Podcasts about Slave Play

A week before the High Holidays, three rabbis find themselves in a room fighting to save a family by building a bridge between orthodoxy and modernity. One of these rabbis is Chava, the child of a dynastic Hasidic rabbinical family and destined to become a leader of the next generation before the revelation of her trans identity clashed explosively with the strictly gendered world in which she was raised. As we jump through memory—and wrestle with theology—truths and secrets emerge that ensure no one will read the old stories the same way again. Sarah chats with playwright, Emil Weinstein about this exciting new play, Becoming Eve. EMIL WEINSTEIN (Playwright) is a writer and director whose work spans theater, television, and filmmaking. He graduated from the David Geffen School of Drama at Yale, where he directed the first workshop production of Slave Play by Jeremy O. Harris. His productions as a theater director include Twelfth Night and Romeo & Juliet at Two River Theater, Comedy of Errors and As You Like It (upcoming) at the Old Globe, and developmental work with EnGarde Arts, Rattlestick Theater, Shakespeare and Company, and New York Theatre Workshop. For television, Emil worked as a staff writer on Amazon's “A League of Their Own,” and directed four episodes for the final season of “The L Word Generation Q” for Showtime. His short films “Candace” and “In France Michelle is a Man's Name” played at festivals around the world, winning multiple awards including two Academy Award Qualifying Grand Jury Prizes. Becoming Eve is Emil's Off-Broadway playwriting debut. Emil is a transgender man and uses he/him pronouns. Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode features actor Devin Kawaoka discussing his career trajectory, from competitive ski racing to acting, and his experiences landing roles in Slave Play, Chicago Med, and Shrinking. He details how his athletic training fed into his acting training, the challenges of transitioning from theater to film, and the importance of self-belief and preparation. Kawaoka emphasizes the collaborative nature of acting, particularly in ensemble television shows, highlighting the importance of supporting fellow actors and understanding the dynamics of a set. He shares insights into the audition process, including self-tapes and chemistry reads, and reflects on the unique opportunities and challenges of recurring roles. Finally, he discusses his approach to improvisation and his professional growth, emphasizing incremental progress and the value of continuous learning. These are the unforgettable stories that landed Devin Kawaoka right here. Credits:  Shrinking Chicago Med Marvel's "The Runaways" Lucifer Criminal Minds Goliath Good Trouble American Housewife The Path Under the Silver Lake GUEST LINKS: IMDB: Devin Kawaoka, Actor, Producer THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition CASTING WORKBOOK SELF-TAPE KIT: LA ACTORS - Self Tape Kit THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

In this episode of CREATIVE RISK, Tony-winning producer Luke Katler (Merrily We Roll Along, Slave Play, Here Lies Love) shares his bold vision for the future of commercial Off-Broadway and explains why Off-Broadway is becoming a vital cultural touchpoint in a post-pandemic world.He discusses the unique advantages of commercial Off-Broadway—like creative flexibility and lower stakes compared to Broadway—while highlighting challenges such as real estate struggles and brand recognition. Luke reflects on how the “stink” of commercial Off-Broadway's past has lifted, paving the way for these spaces to tackle current issues and engage younger audiences. Plus, hear his insights on fundraising, pitching, and when transferring shows to Broadway makes sense (and when it doesn't).Finally, Luke gives us an exciting preview of his latest venture, The Empyrean Club, a theater and event space in Brooklyn designed to prioritize accessibility, creativity, and audience-first experiences. Whether you're a theatermaker, producer, or fan, this episode offers a fresh perspective on the opportunities and challenges shaping Off-Broadway's future. Don't miss it!Learn more about Luke Katler:https://www.instagram.com/ohnolukie/https://www.lucaskatler.com/EPISODE #50 of CREATIVE RISK— Thanks for watching! Get motivated, get inspired, Get RISKY! Join our Patreon for ad-free early access to episodes, exclusive discounts, weekly Q&As, and so much more. Choose the tier that fuels your creative journey and unlock your full potential! JOIN OUR PATREON Leave a review on Apple Podcasts as we will read it on an episode (even if it's bad!) Follow Us on IG Follow Us on TikTok Subscribe on Apple Podcasts Subscribe on Spotify Join our email list for exclusive content and perks Free Training Video all on what it takes to be an actor in 2024 Sign Up for a Free Consultation

