Podcasts about Petrarch

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

In this talk at Living Well at the End of a World, James Hankins draws parallels between our contemporary anxieties about civilizational decline and the late medieval Renaissance period, specifically the 14th and 15th centuries, which also faced profound institutional crises. He highlights the humanist movement, spearheaded by Petrarch, as a historical response that sought societal reform by fostering virtue and wisdom in leaders through a renewed emphasis on classical learning. Hankins argues that the Renaissance represented a radical re-centering of civilization, advocating for a meritocratic leadership grounded in moral excellence and a commitment to community welfare.The Morningside Institute hosted a two-day conference on April 4–5, 2025. On its first day, the conference examined some of the radical changes that Western societies are undergoing. On the second day, we explored in greater detail historical examples of how communities have navigated periods of intense cultural change and even devastation. For more information about Living Well at the End of a World, please visit https://www.morningsideinstitute.org/living-well.

Haley interviews A.M. Juster, poet, translator, and author. For many years he lived a double life as an undercover poet while working in senior roles in the federal government and biotech industry. His work has appeared in Poetry, The Paris Review, and The Hudson Review. And next fall W.W. Norton will release his translation of Petrarch's Canzoniere. This episode discusses Juster's surprising trajectory into poetry, his first children's book Girlatee, and how to give children a love for the beauty of language. Learn more about the children's literature available from Word on Fire Votive. Stay up-to-date with the latest episodes of the The Votive Podcast biweekly on WordonFire.org or wherever you listen to podcasts. Do you enjoy this podcast? Become a Word on Fire IGNITE member to support the production of the Votive Podcast and other initiatives from Word on Fire. Our ministry depends on the support of listeners like you! Become a part of this mission and join IGNITE today to become a Word on Fire insider and receive some special donor gifts for your generosity.

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities.

