Podcasts about magazine editors

David Hepworth co-presented Live Aid on the BBC in 1985. He was also one of the presenters of the BBC rock music programme The Old Grey Whistle Test. David launched and edited magazines such as Smash Hits, Q, Mojo, Just Seventeen, Heat and The Word, among many others. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer award from the British Society of Magazine Editors. He's written books about the recording studio Abbey Road, with a foreword by Paul McCartney, the British Invasion of the US charts called Overpaid, Over sexed and Over There, how the LP saved our lives, A Fabulous Creation and his latest book, Hope I Get Old Before I Die, why rock stars never retire, is out now, It looks at the time since Live Aid, when, according to David, live performance took over from record sales .David Hepworth is our guest in episode 489 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .But David's new book, Hope I Get Old Before I Die, here - https://www.amazon.co.uk/Books-David-Hepworth/s?rh=n%3A266239%2Cp_27%3ADavid%2BHepworth .Follow David Hepworth on Twitter/X: @davidhepworth & Instagram @dhepworth .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Mario Lopez and Steve Kim are joined by Ring Magazine Editor in Chief Doug Fischer To Talk New Partnership with Saudi Arabia, Upcoming Fights & Much More!

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#120: British social climber Tina Brown spent the 1980s in New York City thriving in a decadent world of crass rich people so repulsive that they would make today's gilded age plutocrats blush. Her book The Vanity Fair Diaries (2017) is a horror show of celebrity worship, Kissinger worship and Reagan worship. It's a slavish hagiography that deifies her former corporate masters and their Wall Street cronies.   Also: Introducing Wild World News - a new segment about the insane neoliberal technofeudalist agendas being pimped by politicians and the corporate media on behalf of their billionaire overlords. Or, you could also just call it a monthly wrap-up of the opinions posted to our Twitter/X feed, which can be found @wildworldnews.

 This is a vintage selection from 2006The BanterThe Guys talk about Long Island wines and what the future may hold. When is a wine like a snarky adolescent? The ConversationThe Restaurant Guys have Colman Andrews, editor-in-chief of Saveur magazine, to talk about the often unsung region of Campbeltown scotch. Colman goes over the broad strokes then gets into the nitty gritty details of what makes scotch so varied and gives it a sense of place. He also gives his thoughts about the next big beverage on the horizon. Was he correct?The Inside TrackThe Guys and Colman are in agreement about the culture and traditions around food and beverage being an integral part of the enjoyment. Colman wrote, “I like the trappings of imbibing, the company it keeps, the restaurants and cafes and bars and the people who gather in them. I drink, frankly, because I like the glow, the softening of hard edges, the faint anesthesia. I like the way my mind races one zigzag step ahead of logic. I like that flash flood of the unexpected, utter joy that courses quickly through me between this glass and that one.”Mark: Did you really say that? Colman: I must have been drinking when I wrote that.  -Colman Andrews on The Restaurant Guys Podcast 2006BioColman Andrews started off as a restaurant reviewer. He went on to write for lifestyle magazines, guest review for the Los Angeles Times and served as senior editor for New West magazine. In 1994, Andrews became a co-founder of Saveur magazine and later editor-in-chief. During his tenure, Andrews won six James Beard Journalism Awards, and in 2000, Saveur became the first food magazine to win the American Society of Magazine Editors' award for General Excellence. He left Saveur in 2006, becoming the restaurant columnist for Gourmet where Reichl was editor-in-chief.He has written numerous cookbooks captivating the cuisine of specific regions and cultures (Catalan, The Riviera, Ireland, Italy, etc) as well as a book about Ferran Adria.InfoSaveur magazinehttps://www.saveur.com/To get the recipe for Caipirinha, email TheGuys@RestaurantGuysPodcast.comOur Sponsors The Heldrich Hotel & Conference Centerhttps://www.theheldrich.com/ Magyar Bankhttps://www.magbank.com/ Withum Accountinghttps://www.withum.com/ Our Places Stage Left Steakhttps://www.stageleft.com/ Catherine Lombardi Restauranthttps://www.catherinelombardi.com/ Stage Left Wineshophttps://www.stageleftwineshop.com/ To hear more about food, wine and the finer things in life:https://www.instagram.com/restaurantguyspodcast/https://www.facebook.com/restaurantguysReach Out to The Guys!TheGuys@restaurantguyspodcast.com**Become a Restaurant Guys Regular and get two bonus episodes per month, bonus content and Regulars Only events.**Click Below! https://www.buzzsprout.com/2401692/subscribe

Holyhead port remains closed and is not expected to reopen until mid January at the earliest. It leaves both people and freight having to find alternate routes to Ireland before Christmas. Eoghan Corry joins us with the latest and advice for passengers looking to get home.Eoghan Corry, Travel Expert, ‘Air & Travel' Magazine Editor, Historian, Author, Broadcaster.

