Podcasts about slow violence

Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Maia Gil′AdíTitle: The Lost Book of Adana Moreau by Michael ZapataHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:Palgrave SFF: A New CanonThe Zombie ArchiveDoom Patterns: Latinx Speculations and the Aesthetics of ViolenceAugustina Bazterrica's Tender is the FleshFernanda Trias' Pink SlimeKazuo Ishiguro's Never Let Me GoColson Whitehead's Zone OneToni Morrison's BelovedFernanda Melchor's Hurricane SeasonIndrapramit DasBrendan Shay Basham's Swim Home to the Vanished & Casella's reviewMariana Enriquez's Our Share of NightFredric JamesonChicago Review of Books AwardsIlana Masad's “Holocaust Beach Reads” for The Maris ReviewJason (Friday the 13th)Simón BolívarAugust Derleth, Clark Ashton Smith, H.P. Lovecraft, C.L. MooreMoebius/Jean GiraudAncient AliensBlake Crouch's Dark Matter & adaptationStuds TerkelUS Occupation of the Dominican Republic, 1916Junot Diaz's The Brief Wondrous Life of Oscar WaoJonbar pointsAimee Pokwatka's Self-Portrait with NothingLavie Tidhar's The Circumference of the Earth & Unholy LandRob Nixon's Slow Violence and the Environmentalism of the PoorSesshu Foster's Atomic AztecsMaia on Bluesky

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Factory fires, chemical explosions, and aerial pollutants have inexorably shaped South Baltimore into one of the most polluted places in the country. In Futures After Progress: Hope and Doubt in Late Industrial Baltimore (U Chicago Press, 2024), anthropologist Chloe Ahmann explores the rise and fall of industrial lifeways on this edge of the city and the uncertainties that linger in their wake. Writing from the community of Curtis Bay, where two hundred years of technocratic hubris have carried lethal costs, Ahmann also follows local efforts to realize a good future after industry and the rifts competing visions opened between neighbors. Examining tensions between White and Black residents, environmental activists and industrial enthusiasts, local elders and younger generations, Ahmann shows how this community has become a battleground for competing political futures whose stakes reverberate beyond its six square miles in a present after progress has lost steam. And yet—as one young resident explains — “that's not how the story ends.” Rigorous and moving, Futures after Progress probes the deep roots of our ecological predicament, offering insight into what lies ahead for a country beset by dreams deferred and a planet on the precipice of change. Futures after Progress is available in Open Access here.Mentioned in this episode: Ahmann, Chloe and Anand Pandian. 2024. “The Fight Against Incineration is a Chance to Right Historic Wrongs.” Baltimore Beat, June 26. Ahmann, Chloe. 2024. “Curtis Bay Residents Deserve a Coal-free Future.” Baltimore Sun, February 18. Boym, Svetlana. 2007. “Nostalgia and Its Discontents.” Hedgehog Review 9(2). Butler, Octavia. 1993. Parable of the Sower. New York: Grand Central Publishing. Butler, Octavia. 1998. Parable of the Talents. New York: Grand Central Publishing. Nixon, Rob. 2011. Slow Violence and the Environmentalism of the Poor. Harvard University Press. South Baltimore Community Land Trust. https://www.sbclt.org/ Weston, Kath. 2021. “Counterfactual Ethnography: Imagining What It Takes to Live Differently.” AIBR: Revista de Antropología Iberoamericana 16(3): 463–87. Chloe Ahmann is Assistant Professor of Anthropology at Cornell University. Her work explores what efforts to think and enact environmental futures look like from the sedimented space of late industrialism. Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University. [please link my name. Special thanks to Brittany Halley, Nikoo Karimi, Abigail Musch, Kate Roos, and Koray Sackan, who helped prepare this interview in the Comparative Studies Seminar in Technology and Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode we talk with activist Sinan from the organization Climaximo about organizing during and against accelerating climate change. We start the conversation by describing some of the principle that our political work is based upon, in particular that the real risk of climate collapse is underrepresented and that the capitalist class will always resist any meaningful structural change. Then we talk about Climaximo, their mode of organizing and plans for the future. Sinan explains to us how they operate under the assumption of a state of climate emergency and their effort to frame climate change as a war waged by the capitalist class against the rest of the world. We finish with some book recommendations and a call to get organized. ===== Re(Sources): Climaximo web: https://www.climaximo.pt/ fb: /climaximopt ig: @climaximopt Naomi Klein, This Changes Everything: Capitalism vs. The Climate, Simon & Schuster (2014) https://www.goodreads.com/book/show/21913812-this-changes-everything Rob Nixon, Slow Violence and The Environmentalism of The Poor, Harvard University Press (2010). https://www.goodreads.com/book/show/10429440-slow-violence-and-the-environmentalism-of-the-poor Bill McGuire, Hothouse Earth: An Inhabitant's Guide, Icon Books (2022). https://www.goodreads.com/book/show/61336424-hothouse-earth Andreas Malm and the Zetkin Collective, White Skin, Black Fuel: On The Danger of Fossil Fascism, Verso (2021). https://www.goodreads.com/book/show/56708410-white-skin-black-fuel Artwork by Alis Balogh Music: Capitalism is Toxic song: https://youtu.be/cMPt6AA6NOY

In this episode of *Art Heals All Wounds*, I sit down with Jimmy Ramirez, an artist and high school teacher from Oakley, California. We talk about Jimmy's film Above Ground, which delves into the ways that streams and creeks in Oakland have been ‘entombed' in culverts in Oakland, California. We also discuss re-imagining our relationship to water.**Key Topics Discussed:** 1. **Discovery of Hidden Waterways**:   - My personal experience of discovering the hidden Providence River during my college years in Providence, Rhode Island, drawing a parallel to the hidden creeks of Oakland. 2. **Jimmy's Film "Above Ground"**:   - The film explores how Oakland has buried many of its natural waterways under concrete, a practice known as "entombing." This impacts local ecosystems previously supporting species like salmon and trout. 3. **Personal Connection to Peralta Creek**:   - Jimmy discusses his family's history with Peralta Creek in Fruitvale, Oakland, emphasizing how urban development has drastically altered the waterway. 4. **Impact of Water Management Practices**:   - Water management practices designed to prevent flooding have dried out natural water bodies despite heavy rainfalls, disrupting ecological balance. 5. **Historical Decisions and Urban Planning**:   - The conversation addresses the historical decisions to bury natural waterways and how early urban planning overlooked long-term environmental impacts. 6. **Environmental and Mental Health Implications**:   - We discuss the concept of "slow violence" where the lack of natural elements in urban areas contributes to mental health issues and community stress. 7. **Neighborhood Disparities**:   - Disparities between wealthier neighborhoods with more greenery and lower-income areas in Oakland are highlighted, showing the uneven distribution of environmental resources. 8. **Community Initiatives and Successes**:   - Some residents have successfully removed culverts to restore natural water flow, though legal ambiguities persist. 9. **Government and Political Dynamics**:   - Oakland officials have shown interest in Jimmy's film to raise awareness about these environmental issues, and the conversation touches on the politicized nature of water management in California. 10. **Reimagining Water Use**:    - Jimmy advocates for a collectivist approach to water systems, inspired by indigenous wisdom, contrasting America's individualistic mindset. 11. **Challenges and Resistance**:    - Addressing restrictive regulations around rainwater collection and gray water reuse, and how contractors are now more conscious about concreting over backyards. 12. **Future Projects and Art's Role**:    - Jimmy discusses future projects and the significance of art in processing climate grief and inspiring change. He also expresses gratitude for support from the California Arts Council. **Closing Thoughts and Listener Engagement:**Don't forget to go to my website and leave me YOUR story of belonging to feature on a future episode!Buy Me a Coffee!Follow Jimmy! InstagramLinkedInFollow Me!●      My Instagram&

