Podcasts about Anansi

Béchir Sylvain (Jurassic World Rebirth) stars as trickster Anansi in a West African tale about a magic stone, a major trick, and getting a taste of your own medicine.

In Episode 179, Gen and Jette team up with one of their favourite indie publishers, House of Anansi Press. We're reading the newly released English translation of The Hand of Iman by Ryad Assani-Razaki. This one broke our hearts.Show NotesRyad Assani-Razaki is a Beninese-Canadian writer and The Hand of Iman, or La main d'Iman in French, is his first novel. It won the Prix Robert Cliche in 2011 and was shortlisted for the Governer General's Award in 2012.Check out our full list of House of Anansi episodes below. We did in fact have an episode dedicated to our 100th! What should we do for 200? We're getting close! In our next episode we'll be talking about Gen's book club pick, the graphic novel edition of The Raven Boys by Maggie Stiefvater.We'll be following up our book club episode with a Page to Screen episode and some CanCon for you with Scott Pilgrim!Other House of Anansi Episodes20: 2019 House of Anansi Spring Releases (Dual Citizens by Alix Ohlin and Autopsy of a Boring Wife by Marie-Renée Lavoie)39: House of Anansi New Releases 2020 (Pallbearing by Michael Melgaard and Coming Up for Air by Sarah Leipciger)43: You Are Not What We Expected by Sidura Ludwig70: A Boring Wife Settles the Score by Marie-Renée Lavoie97: A Waiter in Paris by Edward Chisholm128: The All + Flesh by Brandi Bird156: Who Will Bury You? by Chido MuchemwaOther Books MentionedThe Memory Police by Yōko Ogawa (Episode 124)Paper House by Dominique Fortier (Episode 26)Born by Heather Birrell (Episode 174)Parable of the Sower by Octavie Butler (Episode 172)The Late-Night Witches by Auralee WallaceAtmosphere by Taylor Jenkins Reid

