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72 episodes with theatre west
2 episodes with theatre west
2 episodes with theatre west
2 episodes with theatre west
In this conversation, David Bryan speaks with Steve & Rick Simone-Friedland about their recent play, 'Kind Stranger,' which is adapted from Tennessee Williams' memoir. They discuss their creative process, the challenges of performing a one-person show, and the importance of queer narratives in theater. The duo reflects on their personal and professional relationship, the audience's reception of their work, and their plans for future productions.Kind Stranger depicts the poignant journey of Tennessee Williams as the legendary playwright recounts his life, art, and love affairs. Witness his wit and unflinching honesty as he writes his last chapter, revealing how his plays were his life and his life was his plays. Adapted directly from his memoir and using only his words, Kind Stranger could be the last original Tennessee Williams play.Steve and Rick Simone-Friedland, a married couple, went into the project wanting to use the words and humor of one of the greatest American Playwrights as the foundation of this play.Fresh from a successful but all too brief opening in New York, Rick (actor) and Steve (director/writer) are currently actively working toward bringiing 'Kind Stranger' to audiences in other cities.Steven Simone-Friedland (Adaptation & Direction) is an independent, freelance filmmaker residing in Los Angeles, California. He has directed, written, produced and edited a number of short film and television projects including [sic], Togetherness, and Sunday Cup of Coffee which was awarded the CineEast's. Golden Eagle Award, the Herman Kass Fellowship in Filmmaking, the Rita Morrison Best Director's Award, and the AMPAS Award in Motion Picture Production. As an editor, Steven edited the feature documentary, The Yes Men Are Revolting and Donner Pass, and the television pilots, Group & Techno 3. When not pursuing film & tv projects, Steven serves as series editor on such Bravo shows as Real Housewives of Atlanta, Salt Lake City, Orange County and Dubai, Vanderpump Rules, Below Deck, Family Karma, MTV's Siesta Key and HBO's Queen of Versailles Reigns Again. Steven's Los Angeles theater directing credits include critically acclaimed productions of Ourselves Alone, Oleanna, Betrayal, Scenes of an American Life, and Imagining Rachel, which received its World Premiere at the 2022 Edinburgh Fringe Festival. Steven is a graduate from Northwestern University's theater department and received his MFA in filmmaking at UCLA.Rick Simone_Friedland - Concept & PerformanceEmmy Award© winner, Rick Simone-Friedland, is known to television audiences for his work on, Married People, Just the Ten of Us, A Year in the Life, Life Goes On, KC Undercover, and as Joe Pistone in the Discovery Series Mob Scene. Theatre audiences may know Rick from roles in George C. Wolfe's production of The Me Nobody Knows, Ken Page's production of Elegies for Angels, Punks and Raging Queens, or as Bruno in The Theatre West production of Moose On The Loose. Rick recently completed filming roles in the films How Do You Fall Out of Love With Country Music, Boystown, and Some Sorta' Queerarhttps://www.kindstrangerplay.com/
One of the most anticipated West End productions of 2026 has finally arrived, as Dracula starring Cynthia Erivo opens tonight at the Noel Coward Theatre in London.The production, which has already been seen in Australia, will be adapted and directed by Kip Williams and comes on the heels of his previous staging of The Picture of Dorian Gray starring Sarah Snook.Check out this full review to find out more about the production, this adaptation of the Bram Stoker story, and Cynthia's performance as every one of its characters...•00:00 | introduction02:59 | how does the play work?11:30 | the material / adaptation16:24 | Cynthia's performance 24:57 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Mickey-Jo's first week back at the theatre in 2026 concluded with the press night of HIGH NOON in the West End, a new stage adaptation of the iconic 1952 Western film.The play, which stars Billy Crudup and Denise Gough, takes place in real time as the clock ticks down to the fateful arrival of a train.Check out what Mickey-Jo thought of this production, its creative choices, its performances, and whether it really needed to be on stage in the first place in this full review...•00:00 | introduction01:56 | synopsis / material09:53 | creative choices16:41 | performances23:21 | conclusioncheck out Mickey-Jo's brand new free substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The first West End press night of the year for me was WOMAN IN MIND at the Duke of York's Theatre in London.This 40th Anniversary Revival of the celebrated play by Alan Ayckbourn stars Sheridan Smith and Romesh Ranganathan.Check out what Mickey-Jo thought of the new production and its central performances...