Podcasts about pepper's lonely hearts club band

In our second chapter, we explore the creation myth surrounding the song, Eleanor Rigby. Travel back in time with us to the very moment of formation of … the Beatles. Why this moment in time? Because it provides fascinating clues about the creation of this song. Join us in our investigation as we discover what in the world a psychological phenomenon known as cryptomnesia, has to do with the creation of Eleanor Rigby. Buckle up, for we are going to visit a very specific graveyard just outside Liverpool where everything will be revealed. Well, almost everything. Try to figure out now, in advance if you can, what the film “Psycho” has to do with the song Eleanor Rigby! Songs Eleanor Rigby; Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and Winter, of SDPL Yesterday, Lennon and McCartney; performed by Joe Anastasi, of SDPL Ola-na Tung-eee; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPL A Day in the Life; Lennon and McCartney, ‘outro,’ performed by Mike Sugar, of SDPL Mellow Yellow; Donovan; performed by Joe Anastasi and Mike Sugar, of SDPL Da-Zi-Di-Da-Zu; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPL A Hard Day’s Night, Lennon and McCartney; ‘intro,’ performed by Mike Sugar, of SDPL Also Sprach Zarathustra, Op. 30; Richard Strauss "Think!," Merv Griffin; mangled by Mike Sugar, of SDPL Twilight Zone Theme, Bernard Herrmann and Marius Constant, original recording cue, mangled by Mike Sugar, of SDPL Sgt. Pepper's Lonely Hearts Club Band; Lennon and McCartney; performed by Joe Anastasi and Mike Sugar, of SDPL 1985, Paul McCartney: ‘outro,’ performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain) The Girl Can’t Help It; Bobby Troup; performed by Little Richard Twenty Flight Rock; Ned Fairchild and Eddie Cochran; performed by Joe Anastasi and Mike Sugar, of SDPL Penny Lane, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain) Cry Me a River; Arthur Hamilton; performed by Joe Anastasi and Mike Sugar, of SDPL Shake It Off; Taylor Swift, Max Martin, and Shellbac; performed by Joe Anastasi and Mike Sugar, of SDPL Moonlight Sonata, Piano Sonata No. 14, Ludwig van Beethoven, performed by Mike Sugar, of SDPL Easier Said Than Done; William Linton and Larry Huff; performed by Joe Anastasi and Mike Sugar, of SDPL Barracuda; Ann and Nancy Wilson, Roger Fisher and Michael DeRosier; performed by Mike Sugar, of SDPL Maniac; Michael Sembello; performed by Joe Anastasi and Mike Sugar, of SDPL String Concerto, Vivaldi; performed by Baroque Band Bad Idea, Ariana Grande, Peter Svensson, Savan Kotecha, Max Martin and Ilya Salmanzadeh; performed by Joe Anastasi and Mike Sugar, of SDPL Psycho!, Bernard Herrmann, original recording cue, mangled by Mike Sugar, of SDPL The End, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007 Recording the Beatles, Kevin Ryan & Brian Kehew, Curvebender Publishing; 2006 The Beatles Anthology; Chronicle Books; 2000 www.merriam-webster.com/medical/cryptomnesia www.dictionary.apa.org/cryptomnesia Sunbeams Music Trust; Annie Mawson, Director; The Girl Can’t Help It; produced and directed by Frank Tashlin, screenplay adapted by Frank Tashlin and Herbert Baker; 1956 Psycho! directed and produced by Alfred Hitchcock; written by Joseph Stefano; 1960 Voice Actors  Joe Anastasi Mike Sugar Annie Mawson -- as herself. This show is part of Pantheon Podcasts.

The Rock n Roll Archaeologist does some actual digging with the help of two veteran journalists, Bryan Reesman and Jeff Slate, as they discuss two recent re-releases from the rock n roll golden age, 1965’s POP GEAR and 1973’s That’ll Be the Day. Without a doubt one of the most ambitious pop group films ever produced, POP GEAR features Britain's top 16 groups and solo acts of the day, from The Beatles to The Animals to Herman's Hermits. Directed by Frederic Goode That’ll Be the Day. Jim MacLaine is 18-years old and studying for his advanced level exams, beginning to find his work increasingly irksome. He packs a suitcase, hitches a lift to the coast, and starts a new life with a new job. While working at a fairground, he's invited to a university dance by his old friend Terry, where he meets Terry's sister, Jeanette. They fall in love, marry, and when their first child is born, Jim seems content. But it is not long before he once again walks out in search of freedom and irresponsibility. Directed by Claude Whatham. Jeff Slate's music has appeared on the BBC and in shows like Gossip Girl and One Tree Hill. Jeff writes about music for the New Yorker, Wall Street Journal, Esquire, Rolling Stone, NBC News, and many other publications, contributed liner notes to the 50th anniversary edition of The Beatles' Sgt. Pepper's Lonely Hearts Club Band and is the author of The Authorized Roy Orbison, a biography of the legend, with Orbison's sons. In 2018, Jeff wrote the liner notes for Bob Dylan's The Bootleg Series, Vol. 14: More Blood, More Tracks. Jeff is a regular visitor to SiriusXMs Volume, has appeared on Jonesy's Jukebox, and numerous podcasts -- such as Roadie Free Radio and the Rockonomics Podcast, as well as numerous Bob Dylan- and Beatles-themed shows -- and local TV and radio shows. He has been profiled in publications around the world. Veteran entertainment journalist BRYAN REESMAN has interviewed countless pop culture luminaries from around the world. He has test driven a Corvette with Rob Halford, visited Lemmy’s apartment, and been an on-camera interviewer of celebrities like Oprah Winfrey and Hugh Jackman. He has contributed to the New York Times, Playboy, Grammy, American Way, MSN Movies, and over 100 other media outlets and written extensive liner notes for rock icons including Judas Priest, Black Sabbath, and AC/DC. A graduate of New York University’s Tisch School of the Arts, Bryan is the author of the biography "Bon Jovi: The Story" (Sterling). And of course he is the host of Pantheon Podcast’s own “Side Jam”! https://jeffslatehq.com http://www.bryanreesman.com https://www.kinolorber.com This show is part of Pantheon Podcasts.

The Rock n Roll Archaeologist does some actual digging with the help of two veteran journalists, Bryan Reesman and Jeff Slate, as they discuss two recent re-releases from the rock n roll golden age, 1965’s POP GEAR and 1973’s That’ll Be the Day. Without a doubt one of the most ambitious pop group films ever produced, POP GEAR features Britain's top 16 groups and solo acts of the day, from The Beatles to The Animals to Herman's Hermits. Directed by Frederic Goode That’ll Be the Day. Jim MacLaine is 18-years old and studying for his advanced level exams, beginning to find his work increasingly irksome. He packs a suitcase, hitches a lift to the coast, and starts a new life with a new job. While working at a fairground, he's invited to a university dance by his old friend Terry, where he meets Terry's sister, Jeanette. They fall in love, marry, and when their first child is born, Jim seems content. But it is not long before he once again walks out in search of freedom and irresponsibility. Directed by Claude Whatham. Jeff Slate's music has appeared on the BBC and in shows like Gossip Girl and One Tree Hill. Jeff writes about music for the New Yorker, Wall Street Journal, Esquire, Rolling Stone, NBC News, and many other publications, contributed liner notes to the 50th anniversary edition of The Beatles' Sgt. Pepper's Lonely Hearts Club Band and is the author of The Authorized Roy Orbison, a biography of the legend, with Orbison's sons. In 2018, Jeff wrote the liner notes for Bob Dylan's The Bootleg Series, Vol. 14: More Blood, More Tracks. Jeff is a regular visitor to SiriusXMs Volume, has appeared on Jonesy's Jukebox, and numerous podcasts -- such as Roadie Free Radio and the Rockonomics Podcast, as well as numerous Bob Dylan- and Beatles-themed shows -- and local TV and radio shows. He has been profiled in publications around the world. Veteran entertainment journalist BRYAN REESMAN has interviewed countless pop culture luminaries from around the world. He has test driven a Corvette with Rob Halford, visited Lemmy’s apartment, and been an on-camera interviewer of celebrities like Oprah Winfrey and Hugh Jackman. He has contributed to the New York Times, Playboy, Grammy, American Way, MSN Movies, and over 100 other media outlets and written extensive liner notes for rock icons including Judas Priest, Black Sabbath, and AC/DC. A graduate of New York University’s Tisch School of the Arts, Bryan is the author of the biography "Bon Jovi: The Story" (Sterling). And of course he is the host of Pantheon Podcast’s own “Side Jam”! https://jeffslatehq.com http://www.bryanreesman.com https://www.kinolorber.com This show is part of Pantheon Podcasts.

RHOZ Podcast - 16-9-2020 [00:00:00] 6:00 am - RHOZ [00:00:56] All hits weekend Dj Fritz [00:00:59] 326 - 326 - Kinks - Destroyer [00:04:43] a-Ha - Take On Me [00:08:24] Little Big Town - A thousand years [00:12:12] All hits weekend Dj Fritz [00:12:16] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [00:16:57] The Commitments - Mustang Sally [00:20:53] Confederate Railroad - Queen of Memphis [00:24:10] All hits weekend Dj Fritz [00:24:14] 296 - 296 - Styx - Renegade [00:28:16] The Georgia Satellites - Hippy Hippy Shake [00:30:00] 11 Rough & Ready 1.mp3 [00:33:03] Dj Fritz enjoy weekend.m4a [00:33:09] 450 - 450 - Foreigner - Cold As Ice [00:36:17] Whitney Houston - Saving All My Love For You [00:40:02] Garth Brooks - Friends In Low Places [00:44:16] Dj Fritz all greatest hits.m4a [00:44:22] 048 - 048 - John Lennon - Instant Karma! [00:47:32] Coolio - 1,2,3,4 (Sumpin' New) [00:50:39] Lucinda Williams - Can't Let Go [00:54:04] All hits weekend [00:54:09] 051 - 051 - Elton John - Goodbye Yellow Brick Road [00:57:18] Alannah Myles - Love Is [01:00:50] Brad Paisley - American Saturday Night [01:01:21] Brad Paisley - American Saturday Night [01:02:55] Dj Fritz stay safe.m4a [01:03:01] 143 - 143 - Black Sabbath - Paranoid [01:05:45] The Bucketheads - The Bomb [01:09:07] Brad Paisley - Alcohol [01:13:56] All hits weekend [01:14:01] 052 - 052 - The Beatles - While My Guitar Gently Weeps [01:18:35] Blur - Girls & Boys [01:22:33] Brooks & Dunn - Honky Tonk Stomp [01:25:33] Dj Fritz stay safe.m4a [01:25:38] 448 - 448 - Jethro Tull - Living In The Past [01:29:05] The Police - Every Little Thing She Does Is Magic [01:33:15] 11 She's My Kind of Rain.mp3 [01:37:20] Dj Fritz Live.m4a [01:37:23] 422 - 422 - The Rolling Stones - Mother's Little Helper [01:40:03] Kenny Rogers - Through The Years [01:44:17] Billy Ray Cyrus - Wanna Be Your Joe [01:47:29] All hits weekend [01:47:34] 012 - 012 - The Who - Baba O'Riley [01:52:27] Duran Duran - Rio [01:57:53] Sam Hunt - House Party [02:01:00] All hits weekend Dj Fritz [02:01:03] 359 - 359 - Elton John - Funeral For A Friend-Love Lies Bleeding [02:11:53] Jon Secada - Just Another Day [02:16:39] Darius Rucker - Wagon Wheel [02:21:29] Dj Fritz stay safe.m4a [02:21:35] 422 - 422 - The Rolling Stones - Mother's Little Helper [02:24:19] collective soul - Gel [02:27:14] Jerry Reed - Trucker Song [02:31:03] Dj Fritz enjoy weekend.m4a [02:31:09] 253 - 253 - Electric Light Orchestra - Turn To Stone [02:34:49] Heaven 17 - Let Me Go [02:38:57] Jason Aldean - Laugh Until We Cried [02:42:14] Dj Fritz Live2.m4a [02:42:18] 361 - 361 - Steely Dan - Josie [02:46:39] Amber - This Is Your Night [02:50:30] Chris Stapleton - Tennessee Whiskey [02:55:16] All hits weekend [02:55:21] 326 - 326 - Kinks - Destroyer See omnystudio.com/policies/listener for privacy information.