Welcome back to Snafu with Robin Zander. In this episode, I'm joined by Bree Groff, consultant, writer, and author of Today Was Fun. We talk about why mischief belongs at work, how humor and flirtation create real psychological safety, and the bold design choices behind her unforgettable book cover. Bree shares how she moved from CEO roles to full creative freedom, and how that shift helped her find her voice. We discuss marketing in 2025, how AI might reshape work and writing, and why personal agency, not hours, is the most important lever in a workweek.  Bree offers practical insights for leading with joy, helping kids future-proof their lives, and deciding what's “enough” in a world that always demands more. She also reflects on writing the book while parenting, consulting, and building her own business, and what it means to embrace the joy of not knowing what comes next. Bree will also be joining us live at Responsive Conference 2025, and I'm thrilled for you to hear her on stage. If you haven't gotten your tickets yet, get them here. Books Trickster Makes This World: Mischief, Myth, and Art — Lewis Hyde Anansi Boys — Neil Gaiman Work Less, Do More: Designing the 4-Day Week — Alex Pang Shorter: Work Better, Smarter, and Less―Here's How — Alex Pang Rest: Why You Get More Done When You Work Less — Alex Pang Perennial Seller: The Art of Making and Marketing Work that Lasts — Ryan Holiday Today Was Fun — Bree Groff The 4-Hour Workweek —Tim Ferriss Responsive: What It Takes to Create a Thriving Organization — Robin Zander Podcasts/Videos TED Talk: How to Start a Movement — Derek Sivers Start (0:00) The Story Behind the Book Cover (00:07.822) Robin opens with a personal observation: Bree's nails are the exact shade of green as her book cover – a smiley face on a highlighter yellow-green background.  Bree laughs and explains the choice behind the bold, offbeat cover: It was designed by Rodrigo Corral, known for iconic covers like The Subtle Art of Not Giving a Fck*. When she first saw it (at 3 a.m.), she gasped and loved it — it stood out and made a statement. The smiley is cheeky but not cheesy; it suggests optimism with a bite. The color isn't quite yellow — it's that “gross green” that almost hurts to look at. That tension is the point. “It's got some edge... not your straight-up yellow.” This tension – bright and fun, but just a bit weird or off –  is exactly the tone she wanted for the book and for herself. The Wink That Makes Work Fun Again (01:51) Robin brings up his old graduation photo: he posed slightly off-center, adding a knowing smirk. At the time, he didn't know why he chose that shot, but later realized it made people curious, like a small rebellion baked into something formal. Bree relates completely. She talks about: Why humor and a bit of mischief matter in professional settings. The concept of flirtation – not romantic, but playful: A wink in a branding campaign. A reference that only a few insiders get. A running joke between team members. Mischief creates risk and intimacy, both essential for real connection. These small acts of rebellion are actually signs of psychological safety and creativity. “You need a little bit of flirtation at work... a wink that says, ‘we're in this together.'” She argues that fun isn't a distraction – it's a sign that something is working. Tricksters, SNAFUs, and the Role of Risk in Work (05:49.219) Robin brings in the idea of the trickster, from folklore characters like Anansi and Coyote to his podcast title SNAFU. These figures don't follow the rules, and that's what makes them interesting. Bree expands on the connection between play and professionalism: There's a cultural script that says “seriousness = competence.” But in her experience, some of the best work moments involve play, risk, and even slight embarrassment. Being human together – laughing too loud, saying something weird, trying something bold – is what builds bonds. Real joy at work comes from these edge moments, not the sanitized ones. “You have to go beyond professionalism to access the most fun parts of work.” They agree that creating spaces where people can color outside the lines is not just fun – it's productive. Beyond Palatable: From People-Pleasing to Belonging (08:29.068) Robin shares a lesson from his mother: that once you leave high school, life is no longer a popularity contest. But he's realized that in business, especially branding, people often still chase approval and “likability.” Bree offers a deeper lens: Being “palatable” – meaning universally acceptable – is actually the opposite of being memorable. People who try to please everyone end up blending in. What she wants is to be delicious, or at least striking, not for everyone, but unforgettable to some. She draws a line between Fitting in: performing a version of yourself to meet social norms. Belonging: being your full, vibrant self and finding others who welcome it. “Please don't chew me up. I'm not palatable — I'm not trying to be.” This philosophy shows up in her book's voice, design, and in how she shows up in the world. Selling a Book in 2025: Bottles in the Ocean (12:21.838) What's it been like trying to promote a book in 2025? Bree describes her strategy as both scrappy and intuitive: She thinks of book marketing as sending “a million notes in bottles” – not knowing which will land. Her approach includes: Partnering with a publicist. Creating swag kits with branded gear. Pitching the book to “chatty” communities (e.g., alumni groups, newsletters, podcast audiences). Posting regularly, even when it feels silly. She cites the idea of “luck surface area”: the more interesting things you do, and the more people you tell, the more chances something will stick. “You do interesting things and talk about them a lot... and maybe something takes off.” Still, she acknowledges that luck plays a role. There's no guaranteed playbook, just momentum and hope. Is It Worth Talking About? (14:47.63) Robin references a quote from Tucker Max: that all marketing, in the end, is just word-of-mouth. Bree shares what guided her during the writing process: Her goal was to create something remarkable — in the literal sense: Something people would want to talk about. Not just good – but distinct, resonant, and weird enough to share. She wanted to avoid the “business book voice” – flat, generic, overly polished. She lights up when she talks about: Strangers sharing the book on social. Friends are texting her about it. An old college boyfriend resurfaced after reading it. “When that starts happening... You realize the machine is working.” She's less interested in best-seller lists and more focused on impact – ideas spreading from person to person, because they hit. Finding Her Voice: From Blogger to Book Author (16:36.665) Bree traces the evolution of her writing life: Started a travel blog in her early 20s and loved it immediately. Played with writing publicly over the years: occasional posts on LinkedIn, Fast Company, and later Substack (which began two years ago, alongside early book ideation). Writing always felt natural, but being a public voice within organizations came with constraints: “Even when I was CEO, I still felt the need to toe the party line.” Going solo changed everything: No longer represents a company's brand – just her own. Writing feels more honest, bolder, and more fun when it's “Bree Groff's opinions” alone. Stepping out independently accelerated her writing voice and gave her creative freedom. Writing in the Age of AI (18:19.63) Robin asks: Does writing still matter in the world of AI? Bree's take: She's a verbal processor — writing is how she discovers what she believes. “I never know how an article is going to end… I write my way into the idea.” She rarely uses AI in writing (aside from Grammarly). She prefers human composition even for emails. Writing helps her organize and refine her thinking: “I'll write a sentence and go – wait, do I believe that? And rewrite.” What writing offers that AI can't (yet): Emotional authenticity. A confessional power — like stand-up comedy: humans telling uncomfortable truths, out loud. She hopes we'll someday have digital labels like: “This was made by a human.” Robin presses for Bree's take on what AI changes – for better or worse. Bree's pessimistic view: Mass unemployment is a likely risk. Not convinced by the “tech creates more jobs” argument – even referencing Jevons Paradox: as things become more efficient, we just use more of them. “I can't quite think my way out of the unemployment problem.” Bree's optimistic vision: We're burned out. AI could fix that. If used right, AI can reduce workloads, not eliminate humans: “Wouldn't it be great if we used these efficiencies to help people live happy, regulated lives?” This would require a policy change, like tax incentives for companies that adopt a 4-day workweek. But she admits: that's a long shot. “It would take a lot for companies to prioritize reducing burnout over cutting costs.” Entrepreneurship Isn't a 4-Day Workweek (And That's Okay) (25:04.686) Robin challenges Bree's hope with reality: Entrepreneurship is chaotic and demanding, as when he launched both a restaurant and a conference in one year. When building something from scratch, the work is relentless. “There's no 4-day workweek when you're going zero to one.” He notes Bree's book could become a “perennial seller,” but only if she builds that momentum now — and that means hustle. Bree agrees — and offers nuance: She's in a launch phase. The last 6 weeks have been intense: Nights, weekends, articles, appearances. Her daughter is in a full-day camp to support this push. But it's intentional and temporary. She frames her philosophy like this: Overwork can be fun, energizing, even addictive –  if it's seasonal. She's already planned recovery: A two-week log-off in late August. A blocked-out first week of September for reset. Bree continues on the myth of “reasonable” work limits: There's nothing special about 40 or 60 hours. The only reason we cap out is that we literally run out of time. Businesses will take as much as you give, and now AI won't hit those limits. So we have to decide what's enough, not the market. “If we're going to cap work somewhere, why not cap it lower and enjoy our lives?” She reminds us: Deadlines and pace are levers, not laws. You can pull other levers, like starting earlier, extending timelines, or balancing your team differently. Robin shares that his intense physical regimen (handstands, running, cold plunges, hikes) isn't about health prescriptions — it's about joy. That same mindset applies to work. If building his company lights him up, great – but it's a personal choice, not a universal blueprint. Bree underscores that agency is key: the danger arises when a founder's choice to overwork becomes the cultural expectation for everyone else. A CEO has different stakes than employees; assuming equal sacrifice is unfair and toxic. Overwork becomes problematic when choice is removed or social pressure distorts it. They introduce the idea of opportunity cost: Every hour spent grinding is an hour not spent with loved ones, moving your body, or simply resting. Many delay self-care with the illusion they'll "catch up later" – but your body and relationships exist in the now. Robin recalls a brutal 2016: two startups, no time, lost relationships – a visceral reminder that everything has a cost. Work, But Make It Weird (36:39) Robin draws a parallel between their playful ethos and The 4-Hour Workweek: redefining productivity with mischief and authenticity. He asks Bree how leaders can lead differently – more playfully – without violating norms or HR policies. Bree delivers a gem: Her team once suggested that a CEO explain their product to a bunch of 7-year-olds on a picnic blanket. They scripted techy questions ("What's your tech stack?") for the kids, hired a comedy consultant, and filmed the whole thing. It was wild, unexpected… and the most beloved part of an otherwise traditional company week. The magic was in the vulnerability and humanity of the CEO — letting people into his home, sharing space with kids, and showing joy. Bree's advice to leaders: Rearrange the office furniture for no reason. Use Comic Sans in a slide just to annoy a designer. Hide jokes in presentations that only two people will catch. Amuse yourself. That's reason enough, and it models psychological safety and play for everyone else. Robin calls this “the courage to play” – the bravery to step out of line just enough to invite others into the fun. Bree builds on this: We're often afraid that having fun will make us look stupid – but that fear is misplaced. She quotes Amy Poehler: “Nobody looks stupid when they're having fun.” Play is an act of self-assurance, not frivolity. Bree shares a personal win: she turned a project Gantt chart into a hand-drawn arcade-style horse race. No one else joined in, but she loved it. And that joy, in and of itself, is a worthy output. Work According to a 10-Year-Old (42:21.176) Robin asks: How does Bree's daughter describe what she does? Her answer? “You help people work together.” Bree beams — that's not far off. Her daughter has even become her little publicist, linking nail polish to Bree's book and promoting it to strangers. Robin dreams of having kids and wonders about their future in a rapidly evolving world. Bree is grateful her daughter is 10, not 22 – the future feels so uncertain that not knowing is oddly freeing. College may or may not matter; she might be a marketing manager or start an artist retreat in Tuscany. The one stable prediction? Human connection. Jobs built on empathy, presence, and the hug – literal or metaphorical – will always have value. Robin jokes (but not really) about resisting the idea of robot romantic partners. Bree wonders: Will we be seen as biased for resisting AI companionship? Is that the next generational tension? The Only Skill That Might Still Matter in 2040 (43:55.959) Robin asks: What durable skills should Gen Alpha learn in a world of AI and noise? Bree's first thought: “understanding human behavior” — but AI might already be better at that. So she lands on something deeper: The skill of knowing what kind of life you want to lead. It's rarely taught, and sorely needed. That's why so many people wake up at 40, mid-career, with a law degree but no love for the law, and end up switching to something that finally feels like them. Teaching kids to listen to their appetites and curiosities might be the most powerful, future-proof education we can offer. Bree argues that most people were never taught to ask foundational questions about the life they truly want: From childhood to college, we follow preset tracks – curriculum, majors, careers. If you're lucky, you get an elective or two. But real self-inquiry? Rare. We're missing education on key lifestyle preferences: What kind of schedule do I like? What kind of people energize me? Do I want to live in a city or near nature? How much solitude, structure, or chaos is ideal for me? Bree believes this underdeveloped self-awareness is the root cause of burnout: People follow “the path,” get promoted, tick boxes, and still feel unsatisfied. Companies gladly fill the vacuum with corporate ladders and titles – senior director, VP, etc. But we rarely stop to ask: Do I want my boss's job? Her hope for her daughter: not just career success, but aliveness. To develop the instincts and courage to ask: What do I want to get out of my short time here? And to find joy in helping others experience a bit more light while they're here, too. “Who Are You and What Is Your Purpose?” (51:33.666) Robin shares a surprising memory: a third-grade class titled Who Are You and What Is Your Purpose? He doesn't remember the content – school was tough for him then – but the title stuck. It captured something real and deep that still resonates. Bree lights up: “Okay, I take it all back – someone was teaching this, and it was you!” They land on a core truth: that mischief, self-knowledge, and authenticity are deeply intertwined. Knowing who you are is the first step. And honoring the weird, playful part of yourself makes life better — and work richer. Order, Chaos & a Trello Board (53:51) Robin pivots: What did Bree learn about writing through this book, especially while juggling parenting and client work? Bree shares her full process: She started with a Trello board: each list represented a chapter. Over many months, she collected bits of inspiration: ideas from the shower, great quotes, Substack entries, research snippets – all filed as cards. This meant when it came time to write, she wasn't starting from scratch. Her trick: separate idea collection from prose creation. Once she had a "pile of disorganized meat," she could stitch it together with intention. She scheduled 4-hour blocks to write ~1,000 words per session – 50 sessions = a 50,000-word book. She was thoughtful about pacing and reader experience: "That was a heavy part – maybe time for a joke. "I've been light for a while – maybe we need some grounding research." The outcome: a process that respected her creativity, time, and humanity. The Joy of Not Knowing What's Next (54:45.848) Robin asks: Now that the book is out, what's next? Bree doesn't know, and that feels exciting. She's booked through the fall with workshops, consulting, media, and speaking. But beyond that? It's open. She's leaning into serendipity: Publishing the book drew new, inspiring people into her life – people like Robin. She's open to building the classic “author-speaker-consultant” portfolio. Or possibly returning to SYPartners, depending on what fits. Or a totally new path. What makes it possible? A jumpy career history – she's used to leaps. A baseline of financial stability – and a partner with a more predictable job. Uncertainty isn't terrifying when you trust yourself to figure it out. “I can see through October. That's enough.” Robin wraps with heartfelt praise: Few first books feel as personal and reflective of their author as Today Was Fun. Even fewer come with so many shared connections vouching not just for the content, but the author herself. Where to Find Bree Groff (58:13.58) He urges people to read the book and see Bree on stage at the Responsive Conference (Sept 17–18). Bree shares where to find her: Website: breegroff.com Substack, LinkedIn, Instagram – all linked from her site. People Mentioned: Rodrigo Corral Lewis Hyde Neil Gaiman Tony Hsieh James Clear Tucker Max Alex Pang Ryan Holiday Tim Ferriss Amy Poehler Derek Sivers Justin Gordon BJ Fogg Seth Godin Organizations / Companies Zander Media SYPartners Nobel Zappos Microsoft Trello Substack AOL LinkedIn Instagram  

In this special episode of Walk Good, storyteller Kesha Christie brings you a vibrant Jamaican folktale from Westmoreland — the story of Fire and Anansi. As we honor Jamaican Independence, this tale reminds us of the power of friendship, the importance of listening to wisdom, and the strength found in our cultural roots.Join us as we explore how this fiery story reflects the spirit of resilience and caution passed down through generations in the Caribbean. Listen, learn, and carry the fire of our ancestors with pride.#JamaicanFolktales #CaribbeanStories #AnansiTales #JamaicanIndependence #Folklore #Storytelling #WalkGoodPodcast #CaribbeanCulture #AfricanDiaspora #CulturalHeritage

It's time for a summer hangout episode! We're barely surviving the endless heatwaves and smoky skies, but at least we've got some good books to read.Show NotesThe bookstore in Port Dover that Gen was talking about is called Beach Reads Bookshop. It's super cute and if you're ever in Port Dover, be sure to check it out!We are going to make zines and we are putting it here in writing as well to keep ourselves accountable.The Lillian H. Smith library branch in Toronto houses one of the world's leading research collections of speculative fiction. So cool! Our next episode is our annual House of Anansi book. We'll be talking about The Hand of Iman by Ryad Assani-Razaki.Books MentionedThe Gaysians by Mike CuratoGrace: The Jeff Buckley Story by Tiffanie DeBartoloYour Blood My Bones by Kelly AndrewThe Orphanage by the Lake by Daniel G MillerI'll Be Waiting by Kelley ArmstrongHuman Rites by Juno DawsonFlawless by Elsie SilverGlittering Edge by Alyssa VillaireThe Bewitching by Silvia Moreno-GarciaSyllabus by Lynda BarryWalking in This World by Julia CameronUnderstanding Comics by Scott McCloudSunrise on the Reaping by Suzanne CollinsNight Road by Kristen HannahState of Paradise by Laura van den BergThis SIde of Paradise by F. Scott FitzgeraldThe Ballad of Songbirds and Snakes by Suzanne CollinsVenCo by Cherie DimalinePerfume & Pain by Anna DornIt by Stephen King

