Podcasts about tresor club

TECH CLUBBERS PODCAST W/ DAHRAXT DAHRAXT is the techno project of the electronic music artist Alessandro Mannella ( formerly known as Mannella ). Italian-born and Berlin-adopted, he expresses his multi-faceted talent producing music, DJing and performing live. Apart from being heavily influenced by the UK techno sound, DAHRAXT's musical narratives oscillate between industrial techno and distorted electro soundscapes, all the way to the more mental techno textures. Moving at a young age to Ibiza, he crafted his DJ mixing skills performing regularly at important venues like Space and throwing illegal parties around the island. Not long after, he moved to Berlin and immediately caught the attention of many, playing at the iconic Tresor basement and shaking the dancefloors of other major clubs such as About Blank, Arena and Suicide Circus, as well as hosting events at the former Griessmühle. Eventually, as one of the founders of the multidisciplinary event project ENIGMA, he brought a brand-new event concept at Tresor Club. Besides Germany, DAHRAXT has made appearances at other influential venues across Europe such as Gare (Porto) and FOLD (London) among others. Touring overseas and taking part in the underground festival circuit, DAHRAXT has performed with the likes of Ancient Methods, Ben Klock, Detroit Techno Militia, Nene H, New Frames, Tommy Four Seven, Scan7, Sunil Sharpe and many more. His unmatched dexterity in bringing the crowd into his own visionary trip and the intensity of his DJ sets allowed him to also gain a residency at the techno party Vocoder in Mexico City (2018) and most recently at ARIA, London. As a long-time vinyl collector and supporter, in 2015 DAHRAXT founded two record labels: “Jtseries”, (a techno dancefloor-oriented imprint) and “PicNic34” (having a more experimental direction). On those, he has collaborated with Blawan, Cristian Vogel, Charlton, Kucera, Santiago Salazar, Tobias, Vladislav Delay and VSK to name a few. With an arsenal of music ready to hit some of the most important music platforms out there, DAHRAXT's ever mind-expanding DJ and studio experiments are bound to be experienced by many. *The Mix was live recorded at Tresor Berlin* Follow DAHRAXT here: Facebook: https://www.facebook.com/mannella.dahraxt Instagram: https://www.instagram.com/dahraxt/ Soundcloud: https://soundcloud.com/dahraxt

Transcurridos dos meses del 2022 y se acumulan novedades en Achilitime. Múltiple elección, tantas, que Txarly Brown las ha bautizado como la famosa lista de Spotify, "Jaleo". Lista donde se acumulan novedades populares y populistas seleccionadas por un algoritmo de pago. Aquí el radar rastreador de nuestro payo sabio parte de la trufa rumbera y explora nuevos aromas. De la krautrumba germano catalana de Habla de mi Presente, el flamante fichaje de Halley Records que reúne ritmo callejero barcelonés con pulsión berlinesa tipo Tresor Club, al nuevo standard sevillano del rumbaton -o flamencoton según se etiquete- de La Puri. Y por el camino un crisol de ritmos gitanos aflamencados y rumberos bebiendo funk y ritmos planetarios.Veamos que hay hoy. Abrimos con el proyecto Achilifunk Sound System recreando el hit de Manzanita de 1980 Ni Contigo Ni Sintigui, en su día producido por José Luís de Carlos y esta vez con la voz protagonista de Jonatan Ximenis del grupo Arrels de Gràcia, basada en una idea Shantel que nunca llegó a ser editada de 2014 y dedicada a Panoja (QEPD). Ahora es cara B de un single japonés, carambola rumbera internacional. Del submarinismo en Bandcamp reflotamos el sello granadino Sursum Tapes que edita cassettes al rumbero Paco Moreno, Calaito es una muestra flipante. Otro descubrimiento, Campanas del Olvido, de La Plazuela, algo se cuece en el underground andaluz, ojo. De Zaragoza llegan China Chana con su tercer disco del que traemos Con Boina y Con Toquilla. Volvemos a la rumba catalana de corte moderno con las nuevas producciones de Jack Chakataga: Irrepetible en su propio nombre, Sin Pena ni Gloria, de su padre Johnny Tarradellas con José Amaya (mitad vocal inconfundible de Los Amaya) y Ladrón, del hijo de Jose y compadre del propio Jack: Chiqui Amaya. Estirpes gitanas catalanas que llegan a hoy desde tiempos remotos de la rumba pop. Otra estirpe: los Morente, dos novedades seguidas en este programa: la pequeña de los Morente, Soleá, a dueto con su hermana y revuelta con Guille Milkyway recordando a Rafaella Carrá. ¡Ole tú! María Pelaé repite como en todos los programas de novedades, la nueva Lola Flores sigue en la cresta de la ola.Más cosas que pasan por Andalucía ahora. Rosario La Tremendita y Cristian de Moret, inquietante funk flamenco futuristico que nos deja boquiabiertos. Francia también aporta su granito de arena al replanteamiento de la escena rumbera actual. Tenemos estreno exclusivo de lo nuevo de Antoine Tato Garcia, Rumbason (KaRu Prod. 2022), lo mejor de su país de lejos. Volvemos a Madrid para que Puchito Tangana Madrileño, el empollón de la clase, reúna el urban trap más talentoso para marcarse una tipo Chichos. Si sigue así en breve le tenemos de copropietario de radio tele taxi con Justo Molinero, ¡ole tú, guapo! Cerramos el programa con un cañonazo de Steeve Laffont, palabras mayores en la escena gipsy jazz francesa. Su sofisticado jazz manouche con aires latinos y mediterraneos es la guinda de este programa. Adelanto de su nuevo disco Alma Gitana (KaRu Prod. 2022).

