Podcasts about Fabio Frizzi

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/141301573Horror month continues! On today's episode, Jackal and Josiah discuss a classic of Italian horror, Lucio Fulci's 1981 surrealist gore film, The Beyond. Music by Fabio Frizzi and SHADE08 ★ Support this podcast on Patreon ★

Hallo Freunde freue mich sehr euch heute eine neue Episode meiner Indie Dance The Mix Series präsentieren zu können. Diesmal mit dem Dj Duo Ubre Blanca aus Glasgow, Vereinigtes Königreich Hello friends I'm very excited to present a new episode of my Indie Dance The Mix series today. This time with DJ duo Ubre Blanca from Glasgow, UK BIO In 2013 Ubre Blanca began creating soundtracks for films which were never made and music from futures that never came to pass, releasing three critically acclaimed EPs heavily influenced by such synth and soundtrack pioneers as John Carpenter, Goblin, Tangerine Dream and Fabio Frizzi. As well as recording live sessions for Vic Galloway on BBC radio and Subcity Radio, the band has played live shows supporting: Wolfgang Flür, Zombie Zombie, Eclair Fifi, KXP, Umberto, Antoni Maiovvi, The Twilight Sad, Molly Nilsson, Free Love NRG and a UK tour supporting fellow Glaswegians Errors (Rock Action). Recently the band have turned their attention squarely towards the dancefloor as a means of reconnecting with everyone else who feels the urge to dance through the darkness, with the new tracks receiving support from DJs including Jen Cardini, Pablo Bozzi, I Hate Models, Stacey Pullen, Zanias, Skelesys and WLDV. In 2023 they released two albums: 'Rhizome' on Vienna based label Archaic Future Sounds and 'Fire in the Sky' on Khoinix (London). Their latest EP ‘Black Lotus' was released in February 2025 on Nubians of Plutonia (Milan). LINKS SOUNDCLOUD https://soundcloud.com/ubreblanca INSTAGRAM https://www.instagram.com/ubre_blanca/ LINKTREE https://linktr.ee/UbreBlanca Tracklist 1. Liaisons Dangereuses - Los niños del parque (Calystarr & Pumuki Rmx) (Espacio CIELO 2025) 2. Jo Kazan - Whispers of the Southlands (Mao Fonnegra & Silicodisco Remix) (Espacio CIELO 2025) 3. Mundo D - Cosmic Exploration (Marcus Christiansen Remix) (Club Mackan 2025) 4. Dog.ma - Elettromagnetismo (Louis de Tomaso Remix) (Club Mackan 2023) 5. Panthera - Mercury (Nubians of Plutonia 2023) 6. Giorgio Moroder - From Here to Eternity (Ilya Santana re-work vocal mix) (MB Disco 2025) 7. Giorgio Moroder - Chase (JAIA Express Remix) (Tribal Vision Records 2013) 8. Kiko - The Cold (ATLANT Recordings 2024) 9. Midwestern Slav - The Night of the Unfaithful Zombies (Ubre Blanca Zombies in Glasgow Remix) (Lametta Records 2025) 10. My Secret Playground - Don't Panic (Mélopée Records 2025) 11. Austher - Expectations (Ritmo Fatale 2025) 12. Ubre Blanca - Saturnalia (Oberwave 2025) Disclaimer: All material on this channel is posted with the explicit consent of the artist/labels and no copyrights are violated in any way. If you are a copyright owner and want your work to be removed from our channel please contact us with a personal message here and we will remove your material right away. Please note that we do not benefit from posting this material and have only the intention to help new and emerging artist to be heard by supporting & promoting podcasts. Thx a lot... Kurt Kjergaard

