemy Grey starring Samuel L. Jackson (both for Apple TV), Black Lightning (CW), Criminal Minds (CBS), The Player (NBC), The Divide (AMC), Prime Suspect (NBC), Dick Wolf's Deadline (NBC), Strange Brew (FOX), and Finkleman (NBC), as well as guest star/recurring appearances on Happy Face (Paramount+), as well as Your Honor (Showtime), Super Pumped (Showtime), The Comey Rule (Showtime), Dirty, John (Bravo), Goliath (Amazon), Bates Motel (A&E),The Newsroom (HBO), Suits (USA), Empire (FOX), Rake (FOX), Law & Order (NBC), Law & Order Criminal Intent (NBC), Conviction (NBC), The Unusuals (ABC), Hack (CBS), Third Watch (NBC), and Drift (ABC). He appears in the upcoming Lear Rex, starring Al Pacino and The Drama, directed by Kristoffer Borgli, as well as Damien Chazelle's Academy Award-winning films Whiplash and LaLa Land, This is Forty, The Last Airbender, Helen at Risk, Before the Devil Knows You're Dead, Unfaithful, The Loretta Claiborne Story, and Nicki Micheaux's Summer of Violence. As a conductor, he was appointed the first-ever Principal Guest Conductor of the Cincinnati Pops. He served as American Conducting Fellow of the Houston Symphony and held the post of assistant conductor of the Kansas City Symphony. His conducting appearances include the Boston Pops, Philadelphia Orchestra, Orchestra of St. Luke's, Detroit Symphony, San Francisco Symphony, Atlanta Symphony, Baltimore Symphony, National Symphony Orchestra, St. Louis Symphony Orchestra, Toledo Symphony, Fort Worth Symphony, Florida Orchestra, San Diego Symphony, Long Beach Symphony, San Antonio Symphony, Princeton Symphony, Orchestre Philharmonique de Monte Carlo, NHK Orchestra of Tokyo, Orquesta Filarmonica de UNAM, Charlottesville Symphony, Brass Band of Battle Creek, NYU Steinhardt Orchestra, Kinhaven Music School, Vermont Music Festival, Michigan Youth Arts Festival, Brevard Music Center, and Sphinx Symphony as part of the 12th annual Sphinx Competition. 

In this episode of The Bandwich Tapes, I sit down with William James, Principal Percussionist of the St. Louis Symphony Orchestra. We talk about his journey through the world of orchestral percussion, from early influences and summer programs to the high-pressure world of auditions. Will shares thoughtful insights on what it takes to succeed as a modern percussionist, both musically and administratively.We dig into the evolving expectations placed on orchestral players, the challenges of recording and venue acoustics, and how creativity, flexibility, and technology are reshaping the field. We also reflect on the importance of great teachers, the value of building a strong repertoire, and the ongoing role education plays in both our lives.Will's passion for percussion extends far beyond performance—he's a dedicated educator, chamber musician, and author. His contributions to the percussion community have had a lasting impact, and I was grateful for the opportunity to delve deeper into his story.About William James: William James is the Principal Percussionist of the Saint Louis Symphony Orchestra. He won the position at just 25, following studies at Northwestern University and the New England Conservatory. A versatile performer and educator, Will has played with top orchestras across the country, given solo recitals, taught masterclasses nationwide, and authored The Modern Concert Snare Drum Roll. You can learn more about William at: williamjamespercussion.comMusic from the Episode:Scirocco (Michael Burritt)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

Eric Dundon - St. Louis Symphony Orchestra - 6-10-25 by

The Heidi Glaus Show 6-10-25 - Erik Siemers on FEMA money, the latest from L.A., and The St. Louis Symphony Orchestra by

Darryl McDaniels, a founding member of RUN-DMC, is celebrating the legacy of Hip Hop this week with the St Louis Symphony Orchestra and the Sugar Hill Gang. He rejoined Chris and Amy for a lengthy conversation about his legendary career.

After performing at various venues for its past two seasons, the St. Louis Symphony Orchestra is gearing up to return to Powell Hall. The $140 million expansion and renovation will include an education and learning center, rehearsal space and places for the community to gather before and after performances. Music director Stéphane Denève and President and CEO Marie-Hélène Bernard discuss the past two nomadic seasons and how they're looking forward to returning to Powell Hall in September.