TECH CLUBBERS PODCAST W/ DJ DATCH Due to the desire to escape, and a vague sense of inner awe filled exclusively by music, Dj Datch started getting closer to the world of clubbing. At first he was inspired to explore the different types of electronic music although passion leads him to a broader evolutionary path. He also started playing in the most important clubs of his native land, Sardinia. His performances began to take an intense musical form of personal communication with the obsessive use of drums, almost like stabbings, in a progressive growth up to mesmerize the listener : explosion then restart. Next step is outside Italy, turning a utopia into reality : Tresor Club in Berlin. DJ Datch found a context of sound research, find a chemistry that makes developing a personal style characterized by techno sounds, dark and hypnotic in combination with hints of experimental dub. In order to complete this journey DJ Datch experiences his first productions in 2011, focusing his energies into his dark style. Over the years, his music has been published on various labels including Kynant ( as Black Sand ), Attic Music, Natch Records, Att Series, Subsist, Par, Etichetta Nera, No Way Records. TRACKLIST: The Alchemical Theory - Scraping [ Crescent London ] Shifted - No Paradise [ Avian ] Fabrizio Rat - Electric Thinking [ Analog Solutions ] Laertes – Chaos [ Lykos Records ] Hattori Hanzo – Astral Exchange [ Edit Select ] JUDAΣ - Vileness [ Non Series ] Viels – Coincidence One ( Neel Remix ) [ Dynamic Reflection ] Kike Pravda – Velocity ( Svreca Remix ) [ Senoid ] A Thousand Details – Iberia Brothers [ Anaoh ] Dj Datch - Cosmonaut [ Muted ] Blazej Malinowski – Keeping The Distance [ Immaterial.Archives ] Steve Parker – Acid Rain [ Planet Rhythm ] Dj Datch - Diary of my Misanthropy [ No Way Records ] Rebekah - Last Summer [ BPitch Control ] Follow DJ DATCH here: Resident Advisor: https://www.residentadvisor.net/dj/djdatch Facebook: https://www.facebook.com/deejaydatch/ Instagram: https://www.instagram.com/djdatch/ Soundcloud: https://soundcloud.com/datch Beatport: https://www.beatport.com/artist/dj-datch/129662 Discogs: https://www.discogs.com/it/artist/2928000-DJ-Datch Contact: info@djdatch.com --- Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Resident Advisor: https://www.residentadvisor.net/profile/techclubbers Facebook: https://www.facebook.com/TechClubbers Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ Youtube: https://www.youtube.com/TechClubbers Contact: info@techclubbers.com

