14th-century Italian scholar and poet
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Greg Jenner is joined in medieval England by Professor Marion Turner and comedian Mike Wozniak to learn all about Geoffrey Chaucer, author of the Canterbury Tales.Since the 15th century, Chaucer has been referred to as the father of English literature. He was one of the first authors to champion the use of Middle English for poetry instead of Latin, and after the invention of the printing press, his works became the foundation of the English literary canon – long before Shakespeare ever put quill to parchment. But Chaucer's life was as extraordinary as his legacy, living as he did through the Black Death, the Hundred Years' War between England and France, and the Peasants' Revolt.In this episode, Greg and his guests explore Chaucer's dramatic biography: growing up the son of a wine merchant in fourteenth-century London, his work for the royal court and long career as a medieval civil servant, his relationship with John of Gaunt through his mistress Katherine Swynford, and his travels throughout Europe. They also examine the poets that influenced him – including Petrarch, Bocaccio and Dante – and take a deep dive into the famous Canterbury Tales.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Rosalyn Sklar Written by: Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars
In this week's episode of The Learning Curve, co-hosts Prof. Albert Cheng of the University of Arkansas and Alisha Searcy of the Center for Strong Public Schools speak with Andrew Hadfield, Emeritus Professor of English at the University of Sussex and British Academy Fellow, about the life, works, and legacy of the great poet Edmund Spenser. Prof. Hadfield explains how Edmund Spenser's uncertain family background and humanist education at Merchant Taylors' School and Cambridge, grounded in Virgil, Ovid, Petrarch, and Chaucer, shaped his literary imagination within Elizabethan England. He situates Spenser amid the many political and religious tensions of Queen Elizabeth I's reign, and traces Spenser's rise through The Shepheardes Calender and patronage under the 4th Earl of Leicester, Robert Sidney. Then, Prof. Hadfield turns to The Faerie Queene, its epic allegorical knights, virtues, and the Spenserian stanza, all of which widely influenced British literature and ultimately the English language across the globe. He addresses Spenser's controversial Irish writings and reflects on his enduring reputation as a foundational “poet's poet.” Prof. Hadfield closes the interview with a reading from The Faerie Queene.
Keegan Kjeldsen hosts The Nietzsche Podcast and the Untimely Reflections (essentialsalts) YouTube channel — a deep four-year project working through Nietzsche, his forerunners back to the ancient world, and his afterlives in 20th- and 21st-century thought. He's also a doom metal guitarist with Destroyer of Light and Slumbering Sun, and the author of The Ritual Madness of Rock & Roll, a memoir-meets-aesthetics inquiry written on the road through Europe.________________I sat down with Keegan to work through his concept of übermodernism — what's “over and above” modernism, in the same Nietzschean spirit as the Übermensch is over and above man. We trace the history of “the modern” all the way back to Petrarch in the 14th century, work through Nietzsche's perspectivism and his critique of the genealogical fallacy, and ask where the next modernism is meant to come from. A conversation for anyone tired of fighting over whether Nietzsche belongs to the right, the left, or the postmodernists.
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices
A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Zygmunt Baranski is Emeritus R. L. Canala Professor of Romance Languages and Literatures at the University of Notre Dame, and Serena Professor of Italian Emeritus at the University of Cambridge. Dr. Baranski has worked primarily on Dante, concentrating on Dante's relationship to medieval literary theory and criticism and on his intellectual formation. In addition, he has published extensively on Dante's reception in the fourteenth and twentieth centuries, on medieval Italian culture and literature (in particular, Cavalcanti, Petrarch, and Boccaccio), on modern Italian literature and culture, on Pasolini, on Italian cinema, and on Italo-Polish cultural relations. In this episode, we talk about Dante's Divine Comedy. We start by discussing the original title. We talk about the progression through hell, purgatory, and paradise. We discuss the roles of Virgil and Beatrice. We talk about the place of Dante in the history of Western literature. Finally, we discuss why an atheist would like The Divine Comedy.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, HEDIN BRØNNER, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, JEFF MCMAHAN, JAKE ZUEHL, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, VALENTIN STEINMANN, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, TONY BARRETT, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, TED FARRIS, HUGO B., JORDAN MANSFIELD, CHARLOTTE ALLEN, PETER STOYKO, DAVID TONNER, LEE BECK, PATRICK DALTON-HOLMES, NICK KRASNEY, RACHEL ZAK, DENNIS XAVIER, CHINMAYA BHAT, RHYS, AND ALEX MACLEOD!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, NICK GOLDEN, CHRISTINE GLASS, IGOR NIKIFOROVSKI, AND PER KRAULIS!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER,SERGIU CODREANU, AND GREGORY HASTINGS!