Consent is Sexy! Intimacy director Claire Warden on her extensive experience in TV, film, and theater, highlighting her groundbreaking work on Broadway and various TV productions. Claire explains the role of an intimacy director, the importance of actor consent, and how her methods elevate performances by ensuring actors feel safe and empowered. Sarah and Claire also delve into the collaborative nature of her work and its profound impact on storytelling. Claire (she/her) is an intimacy coordinator/intimacy director with over twenty years experience in TV, film and theatre across America and the UK. Claire works as an intimacy coordinator on numerous television productions under various studios including HBO, Hulu, Amazon, Showtime and Apple TV as well major motion picture studios such as Sony and 20th Century Fox. She was the intimacy coordinator for Mrs Fletcher, And Just Like That (S2), Gossip Girl(2021), Dickinson, Billions, Harlan Cobens's Shelter, Your Honor, Looking for Alaska, Hunters and the feature films West Side Story (dir. Steven Spielberg) and A Journal for Jordan (dir. Denzel Washington). She worked as intimacy coordinator and part of the creative team on the TV series of Three Women and has recently finished working as intimacy coordinator on the upcoming TV series Dying For Sex. Claire is the Director of Advanced Training at Intimacy Director and Coordinators, which is a global leader in training and certifying intimacy coordinators for film and intimacy directors for theatre. She is also part of the collaboration team advising SAG-AFTRA on their effort to standardize, codify and implement guidelines for on-set intimacy coordinators. Claire also works in theatre and made history as the first intimacy director on Broadway with Frankie and Johnny in the Clair de Lune. She also worked as intimacy director on the Broadway productions of Slave Play, Romeo and Juliet (directed by Sam Gold), The Inheritance, Jagged Little Pill, The Notebook, Company, Death of a Salesman, Waitress and West Side Story. In Jan 2025 she will begin work as the intimacy director for Othello, starring Denzel Washington and Jake Gylennhaal and directed by Kenny Leon. She recently opened the West End production of Slave Play, serving once again as intimacy and fight director. She has also worked on the National Tours of Les Miserables, Company and Waitress. She was awarded Variety Magazine's 2019 '10 Broadway Players to Watch'. Claire was also recently awarded a special Drama Desk Award for “pioneering work as an intimacy choreographer… and her leadership in the rapidly emerging movement of intimacy direction”. Claire is a Drama Desk award winner for ‘Outstanding Fight Choreography' for Slave Play at NYTW and was also nominated in the same category for the play Daddy. Claire trains faculty & students in acting training institutions across the country, including Yale, Brown/Trinity, Brandeis, Tufts, JMU, SITI,University of Hawaii, Stella Adler, the O'Neill Theatre Center and numerous others. She has presented workshops, conferences and training across the globe. www.IDCprofessionals.com www.clairewarden.com Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

David discusses the movies he's been watching, including Family Portrait, Janet Planet, The Spirit of the Beehive, Kalki 2898-AD, June Zero, Delicate Arch, Slave Play. Not a Movie. A Play., Boogie Nights, Exhausted: John C. Holmes, the Real Story, Dandelion and The Nature of Love.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hoppen, Franziska www.deutschlandfunk.de, Interviews

Jennifer Aniston is up in arms over JD Vance's resurfaced controversial comments.  Jennifer Lopez is opening her heart to her fans during a challenging time. Kit Harington showed off his incredibly toned physique and six-pack abs in a revealing backstage photo from the West End production of “Slave Play.” Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group.See omnystudio.com/listener for privacy information.

 Listen to the Show Right Click to Save GuestsSkyDome Stage Company & The Stage Austin Native GardensSims Holland Learning To Human What We Talked About  

The multi Tony Award nominated SLAVE PLAY by Jeremy O'Harris has recently opened at the Noël Coward Theatre in London. The play, which stars Olivia Washington, Kit Harrington, Fisayo Akinade and more, covers hard hitting themes of racial and sexual power dynamics. Check out this new review to find out more about the play and how Mickey-Jo responded to its shocking content... • 00:00 - introduction 02:56 - synopsis 13:38 - writing 20:29 - creative choices 24:21 - performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, Toronto and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Boyd Hilton and Dreda Say Mitchell join Samira to review the 12 time Tony nominated Slave Play by Jeremy O. Harris which has just opened in London, having premiered, not without controversy, in New York in 2018. The film Fly me to the Moon starring Scarlett Johansson and Channing Tatum is a rom com set during the 1960s Space Race between the USA and Russia. Sunny is a future set thriller TV series in which an American woman living in Japan loses her family in a plane crash and is sent a robot by way of compensation and comfort, by the company her husband worked for, and who ends up helping her uncover some shocking secrets.Presenter: Samira Ahmed Producer: Corinna Jones

This week, we report on Mustafa's star-studded Gaza and Sudan fundraiser concert in London as well as Jeremy O'Harris' Slave Play, which is currently causing a stir over here following condemnation from the UK's ex-prime minister, Rishi Sunak. Speaking of which, we're less than a week into having a new prime minister and there's already loads to discuss – from Labour's green policies, to their plans to protect worker's rights. Can we be cautiously optimistic? We also assess the surprise victory of a leftwing alliance in the French election, and the unsettling popularity of Reform UK among Gen Z. If you enjoyed listening to this podcast, please feel free to like, subscribe or leave us a review.This podcast was recorded at The Standard, London.

The award-winning playwright talks about his provocative Slave Play, which earned 12 Tony nominations. A new HBO documentary chronicles the making of the production. Plus, Justin Chang reviews Kinds of Kindness.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The award-winning playwright talks about his provocative Slave Play, which earned 12 Tony nominations. A new HBO documentary chronicles the making of the production. Plus, Justin Chang reviews Kinds of Kindness.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"Slave Play. Not A Movie. A Play." had its world premiere at the 2024 Tribeca Festival just a few days ago and is now streaming on HBO Max. Tony Award-nominee Jeremy O. Harris has taken his acclaimed play "Slave Play" and translated it to the screen in a highly unique way as a deconstruction and commentary on the play itself, making his feature directorial debut in the process. He was kind enough to spend some time talking with us about the production behind his documentary, which you can listen to below. Please be sure to check out the film, which is now available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Highlights of what's new in streaming for the week of June 15, 2024. Hulu Cult Massacre: One Day in Jonestown, complete limited series (Jun. 17) Perfect Wife: The Disappearance of Sherri Papini, limited series (Jun. 20) Shoresy, Season 3 (Jun. 21) Netflix Miss Night and Day, season 1 (Jun. 15) Agents of Mystery, season 1 (Jun. 18) Dinner Time Live with David Chang, live episode (Jun. 18 at 7 pm ET) OUTStanding: A Comedy Revolution (Jun. 18) Black Barbie (Jun. 19) Inheritance (Jun, 19) Love Is Blind Brazil, Season 4 (Jun. 19) Kleks Academy (Jun. 19) America's Sweethearts: Dallas Cowboys Cheerleaders (Jun. 20) The Accidental Twins (Jun. 20) Kota Factory, season 3 (Jun. 20) Gangs of Galicia, season 1 (Jun. 21) Trigger Warning (Jun. 21) The Victims' Game (Jun. 21) Max House of the Dragon, season 2 (Jun. 16) Here to Climb (Jun. 18) Slave Play. Not a Movie. A Play. (Jun. 20) Paramount+ Tony Awards (Jun. 16 at 8pm ET, 5 pm PT) Peacock Monkey Man (Jun. 14) WWE Clash at the Castle: Scotland (Jun. 15) Amazon Prime Video Power of the Dream (Jun. 18) Yankees on Prime Video (Jun. 19 at 7 pm ET) Federer: Twelve Final Days (Jun. 20) WNBA on Prime Video (Jun. 20 at 7 pm ET) MGM+ Hotel Cocaine, season 1 (Jun. 16)