Fluent Fiction - Italian: Dreams Brewed in Trastevere: Giulia's Journey to Florence Find the full episode transcript, vocabulary words, and more:fluentfiction.org/dreams-brewed-in-trastevere-giulias-journey-to-florence Story Transcript:It: Nel cuore di Trastevere, tra i vicoli di ciottoli e il fruscio delle foglie autunnali, si trova un'accogliente caffetteria.En: In the heart of Trastevere, among the cobblestone alleys and the rustling of autumn leaves, there is a cozy coffee shop.It: Il profumo del caffè riempie l'aria mentre clienti abituali e turisti si mescolano in un flusso costante.En: The aroma of coffee fills the air as regular customers and tourists mingle in a constant flow.It: Dietro il bancone, Giulia prepara espressi con destrezza, ma la sua mente è altrove.En: Behind the counter, Giulia prepares espressos skillfully, but her mind is elsewhere.It: Giulia sogna Firenze, un seminario di letteratura italiana che potrebbe aprirle nuovi orizzonti.En: Giulia dreams of Florence, a seminar on Italian literature that could open new horizons for her.It: Ogni volta che serve un cliente, immagina di discutere Dante e Petrarca con esperti.En: Every time she serves a customer, she imagines discussing Dante and Petrarch with experts.It: Ma c'è un ostacolo.En: But there is an obstacle.It: Suo fratello, Lorenzo, è pratico e riservato.En: Her brother, Lorenzo, is practical and reserved.It: Preoccupato per il lavoro che li attende con la festa di Ognissanti in arrivo, è restio a lasciar partire Giulia.En: Worried about the work awaiting them with the All Saints' Day celebration approaching, he is reluctant to let Giulia leave.It: Una sera, la caffetteria è tranquilla.En: One evening, the coffee shop is quiet.It: Il sole cala e le luci gialle degli edifici proiettano ombre morbide.En: The sun sets and the yellow lights of the buildings cast soft shadows.It: Giulia raccoglie il coraggio e parla con Lorenzo.En: Giulia gathers her courage and talks to Lorenzo.It: "Vorrei andare a Firenze per un seminario," inizia, gli occhi scintillanti di speranza.En: "I would like to go to Florence for a seminar," she begins, her eyes sparkling with hope.It: "Porterei nuove idee che ci aiuterebbero a migliorare qui."En: "I would bring back new ideas that would help us improve here."It: Lorenzo sospira, guardando i tavolini fuori, pieni di foglie secche.En: Lorenzo sighs, looking at the outdoor tables, covered with dry leaves.It: "Ma è un momento impegnativo.En: "But it's a busy time.It: Potrei non farcela da solo," risponde, la voce carica di preoccupazione.En: I might not manage on my own," he replies, his voice laden with worry.It: Discutono tra tazze tintinnanti e il ronzio della macchina del caffè.En: They discuss amid the clinking of cups and the hum of the coffee machine.It: Giulia è determinata.En: Giulia is determined.It: "Pensa ai clienti interessati a qualcosa in più," insiste.En: "Think of the customers interested in something more," she insists.It: Lorenzo riflette.En: Lorenzo reflects.It: Immagina sua sorella tornare piena di entusiasmo e nuove idee.En: He imagines his sister returning full of enthusiasm and new ideas.It: È una prospettiva allettante.En: It's an appealing prospect.It: La tensione sfocia in una discussione accesa.En: The tension escalates into a heated discussion.It: Parole rapide e frasi sovrapposte riempiono lo spazio.En: Quick words and overlapping phrases fill the space.It: Lorenzo esprime la sua ansia per il negozio, Giulia rivela il suo senso di costrizione.En: Lorenzo expresses his anxiety for the shop, Giulia reveals her sense of confinement.It: Ma dalle emozioni scaturisce un accordo.En: But from the emotions arises an agreement.It: Decidono che Giulia potrà andare per un tempo breve.En: They decide that Giulia can go for a short time.It: Lorenzo troverà persone per aiutare durante la sua assenza.En: Lorenzo will find people to help during her absence.It: Con questa decisione, Giulia sorride.En: With this decision, Giulia smiles.It: Ha ottenuto un'importante vittoria.En: She has achieved an important victory.It: Lorenzo, seppur preoccupato, vede la motivazione nei suoi occhi.En: Lorenzo, although worried, sees the motivation in her eyes.It: "Tornerai con tante belle idee," dice con un leggero sorriso.En: "You will return with many wonderful ideas," he says with a slight smile.It: Alla fine, la caffetteria di Trastevere è più che un semplice negozio di famiglia.En: In the end, the coffee shop in Trastevere is more than just a family business.It: È un centro di sogni e ambizioni.En: It is a hub of dreams and ambitions.It: Giulia parte per Firenze, Lorenzo le augura il meglio.En: Giulia leaves for Florence, Lorenzo wishes her the best.It: Lei porta con sé il calore di una famiglia che, nonostante le preoccupazioni, sa dare valore alla crescita e al cambiamento.En: She carries with her the warmth of a family that, despite concerns, knows how to value growth and change. Vocabulary Words:the heart: il cuorethe alley: il vicolothe cobblestone: il ciottolothe aroma: il profumoto mingle: mescolarsithe customer: il clientethe seminar: il seminariothe horizon: l'orizzontethe expert: l'espertothe obstacle: l'ostacolopractical: praticoreserved: riservatoreluctant: restioto sigh: sospirarethe shadow: l'ombrato gather: raccoglierethe courage: il coraggioto sparkle: scintillareladen: caricoto improve: migliorareto insist: insisterethe tension: la tensioneto escalate: sfociarethe agreement: l'accordoto achieve: ottenerethe victory: la vittoriadetermined: determinatathe anxiety: l'ansiathe confinement: la costrizioneto Value: dare valore

It is time to open the next chapter of our dive into Renaissance history, dialing back to look at the early Renaissance and the Proto-Renaissance. The terminology of periodization is loose and malleable, and brings to light of other renaissances that occurred throughout the Middle Ages. What is the difference between the way classical revival was exercised from the 8th and 12th centuries, and the world of Renaissance Italy? This episode provides the fundaments of the earliest years of the Renaissance in Florence. The discussion links the literary developments of Dante, Petrarch and Boccaccio to the art developments of Cimabue and Giotto. Did the Black Death, that devastating plague that swept through Italy in 1348, have an impact on intellectual development? What did the early phases of Humanism look like, before the late 15th century?  Images uploaded to Instagram @italian_renaissance_podcast Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the Show.

How does an era get its name? A discussion of Jacob Burckhardt gives insight into how we see and think about the Renaissance. We also begin looking at some early Renaissance buds as we meet Petrarch.

