Podcasts about textuality

Publications mentioned in the episode: Charlesworth, Hilary, Christine Chinkin, and Shelley Wright. 'Feminist Approaches to International Law' AJIL 85(4) (1991) 613-645. Charlesworth, Hilary, Christine Chinkin. The Boundaries of International Law. Manchester: Manchester University Press, 2022. Charlesworth, Hilary. 'The Art of International Law' Proceedings of the ASIL Annual Meeting, vol. 116 (2022) 7-24. Engle Merry, Sally. Human Rights and Gender Violence: Translating International Law into Local Justice. Chicago: University of Chicago Press, 2006.

Family Pastor Blair Gore looks at the connections between scripture, spirituality, and providing loving parenting support to the kiddos.

David leads a Q & A session as we come near the end of our Textuality series.

Teaching pastor Kim Honeycutt shares about the Greatest Commandment from the intersection of theology and psychotherapy.

David reimagines the concept of Satan and spiritual warfare by opening up Ephesians 6. He provides some framework for rethinking evil and how we can continue to process the reality of evil without worrying that there are demons waiting to pounce.

Teaching pastor Shawn brings us through a new perspective on the story of Job, with this prayer: "If nothing else, I want you to hear this: it is okay to lay your questions and frustrations at God's doorstep. And while it may be deeply uncomfortable, it is okay to sit in the mystery and silence of unanswered questions. God offers stability that is rooted in faith, a peace unshakable despite the maelstrom we might find ourselves in. Peace exists even in the midst of intense suffering. God is in the whirlwind. "

David continues our Textuality series by walking us through the Romans road. No, seriously. We aren't joking. That's what he told us to say he's talking about. So whether you know what the Romans road is - and thus find this insight landing somewhere between intriguing and unsettling - or you have no idea what we're talking about, we hope that this talk will help you rethink Salvation and find a little peace.

Pastor Matt O'Neil shares about his history with prayer, from his evangelical understandings to how he is learning to engage with prayer in new ways.

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2022) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism's nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

This week is the second of a two-part interview with Ingrid Breilid Gimse, hosted by Katherine Gwyther and Michael DeVries. Ingrid is a theologian doing her PhD at the University of Agder in Norway. She is a research fellow in the research project "The Lying Pen of Scribes: Manuscript Forgeries, Digital Imaging, and Critical Provenance Research." Her PhD project concerns the publication history of the official publication series of the Dead Sea Scrolls: Discoveries in the Judaean Desert (DJD). The Lying Pen project is on Facebook (https://facebook.com/lyingpen) and has a formal web site (https://lyingpen.uia.no) and a more informal blog (https://lyingpen.com). Ingrid's twitter handle is @IngridBreilidG. Ingrid's article (Gimse, I. B. [2020]. The Post-2002 Fragments' Dependency on Modern Editions of the Hebrew Bible. Revue de Qumran, 32[1]: 115, 57-77) can be found here: https://uia.brage.unit.no/uia-xmlui/handle/11250/2784067 Bibliography: Dennis Mizzi and Jodi Magness, "Provenance vs. Authenticity: An Archaeological Perspective on the Post-2002 'Dead Sea Scrolls-Like' Fragments," Dead Sea Discoveries 26.2 (2019):135-169 DOI:10.1163/15685179-12341503. Kipp Davis, Ira Rabin, Ines Feldman, Myriam Krutzsch, Hasia Rimon, Årstein Justnes, Torleif Elgvin, and Michael Langlois, "Nine Dubious 'Dead Sea Scrolls' Fragments from the Twenty-First Century," Dead Sea Discoveries 24 (2017): 189–228. Kipp Davis, "Caves of Dispute: Patterns of Correspondence and Suspicion in the Post-2002 'Dead Sea Scrolls' Fragments*," Dead Sea Discoveries 24 (2017): 229–270. Eibert C. J. Tigchelaar, "A Provisional List of Unprovenanced, Twenty-First Century, Dead Sea Scrolls-like Fragments," Dead Sea Discoveries 24 (2017): 173–188. Stephen A. Reed, "What is a Fragment?," The Journal of Jewish Studies 45 (1994): 123–125. Stephen A. Reed, "Find-Sites of the Dead Sea Scrolls," Dead Sea Discoveries 14.2 (2007): 199–221. Gerrie Snyman, “The African and Western Hermeneutics Debate: Mimesis, The Book of Esther, and Textuality,” OTE 25 (2012): 657–684. Thanks for listening!

