Podcasts about Forgery

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In the medieval scriptoria, amongst all the holy books, and the hagiographies, and the books of philosophy, and the legal charters, not to mention the beautiful illuminated manuscripts, there were often, we are sorry to tell you, forgeries being created. Sometimes monasteries needed to codify some history that hadn't gotten written down when it happened, or to provide documentation of some land sale that hadn't gotten written down, or to provide evidence for things that didn't happen at all, so that they could have more power or money -- that sort of thing. Some of those scriptoria were so good at producing forgeries that they made them for other monasteries, running forgery rings. The scriptorium at Westminster Abbey, for instance, had several master forgers -- one of them being Osbert of Clare, who produced several of the fake charters at not only Westminster Abbey, but also other abbeys, such as that at Ramsey, which didn't have the wherewithal to produce these things themselves. Anne explains medieval forgery in general, of which there was a whole lot, and Michelle, though very sad that no popular works about Westminster are out there, was gratified to find some excellent scholars, along with a medieval method for providing two factor identification. Also, nobody dies.

A neighbor goes missing. A stranger moves into his home. A web of forged documents untangles as the U.S Postal Inspection Service helps uncover the true story behind a shocking missing person case. Hosts Karla Kirby and Jeff Marino, joined by Inspector Lyndon Versoza, reveal how a sophisticated fraud ring took over a man's home after his disappearance, using his identity to orchestrate a scheme that defrauded victims of over $3.9 million. Follow along as they break down the investigation—from a neighborhood watch tip to the final verdict —and share how the Inspection Service brought these criminals to justice by masterfully following the mail paper trail.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A former China Grove city secretary was arrested Jan. 27 on three felony charges. Arrest warrants from Bexar County charge Melinda Sauceda, 40, of Sutherland Springs with: •Forgery of a government or national instrument, money, or security — a third-degree felony •Tampering with a government record — a state jail felony •Theft of property valued between ,500 and ,000 — a third-degree felony. Each charge carries a maximum sentence of up to 10 years in prison and a ,000 fine. The arrest followed investigation by Texas Health & Human Services (THHS) Commission Office of the Inspector General and the Texas...Article Link

How To Identify A Counterfeit Gospel , Spiritual ForgeryThe way to eternal life is narrow and few even find it. Will you be fooled?

This passage from Philippians (2:1-2) encourages believers to live lives worthy of their calling, marked by unity, love, and mutual support. Paul uses a series of "if" statements to highlight the foundations of Christian community: encouragement in Christ, consolation of love, fellowship of the Spirit, and affection and compassion. These qualities, rooted in a relationship with Christ, should lead to a church characterized by like-mindedness, shared love, unity of spirit, and a singular purpose focused on advancing the Gospel. The passage contrasts this genuine Christian life with the deceptive nature of forgery, using the example of art forger Wolfgang Beltracchi, whose elaborate scheme was ultimately undone by a small detail. Pastor Jensen urges listeners to examine themselves, ensuring they exhibit the true fruit of the Spirit rather than a counterfeit, and calls on non-believers to repent and find true joy in Christ.www.ReformedRookie.comPodcast: https://anchor.fm/reformedrookieFacebook: https://www.facebook.com/TheReformedRookie Twitter: https://twitter.com/NYapologistSemper Reformanda!#philippians #philippians1 #christianliving #churchunity #gospel #faith #love #fellowship #spiritualgrowth #reformedtheology #biblestudy

AI & DIGITAL: THE FORGERY OF FIRSTBORNS -  Was recorded live on the 01/12/2025No spin. No PC nonsense. Just the honest truth.  Tamaki Live !For more information on Apostle Brian Tamaki , Please visit https://www.apostlebriantamaki.comhttps://x.com/BrianTamakiNZ/

An Indian agent fled Vanuatu before raids as police investigate four CIIP agents for forging payment receipts.View the full article here.Subscribe to the IMI Daily newsletter here. 

