Podcasts about critical ethnic studies

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.www.lizablack.comwww.josephmpierce.comwww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.www.lizablack.comwww.josephmpierce.comwww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.www.lizablack.comwww.josephmpierce.comwww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.www.lizablack.comwww.josephmpierce.comwww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20

Today we talk with Joseph Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.  

Today we speak with Emmaia Gelman and Christine Hong, two of the founders of the new Institute for the Critical Study of Zionism. They tell us what motivated them and others to take up this project to create a space where the critical study of Zionism could take place in conversation with many other fields. We hear why the organizers wish to separate critical Zionist studies from conventional Jewish Studies as practiced in the academy, and locate it in the context of radical ethnic studies.Emmaia Gelman is guest faculty in Social Sciences at Sarah Lawrence College and the founding Director of the Institute for the Critical Study of Zionism, which examines the political and ideological work of Zionist institutions beyond their direct advocacy for Israel. Her research and writing investigate the history of ideas about race, queerness, safety, and rights, and their production as political levers in the realm of hate crimes policy, surveillance, anti-terror measures, and war. She is at work on a critical history of the Anti-Defamation League (1913-1990) as a Cold War neoconservative institution, as well as an edited volume of social justice movement writings and academic research on resistance to the ADL. She is the co-chair of the American Studies Association Caucus on Academic and Community Activism, and a longtime activist in New York City on Palestine, policing, antiracism, and queer issues.Christine Hong is Professor of Critical Race and Ethnic Studies (CRES) and Literature. She directs the Center for Racial Justice at UC Santa Cruz, serves on the board of directors of the Korea Policy Institute, an independent research and educational institute, co-chairs the UC Ethnic Studies Faculty Council, and co-edits the Critical Ethnic Studies journal. She is also a core member of the Ending the Korean War Teaching Collective. Her book, A Violent Peace: Race, Militarism, and Cultures of Democratization in Cold War Asia and the Pacific, was published by Stanford University Press in 2020. Along with Deann Borshay Liem, she co-directed the Legacies of the Korean War oral history project. She also guest edited a two-volume thematic issue of Critical Asian Studies on Reframing North Korean Human Rights (2013-14); a special issue of positions: asia critique on The Unending Korean War (2015); and a forum of The Abusable Past on “White Terror, ‘Red' Island: A People's Archive of the Jeju 4.3 Uprising and Massacre.”    

Amy is joined by Dr. Maile Arvin to discuss her book, Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawai'i and Oceania and the intersections between settler colonialism and patriarchy on the Hawai'ian islands.Dr. Maile Arvin is an associate professor of History and Gender Studies at the University of Utah. She is a Native Hawaiian feminist scholar who works on issues of race, gender, science and colonialism in Hawai‘i and the broader Pacific. At the University of Utah, she is part of the leadership of the Pacific Islands Studies Initiative, which was awarded a Mellon Foundation grant to support ongoing efforts to develop Pacific Islands Studies curriculum, programming and student recruitment and support.Arvin's first book, Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawaiʻi and Oceania, was published with Duke University Press in 2019. In that book, she analyzes the nineteenth and early twentieth century history of social scientists declaring Polynesians “almost white.” The book argues that such scientific studies contributed to a settler colonial logic of possession through whiteness. In this logic, Indigenous Polynesians (the people) and Polynesia (the place) became the natural possessions of white settlers, since they reasoned that Europeans and Polynesians shared an ancient ancestry. The book also examines how Polynesians have long challenged this logic in ways that regenerate Indigenous ways of relating to each other. Her work has also been published in the journals Meridians, American Quarterly, Native American and Indigenous Studies, Critical Ethnic Studies, The Scholar & Feminist, and Feminist Formations, as well as on the nonprofit independent news site Truthout.From 2015-17, Arvin was an assistant professor at the University of California, Riverside, in Ethnic Studies. She earned her PhD in Ethnic Studies from the University of California, San Diego. Her dissertation won the American Studies Association's Ralph Henry Gabriel prize. She is also a former University of California President's Postdoctoral Fellow, Charles Eastman Fellow in Native American Studies at Dartmouth College, and Ford Foundation Pre-doctoral Fellow.