The things of God belong to a heavenly kingdom. But politics is taken up with what is earthly. Surely, therefore, Christians should keep politics at a distance as much as possible. Right? Even while defending the life of contemplation and retreat from the earthly, Francesco Petrarch and Giovanni Bocaccio laud Christian involvement in public life. Petrarch goes so far as to dream of a Julius Caesar reborn in medieval Europe and baptized a Christian, who goes on to conquer Egypt from the Muslims and present her as a gift - this time not to Cleopatra - but to Christ.James Hankins's Virtue Politics: https://amzn.to/3UiQpp3Niccolo Machiavelli's The Prince: https://bookshop.org/a/25626/9780199535699C.S. Lewis's The Four Loves: https://bookshop.org/a/25626/9780062565396Calvert Watkins's How to Kill a Dragon: https://bookshop.org/a/25626/9780195144130New Humanists episode on Leonardo Bruni: https://newhumanists.buzzsprout.com/1791279/14460440-mediocrity-versus-glory-in-the-renaissance-episode-lxiiSallust's Catilinarian Conspiracy: https://amzn.to/4chKY1CHenry David Thoreau's Walden: https://bookshop.org/a/25626/9780460876353Jon Krakauer's Into the Wild: https://bookshop.org/a/25626/9780385486804New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

Well, well, well! We're back after a long hiatus in the middle of a pretty short book due to vacations of various sorts. For example, Jackie took a vacation to Italy (listen for an amazing story of being a dumb American), AND a vacation from being healthy by immediately getting Covid upon her return! But now we're all healthy and thriving, and Mrs. Dalloway's FTC arc is complete. Like life itself, this episode in turns both gross and beautiful! Tune in to find out if the second half of the book sucks. NOTE: This episode discusses suicide. See chapters below if you wanna skip that part!Bekah reveals a very specific requirement she has for storytellers. Rachel murders God. Jackie shares a tidbit of Williamsburg wisdom that no one likes.Topics include: special vinegar in a special dish, the ultimate state of Zen, a diet of nothing but milk and ice cream, spending years in bed for money, a divisive blue envelope, Petrarch, a snowboarding pickle, how to hide a zit like a pro, Oscar Pistorius, William Faulkner, Hemingway and Fitzgerald's Ye Olde Dick-Measuring Event, IcinGUH, Ada Palmer's recommendations, Walshheads, speaking English like an Italian, Shrek, Butt Stuff, the now-straight Tower of Pisa, Nebuchadnezzar, and Nebuchadlizard. ★ Support this podcast on Patreon ★

Support us on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- On September 4, 476 the barbarian general Odoacer deposed the last Roman emperor in the West and proclaimed himself king of Italy. After 500 years of existence, the Western Roman Empire was gone. But if you were living there at the time, would you have even noticed anything had changed? Liam and Russian Sam return to one of their favorite historical subjects, an area that has energized and terrified generations of scholars for 1500 years: the decline and fall of the Western Roman Empire. Considered to mark the end of classical antiquity and the start of the middle ages, this event was traditionally understood to be the fundamental cataclysm of the history of Europe, perhaps even the history of the world. But on the eve of the Second World War, aging Belgian historian Henri Pirenne proposed an alternative view: that the collapse of the Roman Empire and the rise of the barbarian kingdoms only amounted to a change in management. The real transformation of the Roman world into the medieval world would not happen until centuries later, when the empires of the Muslims and the Carolingian Franks built new political and economic systems that replaced what had been left by Rome. This is the key argument of Mohammed and Charlemagne, Pirenne's most famous work published posthumously in 1937 and one of the most revolutionary texts in medieval history. Still hotly debated today, Pirenne's thesis upended a seemingly adamantine tradition of scholarship established by the Italian humanist Petrarch in the 14th century, and elaborated by later historians such a Edward Gibbon, which viewed the medieval period as a detestable Dark Age that had to be redeemed by the discovery of Roman glory. While not rejecting outright the notion of an early-medieval Dark Age, Pirenne put forward a strong argument for continuity across the 4th, 5th, and 6th centuries, interrupted not by the invasions of barbarian peoples but instead by the later rise of the Muslim caliphate. New religious divisions severed the arteries of trade and communication that united the Mediterranean world. And when a new Roman Empire emerged in the west the following century, Pirenne argues that this realm of Charlemagne did not restore Roman civilization as once was believed, but instead created a new imperial system just like their Arab contemporaries. Listen to this week's Gladio Free Europe to decide for yourself if the end of the Western Roman Empire did or did not mark the end of the Roman world. Further Listening: E13 Migration and Memory E15 The Last Kingdom E33 Late Roman Empire E36 The Franks ft. Natasha E49 The Arab-Norman Civilization (Part 1) E50 The Arab-Norman Civilization (Part 2) --- Support this podcast: https://podcasters.spotify.com/pod/show/gladiofreeeurope/support