Episode 55 of The Chemical Sensitivity Podcast is available now! It's called: “Sacrifice Zones, Slow Violence, and Pushing Back against Chemical Pollution."It features a conversation with Noah Theriault, Ph.D.Noah is an associate professor of anthropology in the Department of History at at Carnegie Mellon University in Pittsburgh, Pennsylvania in the U.S. He is a political ecologist and specializes in how capitalism shapes social and environmental inequality. In this episode, we take a wider look at toxic chemical pollution. It's important, because people with MCS often have to focus on survival. But we also need to keep in mind the wider issues that contribute to conditions that make us ill and impact everyone. You'll hear Noah explore:How he sees toxic chemical pollution as "state-sanctioned violence" and environmental injustice. How marginalized and racialized communities are frequently exposed to toxic chemicals and the places they live become uninhabitable and what he calls “sacrifice zones.”How some communities are pushing back against toxic chemical pollution.Thank you for listening!Please subscribe where you get your podcasts.#MCSAwareness #MCS #MultipleChemicalSensitivity #TILT Support the showSpecial thanks to the Marilyn Brachman Hoffman Foundation for its generous support of the podcast.If you like the podcast, please consider becoming a supporter! Support the podcast. Find the podcast on Patreon. If you like, please buy me a coffee. Follow the podcast on YouTube! Read captions in any language. Please follow the podcast on social media:FacebookTwitterInstagramTikTokSponsorship Opportunites Are you an organization or company interested in helping to create greater awareness about Multiple Chemical Sensitivity and Chemical Intolerance and/or looking for sponsorship opportunities? Please email us at info@chemicalsensitivitypodcast.org

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Each year, hundreds of thousands of migrants are moved through immigration court. With a national backlog surpassing one million cases, court hearings take years and most migrants will eventually be ordered deported. The Slow Violence of Immigration Court: Procedural Justice on Trial (NYU Press, 2023) by Dr. Maya Pagni Barak sheds light on the experiences of migrants from the “Northern Triangle” (Guatemala, Honduras, and El Salvador) as they navigate legal processes, deportation proceedings, immigration court, and the immigration system writ large. Grounded in the illuminating stories of people facing deportation, the family members who support them, and the attorneys who defend them, The Slow Violence of Immigration Court invites readers to question matters of fairness and justice and the fear of living with the threat of deportation. Although the spectacle of violence created by family separation and deportation is perceived as extreme and unprecedented, these long legal proceedings are masked in the mundane and are often overlooked, ignored, and excused. In an urgent call to action, Dr. Barak deftly demonstrates that deportation and family separation are not abhorrent anomalies, but are a routine, slow form of violence at the heart of the U.S. immigration system. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

LMPD's Interim Chief Paul Humphrey discusses the advantage of being from the city and growing-up in the department, changes coming to the handling of sexual harassment claims, the need for more assests and officers, how to slow the violence in our community, and whether or not he wants to be Chief full-time...

She gave up a corporate career to live a slow life: to travel, to immerse, to write, to learn to see. Arati Kumar-Rao joins Amit Varma in episode 383 of The Seen and the Unseen to talk about her writing, her photography and the lessons she has learnt by standing still and looking. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Arati Kumar-Rao on Instagram, Twitter, LinkedIn and her own website. 2. Marginlands: Indian Landscapes on the Brink -- Arati Kumar-Rao. 3. The Peepli Project. 4. The Prem Panicker Files — Episode 217 of The Seen and the Unseen. 5. Killers of the Flower Moon -- David Grann. 6. Sowmya Dhanaraj Is Making a Difference — Episode 380 of The Seen and the Unseen. 7. Rahul Matthan Seeks the Protocol — Episode 360 of The Seen and the Unseen. 8. Masanobu Fukuoka and Wendell Berry. 9. India's Water Crisis — Episode 60 of The Seen and the Unseen (w Vishwanath S aka Zenrainman). 10. The American Geographies -- Barry Lopez. 11. The Invisible Gorilla. 12. Letters to a Young Poet -- Rainer Maria Rilke. 13. Slow Violence and the Environmentalism of the Poor -- Rob Nixon. 14. The Fatal Conceit -- Friedrich Hayek. 15. The Gokhale Bridge fiasco. 16. Pritika Hingorani Wants to Fix Our Cities — Episode 361 of The Seen and the Unseen. 17. Toba Tek Singh -- Sadat Hasan Manto. 18. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 19. Episodes of The Seen and the Unseen with Ramachandra Guha: 1, 2, 3, 4, 5, 6. 20. Modern South India: A History from the 17th Century to our Times -- Rajmohan Gandhi. 21. Blindness --  José Saramago. 22. The Wreck -- Rabindranath Tagore. 23. Rabindranath Tagore, Satyajit Ray and Gulzar. 24. Rachel Carson, Barry Lopez, Nan Shepherd and Robert Macfarlane on Amazon. 25. The Living Mountain -- Nan Shepherd. 26. The Peregrine -- JA Baker. 27. Paul Salopek on Twitter and the Out of Eden Walk. 28. Pradip Krishen on Wikipedia, Amazon and IMDb. 29. Pather Panchali -- Satyajit Ray, 30. The Grapes of Wrath -- John Steinbeck. 31. Working Days: The Journals of The Grapes of Wrath -- John Steinbeck. 32. Call Me American -- Abdi Nor Iftin. 33. Hisham Matar and Kamila Shamsie on Amazon. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit's newsletter is explosively active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘River' by Simahina.

“What is the climate justice issue in Milwaukee? It's not an issue of an of a sudden disaster. It's not a flood. It's about slow violence,” says Arjit Sen. “It's […] The post Exhibit Shines a Light on Slow Violence as a Climate Justice Issue appeared first on WORT-FM 89.9.

This episode discusses the concept of slow violence and the differential impact it has on women and girls when we talk about the environment and climate change. MA student Jenifer Sánchez helps us think about and consider the concept of intersectional ecology to understand that slow environmental violence is not only crossed by the category of class, but by gender, race and even cultural and religious aspects. Such an analysis allows us to carry out a deeper project of critique and transformation, and places environmental concerns at the centre of any progressive social struggle.

