Podcasts about ti jean

Podcast Carreira em TI - Jean Clecio   Entre no nosso canal do Telegram para receber conteúdos Exclusivos sobre Banco de dados Oracle:   https://t.me/joinchat/AAAAAEb7ufK-90djaVuR4Q

Comment la France a pillé Haïti ? C'est cette douloureuse histoire que le New York Times s'est chargé de dépoussiérer dans le cadre d'une longue enquête, publiée le 20 mai dernier. Celle-ci raconte dans le détail comment la France, après avoir été chassée d'Haïti en 1803, est revenue exiger « réparation » et endetter Haïti pour l'éternité. La France demandait en effet à Haïti de verser des indemnités aux « héritiers de leurs anciens maîtres » Du « néo-colonialisme par la dette », analysait Thomas Piketty. Selon les journalistes du New York Times, Haïti a été contraint de débourser 560 millions de dollars en valeur actualisée, ce qui aurait généré jusqu'à 115 milliards de dollars de manque à gagner pour les finances haïtiennes. C'est tout le développement économique et industriel du pays qui a été empêché par ce qu'on appelle la double dette. Ce petit pays des Caraïbes ne s'en relèvera en effet jamais, plongé ainsi dans la pauvreté et le sous-développement, et rendu incapable de se doter d'institutions et d'infrastructures. En France, silence radio sur cette histoire. Et quand l'ancien président Jean-Bertrand Aristide avait souhaité calculer le montant de ce que la France devait à Haïti, puis réparation, l'État français avait préféré participer à sa destitution ! Pour en parler je reçois Jean-Marie Théodat, maître de conférence et spécialiste d'Haïti, sur le plateau du Média. ▶ Soutenez Le Média :

On parle de la présentation du début, le reverse influencing, la coalition anti-pub, reverse Julie Snyder, on attends que Bezos vomisse, les vers de cul, la pub de belle gueule en 4k depuis l'épisode 1, les Pathétic three, la vérité sur les cennes noires, Will Smith, retourner dans le passé, Chacha s'ennuie de la blonde de Djee, Mathieu est capable de faire des crises d'angoisses sur les médicaments contre l'angoisse, les câlins gratuits, le bar à yogourt, le mois sans cigarettes, boire des affaires mouillées, le grand make-over, le scam enfant-maison, Segment visuel : Katerine Dm : https://www.katerinedm.xyz/ Au son de ma musique : Ti-Jean, Ghislaine de Roy et Georges Brunet, Mourir de vivre Chanson du mois : Un Beau Moment de Jacques Playstation Les louanges nous apporte des cadeaux, un show à Waterloo et à Paris, première partie de L'Impératrice, les membres des Louanges le band, faire de l'argent en musique, sa rencontre avec Félix Petit aux francouvertes, le sax c'est sexy, les instruments cochons, le thérémine de Djee sur Ebay, la meilleure passe de drum, le Roi Heenok, Les Louanges adore le rap, erratum Kanye West, Greg Beaudin, les games de magic des Dead Obies, magic the gathering c'est les échecs pour les gens qui prennent de l'acide, compétition de WoW, League of Legends à TVA Sport, résumé de Alerte à Malibu, le poker à la télé avec du marquis de mericourt, le bridge, une joke de Yugioh, le studio des Louanges, sa façon de composer et de travailler les tounes, P.A. Méthot qui a pull un Snoop, on répond à la question : est-ce que les Louanges aime Rush?, les parents de Vincent à un lancement, le téléjournal sur tik tok, Noovo c'est le futur, l'éco-anxiété, rencontrer ses fans après les shows, signer des autographes, fumer un batte avec Marie l'Weed de Plus on est de fous plus on lit, payer son weed avec un gros sac de 2$, son prochain album, comment il a dealé avec la covigne, et on termine sur un scoop de yogourt.