Miss USA crowned not from last year's queen…  Crime beat / arrests made in louvre heist...  Forgery arrests in Germany, Switzerland & Liechtenstein…  Stole girlfriends' money to win a jackpot…  Find a match in Chinese park…  A look at lotto…  Sultan of Brunei…  Email: Chewingthefat@theblaze.com   www.blazetv.com/jeffy   $20 off annual plan right now (limited time)  Paris Jackson stirring things up for the family…  Who Died Today: June Lockhart 100 /  David Ball 66 / Nick Mangold 41…  Biohacker Bryan Johnson / microplastics in sperm…  Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a throwback episode from 2018. Sandra & Jerald Tanner were the first to identify a Hofmann forgery. They were the first to claim the Salamander Letter was a forgery but they didn't know it was a Hofmann forgery. Even though they didn't suspect Mark Hofmann was the forger, they were eventually proved correct. Sandra tells how her husband Jerald came to that conclusion, his later illness & death from dementia, and whether she thinks some books in the Bible could be classified as forgeries. Plus at the end of the video, I'll give a preview of my next interview with Sandra! Check out our conversation... https://youtu.be/SK_6orYOYro Don't miss our other conversations with Sandra: https://gospeltangents.com/people/sandra-tanner Copyright © 2025 Gospel Tangents All Rights Reserved "Man Bites Dog" Story: How Anti-Mormon Critics Jerald & Sandra Tanner Were the First to Expose Mark Hofmann Forgery Sandra Tanner is a long-time critic and historian of Mormonism. She details her interactions with the notorious document forger and murderer, Mark Hofmann. The interviews reveal a profound paradox—what Sandra Tanner called the "man bite dog story"—where the very critics who might have benefited from anti-LDS documents were the ones who first proved them to be frauds. Here is a breakdown of the shocking discoveries, clever manipulations, and institutional controversies surrounding Hofmann, as shared by Sandra Tanner: -------------------------------------------------------------------------------- Shrewd Forger's Credibility Gambit Mark Hofmann first approached Sandra Tanner and her husband, Jerald, in 1978 or 1979 after having read their book, Mormonism Shadow or Reality. At this time, Hofmann was an average-looking young man who did not stand out, which actually aided him in his forgery business. Hofmann's initial goal was to establish credibility for his future fakes. He visited the Tanners and handed Sandra a photocopy of a one-sheet document—a fraudulent Second Anointing Ceremony. This ritual is considered higher than celestial marriage and promises eternal life (short of murder) to select individuals. Hofmann spun a detailed, manipulative story, claiming he found the document (purporting to be from the 1912 Salt Lake Temple period) while cleaning out his deceased grandfather's attic. He insisted he couldn't share his name because his family was prominent, thus giving the document an air of mystery and protected provenance. Sandra Tanner realized that Hofmann was attempting to raise the document's value by having her pass it around, creating a "trail of interest". However, because the document lacked provenance, Sandra did not publish it, though she did give copies out to people who asked, cautioning them that she could not vouch for it. This established Hofmann's pattern: planting evidence or information about documents, often having others "find" them (like Jeff Simmonds finding the Anthon transcript pasted in a Bible) to lend them credibility. Jerald Tanner's Analysis: Salamander Letter Is Too "Pat" When the Salamander Letter (a document critical of Joseph Smith, linking him to magic and the coming forth of the Book of Mormon in a magic setting) was rumored and surfaced, Jerald Tanner was skeptical. Jerald insisted on seeing the whole typescript of the letter to properly evaluate it. Jerald's forensic methodology was based on a prior experience: years earlier, he had successfully argued that a document attributed to Oliver Cowdery was a forgery because it contained phrases lifted directly from Cowdery's known letters, demonstrating a contrived writing style. Applying this content analysis to the Salamander Letter, Jerald became convinced it was a fraud. He noted that the wording contained phrases lifted from earlier critical texts, specifically Ed Howe's Mormonism Unveiled and the Joseph Knight letters. Jerald argued that the similarities in phrasing were "too much" and "too pat".

From job seekers to public office holders, the issue of fake certificates continues to raise serious concerns about honesty, accountability, and the value of education in Nigeria.Despite investigations and arrests, the problem persists with new cases emerging almost every year.So why does fake certification remain a recurring challenge in Nigeria, and what are the legal and moral consequences?Join us on this episode of Nigeria Daily as we take a closer look at the growing problem of certificate forgery and its implications for our society.

Glasses, Guests and Guided Getaways: Disney's Augmented Adventures.  Mouse Makeover: Squishy Surfaces Shape Smarter Surfing.  Forgery Fighters: Fine Art Faces AI's Freshest Feint.  Robo-Rescue or Ruff Reality: Redefining the Role of Robot Guide Dogs.  Stealthy Signals: StrataWave's Silent Spread for Safer Skies.  Paper, Pen and Prestige: Montblanc's Move into Digital Documents.  Virtual Vibes and Vibrant Venues: Clubbing in Cyberspace.  Meta Meets Motion: Smart Specs Supercharge Sports with Sight, Sound and Stats.  Pocket to Production: Pro Phones and ProDock Power Play. 