All of us have had to give more thought to climate change and its effects in recent years. But to what degree have we yet reckoned with the way in which climate change may increase violence against children? Which children are most likely to be affected? What preventative measures can we take now to help mitigate that risk? And how should this knowledge shape our services to children and families, both now and in the future? We speak with Dr. Jorge Cuartas, assistant professor of applied psychology at New York University and senior consultant on violence against children at the World Bank.Topics in this episode:00:09 – Origin story03:13 – The strain on families and communities05:57 – Displaced families, family separation08:07 – Effect on marginalized communities12:02 – Slow violence and mental health18:45 – Anxiety, resilience, and climate change23:24 – Advice for policy makers27:10 – Advice for child abuse professionals34:11 – Future research39:10 – For more informationLinks:Jorge Cuartas, Ph.D., assistant professor of applied psychology at New York University; senior consultant on violence against children at the World Bank; co-director of the NGO Apapacho“Climate change is a threat multiplier for violence against children,” Jorge Cuartas, Amiya Bhatia, Daniel Carter, Lucie Cluver, Carolina Coll, Elizabeth Donger, Catherine E. Draper, Frances Gardner, Bess Herbert, Orla Kelly, Jamie Lachman, Najat Maalla M'jid, Frederique Seidel, Child Abuse & Neglect, 2023, 106430, DOI: 10.1016/j.chiabu.2023.106430.For more information about National Children's Alliance and the work of Children's Advocacy Centers, visit our website at NationalChildrensAlliance.org. Or visit our podcast website at OneInTenPodcast.org. And join us on Facebook at One in Ten podcast.Support the Show.Did you like this episode? Please leave us a review on Apple Podcasts.

Natasha Saunders (University of St. Andrews - @NEGSaunders) speaks with the Thinking Global team about Refugees, Digital Border Technologies and The Violence of Asylum. Dr. Saunders chats with Kieran (⁠⁠@kieranjomeara⁠⁠) about the distinction between refugee status and asylum, the 'slow violence' of the latter, digital border technologies, current UK policy towards asylum seekers and refugees, and the manner in which resistance manifests to these. Additionally, check out Natasha's article in The European Journal of Political Theory ⁠'Security, digital border technologies, and immigration admissions: Challenges of and to non-discrimination, liberty and equality'. Thinking Global is affiliated with ⁠⁠⁠⁠⁠⁠⁠⁠E-International Relations⁠⁠⁠⁠⁠⁠⁠⁠ - the world's leading open access website for students and scholars of international politics. If you enjoy the output of E-International Relations, please consider a donation.

Arati Kumar-Rao is an exceptional National Geographic Explorer, independent environmental photographer, writer, and artist dedicated to documenting the slow violence of ecological degradation. With unwavering passion, she traverses the South Asian subcontinent, embarking on captivating journeys that span seasons and sometimes years. Through her profound storytelling, Arati chronicles the ever-changing landscapes, climate, and their profound impact on livelihoods and biodiversity in South Asia. Arati's profound impact is not confined to her lens or pen; she employs a multidimensional approach, utilising the power of photos, long form narratives, and art to communicate her insights. Recently, she unveiled her debut book, "Marginlands: Indian Landscapes On The Brink," a poignant exploration now available in bookstores across India and on Amazon. Currently, Arati is engaged in a significant undertaking as she explores forced human migration in India, supported by a prestigious National Geographic grant. Her remarkable body of work has garnered recognition and has been featured in esteemed publications such as The National Geographic Magazine, Emergence Magazine, The Hindu, #Dysturb, The Guardian, BBC Outside Source, Hindustan Times, Mint, and other reputable outlets. Additionally, her artistic endeavours have been exhibited both in India and internationally, leaving an indelible mark on the global stage. When not immersed in her assignments, Arati finds solace and inspiration in the Western Ghats and Bangalore, where she cherishes being a loving mother to three rescued cats. *** Don't miss out on the latest episodes of the Tough Girl Podcast, released every Tuesday at 7am UK time! Be sure to hit the subscribe button to stay updated on the incredible journeys and stories of strong women.  By supporting the Tough Girl Podcast on Patreon, you can make a difference in increasing the representation of female role models in the media, particularly in the world of adventure and physical challenges. Your contribution helps empower and inspire others. Visit www.patreon.com/toughgirlpodcast to be a part of this important movement. Thank you for your invaluable support! *** Show notes Who is Arati? Being based in Bangalore when not travelling  Her role as an environmental chronicler  Being a slow journalist or a slow storyteller The types of story she tells  Her passion for photography and art  The tools she uses to tell the story  Working in the corporate world and making the decision to leave her job (2013) and start telling environmental stories  Her early years growing up and spending time in nature  Being inspired by the National Geographic Magazine  Wanting to tell stories of the land by walking  Making the transition from the corporate world to following her passion for storytelling  The practical steps involved 2 pivotal moments in her life Studying for a Masters in Physical and working in a lab and deciding it wasn't the right job for her Having to choose between the Arts and the Sciences Moving back to India and working with Intel doing Market Research Falling ill with Typhoid in her 30s and starting to reflect on her life and thinking about what she really wanted to do Needing to make new connections and build new networks  Slowly starting to find her way and the power of social media to publish stories Slow story telling verses the speed of the internet Needing to upskill in photography, writing and art Taking out personal loads and writing for grants Getting the grant from National Geographic to study forced Human Migration across India due to environmental degradation  Doing a transect walk from the most easterly point of India to the most Westerly point.  Planning and starting a story - what that looks like  Following the threads and seeing where it leads Knowing when you are on the right path? Not finding any path to be wrong - there is always something to learn Taking a pause to reflect on the information that's been gathered  Dealing with dead ends and moving on Her first time in Bangladesh  New book: Marginlands: Indian Landscapes on the Brink  The speed and impact of climate change  Why it's important to listen to the local geography's Sounds in storytelling - Soundscapes Recording a sound signature throughout the journey  Paul Salopek's - Out of Eden Walk Art as part of the storytelling Wanting to train herself to pay attention to detail  How to connect with Arati on the social media platforms  Final words of advice for other women to follow their passions  Why it's important for women to speak up The stories that are in your backyard “Pay attention. Be astonished. Tell about it.” ~ Mary Oliver.   Social Media Website: www.aratikumarrao.com Instagram: @aratikumarrao  Twitter: @aratikumarrao   Facebook: @aratikumarrao   Book: Marginlands: Indian Landscapes on the Brink  

Our guest Scott Slovic is a global leader in the field of environmental humanities, who has taught at many universities in the United States and abroad. He is University Distinguished Professor of Environmental Humanities at the University of Idaho in the United States, where he has taught since 2012. He was the founding president of the Association for the Study of Literature and Environment in the early 1990s, and he served as editor-in-chief of ISLE: Interdisciplinary Studies in Literature and Environment, the central journal in the field of ecocriticism (environmental literary studies), from 1995 to 2020. He has written, edited, or co-edited thirty books, including most recently Nature and Literary Studies and The Bloomsbury Handbook to the Medical-Environmental Humanities, both of which appeared in 2022. He has also published more than 300 articles, presented more than 800 keynote and invited lectures throughout the world, and been a Fulbright Scholar in Germany, Japan, China, and Turkey. Much of his current work explores how information is collected, communicated, and received in the contexts of humanitarian and environmental crises. In addition to co-editing the book series Routledge Studies in World Literatures and the Environment and Routledge Environmental Humanities, he is a contributing editor for the website www.arithmeticofcompassion.org.