Mario Lopez and Steve Kim are joined by Ring Magazine Editor in Chief Doug Fischer To Talk Tyson vs Paul, Ring Magazine News & All Things Boxing!

We're students of the creative process, and so is Adam Moss, author of The Work of Art: How something comes from nothing. Formerly the editor-in-chief of New York magazine, these days Moss is on a quest in his studio to understand painting and through it the mysteries of the act of creation.  Questions about why people create—and the diversity of process across mediums—led Adam to write his book, which features interviews with a host of inspiring folks. Kara Walker, Tony Kushner, Sofia Coppola, Stephen Sondheim, Barbara Kruger, Ira Glass, Samin Nosrat, Marc Jacobs, David Simon, and many more share their approach to the work they do in the book.  We talk with Adam about the red threads that run through such varied creative expressions, finding the right creative partners, how to feed creativity, and how his own work has been influenced by his investigation into how creativity unfolds.  Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/adam-moss Bio Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, early and discounted access to workshops, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.   Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Wix Studio: With Wix Studio, agencies and enterprises can create, develop and manage exceptional web projects with hyper efficiency. And if you're worried about the learning curve eating into time you don't have, don't be. Wix Studio is intuitive by design, so your entire team can hit the ground running. For your next project, check out wixstudio.com. Wine Access: We love wine, but often feel overwhelmed by the options out there. But we recently joined Wine Access who not only ship to your door some of the world's most inspiring wines, they also educate subscribers with full color information cards that accompany each bottle. You should totally join The Waitlist Wine Club. Just visit wineaccess.com/waitlist and use Promo Code: DESIGNBETTER for $25 off your first shipment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Turshen is the author of four cookbooks, including the new release What Goes With What: 100 Recipes, 20 Charts, Endless Possibilities. It's a comprehensive guide to building cooking intuition and transforming odds and ends into a meal, and we had a great conversation live at Rizzoli bookstore all about making the book come to life, plus things like body acceptance and what constitutes queer food. We hope you'll enjoy it. Take our listener survey! We'd love to to hear who we should invite into our studio for an interview and TASTE Check.MORE FROM JULIA TURSHEN:Keep Calm and Cook On [Substack]My Mom Was a Magazine Editor in the '90s. We're Finally Talking About What It Did to Our Body Image [SELF]This Is TASTE 22: Julia Turshen [TASTE]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In This Hour:-- Mark Keefe, longtime editor of American Rifleman, talks about favorite guns and what it's like to run a gun magazine.--  The White House office of gun control runs out of V.P. Kamala Harris's office.--  Military guns and the study of history.Gun Talk  09.22.24  Hour 3

Jon (JonDavids.com) sits down with the Editor in Chief of Entrepreneur magazine; Jason Feifer. Jason has some excellent advice for your business, including how to get coverage, how to get customers, the current trends he's noticing in the business world, and so much more. And follow Jon across social: X (Twitter) | Instagram | LinkedIn | TikTok | YouTube 

7/16/24: Mayor GL Sciarra: national politics, schools & the override. Comedy Quiz w/ Maddy Benjamin, Scott Braidman & Sally Ekus: fun with fireflies. Smith prof & Ms. Magazine editor Carrie Baker: Project 2025 & the abolition of our rights. Local activists Elizabeth Silver & Christina Maxwell: this election needs you NOW.