What is the relationship between the gospel and the gospels? A discussion of Annette Yoshiko Reed's "Euangelion Orality, Textuality, and the Christian Truth in Irenaeus' Adversus Haereses" with Jeremiah Coogan.

This week is the first of a two-part interview with Ingrid Breilid Gimse, hosted by Katherine Gwyther and Michael DeVries. Ingrid is a theologian doing her PhD at the University of Agder in Norway. She is a research fellow in the research project "The Lying Pen of Scribes: Manuscript Forgeries, Digital Imaging, and Critical Provenance Research." Her PhD project concerns the publication history of the official publication series of the Dead Sea Scrolls: Discoveries in the Judaean Desert (DJD). The Lying Pen project is on Facebook (https://facebook.com/lyingpen) and has a formal web site (https://lyingpen.uia.no) and a more informal blog (https://lyingpen.com). Ingrid's twitter handle is @IngridBreilidG. Ingrid's article (Gimse, I. B. [2020]. The Post-2002 Fragments' Dependency on Modern Editions of the Hebrew Bible. Revue de Qumran, 32[1]: 115, 57-77) can be found here: https://uia.brage.unit.no/uia-xmlui/handle/11250/2784067 Bibliography: Dennis Mizzi and Jodi Magness, "Provenance vs. Authenticity: An Archaeological Perspective on the Post-2002 'Dead Sea Scrolls-Like' Fragments," Dead Sea Discoveries 26.2 (2019):135-169 DOI:10.1163/15685179-12341503. Kipp Davis, Ira Rabin, Ines Feldman, Myriam Krutzsch, Hasia Rimon, Årstein Justnes, Torleif Elgvin, and Michael Langlois, "Nine Dubious 'Dead Sea Scrolls' Fragments from the Twenty-First Century," Dead Sea Discoveries 24 (2017): 189–228. Kipp Davis, "Caves of Dispute: Patterns of Correspondence and Suspicion in the Post-2002 'Dead Sea Scrolls' Fragments*," Dead Sea Discoveries 24 (2017): 229–270. Eibert C. J. Tigchelaar, "A Provisional List of Unprovenanced, Twenty-First Century, Dead Sea Scrolls-like Fragments," Dead Sea Discoveries 24 (2017): 173–188. Stephen A. Reed, "What is a Fragment?," The Journal of Jewish Studies 45 (1994): 123–125. Stephen A. Reed, "Find-Sites of the Dead Sea Scrolls," Dead Sea Discoveries 14.2 (2007): 199–221. Gerrie Snyman, “The African and Western Hermeneutics Debate: Mimesis, The Book of Esther, and Textuality,” OTE 25 (2012): 657–684. Thanks for listening!

Actor, writer and producer Carly Pope (Popular, Young People Fucking, Suits, Textuality, Arrow and now Neill Blomkamp's Demonic, currently in theatres and on VOD) is here to celebrate Boogie Nights, the epic 1997  dramedy that put Paul Thomas Anderson on the map, got Burt Reynolds his only Oscar nomination, assembled an all-time great supporting cast (Julianne Moore! John C. Reilly! Heather Graham! Don Cheadle! Nicole Ari Parker! William H. Macy! Philip Seymour Hoffman! Melora Walters!  Luis Guzman! Philip Baker Hall!) and made people take Mark Wahlberg seriously. Your genial host Norm Wilner is still surprised about that last one.

