Podcasts about Nanu

Nanu nanu, nerds! Welcome to episode 168 of Up Yours with More!You guessed it! MODOK and BC are back with another installment of top-notch shenanigans! They've got some headlines, our top books from last week, books they're excited for this week, and more!NewsICV2: Diamond Bought by AllianceDiamond Purchase UpdatesComicsBeat Alliance Interview (Industry of Comics Podcast)DSTLRY to PRHWeapon X-Men Cancelled after Issue 5"...if you just don't like Spider-Man without him being married to MJ, you can always stop reading it..."Godzilla Destroys Comic Shops?Find Us Online at the Following Outlets Website :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠upupandawaycomics.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/@upupawaycomics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ::  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/upupawa⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠y and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/uuablueash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/upupawaycomics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter :: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/upupawaycomics⁠⁠

Nanu!? Was hat denn Hermanns Freundin Heidi für einen eigenartigen Karton mitgebracht? Einen mit unzähligen Löchern darin. Was es mit dieser besonderen Verpackung und dem noch wichtigeren Inhalt des Kartons auf sich hat, erfahrt ihr in der neuen Folge unserer dinomenalen Abenteuer. Reinhören lohnt sich.

Tom aus dem "Spezialgelagerten Sonderpodcast" ist wieder bei uns zu Gast. Mit Angela unterhält er sich über den Film "Die drei Fragezeichen und der Karpatenhund", ob Justus ein Nikotinproblem hat und die Karriereleiter von Inspector Cotta. Achtung - Filmspoiler!Shownotes (in Auszügen)Spezialgelagerter SonderpodcastDas ABC rund um Harry PotterDas spezialgelagerte KompendiumBobcastM. V. CareyArcherDer TatortreinigerDie ??? KidsDie !!! FernsehserieSkript der FolgeSix Feet UnderTV Tropes: Agent ScullyThe Book of Unwritten TalesTV Tropes OrphanTV Tropes: Crazy Cat LadyOracle"Rear Window" HomageSherlock (BBC)Case ClosedTerry Pratchett - ZitatDie drei Fragezeichen - CrimebustersRule 34StrombergBoschGraf von Monte CristoDer Junge muss an die frische Luft (2018)The SopranosCritical RoleAlle Shownotes und Folgen tropenhauspod.wordpress.com

În acest episod special al podcastului Banii Vorbesc, îl avem invitat pe Ștefan Nanu, Director General al Direcției Generale de Management al Datoriei Publice și Fluxurilor de Trezorerie, persoana de la care vom afla cele mai relevante informații despre titlurile de stat, frecvența acestora, noile funcționalități, noile moduri de achiziție și multe detalii interesante despre […] Articolul Cum poti investi in titluri de stat cu cardul pe Ghiseul.ro – Stefan Nanu S09E04 apare prima dată în Laurentiu Mihai.