•00:00 | introduction02:56 | synopsis / material09:48 | this production15:54 | performances21:31 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The latest new stage show from the hilarious Mischief Theatre Company (The Play That Goes Wrong, The Comedy About Spies) is Christmas Carol Goes Wrong.The new comedy, originally seen on screen, is currently playing at the Apollo Theatre in the West End and once again features the beloved characters of the Cornley Drama Society.Find out what this production is like, why it made Mickey-Jo laugh, and what Mischief fans will love about it...Wishing everyone happy holidays during this festive season!•00:00 | introduction01:59 | synopsis / overview09:29 | performances17:29 | favourite jokes (spoilers)22:54 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
This year, the final few weeks of theatregoing brought Mickey-Jo the most powerful theatrical experience when he caught a performance of ALL MY SONS.This new production of the often produced Arthur Miller Play is directed by Ivo Van Hove and stars Bryan Cranston and Marianne Jean-Baptiste at the Wyndham's Theatre in the West End.Check out this full review to find out why Mickey-Jo was so enraptured by this production, its striking creative choices, and how it spoke to a contemporary audience...•00:00 | introduction01:52 | synopsis / writing07:42 | creative / design choices14:54 | direction / meaning18:51 | supporting performances24:22 | leading performances28:25 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The hit comedy play OH, MARY! has finally arrived in the West End, opening earlier this week at London's Trafalgar Theatre.Stage and screen star Mason Alexander Park leads the production as Mary, a role originated by writer Cole Escola and played subsequently by performers including Betty Gilpin, Tituss Burgess, Jinkx Monsoon, and Jane Krakowski.Check out this full review to find out what the show's winning comedic formula is, how Mason's Mary compares with predecessors, and whether the show lands as successfully with a British audience...•00:00 | introduction03:46 | synopsis / overview09:35 | UK reaction / material15:44 | Mason as Mary20:17 | supporting cast24:40 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
After enormous anticipation that has only built during the show's preview period, Paddington the Musical has officially opened at the Savoy Theatre in London.The brand new stage adaptation of the Michael Bond story and the STUDIOCANAL films is directed by Luke Sheppard (The Little Big Things, Starlight Express) with Tom Fletcher and Jessica Swale having written the score and book respectively.Arti Shah and James Hameed jointly perform the role of Paddington Bear, with a supporting cast including Adrian Der Gregorian, Amy Ellen Richardson, Victoria Hamilton-Barritt, Bonnie Langford, Tom Edden, Brenda Edwards, Amy Booth-Steel, Teddy Kempner, and more.Check out Mickey-Jo's full review of the brand new musical, with thoughts on Paddington's true values, onstage depiction and new musical theatre material...•00:00 | introduction02:47 | overview08:34 | portrayal of Paddington18:18 | the material29:38 | the performances40:50 | creative choicesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Send us a textPlaywright Clara Rodriguez jumped into the Playwright's Spotlight in the midst of the run of her latest play - Pointy Scissors. In this discussion, we delve into the theatre company at Theatre West in Los Angeles and their Writers in Residence program. We unpack her journey into playwriting and her motivation and inspiration, the fees and benefits of various theatre companies, her steps after production, the cautions of acquiring an agent, and resources and her process of playwriting. We also chat about feedback and rewrites, letting go of creative control, writing workshops, living in the creative "world", writing comedy and defining weird. We also talk about the benefits of improv in the realm of playwriting and approaching character. Clara brings a plethora of knowledge and uncommon resources when it comes to the craft. Enjoy!For tickets to Pointy Scissors at Theatre West in Los Angeles through December 7th, visit - https://www.eventbrite.com/e/pointy-scissors-tickets-1749160107969Clara Rodriguez is a playwright, actress, and director. She is a member of Theatre West and participant of their Writer's in Residence Series. She is also the creator of the web series It Takes a Village and Psycho Therapy. Plays include – Tequila Sunrise, Starry Night, Leaky Brain Syndrome, Home Depot, A Perfect Evening, and Have a Heart. Her most recent play Pointy Scissors opened November 7th at Theatre West in Los Angeles as part of their WestFest series, and closes December 7th.To watch the video format of this episode, visit - https://youtu.be/f8YGc_xgcUsLinks to resources mentioned in this video -Theatre West - www.theatrewest.orgGroup Rep - https://thegrouprep.comNew Play Exchange - https://thegrouprep.comWrite Away - https://www.pw.org/literary_events/write_away_a_free_online_improvwriting_showjamTheatre Sports - https://www.garrymarshalltheatre.org/improv-classImpro - https://www.improtheatre.comWebsites and socials for Clara Rodriguez - Facebook - https://www.facebook.com/clara.rodriguez.982IG - @clararodriguezinstaWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Mickey-Jo finally caught the new London production of Oscar Wilde's THE IMPORTANCE OF BEING EARNEST.The revival, which originated at the National Theatre last year, has since transferred to the Noel Coward Theatre in the West End with a largely new cast led by Stephen Fry, Olly Alexander, and more.Check out this full review for Mickey-Jo's thoughts on this vibrant new production, its queer subtext, and the exuberant performances...• 00:00 | introduction01:54 | synopsis06:48 | this production10:15 | Stephen Fry15:02 | the performances23:05 | creative choicesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
This week, the West End welcomed CLARKSTON, a play written by American playwright Samuel D Hunter, to the Trafalgar Theatre.This production, directed by Jack Serio, stars Joe Locke, Ruaridh Mollica, and Sophie Melville in a story about contemporary working class Americans reflecting on the pioneer age.Check out this full review for Mickey-Jo's thoughts on the play, its themes and performances, and whether it fits naturally in London...• 00:00 | introduction02:00 | synopsis10:23 | overall thoughts16:13 | performances26:33 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
A new revival of Mel Brooks' hit musical comedy THE PRODUCERS has arrived in the West End.The production, which stars Andy Nyman and Marc Antolin, was first staged by Patrick Marber at the Menier Chocolate Factory in London before transferring to the Garrick Theatre.Check out Mickey-Jo's thoughts about the show, this new version of it, and whether it's really possible to creatively reinterpret an iconic stage classic.•00:00 | introduction02:35 | overview / this production 10:44 | performances 19:55 | creative choices About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Earlier this week, Mickey-Jo caught BORN WITH TEETH, a play by Liz Duffy Adams which brings the Elizabethan playwrights William Shakespeare and Christopher Marlowe into sizzling conversation.Starring Edward Bluemel and Ncuti Gatwa, the production, which is directed by Daniel Evans, recently opened at the Wyndham's Theatre in London.Check out this full review to find out whether Mickey-Jo enjoyed this play about the possibility of a personal and professional partnership between the two poets as much as the two performances...• 00:00 | introduction01:43 | overview / synopsis07:22 | the performances16:05 | final thoughts...About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
After years of anticipation, the stage adaptation of Disney's THE HUNCHBACK OF NOTRE DAME finally received its professional premiere, with a concert production at the Prince Edward Theatre in London.The production starred Ben Joyce and Oliver Hewing as Quasimodo, Christine Allado as Esmeralda, Zachary James as Frollo, Dex Lee as Phoebus, and Adam Strong as Clopin.Check out this full review for Mickey-Jo's thoughts on the concert performance as well as the adaptation of this beloved animated classic...•00:00 | introduction02:16 | the concert08:02 | shortcomings15:21 | the adaptation22:32 | material issues28:12 | performances About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
The internationally acclaimed play EVERY BRILLIANT THING has finally arrived in the West Ens after more than a decade, and is playing a limited run from this summer at @sohoplace. The play, written by Duncan Macmillan with Jonny Donahoe, recounts the many fantastic experiences which make life worth living in the face of demoralising mental health, and is performed with extensive participation from the audience.Check out this full review to find out why Mickey-Jo adores this play which he first fell in love with last Summer at the Edinburgh Festival Fringe, and share your own experiences of it in the comments...• 00:00 | introduction02:59 | overview12:13 | audience inclusion20:32 | the themesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Last month, Mickey-Jo had the privilege of attending the gala performance of JUST FOR ONE DAY at the Shaftesbury Theatre in the West End, in celebration of the 40th anniversary of Live Aid.Mickey-Jo first saw the show, which depicts the iconic simultaneous concerts in Wembley and Philadelphia, at the Old Vic Theatre where it premiered, whereupon he gave it a lukewarm review.He's thrilled to say that he believes the show is much stronger in its West End transfer, and with this full review Mickey-Jo will let you know exactly why that is...•00:00 | introduction01:50 | the improvement08:55 | standout moments18:54 | performancesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Last night, Mickey-Jo was invited to attend the gala opening night performance of BURLESQUE at the Savoy Theatre in London.The new musical, which premiered in Manchester last year, is based on the film of the same name starring Christina Aguilera and Cher.Amidst some alleged backstage controversy, here are Mickey-Jo's thoughts on the actual show onstage, and whether or not it is good enough for West End audiences this summer...•00:00 | introduction02:20 | synopsis / overview10:52 | adaptation issues18:14 | creative choices26:46 | biggest problems34:50 | performances43:23 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