This week, we explore the myth of sudden breakthroughs in creative and leadership journeys, digging instead into the reality: a meaningful life is built in the margins, not the spotlight. We first connect with Mason Currey, author of Making Art and Making a Living, who shares stories from the lives of celebrated creators—revealing that ideal conditions are a fantasy and resourcefulness is universal. Currey shows us how figures from Petrarch to William Carlos Williams navigated relentless financial and personal obstacles, crafting art in the cracks of busy lives.Next, we speak with Eric Zimmer, host of The One You Feed podcast and author of How a Little Becomes a Lot, whose personal story exemplifies how transformation isn't about a single moment, but rather the accumulation of thousands of small, deliberate choices. Zimmer challenges our culture's obsession with epiphanies and quick fixes, highlighting the power of feeding the “right wolf”—those daily choices that align with our values and ambitions.We investigate how leaders can implement subtle, consistent behaviors that compound into real impact, and why honest feedback, clarity, and persistent incremental actions create lasting change. It's a nuanced reminder: small maneuvers, not grand gestures, drive creative and leadership success.Five Key LearningsBreakthroughs are Overrated: Lasting creative or personal progress depends less on dramatic moments than on the accumulation of small daily decisions.Art Thrives in Constraints: Many renowned creators made their work in imperfect conditions, often juggling day jobs or hustling for resources—scarcity can fuel focus and innovation.Identity and Work Are Entwined: It's reductive to separate oneself too much from their creative work; acknowledging the link helps navigate inner criticism with nuance.Naming the Inner Critic Creates Distance: Recognizing and naming internal narratives (even humorously) diminishes their power, enabling agency and resilience.Subtle Leadership Yields Big Results: Consistent clarity, regular feedback, and willingness to have hard conversations are small leadership moves that compound into greater outcomes.Get full interviews and bonus content for free! Just join the list at DailyCreativePlus.com.Mentioned in this episode:To listen to the full interviews from today's episode, as well as receive bonus content and deep dive insights from the episode, visit DailyCreativePlus.com and join Daily Creative+.Apply for Creative Leader Roundtable Every creative team needs a leader who's brave, focused, and brilliant, but none of us get there alone. The Creative Leader Roundtable is your place to connect with peers, sharpen your leadership craft, and stay inspired for the long haul. We're about to launch with a brand new group of leaders. So, if you're interested, visit CreativeLeader.net to learn more and to apply. Great leadership is a practice, not an accident.
It's one of the oldest debates in political philosophy: Do good laws make good men, or do good men make good laws? Minds have been wrestling with this question since the days of Petrarch and Machiavelli, but both sides may have insights that can inform modern political philosophy. James Hankins is a professor of history at Harvard University, a visiting professor of humanities at the University of Florida's Hamilton School, and author of numerous books including Virtue Politics: Soulcraft and Statecraft in Renaissance Italy and Political Meritocracy in Renaissance Italy: The Virtuous Republic of Francesco Patrizi of Siena. He's also the co-author of the textbook, The Golden Thread, which focuses on the history of Western civilization. Greg and James discuss Renaissance humanism, sparked by Petrarch's response to 14th‑century crises, and explore the humanist education focused on virtue, rhetoric, and moral philosophy. They also delve into Machiavelli's critiques and pushback against humanism, how Chinese Confucianism compares with the West's legal system, and why James believes virtue should be brought back into modern education. *unSILOed Podcast is produced by University FM.* Episode Quotes: Why we need both systems and good character 11:47: I think I agree with the people who think there should be a balance between good character and the formation of good character and expertise and wisdom and competence and the people who say that systems can solve all your problems and you just get the right systems and thinkful function. I think that is a very, kind of left, left hemispheric way of understanding human nature. Good law is nothing without good people 07:59: If you have great laws, but corrupt judges, you are going to have bad laws. If you have laws being written by corrupt people, that is even worse. So the humanist is saying the whole problem is, the human heart, right? This is where the problem is. And what we have to do is to bring back antiquity. Is democracy only the legitimate form of government? 47:14: Today, we might say that a democracy is the only legitimate form of government where a republic reflects the will of the people. But they would not say that in the Renaissance. They talk about better and worse, that monarchs are better when you have got a good monarch. But when you have a bad monarch, the monarch of the republic is better. It is that kind of calculation. It is not the way we think about political regimes today as being, legitimate or illegitimate. Show Links: Recommended Resources: Petrarch Francesco Patrizi Niccolò Machiavelli Isocrates Lorenzo Valla Thomas Aquinas Cola di Rienzo Guest Profile: Faculty Profile at Harvard University Faculty Profile at Hamilton School at the University of Florida Professional Website Guest Work: Virtue Politics: Soulcraft and Statecraft in Renaissance Italy The Cambridge Companion to Renaissance Philosophy Political Meritocracy in Renaissance Italy: The Virtuous Republic of Francesco Patrizi of Siena The Golden Thread: A History of the Western Tradition, Volume I: The Ancient World and Christendom Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Renaissance history is so much wilder and weirder than you would have expected. Very fun chatting with Ada Palmer (historian, novelist, and composer based at the University of Chicago).Some especially fascinating things I learned from the conversation and her excellent book, Inventing the Renaissance:Not only did Gutenberg go bankrupt in the 1450s (after inventing the printing press), but so did the bank that foreclosed on him, and so did his apprentices. This is because paper was still very expensive, and so you had to make this big upfront CAPEX decision to print a batch of 300 copies of a book - say the Bible. But he's in a small landlocked German town where only priests are allowed to read the Bible - so he sells maybe 7 copies. It's only when this technology ends up in Venice, where you can hand 10 copies to each of 30 ship captains going to 30 different cities, that it starts taking off.Speaking of which, the printing revolution wasn't just one single discrete event, just as the computer revolution has been this whole century of going from mainframes -> personal computers -> phones -> social media, each with different and accelerating social impact. Books came first, but they're slow to print, and made in small batches. The