This past May David Chávez, Steven Osuna, Alejandro Villalpando, and Jared Ware (co-host of MAKC) gave a panel presentation at the Abolitions Conference in DC. We wanted to have a conversation to share some of what we talked about, some of our reflections on the conference, discuss some of the possibilities, limitations and contradictions of Abolition within Academic spaces, as well as some of the potential ways that these spaces, jobs within them, or alternatives to them might be useful in advancing the abolitionist struggle. Before we get into this conversation we would like to thank organizers Whitney Pirtle and Tanya Golash-Boza for putting the conference together and welcoming us to it. And also shout out all the folks we were able to connect with there and the people who gave talks and shared their insights and their research. We will include links to our presentation from the conference and encourage folks to check out others from the conferences if they're interested. There is a lot of good work that was presented and good discussions that were had.  Joining J for this conversation:  David Chávez teaches History & Ethnic Studies at Compton College. With his dissertation, “From Delinquents to Street Terrorists: L.A.'s War on Black and Chicanx Youth, 1945-1965,” Chávez has studied the policing and criminalization of those populations in Greater Los Angeles. He also has many years of organizing experience, including with Critical Resistance. Steven Osuna is an associate professor of Sociology at CSU Long Beach. He has written extensively on street organizations, policing, the so-called war on drugs, and the ravages of capitalism and neoliberalism. He also has experience organizing in the Philippine solidarity movement and other struggles.  Alejandro Villalpando is an assistant professor in the Department of Pan-African Studies and the Latin American Studies Program at Cal State LA. He earned his Ph.D. in Critical Ethnic Studies from UC Riverside, and an M.A. from Latin American Studies at Cal State LA. His work lies at the intersection of Black, Central American, and Ethnic Studies. He also organizes with the Coalition for Community Control Over the Police. We have had previous conversations with Alejandro and Steven and will link those in the show notes as well. It is July. Over the months of June and May we released over 14 new episodes of material. We probably will not be able to keep that pace up for this month, but we could definitely use some support from our listeners. We unfortunately just missed our sustainability goal for June. So if you are listening and are able to support the show become a patron for as little as $1 a month at patreon.com/millennialsarekillingcapitalism Links: Our presentation at the UCDC Abolitions Conference “Advancing the Abolitionist Struggle, Everywhere” (starts at approximately 4:31:30 into the recording) “The Day in Day Out Commitment to Abolition” - Alejandro Villalpando on Organizing, Building Connection, and the Abolitionist Horizon  "We Need To Be Active In The Working Class Struggle For Socialism Globally" - Steven Osuna on Class Suicide  One alternative to an academic conference is the recent Black Radical Organizing Conference, you can find video of it on Black Power Media  Photos of panelists taken by Charles H.F. Davis III at the Abolitions Conference

Episode 106: Open Architecture Collaborative Pathways to EquityHow are designers centering equity and racial justice in architecture and design practices? Open Architecture Collaborative is a global learning community mobilizing architects, designers, and a diverse range of professionals who shape the built environment with technical skills to build capacity with communities experiencing systemic racism and marginalization.Pathways to Equity is a design leadership experience for social equity. The program aims to create transformative learning experiences, shifting the field towards anti-racism and equitable outcomes. P2E introduces designers to methods for equity in practice, historical and systemic racism within the buit environment, self-reflective and community building practices, and strategies for community engagement.Consider enrolling in Pathways to Equity for 2023! P2E Virtual is a 10-week online introductory course happening April 11th-June 13th, 2023. Community members, firm principals, and individual volunteers are encouraged to apply.Guests:Shalini Agrawal is trained in architecture and is founder of Public Design for Equity. She is director for Pathways to Equity, a leadership program of Open Architecture Collaborative that trains architects and designers in racial justice workshops. She works with interdisciplinary practitioners, firms and organizations to address equity in the workplace and community engagement. She is Associate Professor in Critical Ethnic Studies at California College of the Arts, teaching curricula that aims to decolonize design and architecture practices.