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg

In this episode, step into the world of Disney magic with Mostly Superheroes as host Logan Janis sits down with Susan Egan (Broadway's original Belle, voice of Meg in Hercules) and Adam J. Levy (Co-Executive Producer, Broadway's Moulin Rouge) to talk all things Disney Princess – The Concert. This internationally acclaimed production brings over 30 iconic Disney songs to life, featuring Broadway stars, breathtaking visuals, and unforgettable performances. Susan and Adam dive into the evolution of the show, the magic of performing live, and how audiences worldwide continue to connect with these beloved stories. Don't miss this behind-the-scenes look at what makes the concert a must-see event, including its upcoming performances with the St. Louis Symphony Orchestra on May 9th and 10th. Get your tickets now at www.slso.org. Learn more about Susan Egan at https://susaneganofficial.com/about and Adam J. Levy at https://linktr.ee/adamjlevy Watch highlights from the concert at https://www.youtube.com/watch?v=vU3c5Af34oM&t=1 Subscribe, review and shares are appreciated! Enjoy! www.mostlysuperheroes.com ©2025 Carrogan Ventures, LLC

Watch the full episode here: https://mostlysuperheroes.com/posts/slso-disney-princess-the-concert-st-louis-2025 In this episode, step into the world of Disney magic with Mostly Superheroes as host Logan Janis sits down with Susan Egan (Broadway's original Belle, voice of Meg in Hercules) and Adam J. Levy (Co-Executive Producer, Broadway's Moulin Rouge) to talk all things Disney Princess – The Concert. This internationally acclaimed production brings over 30 iconic Disney songs to life, featuring Broadway stars, breathtaking visuals, and unforgettable performances. Susan and Adam dive into the evolution of the show, the magic of performing live, and how audiences worldwide continue to connect with these beloved stories. Don't miss this behind-the-scenes look at what makes the concert a must-see event, including its upcoming performances with the St. Louis Symphony Orchestra on May 9th and 10th. Get your tickets now at www.slso.org. Learn more about Susan Egan at https://susaneganofficial.com/about and Adam J. Levy at https://linktr.ee/adamjlevy Watch highlights from the concert at https://www.youtube.com/watch?v=vU3c5Af34oM&t=1 Subscribe, review and shares are appreciated! Enjoy!

Chris and Amy are joined by founding member of Run DMC Darryl McDaniels to discuss how he's performing with the Sugarhill Gang and St. Louis Symphony Orchestra at Stifel Theatre coming up on May 8th.

Can food truly be medicine? What if science and cooking came together to make plant-based eating both powerful and practical? In this episode, we explore the science behind plant-based nutrition and how to bring it to life in your kitchen with Chef Caryn Dugan and Dr. Jim Loomis. Chef Caryn Dugan is the founder of the Center for Plant-Based Living, the nation's first plant-based culinary education center. After facing personal health challenges, she turned to a whole food, plant-based diet and never looked back. Caryn is a certified instructor with the Physicians Committee for Responsible Medicine (PCRM) and has trained under leading experts in plant-based nutrition. Dr. Jim Loomis is an internal medicine physician, lifestyle medicine expert, and Medical Director at PCRM. He has served as the team doctor for the St. Louis Rams and Cardinals, as well as the tour physician for the St. Louis Symphony Orchestra. Dr. Loomis is a strong advocate for food as medicine and has been featured in the documentary The Game Changers. Together, Caryn and Dr. Loomis co-host The Doc and Chef, a YouTube series where science meets cooking. Each episode breaks down a health topic—Dr. Loomis explains the research, and Caryn brings it to life with a practical, delicious recipe. Tune in now and learn how to bring the power of plants to your plate! #ThriveBitesPodcast #plantbasedfamily #wfpbfamily   Chef Caryn Dugan →Instagram: https://www.instagram.com/plant_based_center/ → Website: CPBL-STL.com

Chris and Amy welcome Stéphane Denève, Music Director of the St. Louis Symphony Orchestra, to discuss the orchestra's 146th season and the grand reopening of Powell Hall at the Jack C. Taylor Music Center. Denève shares insights on the excitement surrounding the renovation, the emotional impact of the orchestra's performances, and highlights of the upcoming 2025-2026 season, including world premieres, major symphonic works, and collaborations with renowned soloists. Plus, a look at Powell Hall's acoustics compared to other world-class concert venues and the important role of the orchestra's chorus.