RHOZ Podcast - 13-9-2020 [00:00:00] 6:00 am - RHOZ [00:03:07] Lucinda Williams - Can't Let Go [00:06:31] Dj Fritz Live2.m4a [00:06:35] 019 - 019 - Pink Floyd - Money [00:13:03] Manfred Mann - Do Wah Diddy Diddy [00:15:17] Trisha Yearwood - That's What I Like About You [00:17:53] All hits weekend [00:17:58] 030 - 030 - The Rolling Stones - Jumping Jack Flash [00:21:30] K7 - Come Baby Come [00:25:23] Zac Brown Band - Gin and Juice [00:30:25] Dj Fritz Live2.m4a [00:30:29] 275 - 275 - Byrds - Eight Miles High [00:33:59] Neal McCoy - Wink [00:36:38] Brad Paisley - Im Gonna Miss Her [00:39:49] Dj Fritz Live2.m4a [00:39:53] 084 - 084 - Fleetwood Mac - Go Your Own Way [00:43:28] The Doobie Brothers - China Grove [00:46:40] Jake Owen - 8 Second Ride (real) [00:49:41] Dj Fritz Live2.m4a [00:49:46] 242 - 242 - Allman Brothers Band - Whipping Post [00:55:04] Everything But The Girl - Missing [00:59:54] Alan Jackson - Boot Scootin Boogy [01:03:10] Dj Fritz Live2.m4a [01:03:13] 141 - 141 - Genesis - Home By The Sea [01:08:04] Kris Kross - Jump [01:11:15] Kellie Pickler - Red High Heels [01:14:55] All hits weekend Dj Fritz [01:14:59] 298 - 298 - The Who - The Kids Are Alright [01:17:43] The Rembrandts - I'll Be There For You [01:20:45] Johhny Cash - I Walk the Line [01:21:08] All hits weekend Dj Fritz [01:21:12] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [01:25:53] Marillion - 03 Lavender [01:28:20] John Denver - Take Me Home Country Roads [01:31:27] Dj Fritz enjoy weekend.m4a [01:31:33] 240 - 240 - Buffalo Springfield - For What It's Worth [01:34:04] Vanessa Williams - Save The Best For Last [01:37:37] Jason Aldean - Laugh Until We Cried [01:40:54] Dj Fritz all greatest hits.m4a [01:41:00] 093 - 093 - David Bowie - Suffragette City [01:44:23] Hall & Oates - Maneater [01:48:44] Garth Brooks - The Dance [01:52:24] Dj Fritz stay safe.m4a [01:52:30] 340 - 340 - Creedence Clearwater Revival - Proud Mary [01:55:31] Moxy Früvous - King Of Spain [01:58:23] Luke Combs - When It Rains It Pours [02:02:21] All hits weekend [02:02:26] 309 - 309 - Elton John - Levon [02:07:42] Promo Only Canada - Tympany Roll (Drum roll) [02:07:57] Taylor Swift - I'd Lie [02:11:34] All hits weekend Dj Fritz [02:11:37] 026 - 026 - Jefferson Airplane - White Rabbit [02:14:06] Porn King - Up To No Good [02:19:56] Craig Morgan - Bonfire [02:22:54] Dj Fritz Live.m4a [02:22:58] 249 - 249 - Bob Dylan - Shelter From The Storm [02:28:56] The Platters - Only You [02:31:30] Dwight Yoakam - Crazy Little Thing Called Love [02:33:48] All hits weekend Dj Fritz [02:33:50] 184 - 184 - The Doors - Love Me Two Times [02:37:02] Soft Cell - Tainted Love [02:39:35] Sugarland - Something More [02:43:08] Dj Fritz enjoy weekend.m4a [02:43:14] 372 - 372 - Alice Cooper - School's Out [02:46:40] Neil Sedaka - Breaking Up Is Hard To Do [02:48:50] Alan Jackson - She's Gone Country [02:53:05] Dj Fritz Live.m4a [02:53:09] 262 - 262 - Fleetwood Mac - Say You Love Me [02:57:14] Prince - Raspberry Beret See omnystudio.com/policies/listener for privacy information.

This time around, Greg David joins me again, this time to discuss The Beatles' album, Sgt. Pepper's Lonely Hearts Club Band. This album gave us the title track and its reprise, Lucy In The Sky With Diamonds, and several other great songs. Download Album038.mp3 Greg David on Twitter 100 Greatest Albums List100 Greatest Albums Signup Form

Esta semana nos sentamos a platicar con Jay y Javier, de la banda originaria de Torreón, Monmarte. ¿Qué pasaría si Los Beatles hubieran empezado en "Sgt. Pepper's Lonely Hearts Club Band" y hubieran sido cuatro mexicanos? Esta semana en Musicología te traemos la respuesta.

RHOZ Podcast - 28-7-2020 [00:00:00] 6:00 am - RHOZ [00:00:29] Promo Only Canada - Wedding Processional (Here comes the bride) [00:01:31] Tim McGraw - Live Like You Were Dying [00:06:21] Dj Fritz enjoy weekend.m4a [00:06:26] 408 - 408 - Tom Petty & the Heartbreakers - Refugee [00:09:40] The Sugarhill Gang - Rapper's Delight [00:15:38] Brad Paisley - I'm Still a Guy [00:19:45] All hits weekend Dj Fritz [00:19:48] 360 - 360 - Todd Rundgren - Hello It's Me [00:23:28] Rob Base & DJ E-Z Rock - It Takes Two [00:27:57] John Michael Montgomery - Sold [00:30:23] Dj Fritz Live.m4a [00:30:27] 398 - 398 - The Guess Who - No Sugar Tonight [00:35:10] Heart - Alone [00:38:43] Johnny Cash - Ring of Fire [00:41:16] Dj Fritz Live2.m4a [00:41:19] 061 - 061 - The Police - Every Breath You Take [00:45:17] 10,000 Maniacs - Because The Night [00:48:52] Little Big Town - Bones [00:52:35] All hits weekend [00:52:40] 380 - 380 - Canned Heat - Going Up The Country [00:55:26] Tracy Byrd - The Keeper Of The Stars [00:59:25] Darius Rucker - Don't Think I Don't think about it [01:02:24] All hits weekend Dj Fritz [01:02:27] 270 - 270 - The Who - Eminence Front [01:07:52] Thin Lizzy - The Boys Are Back In Town [01:12:12] Alan Jackson - Country Boy [01:16:14] Dj Fritz all greatest hits.m4a [01:16:20] 298 - 298 - The Who - The Kids Are Alright [01:19:02] Bill Haley & The Comets - Shake Rattle And Roll [01:21:27] Luke Combs - 1, 2, Many (feat. Brooks and Dunn) [01:24:26] Dj Fritz Live2.m4a [01:24:30] 308 - 308 - Yes - Owner Of A Lonely Heart [01:28:53] Roxette - Listen To Your Heart [01:33:56] Little Big Town - Good As Gone [01:38:04] Dj Fritz Live2.m4a [01:38:07] 140 - 140 - David Bowie - Ziggy Stardust [01:41:16] Sweet - Ballroom Blitz [01:45:11] Trace Adkins - I Like My Women A Little trashy [01:48:24] Dj Fritz all greatest hits.m4a [01:48:30] 250 - 250 - Creedence Clearwater Revival - I Heard It Through The Grapevine [01:59:28] Cher - The Shoop Shoop Song [02:02:08] Alan Jackson - Drive (For Daddy Gene) [02:06:09] All hits weekend [02:06:14] 413 - 413 - Jethro Tull - Cross-Eyed Mary [02:10:17] The Everly Brothers - All I Have To Do Is Dream [02:12:34] Alan Jackson - She's Got Her Daddy's Money [02:15:33] All hits weekend [02:15:38] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [02:20:17] Little Texas - Kick A Little [02:23:57] Alan Jackson - Margaritaville [02:28:10] Dj Fritz Live2.m4a [02:28:14] 017 - 017 - Queen - Bohemian Rhapsody [02:33:59] Tracy Byrd - The Keeper Of The Stars [02:37:58] 18 Alan Jackson - Remember When.mp3 [02:42:25] All hits weekend Dj Fritz [02:42:29] 190 - 190 - Doobie Brothers - Listen To The Music [02:46:07] Jive Bunny & The Mastermixers - 5B - That's What I Like [02:51:26] Diamond Rio - Kissable, Huggable, Loveable, Unbelievable [02:53:46] All hits weekend [02:53:52] 408 - 408 - Tom Petty & the Heartbreakers - Refugee [02:57:05] Diana Ross & The Supremes - You Can't Hurry Love [02:59:46] Rodney Atkins - These Are My People See omnystudio.com/policies/listener for privacy information.

Happy 80th Ringo Starr! Besides being known as The Beatles' drummer, he sang lead in 11 of their songs. In this episode, we flashback and listen to each. Theme Song: "Dance Track", composed by Jessica Ann CatenaSongs Used: "Boys" - The Shirelles (1960)"I Wanna Be Your Man" - The Rolling Stones (1963)"Matchbox" & "Honey Don't" - Carl Perkins (1956)"Act Naturally" - Buck Owens & Ringo Starr (1989)"With a Little Help From My Friends" - Joe Cocker (1968)"Boys" (1963), "I Wanna Be Your Man" (1963), "Matchbox" (1964), "Honey Don't" (1964), "If You've Got Trouble" (1965/1996), "Act Naturally"(1965), "What Goes On" (1965), "Yellow Submarine" (1966), "Sgt. Pepper's Lonely Hearts Club Band" (1967), "With a Little Help From My Friends" (1967), "Don't Pass Me By" (1968), "Good Night" (1968), "Octopus's Garden" (1969) - The Beatles

Subject:CINEMA presents Captive Audience Theater #16 - June 14 2020 Welcome back to our new miniseries Captive Audience Theatre! Two or three times a week during the craziness of the world today, SC hosts TC and Kim bring you some of the worst movies ever made, for your "stay at home" quarantine viewing pleasure!  This time around, for all the praise about the Summer of 1978 that you hear around here, this is NOT one of the things to celebrate....it's movie musical mayhem in "Sgt. Pepper's Lonely Hearts Club Band"! This show is brought to you by Subject:CINEMA, which unfortunately is on an indefinite hiatus due to the COVID-19 pandemic, but it doesn't mean we can't keep you entertained! COMMUNICATE WITH US! We want to hear from YOU! Email - subjectcinema@pnrnetworks.com 

La nouveauté du jour : Alec Benjamin "I'm Not A Cynic" Le journal de la musique : - AC/DC, "Back in black" dans l'espace - The Strokes seront plus rapides cette fois  - Les musiciens se mobilisent pour George Floyd - Elton John parle de son passé avec la drogue Le live du jour : The Raconteurs "Blank Generation" (Live at Electric Lady) La discothèque idéale du #DriveRTL2 : The Beatles "Sgt. Pepper's Lonely Hearts Club Band"

En un nuevo episodio de nuestro podcast de música, revisamos los aniversarios de dos importantes debuts: “Gish” de The Smashing Pumpkins y “Remission” de Mastodon, además de una conversación por los 53 años de "Sgt. Pepper's Lonely Hearts Club Band”, una de las obras más icónicas de The Beatles. En el artista de la semana, nos trasladamos a la escena neoyorquina de fines de los 80 para hablar de Beastie Boys y su influencia en la música con su mezcla de punk y hip hop. Finalmente, abordamos algunos lanzamientos de las últimas semanas conversando sobre los nuevos álbumes de Paradise Lost y Mark Lanegan, junto con el debut del supergrupo Fake Names.