 Listen to the Show Right Click to Save Guests Cinnamon Path and Jarrott Productions A Million More to Go TavernBroadway In Austin  FrozenWhat We Talked About  Gypsy Hooper dreams Janice Page RIP5 All of me actors Tony pictures Fifty years Tony Excellence in Theatre Education. No Tony for hair & Makeup Grobes – Jimmy's The Secrets We Keep Slave Play, not a movie, a play (Trailer) Die Königinnen Stages new AD  Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

This week, playwright and screenwriter Jeremy O. Harris joins Kate and Franklin to talk about eliciting polarized audience reactions to Slave Play, his co-writing process with Janicza Bravo on Zola, being the youngest well-read person at parties, accessing the fascinating intersections of high and low culture, and so much more. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020. To learn more about The Black List, visit www.blcklst.com.Mentions: +Slave Play: http://slaveplaybroadway.com+Zola: http://rottentomatoes.com/m/zola

On this week's episode of Town Hall: A Black Queer Podcast, Bob the Drag Queen and Miss Peppermint explore the theme of "Love". Tony-nominated star of Slave Play, Ato Blankson-Wood, defines what love feels like and highlights the power of finding a chosen family, AkeeLah Blu and Derek from HBO's We're Here describe what unconditional love looks like, Comedian Liza Dye opens up about the struggles of dating as a black lesbian in LA, Seth Michael White shares what he learned about himself through loving another, and we hear a story from a man who's chance meet-cute led to some of the deepest love he's ever known.  This episode includes renditions of excerpts of Nat King Cole's 1948 song “Nature Boy written by Eden Ahbez as well as of the Traditional American Folk song “Johnny Appleseed as performed by Ato Blankson-Wood. Watch the podcast on YouTube: https://www.youtube.com/@BlackQueerTownHall Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/TownHallABlackQueerPodcast If you like the show, tell your friends! You can text, email, tweet, or send this link to a friend: https://bit.ly/TownHallABlackQueerPodcast Follow us on Instagram: @TheTownHallPod  Learn more about Black Queer Town Hall: https://www.blackqueertownhall.org Special thanks to our Production Team: Executive Producer, Tracy Marquez. Senior Producer, Charlene Westbrook. Producer, Cory Nixon, and Post Producer, Amelia Ritthaler. Music by Lafemmebear. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A theatre production dealing with race issues has been criticised after announcing plans to stage some of its performances for primarily black audiences. The so-called ‘Black Out' nights are scheduled for two dates of Slave Play's West End run. Some have labelled the move divisive and unnecessary, and even Downing Street has got involved. The show's playwright and producers say they're aiming to bring new audiences to the theatre and allow black people to watch it without the “white gaze”. But what does this term mean, what are the origins of Black Out performances, and is this a concept that's applicable to other minority groups?Presenter: Adam Fleming Producers: Ellie House, Sandra Kanthal, Simon Tulett Editor: Richard Vadon

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Ryan Carter (Ain't Too Proud / Choir Of Man) returns to The West End Frame Show!Andrew & Ryan have a conversation about the reaction to the Black Out Performances announced for Slave Play. They also discuss Standing At The Sky's Edge (Gillian Lynne Theatre), Cable Street (Southwark Playhouse), Side Show In Concert (London Palladium) and Before After (Southwark Playhouse) as well as the latest news about Cabaret, Tina: The Tina Turner Musical, Closer To Heaven and lots more. Ryan is an actor and all-round creative. On stage he has been in Motown The Musical (Shaftesbury Theatre), Choir Of Man (Edinburgh Fringe Festival), The Boyfriend (Menier Chocolate Factory) and The World Goes Round (Barn Theatre). Most recently Ryan played Smokey Robinson and covered Eddie Kendricks in the West End production of Ain't Too Proud (Prince Edward Theatre). As the creative producer of RyCa Productions, Ryan produced the acclaimed Refresh concerts as well as a series of shows at Jack Solomons. Ryan was one of the Creative Directors for Turn Up London, he was Creative Director of Digital Projects for The Barn Theatre where he made the interactive concert The Secret Society of Leading Ladies and worked on Now Or Never by Matthew Harvey. He was the Casting Director for The Wiz at the Hope Mill Theatre, has worked with Urdang and is currently working on the Spring Awakening concert (Victoria Palace Theatre). Follow Ryan on Instagram: @ryanjesse95 Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

Broadway League Bungles Hinton Battle Light Dimming, British PM Criticizes ‘Slave Play,’ Behind the Scenes of ‘Hell’s Kitchen’ Box Office Event “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: read more The post Today on Broadway: Monday, March 4, 2024 appeared first on BroadwayRadio.