Imagine that you are the leading figure in a movement to renew the study and appreciation of classical literature, but you have come to the end of your life and not only has the educational and political situation not improved - it has gotten worse. Such was the vista spread out before Petrarch in his twilight. Jonathan and Ryan read and discuss some of Petrarch's correspondence, recording the meditations of the great humanist as he wrestled with civilizational decline, the possibility of rebirth, and the awareness of how little time he had left.Richard M. Gamble's The Great Tradition: https://amzn.to/3Q4lRnOCicero's Pro Archia Poeta: https://bookshop.org/a/25626/9780674991743Tim Griffith's The Case for Classical Languages: https://www.youtube.com/watch?v=UquUv7wzAgQRyan Hammill's Saints Versus Statesmen: https://americanreformer.org/2024/04/saints-versus-statesmen/New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

You are marveling at a beautiful sunset, standing in awe before an Italian masterpiece, or gazing lovingly into the face of your beloved. These moments of beauty, however brief, impact our hearts, minds, and souls in a profound way. What exactly is occurring in these moments? John Paul Heil offers insight through a reading and discussion of his essay “Ekstasis and the Chicken Truck,” in which he offers insight into the nature of these experiences we all share, which are yet so individual to each of us. Heil explains the importance of attentiveness, boldly criticizes Petrarch, and recounts how a truck full of frozen chicken led to a moment of transcendence.  

John and I continue our journey through Gillespie's Theological Origins of Modernity, this time we dig into Petrarch, Martin Luther, the underpinnings of enlightenment humanism, and more. Get full access to Nuclear Barbarians at nuclearbarbarians.substack.com/subscribe

The Italian poet Petrarch hiked up Mont Ventoux in Provence on 26th April, 1332 - an event claimed for centuries to be the first time mountaineering for pleasure had been attempted.  His celebrated letter to Dionigi di Borgo San Sepolcro was the source, revealing Petrarch's contemplations on spirituality and the human condition amidst the breathtaking views. However, debate persists over the letter's authenticity and whether Petrarch's climb was literal or allegorical. In this episode, Arion, Rebecca and Olly explain how, centuries later, Romantic poets revived Petrarch's tale, interpreting his ascent as a metaphor for spiritual enlightenment and intellectual curiosity; consider how mountaineering in its present form evolved into a mainstream leisure activity; and reveal that climbing Mont Ventoux has become a competitive sport... Further Reading: • ‘The Fig and the Laurel: Petrarch's Search for Self-Knowledge' (The London Magazine): https://thelondonmagazine.org/article/the-fig-and-the-laurel-petrarchs-search-for-self-knowledge/ • ‘In Provence, Honoring a Poet at 6,263 Feet' (The New York Times, 2006): https://www.nytimes.com/2006/07/30/travel/30explorer.html • ‘GW1 - Petrarch: "Ascent of Mount Ventoux"' (Douglas Parker, 2021): https://www.youtube.com/watch?v=XRhdr55jsRw We'll be back on Monday - unless you join

Welcome to Inner Whirled, the new podcast with Dylan Saccoccio and Chance Garton, where we'll be providing deeply researched and well prepared podcasts on Spirit Whirled subjects, the language, symbolism, artifacts and system of the ancient universal priestcraft, all reserved exclusively for our direct supporters. Episode 4 investigates the widespread prevalence of literary fraud amongst Renaissance Italian humanists, such as Poggio Bracciolini and Petrarch. What would it mean for our view of history, if forgery was the rule, rather than exception, when it comes to the literature of Roman and Greek antiquity? What motivated the fad of fabricating archaic manuscripts? And what does it tell us about the foundations of other institutional paradigms in our modern world, if deception can go unchecked and unrecognized? Become a supporter on Patreon or Youtube to unlock the episode:https://www.patreon.com/posts/103034579https://youtu.be/qdiP3H8bxmw TELEGRAM LINKShttps://t.me/innerversepodcasthttps://t.me/innerversepodcastchat GET TUNEDhttps://www.innerversepodcast.com/sound-healing SUPPORT INNERVERSEInnerVerse Merch - https://www.innerversemerch.comTippecanoe Herbs - Use INNERVERSE code at checkout - https://tippecanoeherbs.com/Check out the Spirit Whirled series, narrated by Chance - https://www.innerversepodcast.com/audiobooksDonate on CashApp at $ChanceGartonOrgonite from https://oregon-ite.com - coupon code "innerverse"Buy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489The Aquacure AC50 (Use "innerverse" as a coupon code for a discount) - https://eagle-research.com/product/ac50TT Hosted on Acast. See acast.com/privacy for more information.

[EN] Petrarch was already a poet known and esteemed by many. When he led a peaceful life, dedicated to studies and literature, he was invited to Rome to receive the poetic crown. [LA] Cum vitam tranquillam prope Avenionem ageret, Petrarca binas epistulas accepit, a Francogallis scilicet et a Romanis missas qui eum laurea poetica insignire volebant.

