Podcasts about Anansi

Mircea Cărtărescu, Gabriela Adameșteanu, Matei Vișniec, Bogdan A. Stănescu. Vorbitorincii la Paris Bine ați venit la o ediție specială „Vorbitorincii", filmată direct în inima Franței! Cu ocazia Festival du Livre de Paris, am avut privilegiul de a ne muta „studioul" în cea mai frumoasă ambasadă a României: Palatul Béhague. Gazda noastră, doamna Ambasador Ioana Bivolaru, ne-a deschis porțile acestei bijuterii arhitecturale, iar celebra Bibliotecă Ovală a devenit locul în care am înregistrat toate interviurile culturale ale acestui episod. În acest spațiu unic, am transformat un loc al diplomației într-unul al confesiunilor. Am dialogat despre cărți și identitate cu autori români emblematici: Mircea Cărtărescu, Gabriela Adameșteanu, Matei Vișniec și Bogdan Alexandru Stănescu. Tot aici, am reconstituit istoria locului alături de arhitectul Ștefan Mănciulescu. La final, adăugăm savoare pariziană cu accent balcanic și stăm de vorbă cu Ecaterina Paraschiv, Chef și proprietara restaurantelor Ibrik. Acest episod de colecție a prins viață cu sprijinul prietenilor noștri de la Jidvei România. Le mulțumim din suflet pentru că susțin literatura, lectura și, așa cum frumos a spus Cătălin, pentru că „ne păstrează lumea pe care o iubim".00:16:44 Doamna ambasador Ioana Bivolaru ne-a deschis porțile Palatului Béhague. 00:34:30 Bogdan Alexandru Stănescu, scriitor, coordonatorul colecției Anansi 00:58:34 Gabriela Adameșteanu, scriitoare 01:31:39 Matei Vișniec, scriitor 02:03:40 Mircea Cărtărescu, scriitor 02:44:03 Arhitect Ștefan Mănciulescu 02:58:41 Spuma filelor 03:18:54 Ecaterina Paraschiv, Chef și proprietara restaurantelor Ibrik

Historia escrita por un usuario Anónimo de 4chan

El día de hoy les traigo una creepypasta mejor conocida como: Anansi's Goatman Story. Y puede que esta historia no sea del todo ficción...Espero que disfruten mucho del relato y no olviden compartir el episodio ya que eso me ayuda muchísimo ^^✨Todas mis redes sociales en un solo link: https://bit.ly/RedesPrideMúsica utilizada:Myuu:•ABYSS•Cold Shivers•Cornered•Misconception•The Crypt•Deep Horrors - Kevin MacLeod•Dopplerette de Kevin MacLeod está autorizado la licencia Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/)Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100659Artista: http://incompetech.com/REPULSIVE:•Eurydice pt. 1•Eurydice pt. 2 Hosted on Acast. See acast.com/privacy for more information.

Episode 678. Emily Zobel Marshall comes on the podcast to discuss her research on trickster characters, particularly the ones in her book, American Trickster: Trauma Tradition and Brer Rabbit. Trickster characters. Emily Marshall's concept of the American Trickster explores a unique archetype that evolved from the fusion of diverse cultural folklore—primarily African, Indigenous, and European—into a distinctly American figure. Unlike traditional European tricksters who often serve as moral foils or agents of chaos, Marshall's American trickster is defined by survival and subversion. This figure often operates within systems of extreme oppression, using wit, "masking," and linguistic dexterity to outsmart more powerful adversaries. Emily is a Professor of Postcolonial Literature at Leeds Beckett University. She is of French-Caribbean and British heritage and grew up in the mountains of Snowdonia in North Wales. An expert on the trickster figure in the folklore, oral cultures and literature of the African Diaspora, she has published widely in these fields, including her books Anansi's Journey: A Story of Jamaican Cultural Resistance (2012, UWI press) and American Trickster: Trauma Tradition and Brer Rabbit (2019, Rowman and Littlefield). She develops her creative work alongside her academic writing and her collection Bath of Herbs was published by Peepal Tree Press in 2023. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Louis Charles Roudanez. 'Is the Black Code Still in Force?'     'Sec. 9. If any slave shall strike a white person, for the first and second offense he shall receive such punishment as the jury shall think proper, but for the third offence the said slave shall suffer death; and whenever any slave shall have grievously and willfully wounded any white person, although it prove to be the first offense, such slave shall suffer death; provided the blow, wound, mutilation or bruises are not made or committed in defense of the person or property of his master.'     Does any sane person living in New Orleans today believe that such a law would, could or should be enforced by any civil power in this city under existing circumstances? Yet there it stands, printed in the 'Revised Statutes of Louisiana,' under the head of the 'Black Code,' and if we are to be guided by 'high authority' in legal matters, a judge in one of our anomalous courts would be derelict in his duty not to pronounce the sentence of death on a colored person, convicted under this statute, who had heretofore been held as a slave, and had never been manumitted according to the laws of Louisiana. This week in Louisiana history. May 15, 1915. Huey Long admitted to the Louisiana Bar as "a full fledged lawyer."  This week in New Orleans history. May 15, 1921: The first scheduled commercial flight arrived in New Orleans, marking the beginning of the city's modern aviation era. This week in Louisiana. Gonzales Jambalaya Festival May 15, 2026 Lamar‑Dixon Expo Center, 9039 S. St. Landry Avenue Gonzales, LA 70737 Held annually on Memorial Day Weekend; the 2026 festival is coming up later this month Website: jambalayafestival.net Email: info@jambalayafestival.net Phone: (225) 647‑9569 The Gonzales Jambalaya Festival is a South Louisiana tradition featuring world‑champion jambalaya, live music, carnival rides, and cooking competitions throughout the long Memorial Day weekend: World Champion Jambalaya: Daily servings from top cooks competing for the festival title. Live Music & Entertainment: Multiple stages with regional bands and family‑friendly performances. Carnival Rides & Activities: A full midway, games, vendors, and community events across the festival grounds. Postcards from Louisiana. Molly Ringwalds. My Sharona. Kenner Italian Festival.  Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Chimamanda Ngozi Adichie este o scriitoare și o voce publică foarte cunoscută și apreciată, o adevărată vedetă a literaturii de azi, o prezență strălucitoare, care și-a cucerit publicul prin inteligența sclipitoare, profunzimea temelor abordate și, nu în ultimul rînd, prin umor. S-a născut în Nigeria, a studiat în Statele Unite ale Americii și-și împarte timpul între cele două țări. Romanele ei au fost traduse în peste 30 de limbi iar cele două discursuri TED ale sale, „The Danger of a Single Story” („Pericolul unei singure povești”) și „We Should All Be Feminists” („Cu toții ar trebui să fim feminiști”) au milioane de vizualizări. În 2025 a publicat un nou roman, „Numărătoare de visuri”, la mai bine de zece ani de la precedentul. Romanul a apărut și în limba română în traducerea Iuliei Gorzo, și deschide seria de autor Chimamanda Ngozi Adichie, la imprintul ANANSI al Editurii TREI. „Numărătoare de visuri” are în prim plan patru personaje feminine: Chiamaka, scriitoare de literatură de călătorie, Zikora, avocată de succes, Omelogor, bancheră, și Kadiatou, menajera lui Chiamaka. Prin poveștile lor de viață sînt surprinse multe teme, între care imigrația, raportarea la imigranți în America de azi, rasismul, abuzul sexual, trauma, dar și dragostea, relațiile de cuplu, familia, prietenia, relația mamă-fiică. Teme multe și grele pe care scriitoarea le împletește cu mare măiestrie narativă într-o scriitură realistă, ușor de parcurs dar care te lasă cu multe întrebări.Am vorbit cu traducătoarea Iulia Gorzo despre Chimamanda Ngozi Adichie și despre personajele și temele din „Numărătoare de visuri”.Iulia Gorzo: „Mi s-a părut o revenire extrem de ambițioasă a ei. E o carte de doliu – o spune chiar autoarea într-o intervenție la finalul cărții –, deși nu pare. Nu e o carte tristă, ca ton, e o carte foarte complexă, are un firesc în povestire, de aia e și atît de ușor de citit, deși este atît de mare ca teme. Are o multitudine de teme și o multitudine de voci care se împletesc. Dar pornește de la faptul că autoarea și-a pierdut ambii părinți într-un interval foarte scurt. Ea a fost foarte apropiată de familie, cu niște părinți care i-au dat tot ce s-a putut, i-au înlesnit viața și ea spune că e ca și cum acoperămîntul pe care toată viața l-a avut deasupra capului s-a năruit dintr-o dată. Întîi a murit tatăl ei, în pandemie, și, la foarte scurt timp, chiar de ziua tatălui ei, a murit și mama ei. Ea nu s-a putut împăca cu această pierdere și a simțit nevoia să scrie. Ăsta este un roman în mare măsură despre suroritate, despre femei și relațiile dintre ele, dar și despre mame și fiice. Cînd am început să traduc și pe mine m-a uimit exact lejeritatea pe care ea pare să o aibă cînd construiește acest edificiu impunător.”Cum ai citit relațiile mamă-fiică din „Numărătoare de visuri”?Iulia Gorzo: „Cele mai emoționante momente cred că sînt scenele cu Kadiatou și fiica ei. Cu siguranță ăsta e motorul cărții. Autoarea spune că între mame și fiice sînt niște relații foarte misterioase, de multe ori nedrepte – poate că fiicele au tendința să fie uneori mai indulgente cu tații și mai necruțătoare cu mamele. Dinamica e complicată, dar relațiile în această carte sînt foarte frumoase. Avem o scenă în care Chiamaka, scriitoarea de călătorii, își descoperă mama prin ochii altora, descoperă ce mamă frumoasă și mîndră are și își dă seama atunci, pentru prima dată, că mama ei e și o femeie, e și altceva decît acea sursă de căldură și de grijă. E un șoc pentru ea și o descoperire. Mamele și fiicele, în această carte, sînt într-adevăr motorul și coloana vertebrală.”Apasă PLAY pentru a asculta întreaga discuție!O emisiune de Adela GreceanuUn produs Radio România Cultural

You thought you knew the game. You thought you were the one pulling the strings. But somewhere between the punchline and the plot twist, the rug got pulled, and you're not sure if you're laughing or cursed. This week on Witch, Yes!, Alicia and Terra are diving into the Trickster. The shapeshifter. The chaos agent. The one who breaks the rules so hard the universe has to rewrite them. From Coyote and Loki to Anansi and Hermes, we're unpacking why every culture across time has needed a figure who lies, cheats, steals, and somehow still ends up being the hero of the story. Are Tricksters forces of evil, or are they the only ones telling the truth? And more importantly... have you been the Trickster this whole time? Light a candle. Mind the fine print. And don't make any deals you can't afford to lose.