RHOZ Podcast - 17-5-2020 [00:00:00] 6:00 am - RHOZ [00:00:21] The Grid - Swamp Thing [00:04:16] Little Big Town - Bones [00:07:59] All hits weekend Dj Fritz [00:08:02] 393 - 393 - Queen - Fat Bottomed Girls [00:11:14] Eddie Rabbitt - I Love A Rainy Night [00:14:16] Nelly (Ft. Tim McGraw) - Over And Over Again [00:18:28] All hits weekend [00:18:33] 460 - 460 - ZZ Top - Gimme All Your Lovin' [00:22:27] M/A/R/R/S - Pump Up The Volume [00:26:27] Jon Pardi - Head Over Boots [00:29:46] Dj Fritz enjoy weekend.m4a [00:29:52] 299 - 299 - Kinks - Tired Of Waiting For You [00:32:17] Talking Heads - Burning Down The House [00:36:07] Diamond Rio - God Only Cries [00:40:00] Dj Fritz Live.m4a [00:40:04] 181 - 181 - Van Halen - Jump [00:43:59] Betty Boo - Doin' The Doo [00:47:33] Garth Brooks - Rodeo [00:51:20] Dj Fritz enjoy weekend.m4a [00:51:26] 244 - 244 - The Beatles - Twist And Shout [00:53:55] Grand Funk Railroad - Locomotion [00:56:34] BROOKS & DUNN - Neon Moon [01:00:47] Dj Fritz stay safe.m4a [01:00:53] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [01:05:32] Thin Lizzy - The Boys Are Back In Town [01:09:53] Brad Paisley - She Said Yes [01:13:13] All hits weekend [01:13:18] 411 - 411 - Grateful Dead - Friend Of The Devil [01:16:37] Manfred Mann - Do Wah Diddy Diddy [01:18:51] Cody Johnson - On My Way To You [01:22:19] Dj Fritz enjoy weekend.m4a [01:22:25] 133 - 133 - Traffic - Low Spark Of The High-Heeled Boys [01:33:42] 2 Unlimited - Get Ready For This (hockey) [01:37:23] The Git Up.mp3 [01:40:40] All hits weekend [01:40:45] 238 - 238 - Alice Cooper - No More Mr. Nice Guy [01:43:49] Randy Travis - Forever And Ever, Amen [01:47:15] Jake Owen - 8 Second Ride (real) [01:50:17] Dj Fritz Live.m4a [01:50:20] 304 - 304 - The Band - Up On Cripple Creek [01:54:43] Next - Too Close [01:58:45] Lucinda Williams - Can't Let Go [02:02:10] Dj Fritz enjoy weekend.m4a [02:02:15] 186 - 186 - Moody Blues - Your Wildest Dreams [02:06:56] Mr. Big - To Be With You [02:10:17] Darius Rucker - Wagon Wheel [02:15:08] Dj Fritz all greatest hits.m4a [02:15:14] 332 - 332 - Bachman Turner Overdrive - Taking Care of Business [02:19:58] Survivor - Eye Of The Tiger [02:23:39] Rodney Atkins - God Only Knows [02:27:22] All hits weekend [02:27:27] 416 - 416 - Blue Oyster Cult - Burnin' For You [02:31:52] Bob Marley - Jammin' [02:35:02] The Lost Trailers - Holler Back [02:38:14] Dj Fritz Live.m4a [02:38:18] 239 - 239 - David Bowie - Space Oddity [02:43:16] Steve Winwood - Higher Love [02:47:22] Rodney Atkins - 15 Minutes [02:49:59] Dj Fritz stay safe.m4a [02:50:05] 257 - 257 - Bad Company - Feel Like Making Love [02:55:07] The Cars - You Might Think [02:58:09] Justin Moore - How I Got To Be This Way

Over four years had passed since the official break-up of the Beatles, and by the tail end of 1974 the world of music was changing, evolving and finding new stars to light the way. But despite these shifts in faces and trends, the Beatles' legend remained surprisingly vital, with not only a slew of successful solo material from the former fabs, but also from tributes such as the Sgt. Pepper's Lonely Hearts Club Band on the Road off-broadway musical. Though it was panned by critics, this production tapped into a public yearning for a return of the band that changed everything - and while a formal reunion was never to be, Beatle music was alive and well in the cultural zeitgeist. But nostalgia wasn't the only currency of the day, November 1974 also brought with it Ringo Starr's new album Goodnight Vienna. To follow-up the monster success of 1973's Ringo album, Starr and producer Richard Perry brought in new guest stars and new hooky material in the hopes of repeating their own critical and commercial heights the year prior. John Lennon also returned to lend his friend a helping hand on the title track, as well as lead-off single Only You (an arrangement Lennon and Harry Nilsson had been work-shopping for the ill-fated Oldies But Moldies project). From the Elton John/Bernie Taupin-penned Snookeroo to the novelty No-No Song, Goodnight Vienna was indeed another successful endeavor - though ultimately fell far short of its predecessor. And as 1974 draws to a close, there's still another solo Beatles LP ready for release... See acast.com/privacy for privacy and opt-out information.

RHOZ Podcast - 7-5-2020 [00:00:00] 6:00 am - RHOZ [00:02:08] The Cadillac Three - Party Like You [00:05:12] Dj Fritz stay safe.m4a [00:05:18] 052 - 052 - The Beatles - While My Guitar Gently Weeps [00:09:52] Alan Jackson - Little Bitty [00:12:24] BROOKS & DUNN - Neon Moon [00:16:37] Dj Fritz Live.m4a [00:16:40] 476 - 476 - Crosby, Stills & Nash - Helplessly Hoping [00:19:14] R.E.M. - Losing My Religion [00:23:33] Montgomery Gentry - Back When I Knew It All [00:27:29] Dj Fritz Live.m4a [00:27:32] 024 - 024 - Yes - Roundabout [00:35:56] Run-D.M.C. - Walk This Way [00:39:27] Joe Nichols - It Ain't No Crime [00:43:01] Dj Fritz stay safe.m4a [00:43:07] 396 - 396 - The Doors - Waiting For The Sun [00:47:01] All-4-One - I Can Love You Like That [00:51:07] Billy Ray Cyrus - Busy Man [00:54:22] Dj Fritz stay safe.m4a [00:54:28] 371 - 371 - James Gang - Funk #49 [00:58:13] Elton John - Your Song [01:02:07] Corb Lund - Time to switch to whiskey! [01:04:58] Dj Fritz all greatest hits.m4a [01:05:04] 231 - 231 - The Who - 5 15 [01:09:57] Betty Boo - Doin' The Doo [01:13:31] George straight - Don't Take Her She [01:16:53] Dj Fritz all greatest hits.m4a [01:16:59] 151 - 151 - Crosby, Stills & Nash - Suite Judy Blue Eyes [01:24:23] Technotronic - Get Up [01:29:56] Joe Nichols - It Ain't No Crime [01:33:30] Dj Fritz stay safe.m4a [01:33:36] 486 - 486 - Sly And The Family Stone - Dance To The Music [01:36:28] Lionel Richie - All Night Long [01:40:35] Joe Nichols - Tequilla Makes Her Clothes Fall Off [01:43:42] Dj Fritz stay safe.m4a [01:43:47] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [01:48:27] Tracy Chapman - Fast Car [01:53:16] Big & Rich - Rollin' (Cowboy Troy) [01:58:06] Dj Fritz all greatest hits.m4a [01:58:12] 454 - 454 - The Eagles - Lyin' Eyes [02:04:25] Supertramp - 01 - School [02:09:48] Sugarland - Stay [02:14:25] Dj Fritz Live.m4a [02:14:28] 069 - 069 - Rod Stewart - Maggie May [02:20:09] The Sugarhill Gang - Rapper's Delight [02:26:06] Florida Georgia Line - Get your shine on [02:29:33] Dj Fritz all greatest hits.m4a [02:29:39] 258 - 258 - Heart - Magic Man [02:35:05] Buddy Holly - Peggy Sue [02:37:32] Brad Paisley - Start A Band (Featuri.wav [02:41:28] Dj Fritz stay safe.m4a [02:41:34] 353 - 353 - Styx - Blue Collar Man [02:45:36] The Fixx - One Thing Leads To Another [02:48:42] Trace Adkins - You're Gonna Miss This [02:52:23] Dj Fritz Live2.m4a [02:52:28] 027 - 027 - The Beatles - Hey Jude [02:59:26] Eric Clapton - Lay Down Sally

Na história da música existem vários personagens emblemáticos que não necessariamente dominavam um instrumento ou a teoria musical. Pessoas com ideias inovadoras sobre o mercado, negócios ou até sobre a mente humana também podem fazer carreira na área. É o caso de empresários, assessores, produtores e musicoterapeutas. Nesse episódio, vamos falar sobre a carreira de dois grandes personagens dos “bastidores”. Fizemos um apanhado da carreira de Carlos Eduardo Miranda, um dos maiores produtores da música brasileira, e trouxemos uma entrevista com Geoff Emerick, engenheiro de som que é um dos mais aclamados da história. Ele trabalhou em discos como Sgt. Pepper's Lonely Hearts Club Band e Abbey Road, dos Beatles. O convidado Léo Oliveira, do Fermata Podcast, vai ajudar a gente a entender essa e outras profissões relacionadas. Siga e ouça nosso catálogo completo no seu reprodutor preferido ou no site oficial: tmd.qa/podcast. Para interagir, mande uma mensagem nas redes sociais @podcasttmdqa e @tmdqa ou um e-mail para podcasttmdqa@gmail.com.

RHOZ Podcast - 5-5-2020 [00:00:00] 6:00 am - RHOZ [00:01:36] All hits weekend Dj Fritz [00:01:40] 047 - 047 - Jimi Hendrix - Hey Joe [00:05:00] Phil Collins - Another Day In Paradise [00:09:36] Taylor Swift - Our Song [00:12:55] All hits weekend [00:13:00] 279 - 279 - Young Rascals - Good Lovin [00:15:26] The Temptations - Ain't Too Proud To Beg [00:17:53] Kenny Chesney - Beer in Mexico [00:22:18] Dj Fritz all greatest hits.m4a [00:22:24] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [00:27:01] Gary Numan - Cars [00:30:37] Garth Brooks - Thunder Rolls [00:34:17] Dj Fritz Live2.m4a [00:34:21] 499 - 499 - Bob Dylan - Rainy Day Women #12 & 35 [00:38:48] Rod Stewart - Hot Legs [00:43:59] Craig Morgan - Redneck Yacht Club [00:47:38] All hits weekend [00:47:43] 315 - 315 - The Beatles - Penny Lane [00:50:38] Ray Parker Jr. - Ghostbusters [00:54:37] The Cadillac Three - Party Like You [00:57:41] Dj Fritz stay safe.m4a [00:57:47] 363 - 363 - T-Rex - Bang A Gong Get It On [01:02:07] Aaliyah - Back & Forth [01:05:45] BROOKS & DUNN - Put A Girl In It [01:09:07] Dj Fritz enjoy weekend.m4a [01:09:13] 200 - 200 - Led Zeppelin - Ramble On [01:13:23] The Georgia Satellites - Keep Your Hands To Yourself [01:16:42] Kenny Chesney - I Go Back [01:20:35] Dj Fritz Live.m4a [01:20:38] 347 - 347 - David Bowie - Fame [01:24:41] Buddy Holly - Peggy Sue [01:27:08] Easton Corbin - A Little More Country Then that [01:29:57] All hits weekend Dj Fritz [01:30:00] 180 - 180 - Jethro Tull - Locomotive Breath [01:34:27] Dazz Band - Let It Whip [01:38:42] Brad Paisley - Alcohol [01:43:30] Dj Fritz Live2.m4a [01:43:35] 257 - 257 - Bad Company - Feel Like Making Love [01:48:40] Sly Fox - Let's Go All The Way [01:53:43] Toby Keith - Cryin' For Me (Wayman's Song) [01:58:24] All hits weekend Dj Fritz [01:58:27] 355 - 355 - ZZ Top - Sharp Dressed Man [02:02:37] The Grid - Swamp Thing [02:06:30] Taylor Swift - Teardrops on My Guitar [02:10:00] Dj Fritz all greatest hits.m4a [02:10:07] 426 - 426 - The Beatles - Norwegian Wood [02:12:07] Chaka Demus & Pliers - Twist And Shout [02:15:57] Billy Ray Cyrus - Achy Breaky Heart [02:19:18] Dj Fritz enjoy weekend.m4a [02:19:24] 354 - 354 - Pink Floyd - Shine On You Crazy Diamond [02:45:07] Vicki Sue Robinson - Turn The Beat Around [02:50:25] Brad Paisley - She Said Yes [02:53:46] Dj Fritz Live.m4a [02:53:49] 372 - 372 - Alice Cooper - School's Out [02:57:16] collective soul - Gel