Bonjour and welcome to another edition of cafe de rene with rene dupree, this week we are joined by rene's longtime friend, Canadian bodybuilding champion Ti Jean LeBlanc, in this episode jean and rene talk about dieting, fitness,workout routines,advice in health, deaths in bodybuilding, the competitive scene and much more. #renedupree #bodybuilding _______________________________________ Get 20% OFF @manscaped + Free Shipping with promo code CAFE at MANSCAPED.com! #manscapedpod Click the link https://ca.manscaped.com/?redirect=1&_ga=2.173470368.205476593.1643932306-1969850696.1642297589&_gac=1.12305094.1643936686.CjwKCAiAl-6PBhBCEiwAc2GOVNJZpzyi379ckbNot6yCuZ42p0vCP8vOL0CG5YXBATx23WYBxwc7zRoCMnYQAvD_BwE __________________________________________ And don't forget to follow us on our social media channels On twitter, Facebook and Instagram all @cafederene. __________________________________________ Grab yourself a personalised Signed 8x10s from Rene by emailing renedupreebooking@hotmail.com for pricing and info. __________________________________________

Le Club RFI Gonaïves Club RFI raconte la réalisation d'une formation pour aider les jeunes à élaborer des projets sociaux et à contribuer au développement de la région avec la participation de : Allmaha Léon, Grégory Pierre, Sem Registre et Wolbens Jean-Baptiste.  Cousin du Club : Thélyson Aurélien, écrivain-poète haïtien, ancien président-fondateur du Club RFI Gonaïves. Proverbe : «Yon sèl dwèt pa manje kalalou» équivalent à «L'union fait la force». Musiques : «Ti Jean», Bélo ; «Boukan dife» 35 zil. Réalisation : Cécile Bonici. (Rediffusion du 6 mars 2021)     Concours vidéo : Prix spécial Club RFI  L'équipe de EPOP attend vos témoignages vidéos sur les changements climatiques et environnementaux dans votre région. Vous pouvez vous inscrire pour le prix spécial des Clubs RFI sur le site concours.epop.network et envoyer vos vidéos de 3 minutes maximum. Il ne reste que 30 jours avant la clôture du concours. On compte sur vous.

Cette semaine, le Club RFI Gonaïves Club RFI raconte la réalisation d’une formation pour aider les jeunes à élaborer des projets sociaux et à contribuer au développement de la région avec la participation de : Allmaha Léon, Grégory Pierre, Sem Registre et Wolbens Jean-Baptiste.  Cousin du Club : Thélyson Aurélien, écrivain-poète haïtien, ancien président-fondateur du Club RFI Gonaïves. Proverbe : «Yon sèl dwèt pa manje kalalou» équivalent à «L'union fait la force». Musiques : «Ti Jean», Bélo ; «Boukan dife» 35 zil. Réalisation : Cécile Bonici. Concours vidéo : Prix spécial Club RFI  L’équipe de EPOP attend vos témoignages vidéos sur les changements climatiques et environnementaux dans votre région. Vous pouvez vous inscrire pour le prix spécial des Clubs RFI sur le site concours.epop.network et envoyer vos vidéos de 3 minutes maximum. Il ne reste que 30 jours avant la clôture du concours. On compte sur vous.    

Have you ever been tricked? Fooled? Bamboozled? Certainly everyone has experienced being deceived at least once. And usually it's not a very pleasant feeling. It can be rather frustrating, and, well, humiliating. That being said, have you ever tricked someone else? Again, most people have. That's probably why there are so many stories about people being tricked. Today we have brought you a few of those stories from tellers like David Holt, Donna Washington, and James Bruchac. On today's episode, enjoy the following:“The Chenoo” by James Bruchac from When the Chenoo Howls (9:18)“Mexico City Subway” by Rick Huddle from Citizen of the World (4:17)“Why you Never Hear Rabbit Play Banjo” by David Holt from Why the Dog Chases the Cat: Great Animal Stories (7:44)“Ti Jean and the Donkey's Egg” by Priscilla Howe from Chickens! And Other Stories for Young Listeners (3:19)“Anansi and the Turtle” by Donna Washington from Live and Learn: The Exploding Frog and other Stories (7:26)“Foolish” by Lyn Ford from When the Gourd Broke: Common Sense Stories (11:38)Radio Family Journal: "Three Dates at Once" (5:13) 

On today's episode, enjoy the following: “The Chenoo” by James Bruchac (9:18) “Mexico City Subway” by Rick Huddle (4:17) “Why you Never Hear Rabbit Play Banjo” by David Holt (7:44) “Ti Jean and the Donkey's Egg” by Priscilla Howe (3:19) “Anansi and the Turtle” by Donna Washington (7:26) “Foolish” by Lyn Ford (11:38) Radio Family Journal: "Three Dates at Once" (5:13)

A mezzo secolo dalla scomparsa di Jack Kerouac.