Hello to you listening in the Town of Flower Mound, Texas!  Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and a bit more for a story) for Story Prompt Friday and your host, Diane Wyzga.   Long ago, Father Sky gave Anansi the spider a large clay pot. This pot contained all the wisdom in the world - every secret, every solution, every insight that had ever been or ever would be. Anansi was thrilled. He clutched the pot close to his chest and began climbing up the tallest tree in the forest, thinking he would hide the pot at the very top where only he could reach it. All that wisdom would be his alone. But as he climbed the pot grew heavier and heavier. Wisdom kept spilling over the sides and falling like rain on the forest floor below. The harder Anansi tried to hold onto the pot and the tree the more wisdom fell to earth. From far below his young son called up: "Father, wouldn't it have been easier to tie the pot to your back?” Anansi stopped climbing. His own child had wisdom he didn't possess. He looked down at the forest floor where the spilled wisdom was taking root: flowers of understanding blooming, streams of compassion flowing, creatures gathering to drink from pools of imagination that sparkled in the sunlight. In that moment, Anansi knew he was wrong. He hurled the pot down from the tree where it shattered on the forest floor. All the wisdom scattered to the winds, settling into every corner of the world. That is why the old ones say no one person holds all the wisdom. It lives in each of us, waiting to be shared, waiting to be joined with others, waiting to become something greater than any one person could create alone. Story Prompt: What is the singular wisdom that you hold in your story that is ready to be shared? Write that story and tell it out loud!   You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. AND!  Stop by my Quarter Moon Story Arts website during re-construction, check out the Communication Services, email me to arrange a no-obligation Discovery Call, and stay current with me as Quarter Moon Story Arts on Substack. Stories From Women Who Walk Production Team Podcaster: Diane F Wyzga & Quarter Moon Story Arts Music: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Adam explores the British Library's brand new Fairy Tales Exhibition, where stories, myths, and legends leap off the page and into real life. He discovers storyteller cottages, a gingerbread house, magical pop-ups, and more, plus over 54 tales from around the world, including re-imagined classics and bold new adventures. Find out which fairy tales are really for heroes, which ones might have a twist, and why these stories still matter today. Whether you’re a fan of Goldilocks, Cinderella, Anansi, or brave new characters, this family-friendly journey will inspire you to create your own fairy tales. Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

When you're one of the most important writers of the 21st Century you think you'd have people looking out to make sure you didn't end up in a whale.. but that's exactly where the phenomenon that is Angie Thomas has found herself. Fortunately, being a whale this one knows a thing or too about pods, and has delivered Angie safe to the shores of the Island of Brilliant. Frank and Nadia can't believe their luck, and welcome Angie to shore to talk all things 'The Hate U Give' as well as her fabulous new Nic Blake book, 'TheBook of Anansi'. An absolute treat all round. 

Profesoară de teorie politică la London School of Economics și scriitoare tradusă în peste 30 de limbi, Lea Ypi este considerată una dintre cele mai importante voci ale gîndirii politice de azi. Născută în 1979 în Albania, a studiat literatura și filosofia la Universitatea Sapienza din Roma și are un doctorat în filosofie la Institutul Universitar European din Florența. Scrie o literatură în care se uită la istorie din propria viață și se uită la propria viață din perspectiva evenimentelor istorice dramatice prin care au trecut Albania și Europa de Est. A publicat pînă acum volumele „Liberă. Un copil și o țară la sfârșitul istoriei” și „Dezonoare. O viață reconstituită”. Ambele au apărut în limba română în imprintul ANANSI al editurii TREI, în traducerea Berthei Savu. Lea Ypi a fost la București pentru a-și lansa cea mai recentă carte și pentru a participa la conferințele „The Power of Storytelling”. Cu această ocazie, am înregistrat un interviu cu Lea Ypi, în care am vorbit despre cea mai recentă carte a sa, despre împletirea în literatura ei a celor două dimensiuni ale istoriei - cea din manuale, documente și arhive și cea personală -, despre trecutul recent al Europei de Est și tradiția literaturii care spune poveștile acestui spațiu. Interviul a fost tradus de Iulia Negru.„Dezonoare. O viață reconstituită” pornește de la descoperirea de către autoarea-naratoare a unei fotografii cu bunicii săi, Leman și Asllan Ypi, în luna de miere, în Alpii Italieni, în 1941, cînd Europa era în plin Război Mondial. Fotografia apare pe contul unui necunoscut pe rețelele sociale. Publicarea ei și comentariile agresive - despre bunica Leman dar și despre ea însăși, Lea Ypi - declanșează un demers de reconstituire a unei povești de familie, precum și a istoriei Albaniei, a Europei din secolele trecute. Cum să citim această carte, ca pe un volum de memorii, ca pe un eseu împletit cu o poveste de familie?Lea Ypi: „Ca pe un hibrid. Este parțial un roman bazat pe o poveste de familie, parțial o investigație filosofică despre semnificația morală și politică a demnității și parțial o istorie politică a Europei de la căderea Imperiului Otoman până la ascensiunea comunismului. (...) Intenția mea inițială fost să reflectez asupra problemei nedreptății istorice de după comunism și asupra moștenirii traumelor deschise de perioada comunistă în țările postcomuniste, pornind de la istoria bunicii mele. După ce am descoperit fotografia pe contul de social media al unui necunoscut, am fost curioasă să încep o anchetă, am săpat în arhivele fostei Securități a Albaniei comuniste. În Albania, ca și, probabil, în multe alte țări foste comuniste, există această credință că, dacă revenim la sursa acestor documente, la locul unde sînt arhivate și aflăm adevărul cu privire la ce s-a întîmplat cu membrii familiei, asta ne va ajuta să ne împăcăm cu nedreptățile trecutului și să ajungem la un fel de închidere a rănilor și traumelor trecutului. Dar călătoria mea în arhive s-a dovedit a fi mult mai complicată. Cartea a devenit și o meta-investigație despre care e cel mai bun mod de a te gîndi la adevărul trecutului și ce ajutor îți poate oferi literatura pentru a reconstitui asta.”Unde se înscrie această carte în tradiția est-europeană, postcomunistă a literaturii de investigație despre trecutul recent – Peter Esterhazy, Herta Muller etc.?Lea Ypi: „Cartea mea cred că vine, în multe privințe, în continuitatea acestei tradiții, dar există și o perspectivă generațională. Eu sînt mai tânără decât autorii aceștia. Eram un copil cînd a căzut comunismul și simt că viața mea a fost mult mai mult modelată de experiența tranziției și de brutalitatea acestei tranziții spre lumea postcomunistă.”Apasă PLAY pentru a asculta întreaga discuție!O emisiune de Adela Greceanu și Matei MartinUn produs Radio România Cultural

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

SHOW NOTES:Shawna chats with Elise Okusami of the band Oceanator about the value of storytelling and not waiting for a big hero to save us through their song, “Lullaby.” Also? The pitterpatter of Rosie's paws on the floor (and scratching and shaking and just generally making sound), Oceanator as a family affair, what we're like to tour with, and who else lists Dookie as their first punk record?SHOW LINKS:Oceanator on Bandcamp: https://oceanator.bandcamp.com/track/lullaby-2 Oceanator on Patreon: https://www.patreon.com/cw/oceanator WAR ON WOMEN/Oceanator tour info: linktr.ee/waronwomen Music to Life: https://www.musictolife.org/ Mood Machine book - Liz Pelly: https://booksaremagic.net/item/gQpiPqSJBXgQuxapRjFf2Q/lists/L6k6O686GxwY/ ABIYOYO book - Pete Seeger: https://mpt.pbslearningmedia.org/resource/abiyoyo-video/reading-rainbow-stories/ Anansi the spider: https://en.wikipedia.org/wiki/Anansi Baba Yaga: https://en.wikipedia.org/wiki/Baba_Yaga Freedom Sounds album: https://folklife.si.edu/magazine/freedom-sounds-from-smithsonian-folkways Pears: https://pearstheband.bandcamp.com/album/pears SHAWNA'S LINKS:shawnapotter.comThe new Safer Spaces: Online Course: https://shawnapotter.com/safer-spaces-courseMaking Spaces Safer book: https://www.akpress.org/making-spaces-safer-book.htmlRequest fun video messages: https://www.cameo.com/shawnapotterwowAll things War On Women: linktr.ee/waronwomen https://www.youtube.com/@shawnapotter

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this NBN episode, host Hollay Ghadery speaks with Christine Estima about her novel, Letters to Kafka (House of Anansi, 2025).  A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská's torrid love affair with Franz Kafka. In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna's post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story “The Stoker” from German to Czech, becoming Kafka's first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka's energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská's wit, rebellious spirit, and intelligence. Jesenská and Kafka meet twice for lovers' trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual. CHRISTINE ESTIMA is an Arab woman of mixed ethnicity (Lebanese, Syrian, and Portuguese) and the author of the short story collection The Syrian Ladies Benevolent Society. She has written for the New York Times, The Walrus, VICE, the Globe and Mail, Chatelaine, Maisonneuve, the Toronto Star, and the CBC. Her story “Your Hands Are Blessed” was included in Best Canadian Stories 2023. She was shortlisted for the 2018 Allan Slaight Prize for Journalism and a finalist for the 2023 Lee Smith Novel Prize. Christine has a master's degree from York University and lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Want more exclusive content from Dinky? Join the Patreon! Today we are chatting with Nicole Louie, a writer and translator originally from Brazil and now based in Ireland. She is the author of Others Like Me: The Lives of Women Without Children. Others Like Me chronicles her own journey towards embracing a life without children while weaving in stories from women around the world she found in her search for community and guidance. Nicole's essays have appeared in Oh Reader Magazine, The Walrus, The Guardian, and Literary Hub. More info about the giveaway can be found on our Instagram!Book SynopsisOthers Like Me: The Lives of Women Without Children by Nicole Louie (published by House of Anansi in North America)In a world that expects all women to become mothers, what happens to those who circumvent motherhood?Now and throughout history, women without children have been misunderstood and even vilified for not conforming to the prescriptive path of daughter, wife, mother, whether by choice, circumstance, or ambivalence. But with an increasing number of people choosing to forego children, Nicole Louie knew she was not alone. As she recounts her own journey toward embracing a life without children, Louie weaves in stories from the women around the world she found in her search for community and guidance, from their pasts to their presents to their hopes for the future.TRIPS:Christmas Markets 2026!!! Lavender Dreams & Riviera Nights With ErikaGET MORE FROM DINKY:Treat yourself to new merch! Wanna get your finances in order?Use our link to sign up for a FREE 34 day trial of YNAB (You Need A Budget) and support the show. Wanna connect with us on social media? You can find us on Substack, Instagram, TikTok, and Threads at @dinkypod. Follow us on YouTube.If you have a question or comment, email us at dinky@dinkypod.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/dinky--5953015/support.

