Podcasts about Alma Mahler

Dice Roberto Colajanni che una casa editrice è come una costellazione. Ma la similitudine si può allargare ad autori, generi e formati letterari: pensare la letteratura come un universo composto di galassie, costellazioni e singoli pianeti, generi, autori, formati. La puntata di Alice di oggi tiene insieme oggetti letterari apparentemente lontani, accomunati dall'unica teoria del tutto possibile, quella dell'amore per i libri e per le storie. Una passione che guida le scelte dello stesso Roberto Colajanni, direttore editoriale della casa editrice Adelphi, insignita del premio Enrico Filippini agli Eventi Letterari Monte Verità 2025. Colajanni ha raccontato al microfono di Moira Bubola alcuni degli autori che più risplendono all'interno della costellazione Adelphi, da Philip Roth a Han Kang. E sembrano parte di costellazioni lontane le due proposte letterarie fresche di stampa presentate oggi da Alice: da una parte il romanzo storico La bambolaia (La nave di Teseo) di Giuseppina Manin, che ci porta nella Monaco del primo dopoguerra, per raccontare la storia dell'ossessione amorosa del pittore Oskar Kokoschka nei confronti di Alma Mahler, vedova del grande compositore austriaco; dall'altra la raccolta di racconti Undici – Non dimenticare (Sellerio) di Andrej Longo, ambientata in una Napoli sotterranea, lontanissima dalla grande storia, dall'arte e dalla cultura, eppure splendente di vita e di contrasti. Un grande ritorno alla forma breve per Longo, che già aveva vinto il Premio Chiara con la sua prima raccolta Dieci, ristampata proprio da Sellerio. Chiude la puntata di Alice Mirador, lo spazio in cui voci della letteratura in italiano raccontano le novità letterarie più sorprendenti: oggi Djarah Kan presenta Cancellazione (La nave di Teseo), ristampa del più noto romanzo dello scrittore Percival Everett, diventato nel 2023 un film – American Fiction – vincitore dell'Oscar per la miglior sceneggiatura non originale.undefinedundefinedundefinedundefined

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Sie war Komponistin, Selbstdarstellerin, Männersammlerin und "Witwe der Musen". Sie muss magisch und vulkanisch gewirkt haben. Sie war mit dem Komponisten Gustav Mahler, dem Architekten Walter Gropius und dem Dichter Franz Werfel verheiratet. Eine obsessive Beziehung verband sie mit dem Expressionisten Oskar Kokoschka, der sie als "Windsbraut" malte und sich mit ihr im "Doppelbildnis" porträtierte. Sechs Essener Kulturinstitutionen schauen jetzt auf eine faszinierende Persönlichkeit. Von Michael Köhler.

“Notas de Mujer” una celebración del talento y la creatividad de destacadas mujeres compositoras a lo largo de la historia. De lunes a viernes a las 9:00 hrs. en www.radioudec.cl y el 95.1 FM. Producción: Carolina Valdés - Locución: Sergio Morales.

In the early 1930s, at the height of the atonal and twelve tone movement in music, the American violinist Louis Krasner commissioned a concerto from the Viennese Composer Alban Berg. Berg declined at first, saying that his idiom was not appropriate to a concerto and that he did not belong in the world of Wienawski and Vieuxtemps, two relatively obscure composers nowadays who wrote virtuoso showpieces for the violin that are very exciting but not particularly deep on a musical level. Krasner countered with the Beethoven and Brahms' violin concertos, which, frankly, is a pretty great argument! Krasner was convinced that Berg was the vessel through which 12 tone/serial music could reach, as the great writer Michael Sternberg called it, “it's expressive potential.” The 12 tone/serial technique of writing music was still controversial at the time(and it remains that way now), with many composers and performers embracing atonal music, with others, especially audiences, turning away. Berg finally accepted the commission, and despite his normal slow pace of composing, wrote the concerto in just a few months. The piece fulfilled Krasner's expectations, and more, and it has become almost a standard repertoire piece for violinists. It is in the twelve tone style, but it is also in many ways a fundamentally tonal piece, and the way that Berg passes through atonality to tonality and back again makes this concerto accessible in a way that many other atonal works are not at first hearing. Today on this Patreon and Fundraiser inspired show, we're going to go through this concerto, first by starting with a crash course in 12 tone music. Then we'll walk our way through this concerto, talking about tone rows, tonality within tone rows, Carinthian folk songs, life and death, Manon Gropius, Alma Mahler, Bach, and the memory of angels. All of this is contained inside of this remarkable piece, and we'll talk all about it, and more. Join us!

In ihrem Bekanntenkreis wimmelt es von Promis: Alban Berg, Arnold Schönberg, Alma Mahler, Alexander von Zemlinsky, Josef Labor. Sie selbst war in Wien eine berühmte Persönlichkeit ihrer Zeit. Am 15. Januar jährt sich zum 157. Mal ihr Geburtstag: Johanna Müller-Hermann, Pianistin, Komponistin und Professorin am Wiener Konservatorium. Warum es sich lohnt, sie und ihre Musik neu zu entdecken, berichtet Jane Höck.