Il y a très longtemps en Martinique, vivaient un homme et une femme très pauvres. Quand leur treizième enfant naquit, il était si petit qu'ils l'appelèrent Ti-Jean. Une dame très riche et sans enfant habitait dans la commune voisine. Elle vint les voir et leur dit :- Laissez-moi être sa marraine, il habitera une grande maison : il ne sera pas seul car j'ai d'autres filleuls ! Il portera de beaux vêtements et mangera du poisson et de la viande tous les jours… Ti-Jean et la diablesse, un conte antillais d'Isabelle et Henri Cadoré, publié dans la collection Contes des quatre vents aux éditions l'Harmattan Avec la voix d'Eloïse Auria Mise en ondes et réalisation : Romain Dubrac Diffusé dans l'émission 7 milliards de voisins, l'école à la radio du 26 juin 2020 D'autres belles histoires vous attendent

Revolution, An Artistic Explosion is an exploration of what it means to be an artist and what happens when different forms come together and try to make their voices heard.JESSICA ‘JES’ WASHINGTON is a New York City based actress, dancer, and writer; born and raised in Memphis, TN. She has a true love for storytelling. She is currently receiving her MFA at the Actors Studio Drama School in New York City. Theater credits: Lena in ​Who Will Sing For Lena​, a one-woman show with huge acclaim; performed along the east coast. Awards include: Best Lead Actress in a Drama (3x), People’s Choice, Best Overall Production, winner of AACT National Festival 2019. Procne in ​Love of the Nightingale​, Francine/Lena in ​Clybourne Park​, forwarding an EMACT nomination: Best Supporting Actress in a Drama. Independent film credits: Riley (lead) in feature ​Uprising​, Ealey in action short ​MAAT​ (lead), Jasmine in ​Even​, and Young Belinda Royale in ​Half the History: Belinda Royale Story​. Voice Over credits: Isabelle Powell in ​Greater Boston​, becoming winner of Best Supporting Actress in Audio Drama.Anel Carmona is a Mexican actor and playwright based in NYC. She has performed in dozens of plays in both countries including T​ales of the White Mountain ​(Rising Sun Performance Theatre), ​Catch me in America​ (Strike Anywhere Performance Ensemble), and ​Ti Jean and His Brothers​ (Ma’s Playhouse). Her favorite writing credits include ​Adios Fjord​ (Off-Broadway), Chocolate en la Estación​ (Guadalajara, Mexico), and her play ​A seis pies de distancia​ was recently published in the Mexican Theatre anthology ​De Pandemia a Pandemonium​. She holds a MFA in Playwriting by the Actors Studio Drama School and is a proud member of the Dramatist Guild of America.Isabel Faith Billinghurst is a freshly-graduated Musical Theatre major from Otterbein University. They moved to NYC this January, and are very excited to hop into their first project here! Past credits include Laura in ​The Glass Menagerie​ (French Creek Theatre), Banquo in ​The Tragedy of Macbeth, ​and Diana in Next to Normal​ (Otterbein University). For some laughs, feel free to check out their co-hosting on Did You Find This Helpful? available wherever you listen to your podcasts. ​Isabelfaithbillinghurst.comMarcina Zaccaria is a Writer, Director, and Arts Administrator. Previous plays include "Village, My Home" performed at the Dream Up Festival at Theater for the New City, and "All About Image/ We Are The Elite" performed at the Fringe Festival in NYC. Monologues from "A Digital Stratosphere Platform for Peace" have been read at Dixon Place and on Salon Radio. Also, the "The Body Politic" and "On Becoming a Mermaid" were available on Amazon. She has directed readings and plays in venues that include New Dramatists, Theaterlab, HERE Arts Center, 13th Street Repertory Company, Soho Rep, Dance Theater Workshop, and the Museum of Jewish Heritage. Arts administration experience includes Audience Services work at the Roundabout, and providing support for the Executive Director/ Contemporary Programming at Lincoln Center for the Performing Arts, Inc. She is a member of the League of Professional Theatre Women. She has reviewed plays and musicals at TheaterPizzaz.com. Clips can be found on Twitter​, Her theater articles have been published in The Theatre Times, Howl Round, and The Brooklyn Rail. ​https://marcinazac.weebly.com/ CHRISTINA ROSE ASHBY ​is an Alaskan theater artist living in Brooklyn. She is the founding artistic director of Permafrost Theatre Collective. Christina specializes in new work creation and the reimagining of classics. Christina conceived and directed PTC’s production of Are You Alice: A New Wonderland Tale, a classic reimagining that had several short runs in New York City and made its international debut at the Edinburgh Fringe Festival in August of 2019. Select past credits include “Lack of Milk,” “Lost Sock Laundromat Astoria Queens” and “Suspicion Obsession Paranoia Marriage,” all by frequent collaborator Ivan Faute; “Living With an Angel,” a semi-autobiographical clown fantasia by Catherine Restivo-Romito; “Life is a Dream: a New Vintage” by Calderon and adapted by Annie R. Such; and “A Bright Room Called Day” by Tony Kushner. MFA in directing from the Actors Studio Drama School. Follow her on Twitter and Instagram @christinaroseashby. ​www.christinaashby.net