Last time we spoke about the invasion of iwo jima. General LeMay's B-29 bombers targeted Japan, inflicting heavy damage on Kobe and Ota's Nakajima factory, though at a cost of lost aircraft. Meanwhile, U.S. forces prepared for the Iwo Jima assault. On February 19, Marines landed amid intense bombardment, facing fierce Japanese resistance. Progress was slow, with heavy casualties. By February 21, they fought to capture Mount Suribachi. Amidst the chaos, kamikaze attacks struck American carriers, causing significant losses and foreshadowing the brutal battles ahead. In the midst of a relentless rain on February 22, Colonel Liversedge led the 28th Marines in a fierce assault on Mount Suribachi, facing determined Japanese resistance. Despite harsh conditions and significant casualties, the Marines pushed forward. On February 23, they reached the summit, raising the American flag to symbolize their hard-fought victory. The Secretary of the Navy, inspired by the moment, declared it would ensure the Marine Corps' legacy for centuries. As battles continued, the Marines faced heavy losses but remained resolute in their mission. This episode is the fall of Manila Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  As we last observed in Manila, General Griswold's forces had effectively confined the remnants of Admiral Iwabuchi's troops to Intramuros, the South Port Area, and the Philippine Commonwealth Government buildings located at the southeastern edge of the Walled City. Available information led to the conclusion that the Japanese defenses were strongest on the southern and eastern sides of the Walled City and that the Japanese expected attack from these, the most logical directions. Japanese garrisons in the Legislative, Finance, and Agriculture Buildings just across Padre Burgos Street southeast of Intramuros could cover these approaches. The 37th Division could, of course, take the government buildings before launching an assault on Intramuros, but it would be easier to attack the government buildings after Intramuros fell. Conversely, planners deemed it feasible to strike into Intramuros from the west, since Japanese defenses along the west wall, across Bonifacio Street from the Manila Hotel and the South Port Area, appeared weak. But in this case, American troops would first have to clear the South Port Area and then, advancing from the west, would have to attack toward much of their own supporting artillery. The artillery's best positions for close support were on the north and northeast, across the Pasig, and on the east, in the area south from the General Post Office to the City Hall, and much of the artillery ultimately did fire from these areas. About halfway from the northeast to the northwest corner of Intramuros the ancient wall ended, providing direct access into the Walled City at the Government Mint. The only other obstacle on the north was a low sea wall running along the south bank of the Pasig, and Japanese defenses along the north face appeared weak except at the northeast corner. Planners therefore decided that there would be an excellent chance to execute a successful amphibious assault from the north bank of the Pasig against the north-central side of the Walled City.  Given that the Japanese defenses were strongest on the southern and eastern sides of the Walled City, and that the ancient wall ended at the Government Mint between the northeast and northwest corners of Intramuros, it was decided to initiate an amphibious attack from the north bank of the Pasig River targeting the north-central section of the Walled City, executed by the 129th Regiment with close artillery support. However, aware that the Japanese had established a complex tunnel system for rapid troop movement within Intramuros, General Beightler deemed it essential to conduct a secondary assault on Quezon Gate near the northeastern entrance to keep the Japanese forces off balance and to split their attention. Since the Japanese had fortified this area with strong pillboxes just inside the walls, the division concluded that heavy artillery would be required to create an additional breach in the thick wall just south of Quezon Gate, where the 145th Regiment would launch its attack. Furthermore, as the Japanese could target the advancing troops with enfilade fire from the three government buildings to the south, Allied artillery would need to neutralize these buildings during the assault on Intramuros. Lastly, the 1st Cavalry Brigade positioned to the west and southwest of Intramuros would block any potential escape routes for Japanese forces from the Walled City. So far, General MacArthur had severely restricted the employment of air in the metropolitan area. In late January and early February Marine Corps SBDs had bombed or strafed a few pinpointed targets in the North and South Port Areas and had also hit some obvious Japanese gun positions in the open areas of Luneta Park and Burnham Green. One or two strikes may also have taken place against specific targets within Intramuros, but all in all it appears that planes of the Allied Air Forces flew no more than ten or twelve individual sorties against targets within the city after February 3. Before that time both carrier-based and land-based aircraft had presumably limited their strikes to targets within the port areas and to oil storage facilities in Pandacan and Paco Districts. Of course some bombs had gone astray during these strikes and had caused damage within Intramuros, while additional damage within the Walled City had resulted from both American and Japanese artillery fire the first two weeks of the battle for Manila. When approached with General Griswold's plan to carry out an intensive aerial bombardment against the Walled City, MacArthur once again objected: “The use of air on a part of a city occupied by a friendly and allied population is unthinkable. The inaccuracy of this type of bombardment would result beyond question in the death of thousands of innocent civilians. It is not believed moreover that this would appreciably lower our own casualty rate although it would unquestionably hasten the conclusion of the operations. For these reasons I do not approve the use of air bombardment on the Intramuros district.” However, General MacArthur had previously issued orders limiting air operations in the metropolitan area, leading him to reject this proposal. Not wanting to rely solely on infantry for the assault, Griswold and Beightler decided to organize a significant artillery preparation, as they were not explicitly prohibited from using artillery. After several unsuccessful attempts to persuade the Japanese in Intramuros to surrender or release the numerous Filipino civilians they were holding hostage, Griswold initiated the bombardment of Intramuros on February 17, creating several breaches in the east wall. On February 22, Allied artillery began targeting the north wall to breach it and eliminate a Japanese stronghold at the Government Mint, while additional guns took up positions for the final barrage before the infantry assault the following morning. Between 07:30 and 08:30 on February 23, the Americans executed the last preparatory bombardment, effectively damaging the walls of Intramuros and covering much of the interior. Once the supporting fire ceased, the infantry assault commenced, with the 3rd Battalion, 129th Regiment swiftly crossing the Pasig River without opposition and advancing through the Government Mint into Intramuros. Simultaneously, the 2nd Battalion, 145th Regiment climbed over the breach south of Quezon Gate and entered through the gate unopposed, quickly moving southwest toward Letran University. Ten minutes into the assault, Griswold's artillery resumed fire for the next half hour, deploying high explosives, smoke, and white phosphorus across a 100-yard-wide area between the east and west walls. This aimed to seal off the southern third of Intramuros, preventing the Japanese forces there from observing movements to the north or sending reinforcements. The total artillery and mortar fire supporting the assault amounted to 230 tons, equivalent to over 11,650 rounds. By 08:50, the 129th and 145th Regiments connected at Letran University, with the 129th advancing toward Beaterio Street and Fort Santiago against minimal resistance, while the 145th cleared Letran University and secured the first two blocks southwest of Quezon Gate. At 10:45, the 1st Battalion of the 145th Regiment moved through Parian Gate and headed south. As American troops pushed deeper into Intramuros, the Japanese began to recover from the artillery bombardment, offering sporadic resistance from isolated machine-gun and rifle positions. Nonetheless, the 129th successfully cleared the west wall north of Beaterio Street and captured Fort Santiago in the afternoon. However, the 145th had to halt its advance about four blocks southwest of Quezon Gate as the Japanese started releasing nearly 3,000 civilian hostages from San Augustin and Del Monico Churches. Once the civilian evacuation was complete, American tanks and self-propelled artillery targeted Japanese positions within those churches and other strongholds in the southwestern section of Intramuros. Despite the efforts, the troops were unable to reach the south or west walls before nightfall due to fierce resistance. Meanwhile, the 1st Squadron, 12th Cavalry, along with the 2nd Squadron, 5th Cavalry, began clearing the South Port Area, facing relatively light opposition except at one strongpoint. Meanwhile, the 1st Squadron, 5th Cavalry, and elements of the 148th Regiment contained the enemy at the government buildings. On February 24, while the 129th was finishing operations at Fort Santiago, the 145th continued its offensive, successfully cornering the last pockets of resistance in its area into the Aquarium, situated in a bastion at the southwest corner of Intramuros. Although the resistance was fierce in this location, a tunnel linking the bastion to the main wall was unexpectedly left unguarded, allowing Company C to break through into the Aquarium with ease. The final assault commenced in the afternoon, resulting in 115 Japanese casualties as the last organized resistance within Intramuros was overcome. In total, approximately 1,000 Japanese were killed, and 25 were captured during the assault on Intramuros, with the Americans suffering 25 killed and 265 wounded. Concurrently, the cavalrymen completed the clearing of the South Port Area and turned their attention to the government buildings, which would necessitate another intensive preparatory bombardment.  The imposing, columned façade of the Philippine Commonwealth's Legislative Building--the Philippine Capitol--fronted on Padre Burgos Street opposite the southeast corner of Intramuros and lay 150 yards south of the City Hall. About 100 yards south of the Legislative Building was the Bureau of Finance, and another 250 yards to the south-southeast, near the intersection of General Luna and San Luis Streets, lay the main building of the Bureau of Agriculture and Commerce. Architecturally similar to the old Senate and House Office Buildings in Washington DC, the three government structures were modern, earthquake-proof edifices constructed of heavily reinforced concrete. The oblong Legislative Building, with wings four stories high and a central portion rising another two and a half floors, was constructed around two open courtyards. The Finance and Agriculture Buildings, both five-story trapezoids, each featured a central courtyard. The buildings were strong not only by virtue of their construction but because all approaches to them led across wide open ground. Sandbag emplacements and barricades of other types blocked all readily accessible doors and windows, and window-emplaced machine guns covered all approaches. Despite the fact that the Japanese in the three buildings had advantages of position and elevation that permitted them to endanger American and Filipino movements over large areas of Manila, the 14th Corps and the 37th Division at first considered starving the Japanese garrison out. But the two headquarters soon decided this would take too long. Information from prisoners and Filipino hostages who had escaped from the buildings indicated that the Japanese garrisons in the three structures had sufficient strength, ammunition, food, and water to withstand a protracted siege. On February 26, after an hour of final artillery preparation, the 1st Battalion, 148th Regiment entered the ground floor of the Legislative Building from the rear, while the 5th Cavalry attacked the Agriculture Building; however, both units were successfully repelled by the determined defenders. The following day, after a failed attempt to smoke the Japanese out of the Legislative Building, heavy artillery was used to demolish the north and south wings, leaving only the damaged central section, which was subsequently cleared by the infantry. At the same time, the 5th Cavalry cleared out the apartment building and several nearby structures in preparation for another attack on the Agriculture Building, which commenced on February 28 following a three-hour artillery bombardment that caused significant portions of the building to collapse. Facing no initial resistance, the cavalrymen quickly accessed the remnants of the first floor but soon encountered strong opposition from pockets of resistance at the northwest and southeast corners. With support from tanks and armed with small arms, bazookas, and portable flamethrowers, the 5th Cavalry managed to clear the above-ground debris by nightfall, although a few Japanese soldiers remained hidden in basement areas. Ultimately, on March 1, after a failed appeal for surrender, demolitions along with burning gasoline and oil eliminated the last of the Japanese resistance. During this time, artillery, tanks, and tank destroyers relentlessly bombarded the Finance Building from various angles. Eventually, the 1st Battalion of the 148th Regiment would clear the remnants of this building during their final assaults on March 2 and 3. Late on March 3, Griswold joyfully informed Krueger that organized resistance in the Manila area had come to an end. The cost of reclaiming Manila was significant, with over 1,000 Americans killed and 5,500 wounded in the metropolitan area between February 3 and March 3. In contrast, the Japanese suffered approximately 16,000 fatalities in and around Manila. During periods of calm in the fighting, Japanese troops often vented their anger and frustration on the city's civilians, committing acts of violent mutilation, rape, and massacres in schools, hospitals, and convents. This led to the deaths of at least 100,000 Filipino civilians, both from deliberate actions by the Japanese during the Manila massacre and from artillery and aerial bombardments by American and Japanese forces. If you listened to the very first episode of this podcast series, I actually began it with what is known as the Manila massacre. During lulls in the battle for control of Manila, Japanese troops took their anger and frustration out on the civilians in the city. Violent mutilations, rapes, and massacres occurred in schools, hospitals and convents, including San Juan de Dios Hospital, Santa Rosa College, Santo Domingo Church, Manila Cathedral, Paco Church, St. Paul's Convent, and St. Vincent de Paul Church. The Bayview Hotel was used as a designated "rape center". General Yamashita was convicted as a war criminal for the Manila massacre, although Admiral Iwabuchi's marines had committed the atrocities and Yamashita had earlier ordered him to evacuate Manila.  By the end of the Battle of Manila, the public transportation system no longer existed; the water supply and sewage systems needed extensive repairs; the electric power facilities did not function; most of the streets needed repaving; and 39 out of 100 or more large and small bridges had been destroyed, including the 6 over the Pasig River. The University of the Philippines and the Philippine General Hospital were largely irreparable. Lower class residential districts north of the Pasig and upper class apartments south of the river had been destroyed; the Philippine Commonwealth's government's center had been wiped out; the 400-year-old landmark of Intramuros had been nearly razed; severe damage had been inflicted on the economically important installations in the North and South Port Areas; and the industrialized Paco and Pandacan Districts had been badly battered. Many buildings still standing would ultimately have to be torn down as unsafe for occupancy. Millions upon millions of dollars' worth of damage had been done and, as a final shocking note of tragedy, an estimated 100000 Filipino civilians had lost their lives during the battle. However, Manila was officially liberated, marking the end of nearly three years of Japanese military occupation in the Philippines. Following Manila's fall, Krueger aimed to eliminate the Shimbu and Shobu Groups to finalize the liberation of Luzon. Meanwhile, MacArthur deemed it crucial to establish a safe, direct shipping route through the central Philippines to support the creation of large air, naval, and logistical bases on Luzon. Consequently, he instructed the 6th Army to secure southern Luzon and the Bicol Peninsula while also ordering General Eichelberger's 8th Army to seize the islands in the Visayan Passages and the northern part of Samar. To facilitate the southern Philippines Campaign, MacArthur reassigned the 40th and 41st Divisions, the 19th and 34th Regiments of the 24th Division, and the 503rd Parachute Regiment back to the 8th Army. Additionally, he designated the 37th Division to garrison Manila. With the 43rd Division sent south to replace the 40th at Clark Field, Krueger assigned the recently arrived 33rd Division, led by Major-General Percy Clarkson, to take control of the Damortis-Rosario sector. Meanwhile, as the 188th Glider Regiment cleared Ternate Island, Krueger also decided to deploy the 11th Airborne Division and the 158th Regiment to secure the northern shores of the Visayan Passages and open Batangas and Balayan Bays. However, this left only the 1st Cavalry Division and the 112th Cavalry Regiment available for operations against the Shimbu Group, leading Krueger to reluctantly redeploy the 6th Division south to reinforce the 14th Corps, leaving just the 25th, 32nd, and 33rd Divisions under the 1st Corps for operations in northern Luzon. After making these adjustments, Krueger and Griswold began strategizing their offensive eastward against General Yokoyama's Shimbu Group, which had recently received the Noguchi Detachment from the Bicol Peninsula. To ensure the security and recovery of the Manila Bay area, General Patrick's 6th Division was tasked with first capturing Wawa Dam and its pipeline connections, followed by securing Ipo Dam and its related facilities, essential for meeting Manila's water needs. Meanwhile, General Hoffman's 2nd Cavalry Brigade was assigned to secure the Antipolo-Tagig region. Between February 20 and 22, even before the fierce fighting in Manila began to ease, the 7th Cavalry crossed the Marikina River to take control of Taytay and then ventured into the Sierra Madre foothills. The 8th Cavalry followed suit, crossing the river to secure Tagig. On February 23, the 2nd Cavalry Brigade advanced east toward Antipolo, but General Noguchi effectively utilized artillery and conducted small-scale nightly infiltration attacks, successfully harassing and delaying the cavalrymen, who could only measure their progress in feet. Noguchi's effective passive defense meant that by March 4, the 2nd Cavalry Brigade was still a mile and a half from Antipolo, having incurred heavy casualties during this frustrating advance. Among the wounded was General Mudge, who was temporarily replaced by Hoffman as commander of the 1st Cavalry Division. On February 22, the 6th Division also began crossing the Marikina River, with the 20th Regiment fording at Marikina town and the 63rd Regiment crossing at Montalban and San Mateo. Facing no resistance, the 20th Regiment advanced a mile into the steep, grassy hills northeast of Marikina, while the 63rd probed into the high ground east of San Mateo by the evening of February 23. The troops initiated an assault on General Kobayashi's primary defenses at Mounts Pacawagan and Mataba, but made minimal progress before the 1st Regiment arrived from Bataan on February 25. With this new reinforcement, Patrick launched a coordinated attack involving three regiments against Pacawagan and Mataba. However, by March 4, they had only secured a tenuous foothold on the northern crest of Pacawagan, as the efforts of the 1st and 20th Regiments were entirely unsuccessful.   