In today's episode we talk with author, professor, and activist Ashley Dawson about the neoliberal city in the context of climate change and the liberatory potential inherent in community solar energy projects. The first half of the episode follows our guest's book, Extreme Cities. The discussion starts from observations on the usual scale of reporting and perception of climate change – global or national, but not the urban scale. We talk about how large climate projects are often designed with planned obsolescence in mind, and first of all serve the interests of the elites; about the unequal impact of climate change and how communities often respond through what Ashely calls disaster communism; and about community solar energy as an example of such a collective (preventive in this case) response in the face of crisis. The second half of the ep. is based on Ashley's book, People's Power, and makes a case for community managed solar energy projects as a progressive tool through which to tackle the issue of energy poverty and the looming climate apocalypse. The topics that we cover include the solar commons as an analytical and discursive tool, issues of accessibility (financial, technological etc) surrounding solar projects, and reflections on how the state fits into the picture. ===== Re(Sources) Vlad Zaha: yt: @vladzaha806 fb: vlad.g.zaha ig: zaha.vlad Ashley Dawson https://ashleydawson.info/ Ashley Dawson, Extreme Cities: Climate Chaos and the Urban Future, Verso Books (2016). https://www.goodreads.com/book/show/28952797-extreme-cities Ashley Dawson, People's Power: Reclaiming the Energy Commons, OR Books (2020). https://www.goodreads.com/book/show/52636876-people-power People's power discussion series https://youtu.be/zIRen05iYSk https://youtu.be/r1T5rzf1ndc https://youtu.be/8uFujxQ-PJ0 https://youtu.be/tVwUw3H-6VE Public Power New York https://publicpowerny.org/ Community Renewables Podcast https://soundcloud.com/user-528766714 Thea Riofrancos, Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador, Duke University Press (2020). https://www.goodreads.com/book/show/51897844-resource-radicals Michael Hardt & Antonio Negri, Commonwealth, Belknap Press (2009). https://www.goodreads.com/book/show/6384328-commonwealth Pierre Dardot & Christian Laval, Common: On Revolution in the 21st Century, Bloomsbury Academic Press (2019). https://www.goodreads.com/book/show/44175765-common After Oil Collective (AOC) https://afteroil.ca/ AOC, Solarities: Seeking Energy Justice, Univ of Minnesota Press (2022) https://www.goodreads.com/book/show/60615208-solarities Rob Nixon, Slow Violence and the Environmentalism of the Poor, Harvard University Press (2011). https://www.goodreads.com/book/show/10429440-slow-violence-and-the-environmentalism-of-the-poor Christoph Rupprecht (Ed.), Deborah Cleland (Ed.), Norie Tamura (Ed.), Rajat Chaudhuri (Ed.), Sarena Ulibarri (Ed.), Multispecies Cities: Solarpunk Urban Futures, World Weaver Press (2021). https://www.goodreads.com/book/show/56906532-multispecies-cities Artwork by Alis Balogh Music: The Sound by Adelaide https://open.spotify.com/artist/5JrWus8N8CfANNXBNDMAfK ig: @_adelaide_band_ sotb podcast: https://www.seasonoftheb.com/

Peter Sutoris believes that the Anthropocene challenges the very definition of education and, indeed, its key goals. He argues that educators must look outside conventional models and ways of education for inspiration --if education is to live up to its responsibilities at this critical time.  In this revealing interview, Peter shares the results of his inspiring research into grassroots environmental activism and education--and provides an array of practical ideas on teaching and community based action for the Anthropocene. Peter Sutoris is an environmental anthropologist, Lecturer in Education at the University of York, and Honorary Senior Research Associate at University College London.  His work bridges anthropology with education, development studies and environmental studies -as he explores the cultural and political aspects of the environmental crisis, the limitations of technological solutions to environmental decay, and degrowth. He is the author of two books, most recently, Educating for the Anthropocene: Schooling and Activism in the Face of Slow Violence. 

Follow @thebuzzrnet Release Date: 17/01/23 Location: United States, New York, NY Occurrence ‘Fudge' About the Song The second single from the forthcoming double album SLOW VIOLENCE. OCCURRENCE Genres ELECTRO UNITED STATES Artist Socials External-link-alt Facebook-f Twitter Instagram Spotify Youtube Bandcamp

On the seventh and final episode of The Climate Imaginary, a Below the Radar series, Am Johal is joined by Karenna Gore, the founder and executive director of Center for Earth Ethics at Union Theological Seminary. In their conversation, they discuss the intersection of environmental ethics and theology, the wisdom contained in tradition, and the need for a new relationship between humans and nature – one not based on domination. Through the contemplation of faith and ecological responsibilities, this episode puts forward alternative ways to resist the climate crisis. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/the-climate-imaginary/198-karenna-gore.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/198-karenna-gore.html Resources: Karenna Gore: https://centerforearthethics.org/profile/karenna-gore/ Center for Earth Ethics: https://centerforearthethics.org/what-are-earth-ethics-tk/ Union Theological Seminary: https://utsnyc.edu/about/ EcoPeace Middle East: https://ecopeaceme.org/about/ Slow Violence and the Environmentalism of the Poor by Rob Nixon: https://www.hup.harvard.edu/catalog.php?isbn=9780674072343 Ahmed Shaheed Report to 77th session of the UN General Assembly: https://www.ohchr.org/en/documents/thematic-reports/a77514-interim-report-special-rapporteur-freedom-religion-or-belief Seth Klein Interview: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/27-seth-klein.html A Good War: Mobilizing Canada for the Climate Emergency: https://www.sethklein.ca/book Laudato Si': On Care for Our Common Home: https://www.vatican.va/content/francesco/en/encyclicals/documents/papa-francesco_20150524_enciclica-laudato-si.html Dayenu: https://dayenu.org/?eType=EmailBlastContent&eId=44444444-4444-4444-4444-444444444444 Hazon: https://hazon.org/about/mission-vision/ Bio: Karenna Gore is the founder and executive director of the Center for Earth Ethics at Union Theological Seminary in New York. She previously worked at the legal centre of Sanctuary for Families, which serves victims of domestic violence and trafficking, and had authored the book, “Lighting the Way: Nine Women Who Changed Modern America” (2006). Karenna graduated from Harvard College, earned her law degree from Columbia Law School, and a Master's in Social Ethics from Union Theological Seminary. Cite this episode: Chicago Style Johal, Am. “The Climate Imaginary: Earth Ethics, Spirituality and Social Justice — with Karenna Gore.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 13, 2022. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/the-climate-imaginary/198-karenna-gore.html.

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground. "You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention. Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts. Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control? Mentioned in the Episode E.O. Wilson, Half Earth "Gene editing could revive a nearly lost tree"; the chestnut gene splicing debate in a recent Washington Post article. (Elizabeth has reported on Bill Powell's work) Mary Shelley, Frankenstein (1818) Cormac McCarthy, The Road (2006) Cli-fi: climate fiction in all its bleakness. For example, Margaret Atwood's Oryx and Crake. Kim Stanley Robinson, Ministry for the Future Rob Nixon, Slow Violence: how to see things happening at different time scales. Rachel Carson, Silent Spring (1962) Henry David Thoreau, "the touchstone" of American nature writing. e.g Walden (1854); dated yes, but "in most ways ahead of his time" Des Poissons dans le Desert: Elizabeth's book title in French! Listen to the episode here. Read the transcript here. Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

Our guest Scott Slovic is a global leader in the field of environmental humanities, who has taught at many universities in the United States and abroad. He is University Distinguished Professor of Environmental Humanities at the University of Idaho in the United States, where he has taught since 2012. He was the founding president of the Association for the Study of Literature and Environment in the early 1990s, and he served as editor-in-chief of ISLE: Interdisciplinary Studies in Literature and Environment, the central journal in the field of ecocriticism (environmental literary studies), from 1995 to 2020. He has written, edited, or co-edited thirty books, including most recently Nature and Literary Studies and The Bloomsbury Handbook to the Medical-Environmental Humanities, both of which appeared in 2022. He has also published more than 300 articles, presented more than 800 keynote and invited lectures throughout the world, and been a Fulbright Scholar in Germany, Japan, China, and Turkey. Much of his current work explores how information is collected, communicated, and received in the contexts of humanitarian and environmental crises. In addition to co-editing the book series Routledge Studies in World Literatures and the Environment and Routledge Environmental Humanities, he is a contributing editor for the website www.arithmeticofcompassion.org.