Due to the desire to escape, and a vague sense of inner awe filled exclusively by music, Dj Datch started getting closer to the world of clubbing. At first he was inspired to explore the different types of electronic music although passion leads him to a broader evolutionary path. He also started playing in the most important clubs of his native land, Sardinia. His performances began to take an intense musical form of personal communication with the obsessive use of drums, almost like stabbings, in a progressive growth up to mesmerize the listener : explosion then restart. Next step is outside Italy, turning a utopia into reality : Tresor Club in Berlin. DJ Datch found a context of sound research, find a chemistry that makes developing a personal style characterized by techno sounds, dark and hypnotic in combination with hints of experimental dub. In order to complete this journey DJ Datch experiences his first productions in 2011, focusing his energies into his dark style. Over the years, his music has been published on various labels including Kynant (as Black Sand), Attic Music, Natch Records, Att Series, Subsist, Par, Etichetta Nera, No Way Records Tracklist: @ricardogardunomusic - Devil's Last Teardrop [@anaohrecords] @Synthek - Found My Self [@natchrecords] @TheAlchemicalTheory - Pyramidal Architecture (@djalejasanchez Remix) [@Oslated] Dj @Datch - Point of No Return [@mutedrec] @norbakmusic - Pledge III (@fabrizio-lapiana Remix) [@attic-music] @claudioprc - Daenamu [in_vurt] Dj @Datch - Decompression (@ruhig_ruhig Remix) [@nowayrec] Blazej Malinowski (@menesmusic) - Continuum [in_vurt] Dj @Datch - Astronaut [@mutedrec] @forestonstasys - Shaman Theme (@oscarmulero Remix) [@danza-nativa] KGIV (@israel-vines) - Mockingbird [Eye Teeth] Dj @Datch - Diary of my Misanthropy (@SteveParker Remix) [@nowayrec] @thealchemicaltheory - Wet Ground [@Affin] @progra_m - Morsa [@asceticlimited] @Desroi - Vermillion Border [@Desroi] Follow DJ Datch here: www.facebook.com/deejaydatch/ www.soundcloud.com/datch www.instagram.com/djdatch/ Follow No Way Records here: www.facebook.com/NoWayRec/ www.instagram.com/nowayrecords/ www.soundcloud.com/nowayrec www.formaviva.com/no-way-records www.nowayrec.com/ www.youtube.com/channel/UChRD9LbjDYIpLSlRdiflW6w www.nowayrecords1.bandcamp.com/ OUTER DIMENSION www.formaviva.com/outer-dimension www.soundcloud.com/outerdimension www.instagram.com/outerdimension/ www.facebook.com/OUTERDIMENSION/ Premiere Requests, Infos & Promos outerdimension.au@gmail.com

Svar was resident at the infamous Mixed Munich Arts Club before it closed down. There he continuously developed his style of DJing characterized by a varied selection of different styles and moods, drifting and trippy soundscapes and always full of tension throughout. Together with his good friend Javier Bähr he also started Rohstoff, which functions as an ambient tape label and also a monthly radio show on Munich’s Radio80000. Svar moved to Berlin sometime in 2019 where he is planning further exciting musical projects. Stay tuned! This podcast is a recording of an opening set he played at legendary Tresor Club in 2019. An Allen & Heath Xone:92 Mixer, 2 Technics SL-1210 turntables and 3 CDJ-2000NXS2 were used that night. -- 003: Svar from Berlin, Germany Svar @ SoundCloud: https://soundcloud.com/svarofficial Svar @ Instagram: https://www.instagram.com/svar.de Rohstoff @ SoundCloud: https://soundcloud.com/rohstoffrecords Rohstoff @ Bandcamp: https://rohstoffrecords.bandcamp.com