Meanwhile, noticing an uptick in guerrilla activity in the Bontoc and Baguio areas, which indicated a potential major enemy offensive on Baguio, and considering the possibility of an airborne assault in the Cagayan Valley, General Yamashita began reorganizing his forces while preparing the defenses of the triangular redoubt in northern Luzon. He kept most of the 103rd Division stationed in the Aparri and Vigan sectors, assigned the 177th Independent Battalion to secure the naval air base at Tuguegarao, and started organizing eight provisional companies from the remnants of the 2nd Parachute Group at Echague. He tasked the 10th Division with defending the Salacsac-Balete Pass sector to the last man, gathered the remnants of the 2nd Tank Division at Dupax to reform as an understrength infantry division, and relocated the 105th Division to Bagabag, where it would be bolstered by the 10th Regiment. Additionally, he assigned these three divisions to Major-General Konuma Haruo's self-sufficient Bambang Branch, transferred the 19th Division to the Bontoc area to combat the enemy guerrillas, tasked the Hayashi Detachment with holding San Fernando, began moving the worn-out 58th Independent Mixed Brigade north to defend Route 9, and ordered the fatigued 23rd Division to continue containing the enemy in the Rosario-Baguio sector. General Swift's 1st Corps, which had recently lost two divisions, was focusing its main efforts against Baguio. Clarkson's 33rd Division was set to advance north along Route 11, while General Gill's 32nd Division would move northwest through the Ambayabang, Agno, and Arodogat valleys from the south and southeast. Meanwhile, General Mullins' 25th Division planned to launch a holding attack on the Bambang front. However, in mid-February, as Clarkson's forces continued to pressure Japanese troops entrenched along the Hill 600-Hill 1500 ridgeline, they learned that General Sato's withdrawal to the north was already in progress to bolster the San Fernando front. Additionally, the 130th and 136th Regiments successfully cleared the last Japanese forces from the north-central part of the ridgeline by February 22, although they were unable to capture the Hill 600 complex. At the same time, the 32nd and 25th Divisions conducted extensive patrols in their areas, discovering that the Japanese were guarding every approach to the north as various units made contact with Japanese outposts. During this period, the Americans also identified the Baguio-Aritao supply road. Severing this link in the Japanese defensive network would provide the 1st Corps with a significant tactical advantage. Given that the Baguio end of the supply road was more heavily defended and that breaking through to Aritao would threaten the critical Bambang and Bagabag positions, Krueger and Swift decided that the 25th and 32nd Divisions would concentrate their efforts on the Bambang front, while the Baguio front would be maintained in a holding capacity. Volckmann's missions as assigned by 6th Army, which assumed control of USAFIP(NL) on January 13, were to gather intelligence, ambush Japanese patrols, seize or destroy Japanese supplies, disrupt Japanese lines of communication, and block Japanese routes of withdrawal into and exit from the Cagayan Valley. It was not, apparently, initially intended that Volckmann's force would engage in sustained efforts against major Japanese units, and there seems to have been little hope that Volckmann's, or any other guerrilla unit, would ever become effective combat organizations. The most help General MacArthur and Krueger probably expected was in the form of harassing raids, sabotage, and intelligence. But Volckmann--and other guerrilla leaders on Luzon as well--interpreted his missions as broadly as his strength and armament permitted. By the end of February USAFIP(NL) had cleared much of the west coast of Luzon north of San Fernando and also controlled the north coast west of Aparri. Volckmann had rendered Route 11 between Baguio and Tuguegarao and Route 4 from Libtong to Bagabag virtually impassable to the Japanese. Indeed, one of the main reasons that Yamashita moved the 19th Division north had been to regain control over the two vital highways so that supplies could continue moving into the final redoubt. While USAFIP(NL) did not possess sufficient strength to attack major Japanese concentrations or to hold out against large-scale punitive expeditions, it had diverted and pinned down Japanese forces that could undoubtedly have been used to better advantage elsewhere. It would appear that by mid-February USAFIP(NL) had accomplished far more than MacArthur or Krueger had either expected or hoped. Meanwhile, the 121st Regiment secured the highway from Vigan south to Libtong, with Company L capturing Cervantes and pushing the 357th Independent Battalion into the Bessang Pass. Elements of the 121st then shifted their focus to San Fernando, which they attempted to attack unsuccessfully in late February and early March. Following Swift's new strategies, the 33rd Division began patrolling the approaches to Baguio in the last week of February, successfully overrunning the last Japanese positions on Hill 600 and in the Arodogat Valley. Along Route 11, the 71st Regiment executed a successful fighting withdrawal, while American patrols along the coast occupied Agoo and advanced to Pugo with minimal resistance, only to encounter the first sections of the Tuba Trail defended by elements of the 64th Regiment. On the main front, the 25th Division commenced its advance to Puncan on February 21, while the 32nd Division began its push up the Villa Verde Trail toward Santa Fe. The 127th Regiment broke through the trail's outpost line on February 24; the 35th Regiment advanced unopposed along Route 100, reaching Carranglan on February 26; the 161st Regiment targeted high ground overlooking Puncan from the west and successfully secured the trail junction on February 28, diverting the enemy's attention; and the 27th Regiment pushed north along Route 5, facing fierce resistance while clearing the Lumboy area on February 27. On Villa Verde, the 127th Regiment advanced to the Cabalisiaan River crossing by March 1, where they once again defeated the 10th Reconnaissance Regiment. After leaving one battalion to secure the crossing, the 127th continued their advance and encountered the weakened Japanese defenders on March 3. Recognizing the threat to the Salacsac Pass, Konuma promptly sent reinforcements to the 10th Reconnaissance Regiment and ordered General Iwanaka's recently reorganized 2nd Tank Division to prepare for deployment to the Salacsac Pass, taking command of all troops along the Villa Verde Trail. While these reinforcements were en route, the 127th Regiment continued to assault the remaining positions of the 10th Reconnaissance Regiment, ultimately reaching the western entrance of Salacsac Pass on March 5. Meanwhile, to the south, a battalion from the 35th Regiment descended a rugged trail into Puncan from the northeast and secured the heights overlooking the damaged town on March 1. The next day, as patrols entered the deserted Puncan, the rest of the regiment cautiously advanced west along Route 100 from Carranglan, occupying Digdig without resistance on March 3. Over the following two days, organized resistance began to crumble throughout the Lumboy-Puncan area, with Mullins' three regiments successfully connecting at Puncan and Digdig after the encirclement of a 1,250-man enemy force. Concerned about these developments, Konuma quickly decided to bolster the 10th Division with the Takachiho Unit and the majority of the 10th Regiment. Additionally, the 2nd Battalion of the 126th Regiment began its advance up the Ambayabang Valley on February 25, successfully reaching Lawican by March 5. In response to this new threat, Yamashita swiftly directed his reserve 16th Reconnaissance Regiment to secure the upper reaches of the Ambayabang. Finally, to the south, the Americal and 24th Divisions were tasked with initiating operations to secure the Visayan Passages. Consequently, on February 19, the 1st Battalion of the 182nd Regiment landed on Capul Island and launched an assault on Biri Island the next day. After discovering other unoccupied islets near Samar, the battalion established a base at the northwestern tip of Samar, ultimately defeating the last organized resistance in that region by March 1. Meanwhile, elements of the 19th Regiment landed on Verde Island on February 23, managing to secure the island by March 3. The 1st Battalion of the 21st Regiment made an unopposed landing on Lubang Island on February 28, and the 1st Battalion of the 132nd Regiment successfully captured Ticao and Burias Islands on March 3. Additionally, on the morning of February 23, a task force comprising the 1st Battalion of the 188th Glider Regiment, the 1st Battalion of the 511th Parachute Regiment, a Provisional Reconnaissance Platoon from the 11th Airborne Division, several guerrilla groups led by Lieutenant-Colonel Honorio Guerrero, along with supporting artillery, tank destroyers, and amphibious tractors, executed a carefully coordinated rescue of 2,147 internees from an internment camp near Los Baños on Laguna de Bay. The 1st Battalion of the 188th Glider Regiment, commanded by Lieutenant-Colonel Robert Soule, launched a diversionary ground attack from the west, while the majority of the 1st Battalion of the 511th Parachute Regiment crossed Laguna de Bay using amphibious tractors. Company B of the 511th Parachute Regiment parachuted directly into the camp, and the Reconnaissance Platoon along with the guerrillas, who had already infiltrated the area, created chaos throughout the camp. The task force eliminated the Japanese garrison of about 250 guards and managed to escape through enemy-held territory before the Fuji Force could mount a counterattack. The casualties were minimal: only 3 Americans and 2 Filipinos lost their lives, while 2 Americans and 4 Filipinos were injured. However, starting two nights after the raid, the 17th Regiment, along with Kempeitai police and Filipino Ganaps, began terror raids in the surrounding barrios, resulting in the deaths of up to 1,500 Filipino civilians over the next few nights. It was now time to leave the Philippines and return to New Guinea to support the ongoing Australian campaign in Aitape-Wewak. Previously, Brigadier Martin's 19th Brigade had fought its way to Malin and Abau, while Colonel Buttrose's 2/5th Battalion secured Perembil, Asiling, Samisai, and Maharingi. On January 12, Brigadier Moten directed the battalion to initiate a three-pronged offensive toward Luwaite, Bulamita, and Bombisima. The advance was rapid, as patrols encountered only small enemy groups, and all three objectives were successfully captured by the end of January. After the capture of Malin, the 2/8th Battalion and the 2/9th Commando Squadron patrolled the rugged terrain between Nimbum Creek and the upper Danmap for three weeks, facing some resistance on Long Ridge. Due to this pressure, General Aotsu's force received additional reinforcements in the latter half of January before withdrawing to join the defenses of the 20th Division, while General Mano's 41st Division retreated to Balif and Salata. Meanwhile, General Stevens had ordered Brigadier Roy King's 16th Brigade to relieve the 19th at the Danmap, but catastrophic floods hindered the completion of this relief in the south before the month ended. In the north, the 2/1st Battalion took over from the 2/11th Battalion on January 24 and began advancing patrols along Nambut Hill, where they faced significant resistance. Due to these patrols, the Australians launched a company attack on February 4, which the defenders easily repelled. Following a heavy air bombardment, the enemy stronghold was captured on February 7, and another company took McNeil's Creek four days later. Meanwhile, the 2/3rd Battalion initiated an assault on Long Ridge, inflicting considerable casualties on the enemy at Cory's Spur. At this juncture, Stevens decided to sequentially capture But, Dagua, and Wewak, as well as Maprik in the mountains, and to push eastward. The 16th Brigade was the first to advance to Wank Creek and then to the Anumb River. King promptly sent the 2/1st Battalion to secure Nambut Creek while the 2/3rd Battalion moved to the Wolhuk Creek-Una Creek line. By February 18, the 2/1st Battalion had fully secured Nambut Hill, with one company advancing along the coast and pushing the Japanese across the creek the next day. By February 22, the area up to Balam Creek was occupied, and barges had delivered supplies at Wank Creek for four days. The following day, they reached the Anumb River and began patrolling toward Sowom while a sloop bombarded enemy positions along the coast. Finally, on February 28, the 2/2nd Battalion relieved the weary 2/1st Battalion and started preparing for operations against But. Simultaneously, the 2/3rd Battalion successfully established the Wolhuk Creek-Una Creek line and sent patrols northward to connect with both the 2/1st and 2/2nd Battalions. In early February, the 2/5th Battalion launched an attack on Salata, Balif, and Balaga, sending three companies southward. Salata and Bombeta were captured on February 3, followed by Balif three days later, while Balaga remained successfully defended. The 2/6th Cavalry Commando Regiment was tasked with supporting Moten's advance toward Maprik, prompting the 2/10th Commando Squadron to move to Ami. After the Australians secured the Balaga-Numango area on February 13, Buttrose dispatched two companies to capture Barangabandangi and Malahun, which fell by February 17. At this time, the 2/10th Commando Squadron had also advanced northeast of Ami to Walahuta, Kualigem, and Amahaur, resulting in several Japanese casualties. Meanwhile, the 2/7th Commando Squadron conducted patrols deep into the Atob River and the headwaters of the Screw River. The 2/5th Battalion was preparing for relief by the 2/7th Battalion but first needed to fend off a strong counterattack at Malahun on February 23. During the 2/5th's advance, most of the 40th Division withdrew south into a densely populated garden area bordered by the Nanu and Amuk Rivers. This southern flank could not be overlooked as the Australians moved toward Maprik, so Moten sent a company from the 2/6th Battalion to advance through M'Bras, Asanakor, Yubanakuor, and then east to the heavily fortified Sinahau villages, pushing the enemy toward Maprik for destruction. Additionally, a rumor was spread among the locals that the commandos would advance on Maprik via Ami, which successfully prompted the Japanese to reposition most of their forces to the north and northeast. Meanwhile, by early March, the 2/7th Battalion had completed the relief of the 2/5th Battalion and successfully occupied Asanakor on March 7, followed by Inimbi on March 8, Yubanakuor on March 9, and Balangabadabil, Ilahop, and Armimin on March 10. To the north, the 2/2nd Battalion also finished its relief at the Anumb. Additionally, the 2/3rd Machine-Gun Battalion and the 2/9th Commando Squadron took over from the 2/3rd Battalion in the mountainous region. The latter began advancing towards Arohemi on March 4, where they encountered a strong Japanese force that resisted for three days. After a significant airstrike, the Australians managed to clear the area west of the Anumb River by March 9. Simultaneously, the 2/2nd Battalion pushed forward to Simbi Creek, successfully clearing the area and reaching the Ninahau River by March 12. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The battle for Manila is finally over. The capital of the Philippines came at a terrible cost for the Americans, Japanese and innocent Filipino civilians. It would be only a matter of time until the Americans moped up the Philippines and continued onwards to the Japanese home islands.