[re-release] We're re-releasing this episode from August 2024 in promotion of an upcoming event! On March 26, 2026, join me and special guest Nicole Louie for the Childfree Book Club! We'll discuss her book, Others Like Me as part of the Confidently Childfree Support Series. Details & signup ▸ https://kidsorchildfree.com/confidently-childfree-support-series   In this conversation (which first aired in August 2024), Keltie interviews Nicole Louie: writer, translator, and author of the brand-new book, Others Like Me: The Lives of Women Without Children. You'll hear them discuss: Nicole's experience of not wanting to become a mother from a young age and the challenges she faced in navigating societal expectations. The importance of turning up the volume on one's own voice and inner knowledge when making the decision to be childfree. The inspiration behind Others Like Me, and how it's fourteen stories highlight the diversity of experiences and perspectives within the childfree community. The complexities of the decision to have children or remain childfree. The need for inclusivity and understanding among women without children, and the dangers of imposing labels and categories on others.  How intergenerational connections between women without children of different ages can provide support, wisdom, and inspiration. (2:09) Meet Nicole & her Kids or Childfree decision (22:20) Visualizing a childfree future (32:17) Inclusivity & individuality in the childfree community (40:49) Identity beyond mother vs. childfree woman As mentioned in the show: Get a ticket to join our upcoming Confidently Childfree Book Club where we'll be joined by Nicole for a discussion and Q&A about Others Like Me: https://www.kidsorchildfree.com/confidently-childfree-support-series Find Nicole on Instagram: instagram.com/bynicolelouie And on Twitter: twitter.com/bynicolelouie Read Nicole's book, Others Like Me: The Lives of Women Without Children.  About Nicole: Nicole Louie is a writer and translator based in Ireland. A former content strategist and creative writer for virtual assistants, she holds a BA in advertising and postgraduate diplomas in literature and translation. When not writing, she is reading about the lives of women without children. Her essays have appeared in Oh Reader and Childfree Magazine and her curated collections of books, movies, and podcasts about women who are not mothers by choice, infertility, circumstance or ambivalence can be found on Twitter and Instagram: @bynicolelouie. Others Like Me: The Lives of Women Without Children is her first book. About Others Like Me: Others Like Me: The Lives of Women Without Children by Nicole Louie (published by Dialogue Books in the UK in June & House of Anansi in North America). A deeply personal exploration of childless and childfree women in their own words. Others Like Me is the story of fourteen women around the world, from different walks of life, who don't have children. It's also the story of why Nicole Louie had to find them and what they taught her. Part memoir, part exploration of childlessness through candid conversations, this book showcases the many ways in which people find fulfillment outside of parenthood. And because the social expectation to procreate weighs the most on women, Louie focuses solely on them, their experiences, and how they flourish outside of motherhood. In doing so, she upends the stereotypes that diminish women who are not mothers and offers reassurance and companionship on a path less known. — Join an upcoming Kids or Childfree Workshop here: kidsorchildfree.com/workshop Check out our free resources here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree TikTok: www.tiktok.com/@kidsorchildfree

Comic book writer/creator Jamal Anansi joins Paul and David to discuss his work and his two new books, Ebony and the Hall of Dragons, and Sincere American Nightmare. Music:  Andre Jetson - Bipolar (Original Mix)

O capodoperă a literaturii europene din secolul XX, romanul „Istoria” de Elsa Morante a apărut în 2025 în limba română, în traducerea Cristinei Gogianu, în imprintul ANANSI de la Pandora M. Subintitulată „Un scandal care durează de zece mii de ani”, „Istoria”, apărută în 1974, ne spune povestea învățătoarei Ida Ramundo, o văduvă care face eforturi supraomenești ca să-și crească cei doi copii la Roma, în timpul celui de-Al Doilea Război Mondial, cînd locuitorii orașului se confruntă cu teroarea și foametea. Pe deasupra, Ida are rădăcini evreiești, un motiv în plus să trăiască în teroare. Pentru ca lucrurile să fie și mai complicate, copilul cel mare, Nino, este membru al organizației fasciste Cămășile negre. Copilul cel mic, Useppe, se naște în urma unui viol comis de un tînăr soldat german, în trecere prin Roma. Povestea Idei și a celorlalte personaje este construită pe o osatură istorică. Cartea începe cu o scurtă trecere în revistă a evenimentelor din primele decenii ale secolului XX și se încheie cu o scurtă trecere în revistă a evenimentelor din deceniile de după Al Doilea Război Mondial. Iar capitolele cărții poartă ca titlu cîte un an din perioada războiului și imediat de după și sînt precedate, de asemenea, de scurte treceri în revistă ale evenimentelor semnificative din anul respectiv - pentru Italia și pentru lumea întreagă cuprinsă treptat de război.Adela Greceanu a stat de vorbă cu traducătoarea Cristina Gogianu despre „Istoria” de Elsa Morante, despre viziunea autoarei italiene asupra artei romanului, despre redescoperirea acestei autoare și a forței sale narative. Cristina Gogianu: „Construcția romanului este o construcție-manifest. Elsa Morante nu face niciun gest în acest roman care să nu fie unul conștient. În titlul original, manifestul acesta este cu atît mai prezent pentru că avem „La Storia”, unde substantivul este scris cu majusculă. Și, inițial, cînd îl deschizi, romanul pare să înceapă cu evenimentele mari ale istoriei. Însă, ceea ce vrea Elsa Morante să scoată în evidență este, de fapt, povestea marginalilor. Și, atenție, vorbim de un roman care are jumătate de secol. Poate că astăzi ni se pare firesc să citim romane care au în prim-plan personaje marginale, personaje despre care istoria din manuale nu pomenește niciodată. Eroii ei sînt o văduvă și cei doi copii ai săi, dintre care un copil bastard, rezultat în urma unui viol. La momentul la care Elsa Morante scrie, romanul istoric nu mai era privit neapărat ca un gen foarte frecventabil, vorbim de un cu totul alt tip de scriitură care domina vremea respectivă, în anii '70. Iar să aduci în prim-plan astfel de personaje marginale, ca să poți, de fapt, să vorbești despre istoria mare dintr-o cu totul altă perspectivă, este un lucru pe care i-l datorăm Elsei Morante. Nu doar ei, dar ea este unul dintre acești autori.”Cartea e captivantă, odată ce începi să o citești, te pomenești imersat de-a dreptul în povestea Idei și a celorlalte personaje.Cristina Gogianu: „Morante scrie în răspăr cu felul în care se scria la vremea aceea. Scrie cu ceea ce ea numește pasiunea pentru roman și scrie cu patos. Nu concepe scriitura ca fiind ceva față de care iei distanță. Nu concepe scriitura doar ca pe un joc intelectual, lingvistic, așa cum, de exemplu, neoavangarda făcea la momentul respectiv în Italia și nu numai, sau noul roman. Ea nu aderă la nici una dintre tendințele vremii sale. Și va primi foarte multe critici din toate părțile. Însă este crezul ei. Această pasiune care ne ține pe noi, cititorii, în paginile cărții vine tocmai din crezul Elsei Morante că scriitura asta ar trebui să însemne: ea crede teribil în puterea romanului de a te emoționa, în puterea ficțiunii de a aduce cititorii aproape în poveștile respective.”Apasă PLAY pentru a asculta întreaga discuție!O emisiune de Adela GreceanuUn produs Radio România Cultural

This is a: 'Best of Super Great Kids' Stories' selected from our Archive. Anansi the spider is up to his tricks again. In order to win the King's gold, he has to eat a large bowl of super hot pepper soup. Will he outwit the king and the other competitors? Listen to Tuup telling this lively song-story from West Africa and find out. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Anansi is up to his tricks again. Following a greedy feeding-frenzy he tries to distract elephant and his friends by persuading them that watermelons can talk. Does he succeed? Listen to this lively story from the Caribbean told by Wendy Shearer and find out. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to the latest episode of Book Quest! First up, it’s Nic Blake and the Remarkables: The Book of Anansi by Angie Thomas, a fast-paced fantasy inspired by African American folklore, full of magic, myth, and an extraordinary destiny. Then there’s Wild Journey by A.M. Dassu, a daring adventure across continents, packed with courage, resilience, and the power of friendship. That's all on this week's episode of Fun Kids Book Quest!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

This week on MYTH, it's the conclusion to the annual New Year's special! You'll see that narrators get annoyed easily, that the Sun isn't as friendly as the Moon, and that there's still more things to blame Toad for. Then, in Gods and Monsters, Anansi the spider will go a-courting with his frenemy Nothing. Source: Basoko Mythology

SUP COUSIN! It's ok to crack open a book now and again. Knowledge and wisdom are power. Show Notes: Book 1: Jambalaya, the natural woman's book of personal charms and practical rituals. By Yeye Luisa Teish https://www.yeyeluisahteish.com/Book 2: Rootwork using the folk magic of black america for love, money, and success. https://www.youtube.com/watch?v=4RtdorhLys8 https://www.instagram.com/tayannahleemcquillar/?hl=en Book 3: Conjuring the Calabash by Mawiyah Kai El-Jamah Bomani.http://youtube.com/watch?v=_V1uyjawFlA https://www.youtube.com/watch?v=u4Xod_WZwiMBook 4: Myths Gods & Immortals; Anansi new and Ancient African tales.https://youtu.be/GBEHv1ffLUc?si=GI982nNsFOsTDub1 Book 5: The Annotated African American Folktales edited by Henry Louis Gates Jr. and Maria tatar. https://www.youtube.com/watch?v=5EiibLF-OtMhttps://www.youtube.com/watch?v=pJ2bZYu_mlQ Book 6: Cunning Words : A grimoire of tales and magic by Marshal the Witch of Southern Light. https://www.instagram.com/witchofsouthernlight/ https://anchor.fm/s/3faed49c/podcast/rss