A Major thank you to the Eschaton Vigil for sponsoring todays stream. In this stream I discuss the influential yet controversial prophecies of Blessed Hieronymus Agathangelos. Was this 13th century Orthodox monk blessed with visions of the future or a forgery of. the 18th century? Make sure to check it out and let me know what you think. God bless Join the Vigil: https://eschatonvigil.org/ Free Download: https://agathangelos.eschatonvigil.org/ Buy Signed Hardbacks Here: https://davidpatrickharry.com/shop/return-to-babylon-from-adam-to-antichrist/ Amazon Book Link: https://www.amazon.com/Return-Babylon-David-Patrick-Harry/dp/B0FRY1Z5L6/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.WxPs6nbA7pMzxWYYzRo-A1kr_W5DZscvDT8I4jL5KIIRNfoGDpM1XxTitj9sewYQvNOCEVsLG4Nv_ppjY-9lVy3ZcBk-I46NifuoM8vHGKJ5gKMftdFSH9sj9vF1a-bcb5cm4U2qM0sF5bRtpvDCRrnE2RxD_x4vNtWe7dB4n1g3t5q-az7A7nbkKNNzVUcmTxuhO4uPiETjXkFbV94k3iWWn4RurVxtJwXxyaENJUo.Pb9oYX5MIcO-zZXkSwkHMDv0eFkb3xkN5NzaRqOmL7o&qid=1758385763&sr=1-1

Filipino historian Ambeth Ocampo conducted a lecture about fake news, organised by the Philippines Institute at the Australian National University in Canberra. - Nagbigay ng lecture sa Australian National University Philippine Institute ang kilalang historian na si Ambeth Ocampo kaugnay sa kaso ng pamemeke o forgery case sa kasaysayan ng Pilipinas at paano ito magiging aral sa paglaban sa fake news sa kasalukuyan.

In this episode of The Backstory on the Shroud of Turin, host Guy R. Powell speaks with Finnish researcher Teemu Hartikainen, founder and president of the Finnish Sindonology Society.Hartikainen dives into one of the most debated documents in Shroud history: the 1389 memorandum by Bishop Pierre d'Arcis. Long cited as proof that the Shroud of Turin was a medieval forgery, Hartikainen explains why this claim doesn't hold up.Through detailed archival research, he reveals that the so-called “letter” is not a letter at all. Instead, it consists of two unfinished drafts dictated by the bishop. These drafts lack essential elements such as a date, signature, and polished Latin. Far from being official correspondence, they were likely internal notes, never intended for the Pope.The episode also explores how later historians manipulated these drafts—adding a date stamp and altering translations—to make them appear as damning evidence against the Shroud. By mixing historical context with linguistic analysis, Hartikainen shows that these edits reshaped the meaning and fueled skepticism.Beyond documents, the discussion uncovers the political and economic struggles of the time. With the Black Death devastating Europe and churches competing for pilgrims, the motivation behind d'Arcis' complaints may have been financial survival rather than truth.This thought-provoking conversation challenges long-standing assumptions and raises new questions about authenticity, faith, and history. Whether you approach the Shroud as evidence of the Resurrection of Jesus Christ or as a historical puzzle, Hartikainen's insights provide clarity.