real revolution is pamphlets - much faster, much harder to censor. Pamphlet runners are how you can have Luther's 95 Theses go from Wittenberg to London in 17 days.So much other wild stuff from this episode. For example, did you know that the largest and best-funded experimental laboratory in 17th century Europe was very likely the Roman one run by inquisitors? Ada jokes that the Inquisition accidentally invented peer review. The focus of the Inquisition is really misunderstood - it was obsessed with catching dangerous new heretics like Lutherans and Calvinists - it only executed one person for doing science.And this leads Ada to make an observation that I think is really wise: the authorities and censors are always worried about the exact wrong things given 20/20 hindsight. When Inquisition raids an underground bookshop during the French Enlightenment, they don't mind the Rousseau, Voltaire, and Encyclopédie, but they lose their minds about some Jansenist treatises about the technical nature of the Trinity.More broadly, a lesson for me from this episode is that it's just really hard to shape history in the specific way that you want to impact things. One of the most famous medieval scholars is this guy Petrarch. He survives the Black Death in the 1340s, watches his friends die to plague and bandits, and says: our leaders are selfish and terrible, we need to raise them on the Roman classics so they'll act like Cicero. So Europe pours money into finding ancient manuscripts, building libraries, and educating princes on classical virtues. Those princes grow up and fight bigger, nastier wars than ever before with new deadlier technology. And this, combined with greater urbanization and endemic plague, results in European life expectancy decreasing from 35 in the medieval period to 18 during the Renaissance (the period which we in retrospect think of as a golden age but which many people living through it thought of as the continuation of the dark ages that had persisted since the fall of Rome).Anyways, the libraries Petrarch inspires stick around, the printing press makes them accessible to everyone, and 200 years later a generation of medical students is reading Lucretius and asking “what if there are atoms and that's how diseases work?” which eventually leads to germ theory, vaccines, and a cure for the Black Death (Ada has longer more involved explanation of how cosplaying the Romans results through a series of many steps to the scientific revolution). Petrarch wanted to produce philosopher-kings that shared his values. Instead he created a world that doesn't share his values at all but can cure the disease that destroyed his.Watch on YouTube; read the transcript.Sponsors* Jane Street is still waiting on someone to solve their backdoor puzzle… They're accepting submissions until April 1st and have set aside $50,000 for the best attempts. Separately, applications are live for Jane Street's summer ML internships in NY, London, and Hong Kong. Go check all of this out at janestreet.com/dwarkesh.* Labelbox can help ensure your agents don't need to rely on overspecified prompts. They tailor real-world scenarios to whatever domain you're focused on, and they make sure the data you train on rewards real understanding, not just instruction-following. Learn more at labelbox.com/dwarkesh* Mercury's personal accounts let you add users, issue cards, and customize permissions. This is super useful for sharing finances with a partner, a roommate… or even an OpenClaw agent. And, if you're already a Mercury Business user, your personal account is free! See terms and conditions below, and learn more at mercury.com/personal-bankingEligible Mercury Business users who apply for and maintain a Mercury Personal account may have their Mercury Personal subscription fee waived provided they remain a user on an active Mercury Business account in good standing. Standard Mercury Platform Subscription fees will apply if they no longer meet eligibility requirements, including but not limited to no longer being associated with an eligible Mercury Business account, or if the program is modified or terminated. Mercury may modify or discontinue this offering at any time and will provide notice as required by law. See Subscription Terms for full details.* To sponsor a future episode, visit dwarkesh.com/advertise.Timestamps(00:00:00) - How cosplaying Ancient Rome led to the Renaissance(00:28:49) - How Florence's weird republic worked(00:38:13) - How the Medicis took over Florence(00:58:12) - Why it was so hard for Gutenberg to make any money off the printing press(01:17:34) - Why the industrial revolution didn't happen in Italy(01:23:02) - The Library of Alexandria isn't where most ancient books were lost(01:41:21) - The Inquisition accidentally invented peer review Get full access to Dwarkesh Podcast at www.dwarkesh.com/subscribe
Greg Jenner is joined in medieval England by Professor Marion Turner and comedian Mike Wozniak to learn all about Geoffrey Chaucer, author of the Canterbury Tales. Since the fifteenth century, Chaucer has been referred to as the father of English literature. He was one of the first authors to champion the use of Middle English for poetry instead of Latin, and after the invention of the printing press, his works became the foundation of the English literary canon – long before Shakespeare ever put quill to parchment. But Chaucer's life was as extraordinary as his legacy, living as he did through the Black Death, the Hundred Years' War between England and France, and the Peasants' Revolt. In this episode, Greg and his guests explore Chaucer's dramatic biography: growing up the son of a wine merchant in fourteenth-century London, his work for the royal court and long career as a medieval civil servant, his relationship with John of Gaunt through his mistress Katherine Swynford, and his travels throughout Europe. They also examine the poets that influenced him – including Petrarch, Bocaccio and Dante – and take a deep dive into the famous Canterbury Tales. If you're a fan of medieval literature, historical courtroom dramas, and the tumult of fourteenth-century England, you'll love our episode on Geoffrey Chaucer. If you want more literary history with Mike Wozniak, listen to our episodes on Charles Dickens at Christmas and the Legends of King Arthur. And for more fourteenth-century lives, check out our episode on medieval Muslim traveller Ibn Battuta. You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Rosalyn Sklar Written by: Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars
In Part 1 of our discussion on Giovanni Boccaccio's The Decameron, we welcome editor Wayne A. Rebhorn to discuss the author's life and historical times, similarities among Boccaccio, Petrarch, and Dante, and the use of storytelling to both distract and make meaning during catastrophic times. Wayne A. Rebhorn is the Celanese Centennial Professor of English at the University of Texas, where he teaches English, Italian, and comparative literature. His translation of Boccaccio's Decameron won the 2014 PEN Center USA's Literary Award for Translation.To learn more or purchase a copy of the Norton Library edition of The Decameron, go to https://wwnorton.com/books/9780393427882.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social.