¡¡¡Hola y adiós!!! El 10 de abril de 1970, el Daily Mirror publicó en primera página: “Paul quits the Beatles”, Paul deja los Beatles. Un mes después el grupo más grande de la historia de rock se había separado. Un feo final. ¡Hello, Goodbye! Nunca se hizo una rueda de prensa para anunciarlo, solo mensajes entre líneas, manipulaciones periodísticas y el ventilador de viejos rencores repartiendo inquina por todo y para todo el mundo. Lennon se enfadó muchísimo y dijo: “Está adjudicándose el mérito de romper el grupo cuando yo lo dije en septiembre”. ¡Menudo mérito! Pero era cierto, porque en esas fechas ya había manifestado su deseo de dejar el grupo y si no lo hizo fue porque estaba en marcha su último proyecto como banda: Let it be. Fuera como fuese, el grupo se disolvió y nunca más volvieron a tocar todos juntos. Pero durante los diez años que lo hicieron, dejaron perlas que la historia de la música guardará para siempre. Hoy vamos a recorrer todos los LPs de estudio que grabaron en ese periodo. I Saw Her Standing There aparece en el primero de ellos: Please, please me. Fue escrita principalmente por Paul McCartney. Según el biógrafo de los Beatles Mark Lewisohn, McCartney trabajó los acordes y los cambios para la canción. La completó un mes más tarde trabajando conjuntamente con Lennon. Una curiosidad, en los títulos de crédito de la composición aparece "McCartney-Lennon", algo diferente al más familiar "Lennon-McCartney" que aparece en los lanzamientos posteriores. I saw her stanting there Don't bother me (no me molestes) no es una gran canción, pero viene a colación porque fue la primera canción escrita por George Harrison estando en The Beatles. Realmente la escribió cuando estaba molesto por tener un resfriado, pero le cambió la letra para que tuviera un sentido amoroso y fue incluida en el álbum "With The Beatles" «If I Fell» se publicó en 1964 en el álbum A Hard Day's Night. Se publicó, asimismo, como lado B del sencillo «And I Love Her» y formó parte de la banda sonora de su primera película “Que noche la de aquel día”. La canción fue escrita principalmente por John Lennon, pero se acreditó, siguiendo la costumbre, como Lennon/McCartney. «If I Fell» fue parte del repertorio en vivo de la banda durante su gira por Estados Unidos y Canadá en 1964. En general, el grupo interpretó la canción más rápido que la versión de estudio, y Lennon y McCartney casi siempre la cantaban con una risa apenas contenida. Ahora bien, no se por qué. If I fell. Beatles for Sale es el cuarto álbum de estudio de la banda y se publicó el 4 de diciembre de 1964. Este álbum marcó un momento decisivo en la evolución de Lennon y McCartney como letristas, particularmente en Lennon, que estaba cada vez más interesado en componer canciones de naturaleza autobiográfica. La cara dos del disco se abría con «Eight Days a Week», un tema que para muchos es uno de los primeros ejemplos de experimentación en el estudio que la banda repetiría en el futuro. En dos sesiones de grabación del 6 de octubre de ese año 1964, que totalizaron cerca de siete horas, y que estaba dedicado exclusivamente a este tema, Lennon y McCartney intentaron una técnica de grabación tras otra antes de que pudiesen fijar el arreglo definitivo. Tras numerosas probatinas, por fin, la introducción de la guitarra al principio de la canción sería grabada en una sesión diferente e incorporada al resto de las grabaciones más tarde. «Eight Days a Week» fue inicialmente compuesta por Lennon , aunque la idea era de Paul, a quien le llamó la atención una frase de su chófer —«trabajando siempre, trabajando ocho días a la semana»— cuando lo llevaba a casa de John. Con ese punto de apoyo, compuso la canción inmediatamente Eight Days a Week (Beatles for Sale) «I Need You» (Te necesito) está incluida en el álbum Help! de 1965. Esta es la segunda canción escrita por George Harrison que es grababa, después de un largo paréntesis de dos álbumes. La canción forma parte de la banda sonora de la película ¡Help!. La canción, con una letra simple y melancólica, se refiere al enamoramiento, quizás no correspondido, de una persona hacia otra, así como al deseo de que sea parte de su vida. En esta canción, Harrison graba por primera vez con un pedal de efectos (más específicamente, el pedal de volumen de un órgano eléctrico, menudo derroche). La letra es personal y está relacionada con Pattie Boyd, actriz que Harrison conoció durante el rodaje de A Hard Day's Night, y con quien se casó en enero de 1966. Como sabéis, más adelante se haría muy amiga de Eric Clapton. «In My Life» está incluida en el sexto álbum de estudio, Rubber Soul, que fue lanzado el 3 de diciembre de 1965. Fue escrita principalmente por John Lennon y, como siempre, acreditada a Lennon/McCartney. También, como casi siempre, el álbum fue producido por George Martin, que también toca el teclado en el solo de «In My Life». Según Lennon, escribió la canción en forma de un largo poema evocando su infancia. Al no estar conforme con esta primera versión, volvió a trabajar la letra, reemplazando los recuerdos específicos con una meditación generalizada sobre su pasado. La música la terminó con Paul McCartney. Lennon dijo que la contribución de McCartney fue la armonía de los ocho compases centrales o sección del puente musical de la canción (aunque esa es la parte en la que el productor George Martin toca el solo de teclado). Paul McCartney aclaró en una entrevista que él puso música a la letra de Lennon de principio a fin. Hay que ver… ya empezamos. La canción fue grabada el 18 de octubre de 1965, y finalmente fue George Martin el que compuso e interpretó, con un sonido “barroco”, el solo de piano. En un primer momento, Martin vio que su solo, tal y como lo había compuesto, no se podía reproducir en el tempo de la canción, así que, volvió a grabar el solo una octava por debajo del anterior y la velocidad de la cinta fue doblada para su grabación, resolviendo el problema del rendimiento y dándole al solo de piano un timbre único, parecido al de un clavecín. Un gran profesional este George Martin. «She Said She Said», que forma parte del álbum Revolver, apareció en 1966, fue escrita por John Lennon inspirándose en los comentarios del actor Peter Fonda durante un "viaje" de LSD en 1965, acompañado por todos los miembros del grupo. Los Beatles, que se encontraban de gira por Estados Unidos en 1965, estaban en una casa alquilada en California con el actor Peter Fonda tomando LSD. Cuando George le dijo al actor que se moría, el actor le dijo que cuando tenía 10 años se había disparado accidentalmente en el estómago a sí mismo, y que su corazón se paró tres veces: “sé cómo es estar muerto”, a lo que John respondió: “me estás haciendo sentir como si no hubiera nacido nunca. ¿Quién te ha metido toda esa mierda en la cabeza?”. Bueno pues, fruto de la psicodelia y de este trajín que se llevaban, salió She Said She Said. Otra curiosidad, esta es una de las pocas canciones en las que Paul no participa, porque se negó a tocar después de una discusión. El bajo lo toca Harrison. «A Day in the Life», «Un día en la vida», es el último tema del álbum Sgt. Pepper's Lonely Hearts Club Band, de 1967 y también una de las últimas veces en que realizaron una canción juntos como en sus primeros años. Mientras la letra de Lennon estaba inspirada en artículos periodísticos de aquella época, McCartney se inspiró en su juventud. Inicialmente la BBC prohibió la difusión de la canción porque uno de sus versos, “Me encantaría excitarte” se suponía que hacía referencia a las drogas. Las dos secciones de la canción fueron divididas por un puente de 24 compases. Al principio, no estaban seguros sobre cómo unir estas transiciones. Así, que al terminar la grabación de las pistas base, la canción solamente consistía en una simple repetición de cuerdas de piano y la voz del asistente Mal Evans contando los compases. La voz de Evans iba aumentando gradualmente en eco. Esta canción está considerada por muchos como una de las obras maestras de la banda de Liverpool y como una de las mejores canciones de la historia. De hecho, ocupa el puesto 28 de las 500 más grandes canciones de todos los tiempos, según la revista Rolling Stone. The fool on the hill es una canción compuesta e interpretada por Paul McCartney, y está incluida en el álbum de 1967 Magical Mystery Tour y , por supuesto, en la película del mismo título de ese mismo año. La grabación de la pista de ritmo base empezó el 25 de septiembre y fue resuelta en una sola sesión. Más tarde se añadieron sucesivas pistas, la de bajo, flautas, John y George tocaron la armónica y Paul grabó una flauta dulce doblada. La batería y la voz principal se agregaron más tarde en una cuarta toma. Por cierto, ese mismo 25 de septiembre también estuvo presente en la sesión, Yoko Ono, en la que fue, probablemente, la primera visita de la futura esposa de John a las sesiones de The Beatles. While My Guitar Gently Weeps», "Mientras mi guitarra llora suavemente", está escrita por George Harrison e incluida en The White Album. La composición interesó poco en los otros tres Beatles. La grabaron varias veces, pero no parecía funcionar. Ninguna de las tomas que se hicieron dejaban satisfecho a Harrison hasta, casi aborrecido de la canción, que pidió a Eric Clapton que grabara con ellos y tocara él el solo de guitarra. Clapton se resistía, pero Harrison lo convenció y al final Eric tocó. Harrison dijo más tarde que, además de su solo, la presencia de Clapton tenía otro efecto sobre la banda: ". Los hizo esforzarse más, sacar lo mejor de sí. Clapton quería un sonido "Beatle", por lo que el solo se ejecutó a través de un circuito ADT, -un artilugio que genera artificialmente una segunda pista, para doblar el instrumento. Y esto fue porque Eric no quería un sonido Clapton en un disco de los Beatles. De esta grabación nació la leyenda urbana de que Paul está muerto. Y es que, durante el solo, se escucha la voz de Harrison diciendo una frase que suena como "Oh Paul, Oh Paul". “Mientras mi guitarra llora suavemente” «Come Together», “Juntémonos”, fue escrita por John Lennon. La canción es la primera en el álbum de septiembre de 1969, Abbey Road. Es curioso pero esta canción comenzó como un intento de Lennon por escribir una canción para Timothy Leary en su campaña electoral por ser el gobernador de California en donde compitió contra Ronald Reagan. "Come Together" fue demandada por plagio en 1973 por la editora musical de Chuck Berry, porque una línea en "Come Together" tiene parecidos con una línea de "You Can't Catch Me" de Chuck Berry. Después de solucionarlo en el juzgado, Lennon prometió grabar otras canciones pertenecientes a Chuck Berry, las cuales fueron lanzadas en su álbum de 1975, Rock 'n' Roll. Come together. Let It Be es el último álbum de estudio lanzado por la banda, a pesar de que fue grabado antes que Abbey Road. El disco salió al mercado el 8 de mayo de 1970. Se trata de un álbum controvertido desde su concepción. Se habían propuesto grabar un álbum para tocar un último concierto en vivo, tal vez en un barco o en un lugar público. Por tanto, las sesiones de grabación deberían ser filmadas. Los ensayos fueron tensos, muy tensos y por primera vez el trabajo en el estudio fue más una labor individual que colectiva, por cuanto la mayoría de las canciones no requerían que toda la banda grabara al mismo tiempo o estuviera incluso a la vez en el mismo estudio, sino que cada compositor fuera grabando individualmente en múltiples sesiones, y utilizando a los otros miembros como músicos de estudio. Las sesiones empezaron el 2 de enero de 1969, y enseguida se vio que aquello no funcionaba. Solo Paul McCartney mostraba interés por sacar el grupo hacia delante y ofrecer un producto de calidad; John Lennon (acompañado por la inseparable Yoko Ono) pasaba por una etapa de adicción a las drogas que redujeron al mínimo su interés por la música de la banda, mientras que George Harrison, consciente de su valía como músico y compositor, se consideraba menospreciado por sus compañeros. El resultado fue que para el 10 de enero, y tras una agria discusión con McCartney, George Harrison anunciara su decisión de dejar el grupo. Aunque un sarcástico Lennon propuso sustituirlo por Jimi Hendrix o Eric Clapton y seguir como si nada importara, finalmente la situación se recompuso y fue cuando se sumo al grupo el pianista Billy Preston. La cuestión acerca de dónde, cuándo y cómo se iba a hacer el concierto se debatió desde los primeros días de las sesiones. Después de barajar ideas descabelladas (tocar en un hospital rodeados de niños enfermos, a bordo de un barco con multitud de admiradores, o frente a las pirámides de Egipto con un público formado por beduinos del desierto), se optó finalmente por una idea ingeniosa que a todos satisfizo: Nos subimos al tejado del edificio, enchufamos los instrumentos y nos ponemos a tocar allí mismo. Dicho y hecho. A la hora de la comida del 30 de enero, The Beatles tocaron el que era el primer "concierto" desde la gira americana de 1966 y el último de su carrera. The Beatles tocaron hasta que las quejas de los vecinos de la zona llevaron a la policía a poner fin al concierto. Varias de esas canciones terminaron por incluirse en el disco Let It Be. ¿Get Back? ¿Volver?, volver a los inicios para acabar. Y final del cuento. Así termina, en el tejado, la historia de una banda que cambió el devenir de la música popular, que influyó en numerosos artistas y que acompaño, nos acompañó, a muchos en nuestra andadura vital. Sin su aportación nuestra vida habría sido de otra manera. ¿mejor?, no creo, ¿peor?, seguro que no. Hasta la próxima semana amigos, hola y adiós.