“Pooh, pooh! Forgery.” [SCAN]  Nicholas Meyer, BSI ("A Fine Morocco Case") is an accomplished storyteller who has made a mark in both the literary and film worlds. He's best known for his 1974 best-selling novel, , which revitalized Sherlock Holmes for a new generation of readers. His other Holmes novels, including , , , and , and have cemented his place as a celebrated perpetuator of Watson's reports.  Beyond his literary achievements, Nick is a prolific screenwriter and director, credited with directing the iconic films Star Trek II: The Wrath of Khan and Star Trek VI: The Undiscovered Country. He also directed the landmark television movie The Day After, which remains one of the most-watched television films ever made. Nick's latest novel is . In the book, Holmes and Watson are drawn into a bizarre and deadly case set in the cutthroat world of art. The mystery begins with a seemingly mundane complaint from a landlady about her artist tenant, but quickly escalates as corpses begin to appear. The pair navigate a fascinating cast of characters — including an artist, his mistress, and his dealer — to discover what makes a work of art worth killing for.  Join our wide-ranging discussion, which touches, in this age of artificial intelligence, on what makes one work genuine and another just a clever forgery. Then we look ahead to Sherlockian gatherings for the last half of October in "The Learned Societies" segment. Madeline Quiñones is back with "A Chance of Listening," bringing us an introduction to her own show, Dynamics of a Podcast, the only podcast dedicated to Professor James Moriarty, archnemesis of Sherlock Holmes. The Canonical Couplet quiz tests your Sherlock Holmes knowledge, with a copy of Nick's new book for the winner. Send your answer to comment @ ihearofsherlock .com by September 29, 2025 at 11:59 a.m. EST. All listeners are eligible to play. As a reminder, our  can listen to the show ad-free and have access to occasional bonus material. Join us on the platform of your choice ( | ).      Leave I Hear of Sherlock Everywhere a five-star rating on  and ; listen to us .     Sponsors  has a number of new Sherlock Holmes books out by various authors, including The Other Woman by Richard Ryan, The Infinitely Stranger Cases of Sherlock Holmes by Paula Hammond, and A Necessary End by Ellora Lawhorn. You'll want to check out the breadth of their offerings by  to learn more.   Would you care to advertise with us? You can find . Let's chat!     Links Sherlock Holmes and the Real Thing ( | ) (website) Previous episode Nick has appeared on: Other links: A Chance of Listening:  The Learned Societies:  Bonus event: on September 6 Find all of our relevant links and social accounts at .   And would you consider leaving us a rating and or a review on Apple Podcasts, Spotify, or Goodpods? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at 5-1895-221B-5. That's (518) 952-2125.      

Well it's that time of year again: Jane is on vacation and Greg is sitting in the big chair while she vacates and the show is packed! Kicking things off with an update on a lawsuit involving three guys who wanted to overturn the 2020 election results in Wisconsin! Then, get ready for the trickle down, because the rich are getting SUPER richer, because it's coming out of your pockets! Then Pat Kreitlow stops by to talk about the latest effort from The Felon President to hold onto power, how the plan plays out and why this is simply creating "the new norm" for future elections. As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs weekday mornings from 9-11 across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice. It goes a long way! Guest: Pat Kreitlow

Well it's that time of year again: Jane is on vacation and Greg is sitting in the big chair while she vacates and the show is packed! Kicking things off with an update on a lawsuit involving three guys who wanted to overturn the 2020 election results in Wisconsin! Then, get ready for the trickle down, because the rich are getting SUPER richer, because it's coming out of your pockets! Then Pat Kreitlow stops by to talk about the latest effort from The Felon President to hold onto power, how the plan plays out and why this is simply creating "the new norm" for future elections. As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs weekday mornings from 9-11 across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice. It goes a long way! Guest: Pat Kreitlow

Lead Pastor Wes Terry preaches a sermon entitled "Forgery of Faith" out of Jude 1:12-13. This sermon is part of the series entitled "The Contender" a ten week series on the book of Jude. The sermon was preached on August 17th, 2025.

Lead Pastor Wes Terry preaches a sermon entitled "Forgery of Faith" out of Jude 1:12-13. This sermon is part of the series entitled "The Contender" a ten week series on the book of Jude. The sermon was preached on August 17th, 2025.