Willa Bennett, a trailblazing force in media, is the editor-in-chief of Highsnobiety, steering the publication to new heights of innovation and influence. A Forbes 30 Under 30 luminary, her journey began at Seventeen, pioneering its queer vertical before igniting social strategies at GQ, and championing diversity as Condé Nast's global co-chair. The American Society of Magazine Editors recognized her for social media excellence and video programming, and her leadership at Highsnobiety garnered recognition in the Digiday and Muse Awards. Highlighting the importance of authentic narratives in connecting with young audiences, what she sees as contemporary now is pushing the boundaries and shaping the future of media—even if that means tuning out the background noise and tapping into real community.  Episode Highlights: Bennett grew up in LA, balancing two passions: masculine menswear magazines and hyper-feminine ballet practice. Talking about her early passion for vintage finds and retro styles, Bennett says experimenting with styling became another medium for her, “like writing.” She grew up reading publications like Teen Vogue, Seventeen, Nylon, and Dazed—publications she says understood young consumers and which she still keeps a few print copies.  Bennett moved up through various roles in the industry at a time when social media marketing was in its more raw, early stage. Her role at Highsnobiety gives her creative freedom in that it moves with the youth culture and its fast-paced, creative, adaptive, and reactive workplace environment. Bennett is ahead of the curve, balancing personal perspective with editorial consideration and curation. Her team at Highsnobiety pushes a particular and intentional editorial vision, championing designers and talent that they want to carve out a space for.  Some of Bennett's favorite cover stars have been Billie Eilish, Andre 3000, and Pamela Anderson, though she felt strongly about the Dries Van Noten cover.  Bennett has spoken about forming real connections as a priority over solely professional relationships, despite how “transactional” the industry can be.  Under Bennett's eye, Highsnobiety's niche is to move in tandem with the zeitgeist instead of against it, never telling readers what to do or who to wear.  Bennett considers real-life events crucial to foundational community building, saying, “that to me is a way bigger metric of success than like any influencer with 16 million followers posting one slide that everyone's going to skip over anyway.”  She's published poetry collections benefitting The Audre Lorde Project for queer youth.   For Bennett, deleting social media is what's contemporary now, surprisingly.  Learn more about your ad choices. Visit megaphone.fm/adchoices

There is wonder in storytelling, whether through words, film, photography, music, dance, or painting. Any form of art requires a deep wonder and admiration for the subject or muse. Growing up in a world plagued by a climate crisis, though, there is immense worry.  So, how can we grapple with the wonder and the worry within our world of telling stories? For episode 141 of the Outdoor Minimalist podcast, I had the pleasure of sitting down and learning from Chris Johns and his daughter Louise Johns to hear about how they balance both the wonder in photojournalism and the worry not only within the natural world but also in the world of media.  The first photographer to be named Editor-in-Chief for National Geographic magazine, Chris Johns served as the ninth Editor-in-Chief of the iconic magazine from January 2005 to April 2014, an era marked by 23 prestigious National Magazine Awards from the American Society of Magazine Editors.  In 2008, Chris was named Magazine Editor of the Year, and in 2011, National Geographic was named Magazine of the Year. Following his role as Editor-in-Chief, Chris led the organization as Chief Content Officer and directed a major initiative called “Beyond Yellowstone,” a multi-year project documenting the health of America's first National Park.  A native of Oregon, Chris resides with his family in Missoula, Montana, where he teaches journalism at the University of Montana and Oregon State University. Louise Johns is an independent photojournalist and documentary photographer with a master's degree in Environmental Science Journalism from the University of Montana. A National Geographic Explorer, her work examines the relationships between people, places, and animals, focusing on rural communities in the American West. She began documenting the landscapes and people of the American West while working as a horse wrangler in Montana's Centennial Valley. Her work has appeared in various outlets, including The New York Times, National Geographic, The Washington Post, GEO, The Nature Conservancy, Patagonia, and High Country News. Her work has been exhibited regionally and internationally and has won international awards. In addition to her photojournalism work, she teaches photography.  She is a fellow with the International League of Conservation Photographers, a member of Women Photograph, and has a TEDx talk called Seeing With Heart. She lives in Montana, where she pursues stories that help her understand the place she calls home. INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/outdoor.minimalist.book/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ WEBSITE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theoutdoorminimalist.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theoutdoorminimalist ORDER THE BOOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theoutdoorminimalist.com/book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LISTENER SURVEY: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/jd8UCN2LL3AQst976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ----------------- The Wonder and the Worry Documentary Trailer: https://youtu.be/oPKxr5HNvGQ?si=mmeQ1JSLMWlF5HWA Films at OSU: https://films.oregonstate.edu/worry-wonder Chris Johns Photo Society: https://thephotosociety.org/member/chris-johns/ Wikipedia: https://en.wikipedia.org/wiki/Chris_Johns_(photographer) LinkedIn: https://www.linkedin.com/in/chris-johns-36151532/ Louise Johns Website: https://www.louisejohnsphoto.com/ Instagram: https://www.instagram.com/e.l.johns/?hl=en NatGeo Explorer: https://explorers.nationalgeographic.org/directory/louise-johns --- Support this podcast: https://podcasters.spotify.com/pod/show/outdoor-minimalist/support

