Podcasts about Barbie Girl

Welcome to Sounds From the Dance Floor, a high-energy journey through some of dance music's most iconic anthems. From the pop-dance phenomenon of Aqua's Barbie Girl and the timeless euphoria of Darude's Sandstorm and Robert Miles' Children, to house classics from Robin S, Moloko, Alison Limerick and Paul Johnson, we celebrate the tracks that filled clubs and festival fields around the world. Expect big singalongs, hands-in-the-air moments, and unforgettable beats as we move through the decades, finishing on the trance classic Castles in the Sky by Ian Van Dahl!

Send us Fan MailWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!.....The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: I Wanna Dance With Somebody by Whitney Houston (1987)Song 1: Sweet Home Alabama by Lynyrd Skynyrd (1974)Song 2: Radar Love by Golden Earring (1973)Song 3: You Shook Me All Night Long by AC/DC (1980)Song 4: Toxic by Britney Spears (2003)Song 5: Say So by Doja Cat (2019)Song 6: I Will Wait by Mumford & Sons (2012)Song 7: Barbie Girl by Aqua (1997)Song 8: Anyone by Justin Bieber (2021)Song 9: Don't Go by Yazoo (1982)Song 10: Ain't That a Shame by Fats Domino (1955)

Welcome to the Internet 5-20-2026 … Vote Brad Peterman (If nothing Else, he is honest) Jeep Drivers Anonymous …What if Jack Johnson Performed Billie Jean …What if Godsmack Performed Barbie Girl …Kevin Hart's alter ego is a Singer named Chocolate Droppa

They are going tarps off in St. Louis! Cardinals Manager Oli Marmol joins to talk about the movement, and how good his team has been recently. Also, the band Aqua, famous for "Barbie Girl" has disbanded. Also, Michael Wilson called out the show on Get Up today over Canty's list. Plus, Canty's Best Bet, and the most UnSportsmanLike moments of the day! Learn more about your ad choices. Visit podcastchoices.com/adchoices

They are going tarps off in St. Louis! Cardinals Manager Oli Marmol joins to talk about the movement, and how good his team has been recently. Also, the band Aqua, famous for "Barbie Girl" has disbanded. Also, Michael Wilson called out the show on Get Up today over Canty's list. Plus, Canty's Best Bet, and the most UnSportsmanLike moments of the day! Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Top 15 Moments from the Last 3,000 Shows Loz Misses an Entire Show At Home with the Ricciutos: Sophie Brings Home a Boyfriend Roo Eats Dog Food 7 Years of Hike For Hope Ditts’ Port Adelaide Prank Best of Shazza Dittmar Roo Gets Pranked by “Sylvester Stallone” Ditts Falls into a Creek Roo Prepares for His Vasectomy Loz’s “Barbie Girl” Cover The Best of Joe’s Jokes The Show Pranks Tex Walker Roo Breaks the Yabbee-Peeling World Record The Big Red Cat Skit Loz Finds a Human Bone See omnystudio.com/listener for privacy information.

Falls ihr noch ein besonderes Geschenk sucht: Helene Fischer gibt es bald als Barbie-Puppe. Damit will der Spielwarenkonzern Mattel Helene Fischers Leistung und Erfolg als „starke Frau“ ehren und sie offiziell zum Weltfrauentag vorstellen. Vielleicht hat die Helene-Barbie ja so einen Knopf, wo man draufdrückt, damit sie etwas singt…