Key Takeaways: Ancient Wisdom: Old stories, like the tale of Anansi the spider, still teach us about power, trust, and how those ideas show up in today's money systems. Gold and Natural Law: Gold has long been trusted as money because it's rare and takes a lot of work (energy) to dig out of the ground. Power of Central Banks: When central banks like the Bank of England and the U.S. Federal Reserve were created, they gained control over money. But this also led to more inflation and higher taxes. Bitcoin as the Modern Story: Bitcoin is like a new version of the Anansi story—it breaks the old system and offers a new kind of money that is limited and not controlled by any one group. Building a Better Financial Future: Many people believe the future of money will rely on things that can't be easily changed—like gold and Bitcoin—to give more people control and spread wealth more fairly. Chapters: Timestamp Summary 0:00 The Evolution of Banking and the Role of Anansi 8:56 Central Banks, War Financing, and Economic Consequences 13:50 The Impact of Mood on Perception and Spiritual Alignment 15:22 Bitcoin's Role in Rebuilding a Trustworthy Financial System 23:11 Embodying Wealth and Helping Others When They're Ready   Powered by Stone Hill Wealth Management   Social Media Handles    Follow Phillip Washington, Jr. on Instagram (@askphillip)   Subscribe to Wealth Building Made Simple newsletter https://www.wealthbuildingmadesimple.us/   Ready to turn your investing dreams into reality? Our "Wealth Building Made Simple" premium newsletter is your secret weapon. We break down investing in a way that's easy to understand, even if you're just starting out. Learn the tricks the wealthy use, discover exciting opportunities, and start building the future YOU want. Sign up now, and let's make those dreams happen!   WBMS Premium Subscription   Phillip Washington, Jr. is a registered investment adviser. Information presented is for educational purposes only and does not intend to make an offer or solicitation for the sale or purchase of any specific securities, investments, or investment strategies. Investments involve risk and, unless otherwise stated, are not guaranteed. Be sure to first consult with a qualified financial adviser and/or tax professional before implementing any strategy discussed herein. Past performance is not indicative of future performance.

Today's story is titled, Anansi, Kunguru na Mamba. This storytakes us all the way to Ghana — and guess who's back? That's right! Our favorite tricky spider, Anansi! What happens when a smart trickster, a noisy crow, and a sneaky crocodile cross paths? Can they work together — or is someone about to be outsmarted? Listen to the story to find out!  Don't forget to answer the fun questions that pop up in the middle of the story. Have fun! This story is published by the African Storybook Initiative. You can find an openly licensed PDF version of the book here.Author: Ghanaian FolktalesIllustration: Wiehan De JagerTranslation: Mutugi KamundiNarrator: Magdalene ChorongoHost and Editor: Magdalene Chorongo You can reach us via ⁠stories@edutab.africa⁠ or through our social media channels to find out how you can get involved in this project.

ABOUT THIS EPISODE: In this episode, host Megan Cole talks to Kayla Czaga. Kayal is the author of Midway. Midway is a finalist for the 2025 Dorothy Livesay Poetry Prize. In this epiosde, Kayla talks about the challenges of writing grief poems, and the squishiness of time. To find out more about Midway visit: https://bcyukonbookprizes.com/project/midway/ To view the 2025 BC and Yukon Book Prizes shortlists: bcyukonbookprizes.com/2025/04/10/bc-…sts-announced/ ABOUT KAYLA CZAGA: Kayla Czaga is the author of two previous poetry collections—For Your Safety Please Hold On (Nightwood Editions, 2014), and Dunk Tank (House of Anansi, 2019). Her work has been shortlisted for the Governor General's Award for poetry and the Dorothy Livesay Poetry Prize. Frequently anthologized in the Best Canadian Poetry in English series, her writing also appears in The Walrus, Grain, Event, The Fiddlehead, and elsewhere. She lives with her wife on the traditional territory of the Lekwungen people, the Songhees and Esquimalt nations. Publisher's Website ABOUT MEGAN COLE: Megan Cole the Interim Executive Director for the BC and Yukon Book Prizes. She is also a writer based on the territory of the Tla'amin Nation. Megan writes creative nonfiction and has had essays published in Chatelaine, This Magazine, The Puritan, Untethered, and more. She has her MFA in creative nonfiction from the University of King's College and is working her first book. Find out more about Megan at megancolewriter.com ABOUT THE PODCAST: Writing the Coast is recorded and produced on the traditional territory of the Tla'amin Nation. As a settler on these lands, Megan Cole finds opportunities to learn and listen to the stories from those whose land was stolen. Writing the Coast is a recorded series of conversations, readings, and insights into the work of the writers, illustrators, and creators whose books are nominated for the annual BC and Yukon Book Prizes. We'll also check in on people in the writing community who are supporting books, writers and readers every day. The podcast is produced and hosted by Megan Cole.

¿Qué pensarían si les digo que el primer gran "influencer" de la historia podría haber sido una araña? Descubre cómo Anansi, la araña embaucadora de África Occidental, usaba estrategias sorprendentemente similares a las de los creadores digitales modernos para captar la atención y monopolizar las narrativas. Una fascinante conexión entre la mitología ancestral y la economía de la atención actual.

Anansi, de slimme maar soms te nieuwsgierige spin, wil iets leren van een machtige tovenaar en krijgt een magisch zakje dat hij absoluut niet mag openen. Natuurlijk kan Anansi zich niet inhouden en opent hij het zakje, waarna hij gevangen raakt in een magische luchtbel… Zal de tovenaar de nieuwsgierige Anansi weer vrijlaten? 

Send us a textStorytelling is the heartbeat of cultural education. When students encounter stories from different backgrounds, something magical happens—they develop empathy, affirm their identities, and sharpen critical thinking skills that extend far beyond classroom walls.Throughout this episode, we explore why multicultural stories are non-negotiable components of effective education. Stories engage the emotional centers of our brains, creating deeper connections to content than facts alone ever could. I share my experience using Maya Angelou's work about a young Xhosa girl and her pet chicken—a seemingly simple narrative that sparked profound conversations about cultural similarities and differences without judgment. We also examine the beloved Anansi the Spider folktales that resonate with students of all ages, demonstrating how traditional stories carry timeless wisdom across generations.Finding authentic cultural stories requires intentionality. Seek out authors writing from lived experiences rather than those merely observing from the outside. Invite community members—parents, neighbors, local leaders—to share oral histories that might otherwise go untold, especially as books continue to be banned across the country. I provide a step-by-step guide to implementing the powerful "My Name, My Story" exercise in your classroom tomorrow, walking you through how to model vulnerability, facilitate meaningful partner discussions, and guide whole-group reflections that build community while honoring diversity.Ready to transform your approach to cultural education? Download my name and narrative handout from the show notes, or explore my newly discounted mini-courses designed to help you implement these practices with confidence. Your students' stories are the curriculum—let's honor them together by creating classrooms where every narrative matters.Maya Angelou's Book: My Painted House, My Friendly Chicken and Me COME SAY Hey!! Instagram: @cultrallyjebeh_ Facebook: @JebehCulturalConsulting Pinterest: @Jebeh Cultural Consulting LinkedIn: @Jebeh Cultural Consulting Leave a Review on our Podcast! We value your feedback! Follow our Blog Enroll In Our Mini CoursesBuy My eBook: Empowering Your BIPOC Students Enroll In My Digital Course: How To Be A Culturally Competent LeaderBuy My K-12 Lesson PlansSign Up For Our Newsletter Enjoy the Cultural Curriculum Chat podcast? Share the love! Refer a friend to Buzzsprout and both you and your friend will enjoy exclusive benefits. Click the link...