Alban Berg ist in finanziellen Nöten. Da kommt ein Auftrag um die Ecke: Der amerikanische Geiger Louis Krasner bittet ihn um ein Konzert und Berg macht sich an die Arbeit. Die Oper Lulu ist noch immer nicht ganz fertig, die wertvollen Tantiemen für seine 1. Oper Wozzeck schmelzen weg (wegen der Ächtung des Stücks durch die Nationalsozialisten). Dann stirbt Manon Gropius, die achtzehnjährige Tochter von Alma Mahler und Walter Gropius. Das Violinkonzert soll ihr Requiem werden. Und wird gleichzeitig auch Bergs eigenes Requiem. Er stirbt im selben Jahr 1935 an einem entzündeten Insektenstich, ohne das Konzert je gehört zu haben. Das Werk wird schnell zum Klassiker der Moderne, es ist zwölftönig und doch tonal, es hat klare Strukturen und ist doch biografisch aufgeladen. Die Geigerin Chouchane Siranossian und der Musikwissenschaftler Hans Hofmann diskutieren einige neuere Aufnahmen.

Eine Schöpfungsgeschichte will Mahler erzählen und komponiert 1896 sein längstes Werk überhaupt: die 3. Sinfonie in d-Moll für riesiges Orchester, Altsolo, Frauen- und Kinderchor. In 6 Sätzen mit rund 100 Minuten Spielzeit zieht er alle Register: von der Marschmusik über ein wehmütiges Posthornsolo bis zum Hymnus der göttlichen Liebe. Von Michael Lohse.

(00:00:58) Ella Milch-Sheriffs «Alma» hat am Wochenende Premiere gefeiert an der Volksoper Wien.  (00:05:29) Welchen Platz hat das Leid der Menschen in Gaza in der isrealischen Zivilbevölkerung? Dem gehen wir nach zum Jahrestag der israelischen Boden-Offensive in Gaza. (00:09:54) Morgen finden die nächsten Public Recordings @ SRF mit Francesca Gaza statt.  (00:14:36) Olga Gjasnowas Roman «Juli August September» fragt: Welche Bedeutung hat das Judentum für Menschen mit jüdischer Herkunft – auch wenn sie nicht religiös sind? (00:19:40) Lebensgross und animiert kann man Dinos jetzt erleben. In der Ausstellung «Jurassic World» in Basel. 

Alma Mahler var kompositör, författare, salongsvärdinna och mecenat. Redan som ung visade hon en enorm musikalisk talang, och hennes framtid verkade ljus. Men trots sin begåvning fanns det många hinder för en kvinna som ville komponera vid den här tiden. Även om hon inte fick komma till uttryck själv så har hon haft en positiv inverkan på senare kvinnliga kompositörer och hon var en viktig möjliggörare för dem hon mötte.

Vlad explores Alma Mahler's life through the medium of her music, exploring how her compositions reflected the different waypoints of her personal and artistic journey. (c) Getty Images

Scilla Bonfiglioli"La sposa del vento"Fazi Editorewww.fazieditore.itUn affascinante romanzo d'esordio sul pittore Oskar Kokoschka e l'amore fatale che lo legò ad Alma Mahler.Nella Vienna d'inizio Novecento, il giovane e solitario Oskar Kokoschka trasforma i suoi demoni in opere d'arte, suscitando sdegno e grande scandalo. Grazie all'aiuto del Maestro Klimt, l'artista riesce pian piano ad affermarsi frequentando i circoli intellettuali più prestigiosi e facendosi notare per l'eccezionalità del suo lavoro. Le visioni mostruose e inquietanti che lo tormentano ogni notte, tuttavia, non gli danno tregua, almeno fino all'incontro con la bellissima Alma Mahler, magnetica musa di numerosi artisti, da poco rimasta vedova del celebre musicista. Il sentimento che travolge Oskar lo libera momentaneamente dai demoni che lo perseguitano e lo porta a vivere il periodo più fortunato della sua carriera, in cui produrrà capolavori indimenticabili come La sposa del vento, dipinto immaginifico ispirato al suo amore per Alma. Quando però la donna decide di lasciarlo e l'Europa è sconvolta dall'incubo della guerra, Oskar precipita di nuovo nell'abisso e, in preda al delirio, si fa costruire una bambola con le fattezze dell'amata, che paradossalmente lo aiuterà a dimenticarla.In una Mitteleuropa ormai al tramonto, nell'imminenza della prima guerra mondiale, il romanzo ricostruisce le atmosfere dei circoli culturali del tempo dando vita alle passioni, ai turbamenti e alle manie di uno degli artisti più innovativi e originali del secolo scorso.La sposa del vento è il racconto di un'ossessione sullo sfondo di un continente in decadenza, il resoconto incalzante di una storia tormentata e bruciante che si nutrì delle visioni del pittore rappresentando un momento unico nella storia dell'arte.Alma e Oskar erano il centro immutabile della tela, rannicchiati in un letto che era una barca alla deriva, stretti in mezzo ai turbini incontrollati della tempesta. Un viaggio abissale.«Allora, cosa te ne pare?».Alma fissava il quadro senza dire una parola.Il silenzio era pesante, interrotto solo dai tuoni che facevano vibrare i vetri del solaio.«Siamo proprio noi».Scilla Bonfiglioli, è nata nel 1983 a Bologna dove vive e lavora come istruttrice di aikido. Laureata in Discipline teatrali e Storia del teatro presso l'Alma Mater Studiorum, ha lavorato per anni come attrice, regista e autrice teatrale. Seguendo sua madre nella professione di guida turistica, si è immersa fin da bambina nella storia dell'arte, appassionandosi in particolare alle arti figurative e alle storie degli artisti di ogni epoca e paese.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

And now we are on to part 2 of Alma Mahler! Thanks for listening!