Chris and Amy discuss the delayed launch of sports betting in Missouri and its impact on the state. They also analyze Elon Musk's push for federal government efficiency, questioning the potential risks of hasty job cuts. Later, Stéphane Denève, Music Director of the St. Louis Symphony Orchestra, joins the show to discuss the orchestra's 146th season and the grand reopening of Powell Hall at the Jack C. Taylor Music Center. Denève shares insights on the excitement surrounding the renovation, the emotional impact of the orchestra's performances, and highlights of the upcoming 2025-2026 season, including world premieres, major symphonic works, and collaborations with renowned soloists. Plus, a look at Powell Hall's acoustics compared to other world-class concert venues and the important role of the orchestra's chorus. To wrap the hour, "Did You See This?" features a shocking story of a death row inmate who chose death by firing squad.

In the first hour, Chris and Amy discuss the delayed launch of sports betting in Missouri and its impact on the state. They also analyze Elon Musk's push for federal government efficiency and the risks of hasty job cuts. Later, Stéphane Denève, Music Director of the St. Louis Symphony Orchestra, joins to talk about the grand reopening of Powell Hall at the Jack C. Taylor Music Center and the excitement around the 146th season, featuring world premieres, major symphonic works, and collaborations with renowned soloists. In Hour 2, Chris and Amy share their humorous take on an email from their boss asking for 5 weekly accomplishments or risk losing their jobs, echoing the recent Musk-inspired directive. They also discuss the potential impact of federal job cuts and hear from Matt Pauley about the latest from Cardinals spring training, including Nolan Arenado's adjustment, automated strike zone testing, and early standout performances. Hour 3 continues with Chris and Amy analyzing the controversy surrounding Musk's email to federal employees, causing confusion among government agencies. Chris Cillizza joins to break down Trump's shifting policies on Ukraine and Russia, and the show wraps up with a discussion on St. Louis Mayor Tishaura Jones' challenges and concerns about federal budget cuts impacting the city.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Greg Roosa, 2nd horn of the Los Angeles Philharmonic. About Greg: Gregory Roosa was appointed Second Horn of the Los Angeles Philharmonic by Gustavo Dudamel in September 2012. Prior to that he held the Fourth Horn position in the St. Louis Symphony Orchestra beginning in 2003. His previous positions include Fourth Horn with the Kennedy Center Opera and Ballet Orchestra, and Fourth Horn with the Colorado Symphony in Denver. A native of Troy, Michigan, Roosa attended the University of Illinois and studied with Ralph Froelich at the University of South Florida. In 1992, he moved to Chicago to study with Dale Clevenger, Principal Horn of the Chicago Symphony. He was a member of the Civic Orchestra of Chicago for three seasons. Active as a freelance musician in the Chicago area for eight years, Roosa played in the Broadway shows Ragtime, Phantom of the Opera, and Miss Saigon. He also played with the Chicago Symphony Orchestra, including a European tour and two recordings. Roosa has appeared as soloist and clinician at numerous universities and horn workshops around the world. Roosa has performed with the Melbourne Symphony Orchestra and Queensland Orchestra in Australia, as well as with the Florida Orchestra and Detroit Symphony in the U.S. He was a member of the Colorado Music Festival Orchestra from 1999 to 2012, where he met his wife, Amy Jo Rhine, the Third Horn of LA Phil. Together they have two young boys, Norton and Sutton.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Adam Wainwright joins Tom Ackerman to discuss his upcoming concert with the St. Louis Symphony Orchestra on February 22 at the Stiefel Theater. He shares his excitement about performing with the symphony, his experiences opening for major artists like the Zac Brown Band, and the talented musicians on his team—including his daughter

British rock legend David Bowie called on saxophonist Donny McCaslin and his band to record Bowie's album, “Blackstar,” after checking out the jazz group's performance at the 55 Bar in Greenwich Village. Bowie never had a chance to to perform its songs live because he died two days after the album's release in 2016. With the backing of the St. Louis Symphony Orchestra, “Blackstar Symphony” will have its Midwest premiere this Friday at Stifel Theater.

When The Kansas City Chiefs take on the Philadelphia Eagles for their third Super Bowl win in a row, tight end Travis Kelce will once again be in the spotlight. His journey from football star in the Midwest, to international fame. Plus, STLPR's Jeremy Goodwin talks to jazz player Donny McClaslin about how he set out to adapt David Bowie's album “Blackstar,” ahead of his performance with the St. Louis Symphony Orchestra.