In this conversation we interview Alejandro Villalpando.    Alejandro Villalpando is an Assistant Professor in the Department of Pan-African Studies and the Latin American Studies Program at Cal State LA. He earned his Ph.D. in Critical Ethnic Studies from UC Riverside, and an M.A. from Latin American Studies at Cal State LA. His work lies at the intersection of Black, Central American, and Ethnic Studies. His co-authored chapter entitled "The Racialization of Central Americans in the United States,” can be found in the edited volume Precarity and Belonging (Rutgers University Press, 2021). He was also a co-founder, co-organizer, and co-facilitator for a year-long political education project entitled the Abolition Open School. Villalpando is also indelibly shaped and inspired to be part of and contribute to the crafting of a world rooted in justice, equity and dignity for all by his young child and partner who remain the bedrocks of his existence. This discussion is primarily about organizing around the issue of police violence in Los Angeles, specifically south of Interstate 10 where Alejandro is born and raised and continues to live and organize. Villalpando shares a bit about his own experiences growing up in Los Angeles around police violence and around the organized abandonment and criminalization of his community by the state. He also discusses organized violence from a transnational perspective that attends to everything from imperialist wars and CIA counterinsurgency wars in Central America to both interpersonal violence and state violence in the Los Angeles area. Pushing back against these forces through political education, mobilization, and grassroots organizing, Alejandro speaks of the abolitionist work he and his partner engage in, and in the work they do with the Coalition for Community Control Over the Police and with many families who have had their loved ones taken by the state. Along the way Villalpando talks about a lot of the contradictions that come up when working to do abolitionist work in the real world with real people. And he talks about balancing some of the more practical day to day work of organizing around the vexed positions of responding to state violence, with the necessary work of world building and offering up the more expansive horizon of abolition. Alejandro and his partner are co-convening Heal Together's Anti-Carceral Care Collective which is a space for anyone who needs a grief processing space that's anti-carceral. We just sent off our latest book to our incarcerated reading group. We want to thank Pluto Press for donating copies of Josh Myers Of Black Study. We also want to thank Massive Bookshop for kicking in for postage, and also the folks who donated some funds for postage to make that happen. And finally we want to thank our partners over at Prisons Kill. Lastly, there's 5 days left in the month of February, we only need 2 more patrons to hit our goal for the month of adding 28 patrons to the show. So if you want to support the show, kick in $1 a month or more be a part of the amazing community of folks that make episodes like this possible on a weekly basis at patreon.com/millennialsarekillingcapitalism. Other links: Steven Osuna's episode (mentioned in this discussion) Jury Nullification Toolkit (also discussed in the episode) Villalpando social media links: IG: @CentAmStudies IG  IG: @SouthCentralCat911 Twitter: @CSULA_LAS

Mouakong Vue with St. Paul Public Schools tells us about the Ethnic Studies Program he oversees. 

Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and many other publications. He is a citizen of the Cherokee Nation. He is the co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. If you want to follow his work, you can find him on Twitter and Instagram @pepepierce and on Substack at Indigiqueer Confidential. You can experience XXX on instagram @decolonialloveletters livinginthisqueerbody.com/alwayscominghome --- Send in a voice message: https://anchor.fm/asher-pandjiris/message