The concept of slow violence is one that has gained recognition in recent years, providing a definition for events that are violent but not normally seen as such, due to its slow nature and continuation over many years. The current destruction being caused to communities and the environment in Leitrim by Sitka spruce plantations can be viewed as slow violence, as well as the area itself being referred to as a ‘sacrifice zone'. Leitrim's small population, lack of media attention and small electorate have resulted in the area experiencing extreme changes to its environment, with afforestation also affecting community life. This podcast discusses the terms of ‘slow violence' and ‘sacrifice zones' and how they can be used to better understand what is happening in Leitrim, while also detailing an account of the field trip Maynooth University Geography students took in April to Leitrim, and a discussion of the impactful work of the group Save Leitrim.

A Wits University study says despite SA's status as a middle-income country, severe acute malnutrition causes at least a third of deaths in children under five. On tonight's Medical Matters, we talk to Dr Chantell Witten, she is the Researcher at the University of the Western Cape, Centre of Excellence for Food Security and co-author of the 2020 Child Gauge on the Slow Violence of Malnutrition in Children in South Africa, on this issue. Email:foodsecurity@uwc.ac.za   See omnystudio.com/listener for privacy information.

Kim talks with Sonya Posmentier about hurricanes. Sonya writes about hurricanes and diaspora in her book, Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature, Johns Hopkins University Press, 2017. In the episode she references Kamau Brathwaite's essay “The History of the Voice” and Rob Nixon's book Slow Violence, Harvard University Press, 2011. She also talks about a genre of Jamaican dancehall music that grew in the wake of Hurricane Gilbert in 1988. To hear some of that music and learn more about the musical resonances of hurricanes, you can read her “Hurricane Season Playlist” on the Johns Hopkins University Press blog. Sonya teaches African American literature in the English Department at New York University (where she is an excellent dissertation advisor for literary scholars and future podcasters). This week's image of a spiral evoking hurricane wind patterns was borrowed from Wikimedia Commons. Creative commons license, CC By Share Alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Kim talks with Sonya Posmentier about hurricanes. Sonya writes about hurricanes and diaspora in her book, Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature, Johns Hopkins University Press, 2017. In the episode she references Kamau Brathwaite's essay “The History of the Voice” and Rob Nixon's book Slow Violence, Harvard University Press, 2011. She also talks about a genre of Jamaican dancehall music that grew in the wake of Hurricane Gilbert in 1988. To hear some of that music and learn more about the musical resonances of hurricanes, you can read her “Hurricane Season Playlist” on the Johns Hopkins University Press blog. Sonya teaches African American literature in the English Department at New York University (where she is an excellent dissertation advisor for literary scholars and future podcasters). This week's image of a spiral evoking hurricane wind patterns was borrowed from Wikimedia Commons. Creative commons license, CC By Share Alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kim talks with Sonya Posmentier about hurricanes. Sonya writes about hurricanes and diaspora in her book, Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature, Johns Hopkins University Press, 2017. In the episode she references Kamau Brathwaite's essay “The History of the Voice” and Rob Nixon's book Slow Violence, Harvard University Press, 2011. She also talks about a genre of Jamaican dancehall music that grew in the wake of Hurricane Gilbert in 1988. To hear some of that music and learn more about the musical resonances of hurricanes, you can read her “Hurricane Season Playlist” on the Johns Hopkins University Press blog. Sonya teaches African American literature in the English Department at New York University (where she is an excellent dissertation advisor for literary scholars and future podcasters). This week's image of a spiral evoking hurricane wind patterns was borrowed from Wikimedia Commons. Creative commons license, CC By Share Alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kim talks with Sonya Posmentier about hurricanes. Sonya writes about hurricanes and diaspora in her book, Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature, Johns Hopkins University Press, 2017. In the episode she references Kamau Brathwaite's essay “The History of the Voice” and Rob Nixon's book Slow Violence, Harvard University Press, 2011. She also talks about a genre of Jamaican dancehall music that grew in the wake of Hurricane Gilbert in 1988. To hear some of that music and learn more about the musical resonances of hurricanes, you can read her “Hurricane Season Playlist” on the Johns Hopkins University Press blog. Sonya teaches African American literature in the English Department at New York University (where she is an excellent dissertation advisor for literary scholars and future podcasters). This week's image of a spiral evoking hurricane wind patterns was borrowed from Wikimedia Commons. Creative commons license, CC By Share Alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

There are more ways to conduct and communicate research than merely reporting experimental results. Kerime Opijnen is a recent Ms. Sc. graduate from Lunds University and she shares her experiences using poetry and creative writing as a research format in this episode. Her work focuses on The Power of Poetry to bridge gaps between human rights and environmental devastation in the Niger Delta and oil consumers in the Netherlands. Kerime was kind enough to discuss the role that poetry and creative writing can take as a research method, as a writing form for Master's research, and why non-standard research and writing have value for people across the world. Show Note: Clayton asked Kerime to share some additional information about some of the positive work being done in the Niger Delta by activists. Here is what she said: "When I spoke to Nnimmo Bassey, he was in Port Harcourt in the heart of the Niger Delta. He was there to visit polluted location and the places where contamination is being cleaned up. Particularly in Ogoniland, the clean-up process has started, which in Bassey's eyes vindicates the work and position of Ken Saro Wiwa who was assassinated in 1995. Bassey said that, to him, this clean-up is "a sign that, no matter who has suffered in the past and no matter what was done in the past, one day truth will prevail." Bassey also spoke about the hope that took from the took from the judgements in the Hague and also a recent UK Supreme Court ruling which held Shell accountable for environmental damages." Resources Kerime's Thesis: https://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=9044288&fileOId=9044291 (https://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=9044288&fileOId=9044291)   Rob Nixon's book Slow Violence and the Environmentalism of the Poor: https://books.google.no/books/about/Slow_Violence_and_the_Environmentalism_o.html?id=bTVbUTOsoC8C&printsec=frontcover&source=kp_read_button&hl=en&redir_esc=y#v=onepage&q&f=false (https://books.google.no/books/about/Slow_Violence_and_the_Environmentalism_o.html?id=bTVbUTOsoC8C&printsec=frontcover&source=kp_read_button&hl=en&redir_esc=y#v=onepage&q&f=false) Social Science Research Council - What is activist research?: https://items.ssrc.org/from-our-archives/what-is-activist-research/ (https://items.ssrc.org/from-our-archives/what-is-activist-research/) This is an English article about the Dutch court case which Kerime also talked about: https://www.reuters.com/article/us-shell-nigeria-court-idUSKBN29Y1D2 (https://www.reuters.com/article/us-shell-nigeria-court-idUSKBN29Y1D2) Nnimmo Bassey Wikipedia page: https://en.wikipedia.org/wiki/Nnimmo_Bassey (https://en.wikipedia.org/wiki/Nnimmo_Bassey) A.D. Carson, Ph.D - Seth mentioned A.D. Carson's successful Ph.D. Album thesis: https://aydeethegreat.com/ (https://aydeethegreat.com/)

Rob Nixon is the Currie C. and Thomas A. Barron Family Professor of the Humanities and the Environment at Princeton University. His fourth book, Slow Violence and the Environmentalism of the Poor (2011), uniquely made waves across the academic fields of the humanities and in the world of climate change activism. In this episode, Rob details the book's origins in his campaigning for the release of Ken Saro-Wiwa, in his anti-apartheid activism, and in his writing about the nuclear aftermath of the US-Iraq War. 'This is a book that didn't intend to become a book.' Craft is brought to you by Wasafiri, the magazine of international contemporary writing. Check out our website, www.wasafiri.org, for outtakes and a full transcript of this interview, and much more from writers all over the world.Craft is sponsored by Arts Council England, and Queen Mary University of London. See acast.com/privacy for privacy and opt-out information.