The upcoming West End transfer of the hit Broadway play 'Slave Play' by Jeremy O'Harris has recently caught the attention of the British press (as well as Prime Minister Rishi Sunak) for planning two 'Black Out' performances during its 13 week run, to which entirely black-identifying audience members will be invited to attend. Though many have been quick to call this racist, the practice is not new, either to this play or to London theatre, and in fact affords this community the opportunity to engage with the work freely and authentically. Check out the new episode for Mickey-Jo's thoughts on this growing controversy and why the response thus far has been nothing short of shameful... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Join Our Discord Commmunity: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email Us: TheDayAfter@THENEWBLXCK.com WhatsAPP: 07564841073 Join us in our twitter community - ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe NOW to The Day After: shorturl.at/brKOX The Day After, (00:00) Intro: (34:29) Headlines: Rishi Sunak announces extra £54 million to fund security for Jewish communities, Workers Party of Britain candidate George Galloway wins the Rochdale by-election, Sadiq Khan lashes out at ‘racist, Islamophobic, anti-Muslim nonsense' and blasts ‘weak' Sunak (42:25) What You Saying? A Black only night is racism bruh! No matter what you say!! Or is it??

Sandra Oh to Return to New York Stage in ‘The Welkin,’ Netflix to Produce ‘Patriots’ on Broadway, Kit Harington in ‘Slave Play’ “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt read more The post Today on Broadway: Wednesday, Feb. 28, 2024 appeared first on BroadwayRadio.

The Face Podcast is your weekly cultural digest – rounding up the stories that you should care about in film, fashion and music. On this week's episode, we review the madness of Charli XCX's record-breaking, sweat-soaked, Julia Fox-featuring rave in Brooklyn and discuss her club-ready comeback single Von Dutch. We report back from Milan Fashion Week – where Prada brought the romance and Diesel dialled in 700 spectators via Zoom – as well as Paris, which kicked off with a currency-themed show from one of our favourite fashion brands, Vacquera. Jeremy O'Harris calls in to talk about his much-discussed show Slave Play, taking inspiration from Kelela and improving the diversity of theatre audiences. If you like what you hear, feel free to hit subscribe or leave us a review (make it nice).

Dr. Avgi Saketopoulou is a New York-based psychoanalyst and therapist with extensive experience with trauma, queerness, gender diversity, and the nuances of consent. In her latest book, “Sexuality Beyond Consent: Risk, Race, Traumatophilia,” Dr. Saketopoulou argues that we have become culturally obsessed with healing trauma and points to the ways traumatized people synthesize their pain. In her book, she also makes an important distinction between limit and affirmative consent, which we dissect as concepts through art and creative expression at large. This leads to an enriching conversation about the evolution of self, coming out whole after trauma, how trauma brings us into a new awareness and chances who we are fundamentally, and the ever-important question… is trauma ever healed?  We also pull apart the crossover between eroticism and consent, the erotics of racism,  and how through traumatic experiences we can unlock our potential as these encounters are not about guarding the self but about risking experience. In this episode, I have a truly fascinating conversation with Dr. Saketopoulou that begs us each to look at the traumas we've experienced, how we can relate to these events, not pathologize them and use them not to master trauma but to rub up against it so it opens us up to encounters with opacity.

Today on What's My Frame I'm joined by award-winning composer and sound designer Lindsay Jones. Lindsay's resume is extensive spanning mediums, genres and decades. He not only is a Tony nominee, a respected professor but an extremely passionate advocate for the arts and safe working conditions. Lindsay's Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill; and a nomination for a Tony for Best Score and Best Sound Design of a Play. His off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 500 productions in regional theatres across the US. Awards include seven Joseph Jefferson Awards and twenty-four nominations, 2 ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. In film/television, he has created original score for over 35 projects, including HBO Films' A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; TV shows such as Sony Pictures' series Family Practice for Lifetime Television, shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices and Cleveland. In podcasts, Lindsay is the in-house composer/sound designer for the weekly podcast The Imagine Neighborhood, produced by the Committee For Children, and for the ongoing Play On series for Next Chapter Podcasts. Other podcast and audio drama work includes A Streetcar Named Desire (starring Audra McDonald) for Audible, Team Up (starring Susan Sarandon and Timothy Busfield) for Marvel, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Hamlet for KPBS/The Old Globe, Soundstage for Playwrights Horizons, Twelfth Night and Measure For Measure for Chicago Shakespeare, and The Intersect for Micromass. In education and advocacy Lindsay is an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he's taught include Yale, Juilliard, Northwestern, Purdue, Depaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. He is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. He is also a founding member of NO MORE 10 Out Of 12's, an advocacy group dedicated to safe working environments in theatre. Now let's get to the conversation!! To learn more about Lindsay's work visit his site, here To get plugged in with TSDCA --- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠@whatsmyframe⁠⁠⁠ TikTok: ⁠⁠⁠@whatsmyframe⁠⁠⁠ ⁠⁠⁠IMDb⁠⁠⁠ ⁠⁠⁠What's My Frame? official site ⁠⁠⁠ ⁠⁠⁠Join our monthly newsletter!⁠⁠⁠ What's My Frame? merch⁠⁠⁠⁠ Proceeds will be donated to the SAG-AFTRA Foundation to support actors affected by the strikes. --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Joaquina Kalukango received the 2022 Tony and Drama Desk Awards for Best Performance by an Actress in a Leading Role in a Musical for her performance as Nelly O'Brien in Paradise Square. She received a 2020 Tony Award nomination for her performance in the critically acclaimed Broadway production of Slave Play. For that production she also received an Outer Critics Circle Award for Best Actress, and Broadway.com listed her as one of the top five performers (male or female) of the year. Kalukango is a 2021 SAG Award nominee for Cast in a Motion Picture for her role as Betty X opposite Kingsley Ben-Adir in Regina King's directorial debut, One Night in Miami. She had a recurring role on the HBO series Lovecraft Country. Other TV credits include Ava DuVernay's Netflix series When They See Us and Robin Roberts Presents: Mahalia, directed by Kenny Leon. Additional Broadway credits include The Color Purple, Holler If Ya Hear Me, and Godspell.