Start here. This episode takes time in past, present, future, possibility and impossibility. Parallax and the spider Anansi are outside of Time. What does it look like Out of Time? Come dip your toes in the Timestream with experienced Acanthus mages Trevor, Rudy, and Kazabon.Yes its real we've got a https://www.patreon.com/WardsandWitchcraft !!!We also have a guide if you like our content and want to discover how we ended up outside of time https://docs.google.com/document/d/1K-cLIlrHj_rA4COISfy3NKYZS1eFptgSzYtPxPDdH0g/edit?usp=sharingIf you want to go beyond Mastery consider buying the Archmastery Rules for Mage the Awakening from DrivethriougRPG: https://www.drivethrurpg.com/en/product/97925/imperial-mysteries?affiliate_id=3139789We have a season of quality time traveling content we would love to share with you and your investment now if our team will help us bring the best mage content around! StarringKazabon as Anansi the SpiderTrevor as Parallax the Spiderand Rudy as the Spider supporting STFeaturing the Artwork Niza by Joseph Skala

„Tristul tigru” de Neige Sinno (imprintul ANANSI, Editura Trei), tradus de Svetlana Cârstean, este un volum care vorbește despre un fapt de viață teribil prin care a trecut autoarea: abuzul sexual la care a fost supusă de tatăl vitreg în copilărie. Dar este și un text care explorează limbajul literar, posibilitățile și limitele lui de a exprima ce e de neexprimat. Un text care pune multe întrebări. Ce înseamnă să scrii despre abuz și ce-ți aduce asta. Cum scrii despre abuz, cum scrii despre abuzator. Într-o carte atipică dar care folosește instrumentele literaturii. O carte care chestionează așteptările pe care le avem de la literatură și modul în care ne raportăm la literatură. „Tristul tigru” a avut parte de o foarte bună receptare în Franța, a primit multe premii importante, între care Prix Littéraire Le Monde, Prix Femina, Goncourt des Lycéens, Prix Les Inrockuptibles precum și Prix Goncourt, alegerea României. Am vorbit cu traducătoarea cărții, poeta Svetlana Cârstean, despre „Tristul tigru” și Neige Sinno.Svetlana Cârstean: „Cred că această carte a avut o asemenea receptare în Franța și nu numai, tocmai pentru efortul lui Neige Sinno de a rediscuta contractul cu ea însăși ca scriitoare și contractul cu cititorul atunci cînd discuți despre o asemenea temă și acea temă te implică direct, adică o scrii la persoana întîi. (…) Dacă ar fi să recomandăm cartea, cum am zice? Mergeți și luați această carte din raft pentru că e o carte despre un abuz sexual asupra unei minore făcut de către tatăl ei vitreg, în aceeași casă cu toată familia. Și mai departe ce îi spunem cititorului? Ce vei găsi, cititorule, în această carte? Vei găsi o poveste, action? Vei vedea ce spune el, vei vedea ce spune ea? Nu. E o carte atipică, făcută din poveste, dar care poate că e cea mai puțină, deși ea e motorul cărții. E o carte care construiește gîndire în jurul acestei teme, care se folosește de foarte multe alte categorii de text. Fie că face referire la alte cărți din istoria literaturii, fie că face referire la articole, fie că face referire la documente de familie pe care ea le integrează acolo, la articole de ziar și așa mai departe.”Apasă PLAY pentru a asculta interviul integral!O emisiune de Adela Greceanu  Un produs Radio România Cultural

Anansi, de nieuwsgierige spin, krijgt een magisch zakje van een tovenaar dat hij niet mag openen. Toch opent hij het en wordt gevangen in een luchtbel. Zal de tovenaar hem bevrijden? Uitgegeven door Moon Tunes B.V. Spreker: Guru Woof

Rebecca is excited to speak with Chinese-Canadian author Su Chang.  Su was born and raised in Shanghai and is the daughter of a former and reluctant Red Guard leader, which was the paramilitary arm of Mao Zedong's Cultural Revolution beginning in the 1960s. Today, they will be talking about her debut novel, The Immortal Woman, published by House of Anansi in March of this year.  It has already garnered a lot of attention and praise from CBC, Indigo Books, and Amazon, to name a few high-powered sources. Highlighted books: Do Not Say We Have Nothing by Madeleine Thien Everything I Never Told You by Celeste Ng Homeland Elegies by Ayad Akhtar Who's Irish? by Gish Jen Play by Jess Taylor A Visit from the Goon Squad by Jennifer Egan Deep Water by Patricia Highsmith Kilworthy Tanner by Jean Marc Ah-Sen A Song for Wildcats by Caitlin Galway The Book of Records by Madeleine Thien https://www.instagram.com/suchangwrites/ https://www.suchangauthor.com/ https://houseofanansi.com/products/the-immortal-woman?_pos=3&_sid=2cb7b9933&_ss=r   If you have any comments or suggestions that you would like to share with Rebecca and Tara, please email them at craspod2019@gmail.com    

Join acclaimed novelist, poet and playwright, Inua Ellams, author of The Half-God of Rainfall and hit play, Barber Shop Chronicles, Ashley Thorpe, author of The Boy to Beat the Gods, and Chikodili Emelumadu, author of Dazzling, to celebrate the extraordinary tales of West African mythology. You may be familiar with Greek mythology, but have you encountered the trickster Anansi, the spider, or the Orisha, the pantheon of Gods whose seeds are scattered across the African continent? Whether you're a curious bystander or an expert in African folklore, our panel will guide you through the mythological wonders of West Africa and the work inspired by them.

În timpul Salonului Internațional de carte Bookfest 2025 (28 Mai -1 Iunie), scriitorul portughez José Luís Peixoto a venit la București pentru a vorbi despre romanul Câinii din Galveias, cea mai recentă carte apărută în limba română în colecția ANANSi a editurii Trei, în traducerea Siminei Popa. Pentru toți copiii care și-au lăsat copilăria pe acele străzi, pentru toate iubirile care s-au înfiripat la petrecerile din salonul societății filarmonice, pentru toate promisiunile făcute bătrânilor care se așezau la ușă în serile de august, pentru toate mamele care și-au crescut copiii pe băncile de piatră, pentru toate poveștile comentate în piața mare, pentru toți anii de muncă și de praf din acel sat, pentru toate fotografiile smălțuite de pe mormintele din cimitir, pentru toate orele anunțate de clopotul bisericii, împotriva morții, împotriva morții, împotriva morții, oamenii mergeau pe acel drum., scrie Peixoto în Câinii din Galveias. Am vorbit cu scriitorul portughez despre cum arată satul său natal în literatura sa și despre sensul pe care filiația o joacă în scrisul său.   Credit foto: Ciprian Măceșaru

Hvem var Anansi egentlig? Kan to værter med tømmermænd diskutere afrikansk religion og slaveri? Kan edderkopper godt lide majs? Og vinder vi mon en Genlüd Award? Alt det og meget mere får du svar på i ugens afsnit af Løgn På Latin. Følg os her: Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/lognpaalatin?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@lgn.p.latin?is_from_webapp=1&sender_device=pc⁠⁠⁠⁠

Wie was Elsa Beskow? Moet Annie M.G. Schmidt postuum de P.C. Hooftprijs krijgen? Wat was de betekenis van de onlangs overleden schrijver Aidan Chambers? En waarom wil Iven Cudogham van Anansi de Spin een even bekend kinderboekpersonage maken als Dikkie Dik, nijntje en Kikker? Je hoort het allemaal in deze Grote Vriendelijke Update. Kinderboekrecensenten Jaap Friso (JaapLeest.nl) en Bas Maliepaard (Trouw) bespreken boeken, Bert Kranenbarg leest het kinderboekennieuws en Katinka Polderman vertelt in haar column over haar ervaringen als biebmoeder. Verwijzingen in deze aflevering Kaartverkoop Pakjesavond 2025 Vrijdag 30 mei 2025 start voor Vrienden van de Show de voorverkoop van kaarten voor De Grote Vriendelijke Pakjesavond. Die vindt plaats op zondagmiddag 23 november vanaf 16:30u in de Grote Zaal van TivoliVredenburg in Utrecht. Vanaf maandag 2 juni komen er kaarten in de algemene verkoop via de website van TivoliVredenburg. Anansi Anansi de Spin heeft een eigen website. Meer informatie over de tentoonstelling in de kunsthal en de presentatie van het zevende prentenboek vind je hier. Elsa Beskow Dit is de officiële website over Elsa Beskow, met rechts bovenin de menubalk een optie voor Engelstalige informatie. En hier vind je de prentenboeken die in het Nederlands leverbaar zijn. Opinie over Annie Het opiniestuk van Kila van der Starre over Annie M.G. Schmidt lees je op de website van Trouw. Aidan Chambers Bezoek de eigen website van Aidan Chambers of bekijk de lezing die hij in 2014 in Nederland gaf. En hier bekijk je de trailer van 'Été 85', de verfilming van 'Je moet dansen op mijn graf', te zien op Disney+. Boekentips 'In de hoek' Pieter van den Heuvel Gottmer 4+ 'Beesten' Ingvild Bjerkeland Vertaling: Kim Liebrand Volt 11+ 'Vlieg! zegt de vloer' Eva Gerlach Tekeningen: Trui Chielens Querido 12+

My guest on this episode is Charlie Angus. Charlie is a politician, musician, and author who has published nine books, including Unlikely Radicals, Children of the Broken Treaty, and Cobalt: Cradle of the Demon Metals, Birth of a Mining Superpower, which was shortlisted for the Trillium Prize. Charlie served in the Canadian Parliament for more than twenty years, representing the riding of Timmins—James Bay as a member of the NDP, before announcing he would not run again in the 2025 federal election. His most recent book is Dangerous Memory: Coming of Age in the Decade of Greed, published by House of Anansi in 2024. Author and activist Naomi Klein has called the book "an extraordinary read from a true Canadian original.”Charlie and I talk about the new pope and the future of the federal NDP, about how writing became a necessary activity during his time in Parliament, and about his work-in-progress, which examines our dystopic political present through the lens of the 1930s.This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus.Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission. Tickets for the live onstage interview with Anne Michaels on July 10 at the Humber Lakeshore Campus. Hosted on Acast. See acast.com/privacy for more information.