Welcome to The Academic Life! In this episode you'll hear about: Hari Ziyad's journey through higher education. Why they became editor of RaceBaitr after finishing film school at NYU. The necessary disruption of social norms. The challenges of writing memoir. And a discussion of the book Black Boy Out of Time. Our guest is: Hari Ziyad (he/they), a screenwriter, and the Editor-in-Chief of RaceBaitr. Originally from Cleveland, OH, they currently reside in Brooklyn, NY, and received their BFA from New York University, where they concentrated in Film and Television and Psychology. They are a 2021 Lambda Literary Fellow, and their writing has been featured in the peer-reviewed academic journal Critical Ethnic Studies, among other publications. They are also currently a writer at CBS, and were previously a script consultant on the drama series David Makes Man (OWN), as well as Managing Editor of Black Youth Project, and an Assistant Editor of Vinyl Poetry & Prose. They are the author of Black Boy Out of Time (Little A, 2021) Today's book is: Black Boy Out of Time, which explores childhood, gender, race, and the trust that is built, broken, and repaired through generations. Memoirist Hari Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them. Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad's vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future. Our host is: Dr. Christina Gessler, the co-creator of the Academic Life. Listeners to this episode might also be interested in: Hari's website Hari's pieces in Gawker, Out, The Guardian, Huffington Post, Ebony, Mic, Paste Magazine, AFROPUNK The Future is Black: Afropessimism, Fugitivity and Radical Hope in Education, edited by Michael Dumas, Ashley Woodson and Carl Grant This Academic Life episode on memoir and the MFA  You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to The Academic Life! In this episode you'll hear about: Hari Ziyad's journey through higher education. Why they became editor of RaceBaitr after finishing film school at NYU. The necessary disruption of social norms. The challenges of writing memoir. And a discussion of the book Black Boy Out of Time. Our guest is: Hari Ziyad (he/they), a screenwriter, and the Editor-in-Chief of RaceBaitr. Originally from Cleveland, OH, they currently reside in Brooklyn, NY, and received their BFA from New York University, where they concentrated in Film and Television and Psychology. They are a 2021 Lambda Literary Fellow, and their writing has been featured in the peer-reviewed academic journal Critical Ethnic Studies, among other publications. They are also currently a writer at CBS, and were previously a script consultant on the drama series David Makes Man (OWN), as well as Managing Editor of Black Youth Project, and an Assistant Editor of Vinyl Poetry & Prose. They are the author of Black Boy Out of Time (Little A, 2021) Today's book is: Black Boy Out of Time, which explores childhood, gender, race, and the trust that is built, broken, and repaired through generations. Memoirist Hari Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them. Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad's vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future. Our host is: Dr. Christina Gessler, the co-creator of the Academic Life. Listeners to this episode might also be interested in: Hari's website Hari's pieces in Gawker, Out, The Guardian, Huffington Post, Ebony, Mic, Paste Magazine, AFROPUNK The Future is Black: Afropessimism, Fugitivity and Radical Hope in Education, edited by Michael Dumas, Ashley Woodson and Carl Grant This Academic Life episode on memoir and the MFA  You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Welcome to The Academic Life! In this episode you'll hear about: Hari Ziyad's journey through higher education. Why they became editor of RaceBaitr after finishing film school at NYU. The necessary disruption of social norms. The challenges of writing memoir. And a discussion of the book Black Boy Out of Time. Our guest is: Hari Ziyad (he/they), a screenwriter, and the Editor-in-Chief of RaceBaitr. Originally from Cleveland, OH, they currently reside in Brooklyn, NY, and received their BFA from New York University, where they concentrated in Film and Television and Psychology. They are a 2021 Lambda Literary Fellow, and their writing has been featured in the peer-reviewed academic journal Critical Ethnic Studies, among other publications. They are also currently a writer at CBS, and were previously a script consultant on the drama series David Makes Man (OWN), as well as Managing Editor of Black Youth Project, and an Assistant Editor of Vinyl Poetry & Prose. They are the author of Black Boy Out of Time (Little A, 2021) Today's book is: Black Boy Out of Time, which explores childhood, gender, race, and the trust that is built, broken, and repaired through generations. Memoirist Hari Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them. Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad's vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future. Our host is: Dr. Christina Gessler, the co-creator of the Academic Life. Listeners to this episode might also be interested in: Hari's website Hari's pieces in Gawker, Out, The Guardian, Huffington Post, Ebony, Mic, Paste Magazine, AFROPUNK The Future is Black: Afropessimism, Fugitivity and Radical Hope in Education, edited by Michael Dumas, Ashley Woodson and Carl Grant This Academic Life episode on memoir and the MFA  You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

In this episode recurring host and artist Cannupa Hanska Luger gets into conversation with Joseph M. Pierce, a Citizen of the Cherokee Nation and an Associate Professor at Stony Brook University where he teaches and researches about Queer Studies, Indigenous Studies and Latin American Studies. Joseph is also a writer and an artist who often collaborates with other Queer, Trans and 2spirit Indigenous Kin on curation and performance work. In this conversation Joseph and Cannupa speak about the points of connection within community through time, focusing on the realms of storytelling and speculative fiction that weave us together in continuum.   More about the Artist: Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19 th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation. Ways to engage with Joseph's work: Joseph M. Pierce website: https://www.josephmpierce.com Dayunisi's Turn: https://terremoto.mx/en/revista/el-giro-de-dayunisi/ Knowledge of Wounds: www.knowledgeofwounds.com Joseph and SJ Norman in conversation about their collaborative practice: https://movementresearch.org/publications/critical-correspondence/sj-norman-in-conversation-with-joseph-m-pierce Featured Song: Performing Life from Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ by Elisa Harkins