In this NBN episode, host Hollay Ghadery interviews Farah Ghafoor about her poetry collection, Shadow Price (House of Anansi, 2025), which was longlisted for the 2025 Toronto Book Awards. Borrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth's biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast. About Farah Ghafoor:  Based in Tkaranto (Toronto), Farah Ghafoor is the author of Shadow Price (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of Shadow Price won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as The Walrus, The Offing, Brick Magazine, and The Fiddlehead, art exhibitions like Who's Afraid of Labour Justice ? and FACE/WASTE, as well as anthologies and post-secondary course curriculums. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery interviews Farah Ghafoor about her poetry collection, Shadow Price (House of Anansi, 2025), which was longlisted for the 2025 Toronto Book Awards. Borrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth's biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast. About Farah Ghafoor:  Based in Tkaranto (Toronto), Farah Ghafoor is the author of Shadow Price (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of Shadow Price won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as The Walrus, The Offing, Brick Magazine, and The Fiddlehead, art exhibitions like Who's Afraid of Labour Justice ? and FACE/WASTE, as well as anthologies and post-secondary course curriculums. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, NBN host Hollay Ghadery speaks with Siphiwe Gloria Ndlovu about her phenomenal novel, The Creation of Half-Broken People. (House of Anansi Press, 2025). Stupendous African Gothic, by the winner of Yale University's Windham–Campbell Prize Showcasing African Gothic at its finest, The Creation of Half-Broken People is the extraordinary tale of a nameless woman plagued by visions. She works for the Good Foundation and its museum filled with artifacts from the family's exploits in Africa, the Good family members all being descendants of Captain John Good, of King Solomon's Mines fame.Our heroine is happy with her association with the Good family, until one day she comes across a group of protestors outside the museum. Instigating the group is an ancient woman, who our heroine knows is not real. She knows too that the secrets of her past have returned. After this encounter, the nameless woman finds herself living first in an attic and then in a haunted castle, her life anything but normal as her own intangible inheritance unfolds through the women who inhabit her visions. With a knowing nod to classics of the Gothic genre, Siphiwe Gloria Ndlovu weaves the threads of a complex colonial history into the present through people “half-broken” by the stigmas of race and mental illness, all the while balancing the humanity of her characters against the cruelty of empire in a hypnotic, haunting account of love and magic. SIPHIWE GLORIA NDLOVU is a Zimbabwean writer, scholar, and filmmaker. She is a 2022 recipient of the Windham–Campbell Prize for Fiction. Her debut novel, The Theory of Flight, won the Sunday Times Barry Ronge Fiction Prize in 2019. Her second and third novels, The History of Man and The Quality of Mercy, were shortlisted for the Sunday Times Fiction Prize. After almost two decades of living in North America, Ndlovu has returned home to Bulawayo, the City of Kings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, NBN host Hollay Ghadery speaks with Siphiwe Gloria Ndlovu about her phenomenal novel, The Creation of Half-Broken People. (House of Anansi Press, 2025). Stupendous African Gothic, by the winner of Yale University's Windham–Campbell Prize Showcasing African Gothic at its finest, The Creation of Half-Broken People is the extraordinary tale of a nameless woman plagued by visions. She works for the Good Foundation and its museum filled with artifacts from the family's exploits in Africa, the Good family members all being descendants of Captain John Good, of King Solomon's Mines fame.Our heroine is happy with her association with the Good family, until one day she comes across a group of protestors outside the museum. Instigating the group is an ancient woman, who our heroine knows is not real. She knows too that the secrets of her past have returned. After this encounter, the nameless woman finds herself living first in an attic and then in a haunted castle, her life anything but normal as her own intangible inheritance unfolds through the women who inhabit her visions. With a knowing nod to classics of the Gothic genre, Siphiwe Gloria Ndlovu weaves the threads of a complex colonial history into the present through people “half-broken” by the stigmas of race and mental illness, all the while balancing the humanity of her characters against the cruelty of empire in a hypnotic, haunting account of love and magic. SIPHIWE GLORIA NDLOVU is a Zimbabwean writer, scholar, and filmmaker. She is a 2022 recipient of the Windham–Campbell Prize for Fiction. Her debut novel, The Theory of Flight, won the Sunday Times Barry Ronge Fiction Prize in 2019. Her second and third novels, The History of Man and The Quality of Mercy, were shortlisted for the Sunday Times Fiction Prize. After almost two decades of living in North America, Ndlovu has returned home to Bulawayo, the City of Kings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Prosecutors formally changed Tyler Robinson, the suspect in the assassination of Charlie Kirk, and said they intend to seek the death penalty. Authorities also revealed exchanges between Robinson and his roommate.CBS News legal analyst Caroline Polisi breaks down recent developments in major legal cases. The man suspected of killing conservative activist Charlie Kirk has formally been charged. In New York, a judge dropped terrorism charges against Luigi Mangione, who is accused of killing the UnitedHealthcare CEO Brian Thompson. A judge in California rejected the Menendez brothers' petition for a new trial. A focus of President Trump's visit to London will be on the U.S.-U.K. trade agreement and the billions of dollars of American business investments in British AI, quantum computing and nuclear technology projects. Mr. Trump is the first U.S. president to make a second state visit to Britain, but there is widespread opposition to the visit. CBS News' Ed O'Keefe has more. A committee convened by Health Secretary Robert F. Kennedy Jr., an outspoken vaccine skeptic, meets this week to review potential changes to U.S. vaccine guidelines. CBS News' Cristian Benavides reports on how parents and doctors in Florida are reacting. J.D. Power released its annual rankings for the best airports in North America. Metrics like food, retail, facilities and how easy it is to travel through the airport are all factors. Hollywood legend Robert Redford died Tuesday at his home in Utah at the age of 89. He starred in movies like "Butch Cassidy and the Sundance Kid" and "The Way We Were." "CBS Sunday Morning's" Lee Cowan reports. Cardi B confirmed she is expecting a baby with boyfriend and NFL wide receiver Stefon Diggs during an interview with Gayle King on "CBS Mornings." She talks about balancing motherhood, her new album "Am I The Drama?," and how Diggs' support makes her feel safe. Author and podcast host Jen Hatmaker joins "CBS Mornings" to discuss her new memoir "Awake," where she reflects on the end of her 26-year marriage, her evolving faith and the new chapter that followed. Bestselling author Angie Thomas joins "CBS Mornings" to discuss "Nic Blake and the Remarkables: The Book of Anansi," the second novel in her fantasy trilogy that follows a 12-year-old girl navigating courage, magic and discovery. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

SUP CUZ!! Let's have some fun and listen to some stories. Show notes:All sound effects found on https://pixabay.com/Story 1: A large Family by Helen Tyler found in “Them Thar Hills; Folk tales of the Adirondacks.”https://localwiki.org/hsl/Helen_Tylerhttps://www.rare-books.com/adirondacks/helen-escha-tyler-in-them-thar-hillsCrews tear down DC homeless encampment after Trump said residents must leave | NBC4 WashingtonThe White House says uncooperative homeless people will be arrested in DChttps://www.bbc.com/news/articles/cm2110me5g4oStory 2: My Father's Old Riding Horse as written down by Ivana Akotowaa Ofori in “Myths, Gods, & immortals : Anansi"https://blog.flametreepublishing.com/fantasy-gothic/myths-gods-immortals-contents-announcement-anansi#:~:text=Publishing%20in%20January%202025%20alongside,origins%20and%20interpretations%20of%20Anansi.https://bookshop.org/shop/busboysbooksMusic: https://pixabay.com/music/afrobeat-waterfall-afrobeat-x-african-x-reggae-beat-x-afro-instrumental-181393/Story 3: The Mojo from “The annotated African American Folktales” edited by the famous Henry Louis Gates Jr and Maria Tatar. https://video.search.yahoo.com/search/video?fr=mcafee&p=The+Sandman+luciver+vs.+morhious&type=E210US714G0#id=1&vid=9d857c2f9490158a16d62049bc29694d&action=clickhttps://archive.org/details/narrativeoflifeo1846doughttps://www.youtube.com/watch?v=U-RmmTYxiGc&list=PLe_q7nNxJyzcDlm68U2YmDYTl_SQXDFai&index=37

Béchir Sylvain (Jurassic World Rebirth) stars as trickster Anansi in a West African tale about a magic stone, a major trick, and getting a taste of your own medicine.

In Episode 179, Gen and Jette team up with one of their favourite indie publishers, House of Anansi Press. We're reading the newly released English translation of The Hand of Iman by Ryad Assani-Razaki. This one broke our hearts.Show NotesRyad Assani-Razaki is a Beninese-Canadian writer and The Hand of Iman, or La main d'Iman in French, is his first novel. It won the Prix Robert Cliche in 2011 and was shortlisted for the Governer General's Award in 2012.Check out our full list of House of Anansi episodes below. We did in fact have an episode dedicated to our 100th! What should we do for 200? We're getting close! In our next episode we'll be talking about Gen's book club pick, the graphic novel edition of The Raven Boys by Maggie Stiefvater.We'll be following up our book club episode with a Page to Screen episode and some CanCon for you with Scott Pilgrim!Other House of Anansi Episodes20: 2019 House of Anansi Spring Releases (Dual Citizens by Alix Ohlin and Autopsy of a Boring Wife by Marie-Renée Lavoie)39: House of Anansi New Releases 2020 (Pallbearing by Michael Melgaard and Coming Up for Air by Sarah Leipciger)43: You Are Not What We Expected by Sidura Ludwig70: A Boring Wife Settles the Score by Marie-Renée Lavoie97: A Waiter in Paris by Edward Chisholm128: The All + Flesh by Brandi Bird156: Who Will Bury You? by Chido MuchemwaOther Books MentionedThe Memory Police by Yōko Ogawa (Episode 124)Paper House by Dominique Fortier (Episode 26)Born by Heather Birrell (Episode 174)Parable of the Sower by Octavie Butler (Episode 172)The Late-Night Witches by Auralee WallaceAtmosphere by Taylor Jenkins Reid