STEREOPHONIC has recently opened in the West End, and Mickey-Jo has already seen it twice!The play, written by David Adjmi and directed by Daniel Aukin, had an acclaimed off-Broadway run and transferred to the Golden Theatre, where it was nominated for a record number of Tony Awards, winning multiple including the 2024 Tony Award for Best New Play.Now playing at the Duke of York's Theatre with some new cast joining returning company members, here's Mickey-Jo's full review of the West End production...• 00:00 | introduction01:48 | synopsis / overview06:37 | writing / direction13:07 | is it too long?18:09 | performances25:05 | more performancesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Last night, Mickey-Jo attended the opening night performance of MRS WARREN'S PROFESSION at the Garrick Theatre in London.The George Bernard Shaw play is revived in a new production from Director Dominic Cooke starring real life mother and daughter Imelda Staunton and Bessie Carter as Mrs Warren and her daughter.Check out this full review to find out what Mickey-Jo thought of the themes, the creative choices, and the performances...•00:00 | introduction01:36 | plot / themes 10:47 | shortcomings19:52 | performances / creative choices•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Earlier this week, Mickey-Jo was invited to attend the gala night of THE COMEDY ABOUT SPIES, the new show from Mischief Theatre.The company, who created the hit West End and Broadway show The Play That Goes Wrong, are premiering the new comedy at the Noel Coward Theatre in London.Check out the full review for Mickey-Jo's thoughts on this brand new show...•00:00 | introduction01:58 | synopsis / overview06:50 | disappointments?11:45 | highlights (SPOILERS)17:11 | creatives / cast•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The acclaimed play RETROGRADE, written by Ryan Calais Cameron and originally seen at the Kiln Theatre, has recently opened at the Apollo Theatre in the West End.The play documents a meeting between a young Sidney Poitier and the NBC lawyer who is trying to coerce him into denouncing his community leaders during the age of McCarthyism.Check out this full review for Mickey-Jo's thoughts on this fascinating play and its blistering performances...•00:00 | introduction02:01 | overview / analysis09:20 | how the play works17:29 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The iconic film CLUELESS has finally arrived in the West End, as a major new stage musical at the Trafalgar Theatre.The show features an original score from KT Tunstall and Glenn Slater and offers nostalgic 90s vibes alongside the film's iconic quotes and costumes.Check out what Mickey-Jo thought about the West End's latest show in this full review...•00:00 | introduction02:08 | overview07:30 | synopsis / storytelling12:37 | script / score17:27 | direction / design20:54 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
One of a handful of new productions of plays opening this week in London is ELEKTRA, the Sophoclean tragedy as translated by Anne Carson in a bold new staging from director Daniel Fish. Brie Larson (Room, Lessons in Chemistry, Captain Marvel), is making her West End debut. The cast also includes internationally renowned Stockard Channing (The West Wing, The Good Wife), Marième Diouf (Romeo and Juliet, The Globe), Greg Hicks (Grapes of Wrath, The National Theatre, Coriolanus, The Old Vic) and Patrick Vaill (Stranger Things: The First Shadow, Evening Standard Award winner for his role in Oklahoma!). Check out this review to find out what struck Mickey-Jo about this production, and what he ranked as its biggest mistake... • 00:00 | introduction 01:56 | context / overview 08:39 | the production 14:58 | performances 21:10 | final thoughts • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Earlier this week Mickey-Jo had the enormous privilege of attending the opening night performance of OLIVER! which has made a triumphant return to the West End with a new production at the Gielgud Theatre. This staging of the show, produced by Sir Cameron Mackintosh and directed by Sir Matthew Bourne, was first seen in 2024 at Chichester Festival Theatre and features Simon Lipkin as Fagin