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

(00:00-11:00) Jackson's either out sick again or with Brian Windhorst breaking down the Lebron/Luka trade. Jim Edmonds will join us at 7:45. Rough one for Robbie Avila and the Billikens on Friday. Big road win for Mizzou against Mississippi State. Our best people are on the camera situation. (00:00-00:00) Edmonds off the Cardinals broadcasts. Waino at the St. Louis Symphony Orchestra. Today felt like a Florida morning here in STL. TMA returning to Spring Training next week. Jack Flahrety back with Detroit. Tim hasn't released his MLS power rankings. Hoosier aficionados. (00:00-00:00) Trouble with the alderman meeting with the Rams money. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-11:00) Jackson's either out sick again or with Brian Windhorst breaking down the Lebron/Luka trade. Jim Edmonds will join us at 7:45. Rough one for Robbie Avila and the Billikens on Friday. Big road win for Mizzou against Mississippi State. Our best people are on the camera situation. (00:00-00:00) Edmonds off the Cardinals broadcasts. Waino at the St. Louis Symphony Orchestra. Today felt like a Florida morning here in STL. TMA returning to Spring Training next week. Jack Flahrety back with Detroit. Tim hasn't released his MLS power rankings. Hoosier aficionados. (00:00-00:00) Trouble with the alderman meeting with the Rams money. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Today is Holocaust Remembrance Day, a time to honor the millions of people murdered by the Nazis. Students in middle school and high school will soon be learning some of that history through music, in a curriculum created by the St. Louis Symphony Orchestra and the St. Louis Kaplan Feldman Holocaust Museum. Three contributors to the project speak to STLPR's Jeremy Goodwin about what they took away--and hope students do, too.

The sound of music took center stage at the St. Louis County Justice Center in Clayton this week. Two St. Louis Symphony Orchestra musicians visited the women's residence to announce “Melodies of Hope,” a music education program for people incarcerated there. We talk with STLPR Arts and Culture reporter Jeremy Goodwin about his coverage of the new program. We also meet Dustin Politte-Bender, a music therapist overseeing the Maryville University students leading music exercises in the program.

Members of the St. Louis Symphony Orchestra performed before women inmates at the St. Louis County jail Tuesday with the goal of inspiring them to learn an instrument. Stuart McMillian has details.

Holiday traditions. All of us have them. In this episode, hosts George Mahe and Cheryl Baehr dive into a few holiday essentials for St. Louisans—the dishes, the drinks, the places, and the feel good stuff we look forward to experiencing every year. Get the dish on classic traditions including: Where to find the best baked goods in town—for gifting, or indulging yourself The most festive spots in St. Louis to soak up the holiday spirit Classic Christmas Eve dinner options The coziest fireplaces for warming up on chilly nights Why fruitcake deserves a second chance … and plenty more seasonal delights! Tune in and get ready for some memorable—and delicious—holiday fun! Listen and follow Arch Eats on Apple Podcasts, Spotify, YouTube, or wherever podcasts are available. This episode is sponsored by Gateway Arch Park Foundation and supported by St. Louis Symphony Orchestra . Winterfest, presented by Bank of America and World Wide Technology, is open downtown through December 31. Experience ice skating, s’mores, igloos, food and drinks, and more. Learn more. Have an idea for a future Arch Eats episode? Send your thoughts or feedback by emailing podcasts@stlmag.com. Hungry for more? Subscribe to our Dining newsletters for the freshest coverage on the local restaurant and culinary scene. And follow George (@georgemahe) and SLM on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Clementine’s Ice Cream: Multiple locations. Missouri Baking Co.: 2027 Edwards, The Hill, 314-773-6566. Anheuser-Busch Brewery Lights: 1200 Lynch, Soulard, 314-577-2626. Grant’s Farm: 10501 Gravois, Grantwood Village, 314-843-1700. Sam’s Steakhouse: 10205 Gravois, Grantwood Village, 314-849-3033. Our Lady of the Snows: 442 S DeMazenod, Belleville, 618-397-6700. BEAST Craft BBQ: 20 South Belt West, Belleville, 618-257-9000. Tavern on Main: 301 East Main, Belleville, 618-233-6246. Grüv Wine Bar & Bistro: 223 E Main, Belleville, 618-416-2471. Candy Cane Lane: 6500 Block of Murdoch Avenue, St. Louis Hills. holidaylighthopping.com Ted Drewes: Multiple locations, 314-481-2652. Peno (Feast of Seven Fishes dinner): 7600 Wydown, Clayton, 314-899-9699. Bolyard’s Meat and Provisions: 2733 Sutton, Maplewood, 314-647-2567. Kenrick’s Meats and Catering: 4324 Weber, Affton, 314-631-2440. Yen Ching: 1012 S. Brentwood, Richmond Heights, 314-569-3463. The Cheshire: 6300 Clayton, Richmond Heights, 314-647-7300. Basso: 7036 Clayton, Richmond Heights, 314-932-7820. Fox & Hounds: 6300 Clayton, Richmond Heights, 314-647-7300. Cyrano’s Café: 603 East Lockwood, Webster Groves, 314-963-3232. Tucker’s Place: Multiple locations. Del Pietro’s: 1059 South Big Bend, Richmond Heights 314-224-5225. SqWires: 1415 S 18th, Lafayette Square, 314-865-3522. Sasha’s: Multiple locations. Edera: 48 Maryland Plaza, Central West End, 314-361-7227. Assumption Abbey: 2860 State Highway OO, Ava, Missouri, 417-683-5110. Collin Street Bakery (Texas): Multiple locations, 800-267-4657. toogoodtogo.com You may also enjoy these SLM articles: Over 25 holiday pop-up bars in St. Louis STL restaurants with fireplaces Where to order Christmas and Christmas Eve dinner in St. Louis More episode of Arch Eats See omnystudio.com/listener for privacy information.