     Slam The Gavel welcomes Marianne Perz, from Canada on to the podcast. Marianne is a former national team athlete for ultramarathon running for Canada. She has been a mediator in civil procedure and in family matters for over 22 years.      Her daughter remains stolen from her due to forgery of my signatures on adoption papers that the Court and Government is aware of but is concealing.       When lawyer JD Coon crafted an Affidavit and forged Marianne's signature purporting she gave up her daughter to the crown wardship for adoption to her brother and his wife. He forged her signature and notarized this forgery which he served to CAS. He also crafted a forged document as a Plan of Care, all purporting that Marianne gave up her daughter. In the interim he played her by telling her he was preparing to defend and would get her daughter back in 4 days on the day of the motion hearing.      On the day of the motion hearing on June 17, 2013, JD Coon came down the court house hallway to Marianne before the start and said he reached an agreement for her to get her daughter back and told her to sign a lone signature page and to initial it. He refused to give her the two content pages as he said it was a huge rush and when she asked him what the agreement was for he told her it was for CAS closing the file and her daughter returning to her via her aunt and uncle where she would live. The CAS had a weak case so this made sense to Marianne.......To Reach Marianne Perz:  dismantlingfamilycourtcorruption.comSupportshow(https://www.buymeacoffee.com/maryannpetri)Maryann Petri: dismantlingfamilycourtcorruption.comhttps://www.tiktok.com/@maryannpetriFacebook:  https://www.youtube.com/@slamthegavelpodcasthostmar5536Instagram: https://www.instagram.com/guitarpeace/Pinterest: Slam The Gavel Podcast/@guitarpeaceLinkedIn: https://www.linkedin.com/in/maryann-petri-62a46b1ab/  YouTube:  https://www.youtube.com/@slamthegavelpodcasthostmar5536  Twitter https://x.com/PetriMaryannEzlegalsuit.com   https://ko-fi.com/maryannpetrihttps://www.zazzle.com/store/slam_the_gavel/about*DISCLAIMER* The use of this information is at the viewer/user's own risk. Not financial, medical nor legal advice as the content on this podcast does not constitute legal, financial, medical or any other professional advice. Viewer/user's should consult with the relevant professionals. Reproduction, distribution, performing, publicly displaying and making a derivative of the work is explicitly prohibited without permission from content creator. Podcast is protected by owner. The content creator maintains the exclusive right and any unauthorized copyright infringement is subject to legal prosecution. Support the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://www.dismantlingfamilycourtcorruption.com/

So it's 1403 CE and the future King Henry V of England has just taken an arrow to the face at the Battle of Shrewsbury. Can John Bradmore fix it? Tune in for a story plucked straight outta Shakespeare. (Content Warning for glib discussion of historical child endangerment, medical gore, and medieval attempts at self-harm.)

Despite being a Western country, Holland almost equalled the East in its destructiveness during the Holocaust. 2 non-Jews created their own narrative by bypassing the system. One took great risks, the other received great reward. Their unusual stories, extend forgery into new territory. And a mention of Mein Kampf - one hundred years later.   Chapters 00:00 The Journey into Danger 01:40 The Context of the Holocaust 06:41 The Systematic Persecution of Jews in Holland 08:55 The Story of Jaap Penraat 14:57 The Art of Forgery and Resistance 22:47 The Nazi Obsession with Art 29:58 The Aftermath of War and Art Recovery

On today's program, The Fellowship's C.J. Burroughs shares the story of a young Dutch man who helped form a resistance group to work against the Nazi organization.

This case concerns the consequences for debtor misconduct in a Chapter 13 case. The Chapter 13 debtors, Marcus and Amanda Purdy, sought court approval to take out a mortgage to purchase a home, but the court denied the motion to incur debt and the debtor's motion to reconsider the ruling. Undeterred, the debtors moved forward with obtaining a mortgage to purchase the property, providing a letter to the mortgage lender on the Chapter 13 trustee's letterhead which was later discovered to have been forged by Mrs. Purdy. When the Chapter 13 trustee discovered the forged letter, he moved to dismiss the debtor's case with prejudice with a 15-year bar to refiling. The bankruptcy court ultimately granted the motion, dismissing the case and barring Mrs. Purdy from filing for bankruptcy for 10 years, and barring Mr. Purdy, who did not have knowledge of the forged letter, from filing for 5 years. The debtors appealed the order to the district court, which not only affirmed the bankruptcy court, but instructed the clerk to refer the matter to the U.S. Attorneys' office for criminal prosecution. Mrs. Purdy was thereafter federally prosecuted for mortgage fraud, and in final tragic twist, the home purchased without bankruptcy court authorization wound up burning down a few months after it was purchased. Judge Gunn discusses the bankruptcy case, the appeal to the district court, and the collateral criminal consequences with attorney Landon G. Van Winkle and the U.S. Bankruptcy Administrator (“BA”) for the Eastern District of North Carolina, Brian Behr. Issues discussed include the investigative role of the Chapter 13 trustee and BA's office into debtor misconduct, the role of local rules in bankruptcy cases, and the penalties debtors may face for violations of court orders in bankruptcy.

Interview with Elizabeth Lim about A Forgery Of Fate Elizabeth recommends:Luck Of The Titanic by Stacey LeeThe Floating World by Axie OhWolf For A Spell by Karah SuttonEmail Philippa: quickbookreviews@outlook.comYou can find the podcast on social media:Bluesky: https://bsky.app/profile/quickbookreviews.bsky.socialInstagram: https://www.instagram.com/quick_book_reviewsThreads: @quick_book_reviewsTikTok: https://www.tiktok.com/@quickbookreviewsX: https://x.com/quickbookrevie3 Hosted on Acast. See acast.com/privacy for more information.