Revolution, An Artistic Explosion is an exploration of what it means to be an artist and what happens when different forms come together and try to make their voices heard.JESSICA ‘JES’ WASHINGTON is a New York City based actress, dancer, and writer; born and raised in Memphis, TN. She has a true love for storytelling. She is currently receiving her MFA at the Actors Studio Drama School in New York City. Theater credits: Lena in ​Who Will Sing For Lena​, a one-woman show with huge acclaim; performed along the east coast. Awards include: Best Lead Actress in a Drama (3x), People’s Choice, Best Overall Production, winner of AACT National Festival 2019. Procne in ​Love of the Nightingale​, Francine/Lena in ​Clybourne Park​, forwarding an EMACT nomination: Best Supporting Actress in a Drama. Independent film credits: Riley (lead) in feature ​Uprising​, Ealey in action short ​MAAT​ (lead), Jasmine in ​Even​, and Young Belinda Royale in ​Half the History: Belinda Royale Story​. Voice Over credits: Isabelle Powell in ​Greater Boston​, becoming winner of Best Supporting Actress in Audio Drama.Anel Carmona is a Mexican actor and playwright based in NYC. She has performed in dozens of plays in both countries including T​ales of the White Mountain ​(Rising Sun Performance Theatre), ​Catch me in America​ (Strike Anywhere Performance Ensemble), and ​Ti Jean and His Brothers​ (Ma’s Playhouse). Her favorite writing credits include ​Adios Fjord​ (Off-Broadway), Chocolate en la Estación​ (Guadalajara, Mexico), and her play ​A seis pies de distancia​ was recently published in the Mexican Theatre anthology ​De Pandemia a Pandemonium​. She holds a MFA in Playwriting by the Actors Studio Drama School and is a proud member of the Dramatist Guild of America.Isabel Faith Billinghurst is a freshly-graduated Musical Theatre major from Otterbein University. They moved to NYC this January, and are very excited to hop into their first project here! Past credits include Laura in ​The Glass Menagerie​ (French Creek Theatre), Banquo in ​The Tragedy of Macbeth, ​and Diana in Next to Normal​ (Otterbein University). For some laughs, feel free to check out their co-hosting on Did You Find This Helpful? available wherever you listen to your podcasts. ​Isabelfaithbillinghurst.comMarcina Zaccaria is a Writer, Director, and Arts Administrator. Previous plays include "Village, My Home" performed at the Dream Up Festival at Theater for the New City, and "All About Image/ We Are The Elite" performed at the Fringe Festival in NYC. Monologues from "A Digital Stratosphere Platform for Peace" have been read at Dixon Place and on Salon Radio. Also, the "The Body Politic" and "On Becoming a Mermaid" were available on Amazon. She has directed readings and plays in venues that include New Dramatists, Theaterlab, HERE Arts Center, 13th Street Repertory Company, Soho Rep, Dance Theater Workshop, and the Museum of Jewish Heritage. Arts administration experience includes Audience Services work at the Roundabout, and providing support for the Executive Director/ Contemporary Programming at Lincoln Center for the Performing Arts, Inc. She is a member of the League of Professional Theatre Women. She has reviewed plays and musicals at TheaterPizzaz.com. Clips can be found on Twitter​, Her theater articles have been published in The Theatre Times, Howl Round, and The Brooklyn Rail. ​https://marcinazac.weebly.com/ CHRISTINA ROSE ASHBY ​is an Alaskan theater artist living in Brooklyn. She is the founding artistic director of Permafrost Theatre Collective. Christina specializes in new work creation and the reimagining of classics. Christina conceived and directed PTC’s production of Are You Alice: A New Wonderland Tale, a classic reimagining that had several short runs in New York City and made its international debut at the Edinburgh Fringe Festival in August of 2019. Select past credits include “Lack of Milk,” “Lost Sock Laundromat Astoria Queens” and “Suspicion Obsession Paranoia Marriage,” all by frequent collaborator Ivan Faute; “Living With an Angel,” a semi-autobiographical clown fantasia by Catherine Restivo-Romito; “Life is a Dream: a New Vintage” by Calderon and adapted by Annie R. Such; and “A Bright Room Called Day” by Tony Kushner. MFA in directing from the Actors Studio Drama School. Follow her on Twitter and Instagram @christinaroseashby. ​www.christinaashby.net