Como nuestro programa se aprovecha de principio a fin, empezamos por el final: este próximo lunes se celebra el Día Internacional de la Tienda de Discos, el Record Store Day, una efemeride que se lleva a cabo desde 2007. Para conmemorar este día, nos trasladamos en directo a Old Tower Stuff, una tienda de discos ubicada en la cuesta de San Vicente, en Vitoria-Gasteiz. Roberto, el store manager, nos explica por qué la cultura del disco nunca se ha ido y cuál es el ejemplar más caro que tiene en su tienda, alucinaras.  Continuamos regalando cultura con nuestro sorteo de entradas para el Teatro Principal, esta vez para la obra "Querencia" de Antonio Najarro. Además, y como siempre estamos al filo de las últimas noticias, conectamos en directo con dos de los mítines más destacados de las últimas horas de esta campaña electoral en Euskadi: uno del PNV con Pradales y otro de EH Bildu con Otxandiano, todo esto complementado con el mejor análisis político de nuestros analistas de cabecera, Mikel Gómez y Jorge Hinojal. Y por supuesto, no puede faltar nuestra dosis semanal de Janirexplaining, ya recomendada por la OMS para aprender sobre la lucha feminista, esta vez con el tema "Alma Mahler, la pasión vienesa". Todo esto y mucho más con David Álvarez, Janire Jauregi, Alex García y Jon Larreategi. En directo desde el corazón de Vitoria-Gasteiz y disponible cuando tú quieras, aquí en podcast.

O episódio 8 faz-se com o poder das mulheres criadoras: das mil faces de Josephine Baker às mil nuances de Toni Morrison; dos mil talentos de Alma Mahler às mil dores de Frida Kahlo, há milhares de razões para mostrar que a Arte conta. Mulher a mulher. Saber mais: Josephine Baker Damian Lewis, The Flame of Resistance, The Untold Story of Josephine Baker's Secret War, Spy, Quercus, 2022. Fotos: 1. https://ionline.sapo.pt/artigo/744256/josephine-baker-sera-a-primeira-mulher-negra-a-entrar-no-panteao-franc-s?seccao=Mais_i 2. https://www.bbc.com/portuguese/geral-59453094 Museu Château des Milandes : https://www.milandes.com/ Toni Morrison «Até que fossem respeitadas, até que se percebesse que as mulheres não escreviam apenas sobre coisas cor-de-rosa, até que se percebesse que as mulheres tinham uma palavra válida demorou muito tempo» https://sicnoticias.pt/cultura/2024-03-20-Respeito-pelas-mulheres-na-literatura-demorou-muito-tempo-afirma-Lidia-Jorge-a1ca8c61 National Women's History Museum https://www.womenshistory.org/education-resources/biographies/toni-morrison Biography Channel https://www.biography.com/authors-writers/toni-morrison Encyclopaedia Britannica https://www.britannica.com/biography/Toni-Morrison Beloved, Edições Dom Quixote, junho 2009 Hufington Post https://www.huffpost.com/entry/toni-morrison-dead-dies-beloved_n_5d497f79e4b01ae816c8b08b Fotos: https://www.corriere.it/sette/cultura-societa/20_luglio_31/toni-morrison-nobel-la-letteratura-fiera-essere-nera-776e040e-cf01-11ea-ad37-c8c15ec5de19.shtml https://www.washingtonpost.com/history/2019/08/06/toni-morrison-nobel-prize-terrifying-staircase-king-who-rescued-her/ Alma Mahler Cate Haste, Passionate Spirit, The Life of Alma Mahler, Bloomsbury, 2019. Fotos: https://www.aso.org/artists/detail/alma-mahler Fotografia de Varian Fry: https://holocaustmusic.ort.org/resistance-and-exile/varian-fry-and-alma-mahler-werfel/ https://www.telegraph.co.uk/books/what-to-read/ultimate-femme-fatale-alma-mahler-muse-seduced-vienna/ Frida Kahlo Diego e Frida, Le Clézio, Relógio d'Água, dezembro 1994 Encyclopaedia Britannica https://www.britannica.com/biography/Frida-Kahlo Biography Channel https://www.biography.com/artists/frida-kahlo Frida Kahlo - Uma Biografia, Maria Hesse, Iguana, outubro 2022 Fotos: 1. Por Guillermo Kahlo - Sotheby's, Domínio público, https://commons.wikimedia.org/w/index.php?curid=32639240 2. «A Coluna Partida» https://www.gqportugal.pt/frida-khalo-arte-obra 3. «Auto-Retrato dedicado a Leon Trostky» https://www.gqportugal.pt/frida-khalo-arte-obra 4. Foto com Josephine Baker em 1939: https://owlcation.com/humanities/When-Frida-Kahlo-Set-Her-Eyes-on-Josephine-Baker Sophia de Mello Breyner Andresen: 25 de Abril «Esta é a madrugada que eu esperava O dia inicial inteiro e limpo Onde emergimos da noite e do silêncio E livres habitamos a substância do tempo»