Hallo liebe Liebenden, ein neues Mixtape wartet diesen Freitag auf euch, an den Decks, Alexander Weinstein. Alex ist ein Urgestein der Berliner Techno Szene, aufgewachsen neben den Bassboxen im Tresor Club an der Leipziger Str., fand er schnell selbst den Weg an die Decks. Er machte sich einen Namen in der Hardtechnoszene, mit vielen eigenen Releases und legendären Sets im Tresor, neben seinem Mentor, Torsten Kanzler. Doch dieses Hardtechnoimage hat er, genau wie Torsten erfolgreich abgelegt, erfand sich und seinen Sound neu und spielte sich in die Herzen der Technofans und der Berliner Clublandschaft. Doch dabei blieb es nicht. Nach eigenen Veranstaltungsreihen gelang ihm sein bisher größter Wurf und wohl schönstes HerzensProjekt überhaupt, er kreiert das Festival "Die Letzte Wiese", wo es in diesem Jahr die Vierte Auflage gibt. Wir drücken ihm und seinen Projekten alle Daumen die wir zur Verfügung haben und hören bis dahin seinen Beitrag für unsere Zug der Liebe Mixtape Reihe. Vielen Dank an dich, Alex und euch da draußen viel Spaß mit diesem Proper Technopodcast. Und immer daran denken, sharing is caring!! Artist: @alexanderweinstein www.facebook.com/alexanderweinsteinmusic/ www.instagram.com/alexander.weinstein/ www.beatport.com/artist/alexander-weinstein/106240 Label: www.facebook.com/dieletztewiese/ www.instagram.com/dieletztewiese/ Wir wollen auch in diesem Jahr wieder gemeinsam ein Zeichen für mehr Nächstenliebe und soziales Engagement setzen. Um weiterhin ohne Sponsoren arbeiten zu können, benötigen wir dringend deine Unterstützung! Da wir seit 2015 die volle Aufmerksamkeit auf unsere teilnehmenden Vereine und Organisationen richten, passen Sponsoren auch nicht ins Konzept. Direktspende: Einfach via Paypal an info@zugderliebe.org oder Paypal: Bit.ly/ppzdl spenden, dass gibt mächtig Karma-Punkte :)

Errorbeauty - Mix for Modulations Bulgarian born, London-Berlin based Errorbeauty has been meticulously piecing together her impressive catalog of releases since beginning Djing back in 2003. A professional flute musician by way of background, she gradually became drawn to electronic music's intricately textured soundscapes - more specifically the broken, aggressive shades of Detroit Electro. In 2012 she moved to London where she started her musical journey as a producer, meeting many artists whose music she's been collecting for ages, and rapidly appeared on the scene playing alongside Plaid, Mr Switch (4 times DMC World champion), Andrea Parker, ADJ, Bitstream, Flint Kids to name a few. Errorbeauty's work continues to evolve and offers listeners a distinct reflection of Motor City's relationship with the genre whilst demonstrating her own unique perspective of Electro, which brought her twice to the legendary Tresor Club for Berlin Atonal. Earlier this year she has performed at Berlin's underground well-respected event series Skizze in OHM as well as Bold, Exquisite Berlin and Disobedient Circumstance at Suicide Circus Berlin where she proudly became one of the residents in the club this year. Together with XOR12, she recently launched the new electro/techno record label Arkada Records. The first EP featuring T15DM and Errobeauty herself was released on July 15th this year. Coming next is the second EP on her label Arkada Records which has plans to be released on 15th of April. http://arkadarecords.com https://soundcloud.com/errorbeauty Tracklist: 1. Point 7 - Remember Now 2. Umwelt - Endless Blackness 3. Vulkanski - Red Dinner 4. Pascal Hetzel - Reformation 5. ADJ - Future 6. Phoenecia - Odd Job (Get Fresh) 7. Zeta Reticula - Z.E.T.A 8. Maelstrom - Detection 9. I.B.M - Devastate The Planet 10. Kastil & I-Real - Black Birds All Over 11. UVB - Fire of Life 12. Huren Presents - Rituel Sonore 13. Supreme Ja - The Darkside 14. Rogue Frequency - Projectile 15. MicroControlUnit - Escape 16. Serge Geyzel - In Between 17. Scanone - Vox 8

We finally reached the 9th episode of our podcast series: we are really excited to share the sound of an artist like Handmade. Musically born and raised in Berlin, resident dj in the legendary Tresor Club and true friend of the Oversize crew since ever, he has an indissoluble bond with our city. He puts in a special set, recorded straight from the Globus room, where he goes on with an emotional music tale dressed with his overwhelming technique on decks. Enjoy!