Aaron, Brad and Ileana discuss Ethnic Studies in K-12 education. What's the problem with Critical Ethnic Studies? Is there a way to do Ethnic Studies well? Why are we attached to liberal values? Here is online panel hosted by the Institute for Liberal Values that we refer to in the episode: https://youtu.be/U4M6p_Rn2z8

Hari Ziyad is a cultural critic, a screenwriter, and the editor-in-chief of RaceBaitr. They are a 2021 Lambda Literary Fellow, and their writing has been featured in BuzzFeed, Out, the Guardian, Paste magazine, and the academic journal Critical Ethnic Studies, among other publications. They are also currently a writer on the new season CBS show, The Neighborhood, and were previously a script consultant on the drama series David Makes Man (OWN), as well as Managing Editor of Black Youth Project, and an Assistant Editor of Vinyl Poetry & Prose.  Order: Black Boy Out Of Time Website: https://www.hariziyad.com/  Special thanks to our sponsors: Pitches With Bitches: Laura Cathcart Robbins and Stefanie Wilder Taylor are conducting a virtual pitching workshop on Oct 23rd from 11-1 pm (PT). We will tell you everything we know about getting your work published online to build up your resume. It will also include an up-to-date list of over 80 places to send your stuff! The class is filling up fast to hold your spot email StefanieWilderTaylor@gmail.com Away: We love our new sponsor AWAY, the modern lifestyle brand that creates thoughtful products for every traveler and every kind of trip. Start YOUR 100-day trial and shop the entire Away line-up of travel essentials, including their best-selling suitcases, at AWAYTravel.com/theonlyone. Voyage et Cie: Voyage et Cie's curator Melanie Apple has cultivated a passion for notable moments using the sense of smell. Voyage et Cie is the ultimate luxury blend of travel, fragrance, and design. Each original fragrance is created by Melanie, 100% organic and natural which will transport you on a journey. Visit https://www.voyageetcie.com/ and enter the code: theonlyone to get your 10% off your purchase! Cute Booty Lounge is made by women and for women. There's a cute booty style for everyone! Cute Booty Lounge has you covered...Embrace Your Body, Love Your Booty! Head to Cutebooty.com or click the link here to order yours, but don't forget to enter the code theonlybooty to get 15% off your first order!  Be sure not to miss our weekly full episodes on Tuesdays, Scott Talks on Wednesdays and our brand new series On My Nightstand on Fridays by subscribing to the show wherever you listen to podcasts.  Join our Only One In The Room Facebook Group if you'd like to ask a question of any of our upcoming guests for this series.  Also visit the website www.theonlyonepod.com for the latest from our host Laura Cathcart Robbins like featured articles and more. We love hearing from you in the comments on iTunes and while you're there don't forget to rate us, subscribe and share the show! All of us at The Only One In The Room wish you safety and wellness during this challenging time. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's reading is an excerpt from chapter seven, Guild and Gods by the critically acclaimed writer and editor, Hari Ziyad. Hari Ziyad is a cultural critic, a screenwriter, and the editor-in-chief of RaceBaitr. They are a 2021 Lambda Literary Fellow, and their writing has been featured in BuzzFeed, Out, the Guardian, Paste magazine, and the academic journal Critical Ethnic Studies, among other publications. Previously they were the managing editor of the Black Youth Project and a script consultant on the television series David Makes Man. Hari spends their all-too-rare free time trying to get their friends to give the latest generation of R & B starlets a chance and attempting to entertain their always very unbothered pit bull mix, Khione. For more information about Hari, visit www.hariziyad.com. Instagram: @hariziyad Be sure not to miss our weekly full episodes on Tuesdays, Scott Talks on Wednesdays & Sunday Edition every Sunday by subscribing to the show wherever you listen to podcasts.  We love hearing from you in the comments on iTunes and while you're there don't forget to rate us, subscribe and share the show! All of us at The Only One In The Room wish you safety and wellness during this challenging time. Learn more about your ad choices. Visit megaphone.fm/adchoices