Die Freundinnen Berta Zuckerkandl und Alma Mahler sitzen im Kaffeehaus und unterhalten sich über dies und das. Dann kommt Berta mit einem unangenehmen Thema um die Ecke: "Dein Mann ist irgendwie schräg", meint sie. "Was?!", Alma ist entsetzt. Skript: Nadja Feige Redaktionelle Mitarbeit: Jinok Lee

durée : 00:25:20 - Alma Mahler, épouse de... - par : Anne-Charlotte Rémond - Une plongée dans la Vienne de la fin du XIXe siècle sur les pas de la vie musicale et amoureuse d'Alma Mahler. - réalisé par : Philippe Petit

Daniela Musini"Le incantatrici"33 donne che hanno sedotto il mondoEdizioni Piemmewww.edizpiemme.itLe Incantatrici costituiscono un mosaico di donne dalla vita sbrigliata, dal fascino irresistibile e dal talento abbagliante, ma nel contempo anche una sorta di capsula del tempo dove incontrare Circe, la maga dagli occhi di topazio, o Ildegarda di Bingen, la mistica femminista del Medioevo, Madame de Pompadour, arguta e smodatamente ambiziosa, La Bella Otero che stregò la Belle Époque, o l'inarrivabile Colette, dalla penna audace e dall'esistenza spavalda, e poi Lola Montez e Wallis Simpson, che costarono il trono a due sovrani. Si può fare la conoscenza di Lou von Salomé e Alma Mahler, algide incendiarie e intellettuali sublimi che portarono alla follia amorosa i più grandi artisti della loro epoca, così come della diabolica contessa Tarnowska, dalla vita costellata di cadaveri eccellenti; ma ci si può imbattere anche in Camille Claudel, Zelda Sayre Fitzgerald e Billie Holiday, creature dall'anima smerigliata e la mente abitata dalle ombre, o in figure affascinanti quali Agatha Christie, Mata Hari, Marlene Dietrich, Eva Kant, che fecero del mistero la loro fortuna e la loro dannazione. E tra le pagine ecco materializzarsi i voluttuosi e scultorei dipinti di Tamara de Łempicka e le atmosfere eccitanti e trasgressive della Parigi lesbo-chic del primo Novecento, a cui fanno da controcanto il mondo ovattato e sognante di Liala e da contrappunto le esistenze luccicanti e dissipate di Rita Hayworth, Ava Gardner e Liz Taylor.Daniela MusiniNata a Roseto degli Abruzzi, vive a Città Sant'Angelo, in provincia di Pescara. È scrittrice, pianista, attrice e autrice teatrale e ha allestito in Italia e all'estero acclamati recital/concert incentrati sull'opera di Gabriele d'Annunzio e monologhi dedicati a intense figure femminili quali Eleonora Duse e Maria Callas. Da sempre appassionata di personaggi carismatici di donne, ha al suo attivo la biografia Lucrezia Borgia. Misteri, intrighi e delitti (Stampa Alternativa/Nuovi Equilibri) e un saggio ebook dedicato all'universo muliebre dannunziano dal titolo I 100 piaceri di d'Annunzio. Passioni, fulgori e voluttà (Librinmente Editore). Per la sua poliedrica attività artistica e per i traguardi raggiunti le sono stati conferiti 36 premi letterari nazionali e internazionali e 16 premi alla carriera.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Amorós recomienda la lectura de ‘La criatura del deseo', de Andrea Camilleri. Relata la historia de amor trágico entre Alma Mahler y Oskar Kokoschka.

Amorós recomienda la lectura de ‘La criatura del deseo', de Andrea Camilleri. Relata la historia de amor trágico entre Alma Mahler y Oskar Kokoschka.

Ihr Name ist mit großen Kreativen ihrer Zeit verbunden: Gustav Mahler, Oskar Kokoschka, Walter Gropius, Franz Werfel. Alma Mahler-Werfel verstand sich als Frau, die Männer zu Großem inspirierte. Ihr Antisemitismus spielte dabei eine wichtige Rolle.

Říkali jí „Velká vdova“ nebo „Vdova čtyř umění“. Poslední femme fatale habsburské monarchie. Milenka Gustava Mahlera, Waltera Gropia, Franze Werfela nebo Oskara Kokoschky. V dokudramatu účinkují Kristýna Frejová, Kamil Halbich, Petra Hřebíčková... Hovoří historik Michal Stehlík. Všechny díly podcastu Osudové ženy můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Říkali jí „Velká vdova“ nebo „Vdova čtyř umění“. Poslední femme fatale habsburské monarchie. Milenka Gustava Mahlera, Waltera Gropia, Franze Werfela nebo Oskara Kokoschky. V dokudramatu účinkují Kristýna Frejová, Kamil Halbich, Petra Hřebíčková... Hovoří historik Michal Stehlík.