Welcome back to Snafu with Robin Zander. In this episode, I'm joined by Bree Groff, consultant, writer, and author of Today Was Fun. We talk about why mischief belongs at work, how humor and flirtation create real psychological safety, and the bold design choices behind her unforgettable book cover. Bree shares how she moved from CEO roles to full creative freedom, and how that shift helped her find her voice. We discuss marketing in 2025, how AI might reshape work and writing, and why personal agency, not hours, is the most important lever in a workweek.  Bree offers practical insights for leading with joy, helping kids future-proof their lives, and deciding what's “enough” in a world that always demands more. She also reflects on writing the book while parenting, consulting, and building her own business, and what it means to embrace the joy of not knowing what comes next. Bree will also be joining us live at Responsive Conference 2025, and I'm thrilled for you to hear her on stage. If you haven't gotten your tickets yet, get them here. Books Trickster Makes This World: Mischief, Myth, and Art — Lewis Hyde Anansi Boys — Neil Gaiman Work Less, Do More: Designing the 4-Day Week — Alex Pang Shorter: Work Better, Smarter, and Less―Here's How — Alex Pang Rest: Why You Get More Done When You Work Less — Alex Pang Perennial Seller: The Art of Making and Marketing Work that Lasts — Ryan Holiday Today Was Fun — Bree Groff The 4-Hour Workweek —Tim Ferriss Responsive: What It Takes to Create a Thriving Organization — Robin Zander Podcasts/Videos TED Talk: How to Start a Movement — Derek Sivers Start (0:00) The Story Behind the Book Cover (00:07.822) Robin opens with a personal observation: Bree's nails are the exact shade of green as her book cover – a smiley face on a highlighter yellow-green background.  Bree laughs and explains the choice behind the bold, offbeat cover: It was designed by Rodrigo Corral, known for iconic covers like The Subtle Art of Not Giving a Fck*. When she first saw it (at 3 a.m.), she gasped and loved it — it stood out and made a statement. The smiley is cheeky but not cheesy; it suggests optimism with a bite. The color isn't quite yellow — it's that “gross green” that almost hurts to look at. That tension is the point. “It's got some edge... not your straight-up yellow.” This tension – bright and fun, but just a bit weird or off –  is exactly the tone she wanted for the book and for herself. The Wink That Makes Work Fun Again (01:51) Robin brings up his old graduation photo: he posed slightly off-center, adding a knowing smirk. At the time, he didn't know why he chose that shot, but later realized it made people curious, like a small rebellion baked into something formal. Bree relates completely. She talks about: Why humor and a bit of mischief matter in professional settings. The concept of flirtation – not romantic, but playful: A wink in a branding campaign. A reference that only a few insiders get. A running joke between team members. Mischief creates risk and intimacy, both essential for real connection. These small acts of rebellion are actually signs of psychological safety and creativity. “You need a little bit of flirtation at work... a wink that says, ‘we're in this together.'” She argues that fun isn't a distraction – it's a sign that something is working. Tricksters, SNAFUs, and the Role of Risk in Work (05:49.219) Robin brings in the idea of the trickster, from folklore characters like Anansi and Coyote to his podcast title SNAFU. These figures don't follow the rules, and that's what makes them interesting. Bree expands on the connection between play and professionalism: There's a cultural script that says “seriousness = competence.” But in her experience, some of the best work moments involve play, risk, and even slight embarrassment. Being human together – laughing too loud, saying something weird, trying something bold – is what builds bonds. Real joy at work comes from these edge moments, not the sanitized ones. “You have to go beyond professionalism to access the most fun parts of work.” They agree that creating spaces where people can color outside the lines is not just fun – it's productive. Beyond Palatable: From People-Pleasing to Belonging (08:29.068) Robin shares a lesson from his mother: that once you leave high school, life is no longer a popularity contest. But he's realized that in business, especially branding, people often still chase approval and “likability.” Bree offers a deeper lens: Being “palatable” – meaning universally acceptable – is actually the opposite of being memorable. People who try to please everyone end up blending in. What she wants is to be delicious, or at least striking, not for everyone, but unforgettable to some. She draws a line between Fitting in: performing a version of yourself to meet social norms. Belonging: being your full, vibrant self and finding others who welcome it. “Please don't chew me up. I'm not palatable — I'm not trying to be.” This philosophy shows up in her book's voice, design, and in how she shows up in the world. Selling a Book in 2025: Bottles in the Ocean (12:21.838) What's it been like trying to promote a book in 2025? Bree describes her strategy as both scrappy and intuitive: She thinks of book marketing as sending “a million notes in bottles” – not knowing which will land. Her approach includes: Partnering with a publicist. Creating swag kits with branded gear. Pitching the book to “chatty” communities (e.g., alumni groups, newsletters, podcast audiences). Posting regularly, even when it feels silly. She cites the idea of “luck surface area”: the more interesting things you do, and the more people you tell, the more chances something will stick. “You do interesting things and talk about them a lot... and maybe something takes off.” Still, she acknowledges that luck plays a role. There's no guaranteed playbook, just momentum and hope. Is It Worth Talking About? (14:47.63) Robin references a quote from Tucker Max: that all marketing, in the end, is just word-of-mouth. Bree shares what guided her during the writing process: Her goal was to create something remarkable — in the literal sense: Something people would want to talk about. Not just good – but distinct, resonant, and weird enough to share. She wanted to avoid the “business book voice” – flat, generic, overly polished. She lights up when she talks about: Strangers sharing the book on social. Friends are texting her about it. An old college boyfriend resurfaced after reading it. “When that starts happening... You realize the machine is working.” She's less interested in best-seller lists and more focused on impact – ideas spreading from person to person, because they hit. Finding Her Voice: From Blogger to Book Author (16:36.665) Bree traces the evolution of her writing life: Started a travel blog in her early 20s and loved it immediately. Played with writing publicly over the years: occasional posts on LinkedIn, Fast Company, and later Substack (which began two years ago, alongside early book ideation). Writing always felt natural, but being a public voice within organizations came with constraints: “Even when I was CEO, I still felt the need to toe the party line.” Going solo changed everything: No longer represents a company's brand – just her own. Writing feels more honest, bolder, and more fun when it's “Bree Groff's opinions” alone. Stepping out independently accelerated her writing voice and gave her creative freedom. Writing in the Age of AI (18:19.63) Robin asks: Does writing still matter in the world of AI? Bree's take: She's a verbal processor — writing is how she discovers what she believes. “I never know how an article is going to end… I write my way into the idea.” She rarely uses AI in writing (aside from Grammarly). She prefers human composition even for emails. Writing helps her organize and refine her thinking: “I'll write a sentence and go – wait, do I believe that? And rewrite.” What writing offers that AI can't (yet): Emotional authenticity. A confessional power — like stand-up comedy: humans telling uncomfortable truths, out loud. She hopes we'll someday have digital labels like: “This was made by a human.” Robin presses for Bree's take on what AI changes – for better or worse. Bree's pessimistic view: Mass unemployment is a likely risk. Not convinced by the “tech creates more jobs” argument – even referencing Jevons Paradox: as things become more efficient, we just use more of them. “I can't quite think my way out of the unemployment problem.” Bree's optimistic vision: We're burned out. AI could fix that. If used right, AI can reduce workloads, not eliminate humans: “Wouldn't it be great if we used these efficiencies to help people live happy, regulated lives?” This would require a policy change, like tax incentives for companies that adopt a 4-day workweek. But she admits: that's a long shot. “It would take a lot for companies to prioritize reducing burnout over cutting costs.” Entrepreneurship Isn't a 4-Day Workweek (And That's Okay) (25:04.686) Robin challenges Bree's hope with reality: Entrepreneurship is chaotic and demanding, as when he launched both a restaurant and a conference in one year. When building something from scratch, the work is relentless. “There's no 4-day workweek when you're going zero to one.” He notes Bree's book could become a “perennial seller,” but only if she builds that momentum now — and that means hustle. Bree agrees — and offers nuance: She's in a launch phase. The last 6 weeks have been intense: Nights, weekends, articles, appearances. Her daughter is in a full-day camp to support this push. But it's intentional and temporary. She frames her philosophy like this: Overwork can be fun, energizing, even addictive –  if it's seasonal. She's already planned recovery: A two-week log-off in late August. A blocked-out first week of September for reset. Bree continues on the myth of “reasonable” work limits: There's nothing special about 40 or 60 hours. The only reason we cap out is that we literally run out of time. Businesses will take as much as you give, and now AI won't hit those limits. So we have to decide what's enough, not the market. “If we're going to cap work somewhere, why not cap it lower and enjoy our lives?” She reminds us: Deadlines and pace are levers, not laws. You can pull other levers, like starting earlier, extending timelines, or balancing your team differently. Robin shares that his intense physical regimen (handstands, running, cold plunges, hikes) isn't about health prescriptions — it's about joy. That same mindset applies to work. If building his company lights him up, great – but it's a personal choice, not a universal blueprint. Bree underscores that agency is key: the danger arises when a founder's choice to overwork becomes the cultural expectation for everyone else. A CEO has different stakes than employees; assuming equal sacrifice is unfair and toxic. Overwork becomes problematic when choice is removed or social pressure distorts it. They introduce the idea of opportunity cost: Every hour spent grinding is an hour not spent with loved ones, moving your body, or simply resting. Many delay self-care with the illusion they'll "catch up later" – but your body and relationships exist in the now. Robin recalls a brutal 2016: two startups, no time, lost relationships – a visceral reminder that everything has a cost. Work, But Make It Weird (36:39) Robin draws a parallel between their playful ethos and The 4-Hour Workweek: redefining productivity with mischief and authenticity. He asks Bree how leaders can lead differently – more playfully – without violating norms or HR policies. Bree delivers a gem: Her team once suggested that a CEO explain their product to a bunch of 7-year-olds on a picnic blanket. They scripted techy questions ("What's your tech stack?") for the kids, hired a comedy consultant, and filmed the whole thing. It was wild, unexpected… and the most beloved part of an otherwise traditional company week. The magic was in the vulnerability and humanity of the CEO — letting people into his home, sharing space with kids, and showing joy. Bree's advice to leaders: Rearrange the office furniture for no reason. Use Comic Sans in a slide just to annoy a designer. Hide jokes in presentations that only two people will catch. Amuse yourself. That's reason enough, and it models psychological safety and play for everyone else. Robin calls this “the courage to play” – the bravery to step out of line just enough to invite others into the fun. Bree builds on this: We're often afraid that having fun will make us look stupid – but that fear is misplaced. She quotes Amy Poehler: “Nobody looks stupid when they're having fun.” Play is an act of self-assurance, not frivolity. Bree shares a personal win: she turned a project Gantt chart into a hand-drawn arcade-style horse race. No one else joined in, but she loved it. And that joy, in and of itself, is a worthy output. Work According to a 10-Year-Old (42:21.176) Robin asks: How does Bree's daughter describe what she does? Her answer? “You help people work together.” Bree beams — that's not far off. Her daughter has even become her little publicist, linking nail polish to Bree's book and promoting it to strangers. Robin dreams of having kids and wonders about their future in a rapidly evolving world. Bree is grateful her daughter is 10, not 22 – the future feels so uncertain that not knowing is oddly freeing. College may or may not matter; she might be a marketing manager or start an artist retreat in Tuscany. The one stable prediction? Human connection. Jobs built on empathy, presence, and the hug – literal or metaphorical – will always have value. Robin jokes (but not really) about resisting the idea of robot romantic partners. Bree wonders: Will we be seen as biased for resisting AI companionship? Is that the next generational tension? The Only Skill That Might Still Matter in 2040 (43:55.959) Robin asks: What durable skills should Gen Alpha learn in a world of AI and noise? Bree's first thought: “understanding human behavior” — but AI might already be better at that. So she lands on something deeper: The skill of knowing what kind of life you want to lead. It's rarely taught, and sorely needed. That's why so many people wake up at 40, mid-career, with a law degree but no love for the law, and end up switching to something that finally feels like them. Teaching kids to listen to their appetites and curiosities might be the most powerful, future-proof education we can offer. Bree argues that most people were never taught to ask foundational questions about the life they truly want: From childhood to college, we follow preset tracks – curriculum, majors, careers. If you're lucky, you get an elective or two. But real self-inquiry? Rare. We're missing education on key lifestyle preferences: What kind of schedule do I like? What kind of people energize me? Do I want to live in a city or near nature? How much solitude, structure, or chaos is ideal for me? Bree believes this underdeveloped self-awareness is the root cause of burnout: People follow “the path,” get promoted, tick boxes, and still feel unsatisfied. Companies gladly fill the vacuum with corporate ladders and titles – senior director, VP, etc. But we rarely stop to ask: Do I want my boss's job? Her hope for her daughter: not just career success, but aliveness. To develop the instincts and courage to ask: What do I want to get out of my short time here? And to find joy in helping others experience a bit more light while they're here, too. “Who Are You and What Is Your Purpose?” (51:33.666) Robin shares a surprising memory: a third-grade class titled Who Are You and What Is Your Purpose? He doesn't remember the content – school was tough for him then – but the title stuck. It captured something real and deep that still resonates. Bree lights up: “Okay, I take it all back – someone was teaching this, and it was you!” They land on a core truth: that mischief, self-knowledge, and authenticity are deeply intertwined. Knowing who you are is the first step. And honoring the weird, playful part of yourself makes life better — and work richer. Order, Chaos & a Trello Board (53:51) Robin pivots: What did Bree learn about writing through this book, especially while juggling parenting and client work? Bree shares her full process: She started with a Trello board: each list represented a chapter. Over many months, she collected bits of inspiration: ideas from the shower, great quotes, Substack entries, research snippets – all filed as cards. This meant when it came time to write, she wasn't starting from scratch. Her trick: separate idea collection from prose creation. Once she had a "pile of disorganized meat," she could stitch it together with intention. She scheduled 4-hour blocks to write ~1,000 words per session – 50 sessions = a 50,000-word book. She was thoughtful about pacing and reader experience: "That was a heavy part – maybe time for a joke. "I've been light for a while – maybe we need some grounding research." The outcome: a process that respected her creativity, time, and humanity. The Joy of Not Knowing What's Next (54:45.848) Robin asks: Now that the book is out, what's next? Bree doesn't know, and that feels exciting. She's booked through the fall with workshops, consulting, media, and speaking. But beyond that? It's open. She's leaning into serendipity: Publishing the book drew new, inspiring people into her life – people like Robin. She's open to building the classic “author-speaker-consultant” portfolio. Or possibly returning to SYPartners, depending on what fits. Or a totally new path. What makes it possible? A jumpy career history – she's used to leaps. A baseline of financial stability – and a partner with a more predictable job. Uncertainty isn't terrifying when you trust yourself to figure it out. “I can see through October. That's enough.” Robin wraps with heartfelt praise: Few first books feel as personal and reflective of their author as Today Was Fun. Even fewer come with so many shared connections vouching not just for the content, but the author herself. Where to Find Bree Groff (58:13.58) He urges people to read the book and see Bree on stage at the Responsive Conference (Sept 17–18). Bree shares where to find her: Website: breegroff.com Substack, LinkedIn, Instagram – all linked from her site. People Mentioned: Rodrigo Corral Lewis Hyde Neil Gaiman Tony Hsieh James Clear Tucker Max Alex Pang Ryan Holiday Tim Ferriss Amy Poehler Derek Sivers Justin Gordon BJ Fogg Seth Godin Organizations / Companies Zander Media SYPartners Nobel Zappos Microsoft Trello Substack AOL LinkedIn Instagram  