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Please enjoy this encore of Word Notes. An attack technique that leverages an unprotected web server as a proxy for attackers to send commands through to other computers. 

Please enjoy this encore of Word Notes. An attack technique that leverages an unprotected web server as a proxy for attackers to send commands through to other computers.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We are continuing the conversation about jewelry forgeries by taking a look at some fake historical pieces, embarassing discoveries of forgeries in museum collections, and an ongoing drama involving Fabergé eggs!

Rachel Teichman, LCSW and Victor Varnado, KSN navigate the sneaky world of fake IDs and forged papers in this eye-opening episode. From altered passports to entirely counterfeit driver's licenses, the hosts uncover how document forgery has evolved over time. Did you know that some forgeries are so convincing they've fooled major government agencies? Get ready for a fascinating glimpse into the lengths some will go to rewrite their identity.Produced and hosted by Victor Varnado & Rachel TeichmanFull Wikipedia article here: https://en.wikipedia.org/wiki/Identity_document_forgerySubscribe to our new newsletter, WikiWeekly at https://newsletter.wikilisten.com/ for a fun fact every week to feel smart and impress your friends, and MORE! https://www.patreon.com/wikilistenpodcastFind us on social media!https://www.facebook.com/WikiListenInstagram @WikiListenTwitter @Wiki_ListenGet bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Jessica Fuentes speaks with art educator and author Laura Evans about her recently published book, “The Atlas of Art Crime: Thefts, Vandalism, and Forgeries.” “I remember learning about the 1990 Isabella Stewart Gardner theft… and then going to visit the museum in grad school and confronting those empty frames, where those works of art were stolen from, was really sobering. Seeing these holes, these gaps, where these artworks were disappeared… it gives me goosebumps just thinking about it.” Related Readings: https://glasstire.com/2025/05/18/art-dirt-theft-vandalism-forgeries-talking-with-laura-evans-about-art-crime If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

Fakes and counterfeits are a huge problem in the jewelry world, from faux designer jewels to modern pieces meant to fool buyers into believing they're genuine antiquities. Far from being a modern problem, this scam has been around for thousands of years! In this episode, we tackle the age-old con of faking precious gems, whether by substituting them with cheaper lookalikes, or creating synthetic dupes.

Could the actual burial cloth of Jesus be sitting in a cathedral in Italy? New scientific evidence about the Shroud of Turin is challenging both skeptics and believers to reconsider this ancient relic's authenticity.Join Josh Lewis as he unravels the fascinating mystery of the Shroud - from groundbreaking forensic discoveries to updated carbon dating that's questioning long-held assumptions. We'll examine how this controversial piece of cloth continues to perplex scientists while potentially offering compelling evidence for the resurrection of Jesus.We'll also explore how the Shroud of Turin fits into the broader debate over faith and science, Protestant skepticism toward relics, and what all this means for our understanding of Jesus's resurrection.INTRO TO THEOLOGY COURSE:

    Slam the Gavel podcast, welcomes back Jessie Lake to the podcast. Jessie was last on Season 5, Episode 241. Today Jessie had an update on her case as well as a recording that was revealed to her of proof of  the forged hair follicle tests, "somebody did something here." To think that an important test could be forged to remove her first set of twins from her is egregious. Her lawyer NEVER provided the court this evidence while Jessie wasted $8,000.00 as her lawyer rushed her, gaslit her and told her he would subpoena until she paid him another $200.00.    Jessie did say that she is now on unsupervised visits for four hours, every other weekend. The girls are calling her "mom" but sometimes call her by her name, but they are also calling another woman, Keisha, "mom." Jessie suspects that the guardian is selling her daughters while letting this other woman raise them. This is child trafficking and child psychological abuse.     Continuing to fight to have her daughters back in her life is something Jessie will not stop fighting for and longs for the day that they are all together having a "normal" family life. The state has destroyed their childhoods when at this point in time, they need to be placed with their mother.    To Reach Jessie Lake: lakejessie88@gmail.com***** Supportshow(https://www.buymeacoffee.com/maryannpetri)Maryann Petri: dismantlingfamilycourtcorruption.comhttps://www.tiktok.com/@maryannpetriFacebook:  https://www.youtube.com/@slamthegavelpodcasthostmar5536Instagram: https://www.instagram.com/guitarpeace/Pinterest: Slam The Gavel Podcast/@guitarpeaceLinkedIn: https://www.linkedin.com/in/maryann-petri-62a46b1ab/  YouTube:  https://www.youtube.com/@slamthegavelpodcasthostmar5536  Twitter https://x.com/PetriMaryannEzlegalsuit.comhttps://ko-fi.com/maryannpetri*DISCLAIMER* The use of this information is at the viewer/user's own risk. Not financial, medical nor legal advice as the content on this podcast does not constitute legal, financial, medical or any other professional advice. Viewer/user's should consult with the relevant professionals. Reproduction, distribution, performing, publicly displaying and making a derivative of the work is explicitly prohibited without permission from content creator. Podcast is protected by owner. The content creator maintains the exclusive right and any unauthorized copyright infringement is subject to legal prosecution. Support the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://www.dismantlingfamilycourtcorruption.com/