Maailman kuuluisimpiin kuvataiteililjoihin lukeutuvat norjalainen Edvard Munch (1863-1944) ja espanjalainen Salvador Dalí (1905-1989) ovat hiljattain saaneet omaelämäkertaelokuvansa, samoin kuin ranskalainen koloristi Pierre Bonnard (1867-1947), itävaltalainen säveltäjä Alma Mahler (1879-1964) ja hänen maanmiehensä ja rakastajansa Oskar Kokoschka (1880-1980). Miten elokuvat Munch, Dalíland, Bonnard, Pierre et Marthe ja Alma & Oskar esittävät kohteensa? Keskustelemassa on Espoo Cinén ohjelmapäällikkö Mickael Suominen ja Suomalaisen Kirjallisuuden Seuran arkistonjohtaja Outi Hupaniittu. Lähetyksen toimittaa Pauliina Grym.

Susanne Rode-Breymann ist Präsidentin der Hochschule für Musik, Theater und Medien Hannover. Mit welchen Ideen und Visionen die Hochschule in die nächsten 50 Jahre geht und wie sie sich den digitalen Herausforderungen stellt hat sie uns im Interview in der Sendung NDR Kultur à la carte verraten.

(00:00:28) Sie war Sängerin, Schauspielerin, Mode-Ikone und Sexsymbol. Nun ist Jane Birkin im Alter von 76 Jahren in Paris gestorben. Ihre Haushälterin habe sie tot in der Wohnung gefunden, berichten französische Medien. (00:05:05) Wie kann Künstliche Intelligenz die Museumsarbeit der Zukunft beeinflussen? Darum geht es in der Ausstellung «Museum der Zukunft» im ZKM in Karlsruhe. (00:09:30) «Alma & Oskar» - ein Film über die schwierige Liebesbeziehung in den Wiener Künstlerkreisen zwischen Alma Mahler und Oskar Kokoschka. (00:13:37) Wir besuchen Kulturorte abseits ausgetretener Pfade: Die «Casa di Rosa» im Tessin bietet Kunstschaffenden eine Möglichkeit zur Retraite, zum Auftanken oder Produzieren.

Sie war mit Gustav Mahler und Franz Werfel verheiratet und hatte zahlreiche Liebhaber wie den Komponisten Alexander Zemlinsky, den Bauhaus-Architekten Walter Gropius und Oskar Kokoschka. Dieter Berner widmet Alma Mahler und ihrer Beziehung zu Kokoscha in „Alma und Oskar“ einen Film, der sowohl als Liebesgeschichte als auch als Doppelporträt des Künstlers und der Komponistin nur an der Oberfläche kratzt.

1910 - En medio del sufrimiento, Gustav compone gran parte de la sobrecogedora décima sinfonía y deja la partitura colmada de mensajes en clave para Alma, cuyo amor clama por recuperar. En un telegrama de ese mismo año, le ruega directamente. Un espacio de Bárbara Espejo.

durée : 00:36:59 - Les Nuits de France Culture - par : Albane Penaranda - Si les noms de Clara Schumann, Alma Mahler et Fanny Mendelssohn nous sont connus, c'est surtout en tant que femme ou sour de .... et ceux de Louise Farrenc, Hélène de Montgeroult ou Pauline Viardot rayonnent encore de façon confidentielle, c'est tout le propos de cette émission. On ne saurait mieux le dire que l'historienne Mélanie Traversier, directrice, avec Alban Ramaut, de l'édition de l'ouvrage intitulé La musique a-t-elle un genre ? : * "Toutes les femmes artistes qu'elles soient musiciennes, autrices, peintres, cinéastes, ont subi les mêmes processus d'invisibilisation - ou en tout cas de disqualification. Si leur stade suprême est l'oubli total, ils passent aussi par des discours qui minorent le rôle des femmes dans l'histoire des arts, les plaçant par exemple sous une tutelle masculine, réduisant ces artistes à n'être que 'la sour de', 'la fille de.', 'l'épouse de.', 'la muse de', 'la maîtresse de.' comme on l'a vu avec Germaine Tailleferre, grande compositrice mais souvent qualifiée de 'mascotte du Groupe des Six'. Si les noms de Clara Schumann, Alma Mahler et Fanny Mendelssohn nous sont connus, c'est surtout en tant que femme ou sour de .... Et ceux de Louise Farrenc, Hélène de Montgeroult ou Pauline Viardot rayonnent encore de façon confidentielle. C'était tout le propos de cette émission diffusée diffusé le 17 juillet 2015 en direct et en public depuis Montpellier à l'occasion des trente ans du Festival Radio France. L'existence et les ouvres de femmes compositrices du XIXe siècle étaient salués dans un numéro de "Continent musiques d'été" au cours duquel Anna Sigalevitch s'entretenait avec la musicologue Florence Badol-Bertrand et la mezzo-soprano Marianne Crebassa. "Reconnaissance et statut des femmes compositrices au XIXe siècle",  Par Anna Sigalevitch  Réalisation : Charles Le Gargasson Extrait : Continent musiques d'été - Reconnaissance et statut des femmes compositrices au XIXe siècle (1ère diffusion : 17/07/2015) Indexation web : Documentation Sonore de Radio France

Emily Cox ist willens und in der Lage zu Extremen - ob als schlammverkrustete Kämpferin Brida im Wikinger-Epos "Last Kingdom"oder als Filmpartnerin von Christian Ulmen in "Jerks". Die Rolle der Alma Mahler dürfte ihr besonders gelegen haben - schließlich sind ihre beiden Eltern Pianisten. Moderation: Norbert Joa