Playlist: 01) The Beach Boys / Wouldn't It Be Nice (Stereo Mix)        The Pet Sounds Sessions, 1966 02) The Beatles / Lucy In The Sky With Diamonds (2017 mix)       Sgt. Pepper's Lonely Hearts Club Band [Disc 1], 1967 03) The Kinks / Big Sky (2018 Stereo Remaster)       The Kinks Are The Village Green Preservation Society, 1968 04) Small Faces / Song of a Baker (Alternate USA Mix) (2018 Remaster)       Ogdens' Nut Gone Flake-50th Anniversary Edition (2018 Remaster), 1968 05) Pink Floyd / Pink Floyd-Money (remastered&edited)       The Dark Side Of The Moon, 1973 06) David Bowie / Ziggy Stardust (2012 Remaster)        The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, 1972 07) The Who / The Dirty Jobs         Quadrophenia (remixed), 1973 08) The Beatles / A Day In The Life (2017 mix)        Sgt. Pepper's Lonely Hearts Club Band, 1967 09) The Beach Boys-God Only Knows (Stereo Mix)       The Pet Sounds Sessions, 1966 10) The Kinks / Animal Farm (2018 Stereo Remaster)        The Kinks Are The Village Green Preservation Society, 1968 11) Small Faces / Rollin' Over (Stereo Version) (2018 Remaster)       Ogdens' Nut Gone Flake-50th Anniversary Edition (2018 Remaster), 1968 12) Pink Floyd / Brain Damage       The Dark Side Of The Moon, 1973 13) David Bowie / Starman (2012 Remaster)       The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, 1972 14) The Who/ The Punk And The Godfather        Quadrophenia (remixed), 1973

Here's another sample of our weekly conversation with friends. This is the new norm people...and we're making the best of it! Thanks again to Tom Bombard, Matt Coxe, Shawn Farmer & Mark Glubke for the awesome perspective and more importantly for being awesome human beings!Songs sampled:The Beach Boys – “Here Today” from Pet Sounds (1966)The Beatles – “Fixing A Hole” from Sgt. Pepper's Lonely Hearts Club Band (1967)Steely Dan – “Peg” from Aja (1977)Alice Cooper – “A Runaway Train”(featuring Vince Gill) from Welcome To My Nightmare 2 (2011)Warrior Soul – “We Cry Out” from Last Decade Dead Century (1990)JJ Grey & Mofro – “The Hottest Spot In Hell” from Georgia Warhorse (2010)Alice Cooper – “For Veronica’s Sake” from From The Inside (1978)Five Man Electrical Band – “Signs” from Good-byes and Butterflies (1970)Electric Light Orchestra – “One Summer Dream” from Face The Music (1975)Def Leppard – “Stagefright” from Pyromania (1983)Kiss – “Got Love For Sale” from Love Gun (1977)The Beach Boys – “Catch A Wave” from Endless Summer (1974)Paul McCartney – “Uncle Albert/Admiral Halsey” from RAM (1971)U2 – “A Sort of Homecoming” from The Unforgettable Fire (1984)Spotify Playlist

Ira Ironstrings [00:55] "The Huckle-Buck" The Best Damned Dance Band in the Land Warner Bros. W 1380 1960 Alter-ego of pedal steel guitar pioneer Alvino Rey (https://youtu.be/u3YNnEBu5zk). Ohio Express [03:58] "Yummy, Yummy, Yummy" The Best from Buddah Buddah Records BDS 5000 Bubblegum truly is yummy. Terry Baxter and his Orchestra [06:20] "Take a Letter Maria" The Best of '70 Columbia Musical Treasuries P3S 5454 1970 An easy-listening cover of the R.B. Greaves smash hit (https://youtu.be/Z9Y0x1jLkLg) from 1969. Be-Bop Deluxe [08:44] "Maid in Heaven" The Best of and the Rest of Be-Bop Deluxe Harvest SKBO-11870 1979 From their 1975 album Futurama, this features some excellent pop guitaring (https://youtu.be/eYiJH6_SfHE?t=33) from Mr. Nelson that reached no. 36 in the UK but struggled to succeed in the US. Bob Marley & Peter Tosh with the Wailers [12:09] "Soul Shake Down Party" The Best of Bob Marley & Peter Tosh with the Waylers Star Bagger BAG 1502 1981 Pretty solid song from a South African compilation that spells the band's name with a y. Earth Wind & Fire [15:19] "Got to Get You into My Life" The Best of Earth Wind & Fire, Vol I ARC AL 35647 1978 A very groovy cover of the Beatles groove, as performed in the film Sgt. Pepper's Lonely Hearts Club Band (https://youtu.be/DyeTnDvuUCs), which we'll get to later in this season of Vinyl-O-Matic. Miriam Makeba [19:23] "Iya Guduza" The Best of Miriam Makeba RCA Victor LSP-3982 1968 Some fine afro-pop from the Mama Africa. Henry Mancini [21:37] "A Shot in the Dark" The Best of Mancini Volume 2 RCA Victor LSP-3557 1966 The theme from the 2nd Pink Panther film (https://youtu.be/v8K1e2hxqs4), and also the theme to the Inspector Clouseau animated shorts (https://youtu.be/q2O3Yeo11Ec) that would appear in the Pink Panther Show. Mel Tillis [25:20] "Little Ole Wine Drinker Me" The Best of Mel Tillis MCA Records MCA2-4091 Mel takes a fine turn at the Charlie Walker hit made famous by both Robert Mitchum and Dean Martin. Hmm, and now that I think of it... Dean Martin played the drunk lawman in Rio Bravo (https://youtu.be/WPO12ZzGS84) and Robert Mitchum played the drunk lawman in El Dorado (https://youtu.be/OfGvw2bSgTY). The Beach Boys [28:02] "In My Room" Best of the Beach Boys Capitol Records DT 2545 1966 Seems as though one might take this as a positive outlook on the current situation. The Beach Boys [30:17] "Don't Worry Baby" Best of the Beach Boys, Vol. 2 Capitol Records DT-502706 1967 Brian's attempt to capture the magic of The Ronette's "Be My Baby" (https://youtu.be/5KH6e_6O_dE). Not bad, but not quite. The Beau Brummels [33:06] "Here We Go Again" The Best of the Beau Brummels, 1964-1968 Rhino Records RNLP 101 1981 The Bay Area's own Beau Brummels with one of their singles that sadly failed to chart but is pretty awesome. Also, The Beau Brummelstones?! Merle Haggard [36:58] "Mama Tried" The Best of the Best of Merle Haggard Capitol ST 511082 1972 According to the sleeve, Merle had a toy terrier named WaWe, who is pictured on the back cover. Her sone Pepper is on the front cover. You need to know these things, right? The Stylistics [39:08] "I'm Stone in Love with You" The Best of The Stylistics AVCO AV-69005-698 1975 When I grow up to be a man? Isaac Hayes [42:28] "I Stand Accused" The Best of Isaac Hayes Enterprise ENS-7510 1974 Some solid soul to be sure. Herman's Hermits [49:21] "Sea Cruise" The Best of Herman's Hermits MGM E-4315 1965 It's no Huey Piano Smith/Frankie Ford (https://youtu.be/jO2t50679Vs) rendition, but not bad for a bunch of limeys. Music behind the DJ: "Love Grows Where My Rosemary Goes" by Terry Baxter and his Orchestra

RHOZ Podcast - 12-4-2020 [00:00:00] 6:00 am - RHOZ [00:00:11] All hits weekend Dj Fritz [00:00:14] 277 - 277 - Todd Rundgren - I Saw The Light [00:03:04] Culture Club - Karma Chameleon [00:07:05] Kenny Chesney - She Thinks My Tractor Is Sexy [00:11:05] All hits Easter Weekend [00:11:11] 102 - 102 - The Beatles - Revolution [00:14:31] John Travolta - Greased Lightning [00:17:40] Taylor Swift - Teardrops on My Guitar [00:21:11] All hits Easter Weekend [00:21:16] 321 - 321 - Pink Floyd - Young Lust [00:24:41] The Contours - Do You Love Me [00:27:29] Kenny Chesney - Don't Blink [00:31:39] All hits weekend [00:31:44] 285 - 285 - Chicago - 25 Or 6 To 4 [00:36:30] Goo Goo Dolls - Name [00:40:52] Toby Keith - Red Solo Cup [00:44:31] Dj Fritz 4 day Easter weekend [00:44:36] 225 - 225 - Steely Dan - Do It Again [00:50:20] O.M.D. - So In Love With You [00:53:41] Garth Brooks - Ain't Going Down Till the Sun [00:58:10] All hits weekend [00:58:15] 312 - 312 - Paul Simon - Kodachrome [01:01:36] Eric Clapton - Wonderful Tonight [01:04:39] Little Big Town - Fine Line [01:08:36] Dj Fritz 4 day Easter weekend [01:08:40] 371 - 371 - James Gang - Funk #49 [01:12:25] Golden Earring - Radar Love [01:18:45] Kenny Chesney - She Thinks My Tractor Is Sexy [01:22:45] Dj Fritz 4 day Easter weekend [01:22:50] 146 - 146 - Bruce Springsteen - Glory Days [01:26:56] Bachman-Turner Overdrive - You Ain't Seen Nothin' Yet [01:30:24] Toby Keith - Cryin' For Me (Wayman's Song) [01:35:04] All hits Easter Weekend [01:35:10] 398 - 398 - The Guess Who - No Sugar Tonight [01:39:53] K.C. & The Sunshine Band - (Shake, Shake, Shake) Shake Your Booty [01:42:51] Emerson Drive - Moments [01:47:42] Dj Fritz Live.m4a [01:47:46] 085 - 085 - The Beatles - Sgt. Pepper's Lonely Hearts Club Band & With A Little Help From My Friends [01:52:28] Buddy Holly - Peggy Sue [01:54:54] Hank Williams Jr & Sr - There's a Tear in My Beer [01:57:42] Dj Fritz Live2.m4a [01:57:46] 208 - 208 - ZZ Top - Tush [01:59:57] house of pain - Jump Around [02:03:25] Trace Adkins - You're Gonna Miss This [02:07:06] Dj Fritz Live.m4a [02:07:09] 144 - 144 - Styx - Come Sail Away [02:12:54] The Jacksons - Blame It On The Boogie [02:16:24] Toby Keith - Red Solo Cup [02:20:03] All hits Easter Weekend [02:20:09] 156 - 156 - The Rolling Stones - Under My Thumb [02:23:42] K.C. & The Sunshine Band - I'm Your Boogie Man [02:27:20] Rascal Flatts - Here Comes Goodbye [02:31:20] Dj Fritz Live2.m4a [02:31:24] 479 - 479 - The Rolling Stones - Let It Bleed [02:36:44] Whitney Houston - I Will Always Love You [02:41:07] Big & Rich - Rollin' (Cowboy Troy) [02:45:58] All hits weekend Dj Fritz [02:46:01] 383 - 383 - Steve Winwood - Arc Of A Diver [02:51:27] Billy Idol - Rebel Yell [02:56:11] Joe Nichols - It Ain't No Crime [02:59:45] All hits Easter Weekend [02:59:50] 115 - 115 - The Beatles - Come Together

Inaugurando uma nova série no seu feed, apresnetamos o Clube do Disco! Uma vez por mês, falaremos sobre um disco clássico, o momento que foi gravado, e qual a importância de conhecer essa obra. O primeiro disco da série é o Sgt. Pepper's Lonely Hearts Club Band, oitavo álbum da banda inglesa The Beatles, e vamos conversar sobre porque ele inaugura a era do álbum, e todas as inovações que influenciam até hoje o jeito que fazemos e consumimos música. www.semibreves.com.br e-mail: semibrevespodcast@gmail.com Facebook: www.facebook.com/semibrevespod Instagram: @semibrevespod Twitter: @semibrevespod Apresentação: Pedro Janczur e Daniel Lima Produção: Pedro Janczur e Daniel Lima Edição: Pedro Janczur Consultoria Técnica: Marco Bonito

A special guest joins us to talk about S:1E:8 Love and War and Snow. This episode will be filled with laughing, snow talk and some talk about the fruit bowl. Synopsis: This episode starts at our first town meeting, where we learn about the reenactment of the legendary Battle of Stars Hollow. We learn about Lorelai's love of snow. Lane and Rory have a small fight when Rory isn't there for Lane when dealing with a crush who's hair she runs her hair through. Lorelai and Max have their first date. The town's reenactors drive Luke crazy. Luke's cap reference: https://m.zimbio.com/Fun+Facts+All+Hardcore+'Gilmore+Girls'+Fans+Need+to+Know/articles/5RazsNuFJkI/There+reason+Luke+wears+backwards+baseballSomeone to Watch Over Me by Rickie Lee Jones https://youtu.be/YeCLnbl7SlE Pictures of You by The Cure https://open.spotify.com/track/209r0VNkLHuAMVnJ97AdaY?si=ZwQ-64P2Qs-WQRAo2yuESQ Sgt. Pepper's Lonely Hearts Club Band https://www.thebeatles.com/album/sgt-peppers-lonely-hearts-club-band Eat Like a Gilmore The Unofficial Cookbook for Fans of Gilmore Girls https://www.amazon.com/dp/151071734X/ref=cm_sw_r_em_apa_i_DcSEEbKF4JHKQ Authors mentioned: Jane Austen https://en.m.wikipedia.org/wiki/Jane_Austen Hunter Thompson https://en.m.wikipedia.org/wiki/Hunter_S._Thompson Charlotte Brontë https://en.m.wikipedia.org/wiki/Charlotte_Bront%C3%AB Judy Blume https://en.m.wikipedia.org/wiki/Judy_Blume Emily Dickinson https://en.m.wikipedia.org/wiki/Emily_Dickinson

In this third Beatles-centric episode, Vinnie goes into detail on the making of one of the greatest rock albums of all time, discussing the story behind every track of the Sgt. Pepper's Lonely Hearts Club Band album and how each song was made.