MG - invitat Ștefan Nanu (Director Trezoreria României)

Garuda Sevai by S.L. Nanu is a captivating Tamil novel that intertwines devotion, tradition, and the cultural significance of religious rituals. The title refers to the iconic ceremonial procession in South Indian temples where Lord Vishnu is carried on Garuda, his divine mount, symbolizing protection and grace. Through a richly layered narrative, S.L. Nanu explores the lives of devotees, the intricate preparations for the ritual, and the emotional and spiritual connections it fosters within the community. The novel beautifully captures the essence of devotion and the cultural heritage of Tamil Nadu, making Garuda Sevai a heartfelt homage to faith and tradition.

Nanu, barfuß im Schnee? 

KA IHE GI NA-ENWU

KA IHE GI NA-ENWU

Aus den roten Holzstücken hat Herr Glücksmann eine Schatulle bauen können. Nun findet er in ihrer Schublade unerwartet einen Brief. Von seinen Eltern – mit einer Wegbeschreibung. Aus der OHRENBÄR-Hörgeschichte: Neues vom Glück (Folge 5 von 7) von Herbert Beckmann. Es liest: Romanus Fuhrmann. ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

Nanu? Fast so traditionell wie unser großer Jahresrückblick ist ebenfalls das durchdiskutieren der Vorkommnisse an Silvester, doch dieses Jahr scheint der große Knall ausgeblieben zu sein. Fast schon müde schleppen wir uns ins neue Jahr, ohne viel Treibstoff, aber dennoch: solide!

Nanu? Was denn da los! Einfach ne neue Folge FLOSCHCAST für eure Öhrchen. Das auditive Wunderwerk startet mit einer Grammy-verdächtige Interpretation eines sehr unbekannten Weihnachtssongs. Im Anschluss folgen drei Horrorgeschichten aus ganz Deutschland, die der Protagonisten sämtliche Nerven geraubt haben. Es wird geflucht und gebangt. Geht am Ende alles gut aus? Ferner kommen die Hörer dieses Formats in Kontakt mit psychologisch relevanten Gedankenergüssen der Künstlerin. Die Darbietung mündet schließlich in einem Appell an Osches Untermieter und einer Verlosung für alle treuen Fans, die es bis hier durchgehalten haben. ++++GEWINNSPIEL VORBEI. GEWINNER WURDE BENACHRICHTIGT++++ Wenn ihr zwei Tickets für die ausverkaufte Aufzeichnung der neuen Staffel "FALSCH, ABER LUSTIG" am 15. Januar in Berlin gewinnen wollt, dann beantwortet einfach die Frage am Ende der Folge bis zum 25.12.2024, 01:00 Uhr. Entweder per Insta (florentine_osche) oder Mail (florentine.osche-booking@gmx.de). ++++GEWINNSPIEL VORBEI. GEWINNER WURDE BENACHRICHTIGT++++ Viel Glück und wunderschöne Feiertage! I love you

Nanu, was steckt denn da in meinem Stiefel? Eine Zeitungsannonce. Und... Ist das etwa... Ruben Oskar Auervaara? Der OG Tinder Swindler!?? Ne, das kann nicht sein, nach dem sind in Finnland doch diese ganz speziellen Scams benannt, der ist doch viel zu berühmt. Viel Spaß!

MG - Ștefan Nanu (Ministerul Finanţelor) & Radu Atanasiu - profesor de Gândire Critică

Gott befahl Abraham, seinen Sohn Isaak zu opfern. Nanu? Verlangt Gott ein heidnisches Menschenopfer? Nein, vielmehr hatte das einen tieferen Grund. Isaak überlebte natürlich. Tatsache ist jedoch: Wenn Gott die Beziehung zu uns vertiefen will, verlangt er zunächst etwas Herausforderndes von uns. Gehen wir auf ihn ein, gelangen wir auf eine höhere Ebene des Segens. Dann unterscheidet sich unser Leben von dem der Masse. Pastor Gert öffnet die Bibel und schaut nach, wie das zugeht. Wichtige Bibelstellen: 1 Mose 22 1 Mose 17,19 (2 Chronik 3,1) Johannes 8,56 Jakobus 4,8 1 Petrus 3,7 Kolosser 3,21 Epheser 6,4 Lukas 16,1-13 2 Mose 3,4 Unser Spendenkonto, falls Sie uns unterstützen möchten: Delta Christl. Dienste e.V. (Vorstandsvorsitzender: Gert Hoinle) DE13 7935 0101 0000 8235 91 BYLADEM1KSW Paypal? Klicken Sie hier zwecks QR-Code: https://www.delta-edition.de/WPVersio... Oder an: Spende@OnlineKirche.org Spendenquittung? Bitte Namen und Adresse angeben.

Dr Zara Nanu MBE grew up in Moldova and she thought she'd work in education - however her path took her more towards social justice. But then she discovered something she knew she had to change.   She learned that while predictions show we'll be driving driverless cars in just a few decades, it will take more than 217 years to close the Gender Pay Gap.   Zara knew she had to do something about this – I'll let her tell you what, but it meant she entered the world of tech - which she said she knew nothing about. And as with all Next Chapters there were many ups and many downs. She pitched to investors more than 100 times and didn't raise a single penny and on top of this she was mistaken for a waitress at some of these events. But Zara carried on and today her work is helping women all over the world. She's now one of the leading voices in the world about gender equality, she's been awarded an MBE and she sits on the Women's Leadership board at Harvard University.     If there was ever anyone, I'd feel intimated by doing my first live event it would be Zara. But this couldn't be further from the truth. She's humble, open and so honest. We talk about her own imposter syndrome (especially when she's at the Harvard Leadership Board next to Emmy winners), the importance of keeping going and how she's dealt time and time again with knockbacks. Zara believes if we really open ourselves to our possibilities and the power we all have inside of us - anything is possible and we really all can create the change we need.   For more about Dr Zara Nanu MBE: https://www.linkedin.com/in/zara-nanu/?originalSubdomain=uk   To learn more about our wonderful hosts Setsquared and The Engine Shed you can find them here:  https://www.setsquared.co.uk/   https://engine-shed.co.uk/

MG - invitați Ștefan Nanu (Director Trezorerie) și Mircea Geoană

Hallo an alle Cineasten und sonstige Film-Fans! Nanu? Kein Kapitel? Richtig! Manu und Michel besprechen hier in nettester Art und Weise den ersten Herr der Ringe Film. Jedoch nicht den ganzen, sondern nur circa, roundabout die Hälfte. Das macht allerdings sehr viel Spaß und es ist auch mal lustig. Und dieser Film gefällt auch und lädt zum Erinnern ein. Hört selber rein und genießt diesen Ohrgenuss! Viel Spaß

Nanu, was wächst denn da aus der Tür? Jule und ihr Kumpel Schlauschwein Sparky entdecken eine geheimnisvolle Tür und finden sich wieder in einer Welt mit Glitzerpferden mit Hörnern, Hasen mit Entenflügeln am Rücken und Geweihen am Kopf und riesigen Ungeheuern im See. Heute geht's um Fabelwesen. Wo kommen diese Geschichten eigentlich her? Woher kommen Meerjungfrauen und gibt es das Monster von Loch Ness wirklich? All das finden die beiden heute mit tatkräftiger Unterstützung der beiden Biologen Katharina und Parm vom Museum für Naturkunde Berlin heraus. Wollt ihr noch etwas wissen, über alles was stampft, krabbelt, blubbert und fliegt? Dann her mit Euren Fragen! Dann her mit Euren Fragen! Schickt uns eure Frage als Sprachnachricht an 0176 - 921 362 08 oder eine E-Mail an sos@mfn.berlin. Sprecher:innen: Jule Kaden und Tolga Akar Autorin: Jule Kaden Redaktion: Lena Günther und Jule Kaden Sounddesign: Florestan v. Tschammer Eine Produktion der Auf die Ohren GmbH.