Books by M. NourbeSe PhilipBlank: Essays and Interviews (Book*hug, 2017)She Tries Her Tongue, Her Silence Softly Breaks (Wesleyan University Press, 2015)Zong! (Wesleyan University Press, 2011)A Genealogy of Resistance and Other Essays (Mercury Press, 1998)Frontiers: Selected Essays and Writings on Racism and Culture 1984-1992 (Mercury Press, 1992)Looking for Livingstone: An Odyssey of Silence (Mercury Press, 1991)Other Texts and Writers Featured in the EpisodeKamau BrathwaiteNathaniel (Nate) Mackey and his lecture, “Breath and Precarity”Phillis WheatleyGeorge Lamming’s In The Castle of My Skin (University of Michigan Press, 1992)George Lamming’s The Pleasures of Exile (University of Michigan Press, 1991)Claire HarrisDionne BrandHarold Sonny Ladoo’s No Pain Like this Body (House of Anansi, 2013)Austin Clarke (fiction writer)George Elliot Clarke’s argument about Nova Scotia preachers’ sermonsNgũgĩ wa Thiong'oAdrienne Rich’s Of Woman BornDerek Walcott’s Ti-Jean and His BrothersOther Relevant LinksSawubonaShonaHeinemann African SeriesTabebuia or Poui Trees of Trinidad and TobagoLionheart (movie)Kikuyu people of KenyaMalinke people (colonized by the French)Afro-futurism

On today's episode of the Apple Seed you'll hear the following stories: "Uncle Cleo" by Kirk Waller (7:18) "The Lion Makers" by Odds Bodkin (4:54) "Bastianello" by Donna Washington (14:40) "Attention Kmart Shoppers" by David Holt (2:09) "Ti Jean and the Donkey's Egg" by Priscilla Howe (3:19) "Echoline" by Kirk Waller (8:02)