Guglielmo Incerti Caselli"Manu Scribere Festival"Festival della scrittura a manowww.manuscribere.itA Bologna per 3 Giorni di Incontri e Laboratori dal titoloVenerdì 19, Sabato 20, Domenica 21 Settembre 2025TRAME D'INCHIOSTRO: scrittura e grafologia fra gialli, crimini e misteriMANU SCRIBERE vuole in primo luogo promuovere, diffondere e difendere il valore della scrittura a mano come grande e insostituibile patrimonio dell'uomo, che trova nella scrittura la sua vera espressione unica e inimitabile.E come patrimonio dell'umanità si chiederà l'impegno all'UNESCO di proteggere la manoscrittura corsiva.Il Crime e il giallo sono il focus tematico della quarta edizione del Festival “Manu Scribere”, il primo festival italiano dedicato alla Scrittura a Mano, promosso dall'Associazione Grafologica Italiana (AGI), che si terrà il 19, 20 e 21 settembre a Bologna alla Biblioteca Salaborsa e al Teatro di Villa Aldrovandi Mazzacorati.Il titolo di questa edizione è: TRAME D'INCHIOSTRO: scrittura e grafologia fra gialli, crimini e misteri. Tutti gli incontri sono a ingresso libero fino a esaurimento posti.«Questa manifestazione, nata dall'idea di promuovere e riscoprire la scrittura manuale, in un'epoca dominata dalla tecnologia digitale, si propone di sensibilizzare il pubblico sull'importanza di preservare questa competenza, spesso sottovalutata. La scrittura a mano, infatti, non è solo un gesto quotidiano, ma anche uno strumento di comunicazione molto più profondo e personale, capace di rivelare aspetti nascosti della persona e delle emozioni di chi scrive. Attraverso incontri, workshop, laboratori e spettacoli, il Festival mira a divulgare il valore della grafologia, una disciplina che permette di interpretare lo scrivente e il suo stato d'animo attraverso il modo di scrivere.» dichiara Guglielmo Incerti Caselli, presidente nazionale di A.G.I.Venerdì 19 settembre, il festival inaugura alle ore 21 al Teatro di Villa Aldrovandi Mazzacorati, con Note di Mistero. Un viaggio attraverso le colonne sonore di film gialli e polizieschi passando dall'analisi delle scritture dei grandi compositori che le hanno rese indimenticabili come Ennio Morricone, Fabio Frizzi, Nicola Piovani, Stelvio Cipriani e Piero Umiliani. L'analisi grafologica è affidata all'esperta grafologa Roberta Raimondi, mentre l'esecuzione dei brani vedrà sul palcoscenico del teatro, un prezioso gioiello settecentesco, unico in Italia per la sua acustica, gli allievi di Musica Applicata e Musica per Film del Conservatorio G. B. Martini di Bologna.Sabato 20 settembre, all'Auditorium Enzo Biagi della Biblioteca Salaborsa, la giornata si apre alle ore 9.30 con i saluti istituzionali e un breve intervento dell'on. Monica Ciaburro, prima firma per il disegno di legge per l'istituzione della “Settimana Nazionale della Scrittura a Mano”.Seguirà il primo incontro dal titolo Panoramica criminologica e grafologica sulla figura di Pietro Pacciani attraverso l'analisi di suo materiale cartaceo vergato a mano. Ne parleranno Marco Monzani, Direttore di SCRIVI – Centro Universitario di Studi e Ricerche in Scienze Criminologiche e Vittimologia, docente di Psicologia giuridica, Vittimologia, Scienze criminologiche e vittimologiche e Storia del pensiero criminolo- gico, Istituto Universitario IUSVE di Venezia e Verona e Roberto Taddeo, autore di MDF La storia del Mostro di Firenze (Mimesis, 2023), curatore de Il labirinto del Mostro di Firenze (Mimesis, 2025), direttore della collana Le notti della Repubblica (Mimesis) e consulente della Commissione parlamentare sui fatti del Forteto, una serie di casi di molestie sessuali e pedofilia accaduti all'interno dell'omonima comunità. La grafologa Alessandra Cervellati analizzerà le grafie di Pacciani e degli altri protagonisti del caso.Alle 11 nell'incontro Era mio figlio e voleva uccidermi, il pubblico ascolterà dalla viva voce di Monica Marchioni la testimonianza di una madre che ha vissuto una tragedia ai confini dell'immaginabile, raccolta per la prima volta dalla giornalista e criminologa Cristina Battista, in un libro dall'omonimo titolo pubblicato da Minerva. Monica Marchioni, in dialogo con Battista ripercorrerà le tappe dell'evento delittuoso, il prima e il dopo di quella terribile notte in cui il proprio figlio, Alessandro Leon, cercò di assassinarla con un piatto di penne al salmone, cercando di rispondere all'interrogativo: come si può sopravvivere ad una ferita così profonda?Alle 12.15 appuntamento con Unabomber ti scrivo con Fabio Poletti. Poletti ha una lunga carriera giornalistica alle spalle: dagli esordi a Radio Popolare al quotidiano La Stampa dove per moltissimi anni ha scritto di politica, cronaca e vicende umane. Oggi collabora con NuoveRadici.World e con la Fondazione Gariwo, per cui è coautore del libro Vita e libertà contro il fondamentalismo, (Mimesis). Poletti racconterà della sua corrispondenza personale con Theodore John Kaczynski, detto Ted, il famigerato UNABOMBER americano. Fabio Poletti è uno dei 5 giornalisti al mondo ad aver intessuto una corrispondenza con lui. La grafologa Iride Conficoni aiuterà a comprendere alcuni aspetti della figura di questo efferato criminale analizzandone la grafia.Alle 15.00 Lettere anonime… o no? Nella scrittura anonima l'autore tenta di spogliarsi delle proprie abitudini grafiche per non farsi riconoscere, ricorrendo alle strategie più varie: dallo scrivere con la mano opposta, all'utilizzo dello stampato, che – rispetto allo stile corsivo – è generalmente povero di elementi individualizzanti che ne permettono il riconoscimento. Ma è proprio così? Ce lo sveleranno alcuni grafologi forensi: Eleonora Gaudenzi, criminalista esperta in grafologia forense, collaboratrice del Dipartimento Peritale di AGI e referente istituzionale Ministero di Giustizia per AGI; Patrizia Pavan, criminalista esperta in grafologia forense e firme biometriche, coordinatrice e responsabile della formazione del Dipartimento Peritale A.G.I., docente al Laboratorio di Grafologia Forense nel Corso di Licenza/Laurea Magistrale in Psicologia clinico-giuridica presso IUSVE a Verona e Salvatore Musio, criminalista certificato in grafologia forense e F.E.A., in analisi della scena del crimine, in dattiloscopia e in antropometria e tratti somatici. Nell'incontro, moderato dalla grafologa Valeria Angelini, responsabile Relazioni Istituzionali AGI, si prenderanno in esame alcuni casi di lettere anonime che gli esperti e le esperte hanno affrontato nel corso della loro carriera.Alle 16.30 Fabio Trizzino, avvocato dei figli del giudice Borsellino e patrono della parte civile nel processo Borsellino quater sarà protagonista dell'incontro Il particolare contributo della scienza grafologica nell'ambito del processo sul depistaggio della strage di via D'Amelio. Insieme alle grafologhe Rosaria Calvauna ed Eleonora Gaudenzi riferirà come sono arrivati a smascherare l'autore delle note a margine sui verbali del processo.La giornata si chiuderà alle 18.00 con Storie di donne che hanno ucciso. Le radici della violenza femminile. Lidia Fogarolo, analista e perita grafologa, consulente di Tecnica Giudiziaria, docente di Grafologia e Criminologia presso Forensic Science Academy (Master Biennale di Criminologia e Scienze Forensi) racconterà storie di assassine, mettendo in luce alcuni tratti peculiari degli omicidi commessi da donne, che rappresentano solo il 5%, in un mondo in cui statisticamente l'omicidio con una percentuale pari al 95% è da attribuirsi al maschile.Domenica 21 settembre, alle ore 11.00, sempre all'Auditorium di Salaborsa, si terrà l'evento Dalla strage di Erba al caso Yara – Lettere dal Carcere di Olindo Romano e Massimo Bossetti.Marco Oliva, giornalista televisivo, inviato di “Quarto grado” (Mediaset), conduttore di “Iceberg Lombardia” (Telelombardia) e “Lombardia nera” tutti i giorni su Antenna Tre, alla ribalta del piccolo schermo per commentare i più casi di cronaca nera più conosciuti, sarà in dialogo con Patrizia Caselli, attrice, autrice e conduttrice TV, per parlare della corrispondenza privata Olindo Romano e Massimo Bossetti, tengono da anni con Marco Oliva. Alla grafologa Carla Salmaso è affidata l'analisi delle grafie.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

LOUNGE CINEMATICA RADIO | SEASON 6 Episode 6x02 Released 15-Sep-25 01. Virgilio Savona con il Quartetto Cetra - Con Il Singhiozzo (from "La Ragazza Sotto Il Lenzuolo") 02. Alfonso Santisteban - Seduzione (from "Doppio Sesso Incrociato") 03. Piero Piccioni feat. Katarina M. Hollander - Right Or Wrong (from "Marta") 04. Carlo Savina - Carnalità 05. Carlo Savina - Io Cristiana Studentessa Degli Scandali 06. Carlo Savina - Calore In Provincia 07. Carlo Savina - Manone Il Ladrone 08. Mario Nascimbene - Tema di Alberto (from "Togli Le Gambe Dal Parabrezza") 09. Carlo Rusticcheli - Beat (from "Il Figlioccio Del Padrino") /Pausa Publicitaria 10. Fabio Frizzi - Nothing Really Is Missed 'Till It's Gone / Bossa / Strumentale Tromba / After All This Time We Wasted Away (from "Sette Ragazze Di Classe") Selected, edited and mastered by JAVIER DI GRANTI Distributed on APPLE PODCASTS, AMAZON MUSIC, YOUTUBE MUSIC, IVOOX ©2025

Las notas de Fabio Frizzi nos abren la puerta del inframundo, el sótano más inundado en un hotel de Lousiana oculta una de las siete puertas del infierno. Fulci el maestro de los gusanos y las entrañas, del terror orgánico, despliega sus obsesiones más enfermizas. Una mujer ciega -Cinzia Monreale- advierte a la propietaria del hotel maldito. La joven de pupilas blancas no puede explicarle el origen del terror, solo la avisa, es una enviada, procede del más allá y conoce las entidades oscuras. Visiones impactantes y efectos grotescos se suceden, saltamos de un escenario dantesco a otro peor, de un sótano anegado a una morgue de blancura diáfana, de una bañera podrida al mar de las tinieblas. Un argumento irracional, lo que ocurre en ese insólito hotel y ese hospital es de pesadilla, la condenación humana, y perruna, la maldición latente desde que mucho tiempo atrás una turba empareda y crucifica al pintor de un cuadro tenebroso, esa pintura del averno, el mismo escenario final, piélago de muerte donde las almas en pena se arrastran y el horizonte se antoja de tormento infinito. Fulci se debate entre el realismo truculento y estomagante y la fantasmagoría cósmica. El libro de Eibon, el que encuentra en la biblioteca el infeliz arquitecto, devorado después por tarántulas, parte de un texto del escritor Clark Ashton Smith, miembro del círculo de Lovecraft. El más allá (L´Aldilá) forma parte de la trilogía sobrenatural conocida como Las puertas del Infierno, junto a Miedo en la ciudad de los muertos vivientes, y Aquella casa al lado de cementerio. Con Catriona McColl como nexo de unión, sangre, vísceras, ojos desorbitados, y una legión de zombis momificados que hacen las delicias de los partidarios del cineasta romano, entre los que me encuentro. Esta noche procuramos no meter la mano en la bañera inmunda con fontanero incluido… Salvador Limón, Zacarías Cotán y Raúl Gallego.