Charles Skaggs and Jesse Jackson discuss "The Story & The Engine", the fifth episode from Doctor Who Series 15, featuring Ncuti Gatwa as the Fifteenth Doctor, Varada Sethu as Belinda Chandra, Ariyon Bakare as The Barber, and Michelle Asante as Abena! Find us here:Instagram: @nextstopeverywherepodcast Facebook: Facebook.com/Nextstopeverywherepodcast Bluesky: @charlesskaggs.bsky.social, @jessejacksondfw.bsky.social Email: NextStopWho@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

  Synopsis When  and  land in  for another  reading, the Doctor goes to a  to meet an old . There, he discovers a mysterious  trapping the patrons, feeding  with their stories. Plot  sits in a chair, getting a haircut, and tells a story about  the , his village saved by the mysterious man in the blue box. As he speaks, images splay out on the wall behind him, depicting his story to the men listening eagerly. As he finishes, they all look at a pair of lights on the wall in tense anticipation, relaxing when they switch from red to green. Omo tells the others not to worry, the Doctor always comes, and the light switches back to red, alarms blare, and the room shakes.  insists that the  take her home, and he suggests that they head to , , the communications hub of , and a place he loves - home of his favorite barbershop. Belinda expresses confusion at this - the  can do his hair; but he explains that it's about community, about being himself, since it's the first time he's ever been a black man. Belinda understands and sends him off to enjoy himself in Lagos after he takes a  reading. The Doctor winds his way through a market, greeting everyone as he passes, before he comes to his friend Omo's barbershop, , finding those assembled in the middle of a story. As the door closes behind him an alarm goes off in the TARDIS, alerting Belinda that something has gone wrong. The Doctor notices that everyone present is on missing posters outside, and he watches as the man's hair grows back. The light in the barbershop flashes to red, people scramble to decide who still has a story left, and someone sits down, telling the story of  and a , of music and of time. As images flicker on the wall, the Doctor looks on in wonder, and asks how it works, begins testing by throwing out words from his travels. But it has to be a story, it has to be with a haircut. A new  has taken over the shop, he came one day, and as if by magic the shop became his. A woman enters the barbershop, , bringing food, the door closes behind her, and an alarm in the TARDIS sounds again. The Doctor recognizes her, but can't place her. The light switches to red again, and the Doctor sits down, telling the most powerful story he knows, not of  or , but of an ordinary life. Of Belinda Chandra doing her job, helping someone all night long, even on her grandmother's birthday, a simple gesture of thanks two weeks later. Abby watches a screen in another room, seeing it lighting up, noting that they're accelerating, as the story ends. The Barber is impressed with the power of his stories, and tells Abby when she comes out that they need to recalibrate . Omo asks if they can be let free now that the Doctor has come, his stories being effective, his hair having grown in the interim more than any of theirs. But Abby locks the door and the pair leave. The TARDIS sounds an alarm yet again, this time showing Belinda an image of the barbershop. The Doctor is furious that Omo betrayed him, is willing to trap him here, and refuses to listen as everyone tries to tell him not to open the door. He forces it open with his sonic screwdriver, finding a vacuum on the other side. A vacuum with only giant web and a large spider traversing it, the barbershop on the back of the spider. The Doctor closes the door with great effort, and the Barber emerges from the backroom, explaining that the shop is in Lagos and in outer space at the same time, only Abby and himself able to travel between. Outside, Belinda finds herself lost, but is pointed towards the shop by a , entering it, glad to see the Doctor. Reunited, the pair confront the Barber, calling him a coward who hides his face, having no real power. Rising to the taunt, the Barber names himself, calling himself , , , , , the god of stories. The pair burst out laughing - the Doctor has met Bastet, Sága, Dionysus, Anansi. He's partied with them, Anansi even tricked him to marry his daughter. This man isn't any of them. And so the man admits, he's the person who did their work for them. Wherever the gods went, he took their stories, cleaned them up, refined them, wrote them down, all for humans to repeat them, to keep the gods alive. Without him the gods would not exist. The web outside is his creation as well, the , a web that connects cultures and ideas. He was so successful that the gods abandoned him, and now he wants vengeance. The engine winds down, so much power drained from the Doctor opening the door. Abby criticizes him, and the Doctor recognizes her at last - Anansi's daughter, Abena. He's sorry that he was unable to help her, but he was a  at the time, and had his own story. The light turns red, and the Barber insists the Doctor tell a story. The Doctor refuses, demanding to know what vengeance is being planned. The Barber relents - he plans to cut out the gods from memory when he reaches the center of the nexus, erasing them from existence. The Doctor is horrified, this will damage humanity, as it will harm their ability to tell stories, to pass down information, insisting that this is horrific. He refuses to sit down and speak, he won't let the spider go further. As the shop descends into chaos, everyone arguing, Abena proclaims that she will tell a story, and begins to braid the Doctor's hair. And she tells a story of plantation slaves transmitting information through the braids on their hair, maps to freedom for anyone who could escape, hidden in a place where the overseers would never check. As the battery stabilizes, the Doctor and Belinda run into the back room, finding themselves in a maze, a maze for which the Doctor has the map on his head. The pair come to a room full of artifacts from various cultures and the ship's engine, an engine that runs on stories, a heart inside a brain. The Barber enters the room behind them, having cut Abena off from the outside, the Doctor disrupting the flow of power, slowing the spider down but not stopping it. The Barber insists that the Doctor has done nothing. So the Doctor suggests that they consider , who wrote a story in six words. The Doctor's six word story is "I'm born. I die. I'm born." And energy begins to flow into the engine, never-ending energy, as his past lives flicker across the screens. But the Doctor has disrupted the engine, it can't process the power. He tells the Barber that now it's his choice - he can save the people in the shop by opening the door. But the engine will disintegrate. The Barber unlocks the door and Omo, Adena and the rest out front escape. The Doctor sends Belinda back as he sits with the Barber, talking to him, convincing him that he still has more to live for. The pair escape the shop at the last moment as it collapses, the engine exploding, destroying the spider it rode on. Omo apologizes to the Doctor, and says that he should have protected the Doctor, they're part of the same community. The two make up. Omo gives the Barber his shop, saying that he's retiring, and gives him a name, his father's name, . Adétòkunbo steps back into the barbershop, now his. The Doctor and Belinda step back into the TARDIS, one step closer to home. Cast  -   -   -   -   -   -   -   -   -   -   -   -   -   -   -   -  Crew          ,  and  with  and                             by   •   by   Music  by   •  Assistant to  -    •   performed by               General production staff  for the  -   -   -   -   -   -   -   -   -   -   -   -   - ,   - ,   -  Script department  -   -  Camera and lighting department  - ,   -   -   - ,   -   -   -   -   -   -   -   -   -   - , , ,  Art department  - ,   - ,   -   -   -   -   -   -   -   -   -   -   -   - ,   -   - , , , , , ,   -   -   -   -   -   -   -   -   -   - ,   -   - , ,   - ,   - , , , , , , , , , , ,  Costume department  -   -  Make-up and prosthetics Movement  -   -   -  Casting  -   -  General post-production staff  -   -   -   -   -  Special and visual effects  -   -   -   -   - ,   -  Sound  -   -   -   -                                                            Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.     Worldbuilding  claims to be , , , , and . In return, the Doctor relates encounters he had with all of those deities: winning a bet against Anansi, having a drinking contest with Dionysus that caused a  in , watching  movies with Sága, and losing a game of  to Bastet. The  has a large collection of artefacts related to stories. The room of shelves includes a  , several , a  statue of , a life-sized statue of a bearded man, , a helmet, copies of , , and , and a statue of a . The area around the heart has a statue of a dancing  goddess, a , a , a statue of an , a model , several , , and a . Notes The episode has a smooth transition from the "" into the , with the title sequence first appearing in the shop window, and then the camera slowly zooming closer until the image fills the frame and the window fades away. The title of the episode was revealed on official social media on  . On , the prequel short story , also written by , was published on the . Some of the artwork from it was shown on the shop window in this episode when  was telling his story of the Doctor. The story shares many themes and ideas with other work by Ellams. The 2017 play Barber Shop Chronicles prominently explored  as places of friendship and culture. It featured many barber shops, including one in . A version of the story about  and the  was part of this play. The 2019 play The Half-God of Rainfall depicted a world in which the gods of all religions coexist as separate figures who interact and fight with each other.  appeared, presented as the  of stories. Ellams viewed the character  as echoing the title character of this play, as both are newly-invented children of gods. The 2020 poetry book The Actual had a poem about the Yo-Yo Ma story, as well as a poem comparing rapping to time travel which mentions Doctor Who. The Yo-Yo Ma anecdote is based on the musician's trip to  which was filmed for the 1993 documentary Distant Echoes: Yo-Yo Ma & the Kalahari Bushmen. For the UK debut on , the episode was first released as an audio description version only. The standard version of the episode was then released a few minutes later. Episode writer  appears as a , marking the second time a person has written and acted in the same episode, following  in  [+].  as  and  as the  were omitted from the advance credits. The  anecdote of challenging him to write a story in six words appears to be referencing 'For sale: baby shoes, never worn.', a story misattributed to Hemingway. Myths to be added Filming locations to be added Ratings to be added Production errors If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to . to be added   The Doctor uses the , as he previously did in :  [+], :  [+], :  [+] and :  [+]. 's cameo, for the first time, occurs in a flashback rather than the present, in the story the Doctor recounts about how Belinda saved a  life. She's seen walking down the hallway just before Belinda meets the patient again and is given flowers. The Doctor recognises Abby from his encounter with  when he was the , indicating he now has access to some of the memories that were erased by . Belinda sees an apparition of  just before she reaches the barber shop. When she later tells the Doctor about seeing a little girl, he guesses it was due to stories from the Story Engine leaking out. When the Doctor overcharges the engine with his endless story, it is shown with clips of the  from :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+] with audio from :  [+], audio of the  from :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+], , , and the  in :  [+] (saying the line heard earlier), the  in :  [+] and the  in :  [+]. Clips of the  in :  [+], the  in : "" [+], the Twelfth Doctor in :  [+] and a still of the Fifteenth Doctor in :  [+] appear in the background of the following scene. in article: External links Official  page on  Footnotes  @BBC (2025-03-22). . YouTube. Archived from  on 2025-03-22.   (2025-05-08). . . Archived from  on 2025-05-08.  Amanda-Rae Prescott (2025-05-10). . Den of Geek. Archived from  on 2025-05-11.  . BBC One. Archived from  on 2025-04-30.