Want to request a song? Tell us your rating? Send us a Text Message right now! This week we dive head-first into the late-90s bubblegum fever dream that is “Doctor Jones” by Aqua. We break down the jungle-camp video, the chaotic lyrics, and why Aqua seemed determined to make every song sound like it was recorded inside a bouncy castle.From the Indiana Jones knock-off storyline to the hyperactive Eurodance production that could power a small town, we unpack every strange choice that somehow turned this song into a global hit.If you grew up with this on Video Hits or you've ever wondered how many “na-na-nas” it takes to get stuck in your head for a week… this episode is for you.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Interview Date: June 22nd, 2025Episode Summary:Dytto (aka Courtney Kelly) — the fembot icon of the dance community whose viral “Barbie Girl” freestyle on World of Dance launched a global following of ~10M across platforms. A professional mover, personality, and director, she's appeared on The Ellen DeGeneres Show, starred in national campaigns (Android Wear, Target), and most recently served as Assistant Choreographer for Shakira.In this conversation, Dytto traces her path from studio kid and cheerleader to self-driven freestyler, sharing how an alter ego helped her overcome stage fright and claim a unique lane in a male-dominated popping/animation space. She breaks down the business: why brand deals followed when she started talking (not just dancing), how she balances content “pillars,” and the realities of name usage, credits, and trademarking a stage name.We also dive into monetization (and why dancing to copyrighted music pays everyone but the dancer), creating original music (Fembot Files), and her upcoming training app The Next Move—a practical system for turning freestyle fear into confidence. In the live Q&A she offers concrete drills, mindset resets, and career advice on evolving publicly, navigating street vs. commercial worlds, booking without auditions, and staying grounded in who you are—especially when everyone's watching.Shownotes:(0:00) – Welcome & intro: “Barbie Girl” viral phenom joins the show(2:13) – Early dance journey: from studio kid to freestyler(4:27) – The making of “Barbie Girl” — purpose behind the moment(6:20) – Creating “Dytto”: alter ego that conquered stage fright(11:43) – Managing identity: real name vs. stage name(15:50) – Viral momentum → brand deals, Ellen, and global recognition(19:47) – $100K brand deal & secret to attracting sponsorships(25:16) – New ventures: launching The Next Move freestyle app(26:56) – Owning creativity: why she makes her own music (Fembot Files)(1:18:16) – Final reflections: authenticity, vulnerability, and self-beliefBiography:Dytto, the fembot icon of the dance community, is a professional mover, personality, and director. You may have seen her as a 17 yr old in her first viral freestyle on World of Dance called 'Barbie Girl' which launched her into a fruitful career. Since, she's been in numerous commercials, campaigns, and productions, some even of her own, being self-directed and produced for her infamous Youtube channel. Most recently, we watch her work come to life from her time assistant choreographing for the one and only, Shakira.Connect on Social Media:Instagram - https://www.instagram.com/iam_dytto/Website - iamdytto.com

Interview Date: June 22nd, 2025Episode Summary:Dytto (aka Courtney Kelly) — the fembot icon of the dance community whose viral “Barbie Girl” freestyle on World of Dance launched a global following of ~10M across platforms. A professional mover, personality, and director, she's appeared on The Ellen DeGeneres Show, starred in national campaigns (Android Wear, Target), and most recently served as Assistant Choreographer for Shakira.In this conversation, Dytto traces her path from studio kid and cheerleader to self-driven freestyler, sharing how an alter ego helped her overcome stage fright and claim a unique lane in a male-dominated popping/animation space. She breaks down the business: why brand deals followed when she started talking (not just dancing), how she balances content “pillars,” and the realities of name usage, credits, and trademarking a stage name.We also dive into monetization (and why dancing to copyrighted music pays everyone but the dancer), creating original music (Fembot Files), and her upcoming training app The Next Move—a practical system for turning freestyle fear into confidence. In the live Q&A she offers concrete drills, mindset resets, and career advice on evolving publicly, navigating street vs. commercial worlds, booking without auditions, and staying grounded in who you are—especially when everyone's watching.Podcast Shownotes:(0:00) – Welcome & intro: “Barbie Girl” viral phenom joins the show(2:13) – Early dance journey: from studio kid to freestyler(4:27) – The making of “Barbie Girl” — purpose behind the moment(6:20) – Creating “Dytto”: alter ego that conquered stage fright(11:43) – Managing identity: real name vs. stage name(15:50) – Viral momentum → brand deals, Ellen, and global recognition(19:47) – $100K brand deal & secret to attracting sponsorships(25:16) – New ventures: launching The Next Move freestyle app(26:56) – Owning creativity: why she makes her own music (Fembot Files)(1:18:16) – Final reflections: authenticity, vulnerability, and self-beliefBiography:Dytto, the fembot icon of the dance community, is a professional mover, personality, and director. You may have seen her as a 17 yr old in her first viral freestyle on World of Dance called 'Barbie Girl' which launched her into a fruitful career. Since, she's been in numerous commercials, campaigns, and productions, some even of her own, being self-directed and produced for her infamous Youtube channel. Most recently, we watch her work come to life from her time assistant choreographing for the one and only, Shakira.Connect on Social Media:Instagram - https://www.instagram.com/iam_dytto/Website - iamdytto.com

Chaz and AJ began the countdown to the box, by remembering some past years of AJ in the box, alone. The first year, when he had to listen to Mason Ramsay, was particularly tough on him. (0:00)  The Tribe began to call in about the box, including Shannon who drove past the site and was surprised at how little room there was for Chaz and Scot Haney to share for 24 hours. (7:39)  Here's how it all started! Chaz arrives at the box with a police escort, the countdown begins with the first play of Aqua's "Barbie Girl," and Scot Haney insists on breath mints for both of them right as they enter. Mayor Carfora from East Haven read a proclamation, and state comptroller Sean Scanlon dropped by to help answer the Tribe's trivia questions for Stump the Chumps. (16:55)