Set within a medieval village in Tuscany and surrounded by the UNESCO World Heritage site of Val d'Orcia, the writers' residency Substratum is a new home for artists where their imagination can blossom, and boundless creativity is encouraged. Sponsored by Gucci, the retreat was inaugurated by award-winning writer, actor and producer Jeremy O. Harris. He invited five upcoming playwrights to join him for a month of writing, pasta-making, and workshops.Jeremy O. Harris is best known for his award-winning Broadway plays Slave Play and Daddy. He was named as Yale University's youngest residing president of the Yale Drama Prize. He also works on TV projects, notably as co-producer of the hit series Euphoria.The residency's attendees:Rianna Simons is a Bermudian-British playwright who writes comedy and satire on issues of race and difference. White Girls Gang is her first play.Asa Haynes is an actor turned prolific writer from London. His play is titled RACISM: an unfocused theater essay.DJ Hills is a cross-genre writer, working in the intersections of poetry, prose, and performance. They joined the residency with the play Trunk Brief Jock Thong.Chloe Myerson is a British writer for TV, theatre, film and radio. She was shortlisted for the residency with her play titled CLASS.Raffaella Donatich is a writer and performer based in New York City. Her pilot Sex Act landed her a spot in the residency.

Actor Laura Dern and her mother Diane Ladd have always shared a profession. But when Ladd was diagnosed with lung disease, the two started sharing so much more. Their new book is Honey, Baby, Mine. Award-winning playwright of Slave Play, Jeremy O. Harris, helped bring Lorraine Hansberry's The Sign in Sidney Brustein's Window to Broadway. "This play is telling us, in every scene, that no matter how much capitalism corrupts the world of our politics, we cannot lose our ideals," Harris says. "We cannot stop fighting."

The award-winning playwright of Slave Play helped bring Lorraine Hansberry's The Sign in Sidney Brustein's Window to Broadway. "This play is telling us, in every scene, that no matter how much capitalism corrupts the world of our politics, we cannot lose our ideals," Harris says. "We cannot stop fighting."Maureen Corrigan reviews two roadtrip novels: Richard Ford's Be Mine and Lorrie Moore's I Am Homeless If This Is Not My Home.

In this episode, Adam and Budi are in conversation with actors Jenelle Chu and Chalia La Tour on how they are navigating the WGA and possible SAG/AFTRA strikes while creating work that matters and redefining actor training for the 21st century.Jenelle Chu is a Canon Crash Course instructor for Encompass Collective. Specializes in scene study, voice, and dialect, career, and MFA applications. Chu is an actor, singer, and aspiring educator and director. Her credits on Broadway include Junk (Lincoln Center Theater) and Bernhardt/Hamlet (Roundabout). She has been seen regionally at Shakespeare & Co, American Conservatory Theater, Papermill Playhouse, and Bucks County Playhouse. Other credits in NYC include shows at The Flea Theater and 52nd Street Project. Film/TV credits: Elementary, Instinct, Madam Secretary, New Amsterdam, Prodigal Son, and short film White Flags with AC Productions. Jenelle has studied with master acting teacher, Michael Howard and on-camera coach, Bob Krakower. She holds a BM in Vocal Performance with an emphasis in Opera Voice and an MFA in Acting from the Yale School of Drama. Her ancestry comes from Guangdong, China, and Cholon, Saigon, Vietnam. She was born and raised in St. Louis, MO, and is fluent in conversational Cantonese Chinese. Chalia La Tour was born and raised in New York City and attended the prestigious Fiorello H. LaGuardia High School of Music & Art and Performing Arts. La Tour went on to study at the Tisch School of the Arts at New York University, where she earned a BFA in Drama. La Tour made her Broadway debut in 2018 in the Tony Award-winning play, "Slave Play." Directed by Robert O'Hara and written by Jeremy O. Harris. La Tour played the role of Alana, a white woman who is struggling to come to terms with her own racial biases and desires. In addition to her work on stage, La Tour has also made a name for herself on television and in film. She has appeared in a number of popular TV shows, including "The Good Fight," "Chicago P.D.," and "Law & Order: Special Victims Unit." She also had a recurring role in the critically acclaimed series "The Deuce," which aired on HBO from 2017 to 2019. La Tour's film credits include "The Climb,"  which premiered at the 2019 Cannes Film Festival. She also appeared in "The Intern," a comedy starring Robert De Niro and Anne Hathaway, and "The Last Thing He Wanted," a political thriller starring Anne Hathaway and Ben Affleck.Healthy Wealthy & Wise with Dr. William ChoctawThe Healthy Wealthy and Wise Podcast, with Dr. William Choctaw, MD is a monthly...Listen on: Apple Podcasts SpotifySupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