It's Part Two of this special double episode where Steve Carroll and JP Camara, hosts of the wonderful podcast You Can Do It, Do It, join WDWM to discuss their mutual blindspot - The Beatles. For this episode, Matt and Tony assigned them a playlist made up of songs from the albums A Hard Day's Night, Revolver, Magical Mystery Tour, and Abbey Road (plus one bonus track from Sgt. Pepper's Lonely Hearts Club Band) to give Steve and JP a foot in the door with arguably the most important and influential rock band, well, ever. Throughout this double episode - the WDWM White Album if you will - the conversation covers what kept Steve and JP at an arm's length from an otherwise inescapable band, their reactions to and the significance of the songs selected for this episode, Matt and Tony's own history with The Beatles, and the importance of having an open mind.

We take a quick one episode break from TNA 2010 to listen to one of the best albums in music history.One of the greatest concept albums in history, The Wrestling Album is up there with Sgt. Pepper's Lonely Hearts Club Band, Illmatic, Pet Sounds and London Calling.In all honesty this album could make your ears bleed. From the vocals of Junkyard Dog and Rowdy Roddy Piper to the blood feud between Rick Springfield and Jimmy Hart, this album has it all!Sit back and enjoy the first album crossover between pro wrestling and music.Follow us on Instagram @ Strangerringspod

Matt and Tony have some pretty glaring blindspots, which is why they started What Did We Miss?, but this week's guests have a doozy. Steve Carroll and JP Camara, hosts of the wonderful podcast You Can Do It, Do It, join WDWM to discuss their mutual blindspot - The Beatles. For this episode, Matt and Tony assigned them a playlist made up of songs from the albums A Hard Day's Night, Revolver, Magical Mystery Tour, and Abbey Road (plus one bonus track from Sgt. Pepper's Lonely Hearts Club Band) to give Steve and JP a foot in the door with arguably the most important and influential rock band, well, ever. Throughout this double episode - the WDWM White Album if you will - the conversation covers what kept Steve and JP at an arm's length from an otherwise inescapable band, their reactions to and the significance of the songs selected for this episode, Matt and Tony's own history with The Beatles, and the importance of having an open mind. Stay tuned for Part Two, which will drop next Wednesday!

The Beatles need no introduction. We all know them and their legacy. We all know how they shaped popular music for decades to come. But did you know that eleven years after the release of Sgt. Pepper's Lonely Hearts Club Band the forces of money and cocaine collided, causing a terrible supernova known as Sgt. Pepper's Lonely Hearts Club Band -- THE MOVIE?! Helmed by a doe eyed Peter Frampton and the drug addled husks of The Bee Gees, masterminded by their manager, and rounded out with a cadre of cartoon voiced actors, Sgt. Pepper was a cultural and critical failure, earning the ire of movie and music critics alike, not to mention fans. Filtered through layers of blue eyed soul, vocoder and drug psychosis, the once iconic songs of The Beatles are hollowed out and butchered on the film's soundtrack. Joe Streeter (Have A Nice Life, Giles Corey, CONSUMER) joins Mike and Heather to endure this butchery. Now it's your turn.

The Beatles need no introduction. We all know them and their legacy. We all know how they shaped popular music for decades to come. But did you know that eleven years after the release of Sgt. Pepper's Lonely Hearts Club Band the forces of money and cocaine collided, causing a terrible supernova known as Sgt. Pepper's Lonely Hearts Club Band -- THE MOVIE?! Helmed by a doe eyed Peter Frampton and the drug addled husks of The Bee Gees, masterminded by their manager, and rounded out with a cadre of cartoon voiced actors, Sgt. Pepper was a cultural and critical failure, earning the ire of movie and music critics alike, not to mention fans. Filtered through layers of blue eyed soul, vocoder and drug psychosis, the once iconic songs of The Beatles are hollowed out and butchered on the film's soundtrack. Joe Streeter (Have A Nice Life, Giles Corey, CONSUMER) joins Mike and Heather to endure this butchery. Now it's your turn. Proud member of the Pantheon Podcast Network.

Presenter: Tina Daheley Producer: Kirsty Starkey According to Freedom of Information requests made by the Bureau of Investigative Journalism almost 700 cases of alleged domestic abuse involving police officers and staff were reported in the three years to April 2018. An official “super-complaint” is to be launched and central to that are at least 12 cases where women have made allegations of domestic abuse and sexual violence against an officer, only for the case to be dropped and, on occasion, for the alleged victim to be arrested and intimidated. We’ll hear from Harriet Wistrich lawyer and founding director of the Centre for Women’s Justice who are bringing the complaint and two female Police officers, one serving and one former, who are bringing a claim against Gwent Police. Jann Haworth is the co-creator of The Beatles' iconic Sgt. Pepper's Lonely Hearts Club Band album cover. Regarded as one of the leading figures of the British Pop Art movement she was also seen as a pioneer in the face of the 1960’s American feminist movements. Creator of soft sculpture, she is an advocate for the representation of women in the art world and talks to Tina about her current exhibition at Pallant Gallery in Chichester. Amaryllis Fox was just 21 when she was recruited by the CIA. Posing as an art dealer she infiltrated terrorist networks in the Middle East and Asia. She’s written a memoir ‘Life Undercover’ about her career with the CIA and joins Tina to discuss. Interviewed Guest: Harriet Wistrich Interviewed Guest: Jann Haworth Interviewed Guest: Amaryllis Fox

Enjoy this bonus episode on The Beatles' Sgt. Pepper's Lonely Hearts Club Band, recorded back in 2017 to celebrate the release of the remixed 50th anniversary edition. Email us: PopShieldPod@gmail.com 

In this episode the OMGeeks welcome Ed to the show. He and Jesse reveal the NEW podcast they will soon be adding to the Oh My Geek! network, and give a sample with a deep dive into the movie that many have called, "A movie." Yes, it's Sgt. Pepper's Lonely Hearts Club Band starring The Bee Gees, Peter Frampton, Aerosmith and George Burns. The OMGeeks also talk about the Brady Bunch house renovation and Ed shares some Ann B. Davis (Alice) stories. Jesse and Ed reminisce about Las Vegas trips and introduce everyone to the game Have You Met Ed? We list what movies we think have made the biggest impact on pop culture. Everyone vents about the possible remake of The Princess Bride. Follow the OMGeeks new podcast I Was Not Aware Of That on Instagram to be ready when the first episode drops. The Oh My Geek! podcast is recorded every week at Current Comics in Salinas, CA. Current Comics has all of your geek needs and two locations on the California Central Coast to choose from. Visit www.currentcomics.net for more information. Find to us on Stitcher! Listen anytime, anywhere.  Don't forget to subscribe, rate and comment! Follow us across social media: Instagram & Twitter: @ohmygeekpodcast Facebook.com/ohmygeekpodcast Feel free to drop us a line: show@omgeekshow.com

Better for September continues with the first ever Beatles original to be featured on Cover Me! "Getting Better" from Sgt. Pepper's Lonely Hearts Club Band is the topic of this week's episode! Stick around for our bonus segment to find out how we discover new music! Covers by: Status Quo, Big Daddy, Paul McCartney, Cheap Trick, Easy Star All-Stars, The Flaming Lips ft. Dr. Dog and Chuck Inglish and Morgan Delt, Barb Jungr and John McDaniels, The Moon Loungers Spotify playlist here

En el año 1967 llega por fin el icónico Sgt. Pepper's Lonely Hearts Club Band. y también tenemos la Banda Sonora Original de la película psicodélica Magical Mistery Tour. canalextremadura.es

Quizmaster Marc returns from his vacation to join Quizmaster Lee for an episode chock full of trivia, "cerebro a cerebro" style! Lee comes clean about a trivia debacle that occurred while he was covering one of Marc's games. Round One THE BEATLES - Name three songs off of Sgt. Pepper's Lonely Hearts Club Band, not including the first and penultimate tracks (which are self-titled). NBA BASKETBALL - The Charlotte Hornets, a professional basketball team that was first active from 1988-2002, spawned what other NBA team after the franchise relocated, keeping the hornets name, history and records until the NBA returned them to Charlotte in 2013? CULTURE - “Blue Laws” prohibit certain activities when? 1980s POP CULTURE - What "exclusive" line of jackets gained popularity in the 1980s, known for its collar strap and knitted trim? DEAD VIDEO FORMATS - In 2002, Sony ended production of its recorders using what doomed video standard? MOVIES & METAL - What 1990’s metal band was named after a 1932 horror film which starred Bela Lugosi, which itself was based on a play titled "The Magic Island" by William Seabrook? Missed Corrections “I was just listening to episode 45 "Bodice Rippers", and when you all were trying to suss out the question about Henry VIII's wives, I kept screaming "divorced, beheaded, she died; divorced, beheaded, survived!", which is a rather macabre way to remember how many wives he had, and what became of them. TECHNICALLY the two "divorces" were actually annulments, but same difference to us heathens. – Joee, MN Round Two 1970s DISCO - Guitarist Nile Rogers and the late bassist Bernie Edwards formed what disco band in 1976, known for hits such as "le Freak" and hit "Good Times", a song famously sampled in the Sugarhill Gang’s “Rapper's Delight?” TELEVISION - Private Practice spun off from what other TV show? MARSUPIALS IN POP CULTURE - What kind of marsupial had their own animated sitcom, produced by Warner Bros., which aired from 1991 to 1994 on Fox? U.S. AGRICULTURE - In 2001, what surpassed tuna as America’s most eaten seafood? ANIMAL BYPRODUCTS - A resin secreted by female bugs on trees in the forests of India and Thailand, used primarily in the finish of furniture and musical instruments, as well as to add wax to produce sold in stores, is called what? HORTICULTURE & BOTANY - A tree that loses its leaves every year is called what? Rate My Question “In 1911, using skis and sled dogs, Roald Amundsen and his crew were the first to reach the South Pole. Just over a decade later in 1926 he would lead the first verified expedition to the North Pole. Previous claims to have reached the North Pole via ships and sled dogs proved to be inaccurate or outright fraud. What method did Roald used to finally reach the Pole?” – Aaron, NY Final Questions AFRICAN GEOGRAPHY - Antananarivo is the capital of which African country? UNUSUAL DEATHS - In 1597, the mayor of Braunau am Inn, Austria fell down a flight of stairs to his death after tripping over what, an object that is still on display at the town's historical museum? Weekly Wrap Up Winners List May 8, 2019 @ Nice Guys Pizza - Steve's Silky Touch/Lowering the Bar (52 pts.) May 9, 2019 @ No. 3 Craft Brews & Beer Bar - No Pants Friday (101 pts.) May 11, 2019 @ No. 3 Craft Brews & Beer Bar - Platinum Level Passholders - (76 pts.) May 13, 2019 @ 3 Pepper Burrito Co. - The Damp Duo (37 pts.) May 15, 2019 @ Bury Me Brewing Co. - DFWM (79 pts.) May 16, 2019 @ No. 3 Craft Brews & Beer Bar - Peanut the dog Barked at Our Ethnically Ambiguous Teammate (99 pts.) Upcoming LIVE Know Nonsense Trivia Challenges May 20, 2019 - Downtown Fort Myers, FL – 7:30 PM @ 3 Pepper Burrito Co. (KNOW NONSENSE QUESTION: US HISTORY chosen by DUFFY THE DELIVERY GUY) May 22, 2019 – Fort Myers, FL – 7:00 PM @ Bury Me Brewing Co. (KNOW NONSENSE QUESTION: FACEBOOK SECURITY FLUBS chosen by TEAM HACKERSPACE) May 23, 2019 – Cape Coral, FL – 7:30 PM @ No. 3 Craft Brews & Beer Bar (KNOW NONSENSE QUESTION: PORSCHE chosen by WHATEVER YOU WANT IT TO BE) Thank you Thanks to our supporters on Patreon. Thank you, Quizdaddies – Tommy (The Electric Mud) and Tim (Pat's Garden Service) Thank you, Team Captains – Kristen & Fletcher Thank you, Proverbial Lightkeepers – Elyse, Aaron, Sarah, Brina, Karly, Kristopher, Josh, Gil, Sheri, Shaun, Lucas and Max Thank you, Rumplesnailtskins – Mike J., Mike C. If you'd like to support the podcast and gain access to bonus content, please visit http://theknowno.com and click "Support."