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

“There are some recurrent threads in indigenous cultures across the world. One of those is–We don't own the land. The land owns us. It's not seen as property first. It's seen as inalienable in that sense because you don't own it in the first place. What we're seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognised is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.”Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests.He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.· english.princeton.edu/people/rob-nixon· www.oneplanetpodcast.org · www.creativeprocess.info

Josh Crawford, the Interim Executive Director of the Pegasus Institute, discusses the rise in violence in our community, the small groups of people committing the violent acts, Group Violence Intervention, and how to decrease the violence...

Josh Crawford, the Interim Executive Director of the Pegasus Institute, discusses the rise in violence in our community, the small groups of people committing the violent acts, Group Violence Intervention, and how to decrease the violence...

Dr. Michael Mendez, Assistant Professor of Environmental Planning and Policy at the University of California, Irvine,talks about the inequities that took place during the 2017 Thomas Fire in Ventura County, California, where recovery resources were primarily directed toward wealthier residents ignoring the needs of undocumented and indigenous workers.  He discusses "slow violence," the ongoing exposures and vulnerabilities of Latinx communities, to human-caused environmental degradation or climate change.  Dr. Mendez is the author of the award-winning book, "Climate Change from the Streets:  How Conflict and Collaboration Strengthen the Environmental Justice Movment."Support the show (https://www.familiasenaccion.org/donate/)

... leaving this planet behind (or not) with Dr. Jens Temmen (HHU Düsseldorf). Listen in on us Talking American Studies: the difference between the PhD and the PostDoc phase, on Mars colonization, climate change, and the havoc an error in translation can wreak.FeaturingDr. Jens Temmen https://www.anglistik2.hhu.de/en/anglistik-ii-american-studies/faculty/staff/dr-jens-temmenDr. Verena Adamik https://vadamik.wordpress.com/Anja SöyunmezBibliography Atanasoski, Neda, and Kalindi Vora. “Why the Sex Robot Becomes the Killer Robot - Reproduction, Care, and the Limits of Refusal”. spheres: Journal for Digital Cultures. vol 6. 2020, pp. 1 - 16. DOI: https://doi.org/10.25969/mediarep/13850 .Davenport, Christian. The Space Barons: Elon Musk, Jeff Bezos, and the Quest to Colonize the Cosmos. Public Affairs. 2018.Ganser, Alexandra. “Astrofuturism.” Critical Terms in Future Studies. Ed. Heike Paul.Palgrave Macmillan, 2019. 35-43Jameson, Fredric. The Seeds of Time. Columbia University Press, 1994.Markley, Robert. Dying Planet: Mars in Science and the Imagination. Duke UP, 2005.Messeri, Lisa. Placing Outer Space: An Earthly Ethnography of Other Worlds. Duke UP, 2016.Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Harvard UP, 2011.Redfieldt, Peter. Space in the Tropics. From Convicts to Rockets in French Guyana. U of California P, 2000.Rieder, John. Colonialism and the Emergence of Science Fiction. Wesleyan UP, 2012.Temmen, Jens. “Writing Life on Mars: Posthuman Imaginaries of Extraterrestrial Colonization and the NASA Mars Rover Missions.” Forthcoming.Vertesi, Jannet. Seeing like a Rover: How Robots, Teams, and Images have Knowledge of Mars. The University of Chicago Press, 2014.Music Intro/OutroTitle: pine voc - coconut macaroon; Author: Stevia Sphere; Source: https://soundcloud.com/hissoperator/pine-voc-coconut-macaroon License: http://creativecommons.org/licenses/by/3.0/ Royalty Free Open Music https://starfrosch.com

"I started to notice that the very things that I was seeing in patients on the couch were occurring at a much greater macro level in society - the issues of disavowal, of exceptionalism, of abandoning reality if it means that you have to give something up. That is why I got so interested in the subject as an analyst because I thought: We have something to say about what is happening in the world."     Episode Description: We discuss the differing states of mind with which the climate crisis is currently being viewed. One assumption is built on exceptionalism with its characteristic omnipotence of thought, idealization, and denial of separateness. The other is object-related with its recognition of fragility, mourning, and the potential for joy.  We consider the implications of applying insights from the couch to the culture. We appreciate the importance of 'lively entitlement' as contrasted with its narcissistic version and how that liveliness invigorates so many of our passions. We review case material, the recognition of both manifest and latent levels of meaning, and the role of 'therapeutic activism'. We conclude with learning a bit about Sally's early years and its role in her current dedication.    Our Guest: Sally Weintrobe, BScHons, Chartered Clin. Psychol., a Fellow of the British Psychoanalytic Society, and chair of the International Psychoanalytic Association's Climate Committee. Formerly she was a member of senior staff at the Tavistock Clinic, Hon Senior Lecturer at the Psychoanalysis Unit, University College London and she Chaired the Scientific Committee of the British Psychoanalytic Society. Her published areas of interest are entitlement attitudes and their relationship to grievance and complaint, prejudice, our relationship to nature and psychoanalytic reflections on the climate crisis. She is one of the 31 Global Commissioners from different disciplines for the (2021) Cambridge Sustainability Report. She edited and contributed to (2012) Engaging with Climate Change: Psychoanalytic and Interdisciplinary Perspectives, New Library of Psychoanalysis.  Her new book is (2021) Psychological Roots of the Climate Crisis: Neoliberal Exceptionalism and the Culture of Uncare, published by Bloomsbury.      Recommended Readings:  Psychoanalytic and Psychosocial Perspectives on the Climate Crisis. Hoggett, P. (2012).   Climate Change in a Perverse Culture. In S. Weintrobe (Ed.), Engaging with Climate Change: Psychoanalytic and Interdisciplinary Perspectives. London: New Library of Psychoanalysis and Routledge.    Orange, D. (2017). Climate Change, Psychoanalysis and Radical Ethics. Oxford: Routledge.    Randall, R. (2012). Great Expectations: The Psychodynamics of Ecological Debt. In S. Weintrobe (Ed.). op cit.    Searles, H. F. (1972). Unconscious Processes in Relation to the Environmental Crisis. Psychoanal. Rev., 59 (3): 361–74.    General Background to the Climate Crisis. Higgins, P. (2015). Eradicating Ecocide. London: Shepheard Walwyn.    Klein, N. (2019). On Fire: The Burning Case for a Green New Deal. London: Penguin.    Nixon, R. (2011). Slow Violence and the Environmentalism of the Poor. Cambridge, MA: Harvard University Press.    Raworth, K. (2017). Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist. London: Penguin.    Thunberg, G. (2019). No One Is Too Small to Make a Difference. London: Penguin.  Wallace-Wells, D. (2019). The Uninhabitable Earth: A Story of the Future. London: Penguin.   