In this special episode of Walk Good, storyteller Kesha Christie brings you a vibrant Jamaican folktale from Westmoreland — the story of Fire and Anansi. As we honor Jamaican Independence, this tale reminds us of the power of friendship, the importance of listening to wisdom, and the strength found in our cultural roots.Join us as we explore how this fiery story reflects the spirit of resilience and caution passed down through generations in the Caribbean. Listen, learn, and carry the fire of our ancestors with pride.#JamaicanFolktales #CaribbeanStories #AnansiTales #JamaicanIndependence #Folklore #Storytelling #WalkGoodPodcast #CaribbeanCulture #AfricanDiaspora #CulturalHeritage

It's time for a summer hangout episode! We're barely surviving the endless heatwaves and smoky skies, but at least we've got some good books to read.Show NotesThe bookstore in Port Dover that Gen was talking about is called Beach Reads Bookshop. It's super cute and if you're ever in Port Dover, be sure to check it out!We are going to make zines and we are putting it here in writing as well to keep ourselves accountable.The Lillian H. Smith library branch in Toronto houses one of the world's leading research collections of speculative fiction. So cool! Our next episode is our annual House of Anansi book. We'll be talking about The Hand of Iman by Ryad Assani-Razaki.Books MentionedThe Gaysians by Mike CuratoGrace: The Jeff Buckley Story by Tiffanie DeBartoloYour Blood My Bones by Kelly AndrewThe Orphanage by the Lake by Daniel G MillerI'll Be Waiting by Kelley ArmstrongHuman Rites by Juno DawsonFlawless by Elsie SilverGlittering Edge by Alyssa VillaireThe Bewitching by Silvia Moreno-GarciaSyllabus by Lynda BarryWalking in This World by Julia CameronUnderstanding Comics by Scott McCloudSunrise on the Reaping by Suzanne CollinsNight Road by Kristen HannahState of Paradise by Laura van den BergThis SIde of Paradise by F. Scott FitzgeraldThe Ballad of Songbirds and Snakes by Suzanne CollinsVenCo by Cherie DimalinePerfume & Pain by Anna DornIt by Stephen King

Key Takeaways: Ancient Wisdom: Old stories, like the tale of Anansi the spider, still teach us about power, trust, and how those ideas show up in today's money systems. Gold and Natural Law: Gold has long been trusted as money because it's rare and takes a lot of work (energy) to dig out of the ground. Power of Central Banks: When central banks like the Bank of England and the U.S. Federal Reserve were created, they gained control over money. But this also led to more inflation and higher taxes. Bitcoin as the Modern Story: Bitcoin is like a new version of the Anansi story—it breaks the old system and offers a new kind of money that is limited and not controlled by any one group. Building a Better Financial Future: Many people believe the future of money will rely on things that can't be easily changed—like gold and Bitcoin—to give more people control and spread wealth more fairly. Chapters: Timestamp Summary 0:00 The Evolution of Banking and the Role of Anansi 8:56 Central Banks, War Financing, and Economic Consequences 13:50 The Impact of Mood on Perception and Spiritual Alignment 15:22 Bitcoin's Role in Rebuilding a Trustworthy Financial System 23:11 Embodying Wealth and Helping Others When They're Ready   Powered by Stone Hill Wealth Management   Social Media Handles    Follow Phillip Washington, Jr. on Instagram (@askphillip)   Subscribe to Wealth Building Made Simple newsletter https://www.wealthbuildingmadesimple.us/   Ready to turn your investing dreams into reality? Our "Wealth Building Made Simple" premium newsletter is your secret weapon. We break down investing in a way that's easy to understand, even if you're just starting out. Learn the tricks the wealthy use, discover exciting opportunities, and start building the future YOU want. Sign up now, and let's make those dreams happen!   WBMS Premium Subscription   Phillip Washington, Jr. is a registered investment adviser. Information presented is for educational purposes only and does not intend to make an offer or solicitation for the sale or purchase of any specific securities, investments, or investment strategies. Investments involve risk and, unless otherwise stated, are not guaranteed. Be sure to first consult with a qualified financial adviser and/or tax professional before implementing any strategy discussed herein. Past performance is not indicative of future performance.

Send us a textStorytelling is the heartbeat of cultural education. When students encounter stories from different backgrounds, something magical happens—they develop empathy, affirm their identities, and sharpen critical thinking skills that extend far beyond classroom walls.Throughout this episode, we explore why multicultural stories are non-negotiable components of effective education. Stories engage the emotional centers of our brains, creating deeper connections to content than facts alone ever could. I share my experience using Maya Angelou's work about a young Xhosa girl and her pet chicken—a seemingly simple narrative that sparked profound conversations about cultural similarities and differences without judgment. We also examine the beloved Anansi the Spider folktales that resonate with students of all ages, demonstrating how traditional stories carry timeless wisdom across generations.Finding authentic cultural stories requires intentionality. Seek out authors writing from lived experiences rather than those merely observing from the outside. Invite community members—parents, neighbors, local leaders—to share oral histories that might otherwise go untold, especially as books continue to be banned across the country. I provide a step-by-step guide to implementing the powerful "My Name, My Story" exercise in your classroom tomorrow, walking you through how to model vulnerability, facilitate meaningful partner discussions, and guide whole-group reflections that build community while honoring diversity.Ready to transform your approach to cultural education? Download my name and narrative handout from the show notes, or explore my newly discounted mini-courses designed to help you implement these practices with confidence. Your students' stories are the curriculum—let's honor them together by creating classrooms where every narrative matters.Maya Angelou's Book: My Painted House, My Friendly Chicken and Me COME SAY Hey!! Instagram: @cultrallyjebeh_ Facebook: @JebehCulturalConsulting Pinterest: @Jebeh Cultural Consulting LinkedIn: @Jebeh Cultural Consulting Leave a Review on our Podcast! We value your feedback! Follow our Blog Enroll In Our Mini CoursesBuy My eBook: Empowering Your BIPOC Students Enroll In My Digital Course: How To Be A Culturally Competent LeaderBuy My K-12 Lesson PlansSign Up For Our Newsletter Enjoy the Cultural Curriculum Chat podcast? Share the love! Refer a friend to Buzzsprout and both you and your friend will enjoy exclusive benefits. Click the link...