On this week's episode, Hosts jarrett hill and Tre'vell Anderson welcome writer Mikelle Street for a conversation about The Swirl, or interracial dating. They dig into what's behind the “trend” of highly-visible Black queer celebrities who seemingly only go out with white partners, as well as how our upbringing influences our attitudes around interracial dating. They also get into some of the misconceptions of interracial dating that are projected onto queer interracial couples.  But first, Tre'vell and jarrett respond to Abbott Elementary's Tyler James Williams' instagram post, in which the actor details why he thinks it's dangerous when people try and guess whether someone is gay or not. Mentioned In The EpisodeJessie MapleTyler James WilliamsDurand BernarrDIS/Honorable Mentions jh:HM: Boys Come First by Aaron FoleyHM: Terrell Grice's Keke Palmer interview on The Terrell Show and Keke's new album, Big BossHM: Seeking Brother Husband on MAXTAHM: Bel-Air on PeacockHM: NABJ campaignPlugs: Mikelle Street's latest, Yasmin Finney Is Everything She Imagined and Why I started a digital shrine to Justice Smith and Nic Ashe's relationshipOur Pride Perspectives curated playlist on Apple Podcasts We See Each Other: The Podcast - Episode 6, Let's Hear It For The Boys ft. Brian Michael SmithOur Sponsor This WeekWild GrainWild Grain is the first-ever, bake-from-frozen subscription box for sourdough breads, fresh pastas, and artisanal pastries.For a limited time, FANTI listeners can get $30 off their first box, plus free croissants in every box with their subscription.To get this offer, go to: Wildgrain.com/FANTI. FANTI listeners can also use the promo code FANTI at checkout to get the discount.Go ahead and @ usEmail: FANTI@maximumfun.orgIG@FANTIpodcast@Jarrett Hill@rayzon (Tre'vell)Twitter@FANTIpodcast@TreVellAnderson@JarrettHill@Swish (Senior Producer Laura Swisher)Laura Swisher is senior producer Music: Cor.eceGraphics: Ashley NguyenFANTI is produced and distributed by MaximumFun.org

Triggering Love - featuring Robert O'Hara (he/him)Featuring award winning playwright and Tony Award nominated theater director Robert O'Hara | he/himThis creative conversation kicks off with frank discussions of the practical and physical: this industry is tough, success is not promised, and backstage Broadway is far from glamorous. In short, it's a job! Robert and Will connect on the value of voicing the risks to young artists early - "It's a profession, not a hobby." This leads to an interrogation of trigger warnings in general and specifically with regards to Robert's hotly publicized direction of Jeremy O. Harris' SLAVE PLAY on Broadway. Will takes the opportunity to ask Robert about the difference of developing new work when directing MACBETH at The Denver Center. Robert suggests approaching all projects like new plays, a project that has never appeared before, by bringing a personal perspective to every choice that is made. Only by making informed, personal choices can audiences learn who you are and clarify your artistic voice. After a rigorous discussion of reality, Robert's brave tarot pull explores how to shepherd grace personally and professionally. In Teacakes and Tarot: Conversations with Queer Futurists, host Will Wilhelm (they/them) welcomes an artistic crush for an intimate chat and a reading. Each episode features a new queer guest discussing art, life in our industry, and their dreams and intentions while the world of performance waits in the wings. Together, they hold space to summon more inclusive, exciting, and queer-friendly ways to create. As the candle burns low,  Will offers their guest a unique tarot reading to give them greater insight on a personal journey. It's one part cocktail party and one part slumber party that will leave you stirred but never shaken. Teacakes & Tarot: Conversations with Queer Futurists is produced by Island Shakespeare Festival as part of the Shakespeare Playground Series. The series presents socially distanced programming that upholds ISF's mission of accessible Shakespeare that embraces intersectional storytelling and artistic excellence. Find out more at islandshakespearefest.org!Co-Created by Will Wilhelm (they/them) and Erin Murray (she/her)Graphic Design by Ray Kathryn Morgen (they/them)Theme Song: Raro Bueno by Chuzausen, licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License.Audio & Mixing: Nigel Saskrotch (they/them)

Today Al Mega Meets Tony-Nominated / Marvel-Collaborating Composer and Sound Designer, Lindsay Jones. Recently, Lindsay worked on Marvel Wastelanders, a 10 episode series for Marvel, which is a conclusion of a multi-year, multi-series about all of the beloved heroes in the Marvel Universe and their final battle against Valeria Stark. Lindsay created all the original music for this series, which releases an episode a week through February 6. Beyond super heroes, Lindsay was a part of the groundbreaking team that created Dinosaur Discoveries, a feature-length film featuring both live action and animation, that uses a brand new cutting-edge holographic cinema technique that projects dinosaurs jumping off the screens and into the laps of the audience. Dinosaur Discoveries is now playing in science museums across the US. Lindsay additionally has worked in the world of Shakespeare, creating The Winter's Tale a podcast series for Next Chapter Podcasts that features the classic play by William Shakespeare in an audio drama format. With successful work in multiple genres and mediums, Lindsay is a composer who shines and is one to watch. Lindsay's work on the broadway play Slave Play, is notable, and Lindsay was the first person in Broadway to history to receive Tony Award nominations for Best Score and Best Sound Design of a Play. This accolade has placed Lindsay at the top of the composers lists for creatives from across all parts of the entertainment industry.   From Superheroes to Shakespeare, Broadway to Science, Lindsay is a multi-genre talent. Listen to the Podcast: https://podcasts.apple.com/us/podcast/marvels-wastelanders/id1657190283 Website: lindsayjones.com @mrlindsayjones – TW, IG, LI @lindsayjonesmusicandsound – FB Episode 304 in an unlimited series! Host: Al Mega Follow on: Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: https://www.youtube.com/c/comiccrusadersworld Twitch: https://www.twitch.tv/comiccrusaders Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/​​​​ Sister Site: http://www.undercovercapes.com​​​​ Pick up official Undercover Capes Podcast Network merchandise exclusively on RedBubble.com: bit.ly/UCPNMerch Streamyard is the platform of choice used by Comic Crusaders and The Undercover Capes Podcast Network to stream! Check out their premium plans for this amazing and versatile tool, sign up now: https://bit.ly/ComicCrusadersStreamyard * Edited/Produced/Directed by Al Mega