OB Lover turns into OWT (One Word Texter) Choosing to block someone for inconsistency=SPAM BOX aka BLOCKED, yet K still sees the messages! Android ting! Text frequency decreases immediately after sex, why??! WIFEY ENERGY (trademark lol) is defined!!! Communication inside & outside of the bedroom are equally important. How often do you initiate contact? Effort is a two way street. Why does the amount of effort vary between men & women? Deciding to cut someone off, romantic & platonic, is because there's a consistent lack of effort!! COMMUNICATION & HONESTY is the key to any SUCCESSFUL relationship!

This week we're taking a deep look at some digital art in the form of Martha Stewart's personal Instagram account: with special guest, poet, and digital textuality practitioner, Caroline!

Roundtable 2: Performance, Textuality & Orality Session Organizer: Glenda Goodman (University of Pennsylvania) Moderator: Kate van Orden (Dwight P. Robinson Jr. Professor of Music, Harvard University) Bethany Cencer (Crane School of Music, State University of New York at Potsdam) “Imagining Aurality in Smart’s Vocal Pocket Companion” Andrew Ferguson (University of Virginia) “Catching Them All: Videogame Performance and the Bibliography of Play” Leslie Gay, Jr. (University of Tennessee) “Shadows of Black and White: Materialities and Medialities in May Irwin’s ‘Frog Song’” Laura Helton (Pennsylvania State University) “The Bibliographical Afterlives of ‘Unwritten Histories’” Jesse Karlsberg (Emory University) “Surfacing Race, Place, and Modernity in the Performance of Shape-note Musical Texts through an Ethnobibliographical Approach” See the conference website at http://rarebookschool.org/bibliography-conference-2017/ for more information about the conference.

Visiting researcher Dr Rachel Wamsley discusses the renowned Oppenheimer Collection, whose holdings shed light on the printing house as a site of cultural and literary encounter between Jews and Christians in early modern Europe. Close examination of early printed Yiddish books reveals how the same text could assume radically different material forms depending on whether it was marketed to a Jewish or non-Jewish audience. Setting two editions of an early Yiddish biblical epic side-by-side, Dr. Wamsley notes differences in typography and page-layout, editing and paratext, demonstrating how textual migration, from one cultural context to another, in turn engendered a transformation in the materiality of the book itself. At the same time, this very migration testifies to the surprising porosity of literary boundaries dividing Jewish and Christian communities in early modernity.

This is EPISODE 12 of the Honest Modern Dating Podcast! This is a really powerful episode because we talk about how The post TEXTuality – How to be INSTANTLY More Attractive to Men – HMDP#12 appeared first on Get Him Hooked by Harvey Hooke.

This is EPISODE 12 of the Honest Modern Dating Podcast! This is a really powerful episode because we talk about how The post TEXTuality – How to be INSTANTLY More Attractive to Men – HMDP#12 appeared first on Get Him Hooked by Harvey Hooke.

We are joined by our returning guest Zak Breckenridge in a conversation about the theories, ideas, and books behind Umberto Eco's debut novel. With his help, we establish a baseline understanding of Semiotics in order to make sense of the ways in which our author incorporated his own academic pursuits in "The Name of the Rose," as well as discuss the myriad of ideas, philosophies, authors and other books that appear in this labyrinthine "detective novel." We have to ask though, can we consider Eco's novel a whodunnit? We have our own opinions, but we would like to hear yours as well! Let us know what you think on Twitter, Facebook or email us at thecasualacademic@gmail.com. Enjoy!

Carla Freccero, discusses "Desire's Fictional Archives: Reading Early Modern Textuality". Freccero is Professor and Chair of Literature and History of Consciousness, and Professor of Feminist Studies at University California, Santa Cruz. This talk was included in the conference session topic titled, “Queering the Archive”.