Ciolacu, clarificări pe Tik-Tok despre bacalaureatul său: „L-am luat cu media 7.03” (G4Media) - Concluzia după o vară cu secetă istorică: nu mai putem face agricultură ca până acum. Ce și cum vom cultiva pe viitor (Panorama) - Emil Boc, primarul de decenii al Clujului, a administrat defectuos proiectul pentru metrou şi a pierdut banii din PNRR. Este metroul o pălărie prea mare pentru o primărie? (Ziarul Financiar) Ciolacu, clarificări pe Tik-Tok despre bacalaureatul său: „L-am luat cu media 7.03” (G4Media)După ce a fost ironizat că nu poate oferi detalii despre anul când a susținut examenul de bacalaureat și nota obținută, premierul Marcel Ciolacu a postat un clip pe rețeaua Tik-Tok în care afirmă că și-a căutat „diplomele”, explicând că și-a susținut examenul de bacalaureat în urmă cu 38 de ani și „l-a luat cu media 7.03”.El adăugat că și-a găsit și diploma de licență, iar media obținută a fost 9, scrie G4Media.Conform datelor din CV-ul afișat public, Marcel Ciolacu arată că în perioada 1991-1995 a urmat „Facultatea de Drept” din cadrul „Universității Ecologice” din București, finalizată cu „licență”.De asemenea, Ciolacu menționează „studii postuniversitare”, în anul 2004, specializare „Management şi finanţare locală”. Bacalaureatul lui Marcel Ciolacu și perdeaua de fum a bășcăliei (SpotMedia)Subiectul mediei de bacalaureat a lui Marcel Ciolacu dă măsura derizoriului politicii românești, comentează Ioana Ene Dogioiu.Educația unui înalt demnitar ar trebui să fie relevantă. Când te uiți la CV-urile premierilor din țările occidentale vezi numai universități de top, a căror absolvire dă garanția unei minți educate, organizate și antrenate.Liderii români cu școală multă și serioasă sunt puțini, tot mai puțini. CV-urile din politica românească sunt cel mai adesea etalări de studii făcute târziu, prin cine știe ce fabrici de diplome, de doctorate dubioase, nule valoric dacă nu de-a dreptul plagiate.Și asta se vede din momentul în care impostorii deschid gura, agramați, fără proprietatea termenilor și incapabili să urmărească o idee.Dar dacă e așa, este pentru că asta este exigența majorității electoratului, care la rândul său nu dă doi bani pe educație.Așadar, Marcel Ciolacu nu face excepție. Jurnalista SpotMedia atrage atenția că cel mai mare câștig pentru Marcel Ciolacu și PSD este că tema superficială și fără finalitate distrage atenția de la chestiuni cu adevărat importante, efecte inclusiv ale educației precare a clasei politice și a clienților politici promovați de ea.Deci cât ne ocupam cu nota de la bacalaureat, mai puțin despre deficit, inflație, creșterea economică mai puțin decât simbolică, avantajele rău platnicilor, condițiile lamentabile în care reîncepe școala și multe altele, ratarea primei propuneri de comisar european și mica anvergură europeană.Temele parazitare le eludează pe cele care ar fi cu adevărat relevante într-o campanie, mai ales una cum n-am avut de 20 ani, adică și prezidențială, și parlamentară. Eludează lipsa unor autentice proiecte pentru România, cele care chiar ar da măsura valorii intelectuale și a studiilor. Concluzia după o vară cu secetă istorică: nu mai putem face agricultură ca până acum. Ce și cum vom cultiva pe viitor (Panorama)Seceta și temperaturile extrem de ridicate au pârjolit anul acesta culturile de pe circa 2 milioane de hectare, un sfert din totalul cultivat la nivelul întregii țări. Fermierii vor fi despăgubiți de stat, dar sumele pe care le vor încasa la toamnă nu le vor acoperi nici măcar jumătate din cât au cheltuit pentru culturile calamitate.Pentru că arșița a început încă de la finalul primăverii, iar cele mai mari temperaturi s-au înregistrat în perioada polenizării, nici în culturile irigate situația nu e grozavă. Plantele fie au produs mult mai puțin față de anii din urmă, fie deloc.„Fasolea nu are nici boabe, nici păstăi, mazărea a avut rezultate proaste. Nu mai corespund acestor condiții climatice. Pe partea de pomi fructiferi, din zona de sud a țării dispar, ușor-ușor, specii care altădată erau reprezentative: piersicul, caisul. Cireșul, vișinul efectiv au fost arși, le-au căzut frunzele și acum pornesc din nou în vegetație. Nu știu dacă vor rezista”, spune, pentru Panorama, Ștefan Nanu, director adjunct științific la Stațiunea de Cercetare Dezvoltare pentru Cultura Plantelor pe Nisipuri, Dăbuleni. Pentru că nu se așteaptă o îmbunătățire a condițiilor meteo în anii ce vin, de mai multă vreme, la Dăbuleni se testează și alte specii. „La plante legumicole, testăm cartoful dulce de patru-cinci ani. Tot la Dăbuleni, cercetătorii testează și specii exotice: au mers bine curmalul chinezesc, kaki, banana nordului, migdalul sau chiar fisticul. „Va trebui să adaptăm și tehnologiile de cultivare”, explică Ștefan Nanu. În plus, fiecare picătură de apă trebuie cheltuită cu chibzuință. „Irigatul ar trebui gândit ca o vestă de salvare, nu să facem cultura cu aport de apă de când o punem în pământ și până la recoltare. Dacă sistemul de irigat funcționează la capacitate maximă, probleme vor apărea pentru că nu ne mai ajută clima deloc”, avertizează fermierul Aurel Goțea.  Emil Boc, primarul de decenii al Clujului, a administrat defectuos proiectul pentru metrou şi a pierdut banii din PNRR. Este metroul o pălărie prea mare pentru o primărie? Metroul este cel mai mare proiect de infrastructură din istoria Clujului, unul de 2,2 miliarde de euro pentru proiectare şi execuţie, care acoperă 19 staţii şi 21 km (Ziarul Financiar)Termenul pentru realizarea magistralei de metrou este de opt ani, din care unul este pentru etapa de proiectare, iar restul pentru execuţie. Contractul pentru realizarea metroului din Cluj-Napoca a fost semnat în mai 2023 de primarul Emil Boc.Premierul Marcel Ciolacu a declarat la începutul săptămânii că proiectul metroului din Cluj ar putea avea finanţare şi din alte surse, existând şanse ca cei 300 mil. euro din PNRR destinaţi proiectului să nu mai fie plătiţi. Pe de altă parte, proiectul metroului costă 2,2 miliarde de euro, iar banii din PNRR nu reprezintă nici 15% din valoarea acestuia, scrie ziarul de business.

Nanu, was ist das? Wenn ihr mit Google Maps über das Firmengelände von Apple fliegt, werdet ihr staunen. Wir zeigen euch, was ihr zu sehen bekommt.

Nanu, was ist das? Wenn ihr mit Google Maps über das Firmengelände von Apple fliegt, werdet ihr staunen. Wir zeigen euch, was ihr zu sehen bekommt.

Nanu, was ist das? Wenn ihr mit Google Maps über das Firmengelände von Apple fliegt, werdet ihr staunen. Wir zeigen euch, was ihr zu sehen bekommt.

Hour two we read a story involving volleyball and how there's hopes the Olympics will spark some interest for a new league starting.  The Valvanos are intrigued by a USA-China match.  Bob takes a look at previewing tonight's TBT match-up and analyzes who needs to have a big night for The Ville.  Bob thinks it may not be as easy as Nanu just getting the ball.  We watch some archery and learn about which countries aren't competing under their flag this Olympics.  See omnystudio.com/listener for privacy information.

Nanu, was ist das? Wenn ihr mit Google Maps über das Firmengelände von Apple fliegt, werdet ihr staunen. Wir zeigen euch, was ihr zu sehen bekommt.

Real Madrid schlägt den FC Bayern München in der Champions League der Männer mit 2:1 und zieht ins Finale ein. Die Frauen des FCB verlieren indes das DFB-Pokal-Finale gegen den VfL Wolfsburg mit 0:2. Der analytische Blick auf eine bittere Woche.

Nanu? Eine Niederlage? Das kam eher unerwartet, wobei das 1:2 in Bremen weder unverdient noch völlig unmöglich war. Wir reden darüber, warum der VfB an der Weser nicht an sein Limit kam, warum Schiedsrichter und VAR uns nicht wohlgesonnen waren und wie unsere Chancen gegen den neuen deutschen Meister stehen. Ansonsten ist es eher ruhig, also diskutieren wir ein paar Personalien, blicken voraus auf den Saisonendspurt und widmen uns zum Abschluss den anderen VfB-Mannschaften und den Leihspielern.  Bitte entschuldigt. dass die Folge erst einen Tag nach der Aufnahme raus kommt. Zeug und so. Ruhe in Frieden, Seba! Registriert Euch bei der DKMS! Die Themen im Überblick 00:00:46   Begrüßung 00:01:19   Aktuelle Themen 00:09:22   Das 1:2 in Bremen 00:51:47   Die Lage nach dem dreißigsten Spieltag 01:01:33   Rund um die anderen VfB-Mannschaften & VfB Stuttgart loan army Werdet Teil des Podcasts! Wir suchen auch in dieser Saison wieder VfB-Fans, die mit uns über den Brustring reden wollen. Meldet Euch über die bekannten Kanäle! Rund um den Brustring unterstützen Wenn Ihr uns finanziell unterstützen wollt, könnt Ihr das entweder über Patreon oder PayPal tun. Das Geld nutzen wir, um die laufenden Kosten zu decken und Rund um den Brustring weiter zu entwickeln. Schon kleine Spenden helfen uns. Alle Infos findet Ihr hier. Wenn Euch unser Podcast gefällt, gebt uns gerne Feedback dazu, sei es auf Facebook, Twitter, Instagram oder eben in Form einer positiven Bewertung und ein paar netten Worten auf Apple Podcasts oder Spotify. Wir freuen uns natürlich auch, wenn Ihr uns ganz altmodisch offline weiterempfehlt! Danke an: Ron für neue Intro und Outro. Wie gefällt es Euch?

Morning Glory - 8.04.2024 - ȘTEFAN NANU + VALERIU NICOLAE

Komm mit auf die Schmusedecke, denn da ist immer etwas los! Der Marienkäfer hat keine Punkte mehr. Die Maus hat sie sich geliehen, weil ihre Käsebälle verschwunden sind. Nanu, was machen die Käsebälle denn beim Bären? Das weiß der Hund am besten. Das Sandmännchen hat dir aber nicht nur diese Geschichte mitgebracht, sondern auch noch Das Kinderlied "Sonnenkäfer" von Lena Bender.

Super Bowl 58 between the San Francisco 49ers and the Kansas City Chiefs will bring you the Superbowl halftime UFO / Flying Saucer Squarespace,  @squarespace  , commercial from Martin Scorsese, and we will bring YOU news on what is going on with the UFO / UAP phenomenon, The Pentagon, and Congress, plus breaking news on the UFO / UAP think tank, The Sol Foundation.Join us immediately following the Superbowl as we sit down with Sean Cahill, a former Chief in the United States Navy, who was witness to the infamous Tic Tac UFO incident on the USS Nimitz, to discuss the Congressional legislation by Senator Chuck Schumer and Senator Mike Rounds, whistleblowers Lue Elizondo and David GruschWith an impressive background spanning two decades of service from 1995 to 2015, Chief Cahill was entrusted with critical missions ranging from anti-terrorism and anti-piracy operations to interrogation and investigations. Having retired from the US Navy in 2015, he brings a wealth of experience and insights to our discussion. Chief Cahill is a highly respected veteran, co-founder, and strategic advisor for Skyfort.org, a renowned think tank, and tech incubator focused on UAP (Unidentified Aerial Phenomena) studies and raising awareness. The Good Trouble Show: Linktree:  https://linktr.ee/thegoodtroubleshowThreads:  @TheGoodTroubleShowPatreon: https://www.patreon.com/TheGoodTroubleShow YouTube: https://www.youtube.com/@TheGoodTroubleShow Twitter: https://twitter.com/GoodTroubleShow Instagram: @goodtroubleshow TikTok: https://www.tiktok.com/@goodtroubleshow Facebook: https://www.facebook.com/The-Good-Trouble-Show-With-Matt-Ford-106009712211646Become a supporter of this podcast: https://www.spreaker.com/podcast/the-good-trouble-show-with-matt-ford--5808897/support.