Rude Horror Podcast Ep. 99 – Manhattan Baby & Fabio Frizzi Live at Capitol Theatre! Dive into the eerie world of Lucio Fulci's Manhattan Baby as we unravel its supernatural chills, cryptic storytelling, and haunting score. Plus, we gear up for an unforgettable night as legendary composer Fabio Frizzi brings his atmospheric soundscapes to the Capitol Theatre in Davenport, Iowa, on May 8th. Tune in for deep horror insights, Fulci's signature madness, and the music that keeps his legacy alive!- **Fabio Frizzi at Capitol Theatre, Davenport (May 8, 2025)** - First Fleet Concerts -https://www.firstfleetconcerts.com/events/detail/frizzi-to-fulci-2025-zombie-the-composers-cut-876611 - Bandsintown - https://www.bandsintown.com/e/1034963844-fabio-frizzi-at-capitol-theatre - Shazam - https://www.shazam.com/event/f8afbb3b-984f-4b35-8e14-b15ed7aa2cab- AXS - https://www.axs.com/de/events/876611/frizzi-to-fulci-2025-zombie-the-composers-cut-tickets- **Rude Horror Podcast** - Apple Podcasts -https://podcasts.apple.com/us/podcast/rude-horror-podcast/id1512926883 - Linktree (socials & Patreon) -https://linktr.ee/rudehorrorpodcast YouTube - https://www.youtube.com/@rudehorrorpodcastwww.Rudehorrorpodcast.com

Hablamos de los Goya y las Medallas del Círculo de Escritores Cinematográficos, pero también visitamos la Cutrecon y el Sombra Madrid, donde pudimos hablar con Fabio Frizzi, autor de la música de "Nueva York bajo el terror de los zombies". ©️ ®️El Centinela del Misterio 01/05/2025 Queda expresamente prohibida la reproducción total o parcial de este programa/podcast, por cualquier procedimiento, plataforma de difusión, medio de comunicación, así como el tratamiento informático, el alquiler o cualquier otra forma de cesión sin la autorización previa y por escrito de los titulares del copyright y propietarios de los derechos de El Centinela del Misterio. Los colaboradores, asistentes y personas que usan la palabra en el espacio El Centinela del Misterio, se hacen responsables unilateralmente de las opiniones vertidas en el mencionado espacio, y ceden los derechos de su actuación, emisión y redifusión, únicamente a El Centinela del Misterio y a la empresa propietaria de sus derechos. ©️ ®️El Centinela del Misterio 01/05/2025 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Send us a textWhen New York actor Paul Cole is beaten and left for dead in 1950s Ohio, he loses his memory and the only way he can reclaim what he's lost is by listening to stories about his life from a vulgar radio show. On Episode 665 of Trick or Treat Radio we discuss the film The Actor from director Duke Johnson! We also talk about all the ways you can eat an Uncrustable, the realization that you're not who you were supposed to be, and everything we have planned for the upcoming momentous 666th episode! So grab your VHS of My Demon Lover, write down all your thoughts so you don't forget them, and strap on for the world's most dangerous podcast!Stuff we talk about: Felissa Rose, Sleepaway Camp, The Last Sleepover, Lisa Wilcox, Slaughter High, Sam Adams, Spanish version of Dracula, Cannibal Ferox, My Demon Lover, Scream 2, Creepshow 3, David Hess, Texas Chainsaw Massacre, Eric Balfour, Melinda Clark, Return of the Living Dead Part III, Peter Jason, Ghosts of Mars, Arachnophobia, Planet Terror, Red State, Richard Donner, Goonies, The Omen, Alejandro Cruz, Blue Demon, William Castle, The Tingler, House on Haunted Hill, Rosemary's Baby, all the ways you can eat an Uncrustable, Scott Valentine, McCormick Spices, Christina Applegate, House II: The Second Story, RIP Lar Park-Lincoln, Highway to Heaven, Giovanni Lombardo Radice, Shawn Lewis, Grindhouse Releasing, 7 Doors of Death, Fabio Frizzi, Rotten Cotton, Chunkblow Apocalypse, Zombi, Eibon Press, The Actor, Duke Johnson, Andre Holland, amnesia, Memento, movies shot on a soundstage, dream logic, self-awareness, learning you're not who you're supposed to be, Total Recall, Anything Goes, Cole Porter, Memory, Geddy Lee, William Shakespeare, the new album from Knowman, Alienated, The Wicker Man, May Day, Episode 666, The Number of the Beast, Retroactivate, Total Unrecall, and Thesplaining Your Life.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Junto a Adán Latonda, director del festival Sombra Madrid, conversamos sobre Zombi 2, una de las míticas películas de terror de Lucio Fulci. Junto a Adán Latonda, director del Festival de Cine Fantástico Europeo Sombra, que empieza a celebrarse en Madrid además de en Murcia, conversamos sobre una de las películas fundamentales en su cartel de este año: Zombi 2 de Lucio Fulci se proyecta junto a la música en directo del mismísimo Fabio Frizzi, responsable de su banda sonora. Los zombis hambrientos de carne llegan desde una isla paradisíaca a Nueva York en llega un barco sin rumbo. Una expedición formada por un periodista y la hija del dueño del barco partirá a buscar a su padre a un lugar que resultará estar lleno de zombies sedientos de carne.

Con Óscar Navarro repasamos las actividades más significativas de esta edición, entre las que nos destacaba la presencia del director John McTiernan, responsable de películas como 'La jungla de cristal', 'Predator' o 'El último gran héroe'; el estreno del thriller psicológico 'El instinto' de Juan Albarrracín, rodada íntegramente en la Región, o la visita del compositor musical Fabio Frizzi que protagonizará la clausura el día 22 con la interpretación en vivo de la banda sonora de la película 'Zombi 2'.

Las proyecciones de Sombra-XIV Festival Europeo de Cine Fantástico de Murcia arrancarán el 14 de marzo en la Filmoteca Regional y la clausura tendrá Fabio Frizzi para interpretar en directo la banda sonora de "Zombi 2".