Masters of Chaos, "Tricksters," live across cultures and time, dancing along the fine line between ancient mythology and modern-day mysteries.These shape-shifting entities, from Anansi to Veles to Coyote, exist in the liminal space between science and superstition, folklore and fact.Join us for a chaotic collaboration as we dive deep into the world of Tricksters with special guest Kristen from the Paranorm Girl Podcast  ⁨@paranormgirlpod⁩Together, we'll explore the multifaceted roles these mythical beings play as advocates for nature and harbingers of change and their surprising connections to contemporary phenomena like UFOs, Bigfoot, fairies, tulpas, and egregores.Kristen - Paranorm Girl PodcastWhere to Listen: https://linktr.ee/ParanormGirl Where to Follow: https://linktr.ee/ParanormGirl Where to Support: https://patreon.com/paranormgirlpodBLACK CAT REPORTPATREON: Follow us on Patreon for exclusive content: https://bcr.link/patreon⁠⁠⁠CONNECT:Email: contact@blackcat.reportSubmit Episode Ideas: ⁠⁠⁠⁠⁠https://bcr.link/ideas⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/black_cat_report/⁠⁠⁠⁠⁠Beer, Boos and Boogeymen (B3): https://ghost.beer/⁠⁠⁠TAGS:#trickstergods #aliens #bigfoot #highstrangeness #ufo #mythsandlegends #fairyfolklore #norsemythology #paranormal #folklore #supernatural #mysteries #cryptids #strangemysteries #witchcraft #tulpas #strangephenomena #unexplainedmysteries #egregores #bigfootencounters #mythicalcreaturesCHAPTERS:00:00 Intro01:43 The Concept of Tricksters04:48 Trickster Gods and Their Roles07:47 Exploring Trickster Archetypes10:40 Coyote: The Gullible Trickster13:35 Veles: The Duality of a Trickster God22:38 The Duality of Velys: Trickster and Underworld God28:45 Cultural Evolution of Velys: From God to Devil35:10 Anansi: The Trickster Spider of Ghana40:12 The Origin of Stories: Anansi's Quest for Narratives46:03 The Universality of Trickster Entities53:24 Cultural Perspectives on Tricksters58:49 Tricksters in Religious Contexts01:06:37 The Connection Between Tricksters and Modern Phenomena01:10:46 The Nature of Tricksters01:11:54 Exploring Bigfoot and Cryptids01:14:16 Interdimensional Beings and Tricksters01:16:53 Cultural Perspectives on Tricksters01:18:22 The Symbolism of Tricksters01:20:23 The Search for Evidence01:22:49 The Reality of Tricksters01:25:28 Cultural Significance of Tricksters01:28:21 The Impact of Belief on RealitySOURCES:https://artsandculture.google.com/story/mohini-the-enchantress-american-institute-of-indian-studies/pQXBuABQJikpIg?hl=enhttps://www.learnreligions.com/trickster-gods-and-goddesses-2561501https://en.wikipedia.org/wiki/Mohinihttps://fractalenlightenment.com/40732/culture/just-trickster-many-faces-coyotehttps://www.learnreligions.com/trickster-gods-and-goddesses-2561501https://dc.etsu.edu/cgi/viewcontent.cgi?article=1324&context=honorsVeles Trickster: https://grammaticus.blog/2023/09/06/veles/https://en.wikipedia.org/wiki/Tricksterhttps://historycooperative.org/slavic-gods/https://www.thoughtco.com/veles-slavic-god-4777172https://solntsaroshcha.wordpress.com/veles/https://kotharianlightning.ca/2022/04/12/the-legend-of-nohoilpi-the-gambling-god/ Anansi Trickster: https://en.wikipedia.org/wiki/Anansihttps://occult-world.com/anansi/https://www.britannica.com/art/trickster-talehttps://www.ebsco.com/research-starters/literature-and-writing/anansihttps://www.galileo.org/initiatives/moka-meyo/meyo/meyopimatisiwin/learning-wasak3.htmlhttps://www.galileo.org/initiatives/moka-meyo/meyo/meyopimatisiwin/learning-wasak1.htmlhttps://www.galileo.org/initiatives/moka-meyo/meyo/meyopimatisiwin/learning-wasak2.htmlhttps://en.wikipedia.org/wiki/WisakedjakMUSIC CREDITS:Outro Music: Lounge Jungle by Curt S D Macdonald https://download.audiohero.com/track/41504269⁠⁠⁠⁠⁠Music Licensing Agreements: ⁠⁠⁠⁠⁠⁠https://blackcat.report/music-licensing-agreement⁠⁠

Dennis Woodyard returns, alongside Greg Weisman, to discuss this seminal episode. We discuss a myriad of topics such as Dennis presenting this episode at a library event for Black History Month; previously working with the Anansi character; and his time on the show producing it with Greg Weisman and Frank Paur. We also discuss the ancient myths and legends of Anansi, and trickster figures around the globe. We discuss the cultural importance of the storyteller and how appropriate that makes the casting of LeVar Burton. We also discuss the legendary Nichelle Nichols in the role of Diane Maza and her... Continue reading

Today's story, 'Anasi And The Pot Of Wisdom' is a folktale from Africa about how everyone on Earth got some wisdom.Free activity sheet available at www.rituvaish.com/anansi-and-the-pot-of-wisdomSend your artwork to rituvaish@gmail.comTranscript:Stories from near and far are adapted from a local folk tale, teaching children, new perspectives from around the world. Without much ado let's get started.Anansi literally translates to spider, and is a folktale character associated with stories of wisdom, knowledge, and trickery, most commonly depicted as a spider, in African folklore.Anansi and the Pot of WisdomAnansi, the spider loves to spin a tale! He can amuse you for hours with stories full of wonder, stories full of fun, and stories full of facts.Children, which is your favourite Story?Anandi was very nosy. He knew almost everything about almost everybody. Almost. But Anansi wanted to know everything!So, one day, he went to the house of the Sun God. "Oh, mighty Sun God! You see everything and everyone! Won't you share your great wisdom with me? I'll use it wisely to spin tales of wonder and fun for everyone."The Sun God agreed, "Anansi, I will put all the wisdom in the world here in this clay pot. You must share this wisdom with everyone."Anansi was delighted and promised to do so. Anansi took the pot home. He looked deep into the clay pot and sure enough, he saw sights he had never seen before.He heard sounds he did not know existed.He became greedy. "This is too good to give away. I will keep this great wisdom for myself," thought Anansi."I must hide it!" he decided, and he looked around for a good hiding place. Anansi decided to climb to the top of the tallest tree. There he would tie up the clay pot and the leafy branches will hide it.Children, do you think that the top of the tree was a good place to hide the pot? Can you suggest another place.NiceNow listen ahead.He started climbing the tree, holding the pot in front of him. “The climbing is hard! He thoughtHave you ever climbed a tree while holding a pot? Anansi wishes he had nine limbs! His youngest daughter was outside and saw what a hard time Anansi was having. "Father, it would be easier if you tied the pot to your back. Then all your limbs would be free for climbing."Do you think Anansi is happy to get good advice from his daughter? Think again!"She is right—that would be easier! Why is it my young daughter could think of it, while I who possess all the wisdom of the world did not?"Anansi got so angry that he threw the pot to the ground. All the wisdom of the world came flowing out of the pot. Some fell here, some fell there. No one got all the wisdom, but everyone git some wisdom. This is why, even today, wisdom is everywhere. If you listen to the stories—stories spun from storytellers all around the world—you will hear it.

Recorded by Gia Anansi Shakur for Poem-a-Day, a series produced by the Academy of American Poets. Published on April 3, 2025. www.poets.org

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Jared Hall is the epitome of an artist and he proved this when his beautiful short film, Anansi the Spider, played at Film Invasion Los Angeles in 2024 and took home the Filmmakers Award for Outstanding Short Film - Animation and for Outstanding Cast Performance Animation. I hope you get as much inspiration listening to our talk as I did partaking. I couldn't wait to get to what inspires Jared with his 4 Questions. If you want to learn more about Jared, go to @thatishall (https://www.instagram.com/thatishall/) or his website at https://thatishall.myportfolio.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

For this week's episode, we're heading over to West Africa and the Caribbean for a legendary folklore monster/god, Anansi! How does this spider hybrid relate to the slave trade? Why is he so relatable as a dad? Find out this week!Send us a textSupport the showYou can find us on: Myth Monsters Website Spotify Apple Podcasts GoodPods Amazon Music Social media: Twitter BlueSky Instagram Facebook TikTok

Happy Talk with a Filmmaker Friday! I normally refer to people as filmmakers, but when I think about Jared Hall the word that actually comes to my mind is, “artist.”                                                                                                                                             Jared is an animator, filmmaker, and illustrator, but what unifies all of his talents is that he's an artist. There you go... Artist! Jared's short film, Anansi the Spider, played at Film Invasion Los Angeles in 2024 and took home the Filmmakers Award for Outstanding Short Film - Animation and for Outstanding Cast Performance Animation.  This film is beautiful and it was difficult for me to not make that word in all caps. And it's fun! And it's cool!                                                                                                                            Honestly, Anansi the Spider is one of those films I feel comfortable stealing a line from a childhood friend, “It's okay if you don't like it, but if you don't like it then I don't like you.” If you want to learn more about Jared, go to @thatishall (https://www.instagram.com/thatishall/) or his website at https://thatishall.myportfolio.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