Difficile de rentrer directement dans une simple énumération de ces femmes qui ont été pour la plupart oubliées ou ont connu un destin « d'étoile filante ». Certaines auront été le reflet de leur époque, des mœurs et la place de la femme dans celles-ci ! En compagnie de Jean-Claude Mory, ancien Régisseur général de l'Opéra de Paris, nous allons revenir sur cette grande histoire, en plusieurs épisodes ... « Oublions que je suis une femme et parlons musique » s'agaçait la grande Nadia Boulanger au siècle dernier. Les femmes furent sans cesse renvoyées à leur condition, celle d'épouse, mère ou sœur, priées de disparaitre en raison des conventions sociales ou au profit d'un frère comme Maria Anna Mozart, Fanny Mendelssohn, d'un mari pour Alma Mahler ou Clara Schumann ! et bien d'autres... La présence d'une femme sur « scène » pose problème ! Au XIXe siècle, une violoniste et sa gestuelle vigoureuse donc « virile » avec l'archet font dire à certains que c'est scandaleux de voir jouer une femme du violon comme de la voir fumer en public ! Le violoncelle où la femme écarte les jambes pour tenir l'instrument et en sortir des sons graves est indécent sans oublier les instruments à vent comme flûte, trombone, trompette et autres instruments classés dans la catégorie « cuivres » ! Malgré ces interdits, les femmes ont usé de stratagèmes pour contourner les interdits, emprunter des noms d'hommes pour les compositrices ou placer les instruments d'une façon différente comme pour la harpe ou le violoncelle…. Malheureusement, en les accusant de superficialité, voire d'user de leurs charmes, en les réduisant à leur apparence, on dénigre leur talent artistique et dès la fin du XIXe siècle certaines musiciennes défendront « la cause féminine » ! Égalité de traitement, de droits divers, d'être reconnues pour leur art et leurs compétences comme les hommes. Outre les obstacles rencontrés de leur vivant, beaucoup de ces musiciennes entrées dans cette volonté, subiront le sort de ne pas rester dans la postérité et tomberont pour la plupart dans l'oubli ! Si nous pouvions par cette chronique réécrire leur histoire, non pas parce que ce sont des femmes, mais de grandes musiciennes qui ont marqué leur temps voire l'histoire de leur instrument. Nous mettons l'accent sur leurs succès mais aussi sur leurs combats, leurs parcours de vie dans toute leur complexité et leur diversité.

Alma Maria Mahler Gropius Werfel was a composer, socialite, and a bit unhinged. Pathological cruelty, antisemitism, vanity and a sense that the world owed Alma Maria Schindler something in token for her brilliance and beauty were some of the traits her admirers and enemies alike recognised in Alma (from theguardian.com). She was married three times to different artists and had impressionable moments with other notable men, which all led to her being a well-known femme fatale. She always wanted to be around creative geniuses and that actually led her to America where she became a cultural icon. Her life wasn't easy though. She lost multiple children and her first husband to illness. Although, that didn't stop her from thinking that it was her way or noway. So much so that she influenced and altered history in a way that has been labled, "The Alma Problem." Get your Homance apparel: etsy.com/shop/nicolebonneville Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com  

Alma Mahler-Werfel - Bei dir ist es traut Ruth Ziesak, soprano Gerold Huber, piano More info about today's track: Capriccio C5119 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Johanna Müller-Hermann once held a significant place as a composer and teacher in Vienna, yet has been largely forgotten over the decades since her death in 1941. Radio 3 has been working to unearth her music and story through its Forgotten Women Composers project, in collaboration with the Arts and Humanities Research Council and Dr Carola Darwin. This week, Dr Darwin and Professor Robert Evans join Donald Macleod to explore this fascinating composer and her times. Their series includes many specially recorded works by Müller-Hermann that have sat neglected in dusty archives for decades. Müller-Hermann was greatly celebrated in her own lifetime and moved in eminent musical circles. She studied with Zemlinsky, befriended Alma Mahler, and also corresponded with Arnold Schoenberg. She went on to teach at Austria's New Vienna Conservatory where students travelled from as far away as America and the UK to study with her. She became a pivotal figure in Vienna's cultural scene and her music was regularly performed and published during her lifetime. Music Featured: String Quintet in A minor, Op 7 (excerpt) Piano Sonata, Op 8 (Allegro enérgico) Herbst, Op 20 No 3 (Vier Lieder) Wie eine Vollmondnacht, Op 20 No 4 (Vier Lieder) Zwei dreistimmige Frauenchöre, Op 10 Piano Sonata, Opus 8 (excerpt) Cello Sonata, Op 17 (Moderato) String Quartet in E flat, Op 6 (Moderato) Intermezzo in D, Op 3 No 4 (Fünf Klavierstücke) Vier Lieder, Op 2 Violin Sonata in D minor, Op 5 (Moderato serioso) UK Broadcast Premiere String Quartet in E flat, Op 6 (excerpt) Die stille Stadt, Op 4 No 1 Heroic Overture, Op 21 (excerpt) Alle die wachsenden Schatten, Op 9 No 3 (Drei Chöre) Violin Sonata in D minor, Op 5 (excerpt) UK Broadcast Premiere Heroic Overture, Op 21 String Quintet in A minor, Op 7 (Adagio con expressione) Piano Quintet in G minor, Op 31 (excerpt) Zwei Lieder, Op 11 Cello Sonata, Op 17 (excerpt) Epilog zur einer Tragodie 'Brand‘ – symphonic fantasy, Op 25 Intermezzo in D minor, Op 3 No 3 (Fünf Klavierstücke) Impromptu in D minor, Op 3 No 5 (Fünf Klavierstücke) In Memoriam, Op 28 No 5 (Herbstlieder) Novelette in A flat, Op 3 No 2 (Fünf Klavierstücke) Violin Sonata in D minor, Op 5 (Allegretto amabile) UK Broadcast Premiere Piano Quintet in G minor, Op 31 (Adagio sostenuto) Drei Gesange, Op 33 String Quartet in E flat, Op 6 (Allegro con spirito) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Müller-Hermann (1868-1941) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