with Shanay Holmes as Nancy and Aaron Sidwell as Bill Sykes alongside a hugely talented cast of young performers. Check out this full review for Mickey-Jo's thought's on the dark new production of the show and why he thinks it's aiming to be in the West End for the long haul... • 00:00 | introduction 02:40 | synopsis / material 10:56 | production 20:34 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The hit off-Broadway musical TITANIQUE, from Marla Mindelle, Constantine Rousouli, and Tye Blue, has arrived in London this week with an official opening at the Criterion Theatre in the West End. The show, which parodies the popular 1997 James Cameron film Titanic, features the songs of the iconic Celine Dione as it wittily retells the story of Jack, Rose, and the fateful iceberg. Check out this full video review for my thoughts on why the show's material works as well as it does, what has been the secret to its success, and how it lands with a new crowd and an all-star West End cast at the helm. Don't forget to comment below with your thoughts about TITANIQUE, whether you've already seen it in London, or elsewhere around the world! • 00:00 | introduction 02:21 | material 11:11 | UK reception 17:15 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The latest new musical to open in London's West End is THE DEVIL WEARS PRADA, an all singing, all dancing adaptation of the hit 2006 film which starred Anne Hathaway, Meryl Streep, and Emily Blunt. This stage version, newly directed by Jerry Mitchell, stars Georgie Buckland as Andy, with Vanessa Williams taking on the iconic role of Miranda Priestley. Matt Henry, Amy di Bartolomeo, Rhys Whitfield, and James Darch complete the principal cast while Sir Elton John, Shaina Taub and Kate Wetherhead form the writing team. Check out this full length review to find out what Mickey-Jo thought of the show, whether fans of the film will be satisfied, and how it ranks alongside other film to stage musical adaptations... • 00:00 | introduction 03:03 | plot / vibe 10:15 | score and script 21:51 | direction, design 27:32 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Mickey-Jo was recently invited to see The Curious Case of Benjamin Button at the Ambassadors Theatre in the West End. This enchanting new musical adapts the F. Scott Fitzgerald story of the same name but relocates the action to a fishing village in early 20th century Cornwall. Check out Mickey-Jo's full review to find out what he thought about this show... • 00:00 | introduction 01:53 | the narrative 08:16 | the material 14:06 | creative choices 16:38 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Phil interviews Chris Norton, Steve Bosell and Jay Santos about Saturday night at Theatre West. Sign up for a Backstage Pass and enjoy a 30,000 plus hour archive, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…
Ahead of further UK Tour dates, the iconic ROCKY HORROR SHOW recently returned to London with a brief run at the Dominion Theatre in the West End. This production starred Jason Donovan as Dr Frank n Furter alongside a hugely exciting new cast including Connor Carson, Lauren Chia and more. Check out this full video review for my thoughts on the cult show, this ongoing touring production and the latest cast. • 00:00 | introduction 07:00 | plot / history 13:21 | this production 19:16 | the performances • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Earlier this week, Mickey-Jo was invited to review one of his most anticipated new musicals of the year: WHY AM I SO SINGLE?. The show, which has opened at the Garrick Theatre in the West End, has been written by Tony Award winners Toby Marlow and Lucy Moss, whose first collaboration SIX: THE MUSICAL has gone from Edinburgh Fringe hit to global sensation. Check out this full new review for Mickey-Jo's thoughts on the narrative, the material, the creative choices, the performances, and more... • 00:00 | introduction 01:52 | context / synopsis 10:18 | score / script 18:33 | production / creative choices 28:54 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Today Mickey-Jo was going to bring you his review of YOUR LIE IN APRIL, a new musical based on the manga of the same name that opened earlier this month in the West End. While he's still sharing his thoughts on the show, they are in a new context after the announcement that the production will conclude its run earlier than planned, closing on August 11th. Check out this news / review episode to find out his thoughts about why this show is closing early and why he loved it! • 00:00 | introduction 02:59 | what is the show about? 06:19 | what is the writing like? 08:57 | how was the production? 11:46 | how are the performances? 14:15 | did the show have shortcomings? 17:11 | why is it closing? • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The multi Tony Award nominated SLAVE PLAY by Jeremy O'Harris has recently opened at the Noël Coward Theatre in London. The play, which stars Olivia Washington, Kit Harrington, Fisayo Akinade and more, covers hard hitting themes of racial and sexual power dynamics. Check out this new review to find out more about the play and how Mickey-Jo responded to its shocking content... • 00:00 - introduction 02:56 - synopsis 13:38 - writing 20:29 - creative choices 24:21 - performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, Toronto and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