“Before there was a West, there was Christendom.” Fr. John Strickland has written a monumental four-part history of Christendom—from the first millennium of Christendom which he deems “the age of paradise” to our current cultural condition which he labels “the age of nihilism.” telling the story of how both came to be.On this episode Fr. John Strickland joins Hank to discuss his book The Age of Utopia: Christendom from the Renaissance to the Russian Revolution, which covers the period between the Italian Renaissance of the fourteenth century and the Russian Revolution of the twentieth, when secular humanism displaced Christianity to become the source of modern culture. The result was some of the most illustrious music, science, philosophy, and literature ever produced. But the cultural reorientation from paradise to utopia―from an experience of the kingdom of heaven to one bound exclusively by this world―all but eradicated the traditional culture of the West, leaving it at the beginning of the twentieth century without roots in anything transcendent.Topics discussed include: Petrarch, the father of humanism, and how the rise of pessimism in Christianity led to the rise of secular humanism (3:30); how anthropological pessimism shaped and influenced Western culture and civilization (15:00); how the wars of Western Christianity—such as the Crusades—helped advance secular humanism (21:00); the radical separation of heaven and earth in Calvin's sacramental and liturgical theology (26:35); the rise of science as a replacement for religion and a rationalistic explanation for everything (35:00); distinguishing between science and scientism (41:05); Voltaire and the impact of the Thirty Years' War (44:05); the cult of reason that has replaced God and altered the historical narrative of the world (49:10); the role of the Encyclopedia on the growth of secular humanism (53:30); the unique nature of the French Revolution (58:30); the rise of Romanticism as a response to the loss of transcendence in the world (1:03:00); the dangerous ideals of the Darwinian revolution (1:12:15); the rise of scientism (1:22:00); how liberal Protestantism is shaped by secular humanism (1:26:05); Marx, Marxism and the idea of inevitability whereby violence becomes the engine of progress (1:29:40); how World War I exposed the myth of progress (1:41:00); the secular path to utopia ultimately leads to dystopia (1:49:30); the age of nihilism—an age in which virtually anything is possible (1:56:00).For more information on receiving The Age of Paradise, The Age of Division, The Age of Utopia, and the Age of Nihilism individually, as a package of two or three or the full 4 Volume set for your partnering gift please click here. https://www.equip.org/product/cri-resource-the-age-of-paradise-the-age-of-division-the-age-of-utopia-the-age-of-nihilism-4-volumes-on-ages-of-christendom-hup/​Listen to Hank's podcast and follow Hank off the grid where he is joined by some of the brightest minds discussing topics you care about. Get equipped to be a cultural change agent.Archived episodes are  on our Website and available at the additional channels listed below.You can help spread the word about Hank Unplugged by giving us a rating and review from the other channels we are listed on.

DISCLAIMER: In this episode, Rachael confuses Petrarch and Plutarch, causing great offense to the man who invented the Sonnet, and she is mortified.Welcome back, super sleuths, it's another Sherlock Says! This time, Rachael and Ansel are joined by local thespian  Kyle B. Dekker to discuss The Boscombe Valley Mystery, most famously known as "the story where that illustration of Holmes in the deerstalker comes from."Other topics of conversation include Victorian Diabetes, brainstorming fics (again), and, as ever,  a return to Afghanistan.Also wow there's sure a lot of talk about dog death in this episode about a story containing zero dead dogs.Find Kyle's work at hotchocolatemedia.netContact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E