Drag out the Marshall stacks, hook up those flying V's and put on that greasepaint, it is time to ROCK! Today we welcome to the show Ryan Waste, guitarist with the U.S. thrash kings Municipal waste and the heavy metal death heads BAT. We have a conversation about the 1990 rock n rollin', hair raising voodoo banger that is Shock 'Em Dead in preparation for the big hitting Heavy Metal rundown episode that is coming out next week. Ryan Waste / Municipal Waste / BAT

Nos saltamos las fronteras estilísticas establecidas para ofrecerte, de nuevo en viernes 13, una segunda entrega dedicada a las bandas sonoras del cine de terror.Playlist;(sintonía) WENDY CARLOS y RACHEL ELKIND “Title Music from A Clockwork Orange” (La naranja mecánica (A Clockwork Orange), 1972)WENDY CARLOS y RACHEL ELKIND “Main title “The Shining”” (El resplandor (The Shining), 1980)KRZYSZTOF PENDERECKI “Urenja Ewangelia” (El resplandor (The Shining), 1980)JOHN CARPENTER “Season of the witch” (Halloween III; Season of the witch, 1982)PHILIP GLASS “Helen theme” (Candyman, 1992)ENNIO MORRICONE “Regan’s theme” (El Exorcista II; El Hereje (The Exorcist II; The Heretic, 1977)JERRY GOLDSMITH “Main title” (La maldición de Damien (Damien; Omen II), 1978)PAUL GIOVANNI and MAGNET feat ANNIE ROSE “Willow’s song” (El hombre de mimbre (The Wicker Man), 1973)FABIO FRIZZI “Voci dal Nula (The Beyond Theme)” (El más allá (E tu vivrai nel terrore! L'aldilà), 1981)FRED MYROW y MALCOLM SEAGRAVE “Phantasma main title” (Phantasma, 1979)JAY CHATTAWAY “Maniac's Theme” (Maniaco (Maniac), 1981)CLAUDIO SIMONETTI, MASSIMO MORANTE y FABIO PIGNATELLI “Tenebre” (Tenebrae), 1982)TORU TAKEMITSU “Biwa Uta” (El más allá (Kwaidan), 1965Escuchar audio

Cinquisitor Ethan submits a field report about the 1979 film Lucio Fulci's "Zombie," a/k/a "Zombi 2," a/k/a "Zombie Flesh Eaters." This knock-off-slash-sort-of-sequel to George A. Romero's 1978 film, "Dawn of the Dead," isn't widely known, yet it's highly influential and features some grave sources of CINEMANIA. Listen at your own risk.   Written and performed by Ethan Ireland Music by Karl Casey at White Bat Audio. Tracks featured: "The Wraith," "Dark Thriller Theme," "Dark Thriller Loop 1," "From the Deep," and "Boarding Nostromo." Extract from "Zombi 2 Theme" by Fabio Frizzi (appearing between 11m56s and 12m48s of this program) is presented here as non-profit /educational "Fair Use," for purposes of criticism / comment as provided under U.S.C. Section 107. LEGAL NOTICE: This is a work of satire / parody and any statements should not be construed as statements or allegations of fact. Cassette tape stock image by Thegreenj provided courtesy of Wikimedia Commons, and appears here under CC By SA 3.0 "Share Alike" license. This image was modified to remove brand logos and to add text. https://creativecommons.org/licenses/by-sa/3.0/deed.en https://commons.wikimedia.org/wiki/File:Compactcassette.jpg    

After an early November break it's time for another Intermission episode. Lee briefly rambles about the highlights from his October 2024 31 Days of Horror list, as well as six movies he's watched recently. Lee's Letterboxd  Featured Music: "Blastfight (Seq 8)" by Fabio Frizzi & "Evening Star" by Tommie Babie.

Korbi dreht durch im Digimon-Fieber! Dazu besprechen wir „Alles steht Kopf 2“ und den kultigen Rückkehrer „Beetlejuice“. Horror, Anime und Live-Konzerte – alles dabei!

Virgil and Mark discuss the recent Fabio Frizzi concert held at The Mahoning Drive-In Theater, and delve into the September-October 2024 events calendar, providing insight and anecdotes on the films and activities planned. Recorded 9/11/24 For more info on upcoming shows at the Mahoning, visit: https://mahoningdrivein.ticketleap.com/ For exclusive additional podcasts, videos, sneak peeks, and on-site discounts, visit the Mahoning Drive-In Patreon page at: https://www.patreon.com/mahoningdrivein https://www.mahoningdit.com https://www.facebook.com/mahoningdriveintheater https://www.instagram.com/mahoningdriveintheater https://twitter.com/mahoningdit For Mahoning Drive-In merch online: https://merchbin.net/collections/mahoning-drive-in-theater https://www.crackerjackposters.com/s/shop

New interview with Samm Deighan - noted film historian and host of the Eros + Massacre podcast.Some of you may have heard this before, Samm was kind enough to let us repost the audio from our conversation about Michele Soavi. If you have not heard her podcast yet you can get a sample here, she was nice enough to invite me on as a first guest. Since then she has covered Funeral Parade of Roses, sexual anarchist Rudy Ray Moore, blu-ray anarchist Adam Torel of Third Window films, a Bava episode, plus a conversation with Fabio Frizzi. I love what her show has become and hope this serves as a good sample.Either way, please enjoy this. I hope my love for Michele Soavi and Italian genre cinema shines through. Looking forward we have some very exciting guests that are just getting scheduled, so the fall season will see a bunch of activity again after a brief time away. Cheers!https://cinepunx.com/podcast-episodes/eros-massacre/https://www.patreon.com/sammdeighanhttps://new.reddit.com/r/personalhistoryoffilm/https://letterboxd.com/personalhistory/

Over the years I've talked a lot about how Fulci's City of the Living Dead (1980)… The post Eros + Massacre Episode 7: An Interview With Maestro Fabio Frizzi appeared first on Cinepunx.

Die aktuelle Sendung dreht sich um das Thema Giallo. Die Myster-Horror-Thriller aus Italien, die in den 60er und 70er Jahren gedreht wurden und noch heute einen starken Einfluss auf die Filmindustrie haben. Filme wie Suspiria, Profondo Rosso, Blood and Black Lace oder All the Colours of the Dark von Dario Argento, Lucio Fulci, Mario Bava und Sergio Martino gelten noch heute als Meisterwerke und zeugen von einer kreativen Epoche des italienischen Films. Bei Bölz No Eis interessieren uns natürlich die Soundtracks und in den zwei Stunden der Sendung präsentiert Luca einige seiner Lieblinge aus diesem Bereich und spielt für euch Musik von Goblin, Ennio Morricone, Piero Umiliani und Fabio Frizzi. Tauch ein in die surreal farbene und oft nicht logisch konsequente Welt der Giallo Filme. 