Morning Glory - 21.02.2024 - Alin Vaida, Ștefan Nanu

Listen to Sadhguru singing 'Ye Teeruga Nanu' - the ​famous keerthana (song), composed almost four centuries ago, by​ Bhadrachala Ramadasa,​ ​a renowned devotee of Rama​.  Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

Listen to Sadhguru singing 'Ye Teeruga Nanu' - the ​famous keerthana (song), composed almost four centuries ago, by​ Bhadrachala Ramadasa,​ ​a renowned devotee of Rama​.  Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

From loveable E.T. to the horrific Xenomorph, aliens have been a ubiquitous topic in pop culture, and a way, through a lens, to explore aspects of our own humanity.Nanu nanu!!Today's root beer is Zuberfizz.Intro and Outro music by Stockmusic331 on Pond5

Morning Glory - 28.11.2023 - ȘTEFAN NANU & DR. GABRIEL GORUN

Nanu, ein Podcast unter zwei Stunden? Ich will mein Geld zurück!! (Trotzdem wünschen wir euch viel Spaß mit unseren Podcast-Gesprächen zum Microsoft-Deal, der PS5 Slim, Lords of the Fallen, Lies of P und Gunbrella...) Unterstützt uns auf Patreon: https://www.patreon.com/hooked Oder auf Steady: https://steadyhq.com/de/hooked Besucht uns auf YouTube: https://www.youtube.com/channel/UCPysfiuOv4VKBeXFFPhKXyw Oder schaut auf Twitch vorbei: http://www.twitch.tv/hookedlive Tretet unserem Discord bei: https://discord.gg/43s86KM Timestamps: 0:00 - Intro 6:43 - Der Microsoft-Deal ist durch 17:08 - PlayStation 5 Slim angekündigt 24:39 - Peter Molyneuxs neues Projekt 32:01 - Earth Defense Force 6 für Westen angekündigt 35:05 - Werbung: Audible.de/hooked und Amazon-Affiliate, getshirts-Shop, Video-Empfehlungen 36:41 - Gunbrella 44:08 - Lords of the Fallen & Lies of P 1:06:59 - Die Podcast-Produzent*innen

Nanu nos cuenta que y quienes son los inservibles!TikTok:https://www.tiktok.com/@amimeimporta.podcastYouTube:https://www.youtube.com/@solcarlosofficial

Wir feiern! 30. Folge Hartmetall & 20 Jahre „Götter auf Abruf“! Nanu, das sagt euch nichts? Fehler! Die Band Letzte Instanz aus Dresden hat sich Ende der 90er Jahre erfolgreich während ihrer Sturm und Drang Zeit aus dem Folk-Rock hin zu einer unberechenbaren Cross-Over Perle entwickelt. Das letzte Album mit dem damaligen Sänger Robin erschien auf den Tag am 20.09.2003. Kurz danach fiel die Band auseinander, bevor sie sich Ende 2005 neu formierte. Wir blicken in dieser Folge mit unserem Stargast Sebastian Lohse aka Robin auf die spannende Zeit zurück.