Start here. This episode takes time in past, present, future, possibility and impossibility. Parallax and the spider Anansi are outside of Time. What does it look like Out of Time? Come dip your toes in the Timestream with experienced Acanthus mages Trevor, Rudy, and Kazabon.Yes its real we've got a https://www.patreon.com/WardsandWitchcraft !!!We also have a guide if you like our content and want to discover how we ended up outside of time https://docs.google.com/document/d/1K-cLIlrHj_rA4COISfy3NKYZS1eFptgSzYtPxPDdH0g/edit?usp=sharingIf you want to go beyond Mastery consider buying the Archmastery Rules for Mage the Awakening from DrivethriougRPG: https://www.drivethrurpg.com/en/product/97925/imperial-mysteries?affiliate_id=3139789We have a season of quality time traveling content we would love to share with you and your investment now if our team will help us bring the best mage content around! StarringKazabon as Anansi the SpiderTrevor as Parallax the Spiderand Rudy as the Spider supporting STFeaturing the Artwork Niza by Joseph Skala

Rebecca is excited to speak with Chinese-Canadian author Su Chang.  Su was born and raised in Shanghai and is the daughter of a former and reluctant Red Guard leader, which was the paramilitary arm of Mao Zedong's Cultural Revolution beginning in the 1960s. Today, they will be talking about her debut novel, The Immortal Woman, published by House of Anansi in March of this year.  It has already garnered a lot of attention and praise from CBC, Indigo Books, and Amazon, to name a few high-powered sources. Highlighted books: Do Not Say We Have Nothing by Madeleine Thien Everything I Never Told You by Celeste Ng Homeland Elegies by Ayad Akhtar Who's Irish? by Gish Jen Play by Jess Taylor A Visit from the Goon Squad by Jennifer Egan Deep Water by Patricia Highsmith Kilworthy Tanner by Jean Marc Ah-Sen A Song for Wildcats by Caitlin Galway The Book of Records by Madeleine Thien https://www.instagram.com/suchangwrites/ https://www.suchangauthor.com/ https://houseofanansi.com/products/the-immortal-woman?_pos=3&_sid=2cb7b9933&_ss=r   If you have any comments or suggestions that you would like to share with Rebecca and Tara, please email them at craspod2019@gmail.com    

Charles Skaggs and Jesse Jackson discuss "The Story & The Engine", the fifth episode from Doctor Who Series 15, featuring Ncuti Gatwa as the Fifteenth Doctor, Varada Sethu as Belinda Chandra, Ariyon Bakare as The Barber, and Michelle Asante as Abena! Find us here:Instagram: @nextstopeverywherepodcast Facebook: Facebook.com/Nextstopeverywherepodcast Bluesky: @charlesskaggs.bsky.social, @jessejacksondfw.bsky.social Email: NextStopWho@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

  Synopsis When  and  land in  for another  reading, the Doctor goes to a  to meet an old . There, he discovers a mysterious  trapping the patrons, feeding  with their stories. Plot  sits in a chair, getting a haircut, and tells a story about  the , his village saved by the mysterious man in the blue box. As he speaks, images splay out on the wall behind him, depicting his story to the men listening eagerly. As he finishes, they all look at a pair of lights on the wall in tense anticipation, relaxing when they switch from red to green. Omo tells the others not to worry, the Doctor always comes, and the light switches back to red, alarms blare, and the room shakes.  insists that the  take her home, and he suggests that they head to , , the communications hub of , and a place he loves - home of his favorite barbershop. Belinda expresses confusion at this - the  can do his hair; but he explains that it's about community, about being himself, since it's the first time he's ever been a black man. Belinda understands and sends him off to enjoy himself in Lagos after he takes a  reading. The Doctor winds his way through a market, greeting everyone as he passes, before he comes to his friend Omo's barbershop, , finding those assembled in the middle of a story. As the door closes behind him an alarm goes off in the TARDIS, alerting Belinda that something has gone wrong. The Doctor notices that everyone present is on missing posters outside, and he watches as the man's hair grows back. The light in the barbershop flashes to red, people scramble to decide who still has a story left, and someone sits down, telling the story of  and a , of music and of time. As images flicker on the wall, the Doctor looks on in wonder, and asks how it works, begins testing by throwing out words from his travels. But it has to be a story, it has to be with a haircut. A new  has taken over the shop, he came one day, and as if by magic the shop became his. A woman enters the barbershop, , bringing food, the door closes behind her, and an alarm in the TARDIS sounds again. The Doctor recognizes her, but can't place her. The light switches to red again, and the Doctor sits down, telling the most powerful story he knows, not of  or , but of an ordinary life. Of Belinda Chandra doing her job, helping someone all night long, even on her grandmother's birthday, a simple gesture of thanks two weeks later. Abby watches a screen in another room, seeing it lighting up, noting that they're accelerating, as the story ends. The Barber is impressed with the power of his stories, and tells Abby when she comes out that they need to recalibrate . Omo asks if they can be let free now that the Doctor has come, his stories being effective, his hair having grown in the interim more than any of theirs. But Abby locks the door and the pair leave. The TARDIS sounds an alarm yet again, this time showing Belinda an image of the barbershop. The Doctor is furious that Omo betrayed him, is willing to trap him here, and refuses to listen as everyone tries to tell him not to open the door. He forces it open with his sonic screwdriver, finding a vacuum on the other side. A vacuum with only giant web and a large spider traversing it, the barbershop on the back of the spider. The Doctor closes the door with great effort, and the Barber emerges from the backroom, explaining that the shop is in Lagos and in outer space at the same time, only Abby and himself able to travel between. Outside, Belinda finds herself lost, but is pointed towards the shop by a , entering it, glad to see the Doctor. Reunited, the pair confront the Barber, calling him a coward who hides his face, having no real power. Rising to the taunt, the Barber names himself, calling himself , , , , , the god of stories. The pair burst out laughing - the Doctor has met Bastet, Sága, Dionysus, Anansi. He's partied with them, Anansi even tricked him to marry his daughter. This man isn't any of them. And so the man admits, he's the person who did their work for them. Wherever the gods went, he took their stories, cleaned them up, refined them, wrote them down, all for humans to repeat them, to keep the gods alive. Without him the gods would not exist. The web outside is his creation as well, the , a web that connects cultures and ideas. He was so successful that the gods abandoned him, and now he wants vengeance. The engine winds down, so much power drained from the Doctor opening the door. Abby criticizes him, and the Doctor recognizes her at last - Anansi's daughter, Abena. He's sorry that he was unable to help her, but he was a  at the time, and had his own story. The light turns red, and the Barber insists the Doctor tell a story. The Doctor refuses, demanding to know what vengeance is being planned. The Barber relents - he plans to cut out the gods from memory when he reaches the center of the nexus, erasing them from existence. The Doctor is horrified, this will damage humanity, as it will harm their ability to tell stories, to pass down information, insisting that this is horrific. He refuses to sit down and speak, he won't let the spider go further. As the shop descends into chaos, everyone arguing, Abena proclaims that she will tell a story, and begins to braid the Doctor's hair. And she tells a story of plantation slaves transmitting information through the braids on their hair, maps to freedom for anyone who could escape, hidden in a place where the overseers would never check. As the battery stabilizes, the Doctor and Belinda run into the back room, finding themselves in a maze, a maze for which the Doctor has the map on his head. The pair come to a room full of artifacts from various cultures and the ship's engine, an engine that runs on stories, a heart inside a brain. The Barber enters the room behind them, having cut Abena off from the outside, the Doctor disrupting the flow of power, slowing the spider down but not stopping it. The Barber insists that the Doctor has done nothing. So the Doctor suggests that they consider , who wrote a story in six words. The Doctor's six word story is "I'm born. I die. I'm born." And energy begins to flow into the engine, never-ending energy, as his past lives flicker across the screens. But the Doctor has disrupted the engine, it can't process the power. He tells the Barber that now it's his choice - he can save the people in the shop by opening the door. But the engine will disintegrate. The Barber unlocks the door and Omo, Adena and the rest out front escape. The Doctor sends Belinda back as he sits with the Barber, talking to him, convincing him that he still has more to live for. The pair escape the shop at the last moment as it collapses, the engine exploding, destroying the spider it rode on. Omo apologizes to the Doctor, and says that he should have protected the Doctor, they're part of the same community. The two make up. Omo gives the Barber his shop, saying that he's retiring, and gives him a name, his father's name, . Adétòkunbo steps back into the barbershop, now his. The Doctor and Belinda step back into the TARDIS, one step closer to home. Cast  -   -   -   -   -   -   -   -   -   -   -   -   -   -   -   -  Crew          ,  and  with  and                             by   •   by   Music  by   •  Assistant to  -    •   performed by               General production staff  for the  -   -   -   -   -   -   -   -   -   -   -   -   - ,   - ,   -  Script department  -   -  Camera and lighting department  - ,   -   -   - ,   -   -   -   -   -   -   -   -   -   - , , ,  Art department  - ,   - ,   -   -   -   -   -   -   -   -   -   -   -   - ,   -   - , , , , , ,   -   -   -   -   -   -   -   -   -   - ,   -   - , ,   - ,   - , , , , , , , , , , ,  Costume department  -   -  Make-up and prosthetics Movement  -   -   -  Casting  -   -  General post-production staff  -   -   -   -   -  Special and visual effects  -   -   -   -   - ,   -  Sound  -   -   -   -                                                            Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.     Worldbuilding  claims to be , , , , and . In return, the Doctor relates encounters he had with all of those deities: winning a bet against Anansi, having a drinking contest with Dionysus that caused a  in , watching  movies with Sága, and losing a game of  to Bastet. The  has a large collection of artefacts related to stories. The room of shelves includes a  , several , a  statue of , a life-sized statue of a bearded man, , a helmet, copies of , , and , and a statue of a . The area around the heart has a statue of a dancing  goddess, a , a , a statue of an , a model , several , , and a . Notes The episode has a smooth transition from the "" into the , with the title sequence first appearing in the shop window, and then the camera slowly zooming closer until the image fills the frame and the window fades away. The title of the episode was revealed on official social media on  . On , the prequel short story , also written by , was published on the . Some of the artwork from it was shown on the shop window in this episode when  was telling his story of the Doctor. The story shares many themes and ideas with other work by Ellams. The 2017 play Barber Shop Chronicles prominently explored  as places of friendship and culture. It featured many barber shops, including one in . A version of the story about  and the  was part of this play. The 2019 play The Half-God of Rainfall depicted a world in which the gods of all religions coexist as separate figures who interact and fight with each other.  appeared, presented as the  of stories. Ellams viewed the character  as echoing the title character of this play, as both are newly-invented children of gods. The 2020 poetry book The Actual had a poem about the Yo-Yo Ma story, as well as a poem comparing rapping to time travel which mentions Doctor Who. The Yo-Yo Ma anecdote is based on the musician's trip to  which was filmed for the 1993 documentary Distant Echoes: Yo-Yo Ma & the Kalahari Bushmen. For the UK debut on , the episode was first released as an audio description version only. The standard version of the episode was then released a few minutes later. Episode writer  appears as a , marking the second time a person has written and acted in the same episode, following  in  [+].  as  and  as the  were omitted from the advance credits. The  anecdote of challenging him to write a story in six words appears to be referencing 'For sale: baby shoes, never worn.', a story misattributed to Hemingway. Myths to be added Filming locations to be added Ratings to be added Production errors If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to . to be added   The Doctor uses the , as he previously did in :  [+], :  [+], :  [+] and :  [+]. 's cameo, for the first time, occurs in a flashback rather than the present, in the story the Doctor recounts about how Belinda saved a  life. She's seen walking down the hallway just before Belinda meets the patient again and is given flowers. The Doctor recognises Abby from his encounter with  when he was the , indicating he now has access to some of the memories that were erased by . Belinda sees an apparition of  just before she reaches the barber shop. When she later tells the Doctor about seeing a little girl, he guesses it was due to stories from the Story Engine leaking out. When the Doctor overcharges the engine with his endless story, it is shown with clips of the  from :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+] with audio from :  [+], audio of the  from :  [+], the  in :  [+], the  in :  [+], the  in :  [+], the  in :  [+], , , and the  in :  [+] (saying the line heard earlier), the  in :  [+] and the  in :  [+]. Clips of the  in :  [+], the  in : "" [+], the Twelfth Doctor in :  [+] and a still of the Fifteenth Doctor in :  [+] appear in the background of the following scene. in article: External links Official  page on  Footnotes  @BBC (2025-03-22). . YouTube. Archived from  on 2025-03-22.   (2025-05-08). . . Archived from  on 2025-05-08.  Amanda-Rae Prescott (2025-05-10). . Den of Geek. Archived from  on 2025-05-11.  . BBC One. Archived from  on 2025-04-30.