It's been a bit of a wait, but we swear...it was worth it. On this episode, we take on our White Whale - the unlistenable horror that is the entire Sgt. Pepper's Lonely Hearts Club Band album "reimagined" by The Flaming Lips and a Cast of Thousands! Whatever you're imagining. we promise you, it's worse. But it inspires one of our best episodes. Join us in Wayne Coyne's giant hamster bubble of sonic torture, and enjoy!

Before Sgt. Pepper's Lonely Hearts Club Band or the White Album, there was Help! by The Beatles. There's not much complexity in this album, unlike some other albums we've looked at, but this one holds a unique charm that makes it stand out from all of the rest. It remains a timeless classic album today, thanks to John, Paul, George, and Ringo: The Beatles' Help!

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to. Joining Tim this time is Beatle Academic Chris Shaw, who can identify every photo on the cover of Sgt. Pepper's Lonely Hearts Club Band but still struggles to find anyone else who can remember action comedy cartoon Bailey's Comets, Trade Test Transmission film Evoluon, BBC2 muso how-to show Rock School, live action/animation movie The Phantom Tollbooth, Radio London phone-in host Robbie Vincent, and Fighting Fantasy phone-in role-playing game F.I.S.T.. Along the way we'll be listening to Herbie Hancock jamming with Emu, revealing why you should never employ Freddie Phillips as your punchline writer, and looking into what happened in that weird bit of the television listings where the font went a bit smaller than the rest of it. You can find more editions of Looks Unfamiliar at http://timworthington.org/

Recordareis que habíamos dejado de citar a uno de los grupos que también tuvieron una enorme importancia en el prestigioso grupo que denominamos “de vanguardia”. Esta banda no es otra que Jethro Tull. Jethro Tull fue una banda de rock progresivo británica, que comenzó su andadura a finales de 1967, hasta su separación en el 2014, siendo uno de los grupos de rock más longevos. Desde sus inicios, este grupo ha vendido más de 60 millones de copias de sus más de 30 álbumes, siendo uno de los grupos con mayores ventas de la historia del rock. Siempre ha sido liderado por el cantante y flautista escocés Ian Anderson, que es el autor de prácticamente todas las canciones del grupo, y de hecho el grupo se ha comportado siempre como el apoyo de este músico, y es que es el único que ha estado en toda la historia de la banda desde el primer disco, y solo el guitarrista Martin Barre se le acerca, estando en el grupo desde el segundo. La banda logró mucha popularidad en la primera mitad de los años setenta con álbumes emblemáticos en la historia del rock como Aqualung y Thick as a Brick, y con el tiempo llegó a convertirse en un grupo de culto. Hemos escuchado el corte que da título al disco, Agualund. Oiremos ahora Thick as a brick, otra delicia de canción, perteneciente al disco del mismo título. La música de este grupo, encuadrada en el rock progresivo, constituye una mezcla muy original de blues, folk inglés y hard rock, con pinceladas de música barroca, música medieval inglesa e incluso renacentista. El grupo desarrolla además una vertiente dedicada a originales canciones acústicas de difícil clasificación. En su sonido, destaca de forma particular la flauta de Ian Anderson, tocada de una forma magistral, que ha sido y sigue constituyendo una de las inconfundibles características de la banda, así como el sonido desgarrado de la guitarra eléctrica de Martin Barre, finamente entrelazado con el de la flauta de Anderson. Vamos a pararnos por un momento en una serie de solos de este magnífico guitarrista: Martin Barre a la guitarra. Bien, no? Una grandísimo instrumentista. Durante algunos años, el grupo incluyó también, al mismo tiempo, dos brillantes teclistas, con lo que obtuvo un sonido de particular colorido y dimensión: los maestros John Evan y David Palmer. Este último realizaba además los arreglos orquestales. La participación del sobresaliente bajista y cantante John Glascock, -fallecido en 1979- dotó a la banda de un timbre muy personal, con una segunda voz y un excelente apoyo vocal y armónico. La formación también ha utilizado una gran variedad de instrumentos, barrocamente combinados, en su mayoría tocados por el propio Ian Anderson, como el laúd, la mandolina, la balalaica, el saxofón, la armónica, la gaita, el acordeón y diversas clases de flautas. Salvo contadas excepciones, todos los temas interpretados por el grupo han sido compuestos por Ian Anderson, auténtico líder y factótum del grupo. Anderson es un personaje camaleónico, tanto en su aspecto como en su capacidad para reinventar continuamente su propia música, lo cual ha permitido a Jethro Tull mantenerse joven a pesar de los años. Los despedimos con otro de sus éxitos: Nothing Is Easy En esta época, y alejándonos ya de esta vanguardia, se dio un fenómeno de mercadotecnia que alumbró a una serie de grupos “fantasma” o que, por lo menos, no se regían como bandas al uso sino que servían fielmente a los intereses exclusivos de las discográficas. Lógicamente eran grupos comerciales a más no poder. Uno de ellos, que en España tuvo una buena acogida, fue Ohio Express. Este grupo estadounidense se creó a finales de la década de 1960, editó multitud de sencillos de éxito en sus orígenes, entre los que destaca Yummy Yummy Yummy. Tras su separación en 1970, el grupo ha vuelto a estar activo de forma esporádica. Aunque el nombre hacía referencia a un "grupo", es más realista considerar a Ohio Express como una marca empleada por la compañía discográfica Super K Productions para hacer dinero rápido. Otro de estos grupos que alcanzó el éxito en la época y que pertenece a la misma categoría de “Grupos Fantasma” son The Monkees. The Monkees fue una banda de rock formada en 1966 en Los Angeles y fue creada originalmente para una serie de televisión del mismo nombre en la cadena NBC. Los miembros de la banda fueron seleccionados entre más de 500 jóvenes (entre los rechazados estaban músicos que después fueron famosos como Stephen Stills, ya que los productores estaban más interesados en crear un producto comercial que tener músicos con talento que tocasen o compusiesen música). El espectáculo contaba con un sentido del humor irreverente, muy similar o más bien copiado al de "A Hard Day's Night", la primera película protagonizada por The Beatles; además de esto sólo dos de ellos eran músicos y el resto aprendió a tocar sobre la marcha. A partir del disco Headquarters ya podían tocar los instrumentos sin organizar ningún desaguisado en la grabación y así lo hicieron. Desgraciadamente para ellos salió a la venta el álbum de The Beatles, Sgt. Pepper's Lonely Hearts Club Band y fueron desplazados del número 1 después de sólo una semana. Además emprendieron junto a Jack Nicholson el proyecto de la película "Head", que fue un desastre; su programa fue cancelado y al poco tiempo Michael Nesmith, el único miembro de la banda con algo de talento, la abandonó comprendiendo que para sus creadores los Monkees sólo habían sido un producto y nada más. Curiosamente en esta época The Monkees rechazó grabar "Sugar Sugar" y la compañía, al ver la posibilidad de negocio con esta canción, creó un grupo de dibujos animados llamado The Archies, basado en la tira cómica Archie con cuyo nombre se publicó la canción. "Sugar Sugar" fue el mayor éxito de 1969. En su origen, los Archies tampoco tenían discos, porque su distribución se hacía a través de un especie de acetato integrado en el reverso de las cajas de cereales para el desayuno, que podía recortarse y reproducirse en un tocadiscos. Su mayor éxito: el citado Sugar Sugar. Pero el acontecimiento mundial del momento fue el regreso del Rey, la vuelta de Elvis Presley. A principios de 1968, cuando el cantante ya había vuelto de su aventura militar, estaba atravesando una crisis personal y profesional, y es que ni su vida privada ni su carrera pintaban nada bien. De los ocho sencillos que lanzó entre enero de 1967 y mayo de 1968, solamente dos figuraron en el top 40, y ninguno de éstos logró posicionarse más arriba del puesto número 28. Pero… la televisión volvió a salir en ayuda de Elvis. El día 3 de Diciembre de 1968 se emitió un programa, anunciado simplemente como Elvis, donde se presentaba a Presley cantando con una banda frente a una pequeña audiencia, convirtiéndose en la primera actuación en vivo del artista desde 1961. Interpretó varias de sus canciones en un estilo desinhibido semejante al de sus primeras interpretaciones de R&R. El show fue el más visto de la NBC en esa temporada y logró atraer a un 42% del total de la audiencia. Elvis había vuelto. Esta canción, If I Can Dream fue especialmente escrita para la ocasión. Empujado por el éxito del especial del regreso, Presley se sometió a una severa serie de sesiones de grabación en el American Sound Studio, que al final llevaron a la creación del aclamado álbum From Elvis in Memphis. Estrenado en junio de 1969, se convirtió en su primer álbum no inspirado en alguna película y surgido de un prolífico período en los estudios de grabación en ocho años, por lo menos. El álbum incorporó el sencillo «In the Ghetto», lanzado en abril y que alcanzó el tercer puesto en el pop chart —el primer éxito top ten no gospel de Presley desde «Bossa Nova Baby» en 1963. Y es en este momento cuando Elvis Presley aterriza en Las Vegas con gran éxito. En su debut, Presley se subió al escenario sin ninguna presentación. La audiencia de 2.200 personas, entre las cuales se hallaban varias celebridades, le dio una ovación de pie antes de que cantara siquiera una nota. Vamos a escuchar su famoso alegato a la ciudad del vicio: Viva las Vegas. Su mayor éxito en listas fue Suspicious Minds que fue número uno, convirtiéndose en el primer tema pop de Presley en alcanzar tal logro en los Estados Unidos en más de siete años, aunque también el último. El 21 de diciembre de 1970, Presley llevó a cabo un osado encuentro con el presidente Richard Nixon en la Casa Blanca. En esta reunión el cantante presumió ante Nixon de patriotismo y manifestó su desprecio hacia la cultura hippie y su devoción a las drogas. Además, le dijo a Nixon que la banda inglesa The Beatles, cuyas canciones cantaba regularmente en sus conciertos durante esa época, eran un ejemplo de lo que él concebía como una tendencia «anti-estadounidense». Paradójicamente se da la circunstancia de que Presley había tenido un encuentro de unas cuatro horas con la banda, hacía más o menos cinco años. Al enterarse de dichas declaraciones, Paul McCartney dijo luego que él se sentía confundido y decepcionado al respecto. Y más paradojas del divo, por esa época publicó un disco de canciones navideñas en el que destacaba una muy buena versión del obsceno blues de Charles Brown “Merry Christmas, Baby” Aunque Elvis ya no era un fijo en las listas de éxitos, algún material grabado con anterioridad logró colarse en el top five del country chart. Los más sonados fueron «My Boy», que se convirtió en un número uno del género y «Moody Blue» que fue, a su vez, número dos del mismo ranking. No obstante, su grabación más aclamada por la crítica de esa época fue el clásico del soul «Hurt». El divorcio de Presley ocurrió el 9 de octubre de 1973. A partir de entonces, comenzó a enfermar cada vez más constantemente. Hacia finales de 1973, fue hospitalizado en estado semicomatoso por los efectos del abuso en el consumo de Demerol. Según su médico, el doctor George C. Nichopoulos, Presley «sentía que al obtener los medicamentos, las drogas realmente, de un medico no se sentía como el adicto común que tiene que salir a la calle a conseguirlas». El periodista Tony Scherman escribió que, a principios de 1977 «Elvis Presley se había convertido en una caricatura grotesca de su elegante y enérgica forma de ser. Un tanto pasado de peso, directamente gordo, y con su mente trastornada por la medicación que diariamente ingería, era casi incapaz de sacar adelante sus breves conciertos». En Luisiana, el intérprete estuvo en el escenario menos de una hora y «le resultó imposible, en todo momento, saber donde estaba». Incluso, no pudo presentarse en el Baton Rouge; aquí ni siquiera fue capaz de levantarse de su cama del hotel donde se hallaba. Sus fans empezaron a dejar de seguir sus actuaciones, decepcionados por la gran cantidad de cancelaciones. Pero todo esto a Elvis le importaba nada: su mundo ahora se hallaba confinado casi por completo a su cuarto y sus libros de espiritismo». Su último concierto se dio en el pabellón Market Square Arena, en Indianápolis, el 26 de junio. El libro Elvis: What Happened?, coescrito por tres guardaespaldas que habían sido despedidos un año antes, se convirtió en el primer testimonio detallado de los años en que Presley fue un drogadicto. Tras su publicación, el cantante quedó hecho polvo e intentó sin éxito evitar su lanzamiento ofreciéndo dinero a la editorial. Por entonces ya sufría de diversas enfermedades: glaucoma, hipertensión arterial, daños en el hígado y megacolon. En todas ellas, Presley presentaba un cuadro médico serio, causado y agravado por el consumo excesivo de drogas. Una tarde, su asistente lo encontró inconsciente en el suelo del baño. Los intentos de reanimación fueron en vano. La muerte del cantante se hizo pública oficialmente a las 15:30 en el Baptist Memorial Hospital. Elvis Presley falleció en Memphis a la edad de 42 años, a causa de un Infarto agudo de miocardio. El funeral del artista fue todo un despropósito. Miles de personas se reunieron afuera de Graceland para observar el ataúd abierto. Uno de los primos de Presley, Billy Mann, aceptó 18.000 dólares a cambio de una fotografía exclusiva del cadáver de Presley; la imagen apareció en la portada del siguiente ejemplar de National Enquirer, convirtiéndose en el número más vendido de todos los tiempos. Alden, su asistente, exigió 105.000 dólares al Enquirer para publicar su historia, pero tuvo que reducir la cantidad al romper su acuerdo de exclusividad. Presley no le había dejado nada en su testamento. En pleno funeral, un automóvil arremetió contra un grupo de curiosos, matando a dos mujeres e hiriendo de gravedad a una tercera persona. Aproximadamente, 80.000 personas participaron en la procesión hacia el cementerio de Forest Hill, donde Presley fue enterrado al lado de su madre. Pocos días después, «Way Down» alcanzó los primeros puestos de las listas de popularidad pop y country. Y esto ha sido todo por hoy. Triste la condición de los famosos que no saben o no pueden asumir sus vicisitudes. Su reinado podría haber sido mucho más feliz. En fin, no es nuestro caso. Y a todos vosotros, recomendaros encarecidamente la escucha de la radio, de esta radio. La hacemos para vosotros con mucho cariño y con gran placer. Volvemos la próxima semana con más música, más músicos y más historias. Hasta entonces… BUENAS VIBRACIONES.