Marco und Sebastian sprechen diesmal über den italienischen Thriller-Klassiker "Die Sieben Schwarzen Noten" von Lucio Fulci. Virginia lebt an der Seite ihres steinreichen Gatten ein sorgenfreies Leben, wären da nur nicht diese unheimlichen Visionen: Ein dunkles Zimmer, das blutrote Dämmerlicht einer Stehlampe, ein menschengroßes Loch in der Wand und eine Frau, die lebendig eingemauert wird. Für Virginia wird die Vision schnell zur Gewissheit, denn bald findet sie das Zimmer - und dann die Leiche in der Wand. Kann sie ihre übernatürliche Begabung nutzen, um den Mörder einer gerechten Strafe zuzuführen und ihre Visionen und den Klang der sieben schwarzen Noten verstummen zu lassen? unsere Links im Netz: https://linktr.ee/filmkammer Emails könnt ihr uns an filmkammer@buddelfisch.de senden Hört die Filmkammer auf Apple Podcasts, auf Spotify und fast überall da wo es halt Podcasts gibt Music: "Sette Note in Nero" von Fabio Frizzi "Filmkammer Theme" Mix von Sebastian Kempke --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmkammer/message

The Bloobcast return to Raccoon City for this year's Blooboween episode to take a look at the third game (and Euan's favourite) in the Resident Evil series - Resident Evil 3. They discuss how the game began life as an unnumbered spin off, the titular antagonist Nemesis, what the game added to the Resident Evil formula, the 2020 remake, and touch upon one of the dumbest movies ever made. Music/Clips Used: Resident Evil 3: Nemesis directed by Kazuhiro Aoyama, owned by Capcom Resident Evil 3: Nemesis OST by Masami Ueda and Saori Maeda. Resident Evil 3 (2020) directed by Kiyohiko Sakata, owned by Capcom Resident Evil 3 (2020) OST by Kota Suzuki, Azusa Kato, Masami Ueda and Takayasu Sodeoka Resident Evil directed by Shinji Mikami, owned by Capcom Resident Evil 2 directed by Hideki Kamiya, owned by Capcom Resident Evil 4 directed by Shinji Mikami, owned by Capcom Resident Evil Apocalypse directed by Alexander Witt The Terminator directed by James Cameron Zombi 2 directed by Lucio Fulci, OST by Fabio Frizzi and Giorgio Tucci The Lord Of The Rings: The Return Of The King OST by Howard Shore Ghosts N' Goblins (NES) - Angry Video Game Nerd (AVGN) The Simpsons, Trilogy of Error directed by Mike B. Anderson, owned by Gracie Films Ridge Racer directed by Yozo Sakagami and Fumihiro Tanaka, owned by Bandai Namco Entertainment Oh Yeah by Yello

She's sleek and beautiful.  She's possessive and vengeful.  She's a 1958 Plymouth Fury.  Her name is CHRISTINE.  And she's Hell on wheels.  My Haunted Head celebrates the 40th anniversary of John Carpenter's film adaptation of the Stephen King novel CHRISTINE with a discussion of the film.  Also a rundown of recent Blu-ray releases including the Robert Englund documentary HOLLYWOOD DREAMS & NIGHTMARES and MY BEST FRIEND IS A VAMPIRE, as well as new soundtrack releases including DARK NIGHT OF THE SCARECROW, KNIGHTRIDERS and FABIO FRIZZI LIVE AT THE LAST DRIVE-IN.  My Haunted Head is available on your favorite podcast app.  

Album of the year Vi bjuder in Magnus Jäverling, som släppte förra årets bästa album “Bowdark”, för att prata om hans musik, hans och andras syntar, hans och andras skapande och därmed om särskilt välljudande skräckfilmer. Tomas avslöjar i exakt vilken grad han älskar Lamberto Bavas kalkon Demons och Lars myntar ofrivilligt smeknamnet Farbror Frizzi. Vi pratar också om: Scalextric-bilbanor, Arizona, året 1978, Discreet Music, minimalism, Anna Wikars-Rantala, David Lynch, Twin Peaks, Angelo Badalamenti, John Carpenter, Fabio Frizzi, Tangerine Dream, Jean-Michel Jarre, Vangelis, Stranger Things, fattigmansorkestern Mellotron, den italienska elorgeln Elka X30, Yamaha PS-6100, Technics SY-1010, vådan av MIDI och VST, Moog, delay-pedalen Electro Harmonix Memory Boy, Zombi, Akilles-hälen Philip Glass additiva metod, skillnaden mellan syntar och keyboards, Yamaha GX-1, Stevie Wonder, Keith Emerson, Richard David James, Aphex Twin, Led Zeppelin, Benny Andersson, Lucio Fulcis guldålder 1979-1982, Starman, road movies, Jeff Bridges, Karen Allen, Jack Nitzsche, Julie Cruise, Nina Simone, Michael Jackson, Björk, The Babadook, Texas Chainsaw Massacre, Motorsågsmassakern, Låt den rätte komma in, Johan Lindqvist, Björn Isfelt, En kärlekshistoria, Goblin, New York Ripper, Manhattan Baby, City of the Living Dead, The Beyond, Blair-Witch Project, Grave Encounters, Paranormal Activity, Giliap, Roy Andersson, Fåglarna, Alfred Hitchcock, Psycho, Bernhard Hermann, Alien, Skjul 46, “gamla Truckstop Alaska”, Digital Leather, Gavin Bryars, The Sinking of the Titanic, Brian Eno, Rickard Jäverling, Henrik von Euler samt naturligtvis något litet om Sten Eklunds konstverk Kullahusets hemlighet. Patreon-lyssnare avnjuter som vanligt dubbel speltid där Magnus Jäverling DJ:ar stabila syntlåtar från sex, soniskt sett, särskilt sexiga celluloid-stänkare. ”Bowdark” kan köpas på LP där skivor köps. Den som lyssnar online uppgraderar med fördel upplevelsen här: https://bowdark.wixsite.com/bowdark. Sent ska syntarna vakna. Nostalgi, löst tyckande och akademisk analys.

Toca disfrutar de bandas sonoras de películas tales como La fuga del Bronx, Emanuelle Negra, Lucas el contrabandista, Nico Giraldi, Jaimito, Demons ... marcadas a fuego en nuestra nostalgia gracias al ritmo de Walter Rizatti, Claudio Simonetti, Fabio Frizzi o Detto Mariano ... ¡Viva Italia! Presenta y edita Ismael Rubio. Síguenos por nuestras RRSS y no olvidéis compartir, comentar y darle al like, gracias. ➡️ IVOOX https://cutt.ly/hAgt2qi ➡️ SPOTIFY https://cutt.ly/lAgylLF ➡️ APPLE https://cutt.ly/OLDSRzK ➡️ FACEBOOK https://cutt.ly/WLUG1LQ ➡️ INSTAGRAM https://cutt.ly/4LUGKxE ➡️ TWITTER https://cutt.ly/oLUHmtK ➡️ YOUTUBE https://cutt.ly/LLeqK2Y ➡️ INSTAGRAM CARLOS CUBO https://cutt.ly/ULBMlMt ➡️ INSTAGRAM ISMAEL RUBIO https://cutt.ly/rLUJhBZ ➡️ TWITTER CARLOS CUBO https://cutt.ly/dLBMPxW ➡️ TWITTER ISMAEL RUBIO https://cutt.ly/hLUG6Oz Descarga nuestra app ➡️ VIDEOCLUB RADIO https://cutt.ly/RKXIA02.