Masters of Chaos, "Tricksters," live across cultures and time, dancing along the fine line between ancient mythology and modern-day mysteries.These shape-shifting entities, from Anansi to Veles to Coyote, exist in the liminal space between science and superstition, folklore and fact.Join us for a chaotic collaboration as we dive deep into the world of Tricksters with special guest Kristen from the Paranorm Girl Podcast  ⁨@paranormgirlpod⁩Together, we'll explore the multifaceted roles these mythical beings play as advocates for nature and harbingers of change and their surprising connections to contemporary phenomena like UFOs, Bigfoot, fairies, tulpas, and egregores.Kristen - Paranorm Girl PodcastWhere to Listen: https://linktr.ee/ParanormGirl Where to Follow: https://linktr.ee/ParanormGirl Where to Support: https://patreon.com/paranormgirlpodBLACK CAT REPORTPATREON: Follow us on Patreon for exclusive content: https://bcr.link/patreon⁠⁠⁠CONNECT:Email: contact@blackcat.reportSubmit Episode Ideas: ⁠⁠⁠⁠⁠https://bcr.link/ideas⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/black_cat_report/⁠⁠⁠⁠⁠Beer, Boos and Boogeymen (B3): https://ghost.beer/⁠⁠⁠TAGS:#trickstergods #aliens #bigfoot #highstrangeness #ufo #mythsandlegends #fairyfolklore #norsemythology #paranormal #folklore #supernatural #mysteries #cryptids #strangemysteries #witchcraft #tulpas #strangephenomena #unexplainedmysteries #egregores #bigfootencounters #mythicalcreaturesCHAPTERS:00:00 Intro01:43 The Concept of Tricksters04:48 Trickster Gods and Their Roles07:47 Exploring Trickster Archetypes10:40 Coyote: The Gullible Trickster13:35 Veles: The Duality of a Trickster God22:38 The Duality of Velys: Trickster and Underworld God28:45 Cultural Evolution of Velys: From God to Devil35:10 Anansi: The Trickster Spider of Ghana40:12 The Origin of Stories: Anansi's Quest for Narratives46:03 The Universality of Trickster Entities53:24 Cultural Perspectives on Tricksters58:49 Tricksters in Religious Contexts01:06:37 The Connection Between Tricksters and Modern Phenomena01:10:46 The Nature of Tricksters01:11:54 Exploring Bigfoot and Cryptids01:14:16 Interdimensional Beings and Tricksters01:16:53 Cultural Perspectives on Tricksters01:18:22 The Symbolism of Tricksters01:20:23 The Search for Evidence01:22:49 The Reality of Tricksters01:25:28 Cultural Significance of Tricksters01:28:21 The Impact of Belief on RealitySOURCES:https://artsandculture.google.com/story/mohini-the-enchantress-american-institute-of-indian-studies/pQXBuABQJikpIg?hl=enhttps://www.learnreligions.com/trickster-gods-and-goddesses-2561501https://en.wikipedia.org/wiki/Mohinihttps://fractalenlightenment.com/40732/culture/just-trickster-many-faces-coyotehttps://www.learnreligions.com/trickster-gods-and-goddesses-2561501https://dc.etsu.edu/cgi/viewcontent.cgi?article=1324&context=honorsVeles Trickster: https://grammaticus.blog/2023/09/06/veles/https://en.wikipedia.org/wiki/Tricksterhttps://historycooperative.org/slavic-gods/https://www.thoughtco.com/veles-slavic-god-4777172https://solntsaroshcha.wordpress.com/veles/https://kotharianlightning.ca/2022/04/12/the-legend-of-nohoilpi-the-gambling-god/ Anansi Trickster: https://en.wikipedia.org/wiki/Anansihttps://occult-world.com/anansi/https://www.britannica.com/art/trickster-talehttps://www.ebsco.com/research-starters/literature-and-writing/anansihttps://www.galileo.org/initiatives/moka-meyo/meyo/meyopimatisiwin/learning-wasak3.htmlhttps://www.galileo.org/initiatives/moka-meyo/meyo/meyopimatisiwin/learning-wasak1.htmlhttps://www.galileo.org/initiatives/moka-meyo/meyo/meyopimatisiwin/learning-wasak2.htmlhttps://en.wikipedia.org/wiki/WisakedjakMUSIC CREDITS:Outro Music: Lounge Jungle by Curt S D Macdonald https://download.audiohero.com/track/41504269⁠⁠⁠⁠⁠Music Licensing Agreements: ⁠⁠⁠⁠⁠⁠https://blackcat.report/music-licensing-agreement⁠⁠

Dennis Woodyard returns, alongside Greg Weisman, to discuss this seminal episode. We discuss a myriad of topics such as Dennis presenting this episode at a library event for Black History Month; previously working with the Anansi character; and his time on the show producing it with Greg Weisman and Frank Paur. We also discuss the ancient myths and legends of Anansi, and trickster figures around the globe. We discuss the cultural importance of the storyteller and how appropriate that makes the casting of LeVar Burton. We also discuss the legendary Nichelle Nichols in the role of Diane Maza and her... Continue reading

Recorded by Gia Anansi Shakur for Poem-a-Day, a series produced by the Academy of American Poets. Published on April 3, 2025. www.poets.org

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Jared Hall is the epitome of an artist and he proved this when his beautiful short film, Anansi the Spider, played at Film Invasion Los Angeles in 2024 and took home the Filmmakers Award for Outstanding Short Film - Animation and for Outstanding Cast Performance Animation. I hope you get as much inspiration listening to our talk as I did partaking. I couldn't wait to get to what inspires Jared with his 4 Questions. If you want to learn more about Jared, go to @thatishall (https://www.instagram.com/thatishall/) or his website at https://thatishall.myportfolio.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

For this week's episode, we're heading over to West Africa and the Caribbean for a legendary folklore monster/god, Anansi! How does this spider hybrid relate to the slave trade? Why is he so relatable as a dad? Find out this week!Send us a textSupport the showYou can find us on: Myth Monsters Website Spotify Apple Podcasts GoodPods Amazon Music Social media: Twitter BlueSky Instagram Facebook TikTok

Happy Talk with a Filmmaker Friday! I normally refer to people as filmmakers, but when I think about Jared Hall the word that actually comes to my mind is, “artist.”                                                                                                                                             Jared is an animator, filmmaker, and illustrator, but what unifies all of his talents is that he's an artist. There you go... Artist! Jared's short film, Anansi the Spider, played at Film Invasion Los Angeles in 2024 and took home the Filmmakers Award for Outstanding Short Film - Animation and for Outstanding Cast Performance Animation.  This film is beautiful and it was difficult for me to not make that word in all caps. And it's fun! And it's cool!                                                                                                                            Honestly, Anansi the Spider is one of those films I feel comfortable stealing a line from a childhood friend, “It's okay if you don't like it, but if you don't like it then I don't like you.” If you want to learn more about Jared, go to @thatishall (https://www.instagram.com/thatishall/) or his website at https://thatishall.myportfolio.com _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

Lemai never forgets the humiliation of her teachers and the burning of books during the Cultural Revolution. She uses her position as a student Red Guard leader in 1960s Shanghai to find books, has one friend she can trust, and is tormented by her older brother. After being involved in the violence of the Tiananmen Square protests in 1989, she loses hope in China and raises Lin, her daughter, to pursue a life in the West. Both Lemai and Lin suffer from unnamed mental anguish at various points in their life and are both haunted by the past. In Shanghai, Los Angeles, and Toronto, they grapple with people from their former lives, and Lin's attempts at erasing her Chinese identity nearly make her go mad. This is a passionate debut novel about the mother-daughter bond, Chinese cultural identity, and the struggles of being a foreigner in America. SU CHANG is a Chinese Canadian writer, born and raised in Shanghai. Her fiction has been recognized in Prairie Fire's Short Fiction Contest, the Canadian Authors Association National Writing Contest, the ILS/Fence Fiction Contest, and the Masters Review's Novel Excerpt Contest. Her plays have been performed in various festivals and theatres across Canada. More essays and fiction are forthcoming in the Toronto Star, Electric Literature, Hamilton Review of Books, Ex-Puritan, Open-Book, 49th Shelf, etc. Su is a graduate of the Humber School for Writers and a member of the Writers' Union of Canada and the Canadian Authors Association. She devotes her interstices of time between writing and a full-time job to reading, playing the piano, nature walks, and wrestling with her children. Connect with her at https://www.instagram.com/suchangwrites/. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

First and foremost huge shout out to Ian from Acai Republic. Dude has great vibes! For the first time Strider gets on the phone and calls some experts regarding dank decor. Myriam of Hollywood glam furniture might be the chillest lady of all time. For our dose of history Strider shares a story derived from West African Folklore. The bold and clever Anansi the spider who wanted all the knowledge of the World. Strider's Stand Up Special Makin' Memories Sources: ‘The Mythology Book: Big Ideas Simply Explained” Editorial Director Ellen Dupont. DK Penguin Random house 2018, westelm.com, imdb.com, african.mythologyworldwide.com

Bashir Salahuddin (Top Gun: Maverick, South Side) plays legendary trickster Anansi in this West African tale about how stories first came to the world.