In this thought-provoking episode of History Rage, host Paul Bavill engages with historian and author Ada Palmer, whose book Inventing the Renaissance challenges the romanticised narratives surrounding this revered period in Western history. Together, they dissect the myths of golden and dark ages, revealing the complexities and realities that often go unnoticed.The Myth of the Renaissance:Golden Ages and Dark Ages: Ada argues against the simplistic notions of history being divided into periods of prosperity and decline, exposing the propagandistic origins of these concepts.Historical Narratives: Discover how Renaissance thinkers like Petrarch and Machiavelli grappled with their tumultuous reality, questioning the very nature of progress and the cyclical view of history.Art and Power:Dependency on Wealth: Explore how the creation of iconic art and literature was intrinsically linked to the power dynamics of the time, with artists often reliant on the very tyrants they critiqued.The Dark Side of Patronage: Ada reveals the often-ignored darker aspects of artistic patronage, including the violent political upheavals that shaped the environment in which these masterpieces were created.Inquisition and Control:Plurality of Inquisitions: The discussion delves into the various local inquisitions that operated independently, often co-opted by local powers for their own ends, challenging the singular narrative of the Inquisition.Corruption and Morality: Ada highlights the complex relationship between the Church and the populace, illustrating how corruption was often accepted as part of the societal fabric.Guest Information:Buy Ada's book: Inventing the Renaissance: Myths of a Golden AgeFollow Ada on X: @Adapalmer and on Bluesky: @adapalmer.bskysocial If you're inspired by this episode, consider joining the 'Angry Mob' on Patreon at patreon.com/historyrage for exclusive content, early access, and the iconic History Rage mug.Follow the Rage:- Twitter: @HistoryRage- Paul on Twitter: @PaulBavillFacebook: https://www.facebook.com/HistoryRageInstagram: https://www.instagram.com/historyrageStay curious, stay passionate, and most importantly, stay angry! Hosted on Acast. See acast.com/privacy for more information.
Rudolf IV of Habsburg (1339–1365), son of Albrecht “the Wise,” reigned as Duke of Austria for just seven years but left a lasting mark. Born when the dynasty seemed close to extinction, Rudolf secured Austria's survival and prestige. Politically, he sought to elevate Vienna by founding the University of Vienna (1365) and beginning construction of St. Stephen's Cathedral. Though he fulfilled his father's ambition to gain the Tyrol, the family fell behind their rivals, namely the Luxemburgs.Rudolf's most audacious act was the Privilegium Maius, a set of forged charters claiming ancient Roman emperors had granted Austria near-sovereign status, primogeniture, and the unique title of Archduke. Though denounced by Petrarch as absurd, the documents shaped Habsburg identity for centuries and underpinned later power.By creating myths of divine and heroic origins, Rudolf forged a sense of Habsburg exceptionalism. Though dying young without heirs, he truly was “the Founder.”The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire...
Given that the term literally means “rebirth”, the Renaissance throws some not-so-subtle shade on the period that comes before it. So, where did the idea of the Renaissance actually come from? And was it truly a golden age? This week, Danièle speaks with Ada Palmer about Petrarch, Machiavelli, atheism, and how we should look at the period formerly known as the Renaissance.
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this talk at Living Well at the End of a World, James Hankins draws parallels between our contemporary anxieties about civilizational decline and the late medieval Renaissance period, specifically the 14th and 15th centuries, which also faced profound institutional crises. He highlights the humanist movement, spearheaded by Petrarch, as a historical response that sought societal reform by fostering virtue and wisdom in leaders through a renewed emphasis on classical learning. Hankins argues that the Renaissance represented a radical re-centering of civilization, advocating for a meritocratic leadership grounded in moral excellence and a commitment to community welfare.The Morningside Institute hosted a two-day conference on April 4–5, 2025. On its first day, the conference examined some of the radical changes that Western societies are undergoing. On the second day, we explored in greater detail historical examples of how communities have navigated periods of intense cultural change and even devastation. For more information about Living Well at the End of a World, please visit https://www.morningsideinstitute.org/living-well.