In celebration of the diversity and accomplishments that have taken place in the LGBQTIA community amidst so much historical adversity and discrimination, the Two Jess(es) have the extreme privilege of sitting down with one of the most thought-provoking journalists working today.  Hari Ziyad, author of  Black Boy Out of Time, candidly shares their experience of growing up Black and queer in America—and in a blended family as one of nineteen children. In BLACK BOY OUT OF TIME, Hari Ziyad recalls their childhood with a Hindu Hare Krsna mother and a Muslim father in Cleveland, Ohio, and navigating the equally complex path toward finding their true self in New York City. Exploring childhood, gender, race, and the trust that is built, broken, and repaired through generations, Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them.This is a conversation that really digs into Hari's experience as a young, queer, Black, non-binary human who is brave enough to share their stories and how they show up in the world authentically in order to honor their past, present and future in a way that advocates, educates and celebrates.Meet Hari:Hari Ziyad is a screenwriter, the bestselling author of Black Boy Out of Time (Little A, 2021) and the Editor-in-Chief of RaceBaitr. They received their BFA from New York University, where they concentrated in Film and Television and Psychology. Their work is informed by their passion for storytelling, and wrestling with identity as a Cleveland, Ohio-born Black, non-binary child of Muslim and Hindu parents.​They are a 2021 Lambda Literary Fellow, and their writing has been featured in Gawker, Out, The Guardian, Huffington Post, Ebony, Mic, Paste Magazine, AFROPUNK, in the peer-reviewed academic journal Critical Ethnic Studies, and in the anthology co–edited by Michael Dumas, Ashley Woodson and Carl Grant entitled The Future is Black: Afropessimism, Fugitivity and Radical Hope in Education, among other publications. They are also a script consultant on the drama series David Makes Man (OWN), a columnist (and the former Managing Editor) of Black Youth Project, and an Assistant Editor of Vinyl Poetry & Prose.https://www.hariziyad.com/Support the show (http://www.paypal.com)

In this episode of the Solecast I speak with author and Indiana University professor, Micol Seigel. This conversation is meant as a primer for the the concepts of destituent power and the under commons. After a year of unimaginable suffering and resistance, the ideas of Destitution and under commons provide us critical tools for building the capacity we need to weather the storm(s) that we find ourselves in. We also talk about the free-to-all virtual conference they are hosting the weekend of 11/13-11/16:   On November 13th-16th, then, Indiana University's 2020 Critical Ethnic Studies symposium brings into dialogue two zones of contemporary insurgent study: the undercommons and destituent power. To explore social life that evades political constraints such as citizenship, sovereignty, and governance, we seek to build upon the work of Fred Moten, Stefano Harney and Giorgio Agamben. Reveling in the fields that ground their work, the Black radical tradition and Italian Autonomia, this forum seeks to collect and share what we've learned from the practices and forms of life that are already breaking free of politics.   To preview Micol's book “Violence Work” you can check it out here   and to learn more/register from the Destituent Power and The Undercommons conference you may do so here

Hari Ziyad (he/they) is the author of Black Boy Out of Time (Little A, ‘21) and the editor-in-chief of RaceBaitr. Their work has been featured in Gawker, Out, The Guardian, Huffington Post, Ebony, Mic, Paste Magazine, AFROPUNK, in the peer-reviewed academic journal Critical Ethnic Studies, and in the anthology The Future is Black: Afropessimism, Fugitivity and Radical Hope in Education, among other publications. Two payment links where folks can donate: patreon.com/racebaitr & paypal.me/racebaitr Your social media handles: Hari Ziyad Originally recorded May 5 2020 ----- DiDi Delgado is creating change (unapologetically). http://linktr.ee/thedididelgado https://thedididelgado.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/the-full-set-podcast/support