The Scottish historian, Robert B. Mowat writes, “When this period opens one of the finest epochs in German history had just closed, and a time of confusion begun.” With the death of the Emperor Frederick II, Germany's many feudal territories became practically hereditary sovereignties, her Free Imperial Cities almost independent states. But within the walls of these city-states, as in their Italian counterparts, commercial life flourished. During this period the Great Schism divided Christendom and was with infinite difficulty resolved. This was the age of Dante, Boccaccio, and Petrarch, of the Hundred Years' War, of the rise of Spain, and of the Turkish conquest of Constantinople.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Scottish historian, Robert B. Mowat writes, “When this period opens one of the finest epochs in German history had just closed, and a time of confusion begun.” With the death of the Emperor Frederick II, Germany's many feudal territories became practically hereditary sovereignties, her Free Imperial Cities almost independent states. But within the walls of these city-states, as in their Italian counterparts, commercial life flourished. During this period the Great Schism divided Christendom and was with infinite difficulty resolved. This was the age of Dante, Boccaccio, and Petrarch, of the Hundred Years' War, of the rise of Spain, and of the Turkish conquest of Constantinople.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Scottish historian, Robert B. Mowat writes, “When this period opens one of the finest epochs in German history had just closed, and a time of confusion begun.” With the death of the Emperor Frederick II, Germany's many feudal territories became practically hereditary sovereignties, her Free Imperial Cities almost independent states. But within the walls of these city-states, as in their Italian counterparts, commercial life flourished. During this period the Great Schism divided Christendom and was with infinite difficulty resolved. This was the age of Dante, Boccaccio, and Petrarch, of the Hundred Years' War, of the rise of Spain, and of the Turkish conquest of Constantinople.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Scottish historian, Robert B. Mowat writes, “When this period opens one of the finest epochs in German history had just closed, and a time of confusion begun.” With the death of the Emperor Frederick II, Germany's many feudal territories became practically hereditary sovereignties, her Free Imperial Cities almost independent states. But within the walls of these city-states, as in their Italian counterparts, commercial life flourished. During this period the Great Schism divided Christendom and was with infinite difficulty resolved. This was the age of Dante, Boccaccio, and Petrarch, of the Hundred Years' War, of the rise of Spain, and of the Turkish conquest of Constantinople.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Scottish historian, Robert B. Mowat writes, “When this period opens one of the finest epochs in German history had just closed, and a time of confusion begun.” With the death of the Emperor Frederick II, Germany's many feudal territories became practically hereditary sovereignties, her Free Imperial Cities almost independent states. But within the walls of these city-states, as in their Italian counterparts, commercial life flourished. During this period the Great Schism divided Christendom and was with infinite difficulty resolved. This was the age of Dante, Boccaccio, and Petrarch, of the Hundred Years' War, of the rise of Spain, and of the Turkish conquest of Constantinople.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Scottish historian, Robert B. Mowat writes, “When this period opens one of the finest epochs in German history had just closed, and a time of confusion begun.” With the death of the Emperor Frederick II, Germany's many feudal territories became practically hereditary sovereignties, her Free Imperial Cities almost independent states. But within the walls of these city-states, as in their Italian counterparts, commercial life flourished. During this period the Great Schism divided Christendom and was with infinite difficulty resolved. This was the age of Dante, Boccaccio, and Petrarch, of the Hundred Years' War, of the rise of Spain, and of the Turkish conquest of Constantinople.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today's guest is a man with two names and two careers. For decades he has been a distinguished poet and translator under the name of A.M. Juster. This is an acronym for his Christian name, Michael J. Astrue, who for many years was a lawyer, biotech executive, and public servant, most notably serving as Commissioner of the Social Security Administration from 2007 to 2013. During this time, his political enemies tried to dig up dirt on him – but all they could find was that he wrote poetry on the side! Juster has published multiple books of his original poems, most recently Wonder & Wrath in 2020. His work as a translator includes volumes of Petrarch, Horace, Tibullus, and the Latin verse riddles of the Anglo-Saxon bishop St. Aldhelm. Upcoming projects include another volume of Petrarch poems, a children's book about a female juvenile manatee called Girlatee, and an anthology of poems about the legendary phoenix, from Ovid to Shakespeare. In this episode Juster discusses his two careers, his interest in translating early Latin Christian poetry, St. Aldhelm's riddles, and his own original poetry. Links A.M. Juster on Twitter https://twitter.com/amjuster Saint Aldhelm's Riddles https://www.hfsbooks.com/books/saint-aldhelms-riddles-aldhelm-juster/ Wonder & Wrath https://www.pauldrybooks.com/products/wonder-and-wrath SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to make this show possible! http://catholicculture.org/donate/audio

In today's episode, we will be continuing our series on Shakespeare's Language Framework and our Shakespeare's Sources by taking a closer look at Petrarch. First, we will dive into the biography of Francesco Petrarca, more commonly known as Petrarch in English, the 14th century poet who had a huge influence on European humanism, the Renaissance, and poetry. Then, we will explore Petrarch's influence and how it spread across Europe before covering how we can see his influence in the works of William Shakespeare.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone  or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod Works referenced: Paster, Gail Kern. “A Modern Perspective: Romeo and Juliet.” Folger Shakespeare Library, 2024, www.folger.edu/explore/shakespeares-works/romeo-and-juliet/romeo-and-juliet-a-modern-perspective/. "Petrarchism." The Princeton Encyclopedia of Poetry and Poetics. Princeton: Princeton University Press, 2012. Credo Reference. Web. 21 January 2015.  Shakespeare, William, and Keir Elam. Twelfth Night. Arden Shakespeare, 2008. Vuillemin, Rémi. “‘love with excess of heat': The sonnet and Petrarchan excess in the late elizabethan and early jacobean periods.” XVII-XVIII, no. 71, 31 Dec. 2014, pp. 99–120, https://doi.org/10.4000/1718.395. Whitfield, John Humphreys. “Petrarch.” Encyclopædia Britannica, Encyclopædia Britannica, inc., 25 Jan. 2024, www.britannica.com/biography/Petrarch.