In the 80s, Stiff Records, the British independent Punk Rock and New Wave record label, had an open-door policy. You could walk in and pick up posters, stickers and pin badges most days of the week. Jeremy Leslie was one of the kids doing just that. He'd catch the bus over to Notting Hill from the London College of Design to visit the shop. Originally, he was there for the music, but it was the storytelling in the design that made a lasting impression. Leslie is an internationally recognised creative who's been making magazines for over four decades. He's also the founder of magCulture, the iconic London magazine shop. After having his eyes opened to the world of design by a thoughtful art teacher, he's gone on to art direct quarterlies, monthlies and weeklies, and spent the noughties developing award-winning magazines at John Brown Publishing. He's written four books about editorial design, and in 2018 was awarded the Mark Boxer Award by the British Society of Magazine Editors for services to the magazine industry. Listen in as Vince and Jeremy discuss the legendary English graphic artist Barney Bubbles, their favourite magazines of the 90s (The Face and i-D), and how the independent print scene has been empowered by digital and the internet.  https://magculture.com/ See omnystudio.com/listener for privacy information.

This week on the podcast, Rachel and Lynne are chatting with Natasha Dickins, a former magazine editor who has carved out a great career creating content for DIY clients. Natasha talks about her love of good tools and DIY projects and how she has turned this into a career. She talks about: Her career writing in magazines Her love of being 'on the tools' Setting up her workshop on the mid-north coast of NSW How she uses her skills to create content for brands How she prices her content and includes package rates Connect with Natasha via Instagram: @littleredindustries or via her website: https://littleredindustries.com/  Are you coming to The Content Byte Summit, from September 12-14, 2024? Time is running out to secure the Early Bird discount. Sign up for updates for the Summit (or snap up tickets) at our website: https://thecontentbytesummit.com.au      Find Rachel www.rachelsmith.com.au      Find Lynne www.lynnetestoni.com      Rachel's List www.rachelslist.com.au   Thanks (as always) to our sponsors Rounded (www.rounded.com.au), an easy invoicing and accounting solution that helps freelancers run their businesses with confidence. Looking to take advantage of the discount for Rachel's List Gold Members? Email us at: hello@rachelslist.com.au  for the details. Episode edited by Marker Creative Co www.markercreative.co 

India election: Insights and analysis from Hard News Magazine editor Sanjay Kapoor by Radio Islam

We took the “Yukon Questionnaire” to Amy Kenny, editor of Yukon, North of Ordinary magazine, and she almost blew us out of our chairs with her enthusiasm for a particular fast-food chain. She also explains why she couldn't get this place (the Yukon, not the greasy spoon) out of her head after her first visit. Contact us Twitter and Facebook: @northofordinary Email: yukonpodcast@gmail.com You can also read/subscribe to Yukon, North of Ordinary magazine.

Andrea Thorp aka The Rodeo Mrs. chats with Cheyenne about her career and what lead her to her role at Cowgirl Magazine. They talk about all things western fashion and go down a rabbit hole about Beyoncé. Follow us on instagram @womeninwesternpodcast new episodes every Wednesday!

Claire Cohen is one of the foremost voices of this generation on the female experience. She writes beautifully on everything from friendship to our physical suffering. Her life-changing book BFF: The Truth About Female Friendships explores the reality of maintaining and even sometimes ending friendships, interviewing the likes of Emma Barnett and Pandora Sykes, to form a manifesto on the relationships which get us through. Claire's award-winning journalism has set the campaigning agenda for women's health, on topics from endometriosis to medical sexism. She writes regularly for The Times, The Guardian and Vogue, winning the British Society of Magazine Editors' Womens' Editor Of The Year Award. Listen in to find yourself a new BFF. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mario Lopez and Steve Kim are joined by Ring Magazine Editor-In-Chief Doug Fischer as he Talks About The State of Boxing in 2024, Fights He's Looking Forward To & Much More! 

Peek inside the workings of Gun Dog magazine ... courtesy of its editor-in-chief, Kali Parmley, then we go afield where she takes us to incredible locations, hunting a wide variety of bird species. Kali offers hunting tips and strategy, insights into owning multiple dogs and older dogs, training too. Kali tells us how a TV show works, shares the rigors of hunting Texas with Ronnie Smith and Susanna Love, explains why she hunts, and shares the joys of our sport. "Road Trip" goes to a small western Kansas town surrounded by walk-in hunting ground, and listeners describe some of the exotic places they've hunted. And it's all brought to you by: Sage & Braker Mercantile, Pointer shotguns, LandTrust.com, HiVizSights.com, @midwayusa, #midwayusa, Midway USA, Mid Valley Clays and Shooting School, TrulockChokes, HiViz shooting systems, ESPAmerica, Purina Pro Plan Sport and FindBirdHuntingSpots.com.