Haley interviews A.M. Juster, poet, translator, and author. For many years he lived a double life as an undercover poet while working in senior roles in the federal government and biotech industry. His work has appeared in Poetry, The Paris Review, and The Hudson Review. And next fall W.W. Norton will release his translation of Petrarch's Canzoniere. This episode discusses Juster's surprising trajectory into poetry, his first children's book Girlatee, and how to give children a love for the beauty of language. Learn more about the children's literature available from Word on Fire Votive. Stay up-to-date with the latest episodes of the The Votive Podcast biweekly on WordonFire.org or wherever you listen to podcasts. Do you enjoy this podcast? Become a Word on Fire IGNITE member to support the production of the Votive Podcast and other initiatives from Word on Fire. Our ministry depends on the support of listeners like you! Become a part of this mission and join IGNITE today to become a Word on Fire insider and receive some special donor gifts for your generosity.
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices
No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations. Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera. This richly illustrated volume offers a stunning portrait of this most singular of cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Fluent Fiction - Italian: Dreams Brewed in Trastevere: Giulia's Journey to Florence Find the full episode transcript, vocabulary words, and more:fluentfiction.org/dreams-brewed-in-trastevere-giulias-journey-to-florence Story Transcript:It: Nel cuore di Trastevere, tra i vicoli di ciottoli e il fruscio delle foglie autunnali, si trova un'accogliente caffetteria.En: In the heart of Trastevere, among the cobblestone alleys and the rustling of autumn leaves, there is a cozy coffee shop.It: Il profumo del caffè riempie l'aria mentre clienti abituali e turisti si mescolano in un flusso costante.En: The aroma of coffee fills the air as regular customers and tourists mingle in a constant flow.It: Dietro il bancone, Giulia prepara espressi con destrezza, ma la sua mente è altrove.En: Behind the counter, Giulia prepares espressos skillfully, but her mind is elsewhere.It: Giulia sogna Firenze, un seminario di letteratura italiana che potrebbe aprirle nuovi orizzonti.En: Giulia dreams of Florence, a seminar on Italian literature that could open new horizons for her.It: Ogni volta che serve un cliente, immagina di discutere Dante e Petrarca con esperti.En: Every time she serves a customer, she imagines discussing Dante and Petrarch with experts.It: Ma c'è un ostacolo.En: But there is an obstacle.It: Suo fratello, Lorenzo, è pratico e riservato.En: Her brother, Lorenzo, is practical and reserved.It: Preoccupato per il lavoro che li attende con la festa di Ognissanti in arrivo, è restio a lasciar partire Giulia.En: Worried about the work awaiting them with the All Saints' Day celebration approaching, he is reluctant to let Giulia leave.It: Una sera, la caffetteria è tranquilla.En: One evening, the coffee shop is quiet.It: Il sole cala e le luci gialle degli edifici proiettano ombre morbide.En: The sun sets and the yellow lights of the buildings cast soft shadows.It: Giulia raccoglie il coraggio e parla con Lorenzo.En: Giulia gathers her courage and talks to Lorenzo.It: "Vorrei andare a Firenze per un seminario," inizia, gli occhi scintillanti di speranza.En: "I would like to go to Florence for a seminar," she begins, her eyes sparkling with hope.It: "Porterei nuove idee che ci aiuterebbero a migliorare qui."En: "I would bring back new ideas that would help us improve here."It: Lorenzo sospira, guardando i tavolini fuori, pieni di foglie secche.En: Lorenzo sighs, looking at the outdoor tables, covered with dry leaves.It: "Ma è un momento impegnativo.En: "But it's a busy time.It: Potrei non farcela da solo," risponde, la voce carica di preoccupazione.En: I might not manage on my own," he replies, his voice laden with worry.It: Discutono tra tazze tintinnanti e il ronzio della macchina del caffè.En: They discuss amid the clinking of cups and the hum of the coffee machine.It: Giulia è determinata.En: Giulia is determined.It: "Pensa ai clienti interessati a qualcosa in più," insiste.En: "Think of the customers interested in something more," she insists.It: Lorenzo riflette.En: Lorenzo reflects.It: Immagina sua sorella tornare piena di entusiasmo e nuove idee.En: He imagines his sister returning full of enthusiasm and new ideas.It: È una prospettiva allettante.En: It's an appealing prospect.It: La tensione sfocia in una discussione accesa.En: The tension escalates into a heated discussion.It: Parole rapide e frasi sovrapposte riempiono lo spazio.En: Quick words and overlapping phrases fill the space.It: Lorenzo esprime la sua ansia per il negozio, Giulia rivela il suo senso di costrizione.En: Lorenzo expresses his anxiety for the shop, Giulia reveals her sense of confinement.It: Ma dalle emozioni scaturisce un accordo.En: But from the emotions arises an agreement.It: Decidono che Giulia potrà andare per un tempo breve.En: They decide that Giulia can go for a short time.It: Lorenzo troverà persone per aiutare durante la sua assenza.En: Lorenzo will find people to help during her absence.It: Con questa decisione, Giulia sorride.En: With this decision, Giulia smiles.It: Ha ottenuto un'importante vittoria.En: She has achieved an important victory.It: Lorenzo, seppur preoccupato, vede la motivazione nei suoi occhi.En: Lorenzo, although worried, sees the motivation in her eyes.It: "Tornerai con tante belle idee," dice con un leggero sorriso.En: "You will return with many wonderful ideas," he says with a slight smile.It: Alla fine, la caffetteria di Trastevere è più che un semplice negozio di famiglia.En: In the end, the coffee shop in Trastevere is more than just a family business.It: È un centro di sogni e ambizioni.En: It is a hub of dreams and ambitions.It: Giulia parte per Firenze, Lorenzo le augura il meglio.En: Giulia leaves for Florence, Lorenzo wishes her the best.It: Lei porta con sé il calore di una famiglia che, nonostante le preoccupazioni, sa dare valore alla crescita e al cambiamento.En: She carries with her the warmth of a family that, despite concerns, knows how to value growth and change. Vocabulary Words:the heart: il cuorethe alley: il vicolothe cobblestone: il ciottolothe aroma: il profumoto mingle: mescolarsithe customer: il clientethe seminar: il seminariothe horizon: l'orizzontethe expert: l'espertothe obstacle: l'ostacolopractical: praticoreserved: riservatoreluctant: restioto sigh: sospirarethe shadow: l'ombrato gather: raccoglierethe courage: il coraggioto sparkle: scintillareladen: caricoto improve: migliorareto insist: insisterethe tension: la tensioneto escalate: sfociarethe agreement: l'accordoto achieve: ottenerethe victory: la vittoriadetermined: determinatathe anxiety: l'ansiathe confinement: la costrizioneto Value: dare valore
It is time to open the next chapter of our dive into Renaissance history, dialing back to look at the early Renaissance and the Proto-Renaissance. The terminology of periodization is loose and malleable, and brings to light of other renaissances that occurred throughout the Middle Ages. What is the difference between the way classical revival was exercised from the 8th and 12th centuries, and the world of Renaissance Italy? This episode provides the fundaments of the earliest years of the Renaissance in Florence. The discussion links the literary developments of Dante, Petrarch and Boccaccio to the art developments of Cimabue and Giotto. Did the Black Death, that devastating plague that swept through Italy in 1348, have an impact on intellectual development? What did the early phases of Humanism look like, before the late 15th century? Images uploaded to Instagram @italian_renaissance_podcast Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the Show.
The things of God belong to a heavenly kingdom. But politics is taken up with what is earthly. Surely, therefore, Christians should keep politics at a distance as much as possible. Right? Even while defending the life of contemplation and retreat from the earthly, Francesco Petrarch and Giovanni Bocaccio laud Christian involvement in public life. Petrarch goes so far as to dream of a Julius Caesar reborn in medieval Europe and baptized a Christian, who goes on to conquer Egypt from the Muslims and present her as a gift - this time not to Cleopatra - but to Christ.James Hankins's Virtue Politics: https://amzn.to/3UiQpp3Niccolo Machiavelli's The Prince: https://bookshop.org/a/25626/9780199535699C.S. Lewis's The Four Loves: https://bookshop.org/a/25626/9780062565396Calvert Watkins's How to Kill a Dragon: https://bookshop.org/a/25626/9780195144130New Humanists episode on Leonardo Bruni: https://newhumanists.buzzsprout.com/1791279/14460440-mediocrity-versus-glory-in-the-renaissance-episode-lxiiSallust's Catilinarian Conspiracy: https://amzn.to/4chKY1CHenry David Thoreau's Walden: https://bookshop.org/a/25626/9780460876353Jon Krakauer's Into the Wild: https://bookshop.org/a/25626/9780385486804New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com
Well, well, well! We're back after a long hiatus in the middle of a pretty short book due to vacations of various sorts. For example, Jackie took a vacation to Italy (listen for an amazing story of being a dumb American), AND a vacation from being healthy by immediately getting Covid upon her return! But now we're all healthy and thriving, and Mrs. Dalloway's FTC arc is complete. Like life itself, this episode in turns both gross and beautiful! Tune in to find out if the second half of the book sucks. NOTE: This episode discusses suicide. See chapters below if you wanna skip that part!Bekah reveals a very specific requirement she has for storytellers. Rachel murders God. Jackie shares a tidbit of Williamsburg wisdom that no one likes.Topics include: special vinegar in a special dish, the ultimate state of Zen, a diet of nothing but milk and ice cream, spending years in bed for money, a divisive blue envelope, Petrarch, a snowboarding pickle, how to hide a zit like a pro, Oscar Pistorius, William Faulkner, Hemingway and Fitzgerald's Ye Olde Dick-Measuring Event, IcinGUH, Ada Palmer's recommendations, Walshheads, speaking English like an Italian, Shrek, Butt Stuff, the now-straight Tower of Pisa, Nebuchadnezzar, and Nebuchadlizard. ★ Support this podcast on Patreon ★
Support us on Patreon --- On September 4, 476 the barbarian general Odoacer deposed the last Roman emperor in the West and proclaimed himself king of Italy. After 500 years of existence, the Western Roman Empire was gone. But if you were living there at the time, would you have even noticed anything had changed? Liam and Russian Sam return to one of their favorite historical subjects, an area that has energized and terrified generations of scholars for 1500 years: the decline and fall of the Western Roman Empire. Considered to mark the end of classical antiquity and the start of the middle ages, this event was traditionally understood to be the fundamental cataclysm of the history of Europe, perhaps even the history of the world. But on the eve of the Second World War, aging Belgian historian Henri Pirenne proposed an alternative view: that the collapse of the Roman Empire and the rise of the barbarian kingdoms only amounted to a change in management. The real