for nathaxnne walker "The Devil is dope" - The Dramatics Beyond the darkest depths of imagination, the outer rim of human experience, the forbidden rites thought forgotten, rediscovered. The annual tradition of the Halloween mix corrupted, made sinister, clawed loose from the crypt and into the stark sunlight of reality. Italian soundtracks to 1930's jazz to darkwave to stoner metal to house to folk to garage psychedelia and beyond. Remember: when you look Satan in the face, he looks back at you, with one eye open and one eye closed. *1. The Devil is Dope - The Dramatics *2. Headless - Tearist (Live on KXLU) 3a. "AKA Dr. Satan" (House of 1000 Corpses excerpt) *3b. House of 1000 Corpses - Rob Zombie 4a. Drive-In Movie Radio Spot - Night of the Living Dead & Blood and Black Lace (1968) *4b. In The Room Where You Sleep - Dead Man's Bones 5a. "Satan, our Lord and Master" (Alucarda excerpt) *5b. Main theme (from Beyond the Darkness) - Goblin 6a. "The great devil's advocates of the past..." (Anton LeVey interview excerpt) *6b. Cryptorchild - Marilyn Manson 7a. Race With The Devil radio spot *7b. Jekyll And Hyde - Jim Burgett 8a. Devil Shake Radio Ad (Murray the K 1966 broadcast) *8b. Evil Satan (Devil Shake remix) - Acid King 9a. Damien Prayer monologue (from Final Conflict: The Omen 3) *9b. Lucifer's The Light Of The World - King Dude 10a. The Devil's Widow trailer *10b. Me and the Devil - Soap&Skin 11a. "Jesus was talking about a place called hell" (The Burning Hell excerpt) 11b. Crackling fireplace sfx *11c. [Don't Worry] If There Is a Hell Below, We're All Going to Go - Curtis Mayfield *11d. Your Pretty Face is Going to Hell - Iggy Pop & The Stooges *11e. Man - Yeah Yeah Yeahs *11f. To Hell with Good Intentions - McKlusky *11g. We're All Going To Hell - The Bastard Fairies *11h. All Hell Breaks Loose - The Misfits *12. Headless (2015 mix) - Tearist *13. Death 2 - Flatbush Zombies 14a. A Nightmare on Elm Street Part 2: Freddy's Revenge (1985 teaser trailer) *14b. Nightmare (Maggot's Over Antwerp) - Spencer Tune 15a. Seance Piano Strings sfx 15b. The Call Of The First Aethyr - Aleister Crowley *15c. Swingin' At the Séance - Deep River Boys *16. Lipstick to Void (Under the Skin score) - Mica Levi 17a. Take It from Someone Who Used to Talk to Satan: Halloween Is a Bad Idea (CBN news segment excerpt) *17b. Ordinary Vanity (Silent Hill 2 score) - Akira Yamaoka *17c. On All Hallow's Ever - Killing Joke *18. Masquerade (The Adventure of Kohsuke Kindaichi soundtrack) - The Mystery Kindaichi Band 19a. "Faster and Faster" (Twin Peaks: Fire Walk With Me excerpt) *19b. Pink Room (Twin Peaks: Fire Walk With Me soundtrack) - Angelo Badalamenti 19c. Satanic Mass - Coven *19d. The Litanies of Satan - Diamanda Galás *19e. Witches & Devils - Albert Ayler 20a. Seven Doors of Death (AKA The Beyond) trailer *20b. Voci dal Nulla (The Beyond score) - Fabio Frizzi 21a. The Devil Within Her trailer *21b. Aloha From Hell - The Cramps *22. The Devil's Gonna Get You - Bessie Smith *23. Midnight Graveyard - Mother Sunday *24. Headless - Tearist  

Without Your Head Horror Podcast interview with iconic horror composer Fabio Frizzi! Covering Zombi 2, Lucio Fulci, Coolidge After Midnight, Frizzi 2 Fulci, Pieces, Puppet Master: The Littlest Reich and more Hosted by "Nasty" Neal and Annabelle Lecter! Thanks to FANGORIA for supporting Without Your Head subscribe to Fangoria today - https://tinyurl.com/WYHFangoria --- Send in a voice message: https://anchor.fm/withoutyourhead/message Support this podcast: https://anchor.fm/withoutyourhead/support

Throughout the 1970s and 1980s, the band Goblin helped shape the sound of Italian and horror cinema, not only through their own scores but also through the many scores they played on for other composers. On this episode of Scored to Death Radio, host (and author) J. Blake Fichera continues his detailed exploration into Goblin's history and work with another deep dive into the band's studio work as some of the Italian soundtrack industry's top session players—featuring music composed by Stelvio Cipriani, Fabio Frizzi, & more. Purchase both SCORED TO DEATH books by going to scoredtodeath.com —— This episode is brought to you by APM Music. APM is a top-tier music source for production and creative needs - consistently adding new music and new genres, offering an unmatched catalog via simple licensing. Visit APM Music at apmmuisic.com —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Extreme B.O. Short biker dudes picking fights. Italian horror film composers. Circle pit cunnilingus. Cat puke. These were just some of the things Dylan experienced while attending what will probably be the last Maryland Deathfest. At least for a while. Diary of Doom briefly rears its ugly head from its respite as Dylan recounts his journey into darkness and grime to Nathan from I Hope You Suffer, who also attended MDF in years past. Trigger Warning: We do discuss suicide in this episode per the tragic event that occurred at the festival. If you would like to further support the family during this time, you can do so at their GoFundMe. Track featured at the top of the episode is "Inner Paths (to Outer Space)" by Blood Incantation off their album Hidden History of the Human Race and the track featured at the close is "Mystery's Apotheosis/City of the Living Dead Theme" by Fabio Frizzi as performed by Frizzi 2 Fulci. Music featured throughout includes Yautja, Primitive Man, Frizzi 2 Fulci, Atheist, Suffocation, Obituary, Enforced, Cerebral Rot, November's Doom, Cancer, Coroner, Autopsy, Triptykon, Blood Incantation, and Triumph of Death.

We bring you the 7th episode of our specialty show "Take Out Edition" where we will explore the realms of foreign cinema.  Our hosts will take you along their travels all over the globe while diving into some of the most lucid storytelling, savage cannibals, vengeful spirits, sadistic killers, and the post-apocalyptic zombie-plagued landscapes. Join us as we dissect the classics that prove sometimes fear comes with subtitles. Our hosts, Cameron Scott and filmmaker/musician Thomas Berdinski, take you on a journey with "THE PSYCHIC" aka "MURDER TO THE TUNE OF THE SEVEN BLACK NOTES" from 1977. This is the second obscure Italian Giallo in a row for them, this time from legendary director Lucio Fulci who rarely dipped his creative toe into the Giallo pond. Cinema Degeneration welcomes you to enjoy some Take Out while we explore the events of the unfortunate clairvoyant Virginia, her visions of murder, a body sealed up in a wall, a killer in black gloves and a magnificent soundtrack by maestro Fabio Frizzi. It's a strange tale and diabolical story that becomes one woman's worst nightmare!   "Suddenly she could see into the future...and saw her own murder..."