台客雙聲帶，科學新世代：「台客聽科學」好入耳的科普節目，超新鮮的母語聽感，用故事翻轉科學！「台客聽科學」首創以台、客母語發聲，把知識藏進劇情裡。故事力加乘科學力！點擊鏈結收聽，故事要開始講囉～https://fstry.pse.is/5qntvc —— 以上為播客煮與 Firstory Podcast 廣告 —— 小額贊助支持本節目： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s 留言告訴我你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments ------------------------------- 通勤學英語VIP加值內容與線上課程 ------------------------------- 通勤學英語VIP訂閱方案：https://open.firstory.me/join/15minstoday 社會人核心英語有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下是此單集逐字稿 (播放器有不同字數限制，完整文稿可到官網) ------------------------------- Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/

Guest host, Megan Fernadez catches up with Chandra Turner in today's episode.  The godmother of magazine journalism, Chandra shares insights and trends in journalism, media studies and communications. She spent most of her career with magazines such as Glamour, YM, Cosmo, Cosmo Girl and Ladies Home Journal, and also worked as the executive editor for Parents Magazine for eight years. Chandra now runs the Talent Fairy where she places journalists in industry roles.  To review Megan's original episode, please visit: https://communicationsredefined.com/megan-fernandez  Follow Chandra's life and work here:Twitter (X): https://twitter.com/Ed2010News  Instagram:  https://www.instagram.com/thetalentfairyThe Talent Fairy: https://ed2010.com/  IU Magazine Society: https://mediaschool.indiana.edu/experience/organizations/index.html ASME: https://www.asme.media/ Good Housekeeping: https://www.goodhousekeeping.com/ Glamour: https://www.glamour.com/ YM: https://en.wikipedia.org/wiki/YM_(magazine) Cosmo Girl: https://en.wikipedia.org/wiki/CosmoGirl Cosmopolitan: https://www.cosmopolitan.com/ Parents: https://www.parents.com/ Scholastic: https://corporate.hallmark.com/news-article/hallmark-joins-usps-scholastic-show-someone-care/ Womens Media Group: https://www.womensmediagroup.org/The Fairy Godmother of Unpaid Journalism Interns: https://www.aol.com/2013-06-25-fairy-godmother-unpaid-interns.html Brand Publishing: Bloomberg: https://www.bloomberg.com/ Casey Lewis, About School substack:  https://afterschool.substack.com/about Seven.Seven.Six.:  https://sevensevensix.com/ IU Media School: https://mediaschool.indiana.edu/index.html Thank you for listening!  Please take a moment to rate, review and subscribe to the Media in Minutes podcast here or anywhere you get your podcasts: https://podcasts.apple.com/us/podcast/media-in-minutes/id1555710662 

Today, Jason Feifer (editor in chief of Entrepreneur magazine), joins Nicole to talk about a taboo topic in the money world: salary. Should we be talking openly about how much we're making? Nicole and Jason hash it out today!

Paula and Saxon Joye have had a tumultuous love story, from dad's getting in the way, to break-ups, and awkward proposals, they tell Cam and Ali all the wild turns their relationship has faced to get where they are today. They also talk about the pillars of their marriage, their incredible careers, and looking ahead to 'The Rocking Chair factor'. LINKS  Follow Paula Joye on Instagram @paulajoye. Buy Paula's book The Glow Up – https://www.simonandschuster.com.au/books/The-Glow-Up/Paula-Joye/9781761108358.  Learn more about Care Food Co – https://www.carefoodco.com.au/. Follow Cam on Instagram @camerondaddo.  Follow Ali on Instagram @alidaddo.  Follow Nova Podcasts @novapodcastsofficial.  Got a question for Cam & Ali? You can email them at separatebathrooms@novapodcasts.com.au.  CREDITS  Hosts: Cameron Daddo and Alison Brahe-Daddo. Guests: Paula Joye & Saxon Joye.Managing Producer: Elle Beattie. Producer and Editor: Amy Kimball.  Find more great podcasts like this at novapodcasts.com.au.  Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