Robert O'Hara joins us to talk about directing last year's Shakespeare in the Park production of Richard III, starring Danai Gurira of Marvel's "Black Panther." He tells us about gathering a diverse cast of actors with disabilities, wanting to “trigger” his audiences, and what it's like to get a call about directing Shakespeare in the Park (spoiler: it's a whirlwind). Robert O'Hara is interviewed by Barbara Bogaev. A film of Richard III premiered on PBS's Great Performances on Friday, May 19, and is streaming now on the PBS App and at pbs.org/gperf. Robert O'Hara is a two-time Obie Award and two-time NAACP Award Winner whose work has been seen around the country. He was nominated for a Tony Award for his direction of Jeremy O. Harris's Slave Play. From our Shakespeare Unlimited podcast. Published May 23, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from CDM Studios in New York and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

In this episode, Angelo talks with Dr. Avgi Saketopoulou about her new book "Sexuality Beyond Consent: Risk, Race, & Traumatophilia"(2023). Their dynamic conversation explores new ways of thinking about trauma, its potentiating role in psychic life, the radicality of Jean Laplanche, and what it means to 'bend one's will', They also talk about how trauma intersects with eroticism, race, and forms of consent. Finally, they delve into 'exigent sadism' and its role in clinical life & artistic expression. Links: "Sexuality Beyond Consent: Risk, Race, and Traumatophilia" https://nyupress.org/9781479820269/sexuality-beyond-consent/ "Slave Play" by Jeremy Harris https://slaveplaybroadway.com/

Paul Alexander Nolan (paulalexandernolan.com)(IG:@paulalexandernolan) who is currently in Parade The Musical on Broadway, is originally from Canada, where much of his career has been spent as a company member of the Stratford Festival. Since moving to New York he's led seven Broadway productions including Jesus Christ Superstar; Once; Doctor Zhivago; Bright Star; Chicago; Escape to Margaritaville and Slave Play. He originated the role of Jim in Slave Play at NYTW, on Broadway and at The Taper in Los Angeles. TV credits include The Code; Madam Secretary and Instinct for CBS. Paul is currently collaborating on a concept album about isolation entitled T+L. 

Paul Alexander Nolan (paulalexandernolan.com)(IG:@paulalexandernolan) who is currently in Parade The Musical on Broadway, is originally from Canada, where much of his career has been spent as a company member of the Stratford Festival. Since moving to New York he's led seven Broadway productions including Jesus Christ Superstar; Once; Doctor Zhivago; Bright Star; Chicago; Escape to Margaritaville and Slave Play. He originated the role of Jim in Slave Play at NYTW, on Broadway and at The Taper in Los Angeles. TV credits include The Code; Madam Secretary and Instinct for CBS. Paul is currently collaborating on a concept album about isolation entitled T+L. 

Devin can be seen as Charlie on the Apple Original comedy series “Shrinking” with Jason Segel and Harrison Ford (and from the creators of Ted Lasso - set to be one of the biggest new shows of the year!). Charlie is the boyfriend of Brian played by Michael Urie. The series premiered on January 27th. Additionally, he has been recurring on NBC's Chicago Med portraying first year surgical resident Dr. Kai Tanaka-Reed with his next episodes airing in February and beyond.  Previously Devin has appeared on multiple television shows including “Lucifier,” Marvel's “The Runaways,” and “Criminal Minds.” In 2022 he starred in Jeremy O. Harris' award winning “Slave Play” at the Mark Taper Forum in Los Angeles. The show received 12 Tony nominations becoming the most nominated non-musical play ever. Connect with us on our website for more amazing conversations!  www.brettallanshow.com  Got some feedback? Let us know! openmicguest@gmail.com  Follow us on social media! IG https://www.instagram.com/brettallanshow/ FB https://www.facebook.com/thebrettallanshow/ Twitter https://twitter.com/brettallanshow Consider giving us a kind rating and review on Apple Podcasts! https://podcasts.apple.com/us/podcast/id1486122533?mt=2&ls=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

When asked what Slave Play is about, Jeremy O. Harris responds, “Slave Play is a slave play. And you should go see it.” The play, which wrestled with sex and race, was as controversial as it was successful. Today we talk about his time spent at the Yale School of Drama, the origins of Slave Play, his approach to writing and much more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dylan and Connor are joined by 2022 Tony Award Winner Joaquina Kalukango (Paradise Square, Slave Play). This week, the twins are giving thanks for this queen's visit to DRAMA. On the heels of her upcoming starring turn as The Witch in Into the Woods on Broadway, they discuss Joaquina's relationship to the piece, her recent Tony Award win for Paradise Square, and “Let It Burn” already appearing in drag mashup roulettes at gay bars across America. More topics include Oscar Wild, the film podcast by Sophia Ciminello and Nick Ruhrkraut, the breathtaking Danielle Brooks, asking Cynthia Erivo for leading lady advice, The Color Purple, Julliard, Rihanna, and Black Panther: Wakanda Forever. See Joaquina in Into the Woods starting December 16!Subscribe to DRAMA+ for bonus episodes, Instagram Close Friends content, and more!Follow Joaquina on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Connor