Sharon Redd - Somebody Save The Night SImple Dj Friendly Edit By PetkoTurner DL >> https://hypeddit.com/track/qfzlb4 THIS IS ONE OF THE BEST DISCO CLUB SONGS EVER. BEST GROOVE, SOUNDING, ARRANGMENT, MOOD, PRESSURE, LYRICS, COOLNESS AND ATMOSPHERE FOR A DISCO CLUB DANCE NIGHT CONSOLIDATED AND PACKED IN ONE JAM. In the midst of mounting a comeback in the early 1990s, Redd died of pneumonia on May 1, 1992. Dance Music Report magazine reported that her death was AIDS-related. Sharon Redd was born in Norfolk, Virginia to Gene Redd and Katherine Redd. Gene Redd was a producer and musical director at King Records, and her stepfather performed with Benny Goodman's orchestra. Her brother Gene Redd Jr. was a songwriter and producer for Kool & the Gang and BMP. Her sister Pennye Ford is also a singer with two albums to her credit and known for her work as the main singer for Snap!. She began her recording career with four singles in 1968 for the United Artists label, three written and all four produced by songwriter and record producer Bobby Susser. Susser chose the Hank Williams song "Half As Much" to be Redd's first single. Redd's vocals, against Susser's heavy-bass track, made her presence very quickly known to R&B radio stations. Redd, as a budding actress, got a major break when she starred in an Australian production of the rock musical Hair. She was among a troupe of young African-American imports to the Sydney production, a group which notably included Marcia Hines. Redd appeared in the production from its June 6, 1969 premiere through 1971. As Redd was becoming famous in Australia, she was interviewed by Barry Sloane on a 1971 episode of "GTK". Her popular adverts for Amoco led to her own television special. Redd and Hair co-star Teddy Williams were asked to leave Australia by the Immigration Department in April 1971 for reasons they believed were race-motivated. Aside from Hair, Redd also appeared in Ti-Jean and His Brothers and, in 1974, traveled to London to star in an American production of The Wedding of Iphigenia. In 1977 Redd played the role of Sherrye in the U.S. television sitcom "Rhoda".[9][10] 1978 also saw Redd feature as a guest in the musical Sgt. Pepper's Lonely Hearts Club Band. In the mid-1970s, Bette Midler was looking to replace Merle Miller and Gail Kantor, both of whom had left after Midler's 1973 tour to pursue their own interests. Midler auditioned over 70 performers, but Redd landed the job, becoming one of Bette's Harlettes. Aside from performing as a Harlette, Redd also provided backing vocals for Carol Douglas ("Burnin'" and "Night Fever") and Norman Connors ("You Are My Starship"). Having ended their association with Midler, Redd, Charlotte Crossley, & Ula Hedwig released an LP, Formerly of the Harlettes, in late 1977. In 1979, Redd recorded the disco hit "Love Insurance," released by Panorama Records under the name Front Page, her own vocals going uncredited. But she soon signed a recording contract with Prelude Records, and Redd became the label's most successful artist. Her first album, 1980's self-titled Sharon Redd, was closely followed by two more—Redd Hott (1982) and Love How You Feel (1983). Redd placed several songs on the Hot Dance Club Play chart, including "Beat the Street," "In the Name of Love," and "Love How You Feel." After these releases, Sharon Redd returned to her successful career as a background vocalist, most notably with the group Soirée, which also included among its members Luther Vandross and Jocelyn Brown. Following the UK top 20 success of a re-recorded "Can You Handle It", she recorded a single entitled "All the Way to Love", with Les Adams. The song remains unreleased. This was to be her last solo recording. In 1993, Pennye Ford dropped the 'e' from her name and released the album Penny Ford, which featured a duet with her sister entitled "Under Pressure."