Hi Everyone, We had so much fun discussing Leigh Newman's short story, "An Extravaganza in Two Acts," available here from Electric Literature. You are going to learn so much about writing historical fiction. Leigh is a hoot! The conversation moved at a clip, so I have some discussion notes for you below. Also, check out the bonus question one of my earlier guests, award-winning author and Pulitzer-prize nominated journalist Desiree Cooper, sent to Leigh after we recorded the podcast. We have a new Let's Deconstruct a Story Facebook page and Instagram page. I'd love to see you there. Please like or follow it if you have a chance, and feel free to post questions, comments, or suggestions for future guests. Here's a link to the podcast on Apple, Spotify, and Audible. Next month, I'll be talking to Cara Blue Adams about her short story, "Vision," available here. You might consider buying Cara Blue Adams' book, You Never Get it Back, from Bookshop because my co-host for that podcast, Vincent Perrone, is part owner of Book Suey in Hamtramck, and all sales that roll through Bookshop next month will support his store. Happy reading! Kelly PS: Do you have trouble sleeping? If so, I highly recommend Nothing Much Happens, Bedtime Stories for Grown-ups by Kathryn Nicolai. Apparently, Kathryn also lives in Michigan. I don't know her, but I'm obsessed with these bedtime stories because they are designed to put you to sleep, and her voice is very soothing, but they are also wonderful. If you are in the mood for delightful, feel-good stories, check them out here. PSS: I have to give one television show a plug...I was listening to a podcast featuring a former classmate from Kenyon, and she suggested a Swedish show called The Restaurant. IT IS SO GOOD. It's winter here in Detroit, and bleak bleak bleak, so I figured, like me, you might want to light some candles and curl up with a good drama. This one is cutting into my reading time, which is the highest praise from me. Let me know what you think!! Leigh Newman: Leigh Newman's collection Nobody Gets Out Alive (Scribner) was long-listed for the National Book Award for Fiction and The Story Prize. Her stories have appeared in the Paris Review, Harper's, Best American Short Stories 2020, Best American Mystery and Suspense 2023, Tin House, McSweeney's Quarterly Concern, One Story and Electric Literature, and have been awarded a Pushcart prize and an American Society of Magazine Editors' fiction prize. Still Points North (Dial Press), her memoir about growing up in Alaska, was a finalist for the National Book Critic Circle's John Leonard prize. In 2020, she received the Paris Review's Terry Southern Prize for “humor, wit, and sprezzatura." Newman's essays and book reviews have appeared in The New York Times, Bookforum, Vogue, O The Oprah Magazine, and other magazines. When not writing, she looks after her two dogs, two kids, and one cat. Goals include: goats and more chickens. Podcast Host: Kelly Fordon's latest short story collection, I Have the Answer (Wayne State University Press, 2020), was chosen as a Midwest Book Award Finalist and an Eric Hoffer Finalist. Her 2016 Michigan Notable Book, Garden for the Blind (WSUP), was a Michigan Notable Book, an INDIEFAB Finalist, a Midwest Book Award Finalist, an Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist. Her first full-length poetry collection, Goodbye Toothless House (Kattywompus Press, 2019), was an Eyelands International Prize Finalist and an Eric Hoffer Finalist. It was later adapted into a play by Robin Martin and published in The Kenyon Review Online. She is the author of three award-winning poetry chapbooks and has received a Best of the Net Award and Pushcart Prize nominations in three different genres. She teaches at Springfed Arts in Detroit.

Joining host Michael Azevedo on this episode is MovieMaker magazine editor-in-chief Tim Molloy.    MovieMaker is a magazine, website and podcast network focused on the art and business of filmmaking, with a special emphasis on independent film. The publication, in all its forms, offers profiles, advice, insider tips, and product reviews that readers can use to make informed decisions about what they watch..and create!   The magazine has featured pretty much every prominent moviemaker you can think of on its cover. Its print edition is published quarterly, while its digital home, MovieMaker.com is continually updating its features and late-breaking content. Tim and Michael discussed this year's Oscar nominations, revisited the Barbie and Oppenheimer phenomenons, pondered what constitutes cinematic television and Tim laid out how MovieMaker magazine distinguishes itself among other publications covering the entertainment industry. Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey.   About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead 

The human mind is not equipped to cope with the information overload we all experience in out western lifestyles. We burn out and stagger through our lives paying bills, consuming, neglecting, and misunderstanding our creativity to the detriment of our happiness and fulfillment. In 1993 Tom Hodkinson founded 'Idler' magazine - a publication dedicated to calling for a slower, more wholesome way of life, questioning the earn and spend ethic. Tom joins me to discuss most of modern life, with special attention paid to creativity and idling. The show is supported by Illustration X: https://illustrationx.com https://idler.co.uk https://bentallon.com https://bentallonwriter.com