Sharon Redd - Somebody Save The Night SImple Dj Friendly Edit By PetkoTurner DL >> https://hypeddit.com/track/qfzlb4 THIS IS ONE OF THE BEST DISCO CLUB SONGS EVER. BEST GROOVE, SOUNDING, ARRANGMENT, MOOD, PRESSURE, LYRICS, COOLNESS AND ATMOSPHERE FOR A DISCO CLUB DANCE NIGHT CONSOLIDATED AND PACKED IN ONE JAM. In the midst of mounting a comeback in the early 1990s, Redd died of pneumonia on May 1, 1992. Dance Music Report magazine reported that her death was AIDS-related. Sharon Redd was born in Norfolk, Virginia to Gene Redd and Katherine Redd. Gene Redd was a producer and musical director at King Records, and her stepfather performed with Benny Goodman's orchestra. Her brother Gene Redd Jr. was a songwriter and producer for Kool & the Gang and BMP. Her sister Pennye Ford is also a singer with two albums to her credit and known for her work as the main singer for Snap!. She began her recording career with four singles in 1968 for the United Artists label, three written and all four produced by songwriter and record producer Bobby Susser. Susser chose the Hank Williams song "Half As Much" to be Redd's first single. Redd's vocals, against Susser's heavy-bass track, made her presence very quickly known to R&B radio stations. Redd, as a budding actress, got a major break when she starred in an Australian production of the rock musical Hair. She was among a troupe of young African-American imports to the Sydney production, a group which notably included Marcia Hines. Redd appeared in the production from its June 6, 1969 premiere through 1971. As Redd was becoming famous in Australia, she was interviewed by Barry Sloane on a 1971 episode of "GTK". Her popular adverts for Amoco led to her own television special. Redd and Hair co-star Teddy Williams were asked to leave Australia by the Immigration Department in April 1971 for reasons they believed were race-motivated. Aside from Hair, Redd also appeared in Ti-Jean and His Brothers and, in 1974, traveled to London to star in an American production of The Wedding of Iphigenia. In 1977 Redd played the role of Sherrye in the U.S. television sitcom "Rhoda".[9][10] 1978 also saw Redd feature as a guest in the musical Sgt. Pepper's Lonely Hearts Club Band. In the mid-1970s, Bette Midler was looking to replace Merle Miller and Gail Kantor, both of whom had left after Midler's 1973 tour to pursue their own interests. Midler auditioned over 70 performers, but Redd landed the job, becoming one of Bette's Harlettes. Aside from performing as a Harlette, Redd also provided backing vocals for Carol Douglas ("Burnin'" and "Night Fever") and Norman Connors ("You Are My Starship"). Having ended their association with Midler, Redd, Charlotte Crossley, & Ula Hedwig released an LP, Formerly of the Harlettes, in late 1977. In 1979, Redd recorded the disco hit "Love Insurance," released by Panorama Records under the name Front Page, her own vocals going uncredited. But she soon signed a recording contract with Prelude Records, and Redd became the label's most successful artist. Her first album, 1980's self-titled Sharon Redd, was closely followed by two more—Redd Hott (1982) and Love How You Feel (1983). Redd placed several songs on the Hot Dance Club Play chart, including "Beat the Street," "In the Name of Love," and "Love How You Feel." After these releases, Sharon Redd returned to her successful career as a background vocalist, most notably with the group Soirée, which also included among its members Luther Vandross and Jocelyn Brown. Following the UK top 20 success of a re-recorded "Can You Handle It", she recorded a single entitled "All the Way to Love", with Les Adams. The song remains unreleased. This was to be her last solo recording. In 1993, Pennye Ford dropped the 'e' from her name and released the album Penny Ford, which featured a duet with her sister entitled "Under Pressure."

This week on A Waste of Time with ItsTheReal, we welcome acclaimed photographer, visionary and professor Clay Patrick McBride to the Upper West Side! Clay breaks down the stories behind his brilliant images of Jay-Z, Kanye West, Allen Iverson, LeBron James, The LOX, Lil Kim, Fat Joe, Red Hot Chili Peppers, Green Day, Metallica, Nas, Juelz Santana, Indian Larry, Norah Jones, among others. Clay discusses growing up two hours north of New York City in Sullivan County a metalhead prone to vices, living in the shadow of his brother, long in search of himself, getting clean, the support of his father, and the fateful day he picked up a camera and looked through its lens. We talk about his time in France studying impressionist painting, his return to New York City, where he spent a year taking self-portraits and ultimately saw into his subjects' eyes, and how he proved to Vibe Magazine, The Source and XXL that his work could live in their pages. Clay shares incredible tales about his legendary SLAM cover with AI, building the Oval Office for XXL's President Carter cover, putting the Red Hot Chili Peppers into the Sgt. Pepper's Lonely Hearts Club Band uniforms, and a light almost electrocuting Lil Kim while she bathed in a hot tub. We get into his philosophy behind the lens, on set, in the classroom, regarding legacy, editing, being present, digital vs. film, picture takers vs. picture makers, the imagery he has on his walls at home, and much, much more! See acast.com/privacy for privacy and opt-out information.

The Pepperland Principal inspires readers and educators by incorporating The Beatles’ 1967 LP, Sgt. Pepper's Lonely Hearts Club Band as “a template for inspiring educators and principals to become more positive, innovative, creative, and collaborative…”  Jude and Lanea are delighted to share this amazing story!   www.johnlennonseries.com www.laneastagg.com https://www.amazon.com/Pepper-Effect-Creativity-Collaboration-Innovation/dp/194644488X

Dan and Scott discuss The Beatles albums Revolver and Sgt. Pepper's Lonely Hearts Club Band. They conclude the episode with the Stuff We Love segment.

It's time for an extra-long episode as Kirk answers your questions about Phil Collins drum solos, musical Wilhelm screams, odd time signatures, Beatles instrumentation, drop-tuned guitars, Bond music, and much more. STRONG SONGS ON PATREON Strong Songs has a Patreon! If you liked this episode (or, you know, any of them), we hope you'll consider supporting the show. Learn more here: https://www.patreon.com/strongsongs SHOW NOTES/LINKS ———————————— "In the Air Tonight" by Phil Collins from Face Value, 1981 Listen/Buy: Apple Music | Amazon | Spotify ———————————— Jennifer Hudson sings "The Star Spangled Banner" by Frances Scott Key and John Stafford Smith at Super Bowl XLIII, 2009 ———————————— A YouTube compilation of the Wilhelm Scream An excellent Vox video on the history of the "Orchestra Hit" sample "When I Think of You" by Janet Jackson, Jimmy Jam and Terry Lewis from Control, 1986 Listen/Buy: Apple Music | Amazon | Spotify "In My Life" by Lennon–McCartney from Rubber Soul, 1965 Listen/Buy: Apple Music | Amazon | Spotify "I Will Follow You Into The Dark" by Ben Gibbard from Plans, 2006 Listen/Buy: Apple Music | Amazon | Spotify ———————————— A cool NPR article about Paul Tanner's Tannerin, developed as a more playable derivation of Leon Theremin's original Theremin.  "Good Vibrations" by Brian Wilson and Mike Love from a 1966 Beach Boys LP Single Listen/Buy: Apple Music | Amazon | Spotify ———————————— "Blue Rondo a la Turk" by Dave Brubeck from Time Out, 1959 Listen/Buy: Apple Music | Amazon | Spotify "Lucy in the Sky With Diamonds" by Lennon-McCartney from Sgt. Pepper's Lonely Hearts Club Band, 1967 Listen/Buy: Apple Music | Amazon | Spotify "Money" by Roger Waters from The Dark Side Of The Moon, 1973 Listen/Buy: Apple Music | Amazon | Spotify ———————————— "The Way" by Tony Scalzo from All The Pain Money Can Buy, 1998 Listen/Buy: Apple Music | Amazon | Spotify "You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire" by Josh Homme and Mario Lalli from Songs for the Deaf, 2002 Listen/Buy: Apple Music | Amazon | Spotify ———————————— "Mind Games" by John Lennon from Mind Games, 1973 Listen/Buy: Apple Music | Amazon | Spotify A nifty "Doctor Mix" YouTube video demonstrating the Mellotron  ———————————— "Theme from Dr. No" by Monty Norman, arranged by John Barry from Dr. No, 1962 Listen/Buy: Apple Music | Amazon | Spotify "Skyfall" by Adele Adkins and Paul Epworth from Skyfall, 2012 Listen/Buy: Apple Music | Amazon | Spotify "Manners Maketh Man" by Henry Jackman and Matthew Margeson (I failed to co-credit Margeson on the show) from Kingsman: The Secret Service, 2015 Listen/Buy: Apple Music | Amazon | Spotify  ———————————— "Permission to Come Aboard" by Rupert Gregson-Williams from Aquaman, 2018 Listen/Buy: Apple Music | Amazon | Spotify "Wonder Woman Theme" by Hans Zimmer and Junkie XL performed by Tina Guo, released as a single in 2017 Listen/Buy: Apple Music | Amazon | Spotify  ———————————— "Gimme Shelter" by Jagger/Richards from Let It Bleed, 1969 Listen/Buy: Apple Music | Amazon | Spotify  

Podcast #53 - Discoteca dos Náufragos, vol 1: Sgt. Pepper's Lonely Hearts Club Band, The Beatles by Os Náufragos - Podcast

This is how'Tea Time with The Beatles Fans' all began...with a Facebook Live chat on the 50th anniversary of the release of Sgt. Pepper's Lonely Hearts Club Band back in June of 2017. Lisa and six other die-hard Beatles fans discuss the joy the album brings to them.

At long last, we discuss the Beatles, with a ranking of every song on Sgt. Pepper's Lonely Hearts Club Band. Which track does Sarah consider an all-time top 10? Which one makes Mark froth with rage? Listen on to find out! Our intro is by Andrew Byrne, and our outro is by The Monkees. Want to request a song, buy a birthday chart reading, or just say hello? Email us (talkaboutsongs@gmail.com), tweet us (@TalkSongs), or Facebook us (facebook.com/mastas.podcast). Want to get bonus content and vote in ranking episodes? Become a patron at patreon.com/mastas.

The Beatles wrote and recorded so much material in 1967 before, during, and after "Sgt. Pepper's Lonely Hearts Club Band," that they were able to release another album to coincide with a bizarre BBC film. "Magical Mystery Tour" came out on this date, November 27, 1967. Allan looks back in today's Classic Rock Calendar... Image: Stills Press / PRPhotos.com

It's Buried Treasures time yet again. Hosts Jim DeRogatis and Greg Kot share some new under-the-radar music that you need to hear! Plus, they revisit their 2006 conversation with Geoff Emerick, an audio engineer who worked on the classic Beatles albums Revolver, Sgt. Pepper's Lonely Hearts Club Band and Abbey Road. Emerick passed away this month at the age of 72.