After many years of waiting, the Pulitzer Prize winning musical Next to Normal has finally arrived in London, with last year's premiere production at the Donmar Warehouse having just transferred to the Wyndham's Theatre in the West End. The West End production stars Caissie Levy, Jamie Parker, Eleanor Worthington Cox, Jack Wolfe, and more. Check out the new review for Mickey-Jo's detailed thoughts about this production... • 00:00 - introduction 02:05 - history / overview 07:26 - this production 15:29 - what I loved 22:48 - the performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, Toronto and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The West End transfer of MEAN GIRLS the musical has finally opened, at the Savoy Theatre in London. The show stars Charlie Burn, Georgina Castle, Daniel Bravo, Grace Mouat, Elèna Gyasi, Tom Xander, Elena Skye, and more in the iconic roles from the 2004 film by Tina Fey. Check out the new review for Mickey-Jo's thoughts on this show... • 00:00 | introduction 02:03 | synopsis / history 05:50 | performances 20:55 | material / creative choices • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
In this episode Mickey-Jo is discussing the new musical KATHY & STELLA SOLVE A MURDER which he first saw at the Edinburgh Fringe Festival in 2022. The show stars Bronté Barbé and Rebekah Hinds as best friends and true crime podcast hosts Kathy and Stella who find themselves unexpectedly embroiled in a real life murder. Check out Mickey-Jo's thoughts on this latest iteration of the show, its new supporting cast and its murderous material... • 00:00 | introduction 03:04 | synopsis / material 08:09 | this production 20:09 | performances 30:17 | who should see this? • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
On the June 7 Friday LIVE, host Genevieve Randall and guests have lively conversations about: the last Arts for the Soul concert of the season; the grand opening of the Japanese Hall in Gering; Chigozie Obioma talks about his new book and his event at Francie and Finch; Theatre West; Wagons West Celebration; SHOUT! – The Mod Musical; The Third Annual Juneteenth SteamPunk Tea Party; and Nebraska Storytelling Festival. Also, poetry from Greg Kosmicki and a look at the One Omaha Music Festival.
After missing its initial run, Mickey-Jo was thrilled when PEOPLE, PLACES & THINGS announced a West End return, giving him the chance to finally see it earlier this month. The piece, which focuses on addiction and recovery, is written by Duncan Macmillan and centres on the award winning performance of Denise Gough. It was originally staged at the National Theatre before transferring to the Wyndham's Theatre in London's West End and has now returned at the Trafalgar Theatre. Check out the new review for what Mickey-Jo thought of this play's writing, creative choices and performances... • 00:00 | introduction 03:23 | the writing 13:29 | the creative choices 16:19 | the performances 22:26 | who should see this? • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
One of the hottest theatre tickets this summer in the West End is Jamie Lloyd's new production of ROMEO & JULIET starring Tom Holland and Francesca Amewudah-Rivers. This new production of the William Shakespeare tragedy has just opened at the Duke of York's Theatre in London. In this new review Mickey-Jo shares his thoughts about whether or not the bold creative choices that made Sunset Boulevard an acclaimed, award-winning smash hit, are as effective here... • 00:00 | introduction 04:52 | history / context 11:45 | this production 21:10 | the biggest problems 30:10 | disappointing moments 36:35 | the performances 45:11 | will people like it? • get live stream tickets to see MickeyJoTheatre LIVE on 26th May: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
After seeing the show off-West End at the Kiln Theatre, Mickey-Jo was delighted to finally catch the new musical 'Two Strangers (Carry a Cake across New York)' at the Criterion Theatre in London's West End recently. The show, which is a romantic comedy written by Jim Barne and Kit Buchan, stars Dujonna Gift (Hamilton) and Sam Tutty (Dear Evan Hansen), with direction by Tim Jackson. Check out the new review for Mickey-Jo's thoughts on the show, its pair of leading performers and who definitely needs to see it... • 00:00 | introduction 02:13 | history / synopsis 08:04 | creative choices 13:22 | performances 20:26 | recommendation • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Last month, Mickey-Jo was lucky enough to attend the gala night of the new West End cast of CABARET, starring Cara Delevingne, Luke Treadaway and Michael Ahomka-Lindsay. Check out the new episode for Mickey-Jo's thoughts on what the production is like with these brand new stars... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