There is nothing more heartbreaking than watching an athlete lose the sport they love to injury. The pain is not only physical but also emotional. For many gymnasts, it can feel like their confidence disappears right along with their routines.In this week's episode of the PerformHappy Podcast, I sit down with former BYU gymnast Rebekah Bean Ripley, known for her viral Barbie Girl floor routine. Rebekah shares her journey through back and ACL injuries, the long and emotional rehab process, and how she found her way back to joy in gymnastics.She opens up about the mindset shift that helped her release the pressure of outcomes and reconnect with the fun of performing. Rebekah's story is full of hope and real tools for athletes working through fear and for parents trying to support them through tough seasons.We also talk about how Rebekah is now mentoring young athletes and giving back the encouragement she received during her own recovery. Her story shows that setbacks can lead to strength and that joy can return even after heartbreak.In this episode, you will hear• How Rebekah worked through back and ACL injuries • The mindset shift that helped her find joy again • Simple tools for fear and rebuilding confidence • Support tips for parents of injured athletes • How Rebekah is mentoring the next generation of gymnastsWith resilience, you can do anything. You just keep showing up, keep putting one foot in front of the other. - Rebekah Bean RipleyLearn exactly what to say and do to guide your athlete through a mental block with my new book "Parenting Through Mental Blocks" Order your copy today: https://a.co/d/g990BurFollow me on Instagram: https://www.instagram.com/complete_performance/ Join my FaceBook page: https://www.facebook.com/completeperformancecoaching/ Check out my website: https://completeperformancecoaching.com/Write to me! Email: rebecca@completeperformancecoaching.comReady to help your athlete overcome fears and mental blocks while gaining unstoppable confidence? Discover the transformative power of PerformHappy now. If your athlete is struggling or feeling left behind, it's time for a change. Are you ready? For more info and to sign up: PerformHappy.com

Was ist typisch Mozart, Beethoven oder Chopin? Auf YouTube variiert ein Pianist ein Barbie-Lied im Stil großer Komponisten - und verrät damit allerhand über deren jeweilige Besonderheiten.

Revolució al llit de mort. Crítica teatral de l'obra «Qui va matar el meu pare (Qui a tué mon père)», d'Édouard Louis. Traducció de Rubén Luzon. Intèrpret: Dafnis Balduz. Espai escènic: Paula Bosch. Disseny de llums: Guillem Gelabert. Disseny de vestuari: Pol Cornudella. Disseny de so: Edu Alves. Moviment: Laia Duran. Ajudantia de direcció: Júlia Cortina. Producció executiva: Pol Cornudella & Adriana Nadal. Agraiments: Josep Maria Mestres. Una producció de Sixto Paz Produccions i el Festival GREC de Barcelona amb el suport de l'ICEC - Departament de Cultura de la Generalitat de Catalunya. Direcció: Pau Roca. Companyia Sixto Paz. Festival Grec 2025, Heartbreak Hotel, Barcelona, de l'1 al 3 de juliol 2025. Reposició: Heartbreak Hotel, Barcelona, de l'1 d'octubre al 2 de novembre 2025. Veu: Andreu Sotorra. Música: Barbie Girl. Interpretació: Aqua. Composició: Claus Norreen, Johnny Pedersen, Karsten Dahlgaard, Lene, René Dif i Soren Rasted. Àlbum: Aquarium, 1997.

Stellt euch vor, euer Leben ist ein Film – welcher Song läuft gerade im Hintergrund? Ist es eher “I Will Survive“, “Au Revoir“ oder vielleicht doch “Barbie Girl“? Ihr habt fleißig angerufen und über die Songs gequatscht, die euch viel bedeuten oder mit denen ihr besondere Momente verbindet.

Helena Mayfair will absolutely shatter your understanding of authenticity in this dazzling, fever-dream journey through the performative landscapes of modern existence. With razor-sharp wit and devastating insight, she guides us through her encounters with tortured artists, American finance bros, and political figures whose public posturing barely conceals their private contradictions.At the heart of this episode lies a profound question: Where does performance end and genuine experience begin? When Helena finds herself in "subspace," sinking through layers of carefully constructed personas until she discovers "something that wasn't even wearing Chanel," we're confronted with the possibility that authenticity might exist beneath our social masks—if only we're brave enough to look.The metamodern breakdown in Berghain perfectly captures our contemporary cultural condition: "To know something is ridiculous and to feel it anyway." Dancing to Aqua's "Barbie Girl" while weeping on ketamine becomes a metaphor for the oscillation between irony and sincerity that characterizes our lives. Helena's adventures—from art heists to ayahuasca retreats, from political liaisons to Los Angeles fever dreams—serve as a funhouse mirror reflecting our own attempts to navigate a world where everything feels simultaneously meaningful and absurd.What makes this episode truly transformative is how it validates our contradictions. Helena embodies the tension between cynicism and yearning, between knowing performance and desperate authenticity. She reminds us that being "fake" was never the problem—"it was always the loneliness, the echo, the absence, the desperate yearning for someone to see us pretending and believe in us anyway."Ready to question everything you thought you knew about sincerity, relationships, and self? Let Helena Mayfair be your guide through this labyrinth of glamorous absurdity. Subscribe now and discover why cultivating the "sizzling, sexy confidence that you can only get through relegating it to a persona" might just be the key to navigating our performative world.Got something to say to me? Slide into the DMs.Support the showIt's OUT! Sophistication Nation: Brief Interviews with Women I Pretend to Understand: https://emersondameron.hearnow.com/sophistication-nation