Hair, wig, and makeup designer Cookie Jordan talks about how she has managed her finances from The Santa Fe Opera to Broadway.   Topics: ⭐️ Paying rent early ⭐️ Unions on Broadway ⭐️ Money is to serve you, you do not serve money ⭐️ When working with non profits, asking for in-kind donation receipts   Become a patron: www.patreon.com/artisticfinance   Episode outtakes: https://www.patreon.com/posts/39-cookie-jordan-46423499     Cookie has designed 26 Broadway shows including A Strange Loop, The Piano Lesson, Slave Play, and The Cher Show. She has been nominated for three Drama Desk Awards for hair and makeup design.   Cookie started at The Santa Fe Opera and has now designed in nearly every opera house in the USA. She has also designed in theaters from Arena Stage, to New York City Center, to Washington DC's Ford's Theater.   Cookie's Bio: https://summitentertainmentgroup.com/project/cookie-jordan/   Papillon Dog (Gus): https://en.wikipedia.org/wiki/Papillon_dog   Anywhere Cafe (live music) 2nd St & 2nd Avenue in Manhattan: https://www.anywaycafe.com/east-village   Chimayo - New Mexico (for red chiles and Cookie's art): https://en.wikipedia.org/wiki/Chimayo,_New_Mexico   Tom Watson - Broadway Hair & Wig Designer: https://www.ibdb.com/broadway-cast-staff/tom-watson-76348   You Can't Take It With You (play): https://en.wikipedia.org/wiki/You_Can%27t_Take_It_with_You_(play)   Choir Boy (play): https://en.wikipedia.org/wiki/Choir_Boy   Steve Hendel - Fela! Producer (IG @FelaProducer): https://www.ibdb.com/broadway-organization/ruth-steve-hendel-521266   Fela! https://en.wikipedia.org/wiki/Fela!   High School Musical Tour (2006 - I had said 2008): https://en.wikipedia.org/wiki/High_School_Musical:_The_Concert Become a patron at: www.patreon.com/artisticfinance   Interview by Ethan Steimel  

Ding dong! In this week's episode, Alyssa and Brendane are talking about sovereignty, non-sovereignty, and the death of the sovereign Queen Elizabeth II to ask whether it's possible (and desirable!) to leave the past behind while creating our collective future. (CW: rape, sexual assault 1:05:00- 1:16:00) What's the Word? Sovereignty. Defined as autonomy, freedom from external control, sovereignty is typically considered a positive. Brendane and Alyssa unpack the ways the concept is also rooted in power and domination. What We're Reading. Non-Sovereign Futures: French Caribbean Politics in the Wake of Disenchantment by Yarimar Bonilla. Bonilla examines how contemporary activists in Guadeloupe imagine and contest the limits of postcolonial sovereignty, challenging us rethink our received ideas about freedom, independence, nationalism, and revolution, and our commitment to sovereignty itself. What In The World?! In this segment, we discuss the death of Queen Elizabeth II and why Alyssa has complicated feelings about it; why turning to past values (that never existed) is evidence of crisis; the problem with Jeremy O. Harris' Slave Play, Bridgerton, and The Courtship; and whether you can really have love under racial or patriarchal domination. Listen to the exclusive Patreon content! Check out our new merch! Discussed In This Episode Non-Sovereign Futures: French Caribbean Politics in the Wake of Disenchantment (Yarimar Bonilla, 2015) Life and Debt (Stephanie Black, 2001) "The Sovereignty of Critique" (Audra Simpson, 2020) "Unsettling Sovereignty" (Yarimar Bonilla, 2017) "The Dissolution of the Myth of Sovereignty in the Caribbean" (Linden Lewis, 2012) "Compulsory Heterosexuality and Lesbian Existence" (Adrienne Rich, 1980) Season 1, Episode 6: Deathcraft Country Season 1, Episode 2: Ain't I A Woman? (Where we discuss Mama's Baby, Papa's Maybe) Syllabus for ZD 301 is available here! Let us know what you thought of the episode @zorasdaughters on Instagram and @zoras_daughters on Twitter! Transcript will be available on our website here.

Dylan and Connor are joined by Drama Desk nominee Paul Alexander Nolan (Slave Play, Bright Star). The twins live a dream come true by chatting with Canadian native Paul about his storied career as a leading man, from playing the titular role in Jesus Christ Superstar to the recent musical Life After by Britta Johnson. No stone is left unturned as they discuss tattoos, summer nearing its end, A Strange Loop, Escape to Margaritaville, and Paul's path not taken during the pandemic to become a firefighter. The trio get into Paul's run as Guy in Once, his journey in Bright Star opposite queen Carmen Cusack, the challenge of playing Jim in Slave Play, and the thrilling concept album he's been developing. Paul brings a warmth and intelligence to the pod that is not to be missed!Follow Paul on Twitter & InstagramFollow DRAMA. on Twitter & InstagramFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanGet your DRAMA merch (t-shirts, stickers, and more) HERE!SUBSCRIBE TO OUR PATREON HERE! Support us and help us continue producing content!Please subscribe on Apple Podcasts, rate us 5 stars, and leave a kind review!

Broadway's Joaquina Kalukango joins CBS News' Jamie Wax to discuss her Tony nominated leading role in "Paradise Square." She explains how the production has evolved since she joined the cast and how her show stopping number "Let it Burn" was extended to fit her incredible voice. Joaquina, who was previously nominated for her role in "Slave Play," shares advice previous cast members from "The Color Purple" gave her.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.