Wendy Mitman Clarke is the editor-in-chief at SAIL magazine and a long-time cruiser herself. I work with Wendy regularly as a columnist for SAIL, but had never actually sat down to talk about her own background. I caught up with her at the Annapolis Sailboat Show in October, and from the Captain's Cabin onboard the Pride of Baltimore II, we discussed her history as a sailor, 'failure' in the cruising lifestyle, what it's like running a magazine, the writing process and lots more. -- If you liked this conversation you'll LOVE The QUARTERDECK, 59 North's 'deep dives on the art of seamanship.' Join our interactive community and get involved in the conversation at quarterdeck.59-north.com. First two weeks FREE, then multiple pricing options thereafter.  -- ON THE WIND is presented by Pelagic Autopilots, a group of dedicated sailors & engineers, developing autopilot solutions for the blue water cruiser, solo sailor, and racer. Pelagic systems have been tested in races and voyages around the globe. To learn more and to spec your own system, go to pelagicautopilot.com. The show is also presented by Blu3, makers of compact shallow-water tankless diving systems. To find out more about Blu3 tankless diving, go to diveblu3.com  

We kick off a weeklong tribute to Saveur magazine, past and present, with a colorful interview with the one and only Dorothy Kalins, Saveur's founding editor. Dorothy's career in magazines and cookbooks is hall-of-fame-worthy—and in fact, she was inducted into the American Society of Magazine Editors' Hall of Fame in 2018. She was founding editor in chief of Metropolitan Home, a leading baby boom design publication that inspired many magazines to follow. She launched Saveur in 1994, and the publication went on to receive 17 nominations and three National Magazine Awards while inspiring a generation of food editors and writers, as well as the founding of food magazines like TASTE. In this conversation we speak with Dorothy about her career and what led her out of the photo studio and into real life with the documentary-style journalism that made Saveur so important. We talk about creating the Saveur 100 and hear many stories from her decades in food media. We hope you enjoy following along this week as we pay tribute to Saveur. Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you.MORE FROM DOROTHY KALINS:A Founding Editor of Saveur Shares What She Learned [NYT]Dorothy Kalins Elected to ASME Hall of Fame [ASME]

BRANDING COURSE SALE: Find Your Irresistible (offer until Dec. 19) - only $497USD https://www.visibilityonpurpose.com/find-your-irresistible If you've ever wanted to get featured in magazines, listen up FRAND. Tweety gives us the inside scoop on all the world of magazines since she runs her own. In this episode, we talk about... Tweety's journey to starting her own publication (& what it took) What pitches standout to writers and editors (This is *exactly what you want to KNOW!) Product / Brand Placements Building relationships with media contacts and why it's a better long-term strategy than paying for placements What her team is currently writing pieces on (Again, listen up world!) Tweety Elitou is not new to the publishing world. Nurtured by parents who are authors and publishers, the Philadelphia native began her career as a fashion writer at the age of 13. As the former Sr. Lifestyle Editor of BET, Tweety was a key player in expanding the audience and reshaping the Lifestyle vertical on the brand's website. After working for notable media brands, the editor took some time off to enjoy the peace and pleasure of self-care and soft living. It was during this period that BrownStyle Magazine was created. Connect with Tweety: @Tweety Elitou @Brownstyle www.iambrownstyle.com BRANDING COURSE SALE: Find Your Irresistible (offer until Dec. 19) - only $497USD https://www.visibilityonpurpose.com/find-your-irresistible

Join Michael in his conversation with Oliver Franklin-Wallis as they discuss him new book Wasteland: The Secret World of Waste and the Urgent Search for a Cleaner Future which takes inside the secretive multi-billion-dollar waste management industry and shares a blueprint for building a healthier and more sustainable future before we are buried in our own trash.Oliver is an award-winning magazine journalist and is the current feature editor for British GQ magazine. In 2017 he was named the Print Writer of the Year by the British Society of Magazine Editors. This is his first book.

In this episode, James and Lavelle Smith Hall, share an interview James did with ADHD Executive Coach, Brett Green. Brett gives us three tips to help us thrive as entrepreneurs with ADHD. Stick around for the adorable dad joke with Jason Feifer, Entrepreneur Magazine Editor-In-Chief, and his four-year-old son.    To get two free months of podcasting service on Libsyn, use code "PARENTS". Please join us in celebrating the podcast being ranked by FeedSpot as the #10 entrepreneurship podcast!  You know we LOVE dad jokes. Submit your dad joke here and it might get featured on the show! If you love the podcast, please subscribe to it on your fave podcast player, rate it, and leave a review. Also, please share it on social media.  P.S., If you're a tech entrepreneur looking for a co-founder, visit James' startup, Kabila, to download the co-founder matching app.  P.P.S., If you're a Black mom looking for a supportive community, check out Lavelle's MOMLogics.  Read More Quick LinksGet Embed PlayerDownload Audio File Author : Lavelle Smith Hall & James Oliver, Jr. Episode Type : Full

Mario Lopez and Steve Kim are joined by Ring Magazine Editor in Chief Doug Fischer in Studio To Talk Usyk vs Dubois, Weekend Fight Preview & More! 