Lemai never forgets the humiliation of her teachers and the burning of books during the Cultural Revolution. She uses her position as a student Red Guard leader in 1960s Shanghai to find books, has one friend she can trust, and is tormented by her older brother. After being involved in the violence of the Tiananmen Square protests in 1989, she loses hope in China and raises Lin, her daughter, to pursue a life in the West. Both Lemai and Lin suffer from unnamed mental anguish at various points in their life and are both haunted by the past. In Shanghai, Los Angeles, and Toronto, they grapple with people from their former lives, and Lin's attempts at erasing her Chinese identity nearly make her go mad. This is a passionate debut novel about the mother-daughter bond, Chinese cultural identity, and the struggles of being a foreigner in America. SU CHANG is a Chinese Canadian writer, born and raised in Shanghai. Her fiction has been recognized in Prairie Fire's Short Fiction Contest, the Canadian Authors Association National Writing Contest, the ILS/Fence Fiction Contest, and the Masters Review's Novel Excerpt Contest. Her plays have been performed in various festivals and theatres across Canada. More essays and fiction are forthcoming in the Toronto Star, Electric Literature, Hamilton Review of Books, Ex-Puritan, Open-Book, 49th Shelf, etc. Su is a graduate of the Humber School for Writers and a member of the Writers' Union of Canada and the Canadian Authors Association. She devotes her interstices of time between writing and a full-time job to reading, playing the piano, nature walks, and wrestling with her children. Connect with her at https://www.instagram.com/suchangwrites/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lemai never forgets the humiliation of her teachers and the burning of books during the Cultural Revolution. She uses her position as a student Red Guard leader in 1960s Shanghai to find books, has one friend she can trust, and is tormented by her older brother. After being involved in the violence of the Tiananmen Square protests in 1989, she loses hope in China and raises Lin, her daughter, to pursue a life in the West. Both Lemai and Lin suffer from unnamed mental anguish at various points in their life and are both haunted by the past. In Shanghai, Los Angeles, and Toronto, they grapple with people from their former lives, and Lin's attempts at erasing her Chinese identity nearly make her go mad. This is a passionate debut novel about the mother-daughter bond, Chinese cultural identity, and the struggles of being a foreigner in America. SU CHANG is a Chinese Canadian writer, born and raised in Shanghai. Her fiction has been recognized in Prairie Fire's Short Fiction Contest, the Canadian Authors Association National Writing Contest, the ILS/Fence Fiction Contest, and the Masters Review's Novel Excerpt Contest. Her plays have been performed in various festivals and theatres across Canada. More essays and fiction are forthcoming in the Toronto Star, Electric Literature, Hamilton Review of Books, Ex-Puritan, Open-Book, 49th Shelf, etc. Su is a graduate of the Humber School for Writers and a member of the Writers' Union of Canada and the Canadian Authors Association. She devotes her interstices of time between writing and a full-time job to reading, playing the piano, nature walks, and wrestling with her children. Connect with her at https://www.instagram.com/suchangwrites/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A new month means the Good Brothers are moving on to another DCAU series, spending the next few weeks in Dakota and Static Shock. This week's episode is the sequel to one of the best Static episodes featuring the African superhero Anansi the Spider, in "Out of Africa." The hosts discuss the difficulties in following up an episode as great as "Static in Africa" with a sequel, the expanded rogues from African folklore and music that really drives home the native music for our guest star. Plus, the hosts talk about the very Sharon-centric story, where Osebo might have gotten his wealth and the question of the week inquires about the fictional place of Marvel heroes within the DCAU. All of this and much more await you on this new episode of the DCAU Review!Please Consider Supporting the Podcast:Become a monthly or one time supporter of the pod:⁠⁠⁠⁠⁠https://⁠⁠⁠⁠buymeacoffee.com/DCAUReview⁠⁠⁠⁠⁠⁠Subscribe to the pod on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcasts⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠ and please consider leaving us a 5-star review Support the pod by picking up some merch:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dcaureview.myspreadshop.com⁠⁠⁠Final Scores:Plot: Cal: 5/10 – Liam: 6/10Visuals/Animation: Cal: 7/10 – Liam: 7/10Music: Cal: 7/10 – Liam: 6/10Voice Acting: Cal: 9/10 – Liam: 8/10Bonus Point: NoneFinal Tally: Cal: 28/40 – Liam: 27/40

First and foremost huge shout out to Ian from Acai Republic. Dude has great vibes! For the first time Strider gets on the phone and calls some experts regarding dank decor. Myriam of Hollywood glam furniture might be the chillest lady of all time. For our dose of history Strider shares a story derived from West African Folklore. The bold and clever Anansi the spider who wanted all the knowledge of the World. Strider's Stand Up Special Makin' Memories Sources: ‘The Mythology Book: Big Ideas Simply Explained” Editorial Director Ellen Dupont. DK Penguin Random house 2018, westelm.com, imdb.com, african.mythologyworldwide.com

In this episode of Mythlok, we unravel the fascinating tale of Nareau, the Spider God from Micronesian and Kiribati mythology. Known as the weaver of the universe, Nareau's story is one of creation, wisdom, and balance. Discover how this divine spider shaped the cosmos, connected the heavens to the earth, and influenced the culture and spirituality of Pacific islanders.We'll explore Nareau's physical traits, his intricate web of powers, and the rituals performed to honor him. Plus, we'll dive into the common threads shared with other spider gods like Anansi and the Native American Spider Woman.Join your host, Nitten Nair, as we uncover the symbolic and cultural significance of Nareau's web, both in ancient myths and modern interpretations.Don't miss this captivating journey into the world of Pacific mythology! Like, subscribe, and hit the notification bell to stay updated with more mythical tales from around the world!

On this week's episode of Local Legends, Martin is joined by the absolutely lovely, incredibly talented writer, folklorist and podcaster Dr Icy Sedgwick, whose show Fabulous Folklore is absolutely brilliant.While her podcast has been running for nigh-on six years, Icy has been blogging about folklore for much longer, and she has written several books, including the excellent Rebel Folklore: Empowering Tales of Spirits, Witches and Other Misfits from Anansi to Baba Yaga, which came out in 2023. Though that collection is only the very tip of the "Icy-berg" as she has also published short story collections, novels and novellas in an array of genres, from Westerns to Fantasy books to Gothic horror, and many others.In terms of the ‘Dr' bit, Icy's PhD is in Haunted House movies, which, if you weren't already convinced, makes her, firstly, super-cool in an of itself, and, secondly, a very Three Ravens-y type of person. An expert in folklore, ghosts, and a diverse range of genre fiction? Yes please!Moreover, for our purposes this week, Icy is the perfect person to speak to about Northumberland as she was born there, is still resident there, and she has lived in the county for almost all of her life, developing detailed and ranging knowledge of the county's heritage and stories.So, settle in for a good ol' chinwag which covers so many topics, from life as a jobbing writer to the joys and challenges of discussing folklore on social media, Icy's capacity to bend time, and some wonderful stories, from Silky, Northumberland's Swiss Army Knife-ghost, to The Laidly Worm, the Simonside Dwarves, and all sorts of other appropriately fabulous stuff.To learn more about Icy, read her blog, buy her books, and find links to he social media channels and the Fabulous Folklore Podcast, do visit her website at www.icysedgwick.com.And otherwise, we will be back on Monday with our brand new County Episode, where we will be digging into the history and folklore of Cheshire!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

((If you have a sense of humor and want a laugh…check out a bonus at the end!)) 

 In this classic Zimbabwean folktale, The Midnight Goat Thief, we dive into the mischievous world of Hare and Baboon. Hare invites his loyal friend Baboon on a journey to a distant village for a feast, but things don't go as planned. Through clever tricks and sly schemes, Hare's true intentions come to light, leaving Baboon to learn a valuable lesson about trust and friendship. Join us for a story filled with laughter, trickery, and a lesson that reminds us all to choose our friends wisely.  I hope you enjoy this piece of our history. Sit back and Relax, let me take you back to Africa.Want to support the podcast? You can buy me a coffee at https://www.buymeacoffee.com/storiesmthrtoldInstagram: @storiesmothertoldBlack History For Kids: https://tuntimo.com/If there are any stories you would like to hear, please send an email to storiesmothertold@gmail.comAfrican Horror Stories (@africanhorrorpodcast): https://open.spotify.com/episode/2VPWWSATprI9TrSZCAuAW3?si=fSRNyA2DTvif6p7f5mt7hg

Skinwalker, Wendigoos, and THE GOATMAN, these are all legends of North American Native folklore. Today we're exploring the terrifying legends of all these spirits and alleged stories with them. Get spooky for Halloween people! Welcome to CAMP! Thank you Whoop for making this show possible! Visit https://Join.whoop.com/Camp for a ONE MONTH FREE TRIAL with Promo Code: CAMP TIMESTAMPS: 0:00 Intro 2:36 The Wendigo 6:47 The Skinwalker + Mimicking 9:27 Third Man Factor + Staircases in The Forest 14:02 Mark's Personal Skinwalker Story 18:15 Skinwalker Story + Baphomet + Climbing Walls 26:13 Skinwalkers Caught on Video 31:38 Skinwalker Mimicking Story 34:56 Anansi's Goatman Story + Metallic Smell 1:01:34 Jenny's Skinwalker Story 1:06:15 David's Skinwalker Story 1:12:36 Map to Skinwalker Cave 1:31:14 Comment Your Experiences