Shannon McHugh's book Petrarch and the Making of Gender in Renaissance Italy (Amsterdam University Press, 2023) is a new history of early modern gender, told through the lyric poetry of Renaissance Italy.  In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted centuries of Aristotelian, binary thinking. Men and women living through this upheaval exploited Petrarchism's capacity for subjective expression and experimentation - as well as its status as the most accessible of genres - in order to imagine new gendered possibilities in realms such as marriage, war, and religion. One of the first studies to examine writing by early modern Italian men and women together, it is also a revolutionary testament to poetry's work in the world. These poets' works challenge the traditional boundaries drawn around lyric's utility. They show us how poems could be sites of resistance against the pervading social order - how they are texts capable not only of recording social history, but also of shaping it. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Planet Poet-Words in Space – NEW PODCAST!  LISTEN to my WIOX show (originally aired Oct. 10, 2023) featuring poet Pui Ying Wong and her new collection Fanling In October, and co-host poet Lee Slonimsky.  Poet Pui Ying Wong's new collection, Fanling In October has just been published by Barrow Street Press. She's also the author of three other collections: The Feast, An Emigrant's Winter and Yellow Plum Season along with two chapbooks: Sonnet For a New Country and Mementos. She has received a Pushcart Prize. Her poems have appeared in Ploughshares, Prairie Schooner, Plume, Chicago Quarterly Review, New Letters, Zone 3 among many others. Born in Hong Kong she now lives in Cambridge, Massachusetts with her husband, the poet Tim Suermondt.Lee Slonimsky's latest books are Pythagoras and the Animals in Greece, translated by Stamatis Polenakis and Caterina Marikoupou, Pythagoras in Love in Italy, translated by Enrico Bernard, and Bright Yellow Buzz in the United States.  On November 2, he will lecture at the Keats/Shelley House Museum in Rome on the historical connections among Pythagroras, Petrarch, Shakespeare, and John Keats.  His wife, Carol Goodman, two time winner of the Mary Higgins Clark Award, is just out with her latest literary thriller, The Bones of the Story.

Gaspara Stampa is among the most important poets of the Renaissance. Living in Venice, she was a central figure in the music and literary scene thriving during the sixteenth century. Her Rime, published the year of her death, give us insight to the brilliant mind of an upper class socialite with a complicated love life, far flung from the rigid confines of what we might expect from a Renaissance woman in a male dominated world.Looking at her life and two sonnets, this discussion elaborates her role within the larger context of the Italian literary tradition, especially through Petrarch, and how these modes and tropes can be adapted and reworked through the culture of the Venetian Renaissance. Instagram/Facebook: italian_renaissance_podcastTiktok: @italianrenaissancepodEtsy: https://www.etsy.com/shop/ItalianRenShopGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

How does a wandering mind find its way to the classics? How do you cultivate renewal in a world of ruin? Spencer interviews Shane Sorensen, author of Renaissance Wisdom, about his self-instructed entry into the great conversation, and the pursuit of eternal virtues at the end of an age. Much like Petrarch and the leaders of the Renaissance, we find ourselves today on the cusp of something altogether new. Check out Shane's book, Renaissance Wisdom: https://a.co/d/7mM4AD6 Discover Shane's podcast: https://renaissance-wisdom.com/ Follow him on Instagram: https://instagram.com/renaissancewisdom