John Bleasdale talks to J Blake Fichera author of Scored to Death and Scored to Death 2, available here.Scored to Death collects 14 info-packed, terrifyingly entertaining interviews with renowned film composers who have provided music for some of the horror genre's greatest films and franchises, including Halloween, A Nightmare on Elm Street, Friday the 13th, Hellraiser, Maniac, The Fog, Prince of Darkness, Cujo,Dawn of the Dead, Deep Red, Suspiria, Santa Sangre, Zombie, The Beyond, Insidious, The Conjuring, Hostel, The Strangers, House of the Devil, and many more!​Interviewed are director-composer John Carpenter; sound designer-composer Alan Howarth; Italian composers and members of the band Goblin (known for their scores for Dario Argento films) Claudio Simonetti and Maurizio Guarini; Hollywood composers Christopher Young, Tom Hajdu (of the composing team tomandandy), Charles Bernstein, Jay Chattaway, and Nathan Barr; as well as horror notables Fabio Frizzi, Simon Boswell, Joseph Bishara, Jeff Grace, and Harry Manfredini.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

We're getting WILD IN THE STREETS with Lucio Fulci's sole eurocrime effort CONTRABAND from 1980, featuring Fabio Testi as a boat smuggler who finds himself at the mercy of Marcel Bozzuffi's Il Marsigliese with - SURPRISE - violent consequences! Featuring plenty of trademark gore, particularly in the blood-soaked climax, as well as a funky Fabio Frizzi score and Sergio Salvati photography, it's a Fulci film through-and-through.. for better or for worse. CHECK IT OUT! 

Un viaggio nel Cinema dell'Italia degli anni '70, attraverso i generi e le musiche che li hanno resi immortali. In questa puntata rendiamo omaggio a Franco Micalizzi, Stelvio Cipriani, Berto Pisano e Fabio Frizzi.Se volete potete ascoltare la playlist dell'episodio qui:https://open.spotify.com/playlist/0SETdQjxX8EpiJwE5nth33?si=bbb1ea2eb56e43c5Elenco dei titoli citati:Franco MicalizziLo chiamavano Trinità..., regia di Enzo Barboni (1970)L'ultima neve di primavera, regia di Raimondo Del Balzo (1973)Bianchi cavalli d'agosto, regia di Raimondo Del Balzo (1975)La banda del gobbo, regia di Umberto Lenzi (1977)Stridulum, regia di Giulio Paradisi (1979)Stelvio CiprianiReazione a catena, regia di Mario Bava (1971)Tentacoli, regia di Ovidio G. Assonitis (1977)Il triangolo delle Bermude, regia di René Cardona Jr. (1978)Berto PisanoSissignore regia di Ugo Tognazzi (1968)Dove vai se il vizietto non ce l'hai? regia di Marino Girolami (1979)Pierino contro tutti regia di Marino Girolami (1981)Fabio FrizziFantozzi, regia di Luciano Salce (1975)Febbre da cavallo, regia di Steno (1976)Paura nella città dei morti viventi, regia di Lucio Fulci (1980)Luca il contrabbandiere, regia di Lucio Fulci (1980)Vieni avanti cretino, regia di Luciano Salce (1982)

David Blot, solo chez lui et en direct de son salon ! Des nouveautés, des classiques et une sélection aléatoire des titres de la discothèque de notre animateur...TRACKLIST :JOE JACKSON - YOU CAN'T GET WHAT YOU WANT (TILL YOU KNOW WHAT YOU WANT)IBIBIO SOUND MACHINE - ALL THAT YOU WANT PAPOOZ - HELL OF A WOMAN THE DUTCH BENGLOS - SHABI BI DI DOTHE CLASH - LOST IN THE SUPERMARKET WORLD'S FAMOUS SUPREME TEAM - HEY DJ (EXTENDED VERSION)SOFIA KOURTESIS - ESTACI N ESPERANZATHE NIGHT WRITERS - LET THE MUSIC USE YOUDON SWING - WOMEN (ORIGINAL MIX)YOUNG THUG - CHICKENS TY SEGALL - MISTER MAIN MAUREEN BAILEY - TAKIN' MY TIME WITH YOUINNER CITY - MY HEART'S NOT HERE WITH YOU THEE MADDKATT COURTSHIP III - MY LIFE MUZIKSCOTTY - SHANK IN BEDTHE KINKS - DON'T EVER CHANGE MASSIVE ATTACK - UNFINISHED SYMPATHY FABIO FRIZZI - FEAR AND LIBERATION SONYA SPENCE - TALK LOVE JONWAYNE - BLACK MAGIC KAYTRANADA (FEAT. THUNDERCAT) - BE CAREFUL THE SMITHS - LAST NIGHT I DREAMT THAT SOMEBODY LOVED ME Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

1. The Gateway Experience - Wave 1 Discovery Orientation https://www.youtube.com/watch?v=uqlaRHyZJqU&ab_channel=Hemi-sync-Topic 2. Miri - Flyter (Johanna Knutsson Mix) 3. Eliane Radigue - https://elianeradigue.bandcamp.com/album/l-le-re-sonante (8:45 in) 4. Antarctica - At the sea edge 5. Orson Welles - ahhhh the french champagne 6. Heinz Kiessling - Einbruch 7. Fabio Frizzi - klau 8. Hildegard Knef - ich erkenne nicht dicht wieder 9. The Jamaicans - Ba Ba Boom 10. Mark Mitchel - How Can I? 11. The Supreme Jubilees - Do you Believe 12. David Snell - Gentle Moves 13. We have heaven - Feel the Power (Frizz remix) 14. Joseph Shabason - Aytche 15. Blue Heron - Paul's Blues 16. Lilipulu - b2 17. The Gateway Experience - Wave 1 Discovery Orientation

I guess we just can't get enough Marta! Earlier this year we spoke with Crystal Viper vox Marta Gabriel. We discussed the band's latest effort "The Cult". Not one to rest on her laurels, Mrs. Gabriel followed that up right away, dropping a cool comp. of covers. "Metal Queens" pays tribute to all the amazing vocalists that helped shape Marta's awesomeness. This time we discussed the new record and all the legendary figures that assisted her with it. All making for an excellent listening experience. In our "News, Views, and Tunes", we discuss the going-ons in the Nunslaughter and Fabio Frizzi camps!! Musically, we crank Marta's new album as well as the aforementioned Crystal Viper, Exhumed, Hellion, Mental Cavity, Amenra, Fulci, Cerebral Rot and Nunslaughter!! Horns Up and Stay Healthy!! This Episode is sponsored by Trve Kvlt Coffee. Summon the coffee demons to possess yourself a cup today! Follow us on Twitter and Instagram.  

La puntata si apre all’insegna della musica per cinema in compagnia di Fabio Frizzi, compositore di indimenticabili colonne sonore (Fantozzi, Febbre da cavallo solo per citarne un paio) e autore d...

SOUNDTRACK SOUL Episode 14 features an exclusive "Masters of Italian Horror" mix by special guest DJ ALFONSO of LA's Rendezvous film/dj collective.This spectacular 45-minute mix features 14 soulful and groovy sounds from some of the most iconic composers in the genre from the last sixty years, including soundtrack masters like Morricone, Alessandroni, Goblin, Orlandi, Cipriani and Fabio Frizzi, taken from horror classics by Dario Argento, Onetti, Lanfranchi and more... See the setlist on the SOUNDTRACK SOUL page on jasoncharles.net DJ ALFONSO is a DJ, promoter, podcaster, and most importantly, a FAN of late '60s through early '80s exploitation films, soundtracks, library music, and odd bits of sound. He is also the founder of the Los Angeles based DJ collective, RENDEZVOUS!  The RENDEZVOUS! DJs run a monthly event that screens exploitation films and hosts guest DJs from around the world who specialize in soundtrack and library music. More information can be found at www.rendezvousLA.net and follow them @rendezvous_la on Instagram. See omnystudio.com/listener for privacy information.