Kim talks with Sonya Posmentier about hurricanes. Sonya writes about hurricanes and diaspora in her book, Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature, Johns Hopkins University Press, 2017. In the episode she references Kamau Brathwaite’s essay “The History of the Voice” and Rob Nixon’s book Slow Violence, Harvard University Press, 2011. She […]

In this episode we dive into a discussion with Rob Nixon on climate change denialism, the difficulty of understanding and drawing attention to "slow violence," and in particular, the power of social media and using story and image to to translate scientific knowledge into powerful currents that catalyze social sentiment and action. As Rob discusses the dangers of the science denialism permeating a very significant minority in the U.S., he mentions the importance of the upcoming November election in the U.S., with potential fallouts including defunding WHO and defecting from the Paris Accord. However, he also sees that environmental justice is growing in importance within environmentalism. More people are realizing the overlap between public health concerns and environmentalism, such as the unequal climate impact that we are already seeing affect poor parts of the world, and new energy is coming to the movement as a result.Rob also talks about cultural values, and the idea that over generations people develop a culture and relationship with the environment. Culture and symbolism play a large role in making public statements of cultural values. On the digital front, we've seen the power of social media with George Floyd and the swell of the Black Lives Matter movement. Rob raises the question of how we can translate moments of digital massing into structural change. Slow violence is a concept to help retain attention in situations in which the damage is continuing but the event has ceased, such as the aftermath of war with toxic chemicals from depleted uranium land mines. This concept also applies with climate change and distributive justice across generations.If we are to tackle something like COVID or even bigger, climate breakdown, we face some large challenges. We need collaboration and government to invest in precautionary institutions. Daily life lived at the nanosecond with constant interruptions, but we're also needing to think in vast geological sense.Rob Nixon is the Currie C. and Thomas A. Barron Family Professor in the Humanities and the Environment. He is affiliated with the Princeton Environmental Institute's initiative in the environmental humanities. Before joining Princeton in 2015, Nixon held the Rachel Carson Professorship in English at the University of Wisconsin-Madison, where he was active in the Center for Culture, History and Environment. He is the author of four books: London Calling: V.S. Naipaul, Postcolonial Mandarin (Oxford); Homelands, Harlem and Hollywood: South African Culture and the World Beyond (Routledge); Dreambirds: The Natural History of a Fantasy (Picador); and Slow Violence and the Environmentalism of the Poor (Harvard). He has published extensively in the fields of environmental studies, postcolonial studies, nonfiction and contemporary literature and has delivered lectures on six continents. Throughout his career, he has sought to engage in both scholarly and public writing on environmental concerns and social movements, particularly as they pertain to the global South. His areas of particular interest include environmental justice, climate change and the interface between the environmental humanities and the public humanities.

The Fountain Valley fights for restitution in courts and congress. It's a fight for the entire nation. 

Produced by: Catherine Charlwood (@DrCharlwood) and Laura Ludtke (@lady_electric) Music composed and performed by Gareth Jones Laura and Catherine discuss the recent BSLS Winter Symposium on the theme of Extinctions and Rebellions, held at the University of Liverpool. If you weren’t able to make the event, we talk through the panels we attended (and between us we went to all of them!), the impact roundtable and our key takeaways from the day. Episode resources (in order of appearance): Rob Nixon, Slow Violence and the Environmentalism of the Poor (Harvard UP, 2011) Cherie Dimaline, The Marrow Thieves (Dancing Cat Books, 2017) E. W. Cooke, Grotesque Animals (Longmans, 1872) Sam Gayton, The Last Zoo (Random House, 2019) The Errant Muse exhibition - a collaboration between artist Charlotte Hodes and poet Prof Deryn Rees-Jones - is at the Victoria Museum and Gallery, Liverpool, running from 16th November 2019 until 28th March 2020, open Tues-Sat 10am-5pm. Further details can be found here.

Environmental martyrs put their bodies and lives on the line, risking imprisonment, violence or burial in a shallow grave in the dead of night. Some activists remain anonymous, while others gain posthumous fame and power, their deaths becoming a rallying call for others to join the cause. Rob Nixon, Professor in Humanities and Environment at Princeton University, and author of the award-winning Slow Violence and the Environmentalism of the Poor, explores the surge in environmental martyrdom around the world over timber, water, land and mineral rights. Martyrdom is direct action in extremis, he says. But why are so many people sacrificing their lives? And what is the relationship between the fallen martyr and the felled tree?

The second episode of this podcast is inspired by the project “Contemporary American Risk Fiction” at the University of Bayreuth. The two professors behind it, Prof. Dr. Jeanne Cortiel and Prof. Dr. Sylvia Mayer, are talking about the underlying theories, the standing of risk as a category in literary studies, and their inspirations for the project.Listen in, and let me know what you think! FeaturingProf. Dr. Sylvia Mayer http://www.americanstudies.uni-bayreuth.de/de/team/Mayer_Sylvia/index.phpProf. Dr. Jeanne Cortiel http://www.amerikanistik.uni-bayreuth.de/de/team/Cortiel_Dr_Jeanne/index.phpVerena Adamik https://vadamik.wordpress.com/Projects and Papers mentioned http://www.amerikanistik.uni-bayreuth.de/de/DFG_project/index.htmlArnoldi, Jacob. Risk: An Introduction. Key Concepts. Polity, 2009.Beck, Ulrich. Weltrisikogesellschaft. Suhrkamp, 2007. (amongst others)Berlant, Lauren. Cruel Optimism. Duke UP, 2011.Douglas, Mary, and Aaron Wildavsky. Risk and Culture: An Essay on the Selection of Technological and Environmental Dangers. U of California P, 1983.Ghosh, Amitav. The Great Derangement. Climate Change and the Unthinkable. U of Chicago P, 2016.Giddens, Anthony. Consequences of Modernity. Polity Press, 1990.Heise, Ursula. Sense of Place, Sense of Planet. The Environmental Imagination of the Global. Oxford UP, 2008. Höpker, Karin. “Frederick Douglass’s ’The Heroic Slave’ – Risk, Fiction, and Insurance in Antebellum America.” Amerikastudien 60.4 (2016): 441-462.Lupton, Deborah. Risk. Psychology Press, 1999.Mohun, Arwen P. Risk: Negotiating Safety in American Society. Johns Hopkins UP, 2013.Nixon, Rob. Slow Violence. Harvard UP, 2011.Rosen, Elizabeth. Apocalyptic Transformation: Apocalypse and the Postmodern Imagination. Lexington, 2008.Slovic, Paul. The Perception of Risk. Earthscan, 2000. (among others)Slovic, Scott. Going Away to Think: Engagement, Retreat, and Ecocritical Responsibility. U of Nevada P, 2008. (among others)Sontag, Susan. “The Imagination of Disaster.” Commentary, Oct. 1965. https://www.commentarymagazine.com/articles/the-imagination-of-disaster/Wallace, Molly. Risk Criticism: Precautionary Reading in an Age of Environmental Uncertainty. U of Michigan P, 2016. https://babel.hathitrust.org/cgi/pt?id=ku01.r2_6;view=1up;seq=1Music Intro/OutroTitle: pine voc - coconut macaroon; Author: Stevia Sphere; Source: https://soundcloud.com/hissoperator/pine-voc-coconut-macaroon License: http://creativecommons.org/licenses/by/3.0/ Royalty Free Open Music from https://starfrosch.comAll links were last checked on Feb. 26, 2019. They are provided as an information service. The creator of this podcast and the parties involved in creating the podcast have no control over third party sites and are not responsible or liable for any content or material on such sites, do not endorse the linked sites or resources or the respective contents thereof.