MJ the Musical, which opened on Broadway in 2021, has recently opened at the Prince Edward Theatre in the West End. The show, which follows the composition of Michael Jackson's 'Dangerous' World tour stars Myles Frost, who reprises his Tony Award winning performance as the titular pop star. Check out today's new video review for Mickey-Jo's thoughts on this perhaps controversial musical... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
This week saw the opening night of the West End's newest musical... OPENING NIGHT at London's Gielgud Theatre. The show, based on the 1977 film of the same name, has been directed and conceived by Ivo Van Hove with an original score by Rufus Wainwright and Sheridan Smith starting in the leading role. Check out Mickey-Jo's thoughts on this show in today's new video review... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The divine musical comedy SISTER ACT is officially back in the West End, having opened last week at the Dominion Theatre in London. The show, based on the iconic film starring Whoopi Goldberg and Dame Maggie Smith, currently stars Beverley Knight and Ruth Jones alongside a talented supporting cast. Check out this new review for Mickey-Jo's thoughts on the show's material, this slightly altered production and its cast! • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Around a year after Mickey-Jo last saw Standing at the Sky's Edge at the National Theatre in London, he returned to see the show's West End transfer at the Gillian Lynne Theatre. The musical, which combines a script by Chris Bush and the music of Richard Hawley, follows three generations living in the same flat of an iconic Sheffield housing estate, and won the 2023 Olivier Award for Best New Musical. Check out the new review for Mickey-Jo's thoughts on this award-winning show... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
This week, the multi-Olivier Award nominated revival of Rodgers and Hammerstein's OKLAHOMA! arrived at the Wyndham's Theatre in the West End for its limited run in the West End. This bold reinterpretation of the classic musical, directed by Daniel Fish, stars Arthur Darvill, Anoushka Lucas, Patrick Vaill, Georgina Onuorah, Liza Sadovy and more! Check out the new review for Mickey-Jo's thoughts on this polarising production... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Last month saw the opening of HADESTOWN at the Lyric Theatre in West End, direct from Tony Award winning Broadway success and five years after it was last seen by London audiences, at the National Theatre. The show, whose Broadway run subsequently went on to win the 2019 Tony Award for Best New Musical, now stars Dónal Finn, Grace Hodgett-Young, Melanie La Barrie, Zachary James, Gloria Onitiri and more. Check out the new review for Mickey-Jo's up to date thoughts about this show after seeing it for the fourth time... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Last night, Mickey-Jo was lucky enough to be invited to review a hugely anticipated new play - The Hills of California. The play, written by Jez Butterworth (Jerusalem, The Ferryman) and directed by Sam Mendes, has just opened at the Harold Pinter Theatre in the West End. Check out the new review for my many thoughts on this show, its revelations, and its powerful performances. • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Playwright Garry Michael Kluger stopped by to sit in the Playwright's Spotlight to talk about all things playwriting and also touched on its from film and television. Having been a three-time semi-finalist, we discuss the process of and when to submit for the O'neill's and whether it's ever okay to pay to submit your work. We also touch on how playwrights one has never met can serve as a mentor, conversation being spontaneous while dialogue being scripted, and how one's characters dictate the verbiage as well as the difference between humor and comedy, learning how to say no, dusting off old and incomplete work, writers having the final word, creating layered characters, the misconceptions of playwriting, and the process of editing. We unpack so much more that I can't list them all. Garry offers so much insight that I walked away with so much information. I hope you find the same for you. Garry Michael Kluger has written 19 plays, 3 books, 2 TV pilots, several television series, and 12 documentaries and was a writing member of Theatre West; one of Los Angeles' most prestigious theatre companies. Three of his plays have been semi-finalists for the prestigious O'Neill Playwright's Conference. His