transformation of the Roman world into the medieval world would not happen until centuries later, when the empires of the Muslims and the Carolingian Franks built new political and economic systems that replaced what had been left by Rome. This is the key argument of Mohammed and Charlemagne, Pirenne's most famous work published posthumously in 1937 and one of the most revolutionary texts in medieval history. Still hotly debated today, Pirenne's thesis upended a seemingly adamantine tradition of scholarship established by the Italian humanist Petrarch in the 14th century, and elaborated by later historians such a Edward Gibbon, which viewed the medieval period as a detestable Dark Age that had to be redeemed by the discovery of Roman glory. While not rejecting outright the notion of an early-medieval Dark Age, Pirenne put forward a strong argument for continuity across the 4th, 5th, and 6th centuries, interrupted not by the invasions of barbarian peoples but instead by the later rise of the Muslim caliphate. New religious divisions severed the arteries of trade and communication that united the Mediterranean world. And when a new Roman Empire emerged in the west the following century, Pirenne argues that this realm of Charlemagne did not restore Roman civilization as once was believed, but instead created a new imperial system just like their Arab contemporaries. Listen to this week's Gladio Free Europe to decide for yourself if the end of the Western Roman Empire did or did not mark the end of the Roman world. Further Listening: E13 Migration and Memory E15 The Last Kingdom E33 Late Roman Empire E36 The Franks ft. Natasha E49 The Arab-Norman Civilization (Part 1) E50 The Arab-Norman Civilization (Part 2) --- Support this podcast: https://podcasters.spotify.com/pod/show/gladiofreeeurope/support
Imagine that you are the leading figure in a movement to renew the study and appreciation of classical literature, but you have come to the end of your life and not only has the educational and political situation not improved - it has gotten worse. Such was the vista spread out before Petrarch in his twilight. Jonathan and Ryan read and discuss some of Petrarch's correspondence, recording the meditations of the great humanist as he wrestled with civilizational decline, the possibility of rebirth, and the awareness of how little time he had left.Richard M. Gamble's The Great Tradition: https://amzn.to/3Q4lRnOCicero's Pro Archia Poeta: https://bookshop.org/a/25626/9780674991743Tim Griffith's The Case for Classical Languages: https://www.youtube.com/watch?v=UquUv7wzAgQRyan Hammill's Saints Versus Statesmen: https://americanreformer.org/2024/04/saints-versus-statesmen/New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com
The Italian poet Petrarch hiked up Mont Ventoux in Provence on 26th April, 1332 - an event claimed for centuries to be the first time mountaineering for pleasure had been attempted. His celebrated letter to Dionigi di Borgo San Sepolcro was the source, revealing Petrarch's contemplations on spirituality and the human condition amidst the breathtaking views. However, debate persists over the letter's authenticity and whether Petrarch's climb was literal or allegorical. In this episode, Arion, Rebecca and Olly explain how, centuries later, Romantic poets revived Petrarch's tale, interpreting his ascent as a metaphor for spiritual enlightenment and intellectual curiosity; consider how mountaineering in its present form evolved into a mainstream leisure activity; and reveal that climbing Mont Ventoux has become a competitive sport... Further Reading: • ‘The Fig and the Laurel: Petrarch's Search for Self-Knowledge' (The London Magazine): https://thelondonmagazine.org/article/the-fig-and-the-laurel-petrarchs-search-for-self-knowledge/ • ‘In Provence, Honoring a Poet at 6,263 Feet' (The New York Times, 2006): https://www.nytimes.com/2006/07/30/travel/30explorer.html • ‘GW1 - Petrarch: "Ascent of Mount Ventoux"' (Douglas Parker, 2021): https://www.youtube.com/watch?v=XRhdr55jsRw We'll be back on Monday - unless you join
Welcome to Inner Whirled, the new podcast with Dylan Saccoccio and Chance Garton, where we'll be providing deeply researched and well prepared podcasts on Spirit Whirled subjects, the language, symbolism, artifacts and system of the ancient universal priestcraft, all reserved exclusively for our direct supporters. Episode 4 investigates the widespread prevalence of literary fraud amongst Renaissance Italian humanists, such as Poggio Bracciolini and Petrarch. What would it mean for our view of history, if forgery was the rule, rather than exception, when it comes to the literature of Roman and Greek antiquity? What motivated the fad of fabricating archaic manuscripts? And what does it tell us about the foundations of other institutional paradigms in our modern world, if deception can go unchecked and unrecognized? Become a supporter on Patreon or Youtube to unlock the episode:https://www.patreon.com/posts/103034579https://youtu.be/qdiP3H8bxmw TELEGRAM LINKShttps://t.me/innerversepodcasthttps://t.me/innerversepodcastchat GET TUNEDhttps://www.innerversepodcast.com/sound-healing SUPPORT INNERVERSEInnerVerse Merch - https://www.innerversemerch.comTippecanoe Herbs - Use INNERVERSE code at checkout - https://tippecanoeherbs.com/Check out the Spirit Whirled series, narrated by Chance - https://www.innerversepodcast.com/audiobooksDonate on CashApp at $ChanceGartonOrgonite from https://oregon-ite.com - coupon code "innerverse"Buy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489The Aquacure AC50 (Use "innerverse" as a coupon code for a discount) - https://eagle-research.com/product/ac50TT Hosted on Acast. See acast.com/privacy for more information.