This week I'm talking with music supervisor, sonic brander and creative consultant, David Hayman. Since 2005, David Hayman has led a strong team of music supers at Toronto’s Vapor Music but has now left to start up his own shop SUPERSONIC CREATIVE + CONSULTING who’s clients include Coca-Cola, McDonalds, Hershey’s, Buick and other top brands, and networks like ABC, NBC, CTV and Global television. David has had great success working with some of the worlds most impressive brands, including Coca-Cola, Nike, Ford, Budweiser, Right To Play, P&G, and every mobile company to name a few. David was an integral part of the team that created the phenomenon that was “Dove Evolution,” and the campaign for real beauty. David also divides his time working on feature films, new media ventures and supervising music for A-list televisions series like HBO’s “Less Than Kind” and CBC’s hit comedy series “The Kids In The Hall - Death Comes To Town”. David is also lead music supervisor on the new Ubi-Soft video game “Shaun White Skateboarding.” Last year David supervised the music on a feature film called “Textuality” where he produced five inventive covers of popular tracks featuring Ron Sexsmith (“Since I Don’t Have You”), The Midway State (“True”), Chali 2Na of Jurassic 5 (Rump Shaker), Aceyalone & Treasure Davis (Hit The Road Jack), which is being hailed by the Ray Charles Foundation as “the greatest cover of Hit The Road Jack ever”. He also supervised “Bang Bang Club”, “Don’t You forget About Me” and “The Whistleblower” in 2011. David is currently working on the film “Old Stock” and recently competed his work on the films “Love Me” and “Hiding”. Follow David on Twitter: @davidhueyhayman Visit David's website: http://www.supersoniccreative.com

For this episode of the show we explore love and terror all in one nice package.  First up you get my classic movie review with 25th Anniversary of The Decline of The American Empire (courtesy of eOne Entertanment) on blu-ray as Montrealers from the past talk about what makes men and women tick.  Then we jump into a romantic comedy of our times with my dvd review of Textuality (courtesy of eOne Entertainment) as a couple managae thier relationships through smart phones starring Eric McCormack & Carly Pope.  It is  swing on the terror side as I have my dvd review of Fall Down Dead (courtesy of eOne Entertianment) starring David Carradine, Udo Kier & Dominique Swain as fights for her life escaping a serial killer.  I wrap things up with my blu-ray review of Haven : The Complete First Season (courtesy of eOne Entertainment) where a FBI agent tries to uncover the mysteries of the town and her own past.  Music for this week features the song Dimensions by Aaron Derington that can be found at www.podsafeaudio.com.Other instrumental music is by the band Mr. Burns (www.mrburnsmusic.com). As always your comments and suggestions are welcome.

On NBC’s “Outlaw,” Carly Pope plays Lucinda Pearl, a wildly unorthodox private investigator who uses her sex appeal and wit to gather information for Cyrus Garza (Jimmy Smits). Pope has recurred on critically acclaimed television shows such as “24,” “Dirt” and “Californication.” On the feature-film side, Pope recently wrapped the sequel to “SWAT” opposite Gabriel Macht. She can also be seen in “Textuality” as the lead opposite Eric McCormack. Prior to that, she starred in the controversial Toronto International Film Festival favorite, “Young People F****.” Many also remember Pope opposite Al Pacino and Matthew McConaughey in “Two For the Money” and alongside Colin Hanks and Jack Black in “Orange County.” Pope got an early start in her hometown of Vancouver, B.C. with various television and film work before landing the plum role of Sam on the series “Popular,” which aired for two years, launching her career. After “Popular” was cancelled, Pope returned to Vancouver where she continued to win new fans and impress industry insiders and the media with her insightful and sensitive portrayals. Pope is a Leo Award winner for her work on the series “The Collector.” Starring Emmy Award winner Jimmy Smits ("NYPD Blue," "The West Wing"), "Outlaw" is a new drama from creator and executive producer John Eisendrath ("Alias," "Felicity"). Few jobs are guaranteed for a lifetime, and a Supreme Court appointment is a position that no one ever quits -- unless he is Cyrus Garza (Smits). A playboy and a gambler, Justice Garza always adhered to a strict interpretation of the law until he realized the system he believed in was flawed. Now, he's quit the bench and returned to private practice. Using his inside knowledge of the justice system, Garza and his team will travel across the country taking on today's biggest and most controversial legal cases.