Tony's life story is incredibly inspiring. He began his career at The Sunday Times Magazine, then became the art director of GQ and was later appointed editor-in-chief of Wallpaper*, which arguably defined the design aesthetic of the noughties and taught us all how to live like urbane Scandinavians. We discussed his childhood home in the 1970s – which was a riot of swirly brown carpet, chintz cushions and fake-brick wallpaper – and his experience living on the Barbican estate in London for 27 years, which is longer than anyone else I know.This conversation was recorded in person at Tony's Barbican home.For more:Head over to our website for more images of the places discussedVisit Tony Chambers' design agency, TC & FriendsSign up to The Modern House newsletter for weekly interior inspirationCheck out Matt Gibberd's latest book, A Modern Way To LiveExecutive Producer: Kate Taylor of Feast CollectiveProduction: Hannah PhillipsMusic: FatherGraphic Design: Tom Young Hosted on Acast. See acast.com/privacy for more information.

Is there ever a "right time" to quit your job, change paths, and bet on yourself? That's the question Jason Feifer asked himself when he was on the verge of getting fired from a small local newspaper in Massachusetts. What he learned next gave him a framework for success that took him to where he is today: editor in chief of Entrepreneur Magazine. Today, Jason sits down with Nely to share that framework. Plus, Jason shares the priceless business advice he learned from Ryan Reynolds. Learn more about your ad choices. Visit megaphone.fm/adchoices

Derek Taylor once held the most important job in ski media at a time when magazines dominated the media landscape. Derek was Editor in Chief of Powder Magazine, but before that, he was a “ski bum” in Crested Butte right about when Seth Morrison and the US Extremes came to town. In the early days, DT made ends meet by freelance writing for outfits like ESPN The Magazine, The Ski Journal, Freeskier, Outside, Bike Magazine, and more. Then he landed the dream job at Powder. On the podcast, we talk about his journey from college soccer player to dirtbag skier, the early days of Crested Butte, and the rise and fall of Powder Magazine. The Buena Vista Surf Club asks Inappropriate Questions. Derek Taylor Show Notes: 3:00:  Rugby, The Hartford Whalers, soccer, and skiing; growing up  10:00:  High School, college soccer, leaving and going to Crested Butte and what the town is like 15:00:  Ski v Snowboard rivalry, and all the players of Crested Butte 20:00:  Rollerblade: They invented inline skating and make the best skates on the planet. Best Day Brewing:  All of the flavor of your favorite IPA or Kolsch, without the alcohol, the calories and sugar. Elan Skis:  Over 75 years of innovation that makes you better. 23:00:  Covering the US Extremes for the school paper, ski bumming, is Vail the enemy article, and landing an internship at Bike 32:00:  Moving to CA and working for free, making a difference at Bike as an intern, going back to Crested Butte, learning how to freelance through friends, X-Games, and leaving CB 41:00:  High Cascade Snowboard Camp: The legendary snowboard camp Stanley:  Get 30% off site wide with the code drinkfast Peter Glenn Ski and Sports:  Over 60 years of getting you out there.  43:00:  Getting hired by Powder, Powder Magazine readership, where they make their money, what is lifelike writing at the mag 49:00:  Pressure at the magazine, favorites, his writing, passed over and eventually landing the Editor in Chief role, and his vision with Powder 56:00:  Crazy expense reports, writing the letter from the editor, managing Powder in the changing landscape of media, and money 63:00:  Changes when getting bought, fighting for his team, what happened to Powder, and giving up work to become a stay-at-home dad   75:00:  Inappropriate Questions with The Buena Vista Surf Club  

As the editor of the Saturday Review for more than thirty years, Norman Cousins had a powerful platform to shape American public debate during the height of the Cold War. Although he was a low-key, nebbish figure, under Cousins's leadership, the magazine was considered one of the most influential in the literary world and his advocacy on nuclear disarmament affect world politics ( his 1945 anti-nuclear essay “Modern Man is Obsolete” was read by over 40 million).Cousins was respected by both JFK and Soviet Premier Nikita Krushchev, whom he visited at his vacation home on the Black Sea. As such, he met with both and passed messages between the two, getting involved in several secret citizen diplomacy missions during the height of the Cold War. He even played a major role in getting the Limited Test Ban Treaty signed. He also wrote JFK's famous 1963 American University commencement speech ("not merely peace in our time but peace for all time."Today's guest is Allen Pietrobon, author of Norman Cousins: Peacemaker in the Atomic AgeCousins was much more important than we realize: he may very well have averted nuclear war.