Lynn & Carl speak with Eric Dundon from the St. Louis Symphony Orchestra about their upcoming holiday productions. Then out west with Ryan Cooper to talk about St. Charles Christmas Traditions. Lynn then talks new releases: Mancini on Great Performances, Beatles '64, Moana 2, Spellbound and Maria. Plus the USAF band is playing for FREE!

It's time to celebrate Christmas with the St. Louis Symphony Orchestra! Julia Paine, 2nd bassoonist with the St Louis Symphony Orchestra, joins Andy and Sarah to talk about how she became a professional bassoon player and why she still loves playing, what she loves about playing Christmas music with the SLSO, and all of the upcoming Christmas performances. Find details for these performances at slso.org. A Baroque Christmas Friday, December 6, 10:30am CST Saturday, December 7, 7:30pm CST The Pillsbury Theatre at Washington University's 560 Music Center 560 Trinity Ave., St. Louis, MO 63130 Celtic Woman Christmas Symphony Sunday, December 8, 7:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 IN UNISON Christmas with Take 6 Friday, December 13, 7:30pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 The Muppet Christmas Carol in Concert Saturday, December 14, 7:00pm CST Sunday, December 15, 2:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 Mercy Holiday Celebration Tuesday, December 17, 7:30pm CST Wednesday, December 18, 7:30pm CST J. Scheidegger Center for Performing Arts at Lindenwood University 2300 W. Clay St., St. Charles, MO 63301 Saturday, December 21, 2:00pm CST Sunday, December 22, 2:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 How to Train Your Dragon in Concert Saturday, December 28, 7:00pm CST Sunday, December 29, 2:00pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 New Year's Eve Celebration Tuesday, December 31, 7:30pm CST Stifel Theatre 1400 Market Street, St. Louis, MO 63103 As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

In this episode, host Veronica Theodoro sits down with Marcella Hawley, an artist, botanical illustrator, and creative director who has contributed her talents to Martha Stewart Living and the Mary Engelbreit Home Companion. Many in the St. Louis community may also know Marcella for her stunning front garden in Webster Groves, lovingly called "The Slope of Possibility." Filled with thousands of vibrant flowers, the garden is a living tribute to her mother and embodies Marcella's belief in the transformative and healing power of gardens. Here, Marcella takes us on a personal journey, filled with insights about life, loss, and rebirth. Marcella also fills us in on the exciting new project she plans to launch early next year. It's an episode filled with inspiration and hope and one that you won't want to miss.  Listen and follow House of Lou on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode is sponsored by The Repertory Theater of St. Louis and supported by the St. Louis Symphony Orchestra. This December, The Rep and STAGES St. Louis present: Million Dollar Quartet Christmas. Join Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins for a rock n' roll celebration. Don't miss the Black Friday and Cyber Monday sale on repstl.org. Got an idea for a future House of Lou episode?  We love hearing from our audience. Send your thoughts or feedback to Veronica at vtheodoro@stlmag.com or to podcasts@stlmag.com. We can't wait to hear from you! Looking for more inspiration? Subscribe to our Design+Home newsletter to receive our latest home, design, and style content in your inbox every Wednesday. And follow Veronica (@vtlookbook) and St. Louis Magazine on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Sharon Dorram Color at Sally Hershberger  Johanna Ortiz  (see photo of showroom) Schumacher x Johanna Ortiz  New York School of Interior Design  Marcella Hawley  Martha Stewart Mary Engelbreit Greater St. Louis Daffodil Society  Jason Delaney/PHS Daffodils  Missouri Botanical Garden  Brent & Becky's Bulbs  Dutch Growers  ColorBlends  John Scheepers, Inc. Van Engelen, Inc.  QDaffs Home Depot This Naked Mind  Great Dixter House & Gardens  Fergus Garrett Fennel Cooking School  Top cooking and mixology classes in St. Louis Reimagining Home: Design for All Ages and Abilities Gardening Heals with Marcella Hawley  See omnystudio.com/listener for privacy information.