The Mackie DLZ Creator is out, and after taking some cues from Rode, they have a pretty good piece of kit on their hands. George had a chance to catch up with its creator at "Podfest 23", so took the opportunity to record a chat about some of the more interesting features and some of the ideas that sparked its creation. See it here: https://mackie.com/intl/products/livestreaming-podcasting/dlz/dlz_creator.html A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson    Summary In this episode of Pro Audio Suite, the team invites listeners to take advantage of a $200 off tribooth offer and encourages likes and ratings. Key part of the episode is George Wittam's experience at Podcast Movement in Denver, where he met Matthew Heron, the product manager and designer of the Mackie DLZ, a digital podcast mixer. Heron discusses the user-friendly and versatile features of the mixer, including three distinct user modes (beginner, intermediate, professional), auto mix functionality, full dynamic processing, and more. Despite its similarities with the RODECaster model, the Mackie DLZ showcases its unique design ideology. This episode also ponders on what additions Rode might introduce in their firmware updates. The mixer's integrability into an AV media production suite and its future updatable platform are other highlighted features. The team ends the podcast with anticipation of discovering the significance behind the three letters in 'DLZ'. #ProAudioSuite #PodcastTech #RoadcasterInsights    Timestamps [00:00:00] Pro Audio Suite: Introductions and Special Offer Code   [00:01:08] Exclusive Interview: Matthew Heron and Mackie's DLZ at the Denver Podcast Movement     [00:02:58] Exploring the Multifunctional DLZ Digital Podcast Mixer         [00:05:21] The DLZ Advantage: Auto Mix Features and User Guidance   [00:08:52] DLZ's Promote Channel View and Dynamic Processing Capabilities     [00:11:17] Comparing the DLZ with the RODECaster Model        [00:12:22] The RODECaster Pro Two: Master Fader and Dedicated Automix     [00:19:49] DLZ in Home Studio: Setting up a Monitor Mix     [00:23:22] Exploring the DLZ's Specifications and Inclusions       [00:25:15] The DLZ as a Future Updateable Device    [00:26:36] Final Words and Outro: Stay Ahead of the Game     [00:26:52] Closing Thanks and Provide Tech Support Invitation    Transcript Speaker A: Y'all ready be history.,Speaker B: Get started.,Speaker C: Welcome.,Speaker B: Hi.,: Hi.,Speaker B: Hello, everyone, to the Pro Audio Suite. These guys are professional and motivated with tech.,Speaker C: To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com line up.,: Learner.,Speaker B: Here we go.,Speaker C: Welcome to another Pro audio suite. Don't forget, if you want to get yourself a tribooth, use the code tripap 200 and you'll get $200 off your tribooth.,Speaker A: And don't forget, also yes, we need some likes and ratings and comments.,Speaker C: Yes, tell us how much you love us.,Speaker B: Give us where's the best place to do that?,Speaker A: Well, I'll tell you what, look in the show notes and I'll stick a link there. That's the best way.,Speaker B: Okay, got it.,Speaker C: Or just give us a comment on your favorite platform. Wherever you listen.,Speaker B: Exactly.,Speaker C: That'd be very handy. Now, George, a couple of weeks ago you were in Denver, colorado, I should say Nanu. Nanu. But that's boulder, very cryptic. Human this morning. And you were at the podcast movement.,Speaker B: Yes, I was.,Speaker C: And you bumped into someone over there. But before we get to the interview you did with the product manager of the new Mackie DLZ creator, you had a bit of a look at that and we're looking at it now. It looks very Roadcaster to me.,Speaker B: Yeah, well, everything that's followed since the roadcaster has looked very RODECaster because they literally invented a category.,Speaker A: Talk about setting a design standard. Good on your road there, you yeah.,Speaker B: Yeah, they're the big dogs still. I mean, for sure. I was at Podcast Movement in Denver, and I was there partially supported and sponsored by BSW, the dealer, Pro Audio dealer here in the US. And they brought along a rep from Road to be with the booth. So I was hanging out with Road and BSW, and of course, there were other vendors there as well, including Mackie. So I had a moment to sit down or stand and take a little interview in with Matthew Heron. He's actually the product manager. And what's really cool is he's not just a sales guy, he is the designer of the DLZ.,Speaker A: Oh, wow.,Speaker B: So you'll hear him explain when and why the thing came to be, and he gets into a bit of detail. He talks very fast because there's a lot to cover in the short amount of time. But, yeah, it's a very impressive piece of kit, as we like to say.,Speaker A: Well, let's have a listen.,: Hey, everybody. It's George, the tech at Podcast Movement. And I've made my way finally over to Mackie and we're getting an interview here with Matthew before it gets too noisy in here and he's going to show us his baby. What do we got?,: Matthew well, we're here today. We've got the brand new DLZ creator. We launched this back in May and we've been working on this thing for about two and a half years. So that's what I kind of a lot of people learned how to make sourdough over COVID and I decided to design a mixer. We're here with it and we're really excited about this. I think there's definitely some highlights. Obviously this is a digital podcast mixer. You can use it for live sound, but it's really designed for podcast use, case streamers folks that are creating content, right? Mackie's been behind the content creator since 1989 only it used to be grunge, long hair and flannel. But today it's podcasters, it's unboxing toys, right? It's things like that. That's what people want to do. And so what we're trying to do is democratize audio, make it easier no matter what your experience level. So how we've done that is we've put three distinct user modes in one product and what this effectively does is allows you to work however comfortable you are. If you're brand new, you've never done anything. We have an easy mode that hides almost every parameter from you and allows you to just kind of have a preset based workflow because it's very easy to load which microphone you're using right now. We also have an enhanced mode. This is very similar to other products you'll see in market. There's a lot of competitors out there, but it's going to be the feature set that a lot of folks are comfortable with. If you're coming from a RODECaster, for example, in pants, mode is going to be very comfortable for you. And then finally we have a Pro mode and what that does is that kind of goes back into Mackie's. Our back end Master Fader is a really good example of a pro product that we put out for many years. But we wanted to have all the features that you imagine. So just to jump into easy mode fairly quickly, I'll just kind of show you the channel view. We made it as easy as we possibly can. You're loading a preset for the channel. We've got our Em 99 B microphones. So you can just pick the microphone you're using and load it right up. We also have the SM Seven B and many other a little bit more generic microphone as well. Right? Plenty of choices, right? The easy customer could then label the channel. Right, we want to change the color. Let's make it blue. Let's go ahead and put a little person in there, right? We can do that. That changes the color. Yeah, there's a Scribble strip as well, so we can label it as well. So we can call this one Joe, for example. This is Joe's Mic. I'm doing it upside down so I'm a little slower than I'd normally be, but it's Joe's Mic and it's a digital product and I'll be quite honest I've worked on analog consoles, and I love board tape. It's kind of a fun, tactile thing. But I'll be honest, if you have a digital console, there's no reason you shouldn't be able to label it digitally, right. Put in the name, color, icon, that sort of thing. And that's really been true for Mackie since the DL products.,: Tell us about Auto Mix, because that is something that really stands out.,: Yeah, let's do it. Yeah. So if you are brand new, right, we can help you set up the channel very easily. But we also have auto mix. What this really does is allows you to do it's kind of based on Dugan style gain sharing, right? So each microphone, if there's no signal present, it doesn't get any gain. But if there is signal present, it gets all the gain. And what this does is this helps it helps reduce feedback from other microphones because they're not live. It helps reduce noise because those other microphones aren't live at that point in time.,Speaker A: Right.,: So really, it just helps clean up the whole system. Another huge benefit is when people talk over one another. Now, you could ride the faders, and that's something that you can do, and a lot of people do do. But if you don't want to do that, this is a really great feature. You can just have everybody set to medium and you're all sharing gain. So if you talk over one another, it'll reduce the overall volume and you can hear everybody as opposed to everyone talking over one another.,: For me, that's important because I host a show and I'm the sound engineer. So riding the faders and being engaged in a conversation, you can't really do it well. The Auto Mix clears up cross talk between channels. We use condensers, so it really cleans up a mix. When you have Auto Mix set up.,: Yeah, it's really helpful. And we've actually gone one step further, and we actually added in these priorities. And what that does is it allows you to set priority. So you're talking about being the host. As the host, you could set your priority to high. And what that will do is that will allow you to be the loudest no matter what. So if you're running a political podcast and, you know, the people might talk over one another or they might get a little argumentative, you can always set yourself to just one level higher. And what that will do is that way you can come in and go, hey, guys, we got to take a commercial break, or what have you. You can kind of help control the conversation a little bit more easily, a.,: Little bit like ducking.,: Sort of similar to that framework. Yeah. But when you combine it with the Auto Mix yeah. It becomes very powerful. Like I said, that's our easy mode. And one step further on, the easy mode, which is kind of cool, is we have this setup assistant. This will literally walk the customer through everything you need to do to get the mixer set up. Tells you to push up the channel faders. We know that if you've been in the audio industry for a long time, you have to push up the channel faders to get audio to pass through the mixer. That's not in apparently obvious to a brand new user. Why do I have to push those up? Well, you need to and so we tell the user to do that. We have them plug in their headphones. We then pipe audio to the headphones and allow you to turn up each headphone to whatever level feels most comfortable. And I'll be honest, I got my start in tech support. So we built tech support in headphone help, right?,: We were saying before, the reason this product is so good is because you came from support. You understand we're all the issues are and you designed it right in, right.,: So we put in a lot of places where people do have pain points. We hope to eliminate those pain points. Same thing with the microphones. We help you set up the microphones, tell you where to plug in the microphones. We go ahead and say, hey, here's your microphone. One, you can kind of select the microphone by picture also, so if you know what your microphone looks like, you can kind of get going. Also, we have automatic gain setting. So for each one of the microphones you don't need to know how to set gain. You can press listen and set for me. And depending on how far you are from the microphone, how strong your voice is, how much gain your microphone really needs, we will go ahead and automatically set that on the back end. The mixer is smart enough to do that for you. Also, again, microphone help. Aren't you not hearing anything? Try some of these suggestions.,: That's great. They're going to learn a lot. I bet if they want to, they'll learn a lot about engineering from going through all that.,: Absolutely.,: Going to be familiar with all the functions and the inputs and they'll learn terminology and stuff.,: Yeah, awesome. Yeah. And then like I said, in Promote, we'll jump straight to promote. And obviously in Promote, I'm going to go ahead and turn off set up assistant right now. But in promote it's in the no holds barred, right? So we go into a channel view. You have full dynamic processing. You have access to 48 volts fan power, independent delay and reverb sends pan control. Also, we hide pan from our beginning users because they're only going to hurt themselves with it. And again, full EQ, full gate, full compressor, DeEsser, all the stuff that you would expect in a full dynamic digital mixer like this without any limitations. Now, the other really cool thing about it, we took a lot of time to figure this out, but all of this is nondestructive. So what's really cool is a pro. If you have this product, if you have multiple users that have different experience levels, everyone can benefit from the same product. A pro can jump in, set up all the channels, get it all absolutely dialed in with all of the processing, switch it over into easy mode, hand it off to their brand new user, and that brand new user will get access to all that cool processing, but it's been hidden from them so they don't get lost. And it's completely nondestructive.,: I can tell somebody to get this.,: Yes.,: I can set up all that stuff in pro mode. It's locked away in easy mode and they can't mess anything up.,: Exactly. And it hides it all from them. And the cool thing is, too, is you can load them a preset specifically for their voice and name it, and then they can just load that preset. So it's really, really flexible in those situations. And like I said, whether you're growing with a mixer, you're brand new and you want to grow to become a pro, or if you have a situation where this is going to be put in a studio and the studio is going to be used by both pros and people that have no idea, it's really a lot more flexible. And what it does is it helps avoid what I call smear. And so a lot of times you see consoles in this category, and what they'll do is they'll be kind of easy, sort of easy to use, but they're not quite easy enough for someone who has no idea what they're doing. And then a pro will get in there and they'll say, well, yeah, I have those controls, but they're kind of clunky or they're difficult to use. And so what we really try to do is make it happy for both users. And what that means is actually separating out those user modes into two distinct interfaces.,: Yeah, it's a beautiful product. I'm looking forward to banging on it a little bit and giving you some tests and trying it out in the real world. And congratulations on the launch. It's a beautiful product. Thanks so much. We'll talk again another time when we have less background noise. Maybe we can do sort of a from home zoom session together and really talk a little deeper about product design. I think that'd be a lot of fun.,: I think that'd be great.,Speaker B: All right.,: I really enjoy it.,: Thank you.,Speaker A: So, without knowing too much about this thing, George, as we mentioned before the interview there, it is very much a roadcaster I won't say ripoff, but very much based on the RODECaster model. Right?,Speaker B: Yeah. He was very clear that this was something that he had seen, they had seen, the whole industry saw. And so it was time that Mackie throw their hat in the ring and he spent the majority of the pandemic developing it. So when it came out it came out recently, I think it came out after the RODECaster Pro Two because it did just release like in the last couple of weeks. And so it feels even more like the RODECaster Pro Two, as you could imagine. But they still threw at it some of the Mackie kind of design ideology, which is, I mean, obviously the road is designed to be easy, but these guys took it to another level of being easy, I think. Well, the first thing that really wanted to be friendly yeah, well, the first.,Speaker A: Thing that strikes me and the first thing I said to you when we were talking about this before the show is it's got a master fader, which is interesting in and of itself.,Speaker B: I know it does.,Speaker A: Yeah.,Speaker B: Right. So whereas Rhode chose to condense the thing down a little bit smaller and lose things like a master fader, mackie, I think, wouldn't dare lose that fader. And I should have asked him about it, but I didn't think to. But he didn't dare lose it because it's an audio mixer in the world of Mackie, like, you always have a master fader.,Speaker A: Yeah, well, if you don't have one, you're going to create one anyway. You're going to dedicate one to being a master fader. It's somewhere along the way, surely.,Speaker B: Probably, yeah. That is one of the things that Rhode clearly chose to leave out because they felt like it's not needed for what people are using it for. But Mackie chose to leave in but what Mackie did, which she explained really know in the audio, was that it really is a tool that will suit total newbies and beginners to professionals. And the way they do it is by having three different types of user experiences beginner or easy, sort of a medium or moderate. And then the full on Pro. We didn't look at the moderate version. He kind of gave me a good overview of the beginner version and the pro version. But the beginner version, it literally has a wizard and it walks you through very much a step by step process of how to get your show set up on the mixer, even to the point of setting levels for you and all that stuff.,Speaker A: So these are just different softwares in the same box? Or are these completely different products, though, like the beginner, the intermediate and the professional?,Speaker B: In the world of firmware, it's all software, right? Basically whatever you want to show on that screen is what the experience is going to be. Right. So they have the easy mode and then I think when you first power the unit on default, it's going to start in easy mode. So it has a very simplified interface. It doesn't get into notch filters and thresholds. It's very simplified. It has a ton of presets for different microphones. It will set the gain for each of your microphone sources by listening to the source and then setting the gain for you. And then it gets you started very easily. And then it also has a dedicated automix, which he talked about. It's the Dugan Automix, which is very much a trademark kind of patented system. But they're not using in the branding and in the design. They're not infringing theoretically on any patents because it's their own algorithm that they're doing. But they've created an automix method where you can prioritize on three different levels, each of it the inputs. Right. So if you want to be priority, you make yourself high. You can make your guests medium priority and you could make like an audience mic or, I don't know, a sound effects channel or some other things be low. So it will keep things from stepping on each other and it'll keep your mix cleaner. And that is a function that the RODECaster Pro Two does not have, is the auto mix. So it doesn't mean they couldn't add it later because it is firmware.,Speaker A: They will now.,Speaker C: Absolutely.,Speaker B: Yeah. Well, I think what's going to be really interesting is watching what Rode adds to the RODECaster Pro Two's firmware to be on more of a parody with what the Mackie is doing, it's inevitable. Right. So it's going to be a very interesting thing to watch happen. But it was cool to talk to the real guy, the guy who worked on the design and maybe one day we'll get him on the show. He said I talked to him after, he said he would love to come on another interview and get more into the geeky nuts and bolts of the design.,Speaker C: Yeah, interesting.,Speaker A: Absolutely.,Speaker C: Because I'm kind of curious as to where they've come at this from, whether they came at it like road have where they've just gone, okay, straight into podcasting or has Mackie come going, okay, we can tap into podcasting, but we're also looking know the normal kind of audio studio kind of thing as yeah, yeah.,Speaker B: Well, Mackie, clearly they want to be in podcasting without abandoning. So yeah, it definitely has a feeling of you could pull this out and do a live show with it and you'd have mostly what you need to do that. It doesn't have nearly the number of outputs like a live mixer does. It doesn't have all the auctions.,Speaker A: So can I use those faders to control my door?,Speaker B: I don't know. I didn't get into that level. I literally had an eight minute presentation.,Speaker A: Yeah, right.,Speaker B: So I didn't have the time to dig deep into it. There was so much to see at the show for me that I would have sat there and played with it for an hour. I just had too much networking to do. I didn't want to squander that time, but I would have gotten more into it. But yeah, I hope to eventually get my hands on one and put it into its paces. And if I had had one for the studio I did most recently, I probably would have used it because the auto mix I think is a useful tool. Then again, I think automix is extremely important for live streaming, live mix, but not at all important for a podcast because in a podcast you want to capture everything flat and raw and then do all of that in post.,Speaker A: Unless you're not going to mix it in post. Then that auto mix thing would actually be completely would be very powerful, wouldn't it? If you were the type of person who just wanted to do a two track edit and didn't want to worry about having to balance a mix and all that sort of stuff.,Speaker B: That would be that's what we do. Yeah. On VOBs, that's what we do. We do a live to drive so it mixes baked and if I blow the mix, then it's know it sucks. In fact, we did an appearance, I did VOBs from the trade show Floor. So I was on the panel when we had on Elaine Clark and then we interviewed Ryan from Road on the show. And in post, Dan had kind of a mess on his hands because the noise floor was so high. It was so annoying for me that I was riding the Gain. I was riding the level going to Dan. So what he hears in the mix is kind of a mess because the room tone is changing constantly as I'm turning the mics up and down. Right. So he very cleverly took some room tone and laid that over the entire mix okay. To clean it up because he said it was really distracting. He said, did you use a gate? I said, no, that's called human gate. Just riding my Gain because it got ungodly noisy in that space. And it was one of the most reverberant, horribly echoey convention experiences I've ever had. It was absolutely terrible.,Speaker C: I always find that really quite bizarre that you're actually selling basically audio stuff in this case and you're in an environment that just doesn't showcase it very well at all.,Speaker A: What are you going to do?,Speaker B: It just shows how much of a lack of understanding of what is needed for a good experience by the attendants or the customers from the owners of that building. And the owners of that building are Marriott, you may have heard of them.,Speaker C: Yeah.,Speaker A: Can I take you back a step? You said if you had have known about this you would have put this in a build that you did recently with the auto mix thing. Would you use that if you were setting this up for someone in a home studio? Would you use that to manage their feed from the client studio to sort of keep a decent mix in their headphones, to keep them down lower if that's what they wanted or up higher.,Speaker B: Or whatever you could yeah. It never would have occurred me to use it in that way. But you certainly could set up a monitor mix for your headphones using the auto mix so that you don't get blown out of your cans. Your voice is kind of over top of whatever's coming back at you.,: A lot of singers like to sing into a compressor, and sometimes you don't necessarily track it with that, you just have it there. It's kind of like singing into some reverb. It's the same thing as that guy that likes to sit there with the volume knob, David. He could just buy a compressor and maybe not get culpal tunnel syndrome.,Speaker B: One of these days. I'll set that up for him. He still has that Affliction muscle memory thing going.,Speaker A: Yeah.,Speaker B: But yeah, it's definitely a matter of changing the way you hear everything in the headphones and controlling the experience for the performer. And that would be a clever way to do it, actually. Yeah.,: Mackie's late to the game, but coming out with something pretty good.,Speaker B: Yeah. Waited and watched what Road did and then just like, all start. Let's start from scratch. Seeing the success of this thing and go all the way through the end and see what we build. And that's what they did. It's like an $800 retail unit, so it's a little bit more expensive. It's sort of like the RODECaster pro. Two baquito mach plus.,Speaker A: Let's see what the first thing Robert notices is when he looks at the picture. Let's see, what the first thing jumping.,Speaker C: Online to have a look at it.,Speaker A: See if he picks up one. I pick what's it called? The DLC creator. Tell me what the first thing is that pops in your head when you just look at it. There's something on there that made me go, Is that a blah?,Speaker C: And I'm only saying Z because I know it's American.,: It's the Deals.,Speaker A: Deals creator.,: So basically, Robo thought, is this an eight fader unit for my pro tool system with a touchscreen?,Speaker A: No, there's something on there that's not on the RODECaster.,: A master fader.,Speaker A: There you go. First cap off the rank.,: Just like me.,Speaker A: Rip off the master fader.,: But they did pretty much rip them off. Pretty much.,Speaker A: That's the second part of the conversation.,: Buttons on the bottom, buttons on the top, side by side. Colorful buttons on the right. OOH, you get two more faders. You get a master fader, you get some knobs that you don't have. Are those knobs digital encoder knobs.,Speaker B: Right. So, like, we're on the roadcaster. The knobs have really a one trick.,: And how much is a RODECaster, too?,Speaker B: Like 699. And here, I can buy this one for 679-0679.,: They're discounted it's retail 800.,Speaker B: So it's a very tough customer in terms of competition. It's physically bigger. It's not going to fit on. Everybody's workstation, that's for sure. But that touch screen is extremely compelling. It's the size of like an iPad mini.,Speaker A: Wow.,Speaker B: Very large, easy to use, and very good looking screen. The knobs on the side of the screen that are assignable make the knobs infinitely more flexible.,Speaker C: Out of interest, what preamps are they using there? Is it their onyx? Are they onyx?,: They're vlzs for the DLZ?,Speaker B: Yo, yo, yo. That's a darn good question. I don't recall him saying that they are onyx. I don't know, and I don't think that's probably even possible.,: Maybe they're the exerges or what the hell does Behringer call their onyxes? We took a few letters and rearranged them preamps.,Speaker B: I think it's kind of Mackie's turn to rip off or knock off another brand after being knocked off by Barranger for the last ten years.,Speaker A: Yeah, it says four onyx 80 microphone preamps. Yeah. Onyx 80s onyx eighty s. Okay.,: Does that mean 80 decibel? You'll use disabilities?,Speaker B: Close to it. I think, yeah, I think he said it's around 74, 75 DB of gain. Wow.,: For all your SM, seven b's.,Speaker B: It's another product out there in the midst and time will tell to see how it holds.,: Do you get the backpack with it? Does it come with the slick carrying case?,Speaker B: You doubt it?,: It looks like it does. I mean, maybe you have to pay extra for that, but it looks like it's got a nice little bag to it.,Speaker B: Yeah, it'd be a nice idea if it did. I'm sure they'll sell it to you, but yeah, I think that really stood out from the interview from Matthew was that he came from years in customer service. And I think when you have a product that was designed from somebody that comes from customer service, they understand what all the questions are going to be because they know the client, they know the user differently than somebody that just designs a product to meet a price point and have a certain fill a skew. We really got to make an X, right?,: I must ask, what is the ethernet for?,Speaker B: It is a future updatable platform feature device. I was told inside scoop of what it will do. I don't think I can tell you, but right now it's just firmware updates like the RODECaster Pro two. It's the ethernet only for software.,: Might it do anything that I'm thinking about?,Speaker B: If you can think of three letters that indicate sending information into another space or time, then yes. That's what you're thinking of? Yes. Anyway, yeah, it's a future I think they're going to release by the time you guys hear this. Maybe they've already released a firmware update for the ethernet port, but I know it's coming. And it will be infinitely more like integratable into a current three letters.,: Beginning with an A?,Speaker B: No, but it'll integrate into an AV media production suite or facility. More slickly seamlessly.,Speaker C: I'm still trying to think what the three letters are.,Speaker A: Well, I don't think we can say that, can we?,: Three?,Speaker C: Yeah, I'm wondering what they are.,Speaker B: Three letters.,Speaker C: Three letters.,Speaker B: Three letters.,Speaker C: This is like a cryptic quizzing on the weekend.,Speaker B: I know letters.,: I'm going to have to think about that one.,Speaker B: I'll tell you offline.,Speaker C: All right, let's finish this show because it's killing me already. Let's go. All right, we're out. See it. What are the three letters?,: Yeah, just end the show so we can find out and that's our out.,Speaker B: That's a good one.,Speaker C: I've had enough of this show. I just want to know what the three letters are.,: Well, that was fun. Is it over?,Speaker C: The Pro audio suite with thanks to Tribute and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robo Got your own audio issues? Just askrobo.com tech support from George, the tech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say G'day. Drop us a note at our website theproudiosuite.com.         