In 1852, a book of philosophical enquiry was discovered in Ethiopia. But what if the Hatata Zera Yacob is a forgery? Does it matter, if the message is inspirational? Debates over its authorship rage and Jonathan Egid's essay asks what these tell us about politics then and now. Jonathan Egid is a New Generation Thinker on the scheme run by the Arts and Humanities Research Council and the BBC to put academic research on radio. He's been a Postgraduate Fellow at the British Society for the History of Philosophy and lectures at the School of Oriental and African Studies in London. He is writing a book about the history of the Hatata Zera Yacob debate, and runs a podcast on philosophy in less-studied languages called Philosophising In ...Producer: Luke Mulhall

Let's go back to May 2018 now, when Andy was joined by Anuvab Pal to discuss global cheating, forgery and misrepresentation. It's Bugle issue 4067 - Celebrate Forgery.Hear more of our shows, buy our book, and help keep us alive by supporting us here: thebuglepodcast.com/This episode was produced by Chris Skinner and Laura Turner Hosted on Acast. See acast.com/privacy for more information.

Art forgery is a multi-billion dollar industry, and in this episode, we dive deep into the fascinating world of deception, talent, and high-stakes crime. Meet Max Brandrett, one of the most notorious art forgers in history, who made a living creating masterful fakes of famous paintings and selling them as the real deal. From fooling galleries to evading the law, Max shares the secrets behind aging paintings, crafting perfect forgeries, and the lucrative hustle that kept him in and out of prison for years. He reveals the tricks of the trade, his encounters with criminals, and the irony of people now forging his fakes! - How did Max get started in the art forgery game? - What techniques did he use to make his fakes look authentic? - What happens when the police catch a master forger? - The surprising connection between art, crime, and high society. Go grab a copy of Max's book for his full life story! https://a.co/d/gfWDR1a Join The Patreon For Bonus Content! https://www.patreon.com/theconnectshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Art is a mysterious thing. It's hard to pin down why one thing moves us and another does not. Similarly, it can be hard to identify that special spark, that unique creativity that an artist can have that lifts their work into something magical. If you don't have that, all the technical skill and carefully won knowledge in the world won't get you to that special place. Unless, of course, you just steal it from someone else. This is “Faking It: Art's Greatest Forger.”This is a fun one, y'all. Opulent settings. Drama even a fan of telenovelas might find over the top. International intrigue...and salmon throwing?Sources:Fake! by Clifford IrvingNew York Times: https://www.nytimes.com/1983/04/08/obituaries/fernand-legros-dealer-in-art.htmlJoin Katie and Whitney, plus the hosts of Last Podcast on the Left, Sinisterhood, and Scared to Death, on the very first CRIMEWAVE true crime cruise! Get your fan code now--tickets on sale now, and payment plans are available: CrimeWaveatSea.com/CAMPFIRE Follow us, campers!Patreon (join to get all episodes ad-free, at least a day early, an extra episode a month, and a free sticker!): https://patreon.com/TrueCrimeCampfirehttps://www.truecrimecampfirepod.com/Facebook: True Crime CampfireInstagram: https://www.instagram.com/truecrimecampfire/?hl=enTwitter: @TCCampfire https://twitter.com/TCCampfireEmail: truecrimecampfirepod@gmail.comMERCH! https://true-crime-campfire.myspreadshop.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-campfire--4251960/support.