play The Other Half, was a part of the 2014 Pittsburgh New Works Festival and WestFest at Theatre West in Los Angeles, and Top Ten at the Sterts Playwrights Festival in London. The Homecoming, was a finalist in the Warner International Playwrights Festival, the West Hollywood Gay and Lesbian Play Reading Festival, and winner of the Chaos Theory Play Festival in 2011. In 2010 his play Brotherhood won “The Audience Favorite” as a part of the Hollywood Fringe Festival at the Tre Stage. In 2009, he was honored to receive the prestigious Red Carpet Award from Women In Theatre for his contributions, as a playwright, to Los Angeles theatre.To view the video format of this episode, visit -https://youtu.be/CFzEgdpHhesLinks to sites and resources mentioned in this episode - The O'neill -https://www.theoneill.org/npcThe Pulitzer -https://www.pulitzer.org/Theatre West -https://theatrewest.orgTickets for Walking in Space -www.wis2023.com or - https://ci.ovationtix.com/35048/production/1171437Contact information and socials for Garry Michael Kluger -Website -www.iktproductions.comFacebook - https://www.facebook.com/garry.klugerTwitter - @baroyIG - @baroyWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
This episode is a celebration of Leslie Jordan, whose birthday is this Saturday (April 29). Known for his Emmy Award winning role of Beverley Leslie on NBC's Will & Grace, Leslie was delighting audiences on FOX's hit comedy Call Me Kat before his untimely death in October 2022. In March 2022, I got to interview one of Leslie's best friends, Del Shores, creator of the Sordid Lives franchise, live on Instagram. Leslie Jordan originated the role of Brother Boy in Sordid Lives the play, then reprised his role in the various Sordid Lives films & TV series. At the time this interview took place, Del was releasing his new book, The Sordid Lives Saga: Before The Trip, in which Leslie Jordan wrote the forward. Throughout this interview, Del talked about his friendship with Leslie along with some fun, never-before-told stories about him. Happy Birthday Leslie Jordan! Wherever you may be on this day, I know you are making those around laugh! Like What You Hear? Follow me on social media @CallMeAdamNYC Special Thanks: Theme Song by Bobby Cronin Podcast Logo by Liam O'Donnell More on Del Shores: Del Shores has written, directed, and produced successfully across studio and independent film, network and cable television, and regional and national touring theatre. Del Shores is the writer/director/producer of the films Sordid Lives, Blues for Willadean, Southern Baptist Sissies and A Very Sordid Wedding. He wrote and executive produced the MGM feature Daddy's Dyin'...Who's Got The Will? His plays Cheatin', Daddy's Dyin' (Who's Got The Will?), Daughters of the Lone Star State, Sordid Lives, Southern Baptist Sissies, The Trials and Tribulations of a Trailer Trash Housewife, Yellow, This Side of Crazy and A Very Sordid Wedding are all published by Concord/Samuel French. In television, Del Shores wrote, directed, executive produced and created the LOGO series, Sordid Lives: The Series. He also wrote and executive produced Showtime's groundbreaking Queer As Folk for the last three seasons, wrote and produced for Dharma & Greg and Ned & Stacey. He has directed Academy Award winners Octavia Spencer and Whoopi Goldberg, Grammy Award winner Olivia Newton-John; Emmy winners/nominees Beau Bridges, Delta Burke, Leslie Jordan, Bonnie Bedelia, Bobbie Eakes, Patrika Darbo and Rue McClanahan; Spirit Award winner Dale Dickey; Screen Actor's Guild Award-winner Beth Grant; as well as Caroline Rhea, Debby Holiday and David Steen. As a performer, Shores has performed in hundreds of standup gigs and in 2018 completed a national tour of his critically acclaimed award-winning one-man play Six Characters In Search Of A Play directed by Emerson Collins. The play was filmed and is now streaming worldwide. His tenth play A Very Sordid Wedding (based on his 2017 film) had its world premiere in September 2021, playing to sold out houses at Kalita Humphries Theatre in Dallas for Uptown Players. Shores directed. In November 2021, he directed his eleventh play, the world premiere of In Memoriam of Lena, at Theatre West on the campus of Northwestern State University, Louisiana with an all student cast and crew. Learn more about your ad choices. Visit megaphone.fm/adchoices
On BroadwayRadio’s “This Week in Theatre,” Jennifer McHugh and Matt Tamanini explore what is happening in the theatre world outside of New York City. With interviews, reviews, and conversations, “This Week in Theatre” will bring you a sampling of what is happening in some of the most exciting theatres across read more The post This Week in Theatre: June 20, 2022 | “Sleuth” from Ensemble Theatre Company, “Jesus Christ Superstar” Tour, “In the Heights” at Theatre West End appeared first on BroadwayRadio.
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