Knowman claims to be a hero from another dimension who fell through time and space to earth, where he has no powers. No one believes his stories except for a local Hot Pocket enthusiast named Dynamo. On Episode 438 of Trick or Treat Radio we need two pinch hitters to sub in for the mighty MonsterZero. Filling out the murder’s row this week is old friend Dynamo Marz, and also Green Sativa himself, Rocky! The duo help break down this week’s December Double Feature Cram Jam titles. First up is Archenemy, the latest flick from Adam Egypt Mortimer starring Joe Manganiello in a dark superhero tale. Then we take up residence in an Albanian castle as we discuss the 2020 remake of Castle Freak! So grab your first edition copy of the Necronomicon, head down to the Crystal Cave, and strap on for the world's most dangerous podcast!Stuff we talk about: Kowakian Monkey Lizard fight club, RIP Jeremy Bulloch, the Star Wars Ice Cream maker, The Mandalorian, the Trick or Treat Radio Bat signal, an international podcast, Canada, double up efforts, the moodbreaker, Fundies, everyday I’m shoveling, “Bless your heart”, Hot Pockets, the Blackout Tapes, Sarah McLachlan music, Nude Years Eve, The Question, flipping the script, Noreaster, Legion M, Axel Braun, comic book movies, Super, Random Acts of Violence, Unbreakable, M. Night Shyamalan, Condorman, Deathstroke, Snyder Cut, Justice League, Henry Rollins, He Never Died, Max Fist, True Blood, Joe Manganiello, Glenn Howerton, It’s Always Sunny in Philadelphia, Bill Burr, Paul Scheer, Adam Egypt Mortimer, Trading Places, Izzy Lee, fighting a car, Street Fighter 2, Don Quixote, riding on vans like Teen Wolf, Jason Patrick, Jimmy Olsen, the Wonder Twins, Full Eclipse, Mario Van Peebles, Daniel Isn’t Real, Taint Misbehaving, Sacrilicious, VHS Nightmares, The Wrestledown, The Geek Down, Twinkies and Devil Dogs, how big is your driveway?, Tate Steinsiek, Castle Freak, HP Lovecraft, Stuart Gordon, Brian Yuzna, Dagon, Faust, Jeffrey Combs, Charles Band, Full Moon, Barbara Crampton, Fabio Frizzi, Gunship, Demons, DDP Bang, Johnny Dangerously, Gialli, Stage Fright, Michelle Soavi, Cemetery Man, Innsmouth, Last Frontier Comics, The Re-Animator Initiative, and Ronnie James Theo.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: https://discord.gg/ETE79ZkSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show (https://www.patreon.com/trickortreatradio)

Brandon Soderberg has worked as a music critic, an altweekly editor, and a reporter on the frontlines of protest. He’s now the co-author of I Got a Monster, a book about the Baltimore Police Department’s corrupt Gun Trace Task Force. On this episode, he discusses how music from OutKast, Fabio Frizzi, and Jason Isbell shaped his work. See omnystudio.com/listener for privacy information.

On amorce une exploration musicale du cinéma de genre italien avec cet épisode en se concentrant sur le giallo et l'horreur. Un montage sonore d'une heure en compagnie de Fabio Frizzi, Goblin, Bruno Nicolai, Stelvio Cipriani et plusieurs autres qui nous transporte avec les sons, les voix et les musiques de films tels Profondo Rosso, City of the living dead, Madeleine anatomia di un incubo, The Red Queen kills seven time, Demon et beaucoup plus... Un épisode qui poursuit très bien celui d'Halloween en allant dans des zones musicales complètement différentes.

Join host Tony Giles as he discusses all things Beyond with composer Fabio Frizzi! With the upcoming 'The Beyond Composers Cut' LP dropping soon + the recently announced North American tour, TG figured it was time to get the low down from the man himself. The Beyond - The Composers Cut is available now through the Cadabra Records webshop - https://cadabrarecords.com

Join host Tony Giles as he chats candidly with legendary composer Fabio Frizzi about his recent score for Puppet Master: The Littlest Reich. The score for Puppet Master: The Littlest Reich is available now through the Lakeshore Records web-shop: https://www.lakeshorerecordsshop.com/product/puppet-master-the-littlest-reich-toulon-s-bloody-revenge-vinyl-fabio-frizzi

In this special episode you get a 30 minute mix of some of our favorite Fabio Frizzi tracks. The episode, as always, is sponsored by Vinegar Syndrome. And this episode… Continue reading "Win Tickets to Ship to Shore’s Fabio Frizzi Concert in NYC from Grindhouse Messiah and Cinapse (31 Days, Day 11)"

Episode 78 of The DFC is brought to you by www.twoheadeddog.com TG dives into his box of vinyl delights with selections from: The STS PHONO CO, SILVA SCREEN, FOUR FLIES RECORDS, LAKESHORE RECORDS, JERRY GOLDSMITH, FABIO FRIZZI and a whole lot more! Created by Tony Giles & Scott Johannsson DFN Ident by Repeated Viewing DFC Logo by Dan Cullinan Apr '17

Welcome to Episode II of 'Cuts From The Crypt', The DFN's monthly horror soundtrack show. Episode II features cuts from GOBLIN, THE EXORCIST, LUNARIS RECORDS, WAXWORK RECORDS, FABIO FRIZZI, A NIGHTMARE ON ELM STREET, INVADA RECORDS +More. Theme by Repeated Viewing Art by Eric Adrian Lee Produced by Tony Giles

Episode 36. New platters discussed this time out include THE FORCE AWAKENS, TERMINATOR 2:JUDGEMENT DAY, NILS FRAHM's 'SOLO', THE VICTORS, CIRCE, THE LAST STARFIGHTER and SUPER HANG ON. Our very special guest, all the way from Roma Italy, is legendary composer FABIO FRIZZI. TG loaded up on strong espresso and chatted with Il Maestro about his early years in music and the film industry, and his long, successful collaboration with the late Lucio Fulci. Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK Theme Music by Scott Johannsson DFC Logo by Dan Cullinan January 16th 2016

Episode 24. It's relatively slim pickings for TG and ScoJo on the soundtrack front this week, but rather than deprive you of our dulcet tones we tackle some non-OST albums too: EGISTO MACCHI, ULVER and THE DALE COOPER QUARTET make an appearance alongside the BIRD ost and EDWARD SCISSORHANDS. TG digs out his Apache track of the week - a tasty disco 7" by maestro FABIO FRIZZI. We're thrilled to welcome Canadian artist GARY PULLIN onto the show for an extended chat about his amazing illustration work for labels such as WAXWORK, MONDO and ARROW VIDEO. A personal favourite artist of ours, Gary tells us all about his creative origins, his love of horror growing up in Canada and some of the inspirations behind his signature Ghoulish imagery. Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK Oct 16th 2015 Ghoulish Gary 'V' portrait by Jason Edmiston DFC Theme & Halloween Special Theme by Scott Johannsson

Cette semaine on se dirige entre autre vers des compositeurs comme Broadcast, Fabio Frizzi, Mike Patton.. on explore plusieurs films dont Beyond the Black Rainbow, Zombi 2, Upstream Color.. on a même un bloc tout en percussion qui laissera des séquelles dans vos tympans.. tout ça et beaucoup plus.. à Planète Sauvage.