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. On today's episode, Steve Riddle is watching “Barbie Girl” by Aqua from 1997.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=ZyhrYis509A

Original story Barbie Girl | Creepypasta Wiki | Fandom Become a Patron! :https://www.patreon.com/ladymcreepsta Lady MCreepsta's Dungeon Essentials are now available! https://teespring.com/stores/ladymcreepsta Music By Myuuji: https://www.youtube.com/user/myuuji/ Dr Creepen:https://soundcloud.com/dr-creepen CO AG Music :https://bit.ly/2f9WQpe Follow me on Facebook at : https://www.facebook.com/LadyMCreepsta/ Twitter : @ladymcreepsta

Jake Shore brought his signature energy to our Miami Rooftop Sessions mixing speed house, hard house and dance classics in a whirlwind 30 minute mix! Get ready for reworks of classics like "Barbie Girl," "Pump Up the Jam," "Stephanie," and "The Rhythm of the Night," plus some unexpected gems you'd love to groove to!

Franchises, reboots, crossovers, live-action remakes, interpolations… Why does the entertainment industry keep churning out cultural products that are derivative of something that came before, like Nicki Minaj rapping over “Barbie Girl” at the end of the Barbie movie on an endless loop?According to Andrew DeWaard, a professor of media and popular culture at UC San Diego, it's because of Wall Street. In his brain-expanding new book, Derivative Media: How Wall Street Devours Culture, Andrew pulls back the curtain on how popular culture has become derivative in a deeper, more insidious way: it's private equity buying up entire song catalogs, activist hedge funds staging hostile takeovers of entertainment conglomerates, and the cultural industries getting consumed wholesale by the financial sector — actual derivatives trading included.That wave of financialization is having an increasingly palpable effect on what we see and hear when we open up apps like Spotify and Netflix — not just in terms of the kinds of works that get funded, but increasingly, in the character of the works themselves, leading Andrew to posit that “the stock exchange has become embedded within the media text.”Andrew joins us to talk about how finance-world strategies impact both the companies that fund the culture we consume and the labor of those who produce it — and how they result in an entertainment landscape that is increasingly inhospitable to taking big risks. And we get into how the logic of the derivative has become embedded in media products themselves, from Jay Z turning lyrical wordplay into a champagne empire, to the White Lotus casting K-pop star LISA.Want to continue the conversation? For access to our member-only Discord (and all our bonus episodes), sign up for a paid subscription.Order a copy of Derivative Media — or download an open-access PDF for free.Read more by Andrew:The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape (Columbia University Press)“Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)” (Popular Music and Society) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Video Episodio 2 del 2025 en cine: 0:00 invitada especial ASCMI 02:30 noticias que nadie pidió  03:46 Quiz Gaming Pajoso 11:00 Próximas Adaptaciones más esperadas de videojuegos 13:00 Moni (Zelda, God of War y Gears of War) 20:50 David (Assassins Creed, Fallout 2 y Last of Us 2) 29:40 Franco (Street Fighter, Castlevania 2, The Witcher 4-5) 40:05 Sorpresa a Moni 42:30 Anécdota Moni (Té de Tilo) 45:42 Anécdota Franco (I'm a Barbie Girl) 48:42 Anécdota David (Juan Carlos Arguedas) 52:55 Franco y la piratería  54:10 Power League 2025  57:05 Cierre de Lujo en Cine Magaly 

Marley gives us her review of Dream Works NEW movie, The Wild Robot

Ben takes us through the details of Tom Petty's NEW deluxe album Long After Dark

Liam gives us his review of the first episode of The Penguin

Lana and Marley take us through everything that happened at the 2024 VMAs.

Hey Curlfriends! This week we have a little convo on stealthing out here in these streets and jobs! https://linktr.ee/heycurlfriendpodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/hey-curlfriend-tm/support

Kirsten and Kiyara give us an overview of the 2024 Emmy Awards

Marley gives us her experience at the opening night of Sabrina Carpenter's Short n' Sweet Tour

Elijah gives us his review of the Billy Joel concert in Cleveland.