Born and raised in Potsdam, a town at the gates of Berlin he got in contact with the local Techno scene in the mid 90ies. After his first visit at the famous (old) TRESOR Club he got infected with the Techno virus. Soon he started to buy records at the well known HARD WAX record store which influences his taste in music until today. Being a DJ, he got the chance to present his version of raw and pure Techno sound to the crowd in Clubs like TRESOR, SUICIDE CIRCUS and SO36. Alongside ALEXANDER KOWALSKI he now produces club orientated Techno music on whose label DAMAGE MUSIC BERLIN and others. Mario Berger is a Resident-DJ at TRESOR in Berlin. Tracklist : 01) Surgeon - Bland Ambition Pt.2 (DYNAMIC TENSION) 02) Christian Wuensch - Black Lab (SEMANTICA) 03) Kessell - ‪Shirka‬ (GRANULART LTD.) 04) Tadeo - The Globular Ray (TOKEN) 05) Jeff Mills - Life Cycle (TRESOR) 06) Reeko - Dead Animal (POLE GROUP) 07) British Murder Boys - Fist (DOWNWARDS) 08) Christian Wuensch - Innocence (Female Remix) (TSUNAMI) 09) Female - Surrounded by Enemies (DOWNEARDS) 10) The 65 D Mavericks - Earthbound (SURFACE) 11) Outline - Encounter (BLUEPRINT) 12) Ø Phase - Binary Opposition (Process 1) (TOKEN) 13) Planetary Assault Systems - Cold Bolster (OSTGUT TON) 14) Oscar Mulero - Horses (POLE GROUP) 15) Coldgeist - Orion Ancestors (WEEKEND CIRCUIT) 16) Christian Wuensch - White Coats (Function Remix) (TSUNAMI) 17) Surgeon - Bland Ambition Pt.4 (DYNAMIC TENSION) Follow MARIO BERGER here : Resident Advisor : https://www.residentadvisor.net/dj/marioberger Facebook : https://www.facebook.com/MarioBergerOfficial/ Soundcloud : https://soundcloud.com/mario-berger Beatport : https://www.beatport.com/artist/mario-berger/247176 Instagram : https://www.instagram.com/mariomab/ Discogs : https://www.discogs.com/it/artist/2631929-Mario-Berger-2