Albert Laveau is the Artistic and Managing Director of the Trinidad Theatre Workshop. He joined the then young theatre company in 1962 where, over the years, he became one of the best-known actors in Trinidad, along-side performers such as Errol Jones, Stanley Marshall, Eunice Alleyne, Claude Reid and dozens of others who graced the Trinidad Theatre Workshop stage over the years. Among his acting credits are included leading roles in productions of “The First Born”, “Dark of the Moon”, “Moon for the Misbegotten” and “Tartuffe”. He is perhaps best-known on stage for his role as The Devil in Walcott’s “Ti-Jean and His Brothers”. Mr. Laveau also played principal roles in Walcott productions including “The Joker of Seville”, “Dream on Monkey Mountain”, “Henri Christophe”, and “The Sea at Dauphin” among others. A top-notch director as well as actor, Mr. Laveau spent part of the 1970s acting and directing professionally in the United States, where he worked with Joe Papp at the Public Theatre, was a guest director at New York University’s MFA Programme, became a resident director with the Negro Ensemble and also played in their touring production of “The River Niger” by Richard Walker for a year. Despite his success abroad, Mr. Laveau saw his work as first and foremost the development of theatre here in his home of Trinidad and Tobago. He moved back home, and in 1989 was appointed to the position of Managing and Artistic Director of his home theatre company, where he was able to put into place two programmes which he feels passionately about and are still active today: the Theatre in Education Programme which brings staged productions of plays on CXC syllabi to school children to enhance their understanding of the texts and also expose them to theatre, and the School for the Arts, which has taught hundreds of students over the past quarter century, from as young as six to the elderly, in acting, directing, design, dance and more. In his later career Mr. Laveau made appearances in several local feature films, including the 2001 “Mystic Masseur” and 2013 “God Loves the Fighter”. To this day Mr. Laveau is active in the Trinidad Theatre Workshop, pushing forward and leading his team to continue ensuring that his vision continues to live on. http://www.culture.gov.tt/our-mentors/albert-laveau/ - Biography https://www.trinidadtheatreworkshop.com/ - Trinidad Theater Workshop

Okay. So. There's a time when I'm looking for Coyote, because I need to tell him this story. So, I walk the St. Lawrence River from one end to the other, and I cannot find him. Check the Rockies---he is not there. I even paddle to Baffin Island, because he likes to sleep on it. It is Coyote-shaped, a little. He's not anywhere. But me, I have a story to tell, and so I look for someone else. Raven is not home, and Muskrat is doing Netflix and chill. | Copyright 2019 by KT Bryski. Narrated by Justine Eyre.

Hear-a-Story: Ti Jean by Toronto Public Library

Sharon Redd - Somebody Save The Night SImple Dj Friendly Edit By PetkoTurner THIS IS ONE OF THE BEST DISCO CLUB SONGS EVER. BEST GROOVE, SOUNDING, ARRANGMENT, MOOD, PRESSURE, LYRICS, COOLNESS AND ATMOSPHERE FOR A DISCO CLUB DANCE NIGHT CONSOLIDATED AND PACKED IN ONE JAM. In the midst of mounting a comeback in the early 1990s, Redd died of pneumonia on May 1, 1992. Dance Music Report magazine reported that her death was AIDS-related. Sharon Redd was born in Norfolk, Virginia to Gene Redd and Katherine Redd. Gene Redd was a producer and musical director at King Records, and her stepfather performed with Benny Goodman's orchestra. Her brother Gene Redd Jr. was a songwriter and producer for Kool & the Gang and BMP. Her sister Pennye Ford is also a singer with two albums to her credit and known for her work as the main singer for Snap!. She began her recording career with four singles in 1968 for the United Artists label, three written and all four produced by songwriter and record producer Bobby Susser. Susser chose the Hank Williams song "Half As Much" to be Redd's first single. Redd's vocals, against Susser's heavy-bass track, made her presence very quickly known to R&B radio stations. Redd, as a budding actress, got a major break when she starred in an Australian production of the rock musical Hair. She was among a troupe of young African-American imports to the Sydney production, a group which notably included Marcia Hines. Redd appeared in the production from its June 6, 1969 premiere through 1971. As Redd was becoming famous in Australia, she was interviewed by Barry Sloane on a 1971 episode of "GTK". Her popular adverts for Amoco led to her own television special. Redd and Hair co-star Teddy Williams were asked to leave Australia by the Immigration Department in April 1971 for reasons they believed were race-motivated. Aside from Hair, Redd also appeared in Ti-Jean and His Brothers and, in 1974, traveled to London to star in an American production of The Wedding of Iphigenia. In 1977 Redd played the role of Sherrye in the U.S. television sitcom "Rhoda".[9][10] 1978 also saw Redd feature as a guest in the musical Sgt. Pepper's Lonely Hearts Club Band. In the mid-1970s, Bette Midler was looking to replace Merle Miller and Gail Kantor, both of whom had left after Midler's 1973 tour to pursue their own interests. Midler auditioned over 70 performers, but Redd landed the job, becoming one of Bette's Harlettes. Aside from performing as a Harlette, Redd also provided backing vocals for Carol Douglas ("Burnin'" and "Night Fever") and Norman Connors ("You Are My Starship"). Having ended their association with Midler, Redd, Charlotte Crossley, & Ula Hedwig released an LP, Formerly of the Harlettes, in late 1977. In 1979, Redd recorded the disco hit "Love Insurance," released by Panorama Records under the name Front Page, her own vocals going uncredited. But she soon signed a recording contract with Prelude Records, and Redd became the label's most successful artist. Her first album, 1980's self-titled Sharon Redd, was closely followed by two more—Redd Hott (1982) and Love How You Feel (1983). Redd placed several songs on the Hot Dance Club Play chart, including "Beat the Street," "In the Name of Love," and "Love How You Feel." After these releases, Sharon Redd returned to her successful career as a background vocalist, most notably with the group Soirée, which also included among its members Luther Vandross and Jocelyn Brown. Following the UK top 20 success of a re-recorded "Can You Handle It", she recorded a single entitled "All the Way to Love", with Les Adams. The song remains unreleased. This was to be her last solo recording. In 1993, Pennye Ford dropped the 'e' from her name and released the album Penny Ford, which featured a duet with her sister entitled "Under Pressure."