In this episode, I chat with Andy Durkin about the family owned and run Petrach's Bookshop, Tasmanian authors, the demographics of Tasmania, and must-see places to visit in the beautiful heart-shape island state of Tasmania, Australia.Petrarch's Bookshop has existed in Launceston, Tasmania as a general bookshop since 1985, providing exceptional customer service across an ever growing range of books. Although it has been owned and operated by Peter and Rhonda Durkin for most of that time, Marcus Durkin has joined his parents in the business and is now the operational manager of the shop. The growth of the business has been based on one major ideal – customer service. Petrarch's stocks a wide range of book categories, with special emphasis on Tasmaniania, gardening, cooking, architecture, health, art and many more.  Their friendly staff are all avid readers and are happy to recommend a novel, whether it be a new release or a classic from yesteryear. Their fiction categories include crime, fantasy, historical and Australiana as well as bestselling titles, and stock a vast selection of children's books. Petrarch's BookshopRichard Flanagan booksNan Chauncey booksLimberlost, Robbie ArnottThe Rain Heron, Robbie ArnottFlames, Robbie ArnottThe Angry Women's Choir, Meg BignellThe Last Hermit, Geoff HarwoodThe Deep, Kyle PerryKindred: A Cradle Mountain Love Story, Kate LeggeThe Last Lighthouse Keeper, John CookKatherine Johnson, authorABC News article by Fiona Blackwood, Tasmanian ‘angry farmer' looks to boost literacy levels after education system disillusionmentThe Advocate, written by Matt MaloneyJohn Marsden, authorLenny Marks Gets Away With Murder, Kerryn MayneEleanor Oliphant is Completely Fine, Gail HoneymanSecrets of the Huon Wren, Claire Van RynSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune's Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy. In this fascinating new book, Professor Baker reveals how Renaissance Italians developed a new concept of the future as unknown time-yet-to-come. As In Fortune's Theater makes clear, nearly everyone in Renaissance Italy seemingly had the future on their minds. Authorities in important commercial hubs such as Genoa, Venice, Rome, and Florence legislated against overzealous betting on the future. Merchants filled their commercial correspondence with a lexicon of futurity. Famed painters such as Caravaggio, Giorgio Vasari, and Paolo Veronese manipulated the existing iconography of the figure of Fortuna into a moral allegory about unseized opportunity. And seemingly every important Renaissance Italian intellectual including Petrarch, Dante, Christine de Pizan, Poggio Bracciolini, Leon Battista Alberti, Laura Cereta, Giovanni Pontano, Niccolò Machiavelli, Francesco Guicciardini, and Baldassare Castiglione cared deeply about time-yet-to-come. Baker's book is a rich, multilayered examination of the problems of risk, fortune, and the future in the Renaissance, and it should have broad appeal to anyone interested in the economic and political culture of early modern Europeans. Michael Paul Martoccio is an Assistant Professor of History at the University of Wisconsin-Madison specializing in the economic and military historian of the early modern Mediterranean. I am especially interested in how early modern economic practices – consumerism, market culture, and the commercialization of war – shaped notions of sovereignty, territoriality, and political geography. If you have a title to suggest for this podcast, please contact him at martoccio@wisc.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune's Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy. In this fascinating new book, Professor Baker reveals how Renaissance Italians developed a new concept of the future as unknown time-yet-to-come. As In Fortune's Theater makes clear, nearly everyone in Renaissance Italy seemingly had the future on their minds. Authorities in important commercial hubs such as Genoa, Venice, Rome, and Florence legislated against overzealous betting on the future. Merchants filled their commercial correspondence with a lexicon of futurity. Famed painters such as Caravaggio, Giorgio Vasari, and Paolo Veronese manipulated the existing iconography of the figure of Fortuna into a moral allegory about unseized opportunity. And seemingly every important Renaissance Italian intellectual including Petrarch, Dante, Christine de Pizan, Poggio Bracciolini, Leon Battista Alberti, Laura Cereta, Giovanni Pontano, Niccolò Machiavelli, Francesco Guicciardini, and Baldassare Castiglione cared deeply about time-yet-to-come. Baker's book is a rich, multilayered examination of the problems of risk, fortune, and the future in the Renaissance, and it should have broad appeal to anyone interested in the economic and political culture of early modern Europeans. Michael Paul Martoccio is an Assistant Professor of History at the University of Wisconsin-Madison specializing in the economic and military historian of the early modern Mediterranean. I am especially interested in how early modern economic practices – consumerism, market culture, and the commercialization of war – shaped notions of sovereignty, territoriality, and political geography. If you have a title to suggest for this podcast, please contact him at martoccio@wisc.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode explores Giorgione -Giorgio da Castelfranco - a founding artist of the Venetian High Renaissance. Although he lived a short life, the impact of his art echoes throughout the history of Venetian art. With influences like Giovanni Bellini, Leonardo da Vinci and Francesco Petrarch, his pictorial style is elaborated into a poetic mode of painting. This discussion focuses on Giorgione in relation to major cultural shifts in Italy around the year 1500. Using his so-called Laura from 1506, Giorgione is elaborated as a poetic painter, decoding visual symbols and subverting iconographical norms. Instagram: italian_renaissance_podcastSupport the show