We explore requiems today, specifically an upcoming performance of Mozart's Requiem with the St. Louis Symphony Orchestra! First, the Rev. Brian Hamer, US Navy Chaplain, joins Andy and Sarah to talk about what a Requiem is and what texts make up a requiem, which ones are familiar to Lutherans, and how we can appreciate the beauty of requiems in light of our Lutheran doctrine. Read Chaplain Hamer's writing on the Requiem at whatdoesthismean.org/lifted-voice--brian-hamer/rescuing-the-requiem-the-sanctus. Then, mezzo-soprano Kelley O'Connor, performing the upcoming Mozart Requiem with the St. Louis Symphony Orchestra, joins Andy and Sarah to talk about her journey to becoming a professional vocalist, some of her favorite performances and composers, what makes Mozart's Requiem unique, and what she loves about singing this Requiem. Find more from Kelley at kelleyoconnor.com. Find more information about this performance from the St. Louis Symphony Orchestra on November 9 & 10 at shop.slso.org/8089. As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

The St. Louis Symphony Orchestra will be chanelling the Day of the Dead for it's next performance. The Orchestra will be performing music from the popular animated film Coco at the Stifel Theater this weekend. Alan Stewart, Associate Principal Percussionist, joins Megan Lynch with details.

Conductor Leonard Slatkin took the St. Louis Symphony Orchestra to new heights during his 18 years at the helm. He talks about a weekend of concerts and events celebrating his 80th birthday, and his favorite moments conducting works by Gershwin and Tchaikovsky. Along with Slatkin, we get to know composer Cindy McTee, whose work “Timepiece” will be part of the program at the Touhill.

Raymond Bisha's podcast spotlights two classic recordings in the Vox Audiophile Edition that were first released in the mid-1970s and feature two former music directors of the St. Louis Symphony Orchestra in their prime – Walter Susskind, who directs orchestral extracts from Smetana's opera The Bartered Bride, and Jerzy Semkow, who leads a performance of Rimsky-Korsakov's Scheherazade, one of the most popular suites in the entire orchestral canon.

The St. Louis Symphony Orchestra kicks off its 145th season this month, and this week on the podcast, we sat down with Music Director Stéphane Denève. This season is a bit unique as it's a nomadic season, and historic Powell Hall is undergoing a major expansion and renovation. Stéphane shares his excitement for the upcoming season, which includes shows for everyone, including movie lovers, families and kids, and the most enthusiastic symphony fans. The season kicks off with their free concert in Forest Park on September 19. For more information and the full schedule of shows for the season, visit slso.org and if you haven't seen the renderings for the future of Powell Hall, head to our Meet St. Louis Instagram and Facebook pages.

Join Brendan Fitzgerald, Assistant Principal Double Bass for the St. Louis Symphony Orchestra, as he shares his comprehensive approach to preparing for and succeeding in orchestra auditions. From practicing at half tempo and balancing practice with a full-time job to managing nerves with beta-blockers, Brendan covers all aspects of his preparation process. Learn how to handle the audition day, manage your workload, and ensure your best performance under pressure. Don't miss his key takeaways for musicians looking to secure a professional orchestra position. Check out Brendan's past podcast appearance here as well as his appearance on Ryan Beach's podcast.     Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton's rosin, basses, and more at uptonbass.com. Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

On this week's episode of ‘New Classical Tracks,' English horn player Cally Banham and her ensemble Cortango, made up of musicians from the St. Louis Symphony Orchestra, present their latest album featuring a classical twist on the Argentine tango. Listen now!

Mike Mills sold over 60 million albums as bassist and songwriter with R.E.M., which emerged from the college-rock scene of the 1980's to become one of the world's most successful bands. Now he's blending genres with his concerto for orchestra and rock band. Mills and violinist Robert McDuffie will perform it Friday with the St. Louis Symphony Orchestra, in a program that also includes orchestral interpretations of R.E.M. songs.