C’est le week-end! Enfin. Et pour commencer ça, t’as ton tout dernier show du PB en compagnie de Jay du Temple. Vous en faites pas, il est bon: Audrey a décidé de se réserver pour ne plus faire trop de blagues, Guy a commencé à dire “bien aimable”, Chuck adore la brasserie Cherrier, Jay nous jase de “madame Ti-Jean”, on recommence John Mulaney, Guy nous parle de “Jean-Guy le coiffeur”, on sent que Guy A est l’expert en taverne, Nick et le bar “LEEEE PORTAAAGEEE”, Vicky nous parle du bar “L’obsession”, Audrey n’est jamais allé dans une taverne en particulier, Jay nous raconte de la fois où il a failli sa vie sur la route, Chuck a fait un fou de lui pendant un meeting à la job, Nick n’est juste pas inspiré par le deuxième sujet, le stress avec Vicky de travailler avec JPR pendant le festival, Nick n’est pas particulièrement inspiré par le deuxième sujet, Audrey s’est déjà endormi dans ses croissants et on donne des trucs aux camionneurs pour qu’ils ne cognent pas des clous. V’là ton show pour te convaincre que la vie est bin’ correct dans le fond. Un merci infini de nous suivre et à lundi! La page de Jay: http://www.facebook.com/jaydutemple/ Audrey “NomDePâte”: http://www.facebook.com/audrey.patenaude.18?fref=ts Vicky ensoleillée:  http://www.facebook.com/vickyye?fref=ts Guy le beau barbu: http://www.facebook.com/guy.a.stcyr?fref=ts L’incomparable Nick: http://www.facebook.com/nicprovo?fref=ts Votre animateur: http://www.facebook.com/charles.tleduc Facebook - iTunes - Youtube - Google Play - Stitcher Twitter Time: Jay: http://twitter.com/JayDuTemple Vicky: http://twitter.com/Viick_GF Guy A.: https://twitter.com/GuyAStCyr Nick: http://twitter.com/NickProvost Chuck: http://twitter.com/Chucktl LPB: http://twitter.com/lepbonheur Merci de nous suivre!

How Ti-Jean Became a Fiddler  Ages 7 and up Ti-Jean’s brothers set out to seek their fortunes but they are more likely to be thrown in prison than win the promised bride.  Can T-Jean help?  He certainly means to.   Where does the fiddle come in?  Click on the link to find out.  A story from … … Continue reading →

On a North Van hillside, Dave reads a few choruses from Jack Kerouac’s “San Francisco Blues” and talks about “Ti Jean’s” writing life, including his dexterous style and notable substance – plus expresses affection for Vancouver and the joys of rediscovery. Dream of moonlight for: Kerouac’s San Francisco in Dave’s Vancouver – Postcard #30 (.mp3, … Continue reading Kerouac’s San Francisco in Dave’s Vancouver – Postcard #30 →