“Before there was a West, there was Christendom.” Fr. John Strickland has written a monumental four-part history of Christendom—from the first millennium of Christendom which he deems “the age of paradise” to our current cultural condition which he labels “the age of nihilism.” telling the story of how both came to be.On this episode Fr. John Strickland joins Hank to discuss his book The Age of Utopia: Christendom from the Renaissance to the Russian Revolution, which covers the period between the Italian Renaissance of the fourteenth century and the Russian Revolution of the twentieth, when secular humanism displaced Christianity to become the source of modern culture. The result was some of the most illustrious music, science, philosophy, and literature ever produced. But the cultural reorientation from paradise to utopia―from an experience of the kingdom of heaven to one bound exclusively by this world―all but eradicated the traditional culture of the West, leaving it at the beginning of the twentieth century without roots in anything transcendent.Topics discussed include: Petrarch, the father of humanism, and how the rise of pessimism in Christianity led to the rise of secular humanism (3:30); how anthropological pessimism shaped and influenced Western culture and civilization (15:00); how the wars of Western Christianity—such as the Crusades—helped advance secular humanism (21:00); the radical separation of heaven and earth in Calvin's sacramental and liturgical theology (26:35); the rise of science as a replacement for religion and a rationalistic explanation for everything (35:00); distinguishing between science and scientism (41:05); Voltaire and the impact of the Thirty Years' War (44:05); the cult of reason that has replaced God and altered the historical narrative of the world (49:10); the role of the Encyclopedia on the growth of secular humanism (53:30); the unique nature of the French Revolution (58:30); the rise of Romanticism as a response to the loss of transcendence in the world (1:03:00); the dangerous ideals of the Darwinian revolution (1:12:15); the rise of scientism (1:22:00); how liberal Protestantism is shaped by secular humanism (1:26:05); Marx, Marxism and the idea of inevitability whereby violence becomes the engine of progress (1:29:40); how World War I exposed the myth of progress (1:41:00); the secular path to utopia ultimately leads to dystopia (1:49:30); the age of nihilism—an age in which virtually anything is possible (1:56:00).For more information on receiving The Age of Paradise, The Age of Division, The Age of Utopia, and the Age of Nihilism individually, as a package of two or three or the full 4 Volume set for your partnering gift please click here. https://www.equip.org/product/cri-resource-the-age-of-paradise-the-age-of-division-the-age-of-utopia-the-age-of-nihilism-4-volumes-on-ages-of-christendom-hup/Listen to Hank's podcast and follow Hank off the grid where he is joined by some of the brightest minds discussing topics you care about. Get equipped to be a cultural change agent.Archived episodes are on our Website and available at the additional channels listed below.You can help spread the word about Hank Unplugged by giving us a rating and review from the other channels we are listed on.
Today's guest is a man with two names and two careers. For decades he has been a distinguished poet and translator under the name of A.M. Juster. This is an acronym for his Christian name, Michael J. Astrue, who for many years was a lawyer, biotech executive, and public servant, most notably serving as Commissioner of the Social Security Administration from 2007 to 2013. During this time, his political enemies tried to dig up dirt on him – but all they could find was that he wrote poetry on the side! Juster has published multiple books of his original poems, most recently Wonder & Wrath in 2020. His work as a translator includes volumes of Petrarch, Horace, Tibullus, and the Latin verse riddles of the Anglo-Saxon bishop St. Aldhelm. Upcoming projects include another volume of Petrarch poems, a children's book about a female juvenile manatee called Girlatee, and an anthology of poems about the legendary phoenix, from Ovid to Shakespeare. In this episode Juster discusses his two careers, his interest in translating early Latin Christian poetry, St. Aldhelm's riddles, and his own original poetry. Links A.M. Juster on Twitter https://twitter.com/amjuster Saint Aldhelm's Riddles https://www.hfsbooks.com/books/saint-aldhelms-riddles-aldhelm-juster/ Wonder & Wrath https://www.pauldrybooks.com/products/wonder-and-wrath SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to make this show possible! http://catholicculture.org/donate/audio
How does a wandering mind find its way to the classics? How do you cultivate renewal in a world of ruin? Spencer interviews Shane Sorensen, author of Renaissance Wisdom, about his self-instructed entry into the great conversation, and the pursuit of eternal virtues at the end of an age. Much like Petrarch and the leaders of the Renaissance, we find ourselves today on the cusp of something altogether new. Check out Shane's book, Renaissance Wisdom: https://a.co/d/7mM4AD6 Discover Shane's podcast: https://renaissance-wisdom.com/ Follow him on Instagram: https://instagram.com/renaissancewisdom
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