The message was delivered on Sunday, October 6, 2024, at All Souls Unitarian Church in Tulsa, Oklahoma, by Rev. Dr. Marlin Lavanhar, Senior Minister. DESCRIPTION: In this service, Rev. Dr. Marlin Lavanhar emphasizes the importance of embracing one's authentic self in a world that often pressures individuals to conform to others' expectations. Through the African folktale of Anansi the Spider, we discuss how everyone has unique gifts that can contribute to a greater purpose. The message calls on individuals to fully participate in their communities by being true to themselves. It underscores the idea that everyone, regardless of their role or resources, has a significant part to play in creating a more inclusive, caring, and transformative community. SUBSCRIBE TO WATCH OTHER VIDEOS: @allsoulsunitarian WANT TO LISTEN? SUBSCRIBE TO AUDIO PODCAST: http://itunes.apple.com/us/podcast/all-souls-unitarian-church/id193096943 GIVE A DONATION TO HELP US SPREAD THIS LOVE BEYOND BELIEF: http://www.allsoulschurch.org/GIVE or text AllSoulsTulsa to 73256 LET'S CONNECT: Facebook: https://www.facebook.com/allsoulstulsa Instagram: https://www.instagram.com/allsoulstulsa All Souls Church Website: http://www.allsoulschurch.org

RJ and Elle recount their experiences with  spiders and RJ discusses the history of spiders in mythology. RJ recounts Ovid's story of Arachne and reads an anthropologists recorded Anansi story. RJ and Elle then discuss the arachnomancy readings that are currently popular in West Africa. RJ and Elle then find a black widow spider  and Elle divines a question for Christon using the web.Support the show

Ahoy, my friends! Welcome aboard the Afro Tales podcast. Join me as we explore the tales that grew from the people of Indigenous and African descent in the Americas and the Caribbean. In this episode, we dive into an assortment of intriguing stories featuring the cunning Anansi, the clever Mongoose, and the fierce Tiger. Discover how Anansi's trickery unfolds in various scenarios, from deceiving Mongoose out of a cow to outwitting Tiger with magic stools. Each tale is a testament to wit, wisdom, and the consequences of desire. Book: Caribbean Folk Tales: Stories from the Islands and The Windrush Generation Edited By: Wendy Shearer Chef goes on a culinary adventure inspired by these stories, as he shares his tasty recipe for Traditional Rice & Peas. This recipe is a pleasure to make in the Galley just for you, and we hope you enjoy it. Afro Tales Recipe of the week: Traditional Rice & Peas https://cooklikeajamaican.com/traditional-rice-and-peas/  Chapters: (00:00) Welcome aboard the Afro Tales podcast. (00:32) Anansi and Mongoose  (06:36) Hyena and Fowl (15:56) Anansi, Tiger and the Magic Stools (29:27) Anansi and Fire. (38:55) My Thoughts (48:48) Recipe of the week Jack Mandora Stories: Jack Mandora Stories https://www.afrotalescast.com/jack-mandora-stories/  The New House Maid https://www.afrotalescast.com/the-new-house-maid/  Two Empty hands https://www.afrotalescast.com/two-empty-hands/  Mental Health  Phone Number: 988 https://texassuicideprevention.org/  https://www.nami.org/Support-Education/Support-Groups/NAMI-Connection  To Support Afro Tales Podcast: Website: https://www.afrotalescast.com  YouTube: https://youtube.com/@afrotalescast   Podcast Artwork: Artbyshalaye: https://instagram.com/artbyshalaye?igshid=18dz8daavtsv6 Music: Artist: Brotheration_Records Album:  Song: Happy Upbeat Marley Reggae URL: https://pixabay.com/music/reggae-happy-upbeat-marley-reggae-190316/  SFX: https://freesound.org/

In this episode we introduce Coyote, a superstar of Native American folklore. We can't believe it's taken us this long to give him his own episode. A coyote is a real animal, a wild dog that lives in the wide plains, forests and even urban areas of North America. They can be found right across the continent, but particularly in places like Texas, Colorado, California, and New Mexico. They can make their home anywhere, which means they are cunning and able to adapt to their surroundings. They eat virtually anything so can always find a way to live off the land. They are intelligent and great survivors. You can find out more about the coyote HERE. Native Americans, the indigenous tribes who lived on the land before the arrival of Europeans, have great respect for coyote and see him as sacred. In some old stories, coyote is a divine being and created the world itself. In others, he's a cunning trickster just trying to survive. Sometimes he can be righteous and helpful to animals and humans, othertimes he can be selfish and a bit foolish. Just like Anansi from the old Ashanti stories of West Africa. But whatever story he is in – it's always sure to be a good one. You find some more coyote stories HERE. If you would like to be a guest teller on our podcast, you can get in touch with us HERE If you would like a shout out, you can email us at emilydragonflytales@gmail.com or get in touch via social media. You can follow us on: Facebook   Instagram Twitter Thanks for listening!   Theme Music by Leo Grazebrook on GarageBand Storytelling and singing by Emily Hanna-Grazebrook, guitar by Andy, drums by Leo Produced by Andy Grazebrook Art by Light Creative Sound effects by Zapsplat Oringinal Music by Dragonfly Tales

Hop aboard the Culture Train as we journey to the colorful islands of Trinidad & Tobago with special guest and children's author, Farrah Chow Quan! We'll explore the sun-kissed landscapes, crystal-clear waters, and vibrant mix of cultures that define this Caribbean paradise. Learn about Trinidadian Creole, the unique language of the islands, and discover the joyful sounds of Calypso and Soca music, featuring the iconic Steelpan. Get a sneak peek into the world-famous Carnival, the most spectacular celebration of music, dance, and culture. Plus, Ms. Farrah shares fun words from her book, Anansi and Boisie ABC, and teaches us what it means to "lime." Don't miss this exciting episode packed with music, history, and plenty of island fun. Grab your passports and let's go lime! Credits: Producers/Hosts: Kristen and Asher Kim Guest: Farrah Chow Quan Audio Engineer and Post Production: Robin Lai Theme Song: Composed by Kristen Kim, arranged and recorded by Robin Lai All other music and sound FX: Envato Elements Adventures of Anansi & Boisie ABC Purchase Here: https://fchowquan.com/ Instagram: https://www.instagram.com/farrahwaytravels/ https://www.instagram.com/anansiandboisie/

Ahoy, my friends! Welcome aboard the Afro Tales podcast. Join me as we explore the tales that grew from the people of Indigenous and African descent in the Americas and the Caribbean. In this episode, we unravel the story of Hermano Zora and Hermano Coyote. Sister Fox, ever the trickster, has been stealing chickens from Don Perez's henhouse. To catch her, Don Perez creates a wax figure, but Sister Fox's cleverness knows no bounds. When Coyote, driven by hunger and rivalry, gets entangled in her schemes, a series of trickery and revenge unfolds. From sticky wax figures to illusory cheeses, discover how Sister Fox outsmarts her cousin time and again, leading to a fiery and fatal conclusion for the hapless Coyote. Book: Cut From the Same Cloth Retold By: Robert D. Sousi Chef goes on a culinary adventure inspired by this story, as he shares his delightful recipe for Elote Mexicano, or Mexican Street Corn. This recipe is a pleasure to make in the Galley just for you, and we hope you enjoy it. Afro Tales Recipe of the week: ELOTES MEXICANO https://www.mylatinatable.com/authentic-mexican-street-corn-recipe-elotes-mexicanos/  Chapters: (00:00) Afro Tales podcast explores the tales of indigenous and african descent (00:23) A fox was caught stealing chicken from Dom Perez's henhouse (04:01) Hermana Fox stole a loaf of bread from a house on the edge of town (10:59) Hermana Fox finds a huge round cheese in a pond near town (18:37) This is a story about Sister Fox and brother Coyote battling  (23:17) My thoughts (25:18) Chef's Recipe of the Week Trickster Stories: The Clever Rabbit and the Lion https://www.afrotalescast.com/the-clever-rabbit-and-the-lion/  Anansi and the Pot of Beans https://www.afrotalescast.com/anansi-and-the-pot-of-beans/  Br'er Rabbit and the Tar-Baby https://www.afrotalescast.com/brer-rabbit-and-the-tar-baby/  Mental Health  Phone Number: 988 https://texassuicideprevention.org/  https://www.nami.org/Support-Education/Support-Groups/NAMI-Connection  To Support Afro Tales Podcast: Website: https://www.afrotalescast.com  YouTube: https://youtube.com/@afrotalescast   Podcast Artwork: Artbyshalaye: https://instagram.com/artbyshalaye?igshid=18dz8daavtsv6 Music: Artist- Drippeados Album-  Song- Guitar mexican vibes https://pixabay.com/music/acoustic-group-guitar-mexican-vibes-230195/  SFX: https://freesound.org/

Bashir Salahuddin (Top Gun: Maverick, South Side) plays legendary trickster Anansi in this West African tale about how stories first came to the world.

Greedy Anansi is at his tricks once again. Can he trick his friends so he can share everyone's dinner without having to help them? Or will it backfire? Listen to storyteller Emily Hennessey tell this fun ‘How and Why' story and find out. A good story to learn to tell yourself. Learn more about your ad choices. Visit podcastchoices.com/adchoices