We're all capable of royally screwing up a romance, but some guys are so good at it we still talk about them 100 years after their relationships tank. In this month's battle of storytelling, Team Edward flies into Key West, Florida, to unearth the story of Carl Tanzer and his extremely unhinged relationship with a beautiful, dead Cuban tuberculosis patient half his age. Team Kimberly punches back with the mad entanglement of painter Oskar Kokoschka and his legendary muse, curvacious composer Alma Mahler…who got immortalized the wrong way. Soulful rock star Mia Borders and commanding music educator Kate Duncan, both of the podcast “Great Question with Mia and Kate,” step in as special guest judges to declare which true story submission is the winner, and all parties confess some of the most cringe crap they've ever pulled while in the throes of maladaptive love. Mia also plays out the episode, appropriately, with her breakup song for the ages, “Plastic Love."You can support this podcast here: www.patreon.com/humanfuckeryYou can find more of Mia and Kate at their podcast: https://podcasts.apple.com/pt/podcast/great-question-with-mia-kate/id1618114613You can hear more of Mia's music here: https://www.miaborders.com/bioSupport the show

Get to know mezzo-soprano Nina Yoshida Nelsen, who solos with the Toledo Symphony in songs by Alma Mahler. We hear Nina's story (that's pronounced NIGH-na by the way), and we learn about her activism and work in creating the Asian Opera Alliance, which advocates for greater representation of Asian voices both on the stage and behind the curtain. And later on, test your knowledge of women pioneers throughout history in our "Female Firsts" quiz!

Dans Historiquement Vôtre, Clémentine Portier-Kaltenbach vous raconte la passion sans limites que vouait le peintre autrichien Oskar Kokoschka (1886-1980) à sa maîtresse, Alma Mahler (1879-1964), devenue sa muse. Lorsque leur idylle brûlante et chaotique prit fin, vers 1915, Kokoschka, inconsolable, fit fabriquer une poupée de tissu grandeur nature, à l'effigie de sa bien-aimée…

*TICKETS FOR OUR LIVE SHOW AT LONDON'S VAULT FESTIVAL, 19th FEBRUARY 2023 @ 8.40pm: https://vaultfestival.com/events/worst-foot-forward-live-recording/* Got ourselves a crying, walking, sleeping, talking, living doll in the form of Dr. Kit Chapman returning to the show this week with a world of creepiness to explore. As we hunt down the world's worst doll, we uncover the second life of composer Alma Mahler, the failures of Thomas Edison and, of course, far too many sex dolls. Follow us on Twitter: @worstfoot @bazmcstay @benvandervelde @ChemistryKit Follow us on Instagram: @worstfoot  Join us on our Discord server! https://discord.gg/9buWKthgfx Visit www.worstfootforwardpodcast.com for all previous episodes and you can donate to us on Patreon if you'd like to support the show during this whole pandemic thing, and especially as we work on our first book and plan some live shows! https://www.patreon.com/WorstFootForward Worst Foot Forward is part of Podnose: www.podnose.com

Me asomo al ensayo de trío y del quinteto de la orquesta Almaclara Inés Rosales en el teatro La Sala Cero de Sevilla porque es algo casi extraordinario encontrar esta fusión entre orquesta de cámara, sólo mujeres y la programación que su directora Beatriz Calderón hace. De hecho , Almaclara es la fusión de dos grandes mujeres artísticas que Beatriz admira como son Alma Mahler y Clara Schumann. Una declaración de principios de esta orquesta. Reconocer y visibilizar a mujeres como Alma o Clara, entre otras, que fueron igual de buenas o mejores incluso que sus coetáneos pero que por ser mujeres en aquella época no merecían el mismo respeto. Ya no se cuestiona el talento musical de una mujer pero ahora resulta casi imposible conciliar la maternidad con la música a nivel profesional.   Escuchar audio

Mahlers Fünfte ist mehr als ein sentimentaler Soundtrack zu Viscontis Film. Der Komponist schafft in seiner monumentalen Sinfonie eine eigene Welt mit den Mitteln des Orchesters. Trauermarsch, grotesker Humor und Harfenklänge inklusive. (Autor: Christoph Vratz) Von Christoph Vratz.