Joshua Portway (UK) and Lise Autogena (DK) have worked together since the early 90's, developing largescale multimedia installations, site-specific works and performances. Using video, custom-built technologies and largescale data visualisations, their projects include: Growing Cities Like Plants (the regulatory system of plant growth applied to city planning - (Sainsbury Plant Laboratory/Cambridge University, 2016). Most Blue Skies (locating and visualising the bluest sky in the world (Domaine de Chamarande, Paris 2012, Arts Catalyst, 2011,Tensta Kunsthal, 2010, Nikolaj Kunsthal/COP15, 2009, Gwangju Biennial, 2006). Black Shoals; Dark Matter - stock market Planetarium (Somerset House, ArtScience Museum Singapore, 2016; Nikolaj Kunsthal, 2004; Tate Britain, 2000). Superorganism - a simulated ant mill (Anthropocene Monument - Les Abattoirs Museum of Modern and Contemporary Art, Globale: Exo-Evolution, ZKM 2015), ‘Kuannersuit; Kvanefjeld' - exploring uranium mining as a means towards Greenland's independence (Perpetual Uncertainty - Bildmuseet, Sweden 2016, Z33 House for Contemporary Art, Belgium 2017, Malmo Kunstmuseum 2018, Nuclear Art and Archives 2016, ‘Conflict Minerals' Arts Catalyst 2017, ‘Slow Violence' Charlottenborg 2016, ‘This Rare Earth' Artefact Festival/STUK 2017, The International Uranium Film Festival, Berlin/Brazil 2018). In 2013 Autogena and Portway developed Foghorn Requiem, a concert for a disappearing sound, performed by Souter Lighthouse foghorn, 3 brass bands and 50 ships on the North Sea. Lise Autogena is a Fellow of the Arts Foundation and The National Endowment of Science, Technology and The Arts. She is a Professor of Cross-Disciplinary Art at the Cultural, Communication and Computing Research Institute (C3RI) at Sheffield Hallam University, UK. Courtesy of JRC Summer School 2018 documentation.

An interview with Rob Nixon, professor of English at Princeton University. The interview focuses on Professor Nixon's life and career, particularly his work in environmental criticism and public humanities. You can find his book Slow Violence and the Environmentalism of the Poor here: www.hup.harvard.edu/catalog.php?isbn=9780674072343. The essay we discuss, How to Read a Bridge, can be found here: www.environmentandsociety.org/perspectiv…ead-bridge.

"Wake up, Ohio, resurrection time is coming!" This year's LAST episode of Climate Justice Radio. Along with some great rhythms & tunes, the show will be featuring voices from an anti-pipeline rally in Medina including that of Oberlin student Alex Chuang, Sofia Smith-Hale on a film project on fracking in Youngstown, Reverend Monica Beasley-Martin preaching on waking up, and an interview with Oberlin environmental history professor Willis Okech Oyugi on the concepts of environmentalism of the poor and slow violence. Intro 1:15 - Alex Chuang 2:28 - "Pull Up the People," M.I.A. 4:24 - Interviews from Sustainable Medina County action 14:40 - Sofia Smith-Hale on her film on fracking in Youngstown, Reverend Monica Beasley-Martin, "Made of Air" by Grouper 25:05 - "New World Water," Mos Def 28:15 - Interview with Professor Willis Okech Oyugi http://sustainablemedinacounty.org/ http://ohcommunityrights.org/ http://nopipelies.org/ http://frackfreemahoning.blogspot.com/

Bo Jacobs is a Professor at the Hiroshima Peace Institute of Hiroshima City University, where he is a historian of nuclear technologies and radiation techno-politics. He is the author of The Dragon’s Tail: Americans Face the Atomic Age, (also available in a Japanese translation), and the editor of Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (2010), along with the author of numerous scientific papers. Since 2010 he has been a co-researcher for the Global Hibakusha Project. Numnutz of the Week: Fukushima Prefecture plans to burn “lightly irradiated” wood to shrink the volume of waste by 99.5% – BUT NOT THE AMOUNT OF RADIOACTIVITY! Thus they’ll be concentrating the contamination and releasing it as smoke, ash and soot. But hey, it LOOKS like it’s less! And they have the GALL to call what they’ll be creating “green power!” Numnutz fer shure!

Bo Jacobs is a Professor at the Hiroshima Peace Institute of Hiroshima City University, where he is a historian of nuclear technologies and radiation techno-politics. He is the author of The Dragon's Tail: Americans Face the Atomic Age, (also available in a Japanese translation), and the editor of Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (2010), along with the author of numerous scientific papers. Since 2010 he has been a co-researcher for the Global Hibakusha Project. Numnutz of the Week: Fukushima Prefecture plans to burn “lightly irradiated” wood to shrink the volume of waste by 99.5% – BUT NOT THE AMOUNT OF RADIOACTIVITY! Thus they'll be concentrating the contamination and releasing it as smoke, ash and soot. But hey, it LOOKS like it's less! And they have the GALL to call what they'll be creating “green power!” Numnutz fer shure!

Bo Jacobs is a Professor at the Hiroshima Peace Institute of Hiroshima City University, where he is a historian of nuclear technologies and radiation techno-politics. He is the author of The Dragon’s Tail: Americans Face the Atomic Age, (also available in a Japanese translation), and the editor of Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (2010), along with the author of numerous scientific papers. Since 2010 he has been a co-researcher for the Global Hibakusha Project. Numnutz of the Week: Fukushima Prefecture plans to burn “lightly irradiated” wood to shrink the volume of waste by 99.5% – BUT NOT THE AMOUNT OF RADIOACTIVITY! Thus they’ll be concentrating the contamination and releasing it as smoke, ash and soot. But hey, it LOOKS like it’s less! And they have the GALL to call what they’ll be creating “green power!” Numnutz fer shure!

The 2013 FHI Annual Distinguished Lecture will be delivered by Rob Nixon, Rachel Carson Professor of English at the University of Wisconsin-Madison. Prof. Nixon's visit will be jointly sponsored by the FHI and the Nicholas School of the Environment. Rob Nixon is currently the Rachel Carson Professor of English at the University of Wisconsin-Madison. Professor Nixon received his Ph.D. from Columbia University and is the author of London Calling: V. S. Naipaul, Postcolonial Mandarin (Oxford University Press); Homelands, Harlem and Hollywood: South African Culture and the World Beyond (Routledge); Dreambirds: the Natural History of a Fantasy (Picador); and Slow Violence and the Environmentalism of the Poor (Harvard University Press 2011). - See more at: http://calendar.duke.edu/events/show.html?fq=id:CAL-8a087089-3c6dc6ed-013c-8d71be35-00007076demobedework@mysite.edu#sthash.XwcDeftU.dpuf