Chubby! on Facebook: www.facebook.com/chubbyrecords Mike Grant/Moods & Grooves on Facebook: goo.gl/IIyWhD @mikegrant50 http://www.big50entertainment.com/ At the end of the 1990s, Mike Grant re-emerged as one of the leading figures in Detroit’s growing house scene after spending the majority of the decade and late ‘80s pursuing other ambitions. When Grant’s fresh Moods & Grooves label began raising more than a few eyebrows with its catalog of releases by many of Detroit’s best house producers, few knew that he has been a key figure in the Motor City’s early to mid-‘80s electronic dance scene as a talented DJ. Grant is one of the few Detroit DJs who plays complete deep house/house or techno sets as well as a mixture. While traveling throughout Europe Grant earned the distinction as being the first American DJ to have a residency at Tresor Club in Berlin. Grant’s musical career began at an early age, influenced by Detroit’s fledging music scene and his uncle, the general manager at a local R&B/dance radio station, WKWM. By 1980, the young Grant had joined a DJ collective known as Men of Music while becoming close friends with schoolmate Blake Baxter. Baxter showed Grant the art of beat mixing while the two made mix tapes after school, and Grant eventually joined Baxter’s DJ group, The Beat Sound Company. A few years later in 1983, Grant was scoring club residencies in Detroit alongside legends such as Ken Collier and also managed to make appearances on The Scene, a video dance show on WGPR alongside even more local DJs such as Jeff Mills. During this mid-‘80s era, Grant’s reputation as one of the city’s top DJs led to eventual friendships and partnerships with many of that eras other top DJs, most notably Eddie Fowlkes, Derrick May, and Juan Atkins. During the summer of 1985, he became a member of Detroit’s first radio mix show, “Street Beat,” where the foundation for what would later become early Detroit techno was ultimately formed. Prior to the Street Beat show, Grant made a commitment to join the military not knowing what doors would eventually open. During this time in the military, he continued to DJ on the base and in Seattle, where he introduced the sounds of Detroit techno to the unsuspecting West Coast. Following his time in the military, Grant then studied telecommunications in Chicago and began his career in this same field, while occasionally returning to his hometown for the occasional performance. In the late ‘90s, Grant planned his return, beginning with a recording as Black Noise on Metroplex Records, titled “Nature of the Beast.” Rather than just DJ and produce tracks, he went to the lengths of starting his own label, Moods & Grooves, and began releasing the work of his peers as well as his own. By mid-2000, the label had received substantial acclaim – including a high-profile appearance by Grant at the landmark Detroit Electronic Music Festival. In 2001 Grant launched the techno based label End to End and urban sounding Afrosyntrix. Additionally, he’s remixed the Detroit classic “Sharevari,” been selected to perform at Midem’s Electronic Showcase, selected and participated in DEMF/Movement, and included in the “Techno – Detroit’s Gift To the World” exhibit at the Detroit Historical Museum.

AVION The new Episode comes from the inside of CROSSING-ALEX with its founder AVION. Playing his first gig when he was 15 years old electronic music became a main factor in his life. AVIONs passion for music started early inspired by his brother and artists like Jeff Mills, Depeche Mode, Nirvana or Björk. His first visit to Tresor Club at the age of 14 was severe. The lights and darks, the atmosphere and sound. From then there was no way back. Over the years he played at several local and transregional clubs and organised together with friends his own local parties. After leaving his hometown he settled down in Berlin and started intensively working on his musical view and producer skills. The future plans grew and by launching ‘Crossing‘ end of 2013 he established his own platform for floor orientated puristique electronic music. Crossing released works from Pfirter, Doka, Distant Echoes, Thomas Hessler, Blind Observatory, Stefan Rein, Tripeo and himself. For this Episode AVION selected Tracks combined between Acid, Industrial Moods and Techno which inspired in the last month as well as upcoming stuff on his imprint Crossing. Enjoy the trip with AVION. https://www.residentadvisor.net/dj/avion https://www.facebook.com/avion.crossing https://soundcloud.com/crossing-rec

.defaultbox Podcast 004 - v_3.378 The 4th .defaultbox podcast presented by v_3.378. Find the full tracklist on our website defaultbox.de/podcast or facebook.com/defaultbox iTunes: https://itunes.apple.com/de/podcast/.defaultbox-podcast/id1114718315 Listen and enjoy. -- v_3.378 formally known as 88UW is a Berlin based dj in love with various forms of electronic music. In 1991 he started to buy and spin records back in Hamburg. Already 3 years later at age 16 he started to play regular gigs in clubs mostly in Hamburg & north germany. Studio work came later and it was not until 2005 that he started teaching himself music production. The most releases had been released under his alter ego 88UW and he had been Tresor Club resident from 2011-2014. After this residency he had to take a deep breath for almost 2 years to figure out what he wants and how to go on. In the years from 2014 until now he found a new passion in Electro and a lot of very good Acid productions. The sound of v_3.378 is more focused on the sounds and dope basslines than the hard stuff. https://www.facebook.com/sturgeon808 https://soundcloud.com/unlimited-whatever https://www.mixcloud.com/unlimited-whatever/