Äneas Humm gehört zu den Shooting-Stars der europäischen Klassikszene. Bereits mit 18 Jahren debütierte der Spross einer schweizerisch-ungarischen Künstlerfamilie als Opernsänger am Stadttheater Bremerhaven. Damals hatte er gerade ein Musikstudium an der Musikhochschule Bremen begonnen. Sein Examen machte er an der berühmten Juilliard School in New York. Es folgten Engagements an den Bühnen von Weimar und Karlsruhe. Neben der Oper gilt Äneas Humms große Liebe dem Kunstlied. Für sein zweites Album "Embrace" erhält er am 8. Oktober den Opus Klassik als Nachwuchskünstler des Jahres. Kurz vor der Verleihung zeigt er im Konzert bei NDR Kultur sein Können. Auf dem Programm stehen Lieder von Fanny Hensel, Alma Mahler, Edvard Grieg und Robert Stolz. Am Klavier begleitet ihn die hawaiianische Pianistin Renate Rohlfing, auch sie eine Ausnahmetalent. Das Video des ganzen Livekonzerts gibt es anschließend auf ndr.de/extra.

Immer wieder schreibt die Liebe die ungewöhnlichsten und seltsamsten Geschichten. Warum sollte es in der Kunst anders sein als im wahren Durchschnittsleben? Ungleiche Paare, auch die Musikgeschichte hat einige davon zu bieten, Mozart und Konstanze, Gustav und Alma Mahler, das sind nur zwei der Beziehungen, über die wir bis heute tratschen und diskutieren. Eine weitere spektakuläre Musik-Beziehungskiste: Der Komponist und das Model.

I'm out of town so I'm re-posting an episode from 2019 that I felt could use another go. I've been thinking a lot about this again this week. Here's This Hour's for You from September 2019: I read Brigid Schulte's article, A Woman's Greatest Enemy? A Lack of Time to Herself, and something snapped. I am not just taking time for myself, for my art, though it can feel that way. I am also taking time for all the women who can't spare an hour. By taking time for myself the way Popeye takes spinach, I can, perhaps, begin to counteract the way the Patriarchy has stolen so much time from women over the years. I don't just take an extra hour for myself, I can take one for Henry David Thoreau's mother and sister who did his laundry and made him meals while he wrote out by the pond. I don't just retreat to solitude for me and my play, I do it for Alma Mahler who might have taken some time for herself instead of tiptoeing around her husband. I take abundant time for all my friends, caught up in the mesh of childcare, who cannot take more than 15 minutes at a time to do much of anything for themselves, much less work on their art. To read more of This Hour Is for You, visit the Songs for the Struggling Artist blog. This is Episode 167 Song: Solitude Standing by Suzanne Vega If you want to listen to me be interviewed on MikeyPod - visit his podcast here. Image via Pixabay To support the podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or buy me a coffee on Kofi: http://ko-fi.com/emilyrainbowdavis Follow me on Twitter @erainbowd Instagram and Pinterest Tell a friend!

Alma Mahler (1879-1964) was a composer, sculptor, and writer. Though she was less widely known as an artist, those who have heard her name probably know it through a famous song performed by the satirist Tom Lehrer in 1965.This month, we're talking about muses–women who were drivers of creativity and inspiration. Once again, we're proud to partner with Mercedes-Benz (whose famous namesake was inspired by a young muse named Mercedes). Tune in daily for stories of women whose lives inspired work that has shaped our culture.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

1911 - Gustav Mahler, vive en Estados Unidos y avanza en sus últimos trabajos. Enfermo ya, sabe que se acerca el final y aunque con Alma han tenido una vida convulsa, él aún la ama y le escribe. En la voz, Bárbara Espejo.

Genial oder größenwahnsinnig? Diese Tondichtung von Richard Strauss polarisiert bis heute. Ein Meisterstück wie ein Film: mit einem Helden, einer großen Liebe und feindlichen Widersachern. (Autor: Martin Zingsheim) Von Martin Zingsheim.

Oskar Kokoschka was an Austrian painter, poet, and playwright who channeled his romantic experiences into his unconventional art. First an extremely NSFW "children's poem", then his riot-causing experimental play about gender warfare, and finally a nightmarish sex doll replica of his evil ex-girlfriend, Alma Mahler!  See omnystudio.com/listener for privacy information.

Alma Mahler - Five Lieder: Die stille Stadt Rafael Fingerlos, baritone Sascha el Mouissi, piano More info about today's track: Oehms OC1711 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

2 hours of musical adventure with TJ Son on TBS eFM.[MUSIC DELIGHT][TALE IN A TUNE]- with CaelynSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Notes Join us aboard the “Spooky Train” again this week as Hannah regales us with some seriously creepy stories about dolls. You will hear about Alma Mahler, the “muse” and her many lovers. One of which was so smitten as to create a doll in her likeness… Well almost in her likeness. You will hear the twisted tale of Carl Tanzler and his unrequited love and subsequent abuse of a corpse. To add to the fun, you will hear about two men and their “real” life sex doll wives. As an added bonus, we talk about Furbies and you will learn about Hannah's wishes for the after life. As for astrology, well 9/20 will be a good day to cleanse your crystals as we welcome the Harvest Moon in Pisces. It will also be a good day as Mercury in Libra will be trine with Jupiter in Aquarius. This podcast is powered by Pinecast.