Sterling A. Brown work amplifies and materialize the nature of the aesthetic connections that find continuity in contemporary black life. Brown opens, Southern Road with an epigraph of an old negro spiritual: ‘O de ole sheep dey knows de road, Young lambs gotta find de way.' It is with this, Sterling A Brown highlights the intentions of his work which is ‘to face two directions at simultaneously'. To look forward into the future while facing the past, the poems in Southern Road consider the relationship between the [past and present] and its relevance to Black people entering the European conceptualization of modernity (Gabbin, Sterling A Brown, Building the Black Aesthetic Tradition, 1985: 3. For Sterling A. Brown, diving into the depths of human experience and character necessitated a close look at language. In a 1978 interview Brown stated that, “The poets that struck me were those who were poets of the people and poets of direct—not florid…American speech.” The contribution that Brown offered is a clear understanding that what the ‘new' poets were doing with language was not new (30). Today Dr. Josh Myers will explore the work of Sterling A. Brown in a presentation titled, A Blue(s) (Note) for Sterling Brown. In addition to being a valued member of the AWNP collective and its affiliates, Dr. Josh Myers is currently an Assistant Professor of Africana Studies in the Department of Afro-American Studies at Howard University. He currently serves on the board of the Association for the Study of Classical African Civilizations and the editorial board of The Compass: Journal of the Association for the Study of Classical African Civilizations, he works with the DC area collectives, Positive Black Folks in Action and the Nu Afrikan Cultural Vanguard. His research interests include Africana intellectual histories and traditions, Africana philosophy, critical university studies, and disciplinarity. His work has been published in The Journal of African American Studies, The Journal of Pan African Studies, The African Journal of Rhetoric, The Human Rights and Globalization Law Review, Liberator Magazine, Decolonization: Indigeneity, Knowledge, and Society, Critical Ethnic Studies, and Pambazuka, among other literary spaces. His book, “We are Worth Fighting For: The Howard University Protest of 1989” is forthcoming. Our show was produced today in solidarity with the Native/Indigenous, African, and Afro Descendant communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana and other places who are fighting for the protection of our land for the benefit of all peoples! Enjoy the program!

Today, we bring to you a recent wide-ranging conversation exploring the HBCUs as a response to and product of coloniality, sovereignty of the black imagination, the philosophical roots of Black Thought/Black Study, and the impetus of evolving black institutions (back) to becoming a maroon space with Corey Walker and Josh Myers. Dr. Corey Walker is a visiting professor at the University of Richmond. He collaborates with campus and community partners on research, teaching, and public programming on the University's recently acquired Wyatt Tee Walker collection. He is also Senior Fellow in Religious Freedom at the Religious Freedom Center of the Freedom Forum Institute in Washington, D.C. An accomplished academic leader, Walker served as vice president and dean of the Samuel DeWitt Proctor School of Theology at Virginia Union University just prior to coming to the University of Richmond. Other leadership roles he has held include serving as founding dean of the College of Arts, Sciences, Business, and Education at Winston-Salem State University, chair of the Department of Africana Studies at Brown University, and inaugural director of the Center for the Study of Local Knowledge at the University of Virginia. A dedicated teacher and scholar, Walker has served as a member of the faculty at the University of Virginia, Brown University, Winston-Salem State University, and Virginia Union University. He was also visiting professor at the Historisches Institut at Friedrich-Schiller Universität Jena in Germany and non-resident fellow at the W.E.B. Du Bois Institute for African and African American Research at Harvard University. Dr. Walker is author of the book "A Noble Fight: African American Freemasonry and the Struggle for Democracy in America," editor of the special issue of the journal Political Theology on the theme “Theology and Democratic Futures,” and associate editor of the award-winning SAGE "Encyclopedia of Identity." He has published over 50 articles, reviews, book chapters, and essays appearing in a wide range of scholarly journals. He co-directed and co-produced the documentary film "Fifeville" with acclaimed artist and filmmaker Kevin Jerome Everson. Walker's scholarship focuses on the complexities of religion, philosophy, history, memory, culture, and public life. In addition to being a valued member of the Africa World Now Project & AfricaNow! collective and its affiliates, Dr. Josh Myers is currently an Assistant Professor of Africana Studies in the Department of Afro-American Studies at Howard University. In addition to serving on the board of the Association for the Study of Classical African Civilizations and the editorial board of The Compass: Journal of the Association for the Study of Classical African Civilizations, he works with the DC area collectives, Positive Black Folks in Action and the Nu Afrikan Cultural Vanguard. His research interests include Africana intellectual histories and traditions, Africana philosophy, critical university studies, and disciplinarity. His work has been published in The Journal of African American Studies, The Journal of Pan African Studies, The African Journal of Rhetoric, The Human Rights and Globalization Law Review, Liberator Magazine, Decolonization: Indigeneity, Knowledge, and Society, Critical Ethnic Studies, and Pambazuka, among other literary spaces. His book, “We are Worth Fighting For: The Howard University Protest of 1989” is forthcoming. Our show was produced today in solidarity with the Native/Indigenous, African, and Afro Descendant communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana and other places who are fighting for the protection of our land for the benefit of all peoples!