Italian techno Dj and producer, Synthek evolves in Berlin under the wings of his own Natch Records and the residency at Tresor Club. Synthek moved the first steps in his hometown Naples, extending then to the London club scene, before settling in Berlin. Always seeking for new influences, over the past years his musical background had a constant growth, which can be seen through the evolution of his productions and sets, rich of deep rhythmics and powerful, introspective vibes. For the last two years he has made numerous outputs on various labels such as Edec Music, Limited or LC Series. Among his outings we can mention Aaron EP on Translucent Label, his last track “Coherence” for the second episode of D.A.N.C.E. on Attic Music Label and the 2 ep “Reclaim Your City” and “The Storm Abive Us, featured by great remix by Raffaele Attanasio, Mattias Fridell for the 004, and Zadig & Jearon Search for the 005, both on his imprint Natch Records. Moreover several of these releases are supported by many great artists. His first album “Unwise” released on Natch Records with Audiolouis, is a bold sequence of powerful tracks devotedly written for the dancefloor, but still keeps a certain emotional aspect made of few melodic Detroit rooted cuts, standing as a tribute to the author’s primary inspirations. The album has been remixed by some of the most relevant names of the techno scene like Antigone, Zadig, Tadeo, Polar Inertia to name a few. After the long collaboration with Audiolouis, he decided to focus on his solo project and, in the early 2015, launched a new imprint “STK” with the main purpose to release his own productions. Since January 2014, his residency at Tresor allowed him to take care of the New Faces Nights, monthly event focused on the young talents of the Techno scene. Always delivering strong and powerful set, Synthek is characterized by solid mixing skills sharpened through many years behind the desk.

Here it is our 19th podcast with Mark Morris ! Mark is in the music game for several years and has been releasing such a bunch of quality Techno tracks. Everything started back in 2007 with a very first release and that never stopped till now with great labels crossed on his path such as M_Rec, CLR , DROID , Kombination research , Naked Lunch or more recently Starkstrom Schallplatten. But these last years and even more in 2013, Mark mainly focused on his own imprint, Ketra Records. He created the label back in 2009 and he’s now releasing most of his music on it. He has just released what we can call a huge album containing 33 tracks. Seems to be a lot even too much but every track is great and all of them together get to make it a very interesting cutting edge Techno project. As a DJ Mark Morris performed at many great venues in Europe such as the infamous Tresor Club , Stattbad (where he worked as Art Director STATTMEDIA) , Arena , M-Bia (as promoter w Aschenbescher Fur Menschen) , Kantine am Berghain in Berlin and in South America where he has been touring Colombia and Argentina and Chile (as promoter w zerotwonine chile) when he used to live there for a period from December 2012 to July 2013. Mark is now back in Europe and lives in his own town Naples where he constantly works on MANIFESTO RAW CULTURE his own project of parties/label with Logotech & Future 16. Press play & enjoy ! Links: http://www.residentadvisor.net/dj/markmorris http://www.discogs.com/artist/973288-DJ-Mark-Morris https://www.facebook.com/djmarkmorris https://soundcloud.com/mark_morris LISTEN / DOWNLOAD / SHARE