Russia's invasion of Ukraine is not just about territory and resources, though they play a part. It's also a struggle to control historical memory. Russia seeks to simplify history writing, teaching, and mythology down to a few selective narratives that support its current political structure and imperial revanchism. Ukrainian history is complex, messy and offers an alternative take on Russian and Soviet mythology and undermines its propaganda. Ukraine's struggle is one for identify, culture, language and even survival, but its also a struggle to retain the right to question and reshape historical narratives and tell alternative stories that don't fit neatly into an imperial Russian worldview. Mariia Kravchenko is Program Coordinator for the Fulbright Program in Ukraine and a former Junior Researcher at the World History Institute, NANU. Established in 1946, the Fulbright Program is the oldest and most prestigious international program for the exchange of scholars and students funded by the United States government. Today it supports academic exchanges with 155 countries of the world.

IDABERE NA NKWA CHINEKE; TUKWASI JEHOVA OBI GI NILE

Morning Glory - 19.04.2023 - invitați Mălina Gonț, Ștefan Nanu și Viorel Ilișoi

Morning Glory - 19.04.2023 - invitați Mălina Gonț, Ștefan Nanu și Viorel Ilișoi

Morning Glory - 27.03.2023 - invitat Ștefan Nanu

Morning Glory - 27.03.2023 - invitat Ștefan Nanu

Miguel Armaza sits down with Prajit Nanu, CEO & Co-Founder of Nium, a billion-dollar fintech building global payments infrastructure supporting 100 currencies across 190+ countries.Founded almost seven years ago in Singapore, Nium has raised ~$300 million from top fintech investors including Riverwood, GFC, Temasek, and Visa amongst others.We discuss:Advantages of outsiders. Prior to Nium, Prajit was not a payments guy, so how did his non-payments background actually become a source of strength?Lessons from hiring 100s of people. What have they learned about startup recruiting over the last several years?Why it's crucial to narrow your focus and double down on your strengths as a company.Building and scaling a B2B Sales organization, board management lessons… and a lot more!Want more podcast episodes? Join me and follow Fintech Leaders today on Apple, Spotify, or your favorite podcast app for weekly conversations with today's global leaders that will dominate the 21st century in fintech, business, and beyond.Do you prefer a written summary, instead? Check out the Fintech Leaders newsletter and join 51,000+ readers and listeners worldwide!Miguel Armaza is Co-Founder & Managing General Partner of Gilgamesh Ventures, a seed-stage investment fund focused on fintech in the Americas. He also hosts and writes the Fintech Leaders podcast and newsletter.Miguel on LinkedIn: https://bit.ly/3nKha4ZMiguel on Twitter: https://bit.ly/2Jb5oBcFintech Leaders Newsletter: bit.ly/3jWIpqp

KA IHE GI NA-ENWU

We've added another host from PKMNcast to our collection with Greg Leatherman (also of vre.show and Glitter Hearts fame) joining us for a fun chat about the Alola region this week. Actually, “fun chat” is a generous term because it's mostly just Greg taking Tanner to task for technical, character, AND personal decisions he's made this season. Actually, “taking-to-task” is a generous term because Greg tears Tanner to absolute shreds. Like, scorched earth stuff. We also played some Pokémon. ¯_(ツ)_/¯

Have you dreamt about your products being on the shelves of big box stores? In today's episode, Krishna Chavda of NANU Studio joins us to share her story of developing her brand, exploring wholesale, and landing her first purchase order from a big box store while exhibiting at New York Now. You can view full show notes and more at prooftoproduct.com/261 Today's episode is brought to you by Paper Camp, our 4-week program that takes the guess-work out of selling wholesale. When you follow the strategies and methods in Paper Camp, you'll not only feel more confident but you'll reach your wholesale goals faster. Come join the waitlist to be the first to know when we open the doors for the next round of Paper Camp! JOIN THE WAITLIST