K1971 PODCAST - DJ T-1000 aka Alan Oldham Alan Oldham has been called "Detroit Techno's Renaissance Man" (Musik, UK).A lifelong cartoonist and graphic designer, a young Oldham published his own comic book "Johnny Gambit" in 1987 to local notoriety. Hired that same year by his childhood friend Derrick May to illustrate several memorable pieces for the new Transmat label, this led to Oldham's first involvement in the fledgling techno scene. Besides his art and writing, 1987 also saw Oldham's radio debut on Detroit's WDET-FM with the long-running 'Fast Forward' program. Originally meant to be a free-form rock, jazz and fusion show, Oldham's passion for both local and international electronic music gradually took centerstage until it finally became the only radio program in Detroit to feature techno and house music exclusively. The early cassette, reel-to reel and four-track material of such (now) well-known international artists as Underground Resistance, Carl Craig, Kenny Larkin, Octave One, Anthony Shakir, and Richie Hawtin made its on-air debut here, as well as being the first and only show to break international acts like Moby, Joey Beltram, 808 State, LFO, Front 242, Nitzer Ebb, and others in Detroit. In 1988, Oldham graduated from Wayne State University with a degree in Radio-TV-Film. In 1990, having finally produced his own EP at a friend's studio, Oldham sold the project to a small Dutch label whose fax number he found in the record bins of Recordtime. His pseudonym for the four-track project was Signal to Noise Ratio released by the small Dutch label, DJAX Records. After the release of the EP, label boss Saskia "Miss DJAX" Slegers hired Oldham to create the graphic identity of DJAX-UP-BEATS. Ten years on, DJAX dominates the Dutch techno scene and Oldham's trademark visual style still defines the label. In 1992, Jeff Mills left Underground Resistance to become a solo act. "Mad" Mike Banks, needing an immediate replacement DJ for a month-long Austrailian live tour, tapped Oldham for the job. Without rehearsals, Oldham took the leap of faith that changed his life. Jump start into infamy. Leaving his increasingly-thankless WDET airshift behind forever and adopting the onstage personal of DJ T-1000 (taken from the shape-shifting liquid metal cyborg in "T2"), Oldham began rocking decks for UR and never looked back, setting the stage for subsequent UR "assault DJs"Rolando and James Pennington. Upon returning from UR's triumphant Austrailian tour, Banks again tapped Oldham's many talents, this time asking him to create a label to be distributed by a new company that Banks was organizing, a distributorship that would within a few years come to dominate the Detroit landscape: Submerge. Oldham agreed and his second and most successful attempt at a label, (the first was the disasterous Technika records 1989) would be called Generator. It was also during this time that Oldham once again became prolific, artwise. A fully-painted "Danger Girl" comic strip in Muzik UK and the album cover for Astralwerks "Beyond The Third Wave" (ASW6170) compilation marked 1995, as well as his debut retrospective at Detroit's Cement Space Gallery and a new "Miss DJAX" comic. With his solo career in full swing, however, it was time for his music to follow suit. Oldham established the Pure Sonik label in 1996 with the double-barreled, double-vinyl statement of intent "Pure Sonik Manifesto" (PURE1). This move garnered his first cover story in Magic Feet (UK), and a music video that aired on MTV UK's "Party Zone". Three years later, the label continues to feature Oldham's production talents as DJ T-1000, the best moments of which can be found on the CD/2x12", "A Pure Sonik Evening" (PURE10) . In 1998, Oldham began an alliance with legendary German techno label, Tresor when their label manager vacationing in Detroit, was blown away be his demo tracks. Signing him on the spot, the first product of that transatlantic union was "Jetset Lovelife EP" (Tresor87) and his debut performance at the Tresor club in Berlin. In between a solid year's worth of DJ dates both in the US and abroad, the release of his first-ever mix CD "Live Sabotage" (BML/X-Sight 6386), and many personal changes at home, Oldham delivered his debut album "Progress" (Tresor128). It was released in Europe in October 1999 and a world tour quickly launched, capped by an epic, four-and-a-half hour set at the Tresor Club, broadcast live over the internet. "Progress" was bracketed by the dual release of "Codes And Structures Vol 1" (PURE11) and "Vol 2" (PURE12) on his own Pure Sonik label. As the new millenium began, Oldham produced a second mix CD "The Last DJ On Earth" (PURE14) , launched 2 websites (both for label and his art), participated in DEMF 2003, released of another album "Neutra" (PURE17CD), and a return to artwork. After over a decade in the music business, DJ T-1000's job of World Sonik Domination is never done. Oldham in 2006 started his first-ever, low-tempo/experimental, CD-only label, "xfive." and presented its first release, "The Art of Transformation" (X5001CD) inspired by his art gallery openings in France, Los Angeles, Chicago, and Germany. Another "Art of Transformation" CD released in January 2008. In 2009, Oldham released an all new Johnny Gambit comic with accompanying original soundtrack with 2nd installment and soundtrack finished in March 2013, awaiting release.2012 saw the rise of the moniker, Detroitrocketscience (first appeared on xfive), and debut of label of same name with the release of a series of 